Selling both mid to late 19th century. I've seen these called civil war<br>Inkwells, heard they've been dug at battle fields. I don't know about all that,<br>but they are 19th century for sure. One is Russian, the other unmarked. Both<br>sprigs, clasps, and hinges work well. One is missing the piece that covers the<br>spring to seal the jar. Many things would work for that if it matters. No other<br>issues other than appropriate wear. They're both 1 9/16" tall.

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Antique Traveling Optometrists kit. Very complete set from the last half of the<br>19th century, likely used up until the early 20th century. One wood box full of<br>lenses, then larger leather covered box with trial lenses and the glasses that<br>would fit the interchangeable lenses for the actual eye exam. The case also has<br>a removable tray for and a pouch up top for the eye charts shown. Selling<br>everything shown in as found condition with 100 years of dirt and grime, some<br>wear to exterior of cases and latches missing on wood lens box.

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Antique Tribal silver bracelet. Very old bracelet guaranteed solid silver (tested), recently acquired from a collection put together in the mid 20th century. 204 grams, again guaranteed silver of a fairly high content, 80% or more. Measures 2 5/8" across in the interior, 4" across the exterior. it has a few old stable cracks in the interior. Very old solid bracelet built like a tank.

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Antique Tribal Silver necklace. This was hanging on the wall of an American Diplomat's estate I purchased several years ago. The son's wife was Chinese the no longer with us diplomat spent most of his career in the Middle East/Asia. He had tons of great swords, etc that were diplomatic gifts as I assume this likely was. Tested and guaranteed high content silver 80% or more. Necklace approx 24" long, each side 10" and pendant 4". 165.9 grams.

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Antique Turkey Pewter Ice Cream Mold c.1900 chocolate or ice cream mold. 4.5" x 2.5". No issues, strong hinge. B8

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Antique Unger Brothers Art Nouveau Sterling silver belt buckle. Solid sterling silver with weight and measurements in pictures, some expected wear with no damage. anderas

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Antique University of Texas Austin Capitol souvenir lot. All 4 items from the first quarter of the 20th century, likely all pre 1910. No damage to any piece, selling all 4, largest 8 3/8" wide. The UT one being called Texas State University is very cool. blkcrateredbag

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Antique Victorian 9ct gold and turquoise pin/brooch . Tested and guaranteed solid 9ct gold. It XRF‘s at just over 9ct 37.7% gold. No issues, circa late 19th century to turn of the last century. Weight and measurements in pictures, unmarked.

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Guaranteed 19th century or older. I believe it may even be 18th century. There<br>is no damage or restorations. The separations of the lace are from the firing.<br>Unsure of manufacturer. 4" tall.

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Guaranteed 19th century or older Extremely heavy piece of hard porcelain for its<br>size. Very Good quality. No cracks, chips, or restorations. 4.25" tall

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.<br>Guaranteed 19th century or older Extremely heavy piece of hard porcelain for its<br>size. Very Good quality. I believe there's very old professional restoration to<br>the right hand. No other damage. 6" tall.

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Antique Vienna porcelain figure man holding floral bouquet. No damage, weight and measurements in pics.

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Antique Viennese Bronze Don Quixote on a Horse High Detail Miniature. Very nice 19th century bronze with incredible detail. The only identifying mark I could find on the base is a Stamped F, I'm not sure if Bergman marked any pieces like that. The quality is comparable to Bergman IMO. 8" tall to top of staff x 5" wide. No detectable issues. B29

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Antique Viking Ship Scandinavian Sterling Silver and Bronze Enamel Belt Buckle.<br>Very old antique piece most likely one of a kind. My guess is it's late 19th to<br>early 20th century but it might be older. The back is silver (tested. The front<br>is bronze with enamel. I didn't research the hallmark. Really nice work of art<br>with no issues. 2.25" wide x 1.75" tall.

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Antique Porcelain Figure group courting couple Drinking Tea on gilt wood Base<br>19th century Large7" tall x 8" wide without base. Base is wood and is 11.5" x 9"<br>x 2.25" tall. Some wear to the wood base. Lady has two fingers missing two<br>chipped leaves on base. No other damage or restorations.

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Antique Von Schierholz Dresden Candelabra. No cracks, chips, restorations, or<br>loss to petals. And yes I was very careful resting it slowly on the granite for<br>the base pics as I've been doing stuff like this for all my life. 14" tall x 11"<br>wide.<br>isshelf

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Antique Wavecrest art glass pin/trinket dish. 4.75" wide x 1.5" tall. No cracks,<br>chips, or scratches on glass.

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Antique Wedwood Black Basalt Kenlock ware Creamers Ottawa and Floral. Both estate fresh. One slightly larger 5 3/8" spout to handle x 2.25" tall and unmarked. It had a note in it dating it to 1798, I'm not sure if that's correct but it's obviously Wedgwood and I'm guaranteeing it 19th century or earlier. The slightly smaller one is from late 19th to about 1910, I don't have time to look up the date code. Neither have any damage, loss, or restorations. Selling both tw129

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Antique William Kerr American gilt sterling silver cherubs 2 pc belt buckle set. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional, with no issues. Circa first quarter of the 20th century. Fits a 1" belt.

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Antique William Kerr American Sterling silver Art Nouveau belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Marked as shown, fits up to a 1 1/8" belt.

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Antique William Kerr gilt sterling silver repousse wreath belt buckle 2 piece. Tested and guaranteed solid sterling silver with, weight and measurements in pictures with some expected wear, fully functional. Circa first quarter of the 20th century.

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Antique Yemenite Silver filigree Bracelet. Very old bracelet guaranteed solid<br>silver (tested), recently acquired from a collection put together in the mid<br>20th century. 215.9 grams, again guaranteed silver of a fairly high content, 80%<br>or more. Measures 2.5" across in the interior, 4.75" across the exterior.

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Antonio Pineda (1919-2009) Los Castillo Modernist space age sterling cufflinks 1 5/16" x .75" face, 24.7 grams.Pineda is one of two living members of the Taxco School and is recognized as a world-class designer and a Mexican national treasure.   Pineda’s jewelry is especially known for its elegant acknowledgment of the human form. It is often said that a Pineda fits the body perfectly, that it feels right when it is worn. So, for example, a thick geometric necklace that might at first glance seem too weighty or rigid to wear comfortably is, in fact, faceted, hinged, or hollowed in such a way that it gracefully encircles the neck or drapes down the décolletage.  In addition, no other taxqueño jeweler used as many costly semiprecious stones or set them with as much ingenuity, skill, and variety as did Pineda. Only the most talented of silversmiths could master.

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Antonio Pineda (1919-2009) Mid Century Modern sterling belt buckle 2.5" x 1 3/8", fits up to a 1 1/8" belt. 42.9 grams. <br><br>Pineda is one of two living members of the Taxco School and is recognized as a<br>world-class designer and a Mexican national treasure. <br> Pineda’s jewelry is especially known for its elegant acknowledgment of the<br>human form. It is often said that a Pineda fits the body perfectly, that it<br>feels right when it is worn. So, for example, a thick geometric necklace that<br>might at first glance seem too weighty or rigid to wear comfortably is, in fact,<br>faceted, hinged, or hollowed in such a way that it gracefully encircles the neck<br>or drapes down the décolletage.  In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with as much ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master.

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Antonio Pineda (1919-2009) Taxco 970 silver modernist botanical pin, measurements in pics.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco 970 silver photo holder keychain. All info in pics, stays shut with catch loop. Holds .5" x 1" pics.Antonio Pineda (1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco 980 silver flower pin 12.8 grams, other measurements in pics.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco articulating silver and amethyst pin/earrings, measurements in pics. Amazing set, the pin is hinged in the center of each rod, so they wiggle all over the place, very sturdy and well made.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco flower pin with leaf, measurements in pics.Antonio Pineda (1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach, informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Hammered silver leaf form bracelet, measurements in pics.  7" long with no issues. Antonio Pineda (1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Hammered silver pin and earrings set. All pieces hand hammered and seem a perfect match. Earring don't have a Pineda hallmark but the Mexico and Sterling stamps look the same. Measurements and weight in pics.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Mixed metals horse head pin measurements in pics. Buying the exact item shown with no issues.  Sterling and copper.   Antonio Pineda (1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,large-scale mining can be dated to thesixteenth century, and silver is a way of life. In the years following the Mexican Revolution (1910–20), jewelry and other silver objects were crafted there with an entirely innovative approach, informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) กระดุมข้อมือสเตอร์ลิงของ Taxco Modernist Cat's Eye ไม่มีปัญหาใดๆ ใช้งานได้อย่างสมบูรณ์ หน้าปัด 29มม. x 25มม., 27 กรัม. Antonio Pineda (1919-2009)ในเมือง Taxco บนภูเขาในรัฐเกร์เรโรของเม็กซิโก การทำเหมืองขนาดใหญ่เกิดขึ้นได้ตั้งแต่ศตวรรษที่ 16 และแร่เงินคือวิถีชีวิต ในช่วงหลายปีหลังการปฏิวัติเม็กซิโก (1910–20) เครื่องประดับและวัตถุเงินอื่นๆ ได้รับการประดิษฐ์ขึ้นที่นั่นด้วยแนวทางที่เป็นนวัตกรรมใหม่ทั้งหมด โดยอาศัยจากแนวคิดสมัยใหม่และการสร้างสรรค์เอกลักษณ์ประจำชาติใหม่ของเม็กซิโก ปัจจุบัน ในวัย 89 ปี AntonioPineda เป็นหนึ่งในสมาชิกสองคนที่ยังมีชีวิตอยู่ของ Taxco School และได้รับการยอมรับว่าเป็นนักออกแบบระดับโลกและเป็นสมบัติประจำชาติของเม็กซิโก ผลงานเครื่องเงินที่ได้รับการยกย่องของ Pineda เกือบสองร้อยตัวอย่างจะถูกจัดแสดงใน Silver Seduction: The Art of Mexican Modernist Antonio Pineda ซึ่งเป็นนิทรรศการการเดินทางที่เปิดตัวครั้งแรกที่พิพิธภัณฑ์ Fowler เมื่อวันที่ 24 สิงหาคม 2008ให้ไว้อย่างมีนัยสำคัญ ความสำเร็จมากมายและชื่อเสียงระดับนานาชาติของ Pineda เขาระบุตัวเองโดยหลักแล้วคือ Taxqueño หรือ Taxco ช่างเงิน นับตั้งแต่ก่อตั้ง ขบวนการ Taxco ได้บุกเบิกรากฐานใหม่ในความสำเร็จทางเทคนิคและการออกแบบ ในขณะที่ WilliamSpratling ดีไซเนอร์สัญชาติอเมริกันโดยกำเนิดใน Taxco ได้รับการยกย่องว่าเป็นหัวหอกในขบวนการเครื่องเงิน Taxco ร่วมสมัย กลุ่มนักออกแบบชาวเม็กซิกันที่มีพรสวรรค์กลุ่มนี้ได้สร้างเวิร์กช็อปอิสระและพัฒนาให้มีความโดดเด่น “โรงเรียนแท็กซ์โก” นักออกแบบเหล่านี้ได้รวมเอาแนวสุนทรียภาพมากมาย—ศิลปะยุคพรีโคลัมเบียน; เครื่องเงิน รูปเคารพทางศาสนา และงานศิลปะอื่นๆ จากสมัยอาณานิคมเม็กซิโก และศิลปะยอดนิยมในท้องถิ่น โดยผสมผสานศิลปะเหล่านี้เข้ากับสมัยใหม่ตัว Pineda เองก็ได้รับการยกย่องจากการออกแบบที่โดดเด่นและการใช้อัญมณีอย่างชาญฉลาด Silver Seduction ติดตามวิวัฒนาการของผลงานของเขาในช่วงทศวรรษที่ 1930-70 และประกอบด้วยสร้อยคอและสร้อยข้อมือแต่ละเส้นมากกว่าห้าสิบเส้น ตลอดจนแหวน ต่างหูที่สวยงามจำนวนมาก และตัวอย่างภาชนะกลวงและเครื่องใช้บนโต๊ะอาหารของเขาที่หลากหลาย . ผลงานทั้งหมดนำเสนอการผสมผสานระหว่างการดำเนินการที่ประณีตอย่างสูงของ Pinedaและความน่าดึงดูดใจที่ทำด้วยมือเครื่องประดับของ Pineda ขึ้นชื่อเป็นพิเศษในด้านการยอมรับรูปร่างของมนุษย์อย่างสง่างาม บ่อยครั้งกล่าวกันว่า Pineda เข้ากับสรีระได้อย่างลงตัว และให้ความรู้สึกที่ใช่เมื่อสวมใส่ ตัวอย่างเช่น สร้อยคอเรขาคณิตหนาที่เมื่อมองแวบแรกอาจดูหนักหรือแข็งเกินกว่าจะสวมใส่ได้อย่างสบาย อันที่จริงมีเหลี่ยมเพชรพลอย มีบานพับ หรือกลวงในลักษณะที่โอบรอบคอหรือ ประดับประดาบริเวณเนินอกอย่างเย้ายวนนอกจากนี้ ไม่มีช่างอัญมณีรายอื่นใดที่ใช้หินสังเคราะห์ราคาแพงจำนวนมากหรือจัดวางให้มีความฉลาด ทักษะ และความหลากหลายมากเท่ากับ Pineda มีเพียงช่างเงินที่มีพรสวรรค์ที่สุดเท่านั้นที่จะเชี่ยวชาญได้

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Antonio Pineda (1919-2009) กระดุมข้อมือสเตอร์ลิงของ Taxco Modernist Cat's Eye ไม่มีปัญหาใดๆ ใช้งานได้อย่างสมบูรณ์ 28 มม. x 20 มม. x 25.1 กรัม Antonio Pineda (1919-2009)ในเมือง Taxco บนภูเขาในรัฐเกร์เรโรของเม็กซิโก การทำเหมืองขนาดใหญ่เกิดขึ้นได้ตั้งแต่ศตวรรษที่ 16 และแร่เงินคือวิถีชีวิต ในช่วงหลายปีหลังการปฏิวัติเม็กซิโก (1910–20) เครื่องประดับและวัตถุเงินอื่นๆ ได้รับการประดิษฐ์ขึ้นที่นั่นด้วยแนวทางที่เป็นนวัตกรรมใหม่ทั้งหมด โดยอาศัยจากแนวคิดสมัยใหม่และการสร้างสรรค์เอกลักษณ์ประจำชาติใหม่ของเม็กซิโก ปัจจุบัน ในวัย 89 ปี AntonioPineda เป็นหนึ่งในสมาชิกสองคนที่ยังมีชีวิตอยู่ของ Taxco School และได้รับการยอมรับว่าเป็นนักออกแบบระดับโลกและเป็นสมบัติประจำชาติของเม็กซิโก ผลงานเครื่องเงินที่ได้รับการยกย่องของ Pineda เกือบสองร้อยตัวอย่างจะถูกจัดแสดงใน Silver Seduction: The Art of Mexican Modernist Antonio Pineda ซึ่งเป็นนิทรรศการการเดินทางที่เปิดตัวครั้งแรกที่พิพิธภัณฑ์ Fowler เมื่อวันที่ 24 สิงหาคม 2008ให้ไว้อย่างมีนัยสำคัญ ความสำเร็จมากมายและชื่อเสียงระดับนานาชาติของ Pineda เขาระบุตัวเองโดยหลักแล้วคือ Taxqueño หรือ Taxco ช่างเงิน นับตั้งแต่ก่อตั้ง ขบวนการ Taxco ได้บุกเบิกรากฐานใหม่ในความสำเร็จทางเทคนิคและการออกแบบ ในขณะที่ WilliamSpratling ดีไซเนอร์สัญชาติอเมริกันโดยกำเนิดใน Taxco ได้รับการยกย่องว่าเป็นหัวหอกในขบวนการเครื่องเงิน Taxco ร่วมสมัย กลุ่มนักออกแบบชาวเม็กซิกันที่มีพรสวรรค์กลุ่มนี้ได้สร้างเวิร์กช็อปอิสระและพัฒนาให้มีความโดดเด่น “โรงเรียนแท็กซ์โก” นักออกแบบเหล่านี้ได้รวมเอาแนวสุนทรียภาพมากมาย—ศิลปะยุคพรีโคลัมเบียน; เครื่องเงิน รูปเคารพทางศาสนา และงานศิลปะอื่นๆ จากสมัยอาณานิคมเม็กซิโก และศิลปะยอดนิยมในท้องถิ่น โดยผสมผสานศิลปะเหล่านี้เข้ากับสมัยใหม่ตัว Pineda เองก็ได้รับการยกย่องจากการออกแบบที่โดดเด่นและการใช้อัญมณีอย่างชาญฉลาด Silver Seduction ติดตามวิวัฒนาการของผลงานของเขาในช่วงทศวรรษที่ 1930-70 และประกอบด้วยสร้อยคอและสร้อยข้อมือแต่ละเส้นมากกว่าห้าสิบเส้น ตลอดจนแหวน ต่างหูที่สวยงามจำนวนมาก และตัวอย่างภาชนะกลวงและเครื่องใช้บนโต๊ะอาหารของเขาที่หลากหลาย . ผลงานทั้งหมดนำเสนอการผสมผสานระหว่างการดำเนินการที่ประณีตอย่างสูงของ Pinedaและความน่าดึงดูดใจที่ทำด้วยมือเครื่องประดับของ Pineda ขึ้นชื่อเป็นพิเศษในด้านการยอมรับรูปร่างของมนุษย์อย่างสง่างาม บ่อยครั้งกล่าวกันว่า Pineda เข้ากับสรีระได้อย่างลงตัว และให้ความรู้สึกที่ใช่เมื่อสวมใส่ ตัวอย่างเช่น สร้อยคอเรขาคณิตหนาที่เมื่อมองแวบแรกอาจดูหนักหรือแข็งเกินกว่าจะสวมใส่ได้อย่างสบาย อันที่จริงมีเหลี่ยมเพชรพลอย มีบานพับ หรือกลวงในลักษณะที่โอบรอบคอหรือ ประดับประดาบริเวณเนินอกอย่างเย้ายวนนอกจากนี้ ไม่มีช่างอัญมณีรายอื่นใดที่ใช้หินสังเคราะห์ราคาแพงจำนวนมากหรือจัดวางให้มีความฉลาด ทักษะ และความหลากหลายมากเท่ากับ Pineda มีเพียงช่างเงินที่มีพรสวรรค์ที่สุดเท่านั้นที่จะเชี่ยวชาญได้

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Antonio Pineda (1919-2009) Taxco Modernist Onyx sterling bracelet/earrings. Absolutely no issues, 6.75" long bracelet, other weight and measurements in pics. No damage or detectable wear to stones. Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexicos state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (191020), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pinedas acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pinedas many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School. These designers incorporated numerous aesthetic<br>orientationsPre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular artsmerging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pinedas hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pinedas jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) กระดุมข้อมือพลอยอเมทิสต์สเตอร์ลิงสมัยใหม่ของ Taxco ไม่มีปัญหาใดๆ ใช้งานได้อย่างสมบูรณ์ 30 มม. x 18 มม. x 23.2 กรัมAntonio Pineda (1919-2009)ในเมือง Taxco บนภูเขาในรัฐเกร์เรโรของเม็กซิโก การทำเหมืองแร่ขนาดใหญ่เกิดขึ้นได้ตั้งแต่ศตวรรษที่ 16 และเงินเป็นวิถีชีวิต ในช่วงหลายปีหลังการปฏิวัติเม็กซิโก (1910–20) เครื่องประดับและวัตถุเงินอื่นๆ ได้รับการประดิษฐ์ขึ้นที่นั่นด้วยแนวทางที่เป็นนวัตกรรมใหม่ทั้งหมด โดยอาศัยจากแนวคิดสมัยใหม่และการสร้างสรรค์เอกลักษณ์ประจำชาติใหม่ของเม็กซิโก ปัจจุบัน ในวัย 89 ปี AntonioPineda เป็นหนึ่งในสมาชิกสองคนที่ยังมีชีวิตอยู่ของ Taxco School และได้รับการยอมรับว่าเป็นนักออกแบบระดับโลกและเป็นสมบัติประจำชาติของเม็กซิโก ผลงานเครื่องเงินที่ได้รับการยกย่องของ Pineda เกือบสองร้อยตัวอย่างจะถูกจัดแสดงใน Silver Seduction: The Art of Mexican Modernist Antonio Pineda ซึ่งเป็นนิทรรศการการเดินทางที่เปิดตัวครั้งแรกที่พิพิธภัณฑ์ Fowler เมื่อวันที่ 24 สิงหาคม 2008ให้ไว้อย่างมีนัยสำคัญ ความสำเร็จมากมายและชื่อเสียงระดับนานาชาติของ Pineda เขาระบุตัวเองโดยหลักแล้วคือ Taxqueño หรือ Taxco ช่างเงิน นับตั้งแต่ก่อตั้ง ขบวนการ Taxco ได้บุกเบิกรากฐานใหม่ในความสำเร็จทางเทคนิคและการออกแบบ ในขณะที่ WilliamSpratling ดีไซเนอร์สัญชาติอเมริกันโดยกำเนิดใน Taxco ได้รับการยกย่องว่าเป็นหัวหอกในขบวนการเครื่องเงิน Taxco ร่วมสมัย กลุ่มนักออกแบบชาวเม็กซิกันที่มีพรสวรรค์กลุ่มนี้ได้สร้างเวิร์กช็อปอิสระและพัฒนาให้มีความโดดเด่น “โรงเรียนแท็กซ์โก” นักออกแบบเหล่านี้ได้รวมเอาแนวสุนทรียภาพมากมาย—ศิลปะยุคพรีโคลัมเบียน; เครื่องเงิน รูปเคารพทางศาสนา และงานศิลปะอื่นๆ จากสมัยอาณานิคมเม็กซิโก และศิลปะยอดนิยมในท้องถิ่น โดยผสมผสานศิลปะเหล่านี้เข้ากับสมัยใหม่ตัว Pineda เองก็ได้รับการยกย่องจากการออกแบบที่โดดเด่นและการใช้อัญมณีอย่างชาญฉลาด Silver Seduction ติดตามวิวัฒนาการของผลงานของเขาในช่วงทศวรรษที่ 1930-70 และประกอบด้วยสร้อยคอและสร้อยข้อมือแต่ละเส้นมากกว่าห้าสิบเส้น ตลอดจนแหวน ต่างหูที่สวยงามจำนวนมาก และตัวอย่างภาชนะกลวงและเครื่องใช้บนโต๊ะอาหารของเขาที่หลากหลาย . ผลงานทั้งหมดนำเสนอการผสมผสานระหว่างการดำเนินการที่ประณีตอย่างสูงของ Pinedaและความน่าดึงดูดใจที่ทำด้วยมือเครื่องประดับของ Pineda ขึ้นชื่อเป็นพิเศษในด้านการยอมรับรูปร่างของมนุษย์อย่างสง่างาม บ่อยครั้งกล่าวกันว่า Pineda เข้ากับสรีระได้อย่างลงตัว และให้ความรู้สึกที่ใช่เมื่อสวมใส่ ตัวอย่างเช่น สร้อยคอเรขาคณิตหนาที่เมื่อมองแวบแรกอาจดูหนักหรือแข็งเกินกว่าจะสวมใส่ได้อย่างสบาย อันที่จริงมีเหลี่ยมเพชรพลอย มีบานพับ หรือกลวงในลักษณะที่โอบรอบคอหรือ ประดับประดาบริเวณเนินอกอย่างเย้ายวนนอกจากนี้ ไม่มีช่างอัญมณีรายอื่นใดที่ใช้หินสังเคราะห์ราคาแพงจำนวนมากหรือจัดวางให้มีความฉลาด ทักษะ และความหลากหลายมากเท่ากับ Pineda มีเพียงช่างเงินที่มีพรสวรรค์ที่สุดเท่านั้นที่จะเชี่ยวชาญได้

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Antonio Pineda (1919-2009) Taxco Modernist Sterling amethyst leaf pin. Very interesting and unusual treatment to the squiggly bottom. 18.3 grams, other measurements in pics.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) กระดุมข้อมือ Taxco Modernist Sterling Onyx ไม่มีปัญหาใดๆ ใช้งานได้เต็มรูปแบบ สี่เหลี่ยมจัตุรัส 20 มม. 21.2 กรัมAntonio Pineda (1919-2009)ในเมือง Taxco บนภูเขาในรัฐเกร์เรโรของเม็กซิโก การขุดขนาดใหญ่เกิดขึ้นได้ตั้งแต่ศตวรรษที่ 16 และแร่เงินก็เป็นหนทางหนึ่ง ของชีวิต. ในช่วงหลายปีหลังการปฏิวัติเม็กซิโก (1910–20) เครื่องประดับและวัตถุเงินอื่นๆ ได้รับการประดิษฐ์ขึ้นที่นั่นด้วยแนวทางที่เป็นนวัตกรรมใหม่ทั้งหมด โดยอาศัยจากแนวคิดสมัยใหม่และการสร้างสรรค์เอกลักษณ์ประจำชาติใหม่ของเม็กซิโก ปัจจุบัน ในวัย 89 ปี AntonioPineda เป็นหนึ่งในสมาชิกสองคนที่ยังมีชีวิตอยู่ของ Taxco School และได้รับการยอมรับว่าเป็นนักออกแบบระดับโลกและเป็นสมบัติประจำชาติของเม็กซิโก ผลงานเครื่องเงินที่ได้รับการยกย่องของ Pineda เกือบสองร้อยตัวอย่างจะถูกจัดแสดงใน Silver Seduction: The Art of Mexican Modernist Antonio Pineda ซึ่งเป็นนิทรรศการการเดินทางที่เปิดตัวครั้งแรกที่พิพิธภัณฑ์ Fowler เมื่อวันที่ 24 สิงหาคม 2008ให้ไว้อย่างมีนัยสำคัญ ความสำเร็จมากมายและชื่อเสียงระดับนานาชาติของ Pineda เขาระบุตัวเองโดยหลักแล้วคือ Taxqueño หรือ Taxco ช่างเงิน นับตั้งแต่ก่อตั้ง ขบวนการ Taxco ได้บุกเบิกรากฐานใหม่ในความสำเร็จทางเทคนิคและการออกแบบ ในขณะที่ WilliamSpratling ดีไซเนอร์สัญชาติอเมริกันโดยกำเนิดใน Taxco ได้รับการยกย่องว่าเป็นหัวหอกในขบวนการเครื่องเงิน Taxco ร่วมสมัย กลุ่มนักออกแบบชาวเม็กซิกันที่มีพรสวรรค์กลุ่มนี้ได้สร้างเวิร์กช็อปอิสระและพัฒนาให้มีความโดดเด่น “โรงเรียนแท็กซ์โก” นักออกแบบเหล่านี้ได้รวมเอาแนวสุนทรียภาพมากมาย—ศิลปะยุคพรีโคลัมเบียน; เครื่องเงิน รูปเคารพทางศาสนา และงานศิลปะอื่นๆ จากสมัยอาณานิคมเม็กซิโก และศิลปะยอดนิยมในท้องถิ่น โดยผสมผสานศิลปะเหล่านี้เข้ากับสมัยใหม่ตัว Pineda เองก็ได้รับการยกย่องจากการออกแบบที่โดดเด่นและการใช้อัญมณีอย่างชาญฉลาด Silver Seduction ติดตามวิวัฒนาการของผลงานของเขาในช่วงทศวรรษที่ 1930-70 และประกอบด้วยสร้อยคอและสร้อยข้อมือแต่ละเส้นมากกว่าห้าสิบเส้น ตลอดจนแหวน ต่างหูที่สวยงามจำนวนมาก และตัวอย่างภาชนะกลวงและเครื่องใช้บนโต๊ะอาหารของเขาที่หลากหลาย . ผลงานทั้งหมดนำเสนอการผสมผสานระหว่างการดำเนินการที่ประณีตอย่างสูงของ Pinedaและความน่าดึงดูดใจที่ทำด้วยมือเครื่องประดับของ Pineda ขึ้นชื่อเป็นพิเศษในด้านการยอมรับรูปร่างของมนุษย์อย่างสง่างาม บ่อยครั้งกล่าวกันว่า Pineda เข้ากับสรีระได้อย่างลงตัว และให้ความรู้สึกที่ใช่เมื่อสวมใส่ ตัวอย่างเช่น สร้อยคอเรขาคณิตหนาที่เมื่อมองแวบแรกอาจดูหนักหรือแข็งเกินกว่าจะสวมใส่ได้อย่างสบาย อันที่จริงมีเหลี่ยมเพชรพลอย มีบานพับ หรือกลวงในลักษณะที่โอบรอบคอหรือ ประดับประดาบริเวณเนินอกอย่างเย้ายวนนอกจากนี้ ไม่มีช่างอัญมณีรายอื่นใดที่ใช้หินสังเคราะห์ราคาแพงจำนวนมากหรือจัดวางให้มีความฉลาด ทักษะ และความหลากหลายมากเท่ากับ Pineda มีเพียงช่างเงินที่มีพรสวรรค์ที่สุดเท่านั้นที่จะเชี่ยวชาญได้

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Antonio Pineda (1919-2009) Taxco Modernist sterling clips. Selling the three, clip what you want to clip. Measurements in pics. Two likely tie clips, third maybe money clip or bookmark, not sure.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Modernist Sterling cufflinks 13/16" 9/16" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Modernist Sterling Macaw cufflinks .75" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Modernist Sterling Mixed metals cufflinks 1 3/8" x 1" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) กระดุมข้อมือ Taxco Modernist Sterling Moonstone ไม่มีปัญหาใดๆ ใช้งานได้เต็มรูปแบบ หน้าปัดขนาด 20 มม. x 18 มม. น้ำหนัก 14.3 กรัมAntonio Pineda (1919-2009)ในเมือง Taxco บนภูเขาในรัฐเกร์เรโรของเม็กซิโก การขุดขนาดใหญ่เกิดขึ้นได้ตั้งแต่ศตวรรษที่ 16 และเงินคือวิถีชีวิต ในช่วงหลายปีหลังการปฏิวัติเม็กซิโก (1910–20) เครื่องประดับและวัตถุเงินอื่นๆ ได้รับการประดิษฐ์ขึ้นที่นั่นด้วยแนวทางที่เป็นนวัตกรรมใหม่ทั้งหมด โดยอาศัยจากแนวคิดสมัยใหม่และการสร้างสรรค์เอกลักษณ์ประจำชาติใหม่ของเม็กซิโก ปัจจุบัน ในวัย 89 ปี AntonioPineda เป็นหนึ่งในสมาชิกสองคนที่ยังมีชีวิตอยู่ของ Taxco School และได้รับการยอมรับว่าเป็นนักออกแบบระดับโลกและเป็นสมบัติประจำชาติของเม็กซิโก ผลงานเครื่องเงินที่ได้รับการยกย่องของ Pineda เกือบสองร้อยตัวอย่างจะถูกจัดแสดงใน Silver Seduction: The Art of Mexican Modernist Antonio Pineda ซึ่งเป็นนิทรรศการการเดินทางที่เปิดตัวครั้งแรกที่พิพิธภัณฑ์ Fowler เมื่อวันที่ 24 สิงหาคม 2008ให้ไว้อย่างมีนัยสำคัญ ความสำเร็จมากมายและชื่อเสียงระดับนานาชาติของ Pineda เขาระบุตัวเองโดยหลักแล้วคือ Taxqueño หรือ Taxco ช่างเงิน นับตั้งแต่ก่อตั้ง ขบวนการ Taxco ได้บุกเบิกรากฐานใหม่ในความสำเร็จทางเทคนิคและการออกแบบ ในขณะที่ WilliamSpratling ดีไซเนอร์สัญชาติอเมริกันโดยกำเนิดใน Taxco ได้รับการยกย่องว่าเป็นหัวหอกในขบวนการเครื่องเงิน Taxco ร่วมสมัย กลุ่มนักออกแบบชาวเม็กซิกันที่มีพรสวรรค์กลุ่มนี้ได้สร้างเวิร์กช็อปอิสระและพัฒนาให้มีความโดดเด่น “โรงเรียนแท็กซ์โก” นักออกแบบเหล่านี้ได้รวมเอาแนวสุนทรียภาพมากมาย—ศิลปะยุคพรีโคลัมเบียน; เครื่องเงิน รูปเคารพทางศาสนา และงานศิลปะอื่นๆ จากสมัยอาณานิคมเม็กซิโก และศิลปะยอดนิยมในท้องถิ่น โดยผสมผสานศิลปะเหล่านี้เข้ากับสมัยใหม่ตัว Pineda เองก็ได้รับการยกย่องจากการออกแบบที่โดดเด่นและการใช้อัญมณีอย่างชาญฉลาด Silver Seduction ติดตามวิวัฒนาการของผลงานของเขาในช่วงทศวรรษที่ 1930-70 และประกอบด้วยสร้อยคอและสร้อยข้อมือแต่ละเส้นมากกว่าห้าสิบเส้น ตลอดจนแหวน ต่างหูที่สวยงามจำนวนมาก และตัวอย่างภาชนะกลวงและเครื่องใช้บนโต๊ะอาหารของเขาที่หลากหลาย . ผลงานทั้งหมดนำเสนอการผสมผสานระหว่างการดำเนินการที่ประณีตอย่างสูงของ Pinedaและความน่าดึงดูดใจที่ทำด้วยมือเครื่องประดับของ Pineda ขึ้นชื่อเป็นพิเศษในด้านการยอมรับรูปร่างของมนุษย์อย่างสง่างาม บ่อยครั้งกล่าวกันว่า Pineda เข้ากับสรีระได้อย่างลงตัว และให้ความรู้สึกที่ใช่เมื่อสวมใส่ ตัวอย่างเช่น สร้อยคอเรขาคณิตหนาที่เมื่อมองแวบแรกอาจดูหนักหรือแข็งเกินกว่าจะสวมใส่ได้อย่างสบาย อันที่จริงมีเหลี่ยมเพชรพลอย มีบานพับ หรือกลวงในลักษณะที่โอบรอบคอหรือ ประดับประดาบริเวณเนินอกอย่างเย้ายวนนอกจากนี้ ไม่มีช่างอัญมณีรายอื่นใดที่ใช้หินสังเคราะห์ราคาแพงจำนวนมากหรือจัดวางให้มีความฉลาด ทักษะ และความหลากหลายมากเท่ากับ Pineda มีเพียงช่างเงินที่มีพรสวรรค์ที่สุดเท่านั้นที่จะเชี่ยวชาญได้

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Antonio Pineda (1919-2009) Taxco กระดุมข้อมือสเตอร์ลิงโอนิกซ์สมัยใหม่ 18 มม. ทรงสี่เหลี่ยม 19.9 กรัม Antonio Pineda (1919-2009)ในเมือง Taxco บนภูเขาในรัฐ Guerrero ของเม็กซิโก การทำเหมืองขนาดใหญ่เกิดขึ้นได้ตั้งแต่ศตวรรษที่ 16 และเงินคือวิถีชีวิต . ในช่วงหลายปีหลังการปฏิวัติเม็กซิโก (1910–20) เครื่องประดับและวัตถุเงินอื่นๆ ได้รับการประดิษฐ์ขึ้นที่นั่นด้วยแนวทางที่เป็นนวัตกรรมใหม่ทั้งหมด โดยอาศัยจากแนวคิดสมัยใหม่และการสร้างสรรค์เอกลักษณ์ประจำชาติใหม่ของเม็กซิโก ปัจจุบัน ในวัย 89 ปี AntonioPineda เป็นหนึ่งในสมาชิกสองคนที่ยังมีชีวิตอยู่ของ Taxco School และได้รับการยอมรับว่าเป็นนักออกแบบระดับโลกและเป็นสมบัติประจำชาติของเม็กซิโก ผลงานเครื่องเงินที่ได้รับการยกย่องของ Pineda เกือบสองร้อยตัวอย่างจะถูกจัดแสดงใน Silver Seduction: The Art of Mexican Modernist Antonio Pineda ซึ่งเป็นนิทรรศการการเดินทางที่เปิดตัวครั้งแรกที่พิพิธภัณฑ์ Fowler เมื่อวันที่ 24 สิงหาคม 2008ให้ไว้อย่างมีนัยสำคัญ ความสำเร็จมากมายและชื่อเสียงระดับนานาชาติของ Pineda เขาระบุตัวเองโดยหลักแล้วคือ Taxqueño หรือ Taxco ช่างเงิน นับตั้งแต่ก่อตั้ง ขบวนการ Taxco ได้บุกเบิกรากฐานใหม่ในความสำเร็จทางเทคนิคและการออกแบบ ในขณะที่ WilliamSpratling ดีไซเนอร์สัญชาติอเมริกันโดยกำเนิดใน Taxco ได้รับการยกย่องว่าเป็นหัวหอกในขบวนการเครื่องเงิน Taxco ร่วมสมัย กลุ่มนักออกแบบชาวเม็กซิกันที่มีพรสวรรค์กลุ่มนี้ได้สร้างเวิร์กช็อปอิสระและพัฒนาให้มีความโดดเด่น “โรงเรียนแท็กซ์โก” นักออกแบบเหล่านี้ได้รวมเอาแนวสุนทรียภาพมากมาย—ศิลปะยุคพรีโคลัมเบียน; เครื่องเงิน รูปเคารพทางศาสนา และงานศิลปะอื่นๆ จากสมัยอาณานิคมเม็กซิโก และศิลปะยอดนิยมในท้องถิ่น โดยผสมผสานศิลปะเหล่านี้เข้ากับสมัยใหม่ตัว Pineda เองก็ได้รับการยกย่องจากการออกแบบที่โดดเด่นและการใช้อัญมณีอย่างชาญฉลาด Silver Seduction ติดตามวิวัฒนาการของผลงานของเขาในช่วงทศวรรษที่ 1930-70 และประกอบด้วยสร้อยคอและสร้อยข้อมือแต่ละเส้นมากกว่าห้าสิบเส้น ตลอดจนแหวน ต่างหูที่สวยงามจำนวนมาก และตัวอย่างภาชนะกลวงและเครื่องใช้บนโต๊ะอาหารของเขาที่หลากหลาย . ผลงานทั้งหมดนำเสนอการผสมผสานระหว่างการดำเนินการที่ประณีตอย่างสูงของ Pinedaและความน่าดึงดูดใจที่ทำด้วยมือเครื่องประดับของ Pineda ขึ้นชื่อเป็นพิเศษในด้านการยอมรับรูปร่างของมนุษย์อย่างสง่างาม บ่อยครั้งกล่าวกันว่า Pineda เข้ากับสรีระได้อย่างลงตัว และให้ความรู้สึกที่ใช่เมื่อสวมใส่ ตัวอย่างเช่น สร้อยคอเรขาคณิตหนาที่เมื่อมองแวบแรกอาจดูหนักหรือแข็งเกินกว่าจะสวมใส่ได้อย่างสบาย อันที่จริงมีเหลี่ยมเพชรพลอย มีบานพับ หรือกลวงในลักษณะที่โอบรอบคอหรือ ประดับประดาบริเวณเนินอกอย่างเย้ายวนนอกจากนี้ ไม่มีช่างอัญมณีรายอื่นใดที่ใช้หินสังเคราะห์ราคาแพงจำนวนมากหรือจัดวางให้มีความฉลาด ทักษะ และความหลากหลายมากเท่ากับ Pineda มีเพียงช่างเงินที่มีพรสวรรค์ที่สุดเท่านั้นที่จะเชี่ยวชาญได้

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Antonio Pineda (1919-2009) Taxco Modernist Sterling Pre-columbian style cufflinks.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Modernist sterling screw back earrings. Selling the earrings shown with no issues.Antonio Pineda (1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other silver objects were crafted there with an entirely innovative approach, informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Modernist Sterling/Onyx cufflinks. Faint hallmark as shown, .5" x 1.5" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Sterling belt buckle 59.7 grams, very sturdy, other measurements in pics. This is an extremely high quality and good looking buckle. Due to reflections it's difficult to present items of this type in the light the deserve in the time available to me.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Yazzie Navajo sterling silver spiderweb turquoise coral inlay necklace. No issues, circa last quarter of the 20th century. 19.5" long necklace with other measurements in pictures. No issues. Selling the necklace shown in the pics. Listed with ExportYourStore.com

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AR Joyeros 14k/950 silver earrings pendant and necklace set. Everything in the pics is solid 14k gold or high content silver. Earrings and pendant 1 1/8" x 5/16", necklace 19" long, 25.5 grams total weight. Alon Diller Israel 1970 The bench jeweler, the owner of AR joyeros and the artist behind the designs. He travelled in Africa, South and Central America for 3 years, and arrived in 1996 to Taxco, Mexico to study jewelry making and art in the national university of Mexico. After working from home for few years he opened his store in the center of the town of Taxco in 2005.

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Archaistic Bronze Buddha Head Likely Tibetan with Skull on hat. The stand for this piece is likely mid 20th century, it's a tough call if the head is older or not, it's good looking and bronze. 9" x 5.5" without the stand Stand is 5.5" x 2 5/8", so 11 5/8" total height. TW223

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Archaistic Carved Schist Stone Buddha head offering box/censer. Very heavy well<br>carved Schist Stone Buddha head box from a collection of mostly Chinese antiques<br>assembled in the third quarter of the 20th century while working/traveling<br>through Asia. I'm not sure how old it is but I'm sure it's great regardless of<br>age and you're not likely to find another. No significant damage, possible small<br>chips. 10.5" tall with stand x 7" wide.

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Archaistic Chinese Bronze Lotus Base and Oil lamp. Both solid bronze from the<br>same estate and a perfect fit, a chance they were married at one point as the<br>Lotus base has very old solder/weld residue on top, and there is none on the<br>base of the oil lamp. Possibly it was the base for a Buddha or Guanyin. Base<br>measures 5" tall x 4" at base x 1 7/8" inside the lotus petals on top. Oil lamp<br>is 1.75" wide base x 3 7/8" wide top x 3 1/8" tall. Both with a nice but<br>slightly different patina. Selling what's shown, the base is marked on the<br>bottom.<br>isshelf

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Archaistic Chinese Style Japanese Silver Tetsubin. Extremely high quality pot<br>likely from the first quarter of the 20th century. I believe it's Japanese in an<br>Archaistic Chinese style. Copper enamel lid with Jade finial. Tiny nick on the<br>tip of the Jade finial, lid is original as it fits like a glove. Not too tight,<br>not too loss, just perfect. I believe it would hold an airtight seal. 6.75" with<br>spout x 5.5" x 4.5" tall not counting the handle. 493 grams, tested and<br>guaranteed solid high content silver.<br><br>tw163

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Archie Ganadonegro Navajo sterling silver Royston turquoise spiny oyster pendant with beaded necklace. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa last quarter of the 20th century. 18" long.

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On the death of Paul Storr in 1838, his business (Storr & Mortimer) was<br>continued by his nephew John Samuel Hunt under the name of Mortimer & Hunt. In<br>1843 the company became Hunt & Roskell until 1897. <br>Paul Storr entered into business with Rundell, Bridge & Rundell in 1807 who were<br>the Royal Goldsmiths at the time. John Hunt followed in Storr's footsteps and<br>the company Hunt & Roskell was listed in 1843 as Silversmith and Jewellers to<br>Queen Victoria. Due to the Queen's extended European family, they became the<br>most important suppliers to the affluent society around the world. <br><br>804 Grams Mortimer and Hunt Sterling Silver Teapot with acorn Finial. Hallmarks<br>on base and inside lid. No real issues to speak of. A few miniature dings. Hinge<br>is tight, lid fits well. Measures 11" handle to spout x 6" tall. There is a<br>faint Armorial banner of some sort on the front which includes a crescent moon.<br>I tried to photograph.<br><br>This comfortably holds 1.5 liters or quarts and there are no holes, holds water.<br>I fit 1.75ml in it but it was filled to the brim.

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Arno Malinowski (1899-1976) Georg Jensen Sterling Necklace. 15" long 1 1/8" or<br>28mm wide 93.6 grams. No dents, bends, or other issues. Selling the exact<br>necklace shown designed by Arno Malinowski for Georg Jensen in the 1960's.<br>Handmade and designed in the mid 1960's, an authentic period Mid Century modern<br>piece of the highest quality in both design and .<br><br>Silversmith. Arno Malinowski trained at the Royal Danish Academy of Fine Arts in<br>Copenhagen from 1922 to 1935 and designed a series of statuettes depicting<br>figures from mythology from 1921 to 1935 for the Royal Danish Porcelain<br>Manufactory. He worked for Georg Jensen from 1936 to 1944 and again from 1949 to<br>1965 creating designs for jewelry and hollowware . His 1937 jewelry designs of a<br>kneeling deer, a dolphin in the rushes and butterflies on a flower continued in<br>production for many years. In 1940 he designed the ‘Kingmark’ to commemorate the<br>seventieth birthday of King Christian. It was produced in great numbers and worn<br>by Danes to show their loyalty to Denmark and their resistance to the German<br>occupation. Malinowski had also studied the Japanese technique of inlaying iron<br>with gold or silver in the style of tsuba sword guards. During the war years<br>when the supply of silver was limited This enabled him to design pieces of<br>jewelry in iron rather than in silver. Also worked as a sculptor, ceramist,<br>engraver and medalist.<br><br>Georg Jensen, (born August 31, 1866, Raadvad, Denmark—died October 2, 1935,<br>Copenhagen), Danish silversmith and designer who achieved international<br>prominence for his commercial application of modern metal design. The simple<br>elegance of his works and their emphasis on fine craftsmanship, hallmarks of<br>Jensen’s products, are recognized around the world.<br><br>Jensen was apprenticed to a goldsmith at age 14. His artistic talents were<br>briefly focused on sculpture, but he returned to metalwork, primarily jewelry<br>and silver pieces, produced in the workshop he opened in Copenhagen in 1904.<br>Jensen exhibited his works at several major foreign exhibitions (winning a gold<br>medal at the Brussels Exhibition of 1910) and quickly built a reputation as an<br>outstanding and highly original silversmith. He moved to a larger workshop in<br>1912 and acquired his first factory building in 1919.<br><br>Jensen’s silverware achieved immediate popularity and commercial success. He<br>was, in fact, the first silver maker to realize a profit from the manufacture of<br>modern silver. Until Jensen’s time virtually all successful silverware producers<br>had relied on a standard repertory of popular traditional designs. Jensen,<br>however, found that the market for his sleek, simple pieces was larger than<br>anyone had predicted. His firm grew rapidly, expanding throughout Europe and<br>opening branches in London and New York City. On both continents Jensen’s work<br>set trends for contemporary tableware. He was among the first designers to<br>fashion steel—formerly considered fit only for low-quality, inexpensive<br>flatware—into handsome, serviceable cutlery.

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Arnold Goodluck Navajo sterling silver bear paw turquoise/coral belt buckle Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa third quarter of the 20th century. Fits a 1.5" belt.

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Arnold Maloney Navajo vintage deep stamped sterling silver concho belt buckle. Tested and guaranteed solid sterling silver, fits up to a 1.5" wide belt. Weight and measurements in pictures, circa last quarter of the 20th century.

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Art Deco 835 silver Württembergische Metallwarenfabrik WMF German Bracelet 7.5" long x 7/8" wide with no issues, this is one of WMF's most desirable bracelets, circa 1930's Mistletoe pattern.The fine brass, copper and silver metalware produced by distinguished manufacturer Württembergische Metallwarenfabrik (WMF) has adorned the tabletops of restaurants, hotels and homes around the world. WMF is especially prized by collectors for its Art Nouveau works of the late 19th century and Art Deco pieces manufactured throughout the early 20th century.

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Art Deco George Erickson Sterling Cocktail Pitcher spoon. 12.5" long with 1 5/8" wide bowl. Super clean it's seen little to no use, no damage. Hammered pattern on back of spoon, extremely high quality handmade piece. 86 grams. I can find no other examples of this pattern This is a handmade piece and all Erickson's other flatware is plain, looking at it closely I believe this exterior pattern is all hand stamped or engraved as it has that natural flow with very slight irregularities. tw255

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Art deco Mexican Sterling Tea Strainer. No damage or issues. 4 7/8" long x 2.75" wide. 28.2 grams Gilt interior silverdrawer

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Art Deco Mixed Metal 830 เงินบนทองเหลือง Carl Larsen Danish กล่องเงินประดับหลังเบี้ยสีเหลืองอำพัน แหวนที่แสดงเพื่อวัตถุประสงค์ในการปรับขนาดเท่านั้น ไม่รวม สูง 9.5" x 3.25" x 2" ไม่มีปัญหาสำคัญ บานพับแข็งแรง โลหะหนา กล่องสวยพร้อมใส่ของTW217

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Art Deco Norwegian 830 Silver Christiansen Svendsen Tea Strainer. No issues<br>7.25" x 2 5/8" x 36.2 grams.<br><br>anderas

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Art Deco Sterling Carnelian/Marcasite Brooch and earrings. Brooch Marked Germany and Sterling with a numerical hallmark on the opposite side I don't have time to puzzle over unfortunately, earrings marked 925. Brooch likely from the 1920's or so, earrlngs later but I'm not sure how much later. Both excellent quality from the same estate. Brooch 1 7/8" wide, earrings 1.75" tall x 7/8" wide, no missing stones or apparent damage. Earrings missing backs. 17.9 grams total.

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Art Deco Sterling Danecraft floral bracelet. Weight and measurements in pics. No issues. In the early 1900s, as Italy was continuing to become the world leader in<br>fashion, the Primavera family worked as jewelry artisans in the beautiful area<br>of Pescara, Italy. In 1918, the family founded Primavera Designs and by 1921 it<br>had become the largest jewelry company in the Abruzzo region. It was there that the family became well known throughout the region for their<br>ability to design and make jewelry for royalty and wealthy families. Often one<br>of the Primavera jewelry artisans would go directly into the home of a patron to<br>design and reproduce a cherished object of art into jewelry. This continued in Italy until 1934, when Mr. Victor Primavera, Sr. immigrated to<br>the United States and incorporated his company in Rhode Island; the jewelry<br>capital of the United States. Primavera Designs now had a United States<br>division, known as Danecraft, with a small factory and Mr. Victor Primavera, Sr.<br>heading up the design and model making teams. His forte in designing product was always timeliness. He often said that it was<br>easy to design a piece to be shown in a museum, but it took research and talent<br>to design product that would be worn by a woman with fashion sense. Although the candlelight has been replaced by fluorescent light and some of the painstaking handwork has been supplemented by modern machinery, the rich and<br>beautiful handcrafted look of distinction continues.<br><br>Since 1934, Danecraft has been privately owned and operated by the Primavera<br>family.

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Art Deco Sterling mesh handbag. Very nice handbag in incredible condition with<br>no noted damage. Typically the top braided handle would have issues, or tears<br>where it opens, this one is near perfect. Marked sterling with original<br>dedication on inside rim. Frame is 3" wide, 16" total length with handle. 99.4<br>grams of solid sterling silver.<br>silverdrawer

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Art deco Sterling Sanborns Mexican Silver Amethyst openwork bracelet. 6.75" 1<br>1/8" center width. 58.5 grams, very clean with no issues, very unusual piece.

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Art Deco Sterling silver bracelet. 8" long, art deco period and style. Marked 925 and various other hallmarks as shown. No issues. anderas

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Art Deco Steven and Williams Art Glass Aventurine Compote. 10 7/8" x 7 3/8" x 4.25" tall with no cracks, chips, or restorations. Some swirls to interior satin glass layer shown in pics. Faint s&W mark in center of base. TW190

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Art Deco Tiffany Exposition Sterling Tomato pattern pie server 12.25" long x 2 3/8" at widest point x 165.8 grams with no issues. tw125Charles Tiffany was born February 15, 1812 in Killingly, Connecticut. About 25 years later, in 1837, Charles Tiffany and John Young, and later in 1841, they added J.L.. Ellis as a partner, began Tiffany, Young and Ellis in Lower Manhattan. That company at the time was founded at first to sell fancy goods and stationery. Tiffany bought his parents shares of the company in 1853 and changed the focus of the company to sell upscale jewelry and merchandise. Once Tiffany bought his parent’s shares, the company was renamed to Tiffany & Co. In 1867, Tiffany & Co. was the first United States based company to win an award for excellence in silverware at the Exposition Universelle in Paris. In 1868, the company became incorporated, had four stores and was on the right path to continue to grow to the company that it is today.A Humble Start When Young and Tiffany began their business, they originally started off with offering items such as stationery and merchandise before moving on to offering jewelry and silverware. The business continued to grow and manufacture jewelry, and later opened a location in Paris. His stores adopted the standards of European jewelry and therefore, sterling became established in the United States and the American jewelry market.Tiffany was determined to obtain one-of-a-kind jewelry. It was that desire which helped fuel how much his products were sought out, specifically among the upper classes of New York. The jewelry created by the company became partially well known because of the wealthy people who desired its products. In the 1830’s, Tiffany made it’s mark in the jewelry world at the time because they clearly marked the prices on their goods. This eliminated the chance that customers would haggle and try to negotiate the prices of the goods that they were purchasing at the time. Additionally, Tiffany’s was unique at the time because they only accepted cash payments and didn’t allow their goods to be purchased on credit.With the Civil War threatening jewelry purchasing at the time, Tiffany adjusted the focus of his company and ended up manufacturing swords, medals, light armor and many other items that were needed for war. In 1877, Tiffany & Co. had become such an established name that it easily influenced the industry and was able to make outlandish purchases. This when the now called “Tiffany diamond” (a yellow South African diamond) was purchased for $18,000 at 287 carats. The diamond was cut down to 128.54 carats over nearly a year and was eventually put on display in the Smithsonian. Today, Tiffany & Co. is an American worldwide luxury jeweler and specialty retailer, headquartered in New York City.Understanding the Markings While Tiffany & Co. is famous for the “Tiffany diamond” they are even more famous for their use of sterling silver. When looking at actually sterling silver that is made by Tiffany’s there are several markings that can help you figure out the origin and if a piece is indeed made by Tiffany’s or fake. At the start, there were several silversmiths who supplied silver flatware and holloware to Tiffany’s. Each of those silversmiths marked the pieces with their own marks in addition to marking them with Tiffany’s marks. Some of the makes of Tiffany’s sterling silver include William Gale, Gale & Hughes, Wood & Hughes, John Polhemus, Henry Hebbard, William Bogert, Grosjean & Woodward, Moore & Hebbard and John C. Moore.In 1868, Moore silversmithing firm was absorbed into Tiffany & Co. and Tiffany’s then began the production of its own silver. It was at that time that the silver was to be marked with the initial of the Artistic Director or the initial of the President of the firm but that was continued until the mid-1960’s. Each design on the silver that Tiffany’s creates represents the long and proud heritage that comes with the company’s history.

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Measures 4.75" tall x 4 1/8" wide. No cracks, chips, or other damage, tight<br>hinge with no play. It looks like tiny beads of clear glass like Coralene all<br>over except for the decorated areas. Guaranteed circa late 1919th century.

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Art Glass Paperweight Eickholt fountain Vortex Magnum Dichroic Iridescent 4"<br>tall x 3.5" wide with no cracks, chips, dings, scratches, or other issues.<br>Beautiful, better than the pics.

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Art Lewis Choctaw sterling silver Fred Harvey era roadrunner pendant/fob/charm. Circa second quarter of the 20th century. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. (Art Lewis 20th century, Choctaw) Although cited by both Barton Wright and Gregory Schaaf in their publications revealing American Indian jewelers, relatively little is shared about Art or Arthur Lewis, whose hallmark is an arrow and tepee. Lewis‘ Choctaw name was Neetha Loosa, which translates to Black Bear. He worked as a silversmith from 1929 forward.

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Art Lewis Choctaw vintage sterling silver ketoh belt buckle. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa third quarter of the 20th century. Fits a 1" belt.

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9" wide x 10.75" tall without burner, 14.5" tall with burner. Takes a 2 3/8"<br>wide chimney and 3 7/8" maybe 4" globe, would take a 3" globe. No damage to the<br>doulton base, few dings on the brass French insert.

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Measures 16.5" wide x 5.5" tall. Top quality Bohemian cut glass in the original<br>period Art Nouveau pewter holder. Both pieces guaranteed c.1890-1910. No major<br>issues with the pewter or the glass. One very small flake on the rim of the<br>glass that could easily be ground it for $5-$10 with no evidence it was there.<br>Nice patina to pewter holder. I found an impressed C on one foot, no other<br>markings.

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8" tall x 4.5" wide. All hand decorated. Nice fancy embossing, really good quality porcelain, no cracks, chips, or restorations, minor gold wear on trim and handles.

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Art Nouveau Sterling Silver Belt Buckle. Believed to be a period Art Nouveau piece from the turn of the century, marked and tested sterling. 29.6 grams 1 7/8" wide x 2.25" long and fits a 1.5" belt.

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Arthur Allison Texas Studio Art glass miniature vase/toothpick holder. 3" tall with no damage or wear. toothpickdrawer

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Arthur Bishop Jeffreys (American/Texas, 1892-1970) large Texas landscape painting. 22" x 29" canvas 28" x 35" framed. No damage or notable issues. Nice old painting from the second quarter of the 20th century. Arthur Bishop Jeffreys, 1892-1970, was born in Hillsboro, Texas. He had a mixed career as a painter and newspaper journalist. Starting late to paint in 1923, when in his early thirties, he was employed, 1942 through 1969, by one newspaper, which changed its name three times: the Tyler Morning Telegraph, Tyler Courier-Times, and Courier-Times-Telegraph. He had moved to Tyler, Texas from Dallas in 1936, and for the newspaper worked primarily as a proofreader. However, using the name Arthur Bishop, he also wrote feature articles and shorter columns. As a young man, his destiny lay elsewhere, he was employed by the Missouri, Kansas and Texas Railway Company, apparently in Dallas, where he worked until 1918 as a road master's clerk, secretary to the chief engineer, and secretary to the general manager. Though he briefly studied in New York with Frederick Jarvis, Jeffreys was essentially self-taught. He died in Tyler, and is buried there.He was a member of the Art Students League, New York City; Chicago Art League, Illinois; Dallas Art Association; and Society of Independent Artists. His work is in the collections of the Hilton Hotel, Waco; and La Grange College, Georgia. His landscapes appeared in magazines including Holland's and Literary Digest in 1926. His 1927 painting of Charles Lindbergh's Spirit of St. Louis, autographed by the flyer, sold for $2,000 at an auction in New York City. Jeffrreys was able to make money from his similarly autographed paintings of World War I ace fighter pilot Eddie Rickenbacker, and Amelia Earhart, the first woman aviator to cross the Atlantic. Shows with Jeffreys work include the Exhibition of Texas Artists, Nashville Museum of Art, Tennessee (1927 prize); and Painters of Texas 1900-1950, Museums of Abilene (1989).

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Arthur Ruffin (A.R.) Cole 1892-1974 Frogskin Green North Carolina Folk Art Pottery Vase. No cracks, chips or restorations. Very tiny glaze flake on top rim. 4" tall x 5.5" wide. isshelf

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Arthur Williams Navajo Silver and coral thunderbird pinMarked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is<br>stored in a secure location and cannot be accessed for more pictures, videos, or<br>measurements until sold. If you look at pictures/description your question<br>should be answered. Thank you so much for your time and consideration

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Artie Yellowhorse Navajo 14k/Sterling bracelet/earrings set. No issues, weight and measurements in pics. Artie Yellowhorse is known for her contemporary designs that incorporate high-quality stones and materials with an exceptional quality of silverwork. The influences of her Navajo heritage are apparent in the beautiful wearable art, which evolved out of generations of artistic talent. Raised in Arizona, Yellowhorse is a third generation Navajo jewelry artist from the Towering House Clan. Her grandfather and father were both silversmiths and the women in her family were skilled weavers. Yellowhorse has carried on the jewelry making tradition and passed it on to her daughters Desiree and LeiLani. Dominic and James, Arties grandsons, are now taking an active role in the business as well. Undeniably, Artie Yellowhorse jewelry is a family affair. "We take great pride in continuing a family legacy and bringing beauty and joy to people helping in understanding the Navajo concept of ‘Walk with Beauty.‘" - Artie Yellowhorse All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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