1984 David Lotton Magnum coral paperweight. Ni chips, cracks, dings, scratches, or other issues. 3.75" wide x 3" tall. DAVID LOTTON David Lotton is a second generation American glassblower. He is the oldest son of Charles Lotton and was introduced to the world of glassblowing at a very young age. In 1970, Charles started building a furnace and began blowing pieces of glass from melted down pop bottles in a shed behind their house. David was there in this infancy and he was Charles first assistant at the age of ten. David has vivid memories of his childhood working in the shop with his father. When most children were playing childhood games he was spending time after school and on the weekends helping him at the bench. By the age of 14 he started learning how to do finishing work, polishing the bottom of the glass flat. David eventually followed in his fathers' footsteps and by the age of 15 began making paperweights. That ignited a passion to begin glass blowing. David has been creating his one of a kind vessels since 1978. His unique handcrafted works are designed with precise attention to detail. Developing his own glass formulas, David has created a complex palette of colors, giving him the ability to create his multi-layering and sculpting style. Each year David continues to study and refine the techniques he uses in creating his art. David's Clematis Reflection Series, Hollyhock Paperweight Series and Mixed Bouquets Series all reflect his floral patterns which capture his love for detail. He combines color and layering to create depth and beauty. His Organic Sculptures reflect movement and rich hues of a summer sunset. David is inspired by all nature. He has a successful ranch in the hills of Kentucky where he is inspired to evolve, change, and grow continually. He commutes back and forth to fulfill both loves. pwdrawer

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c1890 Mt Washington Burmese New England Peachblow collection. Selling the 5 piece collection shown all guaranteed American art glass from the late 19th century. All from the same collection that has been together for generations. Every piece is perfect after very close examination. No damage to handles, no damage whatsoever. No cracks, chips, or restorations. All with factory ground pontils, 4 Burmese pieces glow under a blacklight and the Peachblow vase doesn't. Tallest Vase 7", tallest pitcher, 7 5/8", Peachblow vase 6" MT. WASHINGTON AND PAIRPOINT GLASS Mt. Washington and its successor, the Pairpoint Corporation, was one of America’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture, decoration, pattern, and color - developing a variety of styles and decorating techniques which were so technically complex that few are even practiced today. The Mt. Washington Glass Company was founded in South Boston in 1837, and moved to New Bedford, Massachusetts, in 1870. In 1880, Thomas J. Pairpoint, an English silversmith, was hired to run the Pairpoint Manufacturing Company, another company in New Bedford which Mt. Washington’s owners established to produce ornate silver-plated mounts for Mt. Washington glass. In 1894, the Pairpoint Manufacturing Company absorbed Mt. Washington, and the company was renamed the Pairpoint Corporation in 1900, which remained the company’s name until it went out of business in 1938. It was revived briefly as the Gundersen-Pairpoint Glass Company but closed permanently in 1957. The company’s most successful years were from 1880 (in the height of the opulent Gilded Age) to 1930 (the end of the exuberant Roaring Twenties). MT. WASHINGTON ART GLASS AND CUT GLASS Englishman Frederick Shirley was hired in 1872 to run Mt. Washington’s chandelier department, and two years later was put in charge of the entire company. Shirley was entrepreneurial and litigious, quick to adopt new designs and quick to complain if he thought any other firm was copying his wares. By the time he resigned in 1891, he had amassed a total of 27 patents and five design patents for various types of glass, most of which were quite successful. In 1885, Shirley introduced Burmese glass, a translucent glass that shaded from yellow to pink, which was highly decorated in the elegant and sophisticated style characteristic of the day. It became an immediate success on the Art Glass market. Shirley was a good businessman and took advantage of the dawning age of advertising to promote Burmese glass extensively. Mt. Washington’s large decorating shop specialized in enameling. The decorators who worked on Burmese glass also applied their skills to a variety of other decorated glasses with exotic names like Royal Flemish, Crown Milano, Colonial, and Pearl Satin Ware. By 1890, the company was advertising itself as “Headquarters in America for Art Glass Wares.” tw273

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c1890 Mt Washington Crown Milano American art glass vase. 8" tall with no cracks, chips, or restorations, and nearly no wear to enamel/gold. Amazing square shaped vase continuously decorated throughout. tw273 MT. WASHINGTON AND PAIRPOINT GLASS Mt. Washington and its successor, the Pairpoint Corporation, was one of America’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture, decoration, pattern, and color - developing a variety of styles and decorating techniques which were so technically complex that few are even practiced today. The Mt. Washington Glass Company was founded in South Boston in 1837, and moved to New Bedford, Massachusetts, in 1870. In 1880, Thomas J. Pairpoint, an English silversmith, was hired to run the Pairpoint Manufacturing Company, another company in New Bedford which Mt. Washington’s owners established to produce ornate silver-plated mounts for Mt. Washington glass. In 1894, the Pairpoint Manufacturing Company absorbed Mt. Washington, and the company was renamed the Pairpoint Corporation in 1900, which remained the company’s name until it went out of business in 1938. It was revived briefly as the Gundersen-Pairpoint Glass Company but closed permanently in 1957. The company’s most successful years were from 1880 (in the height of the opulent Gilded Age) to 1930 (the end of the exuberant Roaring Twenties). MT. WASHINGTON ART GLASS AND CUT GLASS Englishman Frederick Shirley was hired in 1872 to run Mt. Washington’s chandelier department, and two years later was put in charge of the entire company. Shirley was entrepreneurial and litigious, quick to adopt new designs and quick to complain if he thought any other firm was copying his wares. By the time he resigned in 1891, he had amassed a total of 27 patents and five design patents for various types of glass, most of which were quite successful. In 1885, Shirley introduced Burmese glass, a translucent glass that shaded from yellow to pink, which was highly decorated in the elegant and sophisticated style characteristic of the day. It became an immediate success on the Art Glass market. Shirley was a good businessman and took advantage of the dawning age of advertising to promote Burmese glass extensively. Mt. Washington’s large decorating shop specialized in enameling. The decorators who worked on Burmese glass also applied their skills to a variety of other decorated glasses with exotic names like Royal Flemish, Crown Milano, Colonial, and Pearl Satin Ware. By 1890, the company was advertising itself as “Headquarters in America for Art Glass Wares.”

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6.75" c1890 Coraline Art glass vase. Minor loss to glass beaded coraline<br>decoration. No cracks, chips, or restorations...

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6 Baccarat Turin Claret Wine Stems in Original box (more available). Buying 6 claret wines shown in mint condition with no damage or wear. No cracks, chips, scratches, restorations, or cloudiness. They come in the original box, box has tape all over it. I have multiple boxes available all in the same condition from the same estate, hardly used if ever. Qty 1 gets you 6 glasses, 2 gets you 12, etc. This is a retired pattern that was only produced from 1982 - 1986. These measure 6" tall x 3" wide at the rim.

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Edward Hald (1883-1980) for Orrefors, Graal Fish Vase 1963 Mid century Modern.<br>This impressive vase designed by Edward Hald is extremely heavy and thick<br>walled. The flash pattern depicts a series of fish and sea weeds. The aquarium<br>effect is significantly enhanced by the reflection of the flashed pattern on the<br>inner walls of the glass vase.Dimensions: 4.75 tal, 6 pounds. Condition: Very<br>good. No chips, cracks or repairs. Wear consistent with age; some light<br>scratches mainly on base as it's very heavy. Signature: "Orrefors Graal vr 310t<br>Edward Hald" script on the base.<br><br>A Note About the Artist: Edward Hald (1883-1980) trained as an architect and<br>painter. He studied in Dresden, Stockholm, Copenhagen and Paris. His time in<br>Copenhagen included work under Johan Rohde; in Paris he worked under Matisse. In<br>1917, Hald worked briefly at Rorstrand, and then began his long association with<br>Orrefors. At the time Edward Hald joined Orrefors in 1917, the early experiments<br>of Simon Gate and the master glassblower, Knudt Bergkvist, for the Graal<br>technique were still evolving. The Graal technique used acid etching or wheel<br>carving to create thin designs in relief on the surface of multilayer, glass<br>blanks. The carved blanks were then heated to a molten state by glassblowers,<br>encased with an additional layer of clear glass to entrap the design, and<br>finally worked with blowing to a finished state. The result was literally,<br>"painting within the glass".Edward Hald created some of the earliest designs to<br>use the Graal method. He continued to work in Graal throughout his long career,<br>including the heavy "Fish Graal" pieces first shown in 1937. Also "Slip Graal"<br>and "Aqua Graal" were favored techniques. Hald also designed many important<br>engraved pieces such as the "Fireworks" bowl. He retired from Orrefors in 1978.

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1980 Chihuly student William Morris Art Glass vase height: 10 1/2 inches, width:<br>10 1/2 inches, depth: 3 1/2 inches. Absolutely no damage or wear whatsoever.<br>This vase represents his early work he was producing at Pilchuck while gaffing<br>for Dale Chihuly.<br><br>William Morris was born in Carmel, California in 1957. He is an American glass<br>artist who has been able to change the history of art within his lifetime.<br>Morris was educated at California State University in Chico, California as well<br>as Central Washington University in Ellensburg, Washington. 
In 1978, Morris<br>arrived at the Pilchuck Glass School and found work initially as a driver.<br>Later, he worked with Dale Chihuly, the founder of the school, and eventually<br>became his chief gaffer in the 1980s. Morris remained with Chihuly for about 10<br>years as his chief assistant before deciding to form his own studio and develop<br>his own artistic style of glass blowing.<br><br>For more than twenty-five years, William Morris has captivated and intrigued the<br>art community with hauntingly evocative and beautiful glass sculptures. He has<br>captured the imagination time and again by creating objects that appear to be<br>ancient stone or woodcarvings, not the modern glass sculptures they actually<br>are. His art speaks of human origins, myth, ancestry, and ancient civilizations.<br>It symbolizes a harmony between humanity and nature and provides a ghost-like<br>bond to the world around us – a world that is often forgotten, ignored, and<br>abused.<br><br>Morris gathers much of his inspiration from ancient cultures from around the<br>world – Egyptian, Asian, Native American – all peoples who respected and admired<br>the land they inhabited. Because of this, Morris’s artwork has become something<br>all its own: culturally distinct and yet familiar to all cultures. His pieces<br>embody a spiritual quality that sharply contrasts old beliefs with those of the<br>modern world. These objects speak to our senses and continuously beg us to<br>explore them further.<br><br>Morris achieved much success during his career and retired in 2007. He spent<br>over twenty-five years honing his skills and pushing the medium of glass further<br>than anyone, including himself, could ever have imagined.<br><br>Morris’ work can be found in numerous public collections including:<br><br>The Metropolitan Museum of Art, New York, NY; Corning Museum of Glass, Corning,<br>NY; American Glass Museum, Millville, NJ; Hokkaido Museum of Modern Art,<br>Hokkaido, Japan; Musee Des Arts Decoratifs, Paris, France; Auckland Museum,<br>Auckland, New Zealand and the Victoria and Albert Museum, London, England.

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Vintage Gambarro & Poggi Murano duck. 5" long signed on base though I couldn't capture it in the photo. No damage or significant wear. pwdrawer

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c1900 Pairpoint heart American Brilliant Period Cut Glass plate. Amazing piece<br>of cut glass 7" wide with no significant damage, very few tiny flakes only<br>visible under extremely close examination, as clean as they get. I couldn't find<br>any identifying marks but it's Pairpoint.<br>isshelf

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Waterford Kylemore Cut Crystal Claret Wines (5). Each is 6" tall x 3" wide at<br>rim, selling 5 claret goblets for one price. They are all free from cracks,<br>chips, dings, none are ground down, no cloudiness, or scratches. This beautiful<br>pattern was retired in 2017. They are marked as shown, the acid stamps are on<br>the base of the glasses visible on the top of the bases of the second pic if you<br>look closely.<br><br>Blk Crate

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6 French Baccarat Turin Claret Water goblet Stems in Original box (more<br>available). Buying 6 water goblets shown in mint condition with no damage or<br>wear. No cracks, chips, scratches, restorations, or cloudiness. They come in the<br>original box, box has tape all over it. I have multiple boxes available all in<br>the same condition from the same estate, hardly used if ever. Qty 1 gets you 6<br>glasses, 2 gets you 12, etc. This is a retired pattern that was only produced<br>from 1982 - 1986.<br>These measure 6 5/8" tall x 3.25" wide at the rim.

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18" French Lalique Champs-Elyses Bowl. This one is about 20 years old, fresh<br>from a 4 million dollar home in extremely clean preowned condition with no<br>chips, cracks, tiny nicks, scratches on top or sides. Very slight shelf wear to<br>the base as this thing does way a ton. Current retail on this is $3800.<br>Item# 1121600<br>Dimensions: H 7.48" x L 18.11" x W 7.48" (H 19.00 cm x L 46.00 cm x l 19.00 cm)<br>Weight: 13.67 lbs (6.20 kg)<br>The spectacular rows of trees lining the most beautiful avenue of the world<br>inspired the design of the finely engraved crystal leaves that adorn the<br>Champs-Elyses Crystal Bowl, designed by Marc Lalique Crystal in 1951. In this<br>work of art, the artist captures the beautiful essence of Paris. This emblematic<br>artwork was designed in 1951 by Marc Lalique Crystal.<br>Handcrafted in France.

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French Lalique crystal paperweight. 4.25" x 3" genuine Lalique crystal with no<br>scratches, chips, cracks, or other issues.<br>pwdrawer

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Studio Cameo Art Glass Cachepot. Looks to be dated 1984 and a few illegible<br>signatures. Great piece with no damage or issues. Has one crimp in the top<br>obviously intentional as it was done before the piece was engraved. 7.75" wide x<br>4.25" tall. The house this came from had the best of everything and this is<br>obviously great.<br>isshelf

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c1910 French Renee Lalique Perfume Atomizer 3.75" tall x 1 5/8" wide with no<br>damage, atomizer untested for functionality. Marked R. Lalique Made in France on<br>base in mold.<br>perfumedrawer

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c1900 Cranberry Bohemian Moser art glass vase. 8 3/8" tall with no damage,<br>minimal wear to gilding. Antique piece well over 100 years old, unmarked, likely<br>Moser.<br>tw270

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c1900 American Brilliant Period Cut Glass candelabra. Amazing piece with no<br>significant issues, no damage to glass, no identifying marks found. 21.25" tall<br>approx 13.5" wide x 12" tall to top of glass from base. To me it seems obviously<br>American though I didn't research the maker, whatever it is it's rare and super<br>special. Fresh from a 4 million dollar home, likely an early American mansion<br>before that. The mounts aren't marked, no wear to plating but I'm assuming<br>silver plate. Removable original bobeches and top insert for up to 5 lites.<br>isshelf

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1988 Selkirk Art Glass paperweight. Signed Selkirk Glass Original 1988 416/500 3 3/8" wide x 3 1/8" tall with no scratches, dings, or damage. pwdrawer.

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c1880 French Baccarat pressed glass pineapple compote. Unusual piece with holes I suppose for short prisms to hang, I'm sure it's an antique piece and though I don't have time to research it I feel it's Baccarat as I've had a fair amount of Baccarat pressed glass. Unmarked 7" wide x 2 5/8" tall. tw270

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c1900 Green Moser gold enamel art glass vase. 12 3/8" tall, late 19th to early 20th century. A few small chis to factory ground rim, largest shown in third pic, nothing detectable without very close examination and they could be easily ground down. isshelf

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15" Robert Eickholt Heavy Abstract studio art glass centerpiece bowl. 15" wide with no damage or detectable wear. Robert Eickholt is a well known glass artist who has been creating captivating blown glass for over 40 years. Robert founded Eickholt Glass in 1978 when he returned home to Columbus, Ohio after studying glassblowing in Berkeley, California. Once home he continued his studies at Ohio State and at the Columbus College of Art and Design. Since its founding the studio has produced numerous types of beautiful art glass creations such as paperweights, vases, eggs, sculptures and perfume bottles. Each piece is made one at a time and completely unique. Eickholt Glass is quite well known for their distinctive designs which incorporate precious metals including gold and silver and rare oxides like cobalt and copper. Their beautiful art glass has earned them accolades worldwide. tw243

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c1900 French Porcelain topped trinket box with art glass base 1.75" wide late<br>19th to early 20th century 1 1/8" tall. No cracks, chips, or restorations, tight<br>hinge, lid snaps shut and stays shut.<br><br>trinketdrawer

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c1900 23.75" Palatial Moser gold decorated vase. Entirely hand painted, huge piece 23.75" tall x 6" wide at the rim. Some wear to gilding, no cracks, chips, or restorations. Guaranteed late 19th to first quarter of the 20th century. Apparently unmarked other than the engraved number or initial inside the factory ground pontil.

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1970's Lalique Nina Ricci Bath salts box. These bath salts were bought fifty years ago and never used. A half century old bath crystals ready for current use and a magnificent Lalique frosted crystal vanity box as a premium -what a premium! Rene Lalique frosted glass box with molded relief decoration of a pair of love doves on l the lid. 5.5" wide x 3.5" tall. Near microscopic chigger bite on the very inside rim on the lid shown top center of the 5th picture. No other damage or wear. isshelf

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c1910 Amber Loganberry Carnival Glass Vases By Imperial Pair. Selling the pair shown with wonderful color and iridescence. True amber base color on these 10" tall x 6" wide, a true estate fresh pair that's been together for over 100 years with the same family that never sold anything. These both have very nice iridescence, better than average. 9-10 years ago a few of these brought over 2k each for one vase at Seeck Carnival glass auction. I'm going to assume that those bidders got carried away and possibly they even had better iridescence even though that's difficult to imagine. isshelf

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1950's Large Barovier and Toso Murano Woman with Bouquet figure. Very large figure in mint condition with no damage or wear, was covered in 60-70 years of k protecting her, she's clean now. 11.5" tall, very substatial. And yes I can pack her correctly to get you safely. No identifying marks. isshelf

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c1910 Carnival glass horse head bowl. 8 7/8" wide with no damage or detectable wear whatsoever, nice color.

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c1870 Bohemian for Persian market Ruby cut to clear Hookah base. Great hookah base from the 19th century, Bohemain glass for persian market. No cracks, chips, or restorations. Some wear to gilding and hard water deposits in interior. 10.75" tall x 5" wide x 1 5/8" width of the inside of rim wall to wall. isshelf

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c.1910 Northwood Ice Blue Carnival Glass bowl in Nippon Pattern. No cracks,<br>chips, flea bites, or scratches. Nice iridescence, 8 5/8" wide.

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Large c1890 Wavecrest Hand Painted Art glass dresser box. 7.25" wide x 4" tall<br>with no cracks or chips to glass, nice strong frame and hinge. Missing bottom<br>liner, slight wear to decoration.<br>tw270

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2 Mid Century Italian Murano Applied Glass toothpick holders. Selling both the toothpicks shown, the cranberry with loss to one petal. No other damage. Tallest 2.75" toothpickdrawer

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Vintage Cranberry Murano apple. 2 3/8" tall and wide with no damage or wear. Top quality Italian murano glass from the third quarter of the 20th century. pwdrawer

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c1900 Huge Moser Art Nouveau Bohemian Art Glass Ewer Green with Raised gold. 18"<br>tall x 7" wide at base. Very large piece of 110+ year old Bohemian art glass,<br>unsigned Moser. High quality raised gold with no cracks, chips, or restorations.<br>Minor wear to gilding, and small amount of mineral deposits in interior.<br>isshelf

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Nicholas J. Lutz(1835-1906) Attributed Unusual Victorian Art Glass Enameled<br>Latticino Vase. 7.75" tall, extremely special piece of glass. Latticino like the<br>best Italian glass with Enameling equivalent to the best French/American art<br>glass of the period. This piece is definately well over 100 years old I'm<br>certain and guaranteeing it to be. Ground pontil, natural wear on base, best<br>quality imaginable with no damage or flaws other than minor wear to gilding.<br>Really if this is what I think it is it belongs in a museum as it's a top<br>example of someone's work, if you have any better ideas base on<br>reality/experience I'd also be grateful for that.<br><br>Nicholas J. Lutz (21 February 1835 St. Louis-lès-Bitche, France - 31 March 1906<br>Somerville, Massachusetts) was a French glassmaker who received his training at<br>the Cristalleries de St. Louis, and later emigrated to the United States where<br>he settled in White Mills in Pennsylvania, later working at the Boston and<br>Sandwich Glass Company<br>isshelf

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1960's Murano JFK Paperweight John F Kennedy President. Nice large and uncommon<br>paperweight. 3.25" tall x 3.75" wide with no cracks, chips, dings, or scratches.<br>Minimal expected shelf wear on base.<br>pwdrawer

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c1940 French Baccarat Perfume Bottle Collection. Selling the 4 Bottles with<br>ground stoppers all French Crystal St Louis or Baccarat from the first half of<br>the 20th century. Average 3.5" tall with no chips, The Frosted Faberge has a<br>ground base that is acid etched Faberge Bottle Made in France.<br>TW162

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c1940 French Baccarat Perfume Bottle Collection. Selling the 4 Bottles with<br>ground stoppers all French Crystal St Louis or Baccarat from the first half of<br>the 20th century. Average 3.5" tall with no chips, The Frosted Faberge has a<br>ground base that is acid etched Faberge Bottle Made in France.<br>TW162

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c1900 Art Nouveau Sterling Silver Overlay Art glass Tankard. Nice sized tankard<br>10 1/8" tall x 3 5/8" wide at rim including spout. No cracks, chips, or<br>restorations. Looks to have an illegible hallmark at top of silver above the<br>handle, tests sterling.<br>isshelf

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1920's Durand Blue Cut to Clear glass Vase. 8 5/8" tall with no cracks, chips,<br>or restorations. Does appear to have some cloudiness in the interior which I<br>didn't attempt to remove. unmarked.<br><br>Durand art glass was made between 1924 and 1931. Durand was the art glass<br>division of Vineland Flint Glass Works in New Jersey which was founded by Victor<br>Durand in 1897. Many of the glass artists came from the Quezal Art Glass company<br>which closed in 1924. The artists at Durand were granted a great deal of freedom<br>to produce glass in a variety of styles. Many pieces were blown using an unusual<br>yellow glass which many collectors now refer to as "Ambergris". Durand produced<br>a wide variety of art glass items including bowls, vases, perfume bottles,<br>candlesticks and lamps. Durand's art glass quickly gained fame for its beauty<br>and quality. In 1926 Durand received a medal of honor at the Sesquicentennial<br>International Exposition in Philadelphia. Sadly production ceased in 1931 when<br>Victor Durand died in an auto accident.<br>b34

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c1910 Austrian Iridescent Art Glass Twist Stem candlestick. 12" tall, likely<br>made as a candlestick but would also work as a vase. No cracks, chips, or<br>restorations. Fully iridized exterior that doesn't show well in the pics.<br>isshelf

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2 1980's Steven Maslach Art Glass Goblets. 2 Handmade artist signed goblets<br>varying slightly as they are completely handmade. 7.75" tall x 3 3/16" wide at<br>rim with no cracks, chips, restorations, or other issues.<br>B15

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c1910 Loetz Candia Papillon Footed vase. 5 3/8" tall with 4.75" rim, unmarked<br>with no cracks, chips, or restorations.<br>B48

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Large David Lotton Art Glass Paperweight. 3 5/8" wide x 3" tall with no cracks,<br>chips, restorations, or scratches. Signed and dated David Lotton 1995<br><br>DAVID LOTTON<br>David Lotton is a second generation American glassblower. He is the oldest son<br>of Charles Lotton and was introduced to the world of glassblowing at a very<br>young age. In 1970, Charles started building a furnace and began blowing pieces<br>of glass from melted down pop bottles in a shed behind their house. David was<br>there in this infancy and he was Charles first assistant at the age of ten.<br>David has vivid memories of his childhood working in the shop with his father.<br>When most children were playing childhood games he was spending time after<br>school and on the weekends helping him at the bench. By the age of 14 he started<br>learning how to do finishing work, polishing the bottom of the glass flat. David<br>eventually followed in his fathers' footsteps and by the age of 15 began making<br>paperweights. That ignited a passion to begin glass blowing.<br><br>David has been creating his one of a kind vessels since 1978. His unique<br>handcrafted works are designed with precise attention to detail. Developing his<br>own glass formulas, David has created a complex palette of colors, giving him<br>the ability to create his multi-layering and sculpting style. Each year David<br>continues to study and refine the techniques he uses in creating his art.<br><br>David's Clematis Reflection Series, Hollyhock Paperweight Series and Mixed<br>Bouquets Series all reflect his floral patterns which capture his love for<br>detail. He combines color and layering to create depth and beauty. His Organic<br>Sculptures reflect movement and rich hues of a summer sunset. David is inspired<br>by all nature. He has a successful ranch in the hills of Kentucky where he is<br>inspired to evolve, change, and grow continually. He commutes back and forth to<br>fulfill both loves.<br>b48

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c1890 Cranberry Threaded Enameled Water pitcher. Great piece with no cracks,<br>chips, or restorations. Possibly Stevens and Williams, definitely 120-130 years<br>old. 9.25" tall x 7.5" handle to spout.<br>isshelf.

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Casa Del Regalo Bortoli Mid century Alabastro Murano Apple paperweight 3.5" wide x 3" tall with no cracks, chips, or restorations. pwdrawer

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c1880's Huge EAPG Priscilla by Dalzell, Gillmore and Leighton Glass Centerpiece<br>compote. Uncommon/difficult to find in the large size. 12.25" wide x 8" tall<br>with no cracks, chips, restorations, or detectable wear.<br>isshelf

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Arthur Allison Texas Studio Art glass miniature vase/toothpick holder. 3" tall with no damage or wear. toothpickdrawer

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c1890 Mt Washington art glass toothpick holder. 2" tall x 1 7/8" wide with no cracks, chips, or restorations. toothpickshelf

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4 Mid Century Murano Satin glass Toothpick holders/miniature vases. Selling the 4, all vintage from the third quarter of the 20th century. No damage or wear other than wear to labels. Two have original labels, others unmarked but guaranteed Italian Murano glass. Tallest 2 3/8" x 2.5" wide at rim. toothpickdrawer

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1920's Steuben Alabaster Lamp Shade Vase Flared. No cracks, chips, or restorations, expected wear to base on about 100 year old piece of glass. 5.5" tall x 5 9/16" wide at rim. I could not find a mark but it is definitely Steuben from the first quarter of the 20th century. isshelf

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Mid Century Italian Murano Glass Ducks Sun colored amethyst 13.5" tall with no damage or wear. One red, one blue, a good old set. Definitely Murano, unsure of the company/artist. Estate fresh and they were in a window with tons of dust around where they were sitting. I'm 95% sure they were originally clear one with blue the other red highlights and they clear part turned purple from prolonged exposure to UV light from the sun. This happens when glass has Manganese in it. I realize this black background doesn't highlight the beautiful purple but I just didn't have time to change the background. Selling the pair shown. issshelf

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c1890 Poofy Mt Washington Art glass Melon Ribbed hand painted Biscuit jar with<br>silver plate mountings. I didn't polish the silverplate so it's possible there<br>is wear to the plating. No crack, chips, or other damage. 7.5" tall without<br>handle extended x 7.5" wide.<br>TW261

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c1910 French Renee Lalique Perfume bottles. Selling both substantial Renee<br>Lalique perfume bottles from the first quarter of the 20th century. The one on<br>the right, Violette D'Orsay's glass is made by Baccarat and the Metal Lalique.<br>It's marked with the Crown RL mark in the metal which I did a bad job showning.<br>It's a well documented but very scarce bottle that has surfaced at both Heritage<br>and Rago's Auction in excess of 2k. Debans Atomizer on the left which I didn't<br>attempt to use but the bottom of the bronze atomizer hose looks like it may be<br>stopped up. They measure 5" and 5 3/8" tall. No chips, cracks, or restorations.<br>TW60

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1989 Freeform Art glass paperweight. Dated 89 on one side and illegible signature on the other. 3.75" long x 2.5" tall with no damage or detectable wear. pwdrawer

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Mid Century Murano Cranberry Murano bowl. Great period mcm bowl from about the 1950's. Cased glass with clear outside of cranberry, ground pontil, unmarked. 6.5" wide x 2.75" tall. isshelf

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French Baccarat Angels Pair. Selling both the Baccarat Angels shown in original<br>boxes. Largest 4.5" long for the figure without the box. One with original<br>label, both signed in two places, no scratches, damage, or wear.<br>tw162

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c1920 Renee Lalique Coty Perfume Bottle collection. Selling the 4 bottles shown<br>Marked Coty and Coty France but made by Lalique in the first half of the 20th<br>century. Tallest 2 7/8", so they are not large bottles. No cracks, chips, or<br>restorations. The two taller ones lids come off and there are numbers scratched<br>on inside of stoppers. The two shorter ones have fronzen lids which can be<br>unfrozen with hot and cold.<br>TW229

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c1940 French Baccarat/Lalique perfume bottles in original boxes. Selling the<br>three bottles from the first half of the 20th century. All bottles are unmarked<br>other than some scratched numbers on ground base of the Narcisse bottle. The<br>Narcisse and the Guerlain are Baccarat and the Worth is Lalique. Guerlain box is<br>4 7/8" x 3" wide bottle is 4" tall Worth bottle is 2 7/8" tall, Narcisse is 2<br>1/8" tall. Tiny flakes to sharp ground rim of Narcisse bottle, no large chips.<br>No other chips, flakes or cracks. No lid for Narcisse bottle's box.<br>tw229

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c1930 Steuben Gold Aurene Electric lamp with Ornate brass fittings. Fantastic<br>Steuben lamp from the 1920's or 30's with very high quality original fittings,<br>Handel made many of Steuben's lamps but I see no markings. Please excuse<br>pathetic pics I don't have room to photograph the whole thing at once. 25.5"<br>tall, fresh from an amazing Steuben collection last acquired in 2008. No damage<br>whatsoever, the finial is amazing also with a cut Amber glass prism. Buying what<br>you see here with no damage and it will be packed by a pro.

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2 Mid Century Italian Murano Latticinio toothpick holders. Selling the two with no flaws, damage, or wear, all apparently unmarked but guaranteed Italian Murano glass. Tallest 2 7/8" x 2 1/8" wide., largest a little big for a toothpick but these were part of a toothpick collection put together in the mid to late 20th century. toothpickdrawer

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Pat 1909 Arts and Crafts Period Hand Hammered Copper and Stained Glass Lamp<br>shades. Fantastic pair of Period American Arts and Crafts lamp shades with no<br>damage and a fantastic patina to the copper. Pat May 4 1909 as shown in the<br>second pic. These could be Handel, Stickley, Roycroft, there are many<br>possibilities and all of them good. The construction and quality of these is<br>amazing, all hand hammered copper, completely hand made. 4 3/8" long x 3 3/8" at<br>fitter top 4" wide at base. Selling the pair shown.<br>tw193

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c1900 Enameled Art glass trinket box. 2" wide x 1 1/8" tall, no cracks, chips, or other issues. Strong hinge, and clasp functionally snaps shut and stays shut. Great little pill box/trinket box. Vivid colors that somewhat washed out in the photos due to the lighted table. perfumedrawer

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Mid Century Burmese art glass miniatures/toothpicks. Both the highest quality,<br>hand blown. Either Murano or Pairpoint. Tallest 2.5", both glow under<br>blacklight. These are both mid 20th century or older with no damage whatsoever,<br>no flaws.<br>toothpickdrawer

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3 Contemporary art glass shot glasses/toothpick holders. One signed Joel Bloomberg, two Astral glass dated 2017. Tallest 2 3/8", all with no damage or wear. Selling all three. toothpickdrawer

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c1930 Steuben Gold Aurene Candle holders with Sterling Silver Bobeches. 5 3/8"<br>tall x 3 1/8" wide at rim x 4.75" wide base. They will take up to 1.75" wide<br>votive or flameless candles or taper candlesticks. These are unsigned, I'm<br>attributing them to Steuben. I'm 100% sure they are American art glass from<br>c1910's to 1930's. I had a pair of these identical with the same sterling<br>bobeches heavily tarnished as these were about 25 years ago and they were<br>signed, I think it was Steuben but that was long ago. It's not a common shape.<br>Selling the pair with no cracks, chips, or restorations. My asking price on<br>these is slightly less than half what I seem to remember selling the other pair<br>for 25 years ago.<br><br>B15

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The Best 1960's Recycled Beer Bottle Art Glass Biomorphic Decanter/Tumbler set. Most likely Mexican, guaranteed 1970's at the latest, period MCM set of the best quality and design. Made from recycled beer/soda bottles likely out of necessity. The Artisan that made this didn't have the resources of Italian/Danish Artisans of the Era, but he overcame and did an amazing job on this one of a kind set. 8 tumblers 6.25" tall x 2.75" wide, 15" tall decanter with stopper that forms a tight seal. Selling the set shown, the only one you'll find like it. isshelf

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1920's French Art Deco Baccarat Chinoiserie art glass vases. Selling both vases<br>Baccarat mold blown French crystal from the first quarter of the 20th century. 8<br>3/8" tall with 4 3/8" x 2 5/8" wide rim. Rare to find especially in a pair in<br>this condition with no cracks, chips, restorations, or cloudiness.<br>B48

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c1920 Tiffany Favrille Pitchers. Selling both Tiffany American art glass<br>pitchers from the first quarter of the 20th century. Tallest 5 3/8" unmarked,<br>slight roughness to ground pontil, no cracks, chips, or restorations. Smallest<br>Signed 1194 L.C. Tiffany Favrille and still retaining original label. Selling<br>both pitchers. Both Tiffany but only one signed. Both documented Tiffany shapes<br>with unmistakable quality from the same estate collection.<br><br>Louis Comfort Tiffany (1848 - 1933): The Founder of Tiffany Studios was a master<br>artist in the style of Art Nouveau and the design director at Tiffany & Co.<br>Whether it be with glass, jewelry or painting supplies, everything Tiffany<br>crafted was done with the utmost perfection. Often his paintings were of<br>brilliant landscapes inspired by his travels to Europe. However, he painted all<br>over the world from Africa to Asia, North America and Europe. Along the way he<br>gain access to many memberships including the National Academy of Design in 1887<br>and Chevalier of the Legion of Honor of France. He also won several awards and<br>had his art exhibited at: The Museum of Modern Art, Metropolitan Museum of Art,<br>the Chicago Institute of Art and many others. While he is most well know for his<br>jewelry company and beautiful favrile glass, Tiffany's talents as an artist have<br>not been forgotten<br>B48

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c1920 Bohemian Art Deco Iridescent art glass biscuit jar 6.5" tall without<br>handle x 5.25" wide with no cracks, chips, or restorations. Great piece from the<br>first quarter of the 20th century.<br>B48

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1998 Zellique Intaglio Cat Perfume bottle. No cracks, chips, scratches, or<br>dings. 3.75" tall x 3.25" wide.<br>b48

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c1900 Art Nouveau Sterling Silver Overlay Art glass Vases. Selling both vases<br>shown, Loetz Iridescent 4.25" tall, The other pink cased Opaline 5 1/8" tall<br>with Sterling fish mark. Both tested sterling but I could find no markings on<br>the Loetz piece which is typical.. Neither with any cracks, chips, or<br>restorations.<br>tw134

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c1910 Bohemian Loetz Phaenomen Art glass shade. No cracks, chips, or<br>restorations, 3.75" tall x 4.5" wide at rim with no identifying marks. 2 3/16"<br>wide at fitter base.<br>TW134

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c1880 Moser Decanter with Applied Enamel Hawk. 12 7/8" tall with no cracks,<br>chips, or restorations, minor cloudiness in interior that could possibly be<br>removed or will disappear when filled with liquid.<br>tw217

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c1890 Cut Glass Double Castor in Silverplate holder. 10" tall x 8" wide with 5.75" jars with 2" openings. Great practical set ready to use. One jar has a shallow chip that could easily be polished out without effecting the jars beauty or usefulness. No other chips, cracks, or restorations. I ddin't polish it but looks as though brass may be showing through on the sharp edges. Sighed R Bros with Acorn Mark. tw161

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American Steuben MCM art glass Centerpiece. 10" wide x 4 5/8" wide with no<br>cracks, chips, or restorations. A few tiny non distractive scratches under close<br>examination and of course the expected shelf wear on base as this is an<br>old/heavy piece of glass.<br><br>Steuben Glass is an American art glass manufacturer, founded in the summer of<br>1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is<br>in Steuben County, from which the company name was derived. Hawkes was the owner<br>of the largest cut glass firm then operating in Corning. Carder was an<br>Englishman (born September 18, 1863) who had many years' experience designing<br>glass for Stevens & Williams in England. Hawkes purchased the glass blanks for<br>his cutting shop from many sources and eventually wanted to start a factory to<br>make the blanks himself. Hawkes convinced Carder to come to Corning and manage<br>such a factory. Carder, who had been passed over for promotion at Stevens and<br>Williams, consented to do so. In 1918, Steuben was acquired by Corning Glass<br>Works and became the Steuben Division. In July 2008, Steuben was sold by Corning<br>Incorporated for an undisclosed price to Schottenstein Stores,[2] which also<br>owns 51% of Retail Ventures, a holding company for DSW, Filene's Basement, and<br>formerly Value City Department Stores; Value City Furniture, which changed its<br>name to American Signature Furniture; 15% of American Eagle Outfitters, retail<br>liquidator SB Capital Group, some 50 shopping centers, and 5 factories producing<br>its shoes, furniture and crystal. On September 15, 2011, Schottenstein announced<br>it was shutting down Steuben's Corning factory and Manhattan store, ending the<br>company's 108-year history. Soon after, Corning Incorporated repurchased the<br>Steuben brand. In early 2014, The Corning Museum of Glass announced that it<br>would work with independent contractors to reproduce Steuben using a new,<br>lead-free formula and their classic leaded crystal. Carder period<br>(1903-1932)[edit] Steuben Glass Works started operation in October 1903. Carder<br>produced blanks for Hawkes and also began producing cut glass himself. Carder's<br>great love was colored glass and had been instrumental in the reintroduction of<br>colored glass while at Stevens and Williams. When Steuben's success at producing<br>blanks for Hawkes became assured, Carder began to experiment with colored glass<br>and continued experiments that were started in England. He soon perfected Gold<br>Aurene which was similar to iridescent art glass that was being produced<br>by Tiffany and others. Gold Aurene was followed by a wide range of colored art<br>glass that eventually was produced in more than 7,000 shapes and 140 colors.<br>These are a pair of handblown Steuben gold Aurene glass candlesticks designed by<br>Frederick Carder for the Steuben Glass Works, ca. 1913. (From a private<br>collection in Manhattan, New York.)Steuben Glass Works continued to produce<br>glass of all sorts until World War I. At that time war time restrictions made it<br>impossible for Steuben to acquire the materials needed to continue manufacture.<br>The company was subsequently sold to Corning Glass Works and became the Steuben<br>Division. Carder continued as Division manager without any real change in the<br>company's operation except that he now had reporting responsibilities to Corning<br>Glass Works' management. Corning's management tried, mostly unsuccessfully, to<br>limit the articles that Steuben made to only the most popular. Production<br>continued until about 1932. In 1932, there was a major change in Steuben<br>management. The nationwide depression had limited the sale of Steuben and there<br>was a lessening of public interest in colored glass. In February 1932, John<br>MacKay was appointed to Carder's position. Carder became Art Director for<br>Corning Glass Works. Steuben then produced primarily colorless art glass.<br>Steuben still produced colored art glass, but mostly to fill special orders. A<br>few new colors were added after Carder transitioned into his new role with<br>Corning Glass Works, but the last known sale for colored art glass by Steuben<br>was in 1943. Houghton period (1933–2012) An example of Steuben Glass design<br>during the Houghton era is the Balustrade Candlestick set, which mimics a<br>classical balustrade. Of special note is the hallmark of the perfectly formed<br>tear drop air bubble suspended in the design.Corning Glass Works<br>appointed Arthur A. Houghton Jr. as President in 1933, and under his leadership<br>Steuben changed artistic direction toward more modern forms. Using a newly<br>formulated clear glass developed by Corning (referred to as 10M) which had a<br>very high refraction index, Steuben designers developed beautiful, fluid<br>designs. Pieces such as Gazelle Bowl, designed by Sidney Waugh incorporated Art<br>Deco and modernist themes into glass. The themes during this period included<br>"balustrade" designs for water goblets and candlesticks, footed bowls and<br>serving pieces. Decorative forms included wildlife pieces representing owls,<br>penguins and other birds in smooth stylistic forms. Some pieces, such as the<br>Ram's Head Candy Dish, playfully included clean lines crowned by an ornate<br>design (a ram's head, complete with a ruff) on the lid as an homage to its<br>classic earlier pieces. The company also entered into the field of larger show<br>and presentation pieces celebrating various scenes (such as its cut-away design<br>featuring an Eskimo ice fisherman above the ice, and the fish below, or the<br>Cathedral Window design) and elements that incorporated etchings. In some cases<br>sterling silver or gold plating were used on metal finish elements such as the<br>golden "fly" atop the nose of a rainbow trout. Each piece is signed simply with<br>"Steuben" on the underside of the object. Toward the 1990s, the company also<br>began production of small objects—"hand coolers"—in various animal shapes. Items<br>from this period were also noted for their careful and elegant packaging. Before<br>boxing, each Steuben piece was placed in a silver-gray flannel bag (stitched<br>with the Steuben name), and then placed in a presentation box.<br><br>tw5

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Chinese Republic Period Peking Glass Mirrored Pair Bud Vases. Great pair of hand<br>cut Chinese Peking glass vases from the first quarter of the 20th century. 9<br>5/8" tall x 3 7/8" wide. One with very small flake to decoration shown in the<br>last pic. Not noticeable, the only way I found it was with my hand.<br>isshelf

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c1890 Nakara Art glass dresser box. No cracks, chips, or restorations. Tight strong hinge. 3.75" wide x 2.5" tall. dresserdrawer

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c1880's 6" Antique Kugel Christmas ornament Mercury glass ball. Very thick<br>antique glass guaranteed authentic. Good condition with no chips, cracks, or<br>dings, very clean 140 or so year old mirroring.<br><br>Holiday trees in 1840 were adorned with apples, gilded and natural fruits and<br>nuts, cookies, popcorn and cranberries, as well as homemade paper items,<br>candles, cornucopias, and presents. It was during this decade that the first<br>commercially produced Christmas decorations appeared. In 1848, the first glass<br>ornament, a kugel, appeared in Germany. The kugel was a large hollow ball<br>ranging in size from 1 inch to 18 inches. Smaller ones were used for tree<br>decorations. The blown, molded, figural glass ornaments that we are familiar<br>with today evolved from the tradition of blowing kugels. These ornaments were<br>not sold in America until 1880.<br><br>Kugel is a German word that means "ball" and can be used to describe any type of<br>ball-like object. Collectors used this term to describe any early thick glass<br>ornament with a decorative cap. Early Kugels were too heavy to hang on tree<br>branches; instead they were suspended from the ceiling. Soon after their<br>invention, the Germans decided small Kugels should adorn tree boughs in shapes<br>such as grapes, berry clusters, apples and pears. F. W. Woolworth is given<br>credit for bringing Kugels to America in the 1880s. His initial investment of<br>$25 turned into sales of at least $25 million worth of Kugels over the next<br>several years.<br>isshelf

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Vintage French Lalique Dresser Box. 5.5" x 2", nice large powder dish or box with no cracks, chips, or detectable wear. TW58

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Formia Sommerso Murano Vases Pair. Selling the pair of vases 10.25" tall with no damage or wear, one dated 2007, both with original labels. b13

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1920's Steuben Carder Era Fan Vase Pair, One green with castle etching, one<br>amber. Green with Steuben Acid stamp in pontil, amber apparently unmarked. No<br>cracks, chips, restorations, or significant wear. Both approximately 8.5" tall x<br>7" wide at rim.<br><br>Steuben Glass is an American art glass manufacturer, founded in the summer of<br>1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in<br>Steuben County, from which the company name was derived. Hawkes was the owner of<br>the largest cut glass firm then operating in Corning. Carder was an Englishman<br>(born September 18, 1863) who had many years' experience designing glass for<br>Stevens and Williams in England. Hawkes purchased the glass blanks for his<br>cutting shop from many sources and eventually wanted to start a factory to make<br>the blanks himself. Hawkes convinced Carder to come to Corning and manage such a<br>factory. Carder, who had been passed over for promotion at Stevens and Williams,<br>consented to do so.<br>isshelf

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1920's Steuben Carder Era Fan Vase Jade and Alabaster. 8.5" tall x 7" wide<br>guaranteed authentic Carder Era Steuben. Apparently unmarked. No cracks, chips,<br>restorations, or significant wear.<br><br>Steuben Glass is an American art glass manufacturer, founded in the summer of<br>1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in<br>Steuben County, from which the company name was derived. Hawkes was the owner of<br>the largest cut glass firm then operating in Corning. Carder was an Englishman<br>(born September 18, 1863) who had many years' experience designing glass for<br>Stevens and Williams in England. Hawkes purchased the glass blanks for his<br>cutting shop from many sources and eventually wanted to start a factory to make<br>the blanks himself. Hawkes convinced Carder to come to Corning and manage such a<br>factory. Carder, who had been passed over for promotion at Stevens and Williams,<br>consented to do so.<br>isshelf

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c1880's 7.5" Antique Kugel Christmas ornament Mercury glass ball. Very thick antique glass guaranteed authentic. Good condition with no chips, cracks, or dings, slight loss to 140 or so year old mirroring.Holiday trees in 1840 were adorned with apples, gilded and natural fruits and nuts, cookies, popcorn and cranberries, as well as homemade paper items, candles, cornucopias, and presents. It was during this decade that the first commercially produced Christmas decorations appeared. In 1848, the first glass ornament, a kugel, appeared in Germany. The kugel was a large hollow ball ranging in size from 1 inch to 18 inches. Smaller ones were used for tree decorations. The blown, molded, figural glass ornaments that we are familiar with today evolved from the tradition of blowing kugels. These ornaments were not sold in America until 1880.Kugel is a German word that means "ball" and can be used to describe any type of ball-like object. Collectors used this term to describe any early thick glass ornament with a decorative cap. Early Kugels were too heavy to hang on tree branches; instead they were suspended from the ceiling. Soon after their invention, the Germans decided small Kugels should adorn tree boughs in shapes such as grapes, berry clusters, apples and pears. F. W. Woolworth is given credit for bringing Kugels to America in the 1880s. His initial investment of $25 turned into sales of at least $25 million worth of Kugels over the next several years. tw198

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c1880's 7" Antique Kugel Christmas ornament Mercury glass ball. Very thick antique glass guaranteed authentic. Good condition with no chips, cracks, or dings, slight loss to 140 or so year old mirroring.Holiday trees in 1840 were adorned with apples, gilded and natural fruits and nuts, cookies, popcorn and cranberries, as well as homemade paper items, candles, cornucopias, and presents. It was during this decade that the first commercially produced Christmas decorations appeared. In 1848, the first glass ornament, a kugel, appeared in Germany. The kugel was a large hollow ball ranging in size from 1 inch to 18 inches. Smaller ones were used for tree decorations. The blown, molded, figural glass ornaments that we are familiar with today evolved from the tradition of blowing kugels. These ornaments were not sold in America until 1880.Kugel is a German word that means "ball" and can be used to describe any type of ball-like object. Collectors used this term to describe any early thick glass ornament with a decorative cap. Early Kugels were too heavy to hang on tree branches; instead they were suspended from the ceiling. Soon after their invention, the Germans decided small Kugels should adorn tree boughs in shapes such as grapes, berry clusters, apples and pears. F. W. Woolworth is given credit for bringing Kugels to America in the 1880s. His initial investment of $25 turned into sales of at least $25 million worth of Kugels over the next several years. tw198

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derson Pairpoint Peachblow Cup and Saucer. No cracks, chips, or restorations, a large sized teacup 5.25" saucer and 3" tall cup. High quality. TW189

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Art Deco George Erickson Sterling Cocktail Pitcher spoon. 12.5" long with 1 5/8" wide bowl. Super clean it's seen little to no use, no damage. Hammered pattern on back of spoon, extremely high quality handmade piece. 86 grams. I can find no other examples of this pattern This is a handmade piece and all Erickson's other flatware is plain, looking at it closely I believe this exterior pattern is all hand stamped or engraved as it has that natural flow with very slight irregularities. tw255

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Cenedese Murano Centerpiece with applied fruit handles. Great piece in perfect condition from the last half of the 20th century. 11" handle to handle x 8" tall, signed on base as shown. B38

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