Rick Martinez Navajo Sterling and coral belt buckle. Solid sterling silver, marked as shown. Weight and measurements in pics. I don‘t believe this buckle has ever been worn. Rick Martinez Navajo silversmith Rick Martinez does fine smithing of Traditional Revival pieces and is known for making high-end jewelry. Martinez brings old world traditional styling to his Jewelry frequently making pieces with emphasis on minimal silver and large premium Turquoise stones. He uses fine stones and often "antiques" his pieces to make them look older than they are. He employs a variety of techniques such as several sizes of drops, twist wire, and stamped cutouts. He is also a cousin of Kirk Smith (1957-2012), who was traditional, Navajo silversmiths.

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Large M Chee vintage Navajo sterling, turquoise and coral belt buckle. Solid sterling silver, unmarked other than Artists hallmark. Weight and measurements in pics. Nice old buckle circa third quarter of the 20th century.

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Vintage Nakai Navajo Sterling on bronze belt buckle. Solid sterling silver front on bronze back, marked as shown. Weight and measurements in pics.

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Charlie Singer Navajo sterling and turquoise chip inlay rug pattern belt buckle. Marked as shown, solid sterling silver. Weight and measurements in pics.

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Large Vintage Navajo heavily stamped sterling belt buckle. Marked as shown, solid sterling silver. Weight and measurements in pics.

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Ricardo 10k/Sterling Longhorn Belt buckle w/Ruby eyes hand engraved. Thick solid 10k gold longhorn mounted on solid sterling silver. Weight and measurements in pics.

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Huge Navajo Tufa Cast Silver belt buckle. Solid sterling silver, unmarked. Weight and measurements in pics.

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70‘s-80‘s JS Navajo sterling turquoise cluster belt buckle. Solid sterling silver, unmarked other than Artists hallmark. Weight and measurements in pics.

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Vintage Southwestern sterling Variscite/Turquoise multi-mine belt buckle. Unmarked, solid sterling silver. All stones secure in bezels, some with what appear to be natural fissures. Weight and measurements in pics.

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Vintage GC Navajo silver Zuni inlaid belt buckle. Marked as shown, solid sterling silver. I believe the inlay is Zuni in a Navajo made silver belt buckle. I didn‘t research artist due to time limitations. Weight and measurements in pics.

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Vintage Navajo Sterling nicely stamped belt buckle with turquoise. Unmarked, solid sterling silver. Weight and measurements in pics.

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Large Benny Sandoval Navajo silver natural Spiderweb turquoise belt buckle. Solid sterling silver. Weight and measurements in pics. Amazing silver work and turquoise. The turquoise is American, likely from the #8 Mine or the rare Red Web Kingman.

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1997 Linda Johnson Navajo Emerald Valley Turquoise freeform silver belt buckle. Solid sterling silver, unmarked. Weight and measurements in pics. Made by Linda Johnson for Golden Eagle trading company. This stone is probably at least half the weight here, so around 250 carats of high quality Nevada American turquoise.

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Large Jim Bitsui Navajo Silver and turquoise belt buckle. Weight and measurements in pictures. Solid sterling silver, hallmarked JB.

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Vintage M Native American sterling channel inlay belt buckle turquoise/coral. Solid sterling silver, Stamped M Sterling. Weight and measurements in pics. Nice buckle circa last quarter of the 20th century.

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Vintage Gaumers Sterling Tiger‘s Eye belt buckle - Red Bluff CA artist. Solid sterling silver, Marked as shown. Weight and measurements in pics. Nice buckle circa last quarter of the 20th century. Gaumers Jewelry has been in business since 1967. Founded in partnership between Al and Mabel Gaumer and their son John and his wife Terry, the business has continued to grow with the addition of a third generation of jewelers and rockhounds through Bill Gaumer. Gaumers carries a great selection of fine gold and silver jewelry, original hand-crafted jewelry, semiprecious and precious stones, lapidary equipment and jewelry-making supplies. The giftware portion of the business offers books, coasters, vases, unique decorative items and beautiful hand-crafted jewelry boxes. The Gaumer family interest in gems and minerals has been actively pursued for four generations as John O. Gaumer was a gold miner in Northern California for 25 years. His son Al continued the tradition with formal education in the field of mining engineering before returning to gold mining with his father and a lifelong pursuit of prospecting and rockhounding throughout the western United States. The family passion for rocks turned a hobby into a full time business when John and Terry decided to open a store utilizing the familys extensive rock collection and Johns jewelry making skills. This combination served Tehama County until 1993, when Bill came on board and really shook things up. Four years later, the business remodeled, adding an 800 square foot mineral and mining museum and additional retail and manufacturing space. In 1999, Bill finished his course work with the Gemological Institute of America (GIA) and received the prestigious Graduate Gemologist diploma. Gaumers Mineral and Mining Museum showcases over fifty years and four generations of collecting. There are beautiful and rare gem and mineral specimens from around the world, stone carvings, fossils, Native American artifacts, a fluorescent mineral display, and a detailed replica of an old mine tunnel complete with ore car, tracks and mining equipment. The free museum is open to the public during normal business hours. Group tours are available for schools and special interest groups.

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c1950‘s Navajo sterling high grade turquoise cluster belt buckle. Weight and measurements in pictures. Solid sterling silver with no apparent markings.

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Vintage Navajo Sandcast silver belt buckle with turquoise w. Solid sterling silver, unmarked. Weight and measurements in pics. Nice old buckle circa third quarter of the 20th century.

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1997 Linda Johnson Navajo Emerald Valley Turquoise silver belt buckle 99.9 grams, fits up to a 1.5" belt, no issues. Made by Linda Johnson for Golden Eagle trading company. This stone is probably at least half the weight here, so around 250 carats of high quality Nevada American turquoise. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn‘t answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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Vintage Navajo Sandcast silver belt buckle with turquoise. Solid sterling silver, unmarked. Weight and measurements in pics. Nice old buckle circa third quarter of 20th century.

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Francis Leekya Zuni sterling turquoise fishscale channel inlay belt buckle. Solid sterling silver, Stamped FL. Weight and measurements in pics. Nice old buckle circa third quarter of the 20th century.

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Vintage Native American sterling High grade turquoise intarsia inlay belt buckle. Solid sterling silver, Stamped with arrow hallmarks and sterling. Weight and measurements in pics. Nice buckle circa third quarter of the 20th century.

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Large E King Navajo Gold Filled sterling Kingman turquoise folding belt buckle. Weight and measurements in pictures. Solid sterling silver with 1/20 12k gold filled face, thick gold..unworn. Very interesting hinged buckle design. Not sure if it‘s for easy storage when not in use or to curve with a curvy person‘s body. It is really well made with a strong hinge meant to last a lifetime.

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Linda Johnson Navajo sterling High grade turquoise belt buckle. Weight and measurements in pictures. Solid sterling silver, Linda made some amazing buckles for Golden Eagle Trading Company out of Albuquerque NM in the late 90‘s using the highest grade turquoise. This buckle is not very large, but it‘s very amazing, naturally amazing. This looks like Nevada turquoise, possibly Royston.

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Vintage Navajo Sandcast silver belt buckle with turquoise. Solid sterling silver, unmarked. Weight and measurements in pics. Nice old buckle circa mid 20th century.

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Fidel Bahe Navajo for Rocking Horse Ranch Tufa Cast sterling belt buckle. Solid sterling silver, marked as shown. Weight and measurements in pics. Born in 1949 and raised in Seba Dalkai area, Fidel Bahe is the firstborn of eight children--two sisters and five brothers. Fidel began silversmithing at age 24, focussing on traditional Navajo designs with his own creative flair. In 1976, Preston Monongye took Fidel in as an apprentice and taught him the fundamentals and techniques to become a great jeweler. After ten months of apprenticeship, Fidel showed his jewelry at Santa Fe Indian Market, winning ribbons for all of the pieces he entered. The art of jewelry-making was originally just a hobby for Fidel Bahe. After learning the basics of his craft, he apprenticed with Victor Beck and learned contemporary styling. Charles Loloma was also an inspiration and critic of his work, giving Fidel advice to help lead his art in a new direction. While attending welding school Fidel met his close relative Wilson Jim who worked at Rocking Horse Ranch with Edison Smith. Jim and Smith taught Bahe the basics about traditional art and techniques including stamp work. During this time, Fidel was inspired to put traditional designs back into his pieces. Since then, Fidel has focussed on quality, consistency, uniqueness, and cultural and artistic values. Of the inspiration behind his imaginative work, he says “it hits you right between the eyes. Over the years, Fidel Bahe entered many pieces at Santa Fe Indian Market, winning ribbons every year until 1991 when he won three first-place and two second-place ribbons before deciding not to return to the competition. Fidel feels his pieces are seen as finished and refined traditional work in the first and second phases of Navajo jewelry. After an accident that injured his eye, Fidel learned the art of natural horsemanship and training foals. He now spends equal time between the arts of jewelry and horsemanship. For Fidel, his two passions come together as one, each embracing the six keys -- attitude, knowledge, tools, technique, time, and imagination. Fidel Bahe‘s grandson, Sage Nunez, has followed in Fidel‘s footsteps and makes beautiful jewelry as well.

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c1970‘s Navajo sterling chip inlay turquoise belt buckle. Solid sterling silver, marked as shown. Weight and measurements in pics. Some expeccted wear/minor loss to chip inlay.

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Native American Carico Lake turquoise, Kingman, jasper, and tiger‘s eye sterling belt buckle. Solid sterling silver, marked as shown. Weight and measurements in pics. No detectable issues, unsure of artist.

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Terry Werito Navajo 3/4" Sterling ranger belt buckle set. Solid sterling, measurements in pics, no issues. Marked or unmarked as shown in pics, weight and other measurements in pics. Older Native American jewelry is typically unmarked. If I call it Silver or Ingot I‘m guaranteeing it to be 90% or more silver. This isn‘t something I get confused about. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration.

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NOS Vintage Navajo Hand stamped sterling ranger belt buckle set. Solid sterling, still on sample belt so never worn. Measures 7/8" inside the keepers and buckle, so comfortably fits a 3/4" belt. Other measurements and weight in pics. Likely from the 70‘s-80‘s.

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Sam and Esther Guardian Zuni inlay Bolo tie and belt buckle.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist, rings photographed<br>on the appropriate sized finger when possible. With bracelets if the measurement<br>is not given in the description then inside circumference is shown where the<br>metal meets the number on the the cloth tape measure.

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c1960‘s Blue Gem Turquoise Vintage Navajo sterling belt buckle. Solid sterling silver, unmarked. Weight and measurements in pics. Very old (40+yr old) price on back.

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Vintage Navajo cast silver and turquoise concho belt. Solid sterling silver (tested and guaranteed) with copper loops on reverse side. No identifying marks. Weight and measurements in pics. 11 Conchos and 1 Buckle (12) total. 40" to the first hole, 51" total.

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Julian Lovato (1922-2018) Kewa Sterling Mediterranean coral concho belt 2.75" x 2" buckle, (9) 2.5" x 1 5/8" conchos. No isssues, I‘ll follow up with length and weight. Since 1948, the Southwest has offered the world distinctive and unusual jewelry of Julian Lovato. His work has the individual stamp of a creative craftsman, yet the tradition of the Native American Southwest is evident. Lovato express his own sophisticated modern designs in handmade sterling silver and gold jewelry and objects of art. Coral and turquoise are the traditional gemstones of the Southwestern Indian, "the most valuable thing to possess, something to treasure, the way people want to have a diamond no matter what price," Lovato explains. He designs each piece of jewelry around the stone, selecting the finest turquoise and coral available. Lovato‘s love of turquoise goes back to his childhood: Santo Domingo Pueblo is renown for turquoise bead making and silversmithing. His father and grandfather both worked with turquoise. Upon his father‘s death, Lovato got a job at age thirteen cutting stones at Maisels in Albuquerque. Later, he spent several years with a similar operation in Kansas City. Then in 1948 he had the great fortune of becoming apprentice to the internationally distinguished Italian silversmith, Frank Patania. Patania came to Santa Fe in 1924. He brought with his a new sense of design elegance to Southwestern jewelry. During his years at Patinia‘s Thunderbird Shop in Santa Fe, Lovato was responsible for the silver monogram that became the Thunderbird specialty: contemporary buckles, cufflinks, brooches and rings. Patania and Lovato also made sterling silver pitchers, bowls, teapots and trays. Whereas most traditional Native American jewelry is flatwork, either stamped or overlay, Lovato has adopted the techniques and design elements learned from Patania into what he calls a raised or dimensional jewelry design. Lovato‘s bracelets curve not only along it‘s length, but also softly across the width. The bezels hold the stones elevated from the surface, so that the turquoise or coral stones appear to float above the surface. The effect of suspension contrasts with the second characteristic of Lovato‘s style- a deliberate look of weight in the metalwork. Lovato uses substantial sheets of sterling silver and gold, giving an importance to the metal work. However, the exquisite balance and craftsmanship belie the weight of the metal. Julian Lovato combines tradition and innovation, and the permanence of metal and stone with the elusive grace and beauty of design in works of art which will endure. "I have strong feelings about the things I do. I‘d like to leave something behind someday when I am gone. Something that people can remember me by, something that is worthwhile. I‘d like somebody to think of me as a silversmith whose work can be treasured. I think my work can speak for itself." All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Vintage Navajo sterling 3 turquoise belt buckle with no damage or significant wear. Circa 60‘s-70‘s, unmarked. Solid sterling, weight and measurements in pics.

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c1960‘s Navajo sterling jasper belt buckle, unknown artist. Solid sterling, unmarked, weight and measurements in pics.

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14k/Sterling Westerner Reno NV hand engraved stag belt buckle. Solid 14k gold (Marked and tested) stag head on solid sterling silver hand engraved buckle, hardware on the back is steel as it‘s meant to be a tough cowboy‘s buckle. Weight and measurements in pics. Circa 70‘s-80‘s. No issues. The Westerner was established in Western Nevada in 1947 and has enjoyed an outstanding reputation for fine hand crafted sterling silver jewelry and much more.

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60‘s-70‘s Large GY Native American sterling turquoise nugget coral belt buckle with no damage or significant wear. Solid sterling, weight and measurements in pics.

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c1960 Zuni cast silver turquoise nugget belt buckle with no damage or significant wear. Circa 1960. Solid sterling, weight and measurements in pics.

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1970‘s Navajo Overlay Roadrunner sterling belt buckle. Small buckle, solid sterling, appears to be signed Tal with no other markings. Weight and measurements in pics.

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14k/sterling Reveriano Castillo Fighting Cocks Horse/Horseshoe belt buckle. Solid sterling/14k gold. No issues, weight and measurements in pics. FZR (Reveriano Castillo maker)Reveriano Castillo was an apprentice to William Spratling in 1934 and began working at the famous silversmith Hector Aguilar‘s Taller Border in 1939. He and his wife Maria eventually opened their own store, Reveri, in 1952 which continued in business until the 1990‘s. He is recognized as an extremely talented, master silversmith.. The Westerner was established in Western Nevada in 1947 and has enjoyed an outstanding reputation for fine hand crafted sterling silver jewelry and much more.

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1980‘s Vogt Sterling front Cowboy belt buckle . Solid sterling front mounted on a stronger steel plate as these were meant for cowboys and needed to be super tough. Scratches on front to give it character.

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1980‘s Vogt Sterling front Cowboy belt buckle with Horse Heads. Solid sterling front mounted on a stronger steel plate as these were meant for cowboys and needed to be super tough. A little wear to give it character.

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RJ Scott Navajo sterling high grade spiderweb turquoise belt buckle. Fully functional with no issues. Solid sterling silver, weight and measurements in pics. Navajo artist, Raynard J. Taaitsohii Scott, was born on September 3, 1965 in Los Angeles, California. He is of the kin Yaaaanii (Towering House People) Clan, and born for the Dzil tlahnii (Mountain Recess People) Clan. He is the eldest of four boys and two girls. Although raised primarily in urban areas, it was important for Ray and his siblings to be taught traditional Dine (Navajo) values and beliefs. “One of the most important [beliefs] is that of reciprocity. In this sense I take great care and have the utmost respect for my creations, or my ‘children, as they also take care of my family and me. I talk to my ‘children and pray as I work with them. Each of these creations has a part of myself in it, and as a result of breathing life into each one, it has a character and soul all its own, said Ray. Rays parents initiated his jewelry-making training at the early age of seven. Ray also acknowledges artists Raymond Yazzie, Boyd Tsosie, and Charles Supplee as prominent figures and inspiration in his life as he learned the ways of jewelry making. “It is difficult to label a ‘style of work that I do. I can only describe it as contemporary, layered sculptures. I like building up layers of contrasting textures and designs. The more intricate design or the further from the norm I get, the more enthusiastic I am about working. I also enjoy researching and reading about ancient arts and civilizations. Among my favorites are those of Ancient Egypt, Greek, and classical periods, such as the Renaissance and Victorian eras. Rays pieces have won many awards at several shows, including the Santa Fe Indian Market, the Heard Museum Guild Fair, Red Earth, Eight Northern Pueblos Show, and the Gallup Ceremonial. His work is also included in museums and private collections both nationally and internationally. “It is my wish that each of my creations find a good home: that the person who acquires it will appreciate and have as much happiness wearing it as I did creating it.

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Ray Tracey Knifewing Navajo sterling channel inlay belt buckle with no damage or significant wear. Circa 1990‘s-early 2000‘s. Solid sterling, weight and measurements in pics.

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c1960 Zuni cast silver turquoise nugget belt buckle with no damage or significant wear. Circa 1950‘s-early 60‘s. Solid sterling, unmarked. Has what is likely the original price still on it. Fits a 3/4" belt, weight and measurements in the pictures.

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Vintage Navajo cast silver, turquoise, and coral belt buckle with no damage or significant wear. Circa 1960‘s. Solid sterling, unmarked, weight and measurements in pics.

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Kokopelli Overlay Navajo sterling belt buckle. Circa 1980‘s, unknown artist. Solid sterling, marked as shown, weight and measurements in pics.

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Bernard Dawahoya (1935-2011) Small Hopi overlay sterling belt buckle. Solid sterling, unmarked other than artists hallmark, weight and measurements in pics. Bernard Dawahoya (1935-2011) Master silversmith Bernard Dawahoya was born in 1935 in the Second Mesa village of Shungopavi. A member of the Snow Clan, his Hopi name is Masaqueva, which means “Wings of the Sun or “Little Sun. Bernard Dawahoya, was a master of many traditional Hopi arts, but focused on silversmithing since his teens and making jewelry since the 1950s. He learned from his uncles, Washington Talayumptewa and Sidney Sekakuku, and also took classes at the Hopi Silver Craft Cooperative Guild. Eventually, Bernard Dawahoya returned to Shungopavi and opened his own shop, and continued to exhibit at arts and craft shows. His masterful works are known for their precise matting (texturing) in negative spaces, heavyweight silver, crisp designs, and bold traditional symbols, such as Mudheads, Hopi Snake Dancer, Crow Mother, eagles, roadrunners and more; all reflect Hopi history, culture, and beliefs. Beyond his skills with silver overlay, jewelry boxes and bowls, he created textiles, paintings, Katsina dolls, and leatherwork. He also recorded traditional Hopi dance songs in 2004, and was known as a prolific storyteller, regaling admirers with the stories behind his designs. His works are included in the collection at Harvard Universitys Peabody Museum of Archaeology and Ethnology as well as at other museums from California to New York and many private collections. In 1998 he was designated an Arizona Living Treasure and enjoyed that distinction until his passing in 2011.

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50‘s-60‘s Navajo or Hopi sterling belt buckle overlay style. Small buckle, solid sterling, with no apparent markings. Weight and measurements in pics.

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Large Crumrine Jeweler‘s bronze silver plated eagle belt buckle. High quality buckle, silver plated bronze. Weight and measurements in pics.

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1980‘s Vogt Sterling front Cowboy belt buckle with rubies. Solid sterling front mounted on a stronger steel plate as these were meant for cowboys and needed to be super tough.

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1980‘s Vogt Sterling front Cowboy belt buckle with rubies Guinevere. Solid sterling front mounted on a stronger steel plate as these were meant for cowboys and needed to be super tough. A little wear to give it character.

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Vintage Navajo cast silver coral belt buckle. Solid sterling silver, unmarked. Weight and measurements in pics.

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70‘s-80‘s Navajo sterling and turquoise belt buckle. Unmarked, solid sterling silver. Weight and measurements in pics.

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70‘s-80‘s Rose Castillo Draper Navajo Large Sterling turquoise/coral Bolo/belt buckle set. "New old Stock" vintage condition, from the 70‘s-80‘s.. Weight and all measurements in pics, 42" cord, appears unworn. Solid sterling silver. Navajo silversmith Rose Castillo Draper who started working in Albuquerque Native American jewelry shops in seventies. She was married to Lee Draper. Her mother is Bessie Castillo, a Navajo silversmith from the Torres, New Mexico region. RC is the early hallmark for Rose Castillo before she got married.

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JD Massie Zuni sunface sterling belt buckle. Weight and measurements in pics. Tested and guaranteed solid sterling. Unmarked other than artists hallmark.

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Greg Lewis Acoma sterling and high grade American turquoise belt. Weight and measurements in pics. Tested and guaranteed solid sterling. Looks like several different mines, I see a few Bisbee, a few Morenci, nice natural turquoise. Can be worn up to 38" long or anywhere shorter. Jeweler Greg Lewis learned jewelry making from his paternal grandfather, Alvin Concho Lewis, from Acoma Pueblo. He has continued to work in a very traditional manner, creating new interpretations of old-style designs that his grandparents would recognize. Lewis was born and raised in California but returned to New Mexico in 1979. He now lives and works at Laguna Pueblo, neighboring village to Acoma Pueblo, and the birthplace of his grandmother and his father. Greg Lewis works entirely with hand tools, some of which he made himself from files and other available metal.

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70‘s-80‘s Gilbert Ortega shop Navajo sterling turquoise and coral belt buckle. Weight and measurements in pics. Tested and guaranteed solid sterling.

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Thomas Curtis Navajo Large sterling high grade turquoise belt buckle. Clean condition with no issues. Weight and measurements in pics. The classic Navajo jewelry designs of Thomas (Tom) Curtis reflect his upbringing in a family of talented silversmiths. Both of his grandfathers were silversmiths, and with their encouragement, Thomas Curtis began crafting traditional Navajo jewelry at only 12 years old. Today, his heavy-gauge silver jewelry has become highly prized to collectors who value skillful silverwork with precise hand-tooled details. His deep-rooted respect for his craft earned Thomas Curtis many awards for his Navajo jewelry and impeccable sterling silver boxes. Since his first year at Santa Fe Indian Market in 1984, he won countless ribbons including Best of Division, First, Second, and Third Place awards. Thomas Curtis remembered his grandmother once telling him, “You can make it with your vision, your mind, and your 10 fingers. Everything is right here in your hands." Her inspiration was proven true, as he created all his own die sets (stamping tools) his entire life, which made the patterns on his jewelry uniquely his. Despite his reputation as one of the industrys premier silversmiths, Thomas Curtis lived a traditional life on the Navajo reservation, where he found inspiration for his jewelry by “looking at the ground, the sky, the plants, and the four seasons." He was proud of his days as a champion rodeo rider and felt blessed to have shared his craft with his children and grandchildren. Today, the traditions he learned from his grandparents live strong in Thomas Curtis family. His daughter, Jennifer Curtis, has a following for her exquisite Navajo jewelry and boxes, with skillful silversmithing techniques that have been passed on through generations. He said, "When my kids picked up my work, that was real encouraging to me because it means the traditions are going to go on." Thomas Curtis passed away on June 29, 2013, but his legacy lives on through his timeless handcrafted jewelry.

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