c1940's Early plastic Fish hook brooch. Not 100% sure of the technical name of this type of plastic and I beg you not to inform me of it as I won't have time to change the listing. Very well preserved authentic item from an extensive long time collection put together in the last quarter of the 20th century. Measurements shown in pics, it will not be available for extra measurements/pics until sold. Thank you so much for your time and consideration.

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Vintage Zuni Channel inlay sterling Rainbow Man pendant/pin<br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Vintage Zuni Channel inlay sterling Rainbow Man pendant/pin, very slight loss to right side of hat. <br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Vintage Modernist sterling cat pin. Really great, I feel like I recognize the hallmark/work but just no time to puzzle over it.<br><br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Mark Chee (1914-1981) Silver Pin with turquoise 1 5/8" wide x 1.25" tall x 13.1 grams. 100% guaranteed authentic with no issues. Very few Mark Chee pins have made it to the secondary market. <br><br>Mark Chee (1914-1981) Biography<br>Navajo artist, Mark Chee is among the earliest southwest silversmiths. Mark Chee is known for traditional stamp work and high quality stone settings in unusually heavy silver. He was born in Lukachukai, Arizona around 1900 and was sent to government school at Fort Defiance (a United States government practice during that time) from the age of 10 to the 11thgrade. He is the elder brother of Joe Chee. <br><br>He was active during the 1930s through ‘60s. He specialized in heavy silver in old style designs. He began polishing silver in Julius Gans’ Southwest Art and Crafts shop in Santa Fe for $5.00 a week. He then bought a few tools and used them all his life. He quickly became an accomplished silversmith and was hired as a bench smith at Frank Patania’s Thunderbird Shop and later at Al Packard’s shop on the Santa Fe Plaza. He was also a bench-smith for the Wooden Indian at Embudo, New Mexico. <br><br>His hallmark is a stamp of a bird with his last name in the body in Gothic print. There are several versions of this mark but rather than being a separate stamp they may be due to the angle of his strike.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Large Vintage Hand stamped Navajo silver and variscite pin 2 5/8" x 2.25" x 41.1 grams. Amazing workmanship/stampwork/Repousse work. Only markings are a traders code.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Sheils Tso Navajo heavy stamped silver and turquoise pin 2.5" x 1 3/8" x 27.6 grams. <br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Bjarne Meyer (1896-1949) and HK Denmark Brooch. Selling the two brooches shown, largest 2 1/8". The HK could be Henning Koppel whol worked for Jensen, both top quality and from the same collection. Bjarne Meyer, a silversmith that did work for Kalo, Art Metal Studios, Georg Jensen and Gorham silver.Not much is known about him personally, but his work is sought after by arts and crafts and Chicago silver collectors. anderas

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Harry Morgan (1947-2008) Navajo Heavy stamped silver and turquosie pin<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is<br>stored in a secure location and cannot be accessed for more pictures, videos, or<br>measurements until sold. If you look at pictures/description your question<br>should be answered. Thank you so much for your time and consideration!<br><br>NUMEROUS award winner Navajo artist Harry Morgan (1947-2008) was a 5th<br>generation Navajo silversmith who'll always be remembered for his traditional<br>"Vintage Revival-Old Pawn" style jewelry that had these gleaming sterling<br>vintage looking darkened finishings that were made in a classic old style Navajo<br>design..The beauty he gave the sterling was so warm that it brought out the<br>metal's maximum luster..Harry once said "That's the way old style jewelry should<br>look," he said.. "When silver is all shined up it hides all of the intricate<br>detail in the stamp work and the bezels. This older style is what I grew up with<br>and what I love."<br><br>Although it was his mother who inspired him to create this style of jewelry that<br>had that old Navajo look,it was Harry however who was the 1st to bring this<br>style to the forefront of the industry..Paving the way for others like his<br>brother-in-law Kirk Smith who then followed in Harry's footsteps & with Kirk's<br>connection with other artists,they then followed in Kirk's footsteps. Now this<br>is the dominant style amongst most Navajo artists & you see this old pawn style<br>darkened finishing everywhere..Kirks name will always be associated with Harry's<br>& vise versa.<br><br>if you've ever wondered why most Navajo pieces have that old style look &<br>finishing where many of you can't tell if the piece is new or old anymore,it was<br>this man who we can give the credit to for bringing a style of jewelry that we<br>now see everywhere. He lived to see his jewelry being exhibited at the Heard<br>Museum a year before his death..<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Retired James Avery sunflower brooch in sterling.. No issues, weight and<br>measurements in pics. I cannot provide any additional measurements, videos, or<br>pictures that aren't provided as my jewelry is stored at a separate secure<br>location until it ships. Thank you so much for taking the time to look and your<br>consideration.<br><br>anderascoll<br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.

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Willie Yazzie, Sr. (Navajo), 1928-1999 Overlay silver pins (2) Largest 2", 18.9 grams total weight. <br><br>Navajo Overlay Artist Willie Yazzie<br><br>After the success of the overlay designs made at the Hopi Guild many other<br>silversmiths and shops incorporated overlay in their designs (see Overlay is Not<br>Always Hopi Made). Navajo trader Dean Kirk opened his own trading post at<br>Manuelito, New Mexico (between Gallup and the Arizona border) by January 1941.<br>The silver work made in Dean’s shop was typically Navajo tourist type designs<br>and hallmarked UITA22 (under the auspices of the United Indian Traders<br>Association) until about 1951. That’s when Kirk designed a series of overlay<br>pins to be made by Navajo smiths in his employ incorporating Hohokam and Mimbres<br>designs. These designs proved to be very popular, as a 1958 newspaper<br>advertisement for Enchanted Mesa in Albuquerque promoted “Dean Kirk’s Navajo<br>Overlay Silver”. The overlay pieces made at Kirk’s shop were rarely hallmarked.<br><br>However, one of the Navajo silversmiths who worked for Dean Kirk was Willie<br>Yazzie, he made his own hallmark and used it on pieces he made in Kirk’s shop.<br><br>Much of the following information was relayed to Alan Ferg (archivist and<br>archaeologist at Arizona State Museum) by William P. (Willie) Yazzie, Jr, in<br>February 2018. Ferg’s investigation of an overlay belt buckle in his possession,<br>lacking a hallmark, has led to previously unrecorded information about Willie<br>Yazzie, as well as the identification of an additional hallmark used by the<br>artist.<br><br>According to Social Security records, Willie A. Yazzie was born at Chinle,<br>Arizona in 1928. His son says he learned silverwork at Dean Kirk’s trading post<br>in Manuelito in the early 1950s, and created his touchmark (or hallmark) no<br>later than 1960, and after that time his pieces made at Dean Kirk’s would have<br>included his gourd dipper hallmark. His designs often incorporated animal<br>figures such as roadrunners or Navajo designs including Yeis and Father Sky. He<br>never added “tamp work,” or a textured pattern to the background designs.<br><br>In 1960 Ansel Hall, concessionaire at Mesa Verde National Park, was looking for<br>a silversmith to demonstrate at the park during the summers months, Dean Kirk<br>recommended Willie Yazzie and he was hired by Hall. Willie worked at Mesa Verde<br>in the summers from 1960 to 1983, except for 1965 when he was sick. Yazzie<br>created a special hallmark to denote pieces he made at Mesa Verde. The mark<br>depicts Square Tower House, a ruin within the park, and was included with his<br>gourd dipper mark during the summers of 1960-1964 and 1966-1983.<br><br>Willie A. Yazzie died in 1999, but his family, including his widow, daughter and<br>Willie Jr continue the tradition of Willie’s overlay work. Willie Jr said that<br>his sister has most of their father’s tools and stamps, and that she still uses<br>the gourd dipper mark. Willie uses mostly his initials as his hallmark, but<br>doesn’t do much silverwork anymore, he is retired from the National Park Service<br>where he was a ranger at Canyon de Chelly. Willie, who lives in Chinle, said his<br>sons do a little silversmithing, but that they are busy and don’t have much time<br>for it.

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40's-50's Navajo Curio silver and turquoise pin 3.5" x 1 1/8" 16.7 grams. <br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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large c1950's Navajo Curio silver and turquoise pin 2.25" x 1.75", 36.5 grams. <br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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c1940's Navajo repousse silver butterfly pin 2 5/8" x 2.25", 20.2 grams.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Bobby Lujan Taos Pueblo (1922-2012) silver Branch coral and turquoise pendant/pin. 1 7/8" x 1 5/8".<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Vintage Native American Silver vase pin 2.25" wide x 2 1/8" tall x 21.5 grams with no issues. <br><br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Large Harvey Mace Navajo feather pin 3" x 1.75" with dangle feather, 10.6 grams. <br><br>Born in 1957 Farmington. He learned to silversmith from his brother, Ted Mace. His feather work is made by stamping one line at a time. The pieces are made with lots of patience and time. His wife and daughter help, but most of the work he does himself.<br><br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Vintage Navajo Silver and turquoise pin with arrow and snake stampings<br><br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Alonzo Hustito Zuni (1910-1990) Silver Kachina Bolo and pendant/pin set Bolo hand signed, penant/pin stamped. Selling both.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Carol Wylie Navajo silver and high grade turquoise pin, also has mark from Adam & Rita Teller<br>Navajo (De Chelly shop). 2 3/8" x 1 3/8" x 15.2 grams.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Large Vintage Zuni Silver Wagon wheel turquoise pendant/pin<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Vera Halusewa Zuni Petit point turquoise silver cross pendant/pin 2" tall x 1 5/8" wide, no issues. <br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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30's-40's Navajo silver and turquoise repousse concho pin. Functional with damage to the catch on the back.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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c1940's Bakelite on leather frog pin. Very well preserved authentic item from an extensive long time collection put together in the last quarter of the 20th century. Measurements shown in pics, it will not be available for extra measurements/pics until sold. Thank you so much for your time and consideration.

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c1940's Bakelite and wood fox pin Very well preserved authentic item from an extensive long time collection put together in the last quarter of the 20th century. Measurements shown in pics, it will not be available for extra measurements/pics until sold. Thank you so much for your time and consideration.

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c1940's Martha Sleeper Bakelite Bambi deer brooch. Very well preserved authentic item from an extensive long time collection put together in the last quarter of the 20th century. Measurements shown in pics, it will not be available for extra measurements/pics until sold. Thank you so much for your time and consideration.

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c1940's carved lucite dog brooch. Very well preserved authentic item from an extensive long time collection put together in the last quarter of the 20th century. Measurements shown in pics, it will not be available for extra measurements/pics until sold. Thank you so much for your time and consideration.

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Cecilia Tono Piedra Negra Mid Century Modernist sterling mixed metals pendant/pin. Measurments in pics. 31.5 grams..

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Sterling Zealandia Sorcerer pin. The cape is made of black mussel shell and decorated with stars, moons, and planets. Selling the pin shown. Measurements and weight in pics. Pin appears black, but when light shines through the back it's brown as shown in the pics. It's photographed on a lighted table.<br><br>anderas

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1980's Judith Roberts Collecion Mixed metals reliquary pendant/pin/ornament. Mixed untested metals, mesurements shown in pics, great high quality piece estate fresh with no issues.<br><br>anderas

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Felicita Eustace Cochiti (1927-2016) Silver and carved turquoise pin. Gorgeous<br>with no issues, extremely high grade natural American turquoise. Marked or<br>unmarked as shown in pics, weight and other measurements in pics. Sorry but my<br>jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>Felicita was born in 1927 and raised at Cochiti Pueblo. She learned to make<br>traditional pottery and storytellers from her parents. After her marriage during<br>the World War II years, she moved to her husband Ben’s home in Zuni. Ben taught<br>her some basics of jewelry-making. She sold her first ring to legendary Zuni<br>trader C.G. Wallace. Over the years she become and accomplished jeweler in her<br>own right, while developing a large following for her pottery and storytellers.<br>“There are always more orders for my claywork than there’s time to do them,” she<br>said.<br><br>The Eustaces show strong respect for the materials and time-honored processes of<br>their art. Felicita still makes her storytellers the traditional way. Her<br>jewelry features an old family design copyrighted in the early 1960s: a domed,<br>natural leave motif in sterling silver alongside a carved, bezeled and polished<br>turquoise stone. Felicita and Ben have passed their respect for quality on to<br>their 13 children, many of whom create their own pottery and jewelry.<br><br>Daughter Bernadette Eustace says, “My parents told us that if we were going to<br>do jewelry at all, we would have to do it their way, the right way. It wasn’t<br>the designs they were talking about, it was the technical aspects of our work:<br>setting stones, welds, engravings and so on. They were the ones who would be<br>selling these items for us, so they would make sure that a certain standard of<br>quality was being met.”<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Henry Steig (1906-1973) sterling pins (2). Selling both one of a kind pins, both<br>signed, one stamped, one by hand. Part of a significant collection of Henry<br>Steig Jewelry purchased directly from him in the 50's-60's that I'm lucky enough<br>to be able to offer. Largest 3" x 1 1/8", other 2" x 1.25"...Both seem to<br>possibly represent human forms. 38.6 grams total.<br><br>Jules Brenner and Henry Steig were among group of prominent of New York<br>mid-century studio jewelers who hand-crafted pieces of wearable art that<br>celebrated the avant-garde, rejected traditional jewelry forms, and appealed to<br>an intellectual and liberal middle class. Jules Brenner was born in the Bronx,<br>grew up in Washington Heights, and studied acting with Stella Adler and painting<br>and sculpture in Greenwich Village. Henry Steig (also known as Henry Anton)<br>studied at City College and the National Academy of Design, and began his career<br>as a New York City jazz musician, writer, novelist, cartoonist, and painter.<br>During the 1950s, both Brenner and Steig operated shops and studios in Manhattan<br>and in Provincetown, Massachusetts—then a prominent artists’ enclave—where they<br>sold hand-wrought silver and gold designs which often emphasized biomorphic,<br>surrealist, cubist, and geometric forms.<br><br>Everyone knows the famous picture from the film The Seven Year Itch, of Marilyn<br>Monroe standing on a New York sidewalk, her skirt blown up by on updraft from<br>the subway grate below. However, not everyone knows that at that moment she was<br>standing in front of Henry Steig's jewelry shop at 590 Lexington Avenue.<br>Henry Steig was a man of many talents. Before he became a jeweler, he was a jazz<br>musician, painter, sculptor, commercial artist, cartoonist, photographer, short<br>story writer and novelist.<br><br>"Henry was a Renaissance man," says New Yorker cartoonist Mischa Richter, who<br>was Steig's good friend and Provincetown neighbor.<br><br>Henry Anion Steig was born on February 19, 1906, in New York City. His parents,<br>Joseph and Laura, had come to America at the turn of the century, from Lvov<br>(called Lemberg in German), which was then in the Polish port of the<br>Austro-Hungarian Empire. Joseph was a housepainter and Laura, a seamstress.<br><br>They had four sons, Irwin, Henry, William and Arthur, all of them versatile,<br>talented and artistic. William Steig is the well-known New Yorker cartoonist and<br>author-illustrator of children's books. lrwin was a writer of short stories for<br>the New Yorker. Arthur was a painter and poet whose poems were published in the<br>New Republic and Poetry magazines.<br><br>William Steig recalls, "My father and mother both began pointing and become<br>exhibiting artists after their sons grew up." In the May 14, 1945, issue of<br>Newsweek magazine, an article was published about an exhibition, "possibly the<br>first one family show on Art Row (57th Street)" at the New Art Circle Gallery.<br>It was called "The Eight Performing Steigs, Artists All." Included were<br>paintings By Joseph and Laura Steig; drawings and sculpture by William and<br>paintings by his wife, Liza; paintings by Arthur and his wife, Aurora; and<br>photographs by Henry and paintings by his wife, Mimi. The only brother not<br>included was Irwin, "the only non-conformist Steig," who was working at that<br>time as advertising manager of a Connecticut soap manufacturer.<br><br>In the article "the brothers attribute the family's abundance of good artists to<br>the fact that we all like each other's work…get excited about it. Whenever<br>anyone starts they get lots of encouragement. Joseph Steig adds, 'Painting is a<br>contagious thing. If you lived in our environment, you would probably point.'"<br><br>Henry Steig grew up in this extraordinary environment. The family lived in the<br>Bronx. After graduating from high school, Henry Steig went to City College<br>(CCNY). After three years he left to study painting and sculpture at the<br>National Academy of Design. He was also an accomplished musician, playing<br>saxophone, violin and classical guitar, and while he was in college, he began<br>working as a jazz musician. From about 1922, when only sixteen years old, until<br>1932 he played reed instruments with local dance bands.<br><br>After four years at the National Academy, Steig worked as a commercial artist<br>and cartoonist. He signed his cartoons "Henry Anton" because his brother William<br>was working as a cartoonist at the same time, for many of the same magazines.<br>From about 1932 to 1936, Henry Anton cartoons appeared in Life, Judge, New<br>Yorker and other magazines.<br><br>Steig began a writing career in 1935 that lasted until about 1947. He became<br>very successful and well known as a short story writer, with stories appearing<br>regularly in Saturday Evening Post, New Yorker, Esquire, Colliers and others.<br>They were often humorous tales about jazz and the jazz musicians who populated<br>the world of music in the roaring twenties. Other stories were about his Bronx<br>childhood. He also wrote nonfiction magazine pieces, including a New Yorker<br>profile of Benny Goodmon and jazz criticism. Several of his nonfiction articles<br>were illustrated by William Steig.<br><br>In 1941 , Alfred A. Knopf published Henry Steig's novel, Send Me Down. The<br>story, told with absolute realism, is about two brothers who become jazz<br>musicians in the twenties. On the book jacket, Steig wrote, "Much of the<br>material for Send Me Down was gathered during my years as a jazz musician<br>playing with local jazz bands and with itinerant groups in vaudeville and on<br>dance hall tour engagements. Although I was only second-rate as a musician, I<br>know my subject from the inside, and I believe I was the first to write stories<br>about jazz musicians, based on actual personal experience." His son, Michael,<br>recalls that there was some interest in making a movie of the book. "My father<br>told me that John Garfield wanted to play the lead character."<br><br>Steig did go to Hollywood in 1941, under contract to write screenplays. He was<br>going to work with Johnny Mercer, the songwriter. After the ing of Pearl Harbor<br>on December 7, he returned to New York. "He undoubtedly would have returned<br>anyway," says Michael Steig. "He was not happy with the contract his agent had<br>negotiated for him." Mischa Richter odds, "Henry was very unimpressed with<br>Hollywood."

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Henry Steig (1906-1973) Mid Century Modernist sterling pins (2). Selling both<br>one of a kind pins, both signed, Part of a significant collection of Henry Steig<br>Jewelry purchased directly from him in the 50's-60's that I'm lucky enough to be<br>able to offer. Amethyst 2.75" x .75" Pearl 2.75" x 5/8" 19.2 grams total weight.<br><br><br>Jules Brenner and Henry Steig were among group of prominent of New York<br>mid-century studio jewelers who hand-crafted pieces of wearable art that<br>celebrated the avant-garde, rejected traditional jewelry forms, and appealed to<br>an intellectual and liberal middle class. Jules Brenner was born in the Bronx,<br>grew up in Washington Heights, and studied acting with Stella Adler and painting<br>and sculpture in Greenwich Village. Henry Steig (also known as Henry Anton)<br>studied at City College and the National Academy of Design, and began his career<br>as a New York City jazz musician, writer, novelist, cartoonist, and painter.<br>During the 1950s, both Brenner and Steig operated shops and studios in Manhattan<br>and in Provincetown, Massachusetts—then a prominent artists’ enclave—where they<br>sold hand-wrought silver and gold designs which often emphasized biomorphic,<br>surrealist, cubist, and geometric forms.<br><br><br>Everyone knows the famous picture from the film The Seven Year Itch, of Marilyn<br>Monroe standing on a New York sidewalk, her skirt blown up by on updraft from<br>the subway grate below. However, not everyone knows that at that moment she was<br>standing in front of Henry Steig's jewelry shop at 590 Lexington Avenue.<br>Henry Steig was a man of many talents. Before he became a jeweler, he was a jazz<br>musician, painter, sculptor, commercial artist, cartoonist, photographer, short<br>story writer and novelist.<br><br>"Henry was a Renaissance man," says New Yorker cartoonist Mischa Richter, who<br>was Steig's good friend and Provincetown neighbor.<br><br>Henry Anion Steig was born on February 19, 1906, in New York City. His parents,<br>Joseph and Laura, had come to America at the turn of the century, from Lvov<br>(called Lemberg in German), which was then in the Polish port of the<br>Austro-Hungarian Empire. Joseph was a housepainter and Laura, a seamstress.<br><br>They had four sons, Irwin, Henry, William and Arthur, all of them versatile,<br>talented and artistic. William Steig is the well-known New Yorker cartoonist and<br>author-illustrator of children's books. lrwin was a writer of short stories for<br>the New Yorker. Arthur was a painter and poet whose poems were published in the<br>New Republic and Poetry magazines.<br><br>William Steig recalls, "My father and mother both began pointing and become<br>exhibiting artists after their sons grew up." In the May 14, 1945, issue of<br>Newsweek magazine, an article was published about an exhibition, "possibly the<br>first one family show on Art Row (57th Street)" at the New Art Circle Gallery.<br>It was called "The Eight Performing Steigs, Artists All." Included were<br>paintings By Joseph and Laura Steig; drawings and sculpture by William and<br>paintings by his wife, Liza; paintings by Arthur and his wife, Aurora; and<br>photographs by Henry and paintings by his wife, Mimi. The only brother not<br>included was Irwin, "the only non-conformist Steig," who was working at that<br>time as advertising manager of a Connecticut soap manufacturer.<br><br>In the article "the brothers attribute the family's abundance of good artists to<br>the fact that we all like each other's work…get excited about it. Whenever<br>anyone starts they get lots of encouragement. Joseph Steig adds, 'Painting is a<br>contagious thing. If you lived in our environment, you would probably point.'"<br><br>Henry Steig grew up in this extraordinary environment. The family lived in the<br>Bronx. After graduating from high school, Henry Steig went to City College<br>(CCNY). After three years he left to study painting and sculpture at the<br>National Academy of Design. He was also an accomplished musician, playing<br>saxophone, violin and classical guitar, and while he was in college, he began<br>working as a jazz musician. From about 1922, when only sixteen years old, until<br>1932 he played reed instruments with local dance bands.<br><br>After four years at the National Academy, Steig worked as a commercial artist<br>and cartoonist. He signed his cartoons "Henry Anton" because his brother William<br>was working as a cartoonist at the same time, for many of the same magazines.<br>From about 1932 to 1936, Henry Anton cartoons appeared in Life, Judge, New<br>Yorker and other magazines.<br><br>Steig began a writing career in 1935 that lasted until about 1947. He became<br>very successful and well known as a short story writer, with stories appearing<br>regularly in Saturday Evening Post, New Yorker, Esquire, Colliers and others.<br>They were often humorous tales about jazz and the jazz musicians who populated<br>the world of music in the roaring twenties. Other stories were about his Bronx<br>childhood. He also wrote nonfiction magazine pieces, including a New Yorker<br>profile of Benny Goodmon and jazz criticism. Several of his nonfiction articles<br>were illustrated by William Steig.<br><br>In 1941 , Alfred A. Knopf published Henry Steig's novel, Send Me Down. The<br>story, told with absolute realism, is about two brothers who become jazz<br>musicians in the twenties. On the book jacket, Steig wrote, "Much of the<br>material for Send Me Down was gathered during my years as a jazz musician<br>playing with local jazz bands and with itinerant groups in vaudeville and on<br>dance hall tour engagements. Although I was only second-rate as a musician, I<br>know my subject from the inside, and I believe I was the first to write stories<br>about jazz musicians, based on actual personal experience." His son, Michael,<br>recalls that there was some interest in making a movie of the book. "My father<br>told me that John Garfield wanted to play the lead character."<br><br>Steig did go to Hollywood in 1941, under contract to write screenplays. He was<br>going to work with Johnny Mercer, the songwriter. After the ing of Pearl Harbor<br>on December 7, he returned to New York. "He undoubtedly would have returned<br>anyway," says Michael Steig. "He was not happy with the contract his agent had<br>negotiated for him." Mischa Richter odds, "Henry was very unimpressed with<br>Hollywood."

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วินเทจสยามสเตอร์ลิงลงยาเรือมังกรและเข็มกลัดนักเต้น ขายทั้งคู่ไม่มีความเสียหายที่ชัดเจน นักเต้นสูง 2 3/8" เรือยาว 2.5" รวม 15.6 กรัม

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จี้/หมุดทรงวินเทจสเตอร์ลิง 2 อัน สูง 1.5 นิ้วทั้งคู่ จี้ 1 อัน พิน 1 อัน ภาษาอังกฤษ 1 อัน อื่นๆ อาจเป็นสแกนดิเนเวีย น้ำหนักรวม 18.3 กรัม

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Gary และ Paulinus Vacit Zuni จี้/หมุดนักเต้นระบำสีรุ้ง 1 5/8" x 1" x 6.5 กรัม โลหะมีค่าทั้งหมดได้รับการทดสอบและรับประกัน เครื่องประดับชาวอเมริกันพื้นเมืองใดๆ ที่เรียกว่าเงินหรือสเตอร์ลิง รับประกันว่าจะมีแร่เงินอย่างน้อย 90% (เหรียญ) และอาจมีปริมาณที่สูงกว่า สิ่งใดก็ตามที่ทำเครื่องหมายไว้จะรับประกันว่าเป็นสิ่งที่ทำเครื่องหมายไว้ กำไลส่วนใหญ่จะถ่ายรูปบนข้อมือขนาด 6 นิ้ว (ไม่มีขน) แหวนจะถ่ายรูปด้วยนิ้วที่มีขนาดเหมาะสมเมื่อเป็นไปได้ สำหรับกำไลหากไม่ได้ระบุการวัดไว้ในคำอธิบาย เส้นรอบวงด้านในจะแสดงขึ้น โดยที่โลหะตรงกับหมายเลขบนสายวัดผ้า

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จี้/เข็มกลัดหินแข็ง Cameo Onyx โบราณขนาดใหญ่ 14k สูง 43 มม. ไม่รวมแหวนจี้แบบหมุนได้ x กว้าง 35 มม. x 21.6 กรัม ไม่มีเครื่องหมายที่ตรวจพบได้ ผ่านการทดสอบ (ในหลายจุด) และรับประกันทองคำ 14k ที่เป็นของแข็ง จี้โอนิกซ์แกะสลักด้วยมือทั้งหมดประมาณปี 1870

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Taxco เงินเม็กซิกัน ยุค 30-40 สลักนักรบ Onyx Aztec สลักนักรบ 2 1/8" x 1 3/8" x 30.2 กรัม ไม่มีความเสียหาย มีริ้วรอยเล็กน้อย

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เข็มกลัด Orb Mid Century Modern ในยุค 1960 Otto Robert Bade กว้าง 3 นิ้วโดยไม่มีการโค้งงอหรือรอยบุบOtto R. Badeช่างเงินที่สอนด้วยตนเองซึ่งมีต้นกำเนิดมาจากฟาร์มในเนแบรสกา Otto ซึ่งเคยไปเยี่ยมชม ปู่ของเขาไปเยี่ยมชมงาน World's Fair เมื่อปี 1940 โดยตระหนักว่าเขาไม่ต้องการใช้ชีวิตแบบชาวนา ดังนั้นในปี 1941 เขาจึงไปนิวยอร์กเพื่อค้นหาอนาคตของเขา เขาตอบโฆษณาจ้างงานเพียงฉบับเดียวและไปสัมภาษณ์งาน Frank (Francisco) Rebajes อธิบายว่าเขากำลังมองหาใครสักคนที่จะนำผลงานศิลปะในสตูดิโอของเขาและเพิ่มความสามารถในการผลิต เขาพูดกับ Otto "ดูว่าคุณทำอะไรได้บ้าง" และมอบผลงานชิ้นโปรดของเขาชิ้นหนึ่งให้กับ Otto นั่นคือ "Ubangi Face" ที่ ในตอนท้ายของวัน Frank รู้สึกประหลาดใจ Otto ได้สร้างจิ๊กและกระบวนการในการผลิตงานศิลปะของ Franks เป็นจำนวนมาก Otto สร้างขึ้นภายในวันเดียวด้วยหมุดแกะสลัก Ubangi Face ที่สมบูรณ์แบบหนึ่งร้อยอัน Frank รู้แล้วว่าเขาใฝ่ฝันที่จะมอบงานศิลปะที่สวมใส่ได้ให้กับ ตอนนี้คนจำนวนมากได้ตระหนักรู้แล้วFrank Rebajes ถือเป็นปรมาจารย์คนแรกในด้านศิลปะเครื่องประดับและงานฝีมือจากทองแดง และ Otto เป็นหัวหน้าคนงานที่รับประกันว่าการออกแบบนั้นผลิตอย่างมีศิลปะและเชี่ยวชาญ ที่สำคัญกว่านั้น แฟรงก์และออตโตมีมิตรภาพที่จะคงอยู่ตลอดไปRebajes Wearable Art เป็นหนึ่งในผู้ผลิตจิวเวลรี่ชั้นนำในช่วงทศวรรษที่ 1940 และ 50 โดยมีร้านค้าชั้นนำหลายร้อยแห่งทั่วประเทศที่ดำเนินธุรกิจ Otto ซึ่งปัจจุบันมีทักษะด้านช่างเงินมาหลายทศวรรษได้ลาออกจากบริษัทและเริ่มต้นธุรกิจของตัวเอง "Orb Originals" ในปี 1958 และประสบความสำเร็จอย่างมาก Frank ขายชื่อและธุรกิจของ Rebajes ให้กับ Otto ในปี 1960 และย้ายไปสเปนที่ซึ่งเขากลับมาทำงานในสตูดิโอขนาดเล็กและการวิจัยทางวิทยาศาสตร์เกี่ยวกับ "Mobius"เมื่อธุรกิจของ Otto เติบโตขึ้น เขาได้เพิ่มเวิร์กช็อป เครื่องจักร และการออกแบบแคตตาล็อกจาก Rebajes ธุรกิจเติบโตอย่างต่อเนื่องและดำเนินไปด้วยดี จนกระทั่งในปี 1981 เมื่อออตโตถูกควบคุมตัวและถูกเฆี่ยนด้วยปืนพกอย่างรุนแรง ทำให้เขาอยู่ในสภาพสาหัส หลังจากหายจากอาการบาดเจ็บมาเป็นเวลานาน Otto และ Dae ภรรยาของเขาก็ย้ายไปที่ New Hope, PAOrb Silvermiths ยังคงเป็นวัตถุดิบหลักของชุมชน New Hope, PA จนถึงทุกวันนี้ Otto ซึ่งขณะนี้เข้าสู่วัย 90 ปีแล้ว ยังคงมีบทบาทสำคัญในการรับรองว่าตราสัญลักษณ์ Rebajes จะสืบสานประเพณีและงานฝีมือที่ทำให้ชื่อ Rebajes มีชื่อเสียงและเป็นที่ต้องการมากว่าแปดสิบปี

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เข็มกลัดคลัสเตอร์เงินนาวาโฮวินเทจและเทอร์ควอยซ์ กว้าง ` 1 5/8" หนัก 11.9 กรัมโดยไม่มีปัญหา รับประกันเป็นเงินขั้นต่ำ 90% (เหรียญ) และอาจมีปริมาณสูงกว่านั้น สิ่งใดก็ตามที่มีเครื่องหมายรับประกันว่า สิ่งที่ทำเครื่องหมายไว้ กำไลส่วนใหญ่จะถ่ายรูปบนข้อมือขนาด 6 นิ้ว (ไม่มีขน) และจะถ่ายรูปแหวนด้วยขนาดนิ้วที่เหมาะสมเมื่อเป็นไปได้ สำหรับกำไลข้อมือ หากไม่ได้ระบุขนาดไว้ในคำอธิบาย เส้นรอบวงด้านในจะแสดงตรงจุดที่โลหะตรงกับหมายเลขบนสายวัดผ้า

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เข็มกลัดคลัสเตอร์นาวาโฮสีเงินและเทอร์ควอยซ์ขนาดใหญ่ในยุค ค.ศ. 1930 กว้าง 2.5" x 2.25" สูง เทอร์ควอยซ์ธรรมชาติ เข็มกลัดทรงรี.. 21.3 กรัม ไม่มีปัญหา รับประกันว่าจะมีแร่เงินอย่างน้อย 90% (เหรียญ) และอาจมีเนื้อหาที่สูงกว่า สิ่งใดก็ตามที่ทำเครื่องหมายไว้จะรับประกันว่าเป็นสิ่งที่ทำเครื่องหมายไว้ กำไลส่วนใหญ่จะถ่ายรูปบนข้อมือขนาด 6 นิ้ว (ไม่มีขน) แหวนจะถ่ายรูปด้วยนิ้วที่มีขนาดเหมาะสมเมื่อเป็นไปได้ สำหรับกำไลหากไม่ได้ระบุการวัดไว้ในคำอธิบาย เส้นรอบวงด้านในจะแสดงขึ้น โดยที่โลหะตรงกับหมายเลขบนสายวัดผ้า

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เข็มกลัดหินแข็ง 14k โบราณขนาดใหญ่ Cameo Sardonyx Carnelian นูนสูงมาก จี้สวยมาก มีลายเซ็นที่ด้านหลัง สูง 2.25" x กว้าง 1 5/8" 33.5 กรัม ทำเครื่องหมายและทดสอบทอง 14k

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4 Fun Vintage Sterling และหมุดหิน ทั้งหมดในช่วงกลางถึงปลายศตวรรษที่ 20 เป็นเงินสเตอร์ลิงทั้งหมด ใหญ่ที่สุด 3.5" x 1 5/8", รวม 56.8 กรัม

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คอลเลกชันวินเทจพื้นเมืองอเมริกันสเตอร์ลิงแฮตปิน ขายที่ 5 ครับ เนื้อสเตอร์ลิงสูงทั้งหมด มีหิน/เปลือกหอยต่างๆ โซเม ซูนิ นาวาโฮบ้าง มีอายุตั้งแต่กลางถึงปลายศตวรรษที่ 20 ใหญ่ที่สุด 2.25" x 1 1/8", มือขนาดเท่าจริงสำหรับการวัดขนาด น้ำหนักรวม 41.4 กรัม.

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หมุดปักหมวก Valerie & Benny Aldrich Sterling Intarsia 2.75" x 1 3/8" x 20.4 กรัมBenny และ Valerie Aldrich ตั้งอยู่บนภูเขาในเมืองดูรังโก รัฐโคโลราโด และเจ้าหน้าที่ทั้ง 4 คน โดยมีจุดมุ่งหมายของกลุ่ม: ดำเนินงานอย่างกลมกลืนและสมดุล สร้างสรรค์การแสดงออกถึงความสมบูรณ์แบบและความรักต่อตนเองและผู้อื่น ผลงานศิลปะของพวกเขาถ่ายทอดจากมือสู่มือโดยใช้องค์ประกอบของดินและทะเลเพื่อสร้างเครื่องประดับที่สืบทอดมรดกอันเป็นเอกลักษณ์และความงามอันไร้ที่ติสไตล์การฝังอินทาร์เซียของ Aldrich ผสมผสานสไตล์ของโลกเก่าเข้ากับโลกใหม่ของ สีสันสดใสและงานฝีมือ ตั้งแต่สีเอิร์ธโทนไปจนถึงแวววาวและแวววาว เครื่องประดับนี้จะทำให้คุณนึกถึงผีเสื้อและนกฮัมมิงในธรรมชาติการใช้สีสันสดใสของ Valerie เข้ากับความเชี่ยวชาญด้านการตีทองและเงินของ Benny ได้รับการปฏิบัติอย่างเชี่ยวชาญ วางกรอบให้เป็นงานศิลปะที่สวมใส่ได้ซึ่งไม่มีใครเทียบได้The Aldrich’s เป็นผู้บุกเบิกในการนำอัญมณีเหลี่ยมเพชรพลอยมาใส่ในเครื่องประดับสไตล์ตะวันตกเฉียงใต้ในช่วงต้นทศวรรษ 1970 พวกเขาเป็นหนึ่งในคนกลุ่มแรกๆ ที่แนะนำหอยนางรมหนามและเปลือกหอยสีม่วงให้กับอุตสาหกรรมที่กำลังเติบโตอีกครั้ง ความสัมพันธ์ของพวกเขากับคนงานเหมืองและผู้นำเข้าทั่วโลกมีความสำคัญอย่างยิ่งต่อการได้รับสีสันอันงดงามที่พวกเขามีชื่อเสียง เป็นผลจากการค้นหารายการแสดงอัญมณีและแร่ธาตุมากว่า 45 ปีโลหะมีค่าทั้งหมดได้รับการทดสอบและรับประกัน เครื่องประดับของชนพื้นเมืองอเมริกันใด ๆ ที่เรียกว่าเงินหรือสเตอร์ลิงรับประกันขั้นต่ำ 90% (เหรียญ ) เงินและอาจมีเนื้อหาที่สูงกว่า กำไลข้อมือส่วนใหญ่จะถ่ายรูปไว้บนข้อมือของผู้หญิงขนาด 6 นิ้ว และจะมีรูปถ่ายที่แสดงเส้นรอบวงด้านในซึ่งปลายโลหะตรงกับตัวเลขบนสายวัด

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Vintage Zuni Carved Turquoise คลัสเตอร์ Hatpin กว้าง 40 มม. 12.2 กรัมโลหะมีค่าทั้งหมดได้รับการทดสอบและรับประกัน เครื่องประดับของชนพื้นเมืองอเมริกันใด ๆ ที่เรียกว่าเงินหรือสเตอร์ลิงรับประกันว่าจะมีเงินขั้นต่ำ 90% และ อาจมีเนื้อหาที่สูงกว่า กำไลข้อมือส่วนใหญ่จะถ่ายรูปไว้บนข้อมือของผู้หญิงขนาด 6 นิ้ว และจะมีรูปถ่ายที่แสดงเส้นรอบวงด้านในซึ่งปลายโลหะตรงกับตัวเลขบนสายวัด

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คอลเลกชันหมุดสเตอร์ลิง Retro Modernist ขนาดใหญ่ ทั้งสามมีคุณภาพสูง แต่ด้านบนซ้ายมีคุณภาพสูงจริงๆ ดีที่สุด ขนาด 3 5/8" x 2 1/8" น้ำหนักรวม 91.9 กรัม (รวม 3 อัน) ทั้งสามสเตอร์ลิง

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c1910 เข็มกลัดดอกไม้ลงยา 10k เพชรโบราณ 10k 1 5/8" x 1" x 5.5 กรัม ไม่มีปัญหาที่สำคัญ มีการสึกหรอเล็กน้อยที่ปลายกลีบเคลือบ ไม่มีเครื่องหมาย ทดสอบด้วยกรด ทนได้ที่ 10k และจางลงเล็กน้อยที่ 14k ดังนั้นจึงน่าจะอยู่ตรงกลาง

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หมุดพอร์ซเลน French Limoges 4 อัน ดอกไม้สองดอกอยู่ช่วงปลายศตวรรษที่ 19 ส่วนอีกสองดอกอยู่ประมาณกลางศตวรรษที่ 20 ของเก่าเป็นงานเพ้นท์มือ ใหญ่ที่สุด 3 1/8" x 2". ขายทั้งหมด4.

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เข็มกลัดสเตอร์ลิงตะวันตกเฉียงใต้แบบวินเทจ 4 อัน โคโยตี้กว้าง 2 นิ้วสำหรับสเกล รวม 39.9 กรัม เป็นสเตอร์ลิงทั้งหมด มีเครื่องหมายทั้งหมดโลหะมีค่าทั้งหมดได้รับการทดสอบและรับประกัน เครื่องประดับของชนพื้นเมืองอเมริกันใด ๆ ที่เรียกว่าเงินหรือสเตอร์ลิงรับประกันว่า เป็นเงินอย่างน้อย 90% (เหรียญ) และอาจมีเนื้อหาที่สูงกว่า สิ่งใดก็ตามที่ทำเครื่องหมายไว้จะรับประกันว่าเป็นสิ่งที่ทำเครื่องหมายไว้ กำไลส่วนใหญ่จะถ่ายรูปบนข้อมือขนาด 6 นิ้ว (ไม่มีขน) และแหวนจะถ่ายด้วยนิ้วที่มีขนาดเหมาะสมเมื่อเป็นไปได้ สำหรับกำไลข้อมือ หากไม่ได้ระบุขนาดไว้ในคำอธิบาย เส้นรอบวงด้านในจะแสดงตรงจุดที่โลหะตรงกับหมายเลขบนสายวัดผ้า

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เข็มกลัด/จี้เงินสเตอร์ลิงพื้นเมืองอเมริกันวินเทจ 4 ชิ้นและเทอร์ควอยซ์ หมุดคุณภาพดีและเก่ากว่า ข้าวโพดสามารถใช้เป็นจี้ได้เป็นสองเท่า Roadrunner 2 3/8" กว้าง x สูง 1.5" สำหรับเครื่องชั่ง เทอร์ควอยซ์สเตอร์ลิงและเทอร์ควอยซ์ธรรมชาติทั้งหมด ไม่มีเครื่องหมาย น้ำหนักรวม 21.7 กรัมโลหะมีค่าทั้งหมดผ่านการทดสอบและรับประกัน เครื่องประดับชาวอเมริกันพื้นเมืองใดๆ ที่เรียกว่าเงินหรือสเตอร์ลิงรับประกันว่าจะมีแร่เงินอย่างน้อย 90% (เหรียญ) และอาจมีปริมาณที่สูงกว่า สิ่งใดก็ตามที่ทำเครื่องหมายไว้จะรับประกันว่าเป็นสิ่งที่ทำเครื่องหมายไว้ กำไลส่วนใหญ่จะถ่ายรูปบนข้อมือขนาด 6 นิ้ว (ไม่มีขน) แหวนจะถ่ายรูปด้วยนิ้วที่มีขนาดเหมาะสมเมื่อเป็นไปได้ สำหรับกำไลหากไม่ได้ระบุการวัดไว้ในคำอธิบาย เส้นรอบวงด้านในจะแสดงขึ้น โดยที่โลหะตรงกับหมายเลขบนสายวัดผ้า

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จี้ภาพวาดจิ๋วเงิน 800 อิตาลีโบราณ ชิ้นใหญ่ไม่มีชำรุด จะเป็นจี้หรือเข็มกลัดก็ได้ สูง 1.5 นิ้ว หนัก 7.4 กรัม เขียนด้วยมือ ลายเซ็นอ่านไม่ออก

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2 c1930's Navajo Silver และหมุดเทอร์ควอยซ์เกรดสูง ขายทั้งคู่ กว้าง 2.25 นิ้ว น้ำหนักรวม 11.9 กรัมรับประกันเป็นเงินขั้นต่ำ 90% (เหรียญ) และอาจมีปริมาณสูงกว่านี้ สิ่งใดก็ตามที่ทำเครื่องหมายไว้จะรับประกันว่าเป็นสิ่งที่ทำเครื่องหมายไว้ กำไลส่วนใหญ่จะถ่ายรูปบน ข้อมือ 6 นิ้ว (ไม่มีขน) ใส่แหวนด้วยขนาดนิ้วที่เหมาะสมเมื่อเป็นไปได้ สำหรับกำไลข้อมือ หากไม่ได้ระบุขนาดไว้ในคำอธิบาย เส้นรอบวงด้านในจะแสดงตรงจุดที่โลหะตรงกับหมายเลขบนสายวัดผ้า

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จี้/พินทรงนาวาโฮสเตอร์ลิงวินเทจและเทอร์ควอยซ์ชาโดว์บ็อกซ์ สูง 2 นิ้ว x กว้าง 1 3/8 นิ้ว x 21.3 กรัมโดยไม่มีปัญหาใดๆรับประกันเป็นเงินขั้นต่ำ 90% (เหรียญ) และอาจมีปริมาณสูงกว่านั้น สิ่งใดก็ตามที่ทำเครื่องหมายไว้จะรับประกันว่าเป็นสิ่งที่ทำเครื่องหมายไว้ กำไลส่วนใหญ่จะถ่ายรูปบนข้อมือขนาด 6 นิ้ว (ไม่มีขน) แหวนจะถ่ายรูปด้วยนิ้วที่มีขนาดเหมาะสมเมื่อเป็นไปได้ สำหรับกำไลหากไม่ได้ระบุการวัดไว้ในคำอธิบาย เส้นรอบวงด้านในจะแสดงขึ้น โดยที่โลหะตรงกับหมายเลขบนสายวัดผ้า

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เข็มกลัด Navajo Sterling Kingman Turquoise โดย F Burnside เนื้อเก่าสวยประมาณกลางศตวรรษที่ 20 2.25" x 1.25" x 19 กรัม โดยไม่มีปัญหาใดๆ

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เข็มกลัดรูปพัดเงินสเตอร์ลิงจีนปี 1930 พร้อมเข็มกลัดรูปพัดสีทองเทอร์ควอยซ์ ชาวจีนในช่วงครึ่งแรกของศตวรรษที่ 20 ทำเครื่องหมายว่าเป็นเงิน กว้างและยาว 2.75 นิ้ว ไม่มีปัญหา

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c1900 Pinback buttons lot Bakers Chocolate, George Washington, and BPOE Denver. 1.25" average size. All antique from very early 20th century. No identifying marks other than backpaper on BPOE. Small dent in bottom right of BPOE. Selling the three.

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Navajo J.B. Platero Sterling Silver Turquoise Kokopelli Pin/Brooch. No issues 2 1/8" x 1 1/8"

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Large Sterling Jasperware Porcelain brooch. Marked sterling, porcelain unmarked. 2 3/8" wide. My guess is it's from the first half of the 20th century. No damage or issues.

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c1880 14k Gold/Gem grade Coral Cabochon Stickpin. 3" long with 14.5mm gem grade coral cabochon. 4.1 grams. Unmarked but tested 14k gold.

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Niels Erik From Sterling Denmark MCM Atomoic Brooch. 1 5/8" wide x 9/16" beautiful condition with no issues. Danish jeweller and silversmith Niels Erik From ( N.E. From) was born in 1908 and opened his first workshop in 1931 when he was still only twenty-three . Over the next forty years Niels Erik went on to become one one of the greats of Danish design, and created many works including floral-inspired designs often set with semi-precious gemstones. These pieces took inspiration from the Skønvirke style. This was a Scandinavian development that formed part of Denmark’s Art Nouveau and Arts and Crafts movement . This movement ususally took inspiration from nature with designs incorporating flowers and floral motifs as well as featuring natural creatures such as fish. N.E. FROM JEWELLRY STYLES - EARLY FLORAL DESIGNS AND LATER ABSTRACT MODERNIST PIECES N.E. From’s output generally displays one of two distinct styles. In the early years of production he produced wiry, thin, foliage and floral pieces .However, beginning in the 1950's the work produced by From (which were often the designs of other designers) had a very different look. No longer does the jewellery feature romantic, detailed designs from nature. The later pieces have modernist, clean lines with geometric and abstract shapes. Occasionally the modern designs show nature as inspiration with abstract blossom and leaf and blossom shapes. In generally though, they follow the trend of the 1950s of , spare, minimalist design.production .

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Sterling Stuart NYE Feather Brooch Handmade. 3.5" x 7/8" Nice vintage piece in good condition. About Stuart Nye In the depths of the depression, Stuart Nye bought some second hand tools and a little silver. Without any experience in jewelry or metal work, but with good taste, an eye for beauty and faith in himself, he began to make a few simple bangle bracelets. Through trial and error he learned the nature of his materials and began to fashion silver into the leaves and flowers so characteristic of our jewelry today. From that day in 1933 when Mr. Nye began, our shop has changed in many ways. It has moved from an attic room through a series of additions to a garage to the rustic building built especially for our use in 1948 which we now call "The Shop".

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Limoges France Porcelain Portrait Brooch Pair c1950's. Great pair from the mid 20th century. 2" tall x 1 5/8" wide, selling both.

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Russian Baltic Amber Grape Cluster Brooch. 2 1/8" long x 1 5/8" wide with no damage or wear from the third quarter of the 20th century with no damage or issues. Russian writin on reverse that I can't read.

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Huge Art Nouveau Sterling Tulip brooch with rhinestones. Nice large brooch from<br>the first half of the 20th century. 20 grams, 3 3/8" tall x 2.5" wide

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Sterling Stuart NYE Pinecones Brooch Handmade. Nice vintage piece in good condition. 1.5" square About Stuart Nye In the depths of the depression, Stuart Nye bought some second hand tools and a little silver. Without any experience in jewelry or metal work, but with good taste, an eye for beauty and faith in himself, he began to make a few simple bangle bracelets. Through trial and error he learned the nature of his materials and began to fashion silver into the leaves and flowers so characteristic of our jewelry today. From that day in 1933 when Mr. Nye began, our shop has changed in many ways. It has moved from an attic room through a series of additions to a garage to the rustic building built especially for our use in 1948 which we now call "The Shop".

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2 Vintage Mexican Sterling Whimsical Brooches, Cow and Kids. Cow is 1 7/8" wide<br>23.2 grams total weight. Selling both with no issues, both sterling.

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1940s Art deco Guilloche enamel Rose Brooch 1 1/8" with no detectable wear or<br>damage.

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1960's JoAnn Dalsheim Huge Starfish Brooch 3.5" wide with no damage or<br>significant wear. I believe it's silverplated, to me it looks great just like<br>this with it's natural patina.

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1920's Art deco Watson Sterling Genuine Cloisonné Brooch. Great condition 1.75" wide x 5/8" tall with no detectable wear or damage.

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Mid Century Sterling Cat and Owl Brooch Signed. Selling both, they are both<br>signed, both great with no significant issues. I'm not sure who made either. Owl<br>is 1.75" tall and cat is 1.75" wide.

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1960's Scandinavian Flora Danica Brooch by Eggert. Very fine piece of sculptural jewelry. No damage or issues. 2.25" wide.

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Vintage Sterling silver brooch Collection Beau New Years Eve Clover, Salt spoon (6). Selling the collection of 6 all mid 20th century all sterling silver with no issues. Total weight 50 grams largest is 3 7/8" wide.

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Antique Shell cameo Pendants brooch signed A.C.C. on mount. NIce sized cameo with no damage or issues. Unsure of metal content but it looks like silver over copper. Measure 1 5/8" x 1 5/16"

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Vintage Sterling silver brooch Collection Grady Alexander, Mexican, Chinese<br>Filigree 8 Selling all eight brooches shown with no issues. Largest is 2.75".<br>Nice fun collection from the third quarter of the 20th century. All sterling,<br>allmarked except for the more detailed chinese filigree flower which tested<br>sterling.

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Vintage Polish Sterling and Baltic amber brooch, 1.75" wide x 1 3/8" tall with no damage, marked 925 on pin.

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Fred Davis Abraham Paz Sterling Silver Angel Bird Brooch with Turquoise 3/4 x 1<br>1/8 inches in size. Marked on back "925 Echo en Mexico" and with artist's logo -<br>might be Abraham Paz who was a silversmith & designer for Fred Davis. Also has<br>the old eagle mark with number 22 inside. Pin can be worn sideways (as a bird)<br>or up/down (as an angel).Good conditio, with no significant issues.

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1919 American Tramp Art Sewing Box with Pincushion Top Dated WW1 Era 8.25" x<br>6.5" x 5.25" tall. Very minimal wear as shown, not a distraction, no significant<br>issues. Made from cigar boxes as shown from the exposed section on the base.<br>From a San Antonio, Texas estate.<br>The first picture is actually the back of the box with the initials on the front<br>and the date on the back.<br><br>Tramp art<br>Tramp art is a style of woodworking which emerged in America the latter half of<br>the nineteenth century. Some of tramp art's defining characteristics include<br>chip or notch carving, the reclaimation of cheap or available wood such as that<br>from cigar boxes and shipping crates, the use of simple tools such as penknives,<br>and the layering of materials into geometric shapes through glue or nails. One<br>technique used in tramp art is Crown of Thorns joinery.<br><br>History<br>Although widespread use of wooden cigar boxes in the 1850s sparked involvement<br>in tramp art, it was most prevalent during the Great Depression. Tramp art was<br>made around the world but it prospered in the United States. Examples can be<br>found in every state. The most common forms were the box and the frame and<br>although there were no rules or patterns to lend commonality in the artists’<br>work there were objects made in every conceivable shape and size including full<br>sized furniture and objects of whimsy.<br><br>Tramp art was a democratic art form made wherever the raw materials used in its<br>construction were found. It appealed to men who might have made an important<br>body of work such as ‘Sunflower’ artist John Martin Zubersky (active c. 1912 –<br>1920) or the wonderfully expressive wall pockets by John Zadzora (active circa<br>1910) but also to men who might have made one piece in their lifetime. It was<br>easy to make and appealed to anyone who had a desire to take a pocketknife to<br>wood.<br><br>There were countless men, some women, and even children who historically<br>constructed tramp art.<br><br>Origins of the Term<br>A 1959 article by Frances Lichten in Pennsylvania Folklife used the term "tramp<br>work" to describe crafts constructed from waste materials such as discarded<br>cigar boxes and assembled with a penknife. Contemporary scholars and art dealers<br>such as Clifford A. Wallach have noted that while this art form may have been<br>practiced among America's itinerant population, it was by no means unique to<br>them and was practiced by factory workers, farmers, and laborers in other<br>occupations.<br><br>In 1975 Helaine Fendelman published the first book on tramp art, Tramp Art an<br>Itinerant's Folk Art. The book acted as a catalog to the first museum show on<br>the art form sponsored by the American Museum of Folk Art.<br>b30

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c1900 Large Sterling Silver Arabian Knife Brooch. 4" long with no issues. Very old piece fine quality over 100 years old.

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Antique Chinese Filigree Silver Enamel Turquoise and Coral Fingernail Brooch. 3 3/8" long x 5/8" wide with no damage.

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Vintage Beau Sterling Violin Brooch. 1 13/16" long with no issues.

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Vintage Sterling Silver and Natural Baltic Amber Pinback Brooch. 1 3/8" tall x 1 7/8" wide. I couldn't find a mark but it tested sterling and authentic is amber.

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Sterling Silver Salt Spoon Brooch Pair. 2 old salt spoons about 100 years old made into brooches in the mid 20th century. No issues, similar patterns.

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5 Vintage Sterling Mexican Silver Brooch Lot. The flower is mid 20th century, the others are closer to 1980's. Largest is 2" heart that is also a pendant. No issues, 65.2 grams total, selling the lot.

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Vintage Hopi Snake-Sand Marked Pottery Piece with Pinecone Design. No cracks, chips, or restorations. TW75

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c1920 14k White Gold Cameo with Diamond Pendant/Brooch. Really nice quality hand carved victorian cameo with diamond pendant. Tested and marked 14k gold, Diamond is tested real. 1.5" tall x 1 1/8" wide 8.1 grams total weight. The top loop is hinged to come up when using as a pendant or down when wearing as a brooch.

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c1940 Symmetalic Sterling & 14K Brooch. 2 5/8" long gold plated silver. First used in 1936, Symmetalic is the registered trademark of W.E. Richards Company of North Attleboro, Massachusetts. Symmetalic pieces were typically made of sterling silver, sometimes with gold vermeil, cultured pearls, and/or top quality rhinestones. Edwardian and Art Deco design influences are often seen. The quality of this jewelry is extremely high and it is not commonly seen. These factors are responsible for the extreme desirability of these pieces.

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Vintage Mexican Silver and Brass Mixed Metal Modernistic Brooch. Circa third quarter of 20th century with no issues. 2 5/8" wide x 1.5" tall.

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Honoris Custos WW2 189th Field Artillery Regiment Enamel Pin 1.25" tall

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Antique Art Nouveau Baltic Amber Brooch in Sterling Mount Signed. Large early 20th century pendant signed in two places, looks like MS in one place. 1 5/8" wide x 1.25" tall.

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1950's Robert Allison Scottish Sterling Thistle Brooch with Citrine 1.5" wide x 1.25" tall. Good vintage condition with no significant issues.

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1930's Cedar Hill Girl a Scout Camp pin 5/8" wide. Circa 1920's-1940's. Unsure<br>of exact date. Cedar hill is a very old camp in Massachusetts.

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1950's Los Castillo Sterling Silver Modernistic Turquoise and Malachite Brooch. 2 3/8" wide x 1.75" tall. Good vintage condition with no significant issues.

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Vintage Georgiou gold tone Modernistic brooch. Minor wear on glass rhinestone upon close examination.

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Jonette Jewelry Gold Tone Cat and Mouse Brooch. 2 3/8" wide with no issues. Menu  Cart Home › WEC: Thoughts about Jewelry ›Jonette Jewelry Company aka JJ Jewelry Jonette Jewelry Company aka JJ Jewelry Posted by Laurie Zeiden on Aug 07, 2017 Jonette Jewelry Company, or JJ, was a Providence, Rhode Island company in business from 1935 through 2006. The name of the company wasn't always the same. Originally, the company, started by Abraham Lisker, was called The Providence Jewelry Company. Over the years, the company's name was changed to Lisker & Lisker and after a significant slow-down in production during the years of World War II, the company revamped and resurfaced as Jonette Jewelry.  JJ is known for it's novelty jewelry, including figurals and animal designs and its Christmas themed jewelry. In the 1980's, JJ produced two specialty lines: Artifacts, a line of novelty pins, and Santa Fe, a line of American western jewelry.  JJ jewelry is fairly easy to find in the secondary marketplace and prices can be very reasonable. The most recent pieces can usually be purchased even if you have a very tight budget making JJ a great value and an easy start to a costume jewelry collection.

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Vintage boy Scout lot. Pat 1911 pin 50's 60's patches. Selling everything in the<br>pics.

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Jez Jezlaine Sterling Silver Cat and Mouse Brooch . 1" x 1 5/16" good vintage condition.

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Vintage Germany Sterling enamel Marcasite Ship pin and Thai turtle. Selling both<br>together because that's how my wife chose to photograph them. The ship obviously<br>older than the turtle, both sterling. The sails look a little weathered on the<br>ship, I'm not sure if that's intentional or not, honestly can't tell. 14.4 grams<br>total.<br><br>Judith and her husband Jack Rosenberg created the company Judith Jack in 1969<br>when they realized there was very little marcasite estate jewelry available.<br>They had been selling antique pieces, and they could not keep up with the demand<br>for this beautiful victorian-inspired jewelry from their buyers. Exquisite style<br>and quality made Judith Jack the leading marcasite fashion jewelry brand,<br>leading Judith to be named the queen of marcasite in the U.S.

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3 1940's sterling silver brooches. 2 Mexican silver from the 40's, one Jewel Art, likely 1950's American made. Largest 2 5/8" x 2.5" 48.8 grams total weight.

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Vintage Greek filigree, Danecraft sterling brooch lot. Selling the three broches shown, largest 2" wide, total weight 14.1 grams, I'm sure two are sterling, not completely sure about the greek filigree one.

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It's unmarked, measures 4" wide x 1.5" tall. No cracks, chips, or scratches on<br>glass.

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Heavy Vintage Sterling Flower brooch 2 3/8" 31.3 grams.

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Vintage Sterling Marcasite Pendant/brooch with faux pearl. Marked sterling with<br>Judith Jack makers mark. No damage. 28 grams.<br><br>Judith and her husband Jack Rosenberg created the company Judith Jack in 1969<br>when they realized there was very little marcasite estate jewelry available.<br>They had been selling antique pieces, and they could not keep up with the demand<br>for this beautiful victorian-inspired jewelry from their buyers. Exquisite style<br>and quality made Judith Jack the leading marcasite fashion jewelry brand,<br>leading Judith to be named the queen of marcasite in the U.S.

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* Carl McConnell / Pinjarra Pottery 4" tall x 3.5" wide. All with no damage or<br>wear.<br><br><br><br>Carl McConnell (1926-2003) was born in Chicago. He attended art schools in<br>Chicago, Dallas and Memphis, before serving in the US Navy from 1943-1945. He<br>was stationed at Brisbane for some of this time. He continued his art studies in<br>Pittsburgh after the war, but returned to Brisbane in 1948 with his<br>Australian-born wife and son Phillip (1946- ). He studied art at the Brisbane<br>Technical College, becoming interested in ceramics, setting up a studio in<br>Norman Park in 1954, and moving to the Pinjarra Hills in 1959. He taught at the<br>College from 1958-1963, resigning to become a full-time potter a year or so<br>after losing the position of Head of Pottery to Milton Moon. He taught again at<br>the College from 1971-74 and ceased working as a potter in 1983. He has come to<br>be regarded as Queensland's most significant contemporary potter and an exemplar<br>of the Anglo-Oriental tradition in Australia. He used a variety of marks, all<br>well-documented in Glenn Cooke's 1986 monograph

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Nice estate item from about a 2 million dollar house. All hand decorated and hand thrown. Teapot is 6.25" handle to spout x 3.25" tall. No damage, all pieces are in unused condition and have been in a China cabinet for the past 20 years.

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Miguel Martinez Rancho Alegre Sterling silver turquoise Chile pin 2.5" wide x 1.25" tall x 14 grams with no issues. Martinez started his career designing for Emma Melendez in Taxco in the early 1950s before becoming the head designer at Rancho Alegre in the mid 1950s to the late 1960s, and he has continued to design great things ever since. He is a designer not a silversmith, so his pieces can have marks from several different workshops. Often, not always, his pieces are also marked "Miguel", but many of his pieces from the 1950s from Rancho Alegre don't have the extra designer mark. However, his pieces are readily recognizable by the strength of the design!

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Large Antique 18k Hardstone Cameo Sardonyx Carnelian Brooch. Amazing 19th<br>century at the latest high relief tested and guaranteed to be a minimum of solid<br>18k gold. 2.25" tall x 1 5/8" wide 34.7 grams.

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Large Antique 14k Gold Sardonyx Shell cameo with natural pearls pendant/brooch.<br>2.75" x 2" x 21.2 grams. Part of an impressive collection of rare cameos.<br>Unmarked but acid tested to be just under 14k gold, guaranteed solid gold from<br>10-14 Carat.

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Good looking piece measures 1 7/7" x 7/8"

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Great estate fresh piece. Frame measures 15.75" x 12 5/8". Inside of matting is<br>8" x 5.75". The paper is a little dark and there's a small damaged spot on the<br>very right center. Replacing the matting with slightly smaller would easily fix<br>that issue. Here's a link for this print at Rago's.<br><br>https://www.ragoarts.com/auctions/2015/02/14/early-20th-c/246<br>B3

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Antique 14k enamel flowers seed pear pin. Great little pin well over 100 years old, most likely late 19th century. Tested 14k gold with worn hallmarks. 1" wide 1.7 grams.

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1940's Art deco Mexican Sterling/amethyst brooch 2.5" x 1.5" 20 grams.

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Vintage Native American Sterling Multi-stone channel inlay fish pendant/pin. 1.75" tall and wide 9.9 grams with no damage. Nice vintage piece that would polish up beautifully if that's your preference.

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1930's Chinese Gilt Sterling Silver Enamel with Turquoise and coral fan brooch.<br>Chinese from the first half of the 20th century, simply marked silver. 2.75"<br>wide and long with no issues.

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Antique Chinese Export silver pin cushion. Late 19th to very early 20th century.<br>2.75" wide x 1.5" tall. No damage, some expected wear to pin cushion which is<br>removable. High content pure silver.

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1940's Native American Bisbee/royston turquoise sterling pin. Nice large pin<br>with high grade turquoise cabochons. Piece has a lot of character. 2.25" wide x<br>2.5" tall 12.4 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Mid Century Danish Sterling enamel Leaf pin by Jemax Denmark. No damage to<br>enamel 5.3 grams. 1.75" wide.

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Vintage Hand Painted Enamel brooch. Wonderful hand painted brooch on copper<br>enamel in silver (unknown content) frame. Pin on the back is steel. 1 5/8" tall<br>x 1 3/8" wide.

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Vintage Zuni Petit point turquoise silver cluster pin 1.75" wide, 10.9 grams with no issues. anderas

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Vintage Native American tufa cast silver/turquoise channel inlay pin. Nice old<br>pin 2.25" wide x 1 3/8" tall x 11,3 grams<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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