ターコイズ南西部ジュエリー

6 3/8" c1950's Modernist style sterling and turquoise cuff bracelet. No markings, likely native American made, high grade natural turquoise. 13mm wide. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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6 3/8" 1950's Bell Trading post Navajo silver and turquoise bracelet 16mm wide, great looking bracelet with exterior hand stamped bands. Established in the 1930s in Albuquerque, New Mexico, Bell Trading Post was primarily known for its manufactured southwestern style jewelry that was assembled and decorated by Native Americans. These souvenir jewelry pieces were sold to tourists at their store on Rt. 66 and other tourist shops across the Southwest. The company's name changed to Sunbell Corporation in 1969, and it ceased operations in the late 1980s. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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6.25" Michael Rogers Paiute Native American sterling high grade turquoise cuff<br>bracelet 22mm wide in center. High quality bracelet from a well respected<br>Artisan that uses high grade natural American turquoise. Stones look like they<br>could be Carico Lake, Michael probably knows, he has an Etsy store.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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6.5" Vintage Zuni needlepoint turquoise and sterling bracelet 10mm wide band, illegible signature. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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6 1/8" vintage Native American silver and turquoise cuff bracelet 33mm wide in center. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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6.25" Zuni Pink Shell Silver Channel inlay cuff bracelet 19mm wide with no<br>issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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6 3/8" 20's-30's Ingot Silver Navajo turquoise cuff bracelet 11mm wide,<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Ray Tracey Knifewing Navajo Sterling Turquoise, coral, and lapis cuff bracelet<br>13mm wide with no issues.<br><br>Artist Ray Tracey has had a life-long love of jewelry. As a child growing up in<br>Sawmill, AZ, Asa Tracey, his Grandfather, influenced him with his stories of<br>working the goat bellows for his uncle. Asa would pump the goat bellows all day<br>long to fuel the fire in the forge that would melt silver in a small cast iron<br>crucible. This process was very labor intensive and his grandfather hated it.<br>The molten silver would then be poured into a tufa stone mold to form an ingot.<br>The jeweler would then execute his craft and a new piece of jewelry would be<br>created.<br><br>“I wanted to see finished jewelry and wanted to learn everything I could.<br>Whenever we would go to Gallup, NM, I would visit curio stores to see creations<br>in silver.” Ray spent time viewing jewelry designs at the Gallup Intertribal<br>Indian Ceremonial and at the Navajo Nation Fair. Anywhere, there was jewelry on<br>display; Ray could be seen viewing the works of art.<br><br>Ray’s family moved to Ganado, AZ when he was six years old. One summer day when<br>he was nine years old, he complained to his mother of how bored he was. The next<br>day his mother enrolled him into summer school and changed his life forever. He<br>went straight to art class and found a silver smithing table in the corner. He<br>remembered his grandfather’s stories and the rest is history.<br><br>“In class I fabricated my first ring out of silver for my Mother. I found an<br>unknown stone and made a cabochon. I tried to copy an old style ring design that<br>I had seen at Hubbells Trading Post. One teardrop flanked the sides of the<br>stone. It was a very simple design but it took me a week to finish. I kept<br>melting the silver. I made my next silver and stone creation at the age of 21<br>and gave it to my mother. It was another ring, but this time it was a split<br>shank with three ribs and three tear drops on the side of the stone.” I told my<br>father, I want to make jewelry for the rest of my life.”<br><br>Ray continued making jewelry while attending Brigham Young University. Studying<br>chemistry and physics by day and making jewelry at night. “The designs were<br>simple, my first love was Old Style Navajo jewelry. Weekends were spent<br>traveling to Gallup, NM, to sell his work. While at BYU another opportunity<br>arose to express his creativity—acting. “I wasn’t a very good student so<br>Hollywood had an instant appeal. My gift of creativity carried over into acting.<br>Acting was just another outlet of creative expression.” His adventurous nature<br>allowed Ray to spend several years as an actor in feature films and television.<br>This acting detour never made him lose interest in jewelry design. Eventually,<br>Ray’s love of jewelry brought him back to New Mexico to permanently pursue this<br>art form.<br><br>“One time while traveling to Albuquerque from Gallup, I noticed the horizon over<br>Laa Pueblo. I saw steps on a mesa. I incorporated this imagery of tiered steps<br>into a bracelet design.”<br><br>“Another time, while golfing at Hobble Creek Golf Course, I saw pebbles aligned<br>in a row on the river bottom. Those pebbles became my inspiration to place them<br>on the sides of an inlaid bracelet.”<br><br>“Sometimes my creativity comes to a screeching halt. When this happens I go to<br>my roots; Old Style jewelry. That is the place of fascination. The Old Ones<br>utilized rudimentary tools to create their simple, yet perfected, pieces of<br>craftsmanship. From this point I am able to create from an inspiring idea. On<br>the flip side, sometimes my mind becomes flooded with more designs than I can<br>remember. Ideas come so quickly I can’t draw them fast enough.”<br><br>“When I see someone wearing one of my designs, it takes me back to the time when<br>the piece was created. Sometimes I can recall what I was eating or even the<br>music I was listening to. I will remember the inspiration that helped create<br>that design.”<br><br>Ray has found his path or gift of self-expression that has blessed, enlightened,<br>and influenced his life and others. Awareness of this special gift, fuels his<br>energy and creativity. Inspiration helps to translate his creativity into<br>artistic-visual expression. His creations stand as transitional figures from<br>traditional to contemporary. He creates something good as he is drawn toward<br>untouched fields of yet-to-be-discovered imagery. Unknowingly he is creating a<br>legacy from which generations can learn and grow. Ray has learned to appreciate<br>and embrace the journey of life and its gifts.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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6 1/8" Heavy Silver Cuff Bracelet with Sugilite, Cat's Eye, and turquoise inlay,<br>very well made and substantial bracelet with high quality materials. I recognize<br>the hallmark but the Artisan isn't registering.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. With Bracelets now I am trying to give the<br>length of the center of the bracelet or the widest point that points from your<br>hand to upper arm in Millimeters, 1 inch = 25mm.

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7.25" Vintage Wilson Begay silver and turquoise cuff bracelet. 60mm wide in<br>center tapering down at ends.<br><br>Wilson and Carol Begay are traditional Navajo silversmiths. These talented<br>silversmiths have been creating traditional Navajo jewelry since 1969. They came<br>from families well known for their jewelry making. Wilson’s father, Luke, taught<br>John Adair, author of “Navajo and Pueblo Silversmiths” how to make sand cast<br>jewelry. He worked for many years with Mike and Dean Kirk, at the famous Kirk<br>Brothers Trading Company in Gallup, New Mexico.<br><br>Carol’s parents, Angela and Allen Chee were both silversmiths who worked by C.G.<br>Wallace, the famous jewelry trader from Zuni, New Mexico.<br><br>The Begays began their career making sandcast jewelry, a traditional type of<br>Navajo jewelry that requires the artist to make carvings in Tufa stone to make<br>forms to shape molten silver. They first worked for Tobe Tupen, a well known<br>trader in Gallup. Carol remembers that silver was only $1.25 an ounce when they<br>started.<br><br>Today they are independent artists whose work is widely sought after and<br>admired. Wilson concentrates on the casting and building the foundations of the<br>jewelry and Carol sets the stones and does the finishing work. They work<br>together to design their jewelry.<br><br>Traditional sandcast silver jewelry is a unique Navajo art form. The process,<br>although it sounds simple, requires careful discipline and years of practice to<br>obtain quality results.<br><br>The artist takes two pieces of pumice stone and grinds them together to create<br>two flat surfaces. Then the design is carved into one of the two pumice stones.<br>An opening is carved from the design to the top and bottom of the stone. The two<br>pieces of stone are then tied together so that the carved design is between the<br>two flat areas. Silver is then melted in a crucible, and when it reaches the<br>proper molten form, it is poured into the opening on the top of the design. If<br>it is the proper temperature, it flows through to the bottom where it cools and<br>hardens, filling the design space. After cooling, the stones are separated, the<br>casting removed and the protrusions on the top and bottom are cut off. The<br>silver is then filed smooth and shaped.<br><br>If stones are to be set on the piece, the artist builds a silver bezel to hold<br>the stone and then solders it to the piece of jewelry. Sawdust is put in the<br>bottom of the bezel to cushion the stone and the bezel is tightened. The piece<br>is then polished to the shine the artist likes.<br><br>Wilson Begay of Gallup is the acknowledged master of the art of sandcast<br>jewelry. Luke Begay, Wilson's grandfather, demonstrated this skill to John Adair<br>in the early 1930's when Adair was conducting a survey of native silversmiths of<br>the Smithsonian. Luke taught the skill to Wilson as a young man. Today, in his<br>60's, Wilson continues to make sandcast jewelry in his Gallup home. His wife,<br>Carol, chooses the stones to be used and sets them in bezels. The Begays have<br>three daughters, Nichole, Yvonne and Bonnie, are continuing the family<br>tradition.<br><br>Wilson's stamped signature is a flat brimmed Navajo hat with his initials under<br>it. His signature is one of the most recognized in Indian jewelry. His work has<br>won top awards at the Gallup Inter-tribal Ceremonial and is a "must have" for<br>serious collectors of contemporary Indian jewelry.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Vintage Navajo Childs Cuff bracelet sterling, turquoise, and coral. 3 5/8" +<br>7/8" gap, fits 4.5" wrist. 1 1/8" wide in center, 27.6 grams. Very substantial,<br>obviously worn from a very young age basically since the kid was a baby then two<br>small holes put on each side to be worn as a pendant. I have had a lot of<br>children's cuffs but this is the nicest, biggest, smallest one I've had. For a<br>very small wrist but so substantial. I've included two pics of it on my 14 month<br>year old.

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Calvin Begay Navajo silver and turquoise channel inlay necklace. Approx 21"<br>total length, 13mm wide in center.<br><br>Calvin Begay is an award winning artist, jeweler, designer and master craftsman.<br>He was born in Gallup, New Mexico in 1965 and raised in Tohatchi, northwestern<br>New Mexico. Calvin designed his first piece of jewelry at age 10, learning from<br>his mother an uncle. In more than 20 years as a jewelry designer and craftsman,<br>he has become a master in every aspect of the design and manufacturing process.<br>He has won numerous awards at the Gallup Inter Tribal Ceremonial, including Best<br>of Show in 1989. His jewelry has been featured in Arizona Highways and Southwest<br>Art Magazines. This gifted artist continually innovates and updates his designs,<br>working in both gold and silver, and adding new motifs and stones to his<br>repertoire. In his leisure time, Calvin participates in rodeos and rides in the<br>back country in his all terrain vehicles. When he creates jewelry, that wild<br>free spirit finds expression in precious metals and stone.He has a unique<br>ability to translate traditional Navajo inlay techniques into jewelry that<br>reflects his Native American heritage, yet have elegant and contemporary flair.<br>Calvin’s work is prized by clients and collectors, not only in the Southwest,<br>but throughout the United Stated and the world. In the artistry of Calvin Begay,<br>the stunning beauty of the untamed West is reflected in the combination of color<br>and design that create unforgettable pieces of wearable art.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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4.75" Baby cuff Native American Silver and turquoise bracelet 20mm wide in center, pictured on 16 month old baby. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. With Bracelets now I am trying to give the length of the center of the bracelet or the widest point that points from your hand to upper arm in Millimeters, 1 inch = 25mm.

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6.25" Vintage Navajo stamped silver bracelet with turquoise 4mm wide, unmarked, circa mid 20th century. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. With Bracelets now I am trying to give the length of the center of the bracelet or the widest point that points from your hand to upper arm in Millimeters, 1 inch = 25mm.

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6 3/8" vintage Native American silver, turquoise and coral cuff bracelet 21mm wide in center. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. With Bracelets now I am trying to give the length of the center of the bracelet or the widest point that points from your hand to upper arm in Millimeters, 1 inch = 25mm.

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6.25" c1940's Navajo silver and turquoise cuff bracelet 24mm wide in center. All<br>precious metals are tested and guaranteed, any Native American jewelry referred<br>to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and<br>possibly higher content. With Bracelets now I am trying to give the length of<br>the center of the bracelet or the widest point that points from your hand to<br>upper arm in Millimeters, 1 inch = 25mm.

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16" Vintage Navajo Silver and turquoise pendant necklace. Great as shown with no issues. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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MId Century Southwestern Modernist sterling, turquoise, and coral pendant 3" tall with bail x 1.8" wide, throwing in the sterling 24" necklace. 33.4 grams total weight. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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6.25" Vintage Nizhoni Navajo silver and turquoise cuff bracelet 43mm wide in<br>center.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. With Bracelets now I am trying to give the<br>length of the center of the bracelet or the widest point that points from your<br>hand to upper arm in Millimeters, 1 inch = 25mm.

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6 5/8" E Yazzie Navajo Silver and pink stone bracelet 60mm wide at widest point.<br>Easily adjustable to make smaller or larger, can adjust just a few of the<br>tenticles or all to suit your style or mood. I'm not sure what the stones are.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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6.75" 40's-50's Silver Zuni turquoise cluster bracelet 55mm wide in center.<br>Great, old, solid bracelet with natural turquoise.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. With Bracelets now I am trying to give the<br>length of the center of the bracelet or the widest point that points from your<br>hand to upper arm in Millimeters, 1 inch = 25mm.

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7.25" Vintage Native American silver and turquoise cuff bracelet 25mm wide with<br>no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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6 1/8" Herbert Patero Navajo Silver an turquoise cuff bracelet 18mm wide with no<br>issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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6.5" Vintage Zuni Sterling - Turquoise, coral, and shell channel inlay cuff<br>bracelet 40mm wide with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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sz10 Large Native American Turquoise Sterling channel inlay ring 38mm face, 29<br>grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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6.5" Vintage Native American silver and turquoise cuff bracelet 26mm wide in<br>center.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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6.25" 50's-60's Navajo silver Shadowbox cuff with turquoise 22mm wide, very<br>nicely done bracelet with nice old natural turquoise.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Large Vintage Navajo Sterling and Onyx pendant necklace 2.25" wide pendant. 26"<br>long pendant. 64.6 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Vintage Navajo Sterling and shell pendant necklace and earrings set Pendant 2<br>7/8" x 1.5", earrings 1.75" long x 7/8" wide, Necklace 25" long, 68.8 grams<br>total weight.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Larger Vintage Overlay style Sterling and turquoise pendant. Well made with<br>interesting hand chiseled hallmark that I can't identify. 2.75" x 1.5" x 25.2<br>grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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sz8.5 Vintage Navajo silver and turquoise ring 20mm long face, 9.9 grams, unmarked. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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sz11 Buck Navajo Sterling and turquoise ring. Signed Buck Sterling, 33mm long<br>face, 15.7 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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sz12.5 Large Zuni Carved Frog Turquoise, Coral Silver ring 34mm long face, 38.4<br>grams, unmarked.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Sz11.5 Huge Vintage Native American sterling and turquoise ring 37mm long face,<br>56.7 grams, unmarked.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Zuni silver sunface inlay Cross 3" total height x 1 7/8" wide x<br>29.2 grams.

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Large Rita Touchine Navajo Fossil and Sterling pendant 3 5/8" tall with bail x<br>1.5" wide x 36.5 grams with no issues. The bail will fit approx 13mm necklace.

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sz7.5 Navajo Sterling pink mother of pearl ring 31mm long 9 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Sz11 Huge Vintage Zuni Carved Coral, turquoise, sterling ring 48mm long face,<br>30.1 grams<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Ray Tracey Knifewing Navajo Sterling Turquoise, Sugilite, and Coral Bear pendant<br>with no issues. Weight and measurements in pics.<br><br>Artist Ray Tracey has had a life-long love of jewelry. As a child growing up in<br>Sawmill, AZ, Asa Tracey, his Grandfather, influenced him with his stories of<br>working the goat bellows for his uncle. Asa would pump the goat bellows all day<br>long to fuel the fire in the forge that would melt silver in a small cast iron<br>crucible. This process was very labor intensive and his grandfather hated it.<br>The molten silver would then be poured into a tufa stone mold to form an ingot.<br>The jeweler would then execute his craft and a new piece of jewelry would be<br>created.<br><br>“I wanted to see finished jewelry and wanted to learn everything I could.<br>Whenever we would go to Gallup, NM, I would visit curio stores to see creations<br>in silver.” Ray spent time viewing jewelry designs at the Gallup Intertribal<br>Indian Ceremonial and at the Navajo Nation Fair. Anywhere, there was jewelry on<br>display; Ray could be seen viewing the works of art.<br><br>Ray’s family moved to Ganado, AZ when he was six years old. One summer day when<br>he was nine years old, he complained to his mother of how bored he was. The next<br>day his mother enrolled him into summer school and changed his life forever. He<br>went straight to art class and found a silver smithing table in the corner. He<br>remembered his grandfather’s stories and the rest is history.<br><br>“In class I fabricated my first ring out of silver for my Mother. I found an<br>unknown stone and made a cabochon. I tried to copy an old style ring design that<br>I had seen at Hubbells Trading Post. One teardrop flanked the sides of the<br>stone. It was a very simple design but it took me a week to finish. I kept<br>melting the silver. I made my next silver and stone creation at the age of 21<br>and gave it to my mother. It was another ring, but this time it was a split<br>shank with three ribs and three tear drops on the side of the stone.” I told my<br>father, I want to make jewelry for the rest of my life.”<br><br>Ray continued making jewelry while attending Brigham Young University. Studying<br>chemistry and physics by day and making jewelry at night. “The designs were<br>simple, my first love was Old Style Navajo jewelry. Weekends were spent<br>traveling to Gallup, NM, to sell his work. While at BYU another opportunity<br>arose to express his creativity—acting. “I wasn’t a very good student so<br>Hollywood had an instant appeal. My gift of creativity carried over into acting.<br>Acting was just another outlet of creative expression.” His adventurous nature<br>allowed Ray to spend several years as an actor in feature films and television.<br>This acting detour never made him lose interest in jewelry design. Eventually,<br>Ray’s love of jewelry brought him back to New Mexico to permanently pursue this<br>art form.<br><br>“One time while traveling to Albuquerque from Gallup, I noticed the horizon over<br>Laa Pueblo. I saw steps on a mesa. I incorporated this imagery of tiered steps<br>into a bracelet design.”<br><br>“Another time, while golfing at Hobble Creek Golf Course, I saw pebbles aligned<br>in a row on the river bottom. Those pebbles became my inspiration to place them<br>on the sides of an inlaid bracelet.”<br><br>“Sometimes my creativity comes to a screeching halt. When this happens I go to<br>my roots; Old Style jewelry. That is the place of fascination. The Old Ones<br>utilized rudimentary tools to create their simple, yet perfected, pieces of<br>craftsmanship. From this point I am able to create from an inspiring idea. On<br>the flip side, sometimes my mind becomes flooded with more designs than I can<br>remember. Ideas come so quickly I can’t draw them fast enough.”<br><br>“When I see someone wearing one of my designs, it takes me back to the time when<br>the piece was created. Sometimes I can recall what I was eating or even the<br>music I was listening to. I will remember the inspiration that helped create<br>that design.”<br><br>Ray has found his path or gift of self-expression that has blessed, enlightened,<br>and influenced his life and others. Awareness of this special gift, fuels his<br>energy and creativity. Inspiration helps to translate his creativity into<br>artistic-visual expression. His creations stand as transitional figures from<br>traditional to contemporary. He creates something good as he is drawn toward<br>untouched fields of yet-to-be-discovered imagery. Unknowingly he is creating a<br>legacy from which generations can learn and grow. Ray has learned to appreciate<br>and embrace the journey of life and its gifts.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Vintage Zuni Frog Carved turquoise and coral silver belt buckle 3" x 2", fits a<br>1.5" belt, 66.2 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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ダン ニエト、高級ターコイズを使用したケワ スターリング ネックレス。スケール用の等身大の手。長さ 23 インチ、145.6 グラム。 ペンダントトップの高さ 4 インチ x 幅 2.25 インチ。ダン ニエト、ケワ (サント ドミンゴ) プエブロのジュエリー デザイナー。その作品はユニークで比類のないものです。彼の「才能」は、人物像を組み込むことでした。彼のデザインに取り入れました。このリングは、深く濃いアズライトの石が付いた単なる美しいスターリング シルバー リングではないことを示しています。 ダン ニエトは、銀細工に印象的な先住民族 (おそらく女性) をしばしばフィーチャーしました。彼女の長い髪羽根を飾り、天を仰ぐ横顔が特徴的です。

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sz7 ヴィンテージ ネイティブ アメリカン シルバー、ターコイズ、コーラル リング、長さ 24 mm、重さ 3.6 グラム。 unmarkedすべての貴金属は検査および保証されており、シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、少なくとも 90% (コイン) の銀、場合によってはそれ以上の含有量が保証されています。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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sz5.25 30～40年代のナバホ族シルバーとターコイズリング、長さ21mm、7.8グラム。 すべての貴金属は検査され、保証されています。シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、少なくとも 90% (コイン) の銀、場合によってはそれ以上の含有量が保証されています。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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sz4.75 ヴィンテージ ナバホ シルバーとターコイズ リング、長さ 15 mm、4.4 グラム。 すべての貴金属は検査され、保証されています。シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、少なくとも 90% (コイン) の銀、場合によってはそれ以上の含有量が保証されています。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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3 pr シンプリシオ ズニとその他のネイティブ アメリカンのスターリング イヤリング。スケール用等身大ハンドの3ペア販売。最大の長さ 2.5 インチ、合計 26.1 グラム。すべての貴金属は検査され、保証されています。シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、少なくとも 90% (コイン) の銀と、マークされているものはすべて、マークされているものであることが保証されており、ほとんどのブレスレットは 6 インチの手首 (毛のないもの) で撮影されており、指輪は可能な場合は適切なサイズの指で撮影されています。ブレスレットの場合、説明に寸法が記載されていない場合は、金属が布製の巻尺の数字と一致する内周が表示されます。

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sz5.75 フレッド ハーベイ時代 スターリングとスパイダーウェブ ターコイズ リング フェイス 17 mm、3.9 グラムすべての貴金属は検査および保証されており、シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、最低 90% であることが保証されています (コイン）銀、おそらくより高い含有量。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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sz3.75 30 年代～40 年代のナバホ族シルバー ターコイズ クラスター リング、フェイス長さ 19 mm、5.8 グラムすべての貴金属は検査および保証されており、シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、最低 90% であることが保証されています。 (コイン) 銀とおそらくより高い含有量。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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sz7 ラージ ヴィンテージ ナバホ スターリングとターコイズ リング、長さ 50 mm、16.7 グラム、問題ありません。 すべての貴金属は検査され、保証されています。シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、少なくとも 90% (コイン) の銀、場合によってはそれ以上の含有量が保証されています。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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sz10 ラージ ネイティブ アメリカン スターリングとターコイズ リング、フェイス長さ 35 mm、25.9 グラム、刻印なし。すべての貴金属は検査および保証されており、シルバーまたはスターリングと呼ばれるネイティブ アメリカン ジュエリーはすべて 90 以上であることが保証されています。 % (コイン) 銀、およびおそらくそれ以上の含有量。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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sz7 ヴィンテージ ネイティブ アメリカン シルバー ターコイズ クラスター リング、フェイス 33 mm、13.1 グラム。 すべての貴金属は検査され、保証されています。シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、少なくとも 90% (コイン) の銀、場合によってはそれ以上の含有量が保証されています。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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4pr ネイティブアメリカン南西部スターリングイヤリング。表示されている 4 足を販売すると、一番下のペアはネイティブ アメリカンではないと思います。すべてスターリングです。羽の長さは45mmです。合計21.1グラム。 すべての貴金属は検査および保証されており、シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、少なくとも 90% (コイン) の銀、場合によってはそれ以上の含有量が保証されています。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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2 pr ヴィンテージ ズニ族スターリング ターコイズ クラスター クリップオン イヤリング。最大のペアは幅37mm、小さなペアは幅17mmです。どちらもクリップに強力なバネが付いているので問題ありません。合計25.5グラム。 すべての貴金属は検査および保証されており、シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、少なくとも 90% (コイン) の銀、場合によってはそれ以上の含有量が保証されています。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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sz6 ターコイズ付きヴィンテージ ナバホ シルバー リング、長さ 35 mm、9.6 グラム。 すべての貴金属は検査され、保証されています。シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、少なくとも 90% (コイン) の銀、場合によってはそれ以上の含有量が保証されています。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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sz7.75 ネイティブ アメリカン シルバー、ターコイズ、コーラル クラスター リング、長さ 38 mm、10.9 グラム。 すべての貴金属は検査され、保証されています。シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、少なくとも 90% (コイン) の銀、場合によってはそれ以上の含有量が保証されています。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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sz10.5 ヴィンテージ ネイティブ アメリカン シルバーとターコイズ リング、長さ 22 mm、5.2 グラム。 すべての貴金属は検査され、保証されています。シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、少なくとも 90% (コイン) の銀、場合によってはそれ以上の含有量が保証されています。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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sz6 ヴィンテージシルバーとターコイズリング、長さ20mm、3.8グラム。 すべての貴金属は検査され、保証されています。シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、少なくとも 90% (コイン) の銀、場合によってはそれ以上の含有量が保証されています。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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sz8 30 年代～40 年代のナバホ族のシルバーとターコイズのリング、中央の長さ 30 mm、6.1 グラム。すべての貴金属は検査され、保証されています。シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、90% (コイン) 以上であることが保証されています。銀とおそらくより高い含有量。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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sz7.5 30～40年代のナバホ族シルバーとターコイズリング、中央の長さ14mm、4.2グラム。 すべての貴金属は検査され、保証されています。シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、少なくとも 90% (コイン) の銀、場合によってはそれ以上の含有量が保証されています。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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sz5.75 ナバホ族シルバーとターコイズ ロング リング、長さ 55 mm、刻印なし、21.4 グラム。 すべての貴金属は検査され、保証されています。シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、少なくとも 90% (コイン) の銀、場合によってはそれ以上の含有量が保証されています。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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