Eugene Laforet(1884-1955) American Horse Coach and Market Scene American Oil on Canvas. 9" x 12" in a 13.5" x 16.5" frame with no significant issues.Here is an article written about him in New Yorker Magazine on 10/28/1944: THE TALK OF THE TOWN ART FOR EVERYBODY BY EDITH HAMBURGER AND PHILIP HAMBURGER Talk story about Eugene La Foret, the only artist in town who paints in full view of the public in his own store, in which he sells his creations, usually hot off the easel. He owns and runs the Studio Store, on the west side of Lexington Avenue, just below 57th. At the time of our interview he was painting a country lane with a barn in the background, which, he said a man had ordered for Saturday. "One dollar down and nine on delivery," he said. A woman came in and asked if her still life was ready. It was and she paid two fifty for it. His oils range in price from two dollars for miniature still lifes to five hundred for more ambitious canvases. Mr. La Foret received his training in Europe: Berlin, Paris and Munich. Thanks

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Eula Wylie Sand Cast Sonoran Gold Turquoise Navajo Sterling Lariat Necklace.<br>Very clean like new condition with no damage or issues. 22" necklace that hangs<br>down another 3". Very well made from a well respected Navajo Artist. 68 grams.<br><br>Navajo silversmith Eula Wylie is from Ganado, Arizona on the Navajo Reservation.<br>Eula is known for using Sonoran Beauty Turquoise clusters wrapped in a dainty<br>twist wire design and set against oxidized Sterling Silver. She was a<br>silversmith for Atkins Trading Company.

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Eva Etstate Zuni Channel inlay sterling turtle pin. Considerably bigger than most you will find. 2" x 1.25" x 7.7 grams, no issues.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Evaline Sellors (1903-1995) Mid Century Patinated aluminum wall sculpture "Letitia" Roman dess of joy, gaiety and happiness - by Fort Worth, Texas, sculptor Evaline Clark Sellors. 14" tall x 7 1/8" tall with no damage, possible scratch to right of nose.Evaline Clarke Sellors was born in Fort Worth, Texas in 1903. She studied art, illustration, and modeling before enrolling at the prestigious Pennsylvania Academy of Fine Arts. Sellors won the institutions' William Emlen Cresson scholarship in 1929 and 1930, allowing her to study sculpture in Europe. After returning to Texas, Sellors co-founded The Texas School of Arts in 1932 with Sallie Gillespie and Blanche McVeigh. Sellors and McVeigh were also founding members of the Fort Worth Artists Guild. Sellors taught art at a number of institutions in the Fort Worth while executing commissions for the Works Progress Administration (WPA). Examples of her work are in the collections of the Dallas Museum of Art.DeWitt McKinley (1905–1997) was first the Co-Founder of the McKinley Iron Works in Fort Worth, Texas, and then that city's mayor from 1967-1969. tw123

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Evelyn Yazzie Navajo vintage sterling silver turquoise nugget belt buckle. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa third quarter of the 20th century.. Fits a 1.5" belt. Listed with ExportYourStore.com

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Everett & Mary Teller Navajo sterling silver reversible turquoise pendant. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa last quarter of the 20th century. These self-taught silversmiths have been making jewelry for over 40 years. Everett and Mary Teller’s work is made of sterling silver and 14k gold with simple Navajo overlay designs. They incorporate the storm pattern designs on many of their jewelry pieces. They carefully design their pieces and select the stones using a wide variety of natural stones -Turquoise, Lapis, Oyster Shell, Coral, Onyx and more. They show their work in galleries as well as prestigious art shows such as The Heard Museum and Santa Fe Indian Markets. The workmanship is impeccable - you can always depend upon quality when you purchase a piece of Everett & Mary Teller jewelry.

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Everett MacDonald (1924-1991) Laa Beach, CA Modernist Sterling silver Abstract<br>cufflinks. No issues.<br><br><br>Everett Macdonald, whose Beach shop opened in 1947. Macdonald created open<br>sculptural silver and gold jewelry, often utilizing nylon monofilament within<br>the negative spaces of his pendants and earrings, reminiscent of sculpture by<br>Henry Moors and Naum Gabo.<br><br><br>anderas

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Extensive Antique Burmese Bronze opium weight set. Largest 2.5" tall 240.7 grams. Smallest 3/8" tall 1.4 grams, very extensive set collected in the mid 20th century.

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Extensive Antique Burmese Bronze opium weight set. Largest 2.5" tall 244.4<br>grams. Smallest 5/8" tall 4.5 grams, very extensive set collected in the mid<br>20th century.

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No cracks, chips, or repairs. Very little crazing and discoloration, extremely crisp transfer decoration and amazing condition. Guaranteed circa early to mid 1800's.

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Angelita Cheama Zuni Sterling pendant with turquoise and coral. No issues, weight and measurements in pics. All precious metals are tested and guaranteed,

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FA Southwestern Hand Stamped Sterling high grade turquoise pin. Likely Navajo made, very high quality workmanship and stone. Stone secure in bezel with old fracture.

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Interesting piece fresh from a University of Texas Golf Coaches Estate 7" wide x 1.5" tall. Small chip on one rim. That paint will come of the back, there was some on the front and I scratched it off with fingernail during photographing. Interest engraving on front.

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Unusual 19th century Chinese piece. Hand built and decorated. Wear as expected, come to Decoration. Gilding wear on rim, small chips on rim and tight .75" hairline on right corner at rim, also very tight 1" hairline on base.

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Fannie Chavez Navajo sterling silver high grade turquoise modernist necklace. Circa last quarter of the 20th century, tested and guaranteed solid sterling silver. No apparent issues. 27" long necklace, other measurements in pictures. Diné artist Fannie Chavez is known for her silver jewelry. She learned her silversmithing from her mother and great-grandfather on the Navajo Nation and has been active ca. 1971 to present day. Fannie Chavez (1944- ) Fannie Platero is the daughter of Mary Platero and Arturo Chavez. She is mother to Patricia Platero. Fannie‘s early stamps are Fannie Platero between 2 rounded lines, Navajo; FNE Platero, Sterling; also used F; now stamps F.C.

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Faron Yowytewa Hopi Overlay Kokopelli belt buckle sterling silver. Tested and guaranteed solid sterling silver. Fits up to a 1" wide belt. Some expected wear, marked as shown with the artists hallmark. Good condition, functional. Circa last quarter of the 20th century.

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Faye Schnuriger( 1911-1997) San Antonio Texas Landscape Deer Painting on Board<br>17" x 14" framed, 12" x 9.5" panel.<br><br>Faye Schnuriger( 1911-1997) is a native Texan, painter, teacher, and writer. She<br>studied art with Fredrick Taubes, William Earle, Harold Roney, Fred Samuelson,<br>Clint Bermann, and other well known instructors. She studied at the Fashion<br>Institute of Technology and Traphagen School of Design in New York; was<br>associated with a correspondence school as a writer, designer, and assistant<br>artist. She has one book to her credit-“Pint-along-with Faye.” Her Paintings are<br>in private collections in Canada, Washington, Dallas, Midland, and San Antonio.<br>Her “Learning Tower” won best of showin a Central Park Invitational Show and was<br>purchased by a Doctor from San Antonio. Her “Fern Forest” was choosen with<br>twenty other artists’ paintings for the National League of American Pen Women’s<br>Bi-Centennial Art Show in Washington, D.C. Schnuriger was affiliated with: San<br>Antonio River Art Group, Randolph art League, New Braunfels Art League, Liberty<br>Art League, Lone Star Art<br>League, Hillcountry Art League. She has pieces in the Smithsonianand Texas<br>Women's University Library<br>B3

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FB Navajo deep stamped sterling silver green turquoise belt buckle concho style. Tested and guaranteed solid sterling silver, fits up to a 1.5" wide belt. Weight and measurements in pictures, circa last quarter of the 20th century.

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Federico Jimenez heavily stamped sterling silver turquoise eyes butterfly. Great looking and substantial pin with no issues. Weight and measurements in pictures.

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Felicita Eustace Cochiti (1927-2016) Silver and carved turquoise pin. Gorgeous<br>with no issues, extremely high grade natural American turquoise. Marked or<br>unmarked as shown in pics, weight and other measurements in pics. Sorry but my<br>jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>Felicita was born in 1927 and raised at Cochiti Pueblo. She learned to make<br>traditional pottery and storytellers from her parents. After her marriage during<br>the World War II years, she moved to her husband Ben’s home in Zuni. Ben taught<br>her some basics of jewelry-making. She sold her first ring to legendary Zuni<br>trader C.G. Wallace. Over the years she become and accomplished jeweler in her<br>own right, while developing a large following for her pottery and storytellers.<br>“There are always more orders for my claywork than there’s time to do them,” she<br>said.<br><br>The Eustaces show strong respect for the materials and time-honored processes of<br>their art. Felicita still makes her storytellers the traditional way. Her<br>jewelry features an old family design copyrighted in the early 1960s: a domed,<br>natural leave motif in sterling silver alongside a carved, bezeled and polished<br>turquoise stone. Felicita and Ben have passed their respect for quality on to<br>their 13 children, many of whom create their own pottery and jewelry.<br><br>Daughter Bernadette Eustace says, “My parents told us that if we were going to<br>do jewelry at all, we would have to do it their way, the right way. It wasn’t<br>the designs they were talking about, it was the technical aspects of our work:<br>setting stones, welds, engravings and so on. They were the ones who would be<br>selling these items for us, so they would make sure that a certain standard of<br>quality was being met.”<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Felicita Eustace, Cochiti (1927-2016) Carved turquoise silver clip on earrings 1" tall x 7/8" wide, strong springs on clips, no issues, 8.6 grams. Felicita was a potter and silversmith.<br><br>Felicita was born in 1927 and raised at Cochiti Pueblo. She learned to make traditional pottery and storytellers from her parents. After her marriage during the World War II years, she moved to her husband Ben’s home in Zuni. Ben taught her some basics of jewelry-making. She sold her first ring to legendary Zuni trader C.G. Wallace. Over the years she become and accomplished jeweler in her own right, while developing a large following for her pottery and storytellers. “There are always more orders for my claywork than there’s time to do them,” she said.<br><br>The Eustaces show strong respect for the materials and time-honored processes of their art. Felicita still makes her storytellers the traditional way. Her jewelry features an old family design copyrighted in the early 1960s: a domed, natural leave motif in sterling silver alongside a carved, bezeled and polished turquoise stone. Felicita and Ben have passed their respect for quality on to their 13 children, many of whom create their own pottery and jewelry.<br><br>Daughter Bernadette Eustace says, “My parents told us that if we were going to do jewelry at all, we would have to do it their way, the right way. It wasn’t the designs they were talking about, it was the technical aspects of our work: setting stones, welds, engravings and so on. They were the ones who would be selling these items for us, so they would make sure that a certain standard of quality was being met.”<br><br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Fenton Ribbon Candy Basket Pink Iridescent Opalescent Hand Painted Coralene. Mint condition cabinet kept with no damage or wear. 8.75" tall x 8.5" wide.<br>TW109

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FF Navajo sterling silver Petrified wood/Fossil/Tiger‘s eye inlaid pendant. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa last quarter of the 20th century. High quality silver and inlay work.

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FF Navajo sterling silver, charoite, opal, coral sterling silver inlay pendant. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa last quarter of the 20th century. High quality silver and inlay work.

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Fidencio Castillo, Mexican (1907-1993) Woman with Rebozo Sculpture signed Fide<br>C. , mounted to black marble base some chips on stone base, no damage to bronze.<br>Overall: approx 9.5"h, 7 1/8"w, 6 1/8"d, 11lbs<br><br>Fidencio Castillo Santiago (November 16, 1907 – July 29, 1993) was a Mexican<br>artist, educator, and a founding member of the Salón de la Plástica Mexicana.<br><br>He was born in Etzatlán, Jalisco, Mexico to Trinidad Castillo and Raymunda<br>Santiago shortly before the Mexican Revolution. His younger sister, Rosa<br>Castillo Santiago (1910-1989) was also an established artist.<br><br>Fidencio Castillo Santiago studied at the Academy of San Carlos and then at the<br>Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda".[1] He then<br>taught at the latter for over thirty years and married to Paz Castillo Alarcón.<br><br>His work was exhibited in Mexico and abroad, including cities such as Tokyo and<br>Kurashiki during the Mexican Art Exhibition in 1995 and in Phoenix, Arizona in<br>1967. In Mexico, major exhibitions include the Bienal Mexicana Contenporánea in<br>1960, the Salón de Invierno, Galería Plástica Mexiana in 1956, the Salón de Arte<br>Mexicano in 1958 and the first Salón de Pintura y Escultura Contemporánea<br>Jalisciense in 1964. In 1971, the Salón de la Plástica Mexicana hosted a<br>retrospective of his work. Another was held in 2004 co-hosted by the Asociación<br>de Artistas Plásticos de México, UNESCO and the Mexico City Metro, to honor both<br>him and his sister, Rosa Castillo. He died in Mexico City from multiple causes<br>at the age of 85. Today the Museo Histórico of Guachinango, Jalisco hosts a<br>permanent exhibition by this author

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FIFA Coca Cola World Cup Used Soccer Referee Flags. Nice vintage pair of Referee flags from the Fifa youth world cup. I'm not sure which year, but you aren't likely to find another pair. Some stains and wear. They aren't as bright as the pics suggest. Case is 19" long tw100

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Fine Antique Sterling silver match safe. Extremely high quality, 19th to early<br>20th century. Very strong spring built into lid, forms a tight seal when shut, 1<br>7/8" x 1.25" x 7/16", no issues. Monogram plaque on the lid could easily be<br>replaced. 37.9 grams, illegible hallmarks.<br><br>trinketdrawer

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Fine Vintage Sterling Hindu Sindoor/kumkum box with ornate hand chased designs. Nice old box from the first half of the 20th century. Marked 925 on bottom of lid, shown in one of the pics. Also tested and guratanteed solid sterling silver. Extremely high quality box. You find a lot of these online in varying degrees of poor quality, I‘ve never seen one that even comes close to comparing to this one. -anderas Sindoor box is a small but profoundly significant artefact in Indian culture, it is a beautiful container made of silver that is used to hold Sindoor/kumkum, a traditional red or vermilion powder used in Hindu festivities, particularly by married women. It is used every day or in any auspicious occasions by married women. Sindoor is culturally and symbolically important in Hinduism, reflecting a womans married status. GoldGiftIdeas has a wide variety of collection of silver-plated Sindoor boxes which showcase the cultural attributes of our Indian heritage. Sindoor boxes are crafted with intricate designs, engravings and embellishments, religious symbols or scenes from Hindu mythology, while others are adorned with sparkling gemstones, showcasing skilled craftsmanship. The use of silver as the material is vital; it is known for its antibacterial properties and durability, making it an ideal metal for storing Sindoor which is used directly on forehead. Sindoor boxes feature cultural motifs such as flower, mango, leaves or any other shape or pattern which add aesthetic of any dressing table or pooja room and for people whose style is simple yet modern.

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Flli Menegatti Sterling Hoop earrings. Selling the pair of estate earrings from<br>the last quarter of the 20th century, no damage, sterling but the french clips<br>aren't and have a little oxidation which could easlily be removed with vinegar<br>or lemon juice, didn't notice it until the pics. 1 5/8" tall. 17.6 grams total.

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Floyd Becenti Navajo sterling silver carved Kachina overlay belt buckle. Solid sterling silver with weight and other measurements in the pictures. Fits up to a 1.5" belt, no issues.

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Floyd Becenti Navajo sterling silver hand engraved animals link concho belt. Solid sterling silver with weight and other measurements in the pictures. Each concho different, hand engraved, each concho marked as shown. Much better in person.

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Floyd Namingha Lomakuyvaya Hopi Overlay bolo tie sterling silver. Solid sterling, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). No damage, sterling tips and bolo slide. Hallmarked as shown. Exremely high quality. From huge collection so well preserved, 40" total length.

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Floyd Namingha Lomakuyvaya Hopi overlay pendant/necklace sterling silver. Weight and measurements in pictures. Solid sterling silver, 24" necklace. Floyd Namingha Lomakuyvaya, is a well known Hopi artist. Floyd was born in 1940 at Shungopavi, AZ and is Hopi Bear Strap Clan. He has been working as an artisan since 1969 and he shows his work at the Monongya Gallery on 3rd Mesa. This

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Foree Hunsicker (1932-2015) large Sterling Silver cross pin. Fantastic with no issues, weight and measurements in pics. Foree Hunsicker (1932-2015) In 1954, she graduated from the University of Texas with a degree in art. At UT, she was a member of Pi Beta Phi sorority. Later, she studied at Corcoran Gallery in Washington, DC and the Arts Students League in New York City. A life-long Francophile, in July of 1956, she made the first of many trips to Europe, this initial journey on the venerable Queen Elizabeth. Foree always had an artistic bent. At various times, she was a painter, clothes designer, and interior decorator. Her greatest success, however, came as a jewelry manufacturer when she started a company in 1987 called Medalias by Foree Hunsicker. At one time employing nearly fifty people, Medalias specialized in luggage tag jewelry, reproducing in sterling silver a wide variety of Victorian-era luggage tags and fashioning them into earrings, necklaces, and other accessories. A fixture for many years in the North Texas design world and at the Apparel Mart, Foree was honored with a Dallas Fashion Award in 1995.

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Formia Sommerso Murano Vases Pair. Selling the pair of vases 10.25" tall with no damage or wear, one dated 2007, both with original labels. b13

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Foster Yazzie Navajo reversible 3pc sterling silver/onyx belt buckle set. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa fourth quarter of the 20th century. Fits a 1.5" belt. Can be reversed or worn as just a 2pc as shown.

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Foster Yazzie Navajo sterling silver Mediterranean coral vintage belt buckle. Tested and guaranteed solid sterling silver, fits up to a 1.25 wide belt. Weight and measurements in pictures, circa last quarter of the 20th century.

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Foster Yazzie Navajo Sterling/onyx and other Native American southwestern earrings. Selling the 3 pairs of earrings shown, two Native American, other a southwestern shop mark I don't recognize offhand. Black stones are onyx, blue stones likely howlite or block turquoise. Largest pair 1 7/8" tall x 2" wide. 47 grams total weight, selling all three pairs with no issues. All precious metals are tested and guaranteed,

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Fostoria Midnight Rose Etched Footed Flared Vase 8 3/8" no chips, cracks, or stains. Light scratches in bottom inside of vase.

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Framed Antique Chinese printers block. It's an antique block that was framed with the letters gold gilt for decorative purposes. The block is behing glass, I believe it was framed in the third quarter of the 20th century and was about 100 years old then. 17.5" x 9".

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Frances Blinebry(1910-1995) 1950's Peak Mountain in Arizona, El Paso Texas Artist. 8" x 10" board 13" x 11" framed with no issues. Frances Blinebry(1910-1995) first exhibited at the El Paso Woman's Club Exhibition in 1943 and continue to exhibit there for many years through her life. She is a listed artist in the seminal Texas reference Dictionary of Texas Artists, 1800-1945 . This is a rare find and sweet oil on board. This is sure to complement your David Swing, El Boone or Willard Page collections. Signed Frances Blinebry, as shown. TW159

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Frances Holmes Boothby modernist sterling silver abstract belt buckle. Fits up to a 1.25" belt. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional, with no issues. Circa third quarter of the 20th century. Frances Holmes Boothby (19192000) created unique modernist jewelry for nearly four decades, from the mid-1940s to the early 1980s. In addition to traditional modernist geometric and abstract designs, she made unique, whimsical pieces inspired by cartoons, including the Bird and Animal series. Working primarily in sterling silver, Frances sometimes used gold, brass, wood, resin, natural stones, pearls, and glass. She signed her pieces with the capital letters STERLING and the lowercase initials fhb. Undoubtedly, Frances Holmes Boothby made a significant contribution to the American wearable art movement through her exhibitions and teaching of jewelry making. For example, in 1948, she first presented her work at the Walker Art Center in Minneapolis. As early as 1955, she opened a studio in New York where she created her jewelry and taught jewelry making. According to 1958 newspaper ad, Frances Holmes Boothby exhibited her jewelry at New York State Fair. Later, Frances handcrafted jewelry in her Silver Workshop in Weston, Vermont, where she was active until the early 1980s. Frances Holmes Boothby died at the age of 80 in Sedona, Arizona. Made in limited quantities, today the artists works can be found both in the collections of lovers of modernist and vintage jewelry, and in national art galleries.

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Frame measures 32" x 28", canvas is 24" x 20". Really nice coastal landscape<br>with Houses in a really good looking heavy frame. Painting is mint condition<br>with no issues. Frame is very clean and presentable.

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Francis Begay Navajo silver cast concho belt 47" total length with maximum wearable length at approximately 44". Very good condition, second quarter of 20th century to mid 20th century. Weight and measurements in pictures, 12 conchos and 1 buckle. Solid sterling silver. Francis L. Begay, Diné Jeweler Native American artisan Francis L. Begay is Diné of the Navajo Nation. He is a talented silversmith specializing in sterling silver Jewelry which is oftentimes hand cast. His hallmark signature is FL BEGAY.

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Francis Begay Navajo sterling silver cast Ketoh shaped belt buckle. Solid sterling silver (tested) with weight and measurements in the pictures. Fully functional with age appropriate wear, no damage unless noted. Marked as shown, fits up to a 1" belt.

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Francis Jones Navajo cast sterling silver belt buckle. Fits up to a 1.25" belt, fully functional with age appropriate wear. Please look at pictures. Tested and guaranteed solid sterling silver.

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Franciscan Apple Soup Tureen and Lid American Backstamp. Large footed soup tureen. Near mint with no cracks, chips, crazing, or restorations. 12.5" handle to handle x 9" tall.

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Frank Chee Navajo sterling silver Horned Toad channel inlay pendant/pin/brooch. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa last quarter of the 20th century.

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Frank Lahaleon Zuni sterling silver Kachina pendant/pin channel inlay. Weight and measurements in pics, all solid sterling. All stones/inlay secure in bezels with no apparent damage. Circa last quarter of the 20th century.

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Frank Patania Sr Sierra Blanca Ski Club Ruidoso NM sterling gold filled pin. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, Circa mid 20th century, thick gold filled on sterling silver.

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Frank Patania Sr Southwestern Modernist Sterling silver/turquoise clip earrings. Solid sterling silver with weight and measurements in pics. No issues. Strong springs on clips. Frank Patania, Sr. (1899-1964), a silversmith of international renown, established the iconic Thunderbird Studio in Santa Fe. His exceptional work remains highly coveted by collectors with a deep appreciation for Southwestern artistry. Beyond his own creations, Patania played a pivotal role in elevating the craft of Native American silversmiths, generously sharing his expertise in gemstone setting and other intricate techniques. He fostered the talents of Pueblo artisans like Julian Lovato of Santo Domingo and Louis Lamay of Hopi, serving as both mentor and employer. Though born in Sicily, Patania‘s profound influence on the Santa Fe art scene took root in the 1950s, leaving an indelible mark on the region‘s artistic heritage.

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Frank Yellowhorse Navajo heavy turquoise/multi-stone intarsia inlay bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Circa fourth quarter of the 20th century. 46" long. Frank Yellowhorse was an acclaimed Navajo artist known for his bold and colorful geometric inlay jewelry. Frank was born on February 14, 1933 in Holbrook, Arizona to parents Arthur and Anna Beasley. He was part of the Towering House People Clan. He served in the US Navy during the Korean War for four years.In addition to creating beautiful jewelry, Frank was the co-founder and operator of the famous Chief Yellowhorse Trading Post, which is located in Lupton, Arizona, on Interstate 40 at the New Mexico border. The Chief Yellowhorse Trading Post started in the 1950s as a roadside stand where the Yellowhorse family sold Navajo rugs and petrified wood to tourists passing by. In the 1960s, Frank and his brother Juan "Chief Yellowhorse" built out the trading post, which included jewelry, and added gas pumps for those adventuring on Route 66. Frank was a kind and generous man who enjoyed interacting with the wide variety of people he met at the trading post.Frank and his wife, Elsie had eight children. Two of their sons are talented and well-known jewelers, Alvin Yellowhorse and Bryon Yellowhorse. Frank taught Alvin and Bryon the art of silversmithing, and they both have excelled in advancing Frank’s legacy of inlay jewelry, each in their own unique way.Frank passed away on August 13, 2020 at the age of 87. Listed with ExportYourStore.com

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Frank Yellowhorse Navajo sterling silver intarsia inlay large bear pendant. No issues, circa last quarter of the 20th century. 30" long necklace with other measurements in pictures. No issues. Selling the necklace shown in the pics, sterling necklace free with the wonderful pendant. Listed with ExportYourStore.com

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Frank Yellowhorse(1933-2020) Navajo sterling silver Multi-stone intarsia inlay<br>bib necklace. This is an older c1970's Frank Yellowhorse hallmark that is<br>misidentified by some as Frank Yazzie which makes no sense, this is obviously<br>Frank Yellowhorse's work. The legitimate galleries have pieces with this<br>hallmark attributed to Frank Yellowhorse c1970's.<br>Side arms are 4" x 5/8" each, drop center is 2 1/8" x 1 3/8". Chain is approx<br>16", so 24" total length. 79.2 grams.<br><br>Frank Yellowhorse<br>NATIVE AMERICAN - DINÉ (NAVAJO), 1933 - 2020<br>Navajo artist and businessman Frank Yellowhorse (1933-2020). Yellowhorse was a<br>Korean War veteran, silversmith, and owner of the famed Chief Yellowhorse<br>Trading Post on Route 66 in Lupton, Arizona. Although the trading post started<br>in the 1950s, Frank and his brother learned to sell as kids, at their parents'<br>roadside stand offering Navajo rugs and petrified wood. Today if you google<br>"Frank Yellowhorse," chances are you will see a photo of him in traditional<br>Navajo attire, including headband and gray hair in a ponytail bun, and you might<br>even find a portrait of him painted by a fine artist who was smitten when<br>stopping in at the trading post. And most likely you will see his name<br>frequently mentioned in reference to having taught his award-winning son Alvin<br>how to make jewelry. Alvin is a multiple blue-ribbon winner at Santa Fe Indian<br>Market and is represented by major art galleries worldwide; Alvin's pieces<br>regularly sell for upwards of $9000! Indeed, Alvin had an amazing teacher in<br>father Frank, who was a renowned artist in his own right. While his jewelry<br>doesn't command quite at the same prices as son Alvin, the elder Yellowhorse's<br>works are highly collectible nonetheless.

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Franz Kriwanek (American, 1920-1994) Mid Century Modern Texas Studio Pottery<br>large vase. 9.75" tall x 7" with with no damage or restorations. Fresh from a<br>local Austin TX estate, most likely made when he was teaching in TX before<br>moving to Silverton.<br><br>Franz Kriwanek (American, 1920-1994). artist, potter, professor and author<br>renown for blending clays and glazes from soils and minerals of the San Juan<br>Mountains near Silverton Colorado. Pottery made from these mixtures is very<br>durable with a distinctive allure. When Germany conquered Czechoslovakia,<br>Kriwanek was forcibly drafted into the German Army. He was then sent to North<br>Africa desert, but one morning when he and the other forced draftees awoke, they<br>were alone. Kriwanek was sent to the Prisoner of War Camp in Clarinda, where he,<br>an artist by trade, began painting again, specifically illustrations of the<br>camp. Once the war was over, he was released and returned to Europe, where he<br>lived in the Netherlands for four years. In fact, Winegardner said a family in<br>Shenandoah sent Kriwanek to the University of Iowa where he could obtain his<br>teaching degree. He then taught in Shenandoah for one year, followed by Mount<br>Pleasant, Iowa.<br><br>In 1948, Franz Kriwanek settled in Sweden to study Sino-Swedish stoneware under<br>the masters Wilhelm Koge and Stig Lindberg. While in Sweden he had 7 one man<br>exhibits.In 1963, He arrived in Texas, taking a position on the art faculty at<br>Texas Tech University. For months after he arrived in West Texas, he sought a<br>clay suitable to stand 2,400 degrees. He found it in a quarry in Snyder, Texas.<br>He believed in using local materials and developed a series of glazes which have<br>cotton gin ashes as they main component. These glazes follow the same traditions<br>of Chinese ash glazes.<br><br>“Franz Kriwanek was born on May 1, 1920 in Worschach, Austria.<br>Winegardner said when Germany conquered Czechoslovakia, Kriwanek was forcibly<br>drafted into the German Army. He was then sent to North Africa desert, but one<br>morning when he and the other forced draftees awoke, they were alone.<br>“The Germans were gone. They had left them in the desert,” said Winegardner.<br>“The first thing they did was surrender.”<br>Kriwanek was sent to the Prisoner of War Camp in Clarinda, where he, an artist<br>by trade, began painting again, specifically illustrations of the camp. Once the<br>war was over, he was released and returned to Europe, where he lived in the<br>Netherlands for four years.<br>“Someone he knew in Clarinda sponsored him and his family to move back to<br>Clarinda,” Winegardner said. “He then moved to Shenandoah and started Kriwanek<br>Pottery and Art School. He was really promoted and supported by people in<br>Shenandoah.”<br>In fact, Winegardner said a family in Shenandoah sent Kriwanek to the University<br>of Iowa where he could obtain his teaching degree. He then taught in Shenandoah<br>for one year, followed by Mount Pleasant, Iowa.<br>“He ended his teaching career as chair of ceramics at the University of Texas at<br>Lubbock,” said Winegardner. “He ended up in Silverton, Colorado with Silverton<br>Mountain Pottery. He passed away in 1994, but his pieces have recently become<br>overly popular.”

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Franz Kriwanek (American, 1920-1994) 1965 Mid Century Modern Texas Studio<br>Pottery Framed Plaque 9.25" x 16" total 13.25" x 7" plaque, absolutely no damage<br>or wear.<br><br>Franz Kriwanek (American, 1920-1994) artist, potter, professor and author renown<br>for blending clays and glazes from soils and minerals of the San Juan Mountains<br>near Silverton Colorado. Pottery made from these mixtures is very durable with a<br>distinctive allure. When Germany conquered Czechoslovakia, Kriwanek was forcibly<br>drafted into the German Army. He was then sent to North Africa desert, but one<br>morning when he and the other forced draftees awoke, they were alone. Kriwanek<br>was sent to the Prisoner of War Camp in Clarinda, where he, an artist by trade,<br>began painting again, specifically illustrations of the camp. Once the war was<br>over, he was released and returned to Europe, where he lived in the Netherlands<br>for four years. In fact, Winegardner said a family in Shenandoah sent Kriwanek<br>to the University of Iowa where he could obtain his teaching degree. He then<br>taught in Shenandoah for one year, followed by Mount Pleasant, Iowa.<br><br>In 1948, Franz Kriwanek settled in Sweden to study Sino-Swedish stoneware under<br>the masters Wilhelm Koge and Stig Lindberg. While in Sweden he had 7 one man<br>exhibits.In 1963, He arrived in Texas, taking a position on the art faculty at<br>Texas Tech University. For months after he arrived in West Texas, he sought a<br>clay suitable to stand 2,400 degrees. He found it in a quarry in Snyder, Texas.<br>He believed in using local materials and developed a series of glazes which have<br>cotton gin ashes as they main component. These glazes follow the same traditions<br>of Chinese ash glazes.<br><br>“Franz Kriwanek was born on May 1, 1920 in Worschach, Austria.<br>Winegardner said when Germany conquered Czechoslovakia, Kriwanek was forcibly<br>drafted into the German Army. He was then sent to North Africa desert, but one<br>morning when he and the other forced draftees awoke, they were alone.<br>“The Germans were gone. They had left them in the desert,” said Winegardner.<br>“The first thing they did was surrender.”<br>Kriwanek was sent to the Prisoner of War Camp in Clarinda, where he, an artist<br>by trade, began painting again, specifically illustrations of the camp. Once the<br>war was over, he was released and returned to Europe, where he lived in the<br>Netherlands for four years.<br>“Someone he knew in Clarinda sponsored him and his family to move back to<br>Clarinda,” Winegardner said. “He then moved to Shenandoah and started Kriwanek<br>Pottery and Art School. He was really promoted and supported by people in<br>Shenandoah.”<br>In fact, Winegardner said a family in Shenandoah sent Kriwanek to the University<br>of Iowa where he could obtain his teaching degree. He then taught in Shenandoah<br>for one year, followed by Mount Pleasant, Iowa.<br>“He ended his teaching career as chair of ceramics at the University of Texas at<br>Lubbock,” said Winegardner. “He ended up in Silverton, Colorado with Silverton<br>Mountain Pottery. He passed away in 1994, but his pieces have recently become<br>overly popular.”

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Fred & Elsie Lonconsello Reversible spinner pendant turquoise and coral sterling, throwing in free 24" Italian sterling necklace. No issues.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Fred and Lolita Natachu Zuni c1970's Sterling inlay bolo tie 40" long, everything else in pics.Fred and Lolita Natachu<br><br>Legendary Zuni artists Fred and Lolita Natachu are known for their stunning<br>mosaic and channel inlay. Rainbow God and Knifewing are two of their favorite<br>subjects. They have been creating jewelry since the 1970’s.<br><br>Lolita is the daughter of Zuni silversmith Jacob Haloo. Her sisters, Dolly<br>Banteah, Nancy Lacnsello, and Rolanda Haloo are also recognized Zuni inlay<br>silversmiths.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Fred Baca Navajo sterling silver vintage chip inlay belt buckle. Fits up to a 1.5" belt. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional, stones are secure. All items will likely have some expected wear, the older they are the more wear they should have. Circa last quarter of the 20th century.

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Fred Davis (1880-1961) large sterling and amethyst tulip flower pin 39.8 grams, other measurements in pics.Frederick W. Davis is known among collectors for his work as a jewelry<br>designer and silversmith based in Mexico City, Mexico. He began designing and<br>crafting jewelry and decorative objects in the 1920s. The wares he produced<br>often reflected his affinity for pre-Columbian artifacts. He occasionally<br>collaborated with Valentín Vidaurreta, another respected Mexican silver<br>craftsman with roots in Mexico City. Davis is credited as an avid promoter of<br>other silver artists, including William Spratling, who worked in Mexico from the<br>1920s through the 1950s. Frederick Davis Jewelry - HistoryDavis moved from the<br>United States to Mexico in 1910. Working as an assistant manager for the Sonora<br>News Company, he toured the country on buying trips to stock railway station<br>shops with native folk art for his employer. He established relationships with<br>many artisans during his travels, and his knowledge of Mexican crafts grew<br>extensively. His ardent work resulted in a promotion to manager of Sonora’s arts<br>and crafts showroom in Mexico City. René d’Harnoncourt, who later served as the<br>director of the Museum of Modern Art in New York, was employed by Davis in 1927<br>as an assistant. Their work together led to the company’s distribution and<br>exhibition of works by Mexican painters who are now well known, such as Diego<br>Rivera, among many others. During this era, Davis and d’Harnoncourt left an<br>indelible footprint on the trade of Mexican handcrafts, including silver<br>jewelry, from that point on. Davis took a position managing antiques and fine<br>crafts for Sanborn’s department store in 1933 after d’Harnoncourt moved to the<br>United States. He remained with the store for 20 years, where he continued to<br>promote Mexican art and artisans while designing and producing silver wares.<br>Davis died in 1961.

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Fred Davis (1880-1961) Sterling and amethyst large pin 25.7 grams, other measurements in pics.Frederick W. Davis is known among collectors for his work as a jewelry<br>designer and silversmith based in Mexico City, Mexico. He began designing and<br>crafting jewelry and decorative objects in the 1920s. The wares he produced<br>often reflected his affinity for pre-Columbian artifacts. He occasionally<br>collaborated with Valentín Vidaurreta, another respected Mexican silver<br>craftsman with roots in Mexico City. Davis is credited as an avid promoter of<br>other silver artists, including William Spratling, who worked in Mexico from the<br>1920s through the 1950s. Frederick Davis Jewelry - HistoryDavis moved from the<br>United States to Mexico in 1910. Working as an assistant manager for the Sonora<br>News Company, he toured the country on buying trips to stock railway station<br>shops with native folk art for his employer. He established relationships with<br>many artisans during his travels, and his knowledge of Mexican crafts grew<br>extensively. His ardent work resulted in a promotion to manager of Sonora’s arts<br>and crafts showroom in Mexico City. René d’Harnoncourt, who later served as the<br>director of the Museum of Modern Art in New York, was employed by Davis in 1927<br>as an assistant. Their work together led to the company’s distribution and<br>exhibition of works by Mexican painters who are now well known, such as Diego<br>Rivera, among many others. During this era, Davis and d’Harnoncourt left an<br>indelible footprint on the trade of Mexican handcrafts, including silver<br>jewelry, from that point on. Davis took a position managing antiques and fine<br>crafts for Sanborn’s department store in 1933 after d’Harnoncourt moved to the<br>United States. He remained with the store for 20 years, where he continued to<br>promote Mexican art and artisans while designing and producing silver wares.<br>Davis died in 1961.

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Fred Davis (1880-1961) Taxco Modernist sterling cufflinks 30mm x 11mm x 20.9<br>grams.Frederick W. Davis is known among collectors for his work as a jewelry<br>designer and silversmith based in Mexico City, Mexico. He began designing and<br>crafting jewelry and decorative objects in the 1920s. The wares he produced<br>often reflected his affinity for pre-Columbian artifacts. He occasionally<br>collaborated with Valentín Vidaurreta, another respected Mexican silver<br>craftsman with roots in Mexico City. Davis is credited as an avid promoter of<br>other silver artists, including William Spratling, who worked in Mexico from the<br>1920s through the 1950s. Frederick Davis Jewelry - HistoryDavis moved from the<br>United States to Mexico in 1910. Working as an assistant manager for the Sonora<br>News Company, he toured the country on buying trips to stock railway station<br>shops with native folk art for his employer. He established relationships with<br>many artisans during his travels, and his knowledge of Mexican crafts grew<br>extensively. His ardent work resulted in a promotion to manager of Sonora’s arts<br>and crafts showroom in Mexico City. René d’Harnoncourt, who later served as the<br>director of the Museum of Modern Art in New York, was employed by Davis in 1927<br>as an assistant. Their work together led to the company’s distribution and<br>exhibition of works by Mexican painters who are now well known, such as Diego<br>Rivera, among many others. During this era, Davis and d’Harnoncourt left an<br>indelible footprint on the trade of Mexican handcrafts, including silver<br>jewelry, from that point on. Davis took a position managing antiques and fine<br>crafts for Sanborn’s department store in 1933 after d’Harnoncourt moved to the<br>United States. He remained with the store for 20 years, where he continued to<br>promote Mexican art and artisans while designing and producing silver wares.<br>Davis died in 1961.

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Fred Davis Abraham Paz Sterling Silver Angel Bird Brooch with Turquoise 3/4 x 1<br>1/8 inches in size. Marked on back "925 Echo en Mexico" and with artist's logo -<br>might be Abraham Paz who was a silversmith & designer for Fred Davis. Also has<br>the old eagle mark with number 22 inside. Pin can be worn sideways (as a bird)<br>or up/down (as an angel).Good conditio, with no significant issues.

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Fred Guerro Navajo sterling spiderweb turquoise pendant. Solid sterling, throwing in 18" sterling necklace that isn‘t Native American made. Fred was born Nov. 14, 1934, to the late Juan and Yananpah Guerro. His clans are Chishi (Apache), born for ‘Áshiihí (Salt People Clan). He passed away peacefully on Nov. 21, 2020, in Albuquerque. Fred was the last of Juan and Yananpah Guerros children. He was known to be very kind, gentle, and always telling jokes and stories. Fred was a born-again Christian and never wavered in his faith. He always quoted bible scriptures and tested your biblical knowledge to ensure one learned. He loved his family very much that he would do anything and everything for them. Fred was a master silversmith, selling his jewelry nationwide and with his regular customers in Socorro, Alamogordo, and Gallup. He built houses, mostly out of adobe mud, a skill that is becoming very rare. Fred was also a skilled fence builder and travelled many miles to work for ranchers across the state. Many nephews and relatives who travelled with him to hunting and fence building remember his stories, his humor, and jokes.

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Fred Peters Navajo Sterling Multi-stone channel inlay pendant. Including the<br>Italian Sterling necklace shown. Necklace 24", pendant 2.25" x 1 3/8" 43.9 grams<br>total.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Freddie Maloney Navajo 3/4" sterling silver ranger belt buckle set NOS. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa last quarter of the 20th century.. New old stock condition, fits 3/4" belt. Listed with ExportYourStore.com

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Frederick-Denise Suitza Zuni sterling silver sunface shell/stone inlay bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Great bolo, 37" long with no issues. Tray is tared out, so weight shown is just the bolo of course. Marked sterling with artists hallmark,

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French 1782 1/5 Écu - Louis XVI Silver coin in sterling bezel pendant. Authentic coin with rare Perpignan mint mark. 917 silver coin in unmarked (tested) sterling bezel 43.4 grams total weight. 2" wide x 2 5/8" tall.

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French 1977 R.D. Marmande Hand Carved/painted 1:43 Scale Model Intaltera Ford V8<br>Coupe. Clean with no issues.<br><br>RD, that is Raymond Daffaure from the town of Marmande in South-West France, is<br>in a way probably one of the greatest model makers ever. All his models are made<br>entirely by hand from a piece of wood. Mr Daffaure sculpted about 40 models a<br>month, for 20 years from the 50's-70's, to make a living. For him. Lmited to X<br>pieces wasn‘t a marketing strategy, but pure necessity. Of his best selling<br>model, the Ferrari GTO, he made maybe 200 copies, others were made only in 2 or<br>3 copies. Raymond Daffaure probably sculpted more than 800 different cars.

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French Baccarat Angels Pair. Selling both the Baccarat Angels shown in original<br>boxes. Largest 4.5" long for the figure without the box. One with original<br>label, both signed in two places, no scratches, damage, or wear.<br>tw162

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Baccarat Harcourt Decanter 5.5" wide x 12.5" tall. No cracks, chips, scratches, dings, or hard water. Estate fresh in new condition, retailed for $1490. tw254

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French Baccarat Marcel Franck Escale Silver Overlay Atomizer perfume bottle. Extremely high quality bottle with a complex atomizer mechanism that appears functional. No tube, short stable crack in top of jar that stops before the shoulder of the jar. Still will hold liquid. Bottom Acid stamped Marcel Franck Made in France in circular logo. There is no Baccarat mark but it's obviously Baccarat. perfumedrawer.

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French Bayeux Tapestry Lustre Wall plaque/trinket dish 4.25" with no damage or issues. Great piece likely from the second quarter of the 20th century.

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French Lalique 1976 US Bicentennial patriotic trinket dish 4" wide and tall,<br>signed Lalique France center of base. No scratches, damage, or wear. No issues.<br>b1

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French Lalique crystal paperweight. 4.25" x 3" genuine Lalique crystal with no<br>scratches, chips, cracks, or other issues.<br>pwdrawer

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French Limoges hand painted snail trinket box. 3.5" wide x 2.75" tall. Nice large trinket box with tight hinge and catch that clicks when the box is shut and holds it shut when lifted by the top. No damage or detectable wear.

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French Limoges hand painted snail trinket box. 3.5" wide x 2.75" tall. Nice large trinket box with tight hinge and catch that clicks when the box is shut and holds it shut when lifted by the top. No damage or detectable wear.

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