Pair of Mid Century Modern Vintage Moroccan African Berber Pillows c.1960 new<br>Never Used 23.5" x 18" selling two for one price. Both in unused condition with<br>no issues.<br><br>Great piece Never used, it's been in a blanket chest for 50-60 years.

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Pairpoint Oversized Brilliant Period Cut Glass Casket Jewelry box. Very large box in grat condition with no large chips, no cracks, no other issues. There are some small chips to the vertical cuts on the base only visible upon close examination 7.5" wide x 4.5" tall, I didn't find a mark. This piece was made in the US from about 1890-1915. isshelf

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Pandora Charm Bracelet with Mickey mouse, Great Britain, and Class of 2015. Bracelet and every charm shown guaranteed authentic Pandora, every charm marked ALE 925 except for class of 2015 which is just marked Pandora. Appears unworn. 22.2 grams.

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Pandora Sterling Charm Bracelet with 5 charms 7.25" authentic estate fresh with no detectable wear. All charms marked 925 ALE. I believe they're all retired.

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pat 1879 Iron/Brass doorbell body. Fancy, just the body shown, no guts. 5.5" center to center mounting holes. isshelf

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Pat 1909 Arts and Crafts Period Hand Hammered Copper and Stained Glass Lamp<br>shades. Fantastic pair of Period American Arts and Crafts lamp shades with no<br>damage and a fantastic patina to the copper. Pat May 4 1909 as shown in the<br>second pic. These could be Handel, Stickley, Roycroft, there are many<br>possibilities and all of them good. The construction and quality of these is<br>amazing, all hand hammered copper, completely hand made. 4 3/8" long x 3 3/8" at<br>fitter top 4" wide at base. Selling the pair shown.<br>tw193

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Pat 1920 Creek Chub Dingbat Glass Eyes wood fishing lure. Missing hairs that come out the the two back holes, obviously and easy fix, otherwise extremely clean as shown. isshelf

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Pat Areias Hammered Sterling belt buckle with cool monogram. Heavy extremely high quality buckle 2 3/8" x 1 5/8", fits a 1" belt. 53.7 grams Each piece of Pat Areias's artistry is hand rendered, one by one. As such, they may be similar, but they are not the same. “The essence of hand fabrication," Areias says, “is that every piece is made by an artisan as an original." Using a jewelry saw, buckles are cut by hand out of sheet silver and hand forged, then dapped and individually chased and soldered to produce her finished works. Pat Areias Sterling began in 1987 in Cuernavaca, Mexico, with the introduction of a three-piece buckle set which became the foundation of the designer's business. Two years later, she added silver jewelry to her collection. Reminiscent of the Art Deco era, her designs are marked by a contemporary style. Though she was born and raised in the San Joaquin Valley to third generation Portuguese dairy farmers, she pursued her interest in the traditions of her Latin descent by studying the Portuguese and Spanish cultures, arts and languages at the University of California at Santa Barbara. While subsequently serving in the Peace Corps throughout Central and South America, she had occasion to apprentice with both silver and leather craftsmen of Ecuador and Mexico. Something inside beckoned her to pursue the artistry on her own. Areias's designs are a true reflection of her love and appreciation for both Latin and Scandinavian aesthetics, dating back to an era of silver designers from the 1930s and 1940s which originated in Denmark. As silver became scarce during World War II, argent veins running through Mexico lured Danish designers to the area, where their pure designs and silversmithing finesse were shared with the native craftsmen. "The Danish designers," she says, "have both a sincere affinity for the arts and an eye for contemporary lines which brings out the best of the silver. I have a great love and respect for this style of silversmithing. It is the inspiration for my own creativity which, when forged with the Latin influence of my heritage, emerges in my signature designs." While in Mexico, Areias met and married her husband, Fred Sanchez, a mechanical engineer who has since abandoned his business to become fully involved in Pat Areias Sterling. After more 30 years in business, Pat Areias sterling is not only recognizable in itself, but the name has become synonymous with quality. The provision of fine sterling silver accessories and specialized customer service has proved a successful combination for the growing company. tw208

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Pat Areias Huge sterling silver modernist clip-on earrings. Weight and measurements in pics, all solid sterling. NO issues, good springs on clips. anderas

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Pat Areias Southwestern sterling silver 3/4" Ranger belt buckle set. Vintage set with some expected wear but no significant issues. Fits up to 3/4" ranger belt. Ranger belts are wider and taper down at the buckle/keepers/tip. Last hole is at 30", more holes could be added or it could of course be worn shorter.

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Pat Areias southwestern sterling silver ranger belt buckle set ribbed design Fits up to a 3/4" belt. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional. Hole at 40", other holes could be added or it could be cut down. Listed with ExportYourStore.com

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Pat Areias Sterling silver modernist pin, no issues.Each piece of Pat Areias's artistry is hand rendered, one by one. As such, they may be similar, but they are not the same. “The essence of hand fabrication," Areias says, “is that every piece is made by an artisan as an original."Using a jewelry saw, buckles are cut by hand out of sheet silver and hand forged, then dapped and individually chased and soldered to produce her finished works. Pat Areias Sterling began in 1987 in Cuernavaca, Mexico, with the introduction of a three-piece buckle set which became the foundation of the designer's business. Two years later, she added silver jewelry to her collection. Reminiscent of the Art Deco era, her designs are marked by a contemporary style.Though she was born and raised in the San Joaquin Valley to third generation Portuguese dairy farmers, she pursued her interest in the traditions of her Latin descent by studying the Portuguese and Spanish cultures, arts and languages at the University of California at Santa Barbara.While subsequently serving in the Peace Corps throughout Central and South America, she had occasion to apprentice with both silver and leather craftsmen of Ecuador and Mexico. Something inside beckoned her to pursue the artistry on her own.Areias's designs are a true reflection of her love and appreciation for both Latin and Scandinavian aesthetics, dating back to an era of silver designers from the 1930s and 1940s which originated in Denmark. As silver became scarce during World War II, argent veins running through Mexico lured Danish designers to the area, where their pure designs and silversmithing finesse were shared with the native craftsmen."The Danish designers," she says, "have both a sincere affinity for the arts and an eye for contemporary lines which brings out the best of the silver. I have a great love and respect for this style of silversmithing. It is the inspiration for my own creativity which, when forged with the Latin influence of my heritage, emerges in my signature designs."While in Mexico, Areias met and married her husband, Fred Sanchez, a mechanical engineer who has since abandoned his business to become fully involved in Pat Areias Sterling.After more 30 years in business, Pat Areias sterling is not only recognizable in itself, but the name has become synonymous with quality. The provision of fine sterling silver accessories and specialized customer service has proved a successful combination for the growing company.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible.

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Pat Areias Sterling/Jeweler‘s Bronze woven belt buckle. Solid sterling silver and Jeweler‘s Bronze with weight and measurements in pics. Fully functional with some expected wear, good condition with no significant issues. Each piece of Pat Areias‘s artistry is hand rendered, one by one. As such, they may be similar, but they are not the same. “The essence of hand fabrication," Areias says, “is that every piece is made by an artisan as an original." Using a jewelry saw, buckles are cut by hand out of sheet silver and hand forged, then dapped and individually chased and soldered to produce her finished works. Pat Areias Sterling began in 1987 in Cuernavaca, Mexico, with the introduction of a three-piece buckle set which became the foundation of the designer‘s business. Two years later, she added silver jewelry to her collection. Reminiscent of the Art Deco era, her designs are marked by a contemporary style. Though she was born and raised in the San Joaquin Valley to third generation Portuguese dairy farmers, she pursued her interest in the traditions of her Latin descent by studying the Portuguese and Spanish cultures, arts and languages at the University of California at Santa Barbara. While subsequently serving in the Peace Corps throughout Central and South America, she had occasion to apprentice with both silver and leather craftsmen of Ecuador and Mexico. Something inside beckoned her to pursue the artistry on her own. Areias‘s designs are a true reflection of her love and appreciation for both Latin and Scandinavian aesthetics, dating back to an era of silver designers from the 1930s and 1940s which originated in Denmark. As silver became scarce during World War II, argent veins running through Mexico lured Danish designers to the area, where their pure designs and silversmithing finesse were shared with the native craftsmen. "The Danish designers," she says, "have both a sincere affinity for the arts and an eye for contemporary lines which brings out the best of the silver. I have a great love and respect for this style of silversmithing. It is the inspiration for my own creativity which, when forged with the Latin influence of my heritage, emerges in my signature designs." While in Mexico, Areias met and married her husband, Fred Sanchez, a mechanical engineer who has since abandoned his business to become fully involved in Pat Areias Sterling. After more 30 years in business, Pat Areias sterling is not only recognizable in itself, but the name has become synonymous with quality. The provision of fine sterling silver accessories and specialized customer service has proved a successful combination for the growing company.

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Pat Bedoni Navajo 14k บนต่างหูแบบหนีบสเตอร์ลิงสมัยใหม่ สูง 24 มม. x กว้าง 16 มม. x 8.1 กรัมโดยไม่มีปัญหาPat BedoniPat Bedonie ช่างเงินชาวนาวาโฮ เกิดที่เมืองกานาโด รัฐแอริโซนา ในเขตสงวนนาวาโฮ เธออยู่ในกลุ่ม Edge Water และ Coyote Pass Lutricia Yellowhair แม่ของ Pat เป็นช่างเงินที่ประสบความสำเร็จและได้ถ่ายทอดรูปแบบการทำเครื่องประดับแบบดั้งเดิมของชาวนาวาโฮให้กับลูกๆ ของเธอ ทุกครั้งที่คุณดูผลงานของ Pat Bedonie คุณจะเห็นอิทธิพลของแม่เธอ ปัจจุบัน Pat อาศัยอยู่ในฟาร์มิงตัน นิวเม็กซิโก และมักจะร่วมมือกับแม่ของเธอเพื่อสร้างเครื่องประดับที่สวยงามมากมาย เธอใช้สัญลักษณ์ต่างๆ ที่สำคัญในมรดกชนเผ่านาวาโฮของเธอPat Bedoni เป็นที่รู้จักจากเครื่องประดับแกะสลักสไตล์นาวาโฮแบบดั้งเดิมและกล่องเงินจิ๋ว เครื่องประดับของ Pat Bedonie ทั้งหมดทำด้วยตัวเองเพียงผู้เดียว เธอสร้างสรรค์เครื่องประดับเงินที่โดดเด่นตามมาตรฐานใดๆ ก็ตาม ซึ่งไม่น่าแปลกใจเลย เนื่องจากน้องชายของเธอคือ Ron Bedoni ช่างเงินชื่อดัง เครื่องประดับของ Pat ก็เหมือนกับของ Ron น้องชายของเธอมาก แต่คุณจะพบว่าการออกแบบไม่ซับซ้อนเท่าไหร่

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Pat Mathiesen Sterling Scuptural pendant "Apache Mountain Spirit Dancer" Measurements in pics. No issues. This artist mainly did bronzes which sell for thousands on the secondary market.Pat Mathiesen was born on January 15, 1934, in North Hollywood, California.Mathiesen graduated from Hollywood High School in 1951, working on dude ranches and in Yellowstone National Park, Wyoming, during the summers of 1951 and 1952. In 1953, she studied at the California School of Fine Arts and the San Francisco School of Commercial Art, then worked for Western Airlines in 1955-1956. In the latter year, she moved to Phoenix, Arizona, where she became a travel agent until 1959, when she married David Mathiesen, a pilot.In 1978, following a divorce the previous year, Mathiesen moved to a cabin in West Yellowstone with her two children. From 1978-1992, she divided her time between Scottsdale and West Yellowstone, settling in Gallatin Gateway, Montana, in 1992 until a final move three years later to Bozeman, Montana.Pat Mathiesen has exhibited at the Grand Central Galleries, New York City, Kennedy Galleries, New York City; Tucson Museum of Art, Arizona; Mountain Oyster Club, Tucson; Phoenix Art Museum, Arizona; National Cowboy Hall of Fame, Oklahoma City; George Phippen Memorial Art Show, Prescott, Arizona; Montana Historical Society, Helena; and the Western Heritage Art Classic, Billings, Montana.Reference works discussing the life and art of Pat Mathiesen include: Samuels & Samuels, Contemporary Western Artists; Who's Who of American Women 1992-1994; Arizona Living, 28 Apr 1972, 22 Jun 1973, 8 Mar 1974, 7 Mar 1975, 20 May 1976; Arizona Horseman, Aug-Sep 1972; Arizona Highways, Oct 1975; Charolais Banner, Jul 1976; Southwest Art, Mar 1981; P. Mathiesen, 1972, 1976, 1992, 1993.Source: Phil Kovinick and Marian Yoshiki Kovinick, "An Encyclopedia of Artists of the American West" Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Pat Tewawina Hopi Sterling silver belt buckle Long Haired Kachina overlay . Solid sterling silver (tested) buckle with weight and measurements in pictures.. Fits a 1.5" belt. No issues, some expected wear, marked as shown.

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Patrick Ohlinger stamped southwestern sterling silver lapis/chalcedony earrings. Great earrings with no issues, tested and guaranteed solid sterling silver, any marks detected, weight, and measurements will be shown in the pictures. Circa last quarter of the 20th century. Selling both pairs. The Ohlinger’s are husband and wife silversmiths from the "Enchanting" land of Northern New Mexico. Patrick Ohlinger (1955-2021) was a self-taught, accomplished and established Silversmith of 46 years...first inspired by the "Old Pawn" silver work of the Navajo, Zuni and Hopi tribes. His experience shows in the precision of his highly sought after work. Having mastered most all traditional techniques, as well as developing his own unique tools and methods for achieving his intended results. Anita‘s metal moving experience began in the late 70‘s to early 80‘s, working in bronze sculpture foundries and has been working with Patrick, making jewelry, for the past 32 years. Best known for stamp work, their mainstay has always been Concha Belts and Buckles, in many different sizes and designs (both Traditional and Contemporary). Conchos have a "universal appeal" and are seen throughout history in many different cultures world-wide..

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Patrick Yazzie Navajo sterling silver turquoise, spiny oyster cluster pendant. Solid sterling silver tested and guaranteed with no issues, weight and measurements in the pictures. New old stock condition, circa early 2000‘s. anderas

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หัวเข็มขัดนาวาโฮวินเทจรักชาติ เทอร์ควอยส์ คอรัล และเปลือกหอย 3 5/8" x 2.75" x 90.4 กรัม โดยไม่มีปัญหา

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Paul Jean Marie Sain (1853-1908) 1901 French Portrait of Chincholle. Really great original oil on Canvas. The man in the portrait resembles a French author named Charles Chincholle who died of a stroke in 1902. Hopefully I'll have more info at a later date. 16" x 19" framed, 11" x 14" canvas. No restorations, clean frame, clean painting other than two small scuffs one to the left of the top of his head, another just above it to the right of the signature. Below are the Biographies of both the artist and Charles Chincholle. One thing they have in common is They were both at one point named knights of the Legion of Honor. Charles Chincholle was appointed the year this painted was done, a year before his death. I've found a few portraits of him online and it looks like him to me. Jean-Paul Marie Saïn (5 December 1853, Avignon - 6 March 1908, Avignon) was a French painter, known primarily for landscapes and portraits. Paul Jean Marie Sain studied under noted Academic painters Jean Leon Gerome and Charles Michel Guilbert d'Anelle. Sain made his debut at the Paris Salon in 1879. His paintings of marine scenes and lush romantic landscapes were well received and he was awarded honorable mention in 1883, a third place medal in 1886, a bronze medal in 1889 and in 1900 at the Paris Exposition Universelle. He was made a Knight of the Legion of Honor in 1895. His works are in the collection of the Musee du Louvre, Paris, Musee du Luxembourg, Paris, Musee de Perpignan and the Alencon Fine Art Museum. Charles Henri Hippolyte Chincholle , born on July 16, 1843 in Amiens 1 and died onAugust 26, 1902in Paris , is a French journalist and writer . He is considered to be the first major French reporter. Biography Son of Barthélémy Hyppolite Chincholle and Pélagie Victoire Aimée Quequet, Charles Chincholle was declared by his father under the first names of Henri Charles Hippolyte 4 , 5 . He began studying medicine, which he left quite quickly. Last secretary of Alexandre Dumas from 1865 to 1870 6 , Chincholle wrote in the newspapers founded by the latter such as Le Mousquetaire or Le D'Artagnan , as well as the Parlement , la Liberté , Paris-Journal , before entering, in 1872, at Villemessant 7 au Figaro where he became one of the main reporters, following all the important public events and signing some of his articles under the pseudonym of Henri Hamoise 8 or Georges Rip 7 . He thus follows the Boulangist campaignand let himself be seduced for a time by the personality of General Boulanger , of whom he became the unofficial memorialist. However, when the latter was installed in Jersey, Chincholle wanted to see him and was not received. Therefore, it burned down what he loved, and we could read, under his signature, the phrase: "I leave the Boulangism as it leaves a bad love 9 . " Founder of several newspapers such as Le Lucifer , which only saw a few issues 10 and L'Estampe, artistic journal (1884-?) 11 , being a great fan of engravings, he was also president of the Cercle de l'escrime. We owe him numerous interviews with celebrities such as Paul Verlaine and Auguste Rodin . In addition to his countless reportage and current affairs articles and despite his active life and his almost daily collaboration with Le Figaro , Chincholle has written a dozen novels, including La Juive du Château-Trompette published under the name of Ponson du Terrail , serialized in the Little Bordelais, in 1871 12 , eight plays, five or six volumes of contemporary history or biography, and a number of short stories, fantasies and varieties 7 . In 1870, he had a very cheerful little act performed at the Folies-Dramatiques , Uncle Margottin , which had more than three hundred performances. He then praised the theater's new order to give a drama of it, the husband of Joan , black drama that ended with the of the wife and the lover 10 . One fine day, passers-by stopped, bewildered, in front of his poster which read "Free entry for adulterous women." »The story does not say if there were many of them at the control.9 . Entered the Société des gens de lettres in 1885, he made eleven years on the Committee, and has successively served as secretary, Quaestor and Vice President 7 . He had also succeeded Aurélien Scholl as president of the Cercle de l'Escrime et des Arts 13 . In 1901, he was appointed knight of the Legion of Honor 14 . He succumbed to a stroke the following year 15 . He is buried in the cemetery of Cergy 7 : 175 .

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Paul Livingston Navajo Sterling and #8 Turquoise pendant 11.7 grams, 8-9mm inside bail, no issues.Paul Livingston was born in 1954 and has spent his entire life on the Navajo<br>Church Rock Reservation, where he grew up watching with fascination as his<br>silversmith Uncle crafted raw metal and<br>stone into beautiful jewelry. Through trial and error and a great deal of help<br>from his Uncle, Paul became an accomplished young jewelry maker.<br><br>By the time he was twenty-two he was ready to launch himself full time into<br>silversmithing. Paul Livingstonis an acclaimed Navajo silversmith who favors<br>substance in his metal work and high-quality, natural stones in all his<br>settings.<br><br>Today, nearly forty years later, Paul is a nationally known and collected<br>jewelry artist. He is particularly known for a style of jewelry most<br>silversmiths shy away from a technique known as ‘cluster and row work’ where<br>multiple tiny stones are used together to form a delicate, colorful designs in<br>jewelry. Paul is happy to work with the little stones, even the tiny round<br>“snake eye” ones and is renowned for how exquisitely aligned the stone clusters<br>and rows of stones are on his pieces.<br><br>Even at his age Paul continues to experiment with new jewelry techniques and<br>design styles. He especially enjoys working unusual textures created on metals<br>and will often incorporate a new surface<br>finish or other design application to see if these changes might enhance the<br>jewelry’s appearance and appeal. Though his forte has always been more<br>traditional even vintage looking Navajo style jewelry, his<br>contemporary designs are also in high demand. Paul Livingston creates beautiful<br>jewelry using stones that aren’t often found in Native American jewelry. The<br>intricate ‘saw work designs’ of his pieces are especially difficult to achieve<br>but so very visually appealing in Paul’s finished work.

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Paul Livingston Navajo Sterling and Sonoran Gold turquoise pendant 3.75" x 1" x 27.6 grams with no issues. PAUL LIVINGSTON Paul Livingston was born in 1954 and has spent his entire life on the Navajo Church Rock Reservation, where he grew up watching with fascination as his silversmith Uncle crafted raw metal and stone into beautiful jewelry. Through trial and error and a great deal of help from his Uncle, Paul became an accomplished young jewelry maker. By the time he was twenty-two he was ready to launch himself full time into silversmithing. Paul Livingstonis an acclaimed Navajo silversmith who favors substance in his metal work and high-quality, natural stones in all his settings. Today, nearly forty years later, Paul is a nationally known and collected jewelry artist. He is particularly known for a style of jewelry most silversmiths shy away from a technique known as ‘cluster and row work’ where multiple tiny stones are used together to form a delicate, colorful designs in jewelry. Paul is happy to work with the little stones, even the tiny round “snake eye” ones and is renowned for how exquisitely aligned the stone clusters and rows of stones are on his pieces. Even at his age Paul continues to experiment with new jewelry techniques and design styles. He especially enjoys working unusual textures created on metals and will often incorporate a new surface finish or other design application to see if these changes might enhance the jewelry’s appearance and appeal. Though his forte has always been more traditional even vintage looking Navajo style jewelry, his contemporary designs are also in high demand. Paul Livingston creates beautiful jewelry using stones that aren’t often found in Native American jewelry. The intricate ‘saw work designs’ of his pieces are especially difficult to achieve but so very visually appealing in Paul’s finished work. All precious metals are tested and guaranteed,

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เงินสเตอร์ลิง | เทอร์ควอยซ์แท้ ภูเขาเทอร์ควอยซ์ | Paul Livingston Turquoise สร้อยคอแมลงปอร่วมสมัยเทอร์ควอยซ์ภูเขา | เครื่องประดับอินเดียตะวันตกเฉียงใต้ของชนพื้นเมืองอเมริกันนาวาโฮ | น้ำหนัก:74.1 กรัม | ขนาด: สร้อยคอ: ยาว 18" จี้ตรงกลาง 3" x 2.75" | ลงนาม: Paul LivingstonPaul Livingston เกิดในปี 1954 และใช้เวลาทั้งชีวิตในเขตสงวน Navajo Church Rock ซึ่งเขาเติบโตมากับการเฝ้าดู ด้วยความหลงใหลในขณะที่ลุงช่างเงินของเขาประดิษฐ์โลหะดิบและ หินเป็นเครื่องประดับที่สวยงาม ผ่านการลองผิดลองถูกและความช่วยเหลือมากมายจากลุงของเขา พอลจึงกลายเป็นช่างทำเครื่องประดับรุ่นเยาว์ที่ประสบความสำเร็จเมื่อถึงเวลาที่เขา เมื่ออายุได้ 22 ปี เขาพร้อมที่จะเริ่มต้นอาชีพช่างเงินเต็มเวลา Paul Livingston เป็นช่างเงินชาวนาวาโฮผู้มีชื่อเสียงผู้ชื่นชอบเนื้อหาสาระในงานโลหะและหินธรรมชาติคุณภาพสูงในทุกสภาพแวดล้อมของเขา วันนี้ เกือบสี่สิบ หลายปีต่อมา พอลเป็นศิลปินจิวเวลรี่ที่เป็นที่รู้จักและสะสมในระดับประเทศ เขาเป็นที่รู้จักเป็นพิเศษจากสไตล์เครื่องประดับที่ช่างเงินส่วนใหญ่ไม่กล้าใช้เทคนิคที่เรียกว่า 'งานคลัสเตอร์และแถว' ที่ใช้หินเล็กๆ หลายก้อนรวมกันเพื่อสร้างเครื่องประดับที่ละเอียดอ่อนและมีสีสัน การออกแบบเครื่องประดับ Paul มีความสุขที่ได้ทำงานกับหินก้อนเล็กๆ แม้แต่หิน “ตางู” ทรงกลมเล็กๆ และมีชื่อเสียงในด้านการจัดวางกลุ่มหินและแถวของหินบนชิ้นงานของเขาอย่างประณีตแม้กระทั่งที่ อายุของเขาพอลยังคงทดลองเทคนิคเครื่องประดับและสไตล์การออกแบบใหม่ๆ ต่อไป เขาชอบทำงานพื้นผิวแปลกๆ ที่สร้างบนโลหะเป็นพิเศษ และมักจะนำการตกแต่งพื้นผิวใหม่ หรือการออกแบบอื่นๆ เพื่อดูว่าการเปลี่ยนแปลงเหล่านี้อาจปรับปรุงรูปลักษณ์และความน่าดึงดูดของเครื่องประดับได้หรือไม่ แม้ว่ามือขวาของเขาจะเป็นเครื่องประดับสไตล์นาวาโฮที่ดูดั้งเดิมแบบดั้งเดิมมากกว่า แต่ การออกแบบร่วมสมัยของเขาก็ยังเป็นที่ต้องการสูงเช่นกัน Paul Livingston สร้างสรรค์เครื่องประดับที่สวยงามโดยใช้หินที่ไม่พบบ่อยในเครื่องประดับของชนพื้นเมืองอเมริกัน 'การออกแบบงานเลื่อย' ที่ซับซ้อนของชิ้นงานของเขานั้นทำได้ยากเป็นพิเศษ แต่ก็ดึงดูดสายตามากในงานที่ทำเสร็จแล้วของพอล

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Peint Main Limoges Chair Trinket Box Hand Painted. Tight hinge, stays snapped<br>shut, no loss to decoration or gold, no cracks, chips, or restorations.<br>2.25"tall x 1.75" wide<br>TW141

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Peint Main Limoges Gentleman Pig Trinket Box Hand Painted 4.25" tall with no<br>damage whatsoever tight hinge and nice snap on clasp. I will be adding a nice<br>little collection of them to my store at a fraction of what they cost 25 years<br>ago and they are all in mint condition have been stored in a china cabinet for<br>25 years.<br>TW52

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Peint Main Limoges Incrustation Trinket Box Hand Painted. Tight hinge, stays snapped shut, no loss to decoration or gold, no cracks, chips, or restorations. 1 5/8" wide x 1.25" tall TW141

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Peint Main Limoges Fruit Trinket Box Hand Painted. Tight hinge, stays snapped shut, no loss to decoration or gold, no cracks, chips, or restorations. 2" wide TW141

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Peint Main Limoges Pineapple Fruit Trinket Box Hand Painted. Tight hinge, stays snapped shut, no loss to decoration or gold, no cracks, chips, or restorations. 1.75" wide x 2.5" tall TW141

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Peint Main Limoges Trinket Box Hand Painted. Tight hinge, stays snapped shut, no<br>loss to decoration or gold, no cracks, chips, or restorations.<br>3" wide x 1 5/8" deep.<br>TW141

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Peint Main Limoges Trinket Box Hand Painted. Tight hinge, stays snapped shut, no<br>loss to decoration or gold, no cracks, chips, or restorations.<br>3" wide x 1 5/8" deep.<br>TW141

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Peint Main Limoges France Trinket Box 2.25" tall. No issues or damage.

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Peint Mein Limoges Fan shaped hand painted trinket box. 2.5" both ways x 7/8" deep. Tight hinge, no wear, snaps shut. TW153

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Percy Tsisete Sandy Kai Sa(1918-1974) Handmade silkscreen print. 6" x 8" sight, 12" x 14" framed, some wear to frame, no damage to art. Percy Tsisete Sandy was born in 1918 at Zuni Pueblo in northern New Mexico. He was educated at the Santa Fe Indian School and at the Sherman Indian School in Riverside, California. He married a young woman from Taos and went to live at her pueblo. Percy Sandy, who used his traditional name Kai Sa (Red Moon) in signing his work, experimented with a variety of styles, mediums and subjects, but he preferred to work in watercolor in a representational manner. Also known as a muralist, his best known mural is at the La Fonda Hotel in Santa Fe. Kai Sa’s work can be seen in the collections at the Gilcrease Institute and the Philbrook Art Center in Tulsa, Oklahoma; the Heard Museum, Phoenix, Arizona; the Indian Arts and Crafts Board, Washington, D.C.; the Museum of Northern Arizona; the Museum of New Mexico; and the United Pueblo Agency, New Mexico.

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Percy Tsisete Sandy Kai Sa(1918-1974) Handmade silkscreen print. 6" x 8" sight,<br>12" x 14" framed, some wear to frame, no damage to art.<br><br>Percy Tsisete Sandy was born in 1918 at Zuni Pueblo in northern New Mexico. He<br>was educated at the Santa Fe Indian School and at the Sherman Indian School in<br>Riverside, California. He married a young woman from Taos and went to live at<br>her pueblo.<br><br>Percy Sandy, who used his traditional name Kai Sa (Red Moon) in signing his<br>work, experimented with a variety of styles, mediums and subjects, but he<br>preferred to work in watercolor in a representational manner. Also known as a<br>muralist, his best known mural is at the La Fonda Hotel in Santa Fe.<br><br>Kai Sa’s work can be seen in the collections at the Gilcrease Institute and the<br>Philbrook Art Center in Tulsa, Oklahoma; the Heard Museum, Phoenix, Arizona; the<br>Indian Arts and Crafts Board, Washington, D.C.; the Museum of Northern Arizona;<br>the Museum of New Mexico; and the United Pueblo Agency, New Mexico.

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Pete Morgan Navajo heavy stamped sterling silver belt buckle spiderweb turquoise. Tested and guaranteed solid sterling silver, fits a 1.5" wide belt. No issues, some expected wear. Circa last quarter of the 20th century. Weight and measurements in pictures.

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Pete Sanchez Isleta Maria Platero Navajo sterling silver spiny oyster earrings/pendant. Selling the set shown . Two different artists but go well together. Weight and measurements in pics. All precious metals are tested and guaranteed,

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Pete Sanchez Isleta Pueblo sterling high grade red web turquoise pendant. Weight and measurements in pics. No issues. All precious metals are tested and guaranteed,

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Peter Madsen ศิลปินจาก Simi Valley รัฐแคลิฟอร์เนีย - สร้างประติมากรรมสำริด "Long Arm of The Law" 17กว้าง 5 x สูง 19 ซม. ไม่มีความเสียหายหรือการสึกหรอ ลงวันที่ 1991 และ 13/24 หนัก 30 ปอนด์ หมายเลข 18/24 ขายในราคา 5K บน eBay เมื่อวันที่ 3 พฤษภาคม 2558 ดังนั้นราคาจึงสมเหตุสมผลและสมจริง จะถูกบรรจุและจัดส่งด้วยความเอาใจใส่อย่างที่สุดบทความจากวันที่ 11 กรกฎาคม 1997 ชื่อผู้เขียน: Patricia Hesselbach Daily News Staff Writer```Good Medicine'' นั่งอยู่บนโต๊ะโดยที่ Peter Madsen วาดภาพด้วยถ่านในหุบเขา Simi Valley ของเขา บ้าน. ประติมากรรมขนาดเล็กชิ้นนี้เป็นหนึ่งในหลายชิ้นที่ Madsen สร้างสรรค์ขึ้นในช่วงที่อาชีพศิลปินมีผลงานมากมาย ทำให้เขานึกถึงความเข้มแข็งจากภายใน และทำให้เขามีความกล้าที่จะเริ่มต้นชีวิตใหม่ Madsen เป็นที่รู้จักจากเหรียญสัมฤทธิ์ที่มีรายละเอียดแน่นซึ่งแสดงถึงชาวอเมริกันอินเดียนและคาวบอย Madsen มีความสุขกับความสำเร็จที่วัดผลได้ในสายงานของเขา ศิลปินที่ก่อตั้งและได้รับการยอมรับมาตั้งแต่ปี 1986 เขาได้รับรางวัลมากมาย บริษัท เวสติ้งเฮาส์, ตลาดหลักทรัพย์นิวยอร์ก, Robert Duvall และ Iron Eyes Cody ซื้อผลงานของเขา พิพิธภัณฑ์ Gene Autry แห่งมรดกตะวันตกได้นำคอลเลคชันสัมฤทธิ์ของเขามาจัดแสดงอย่างถาวร Madsen ไม่มีที่ไหนที่จะไปนอกจากอยู่ในอันดับของศิลปินชาวอเมริกันผู้โด่งดัง แล้ววันหนึ่งในเดือนพฤษภาคม ปี 1993 อุบัติเหตุได้เปลี่ยนแปลงชีวิตที่ Madsen สร้างขึ้นอย่างพิถีพิถันไปอย่างสิ้นเชิง ในขณะที่เพลิดเพลินกับความหลงใหลอันยิ่งใหญ่อื่น ๆ ของเขาในการเข้าร่วมการแข่งขันขี่ม้าแบบตะวันตก ศิลปินก็ถูกโยนลงจากหลังม้า เขาได้รับบาดเจ็บที่ศีรษะอย่างรุนแรงและสมองได้รับความเสียหาย เขาตกอยู่ในอาการโคม่าลึกสามเดือน Madsen ตื่นขึ้นมาเพื่อเริ่มต้นการเดินทางบนเส้นทางใหม่ โดยสอนให้ร่างกายของเขาเคลื่อนไหวอีกครั้ง การเคลื่อนไหวเบาๆ ที่ขาซ้ายของเขาส่งสัญญาณถึงการฟื้นตัวของเขา ศิลปินยังกล่าวคำแรกของเขาตั้งแต่เกิดอุบัติเหตุอีกด้วย ในระหว่างที่ต้องพักรักษาตัวในโรงพยาบาลเป็นเวลาเก้าเดือน ตามมาด้วยอีกเจ็ดเดือนในบ้านพักชั่วคราว Madsen ได้เริ่มต้นกระบวนการการศึกษาใหม่ที่น่าทึ่งของเขา ``ฉันได้เกิดใหม่อีกครั้ง'' แมดเซนพูดพร้อมหัวเราะในขณะที่นึกถึงความพยายามอันสั่นคลอนครั้งแรกในการเขียน ABC ของเขา ประติมากรผู้ชื่นชมการใช้กายวิภาคของมนุษย์ที่ซับซ้อนในรูปปั้นทองสัมฤทธิ์ของเขาต้องเรียนรู้ส่วนต่างๆ ของร่างกายของตัวเองอีกครั้ง ``ตอนที่เขาเริ่มวาดรูปเป็นครั้งแรก เขาจะปล่อยแขนขวาทิ้ง'' วิคกี้ ภรรยาของเขากล่าว เธอกล่าวว่าภาพวาดของเขาสะท้อนความเป็นจริงของเขา เขาต้องทำความคุ้นเคยกับด้านขวาของเขาก่อนจึงจะสามารถวาดด้านขวาได้ ``สัญญาณแรกของงานศิลปะเกิดขึ้นในปี 1996'' Vicki Madsen กล่าว เธอพยายามเกลี้ยกล่อมศิลปินให้กลับมาทำงานเป็นเวลาหลายเดือน ทุกครั้งที่เธอมอบดินเหนียวให้เขา เขาก็ตอบว่า `` ฉันทำตอนนี้ไม่ได้'' จากนั้นวันหนึ่งในเดือนกันยายน เพื่อนศิลปินกลุ่มหนึ่งได้ไปเยี่ยม Madsen เมื่อพูดถึงเรื่องการแกะสลักได้กระตุ้นบางสิ่งในตัวเขา มีคนมอบดินเหนียวชิ้นเล็กๆ ให้ Madsen เขาบีบมันแล้วตอบด้วยรอยยิ้มกว้าง มีการหักมุมที่น่าขันกับเรื่องราวของ Peter Madsen ก่อนที่จะได้รับบาดเจ็บ ศิลปินได้แกะสลักรูปปั้นคาวบอยที่ถูกเหวี่ยงลงจากหลังม้า สี่ปีต่อมา Madsen กลับมาทำงานชิ้นนี้อีกครั้งโดย Jean Cherie ประติมากรตัวแทน ``เขามีตาและนิมิต. Jean Cherie คือมือของเขา'' Vicki กล่าว ``Prophesy Fulfilled'' เช่นเดียวกับศิลปินหน้าใหม่ กำลังอยู่ในระหว่างดำเนินการ ครั้งหนึ่ง Madsen เคยทุ่มเทให้กับงานทองแดงที่สมจริงของเขาเพียงอย่างเดียว ปัจจุบันค้นพบการแสดงออกที่สร้างสรรค์ในรูปแบบประติมากรรมนูนต่ำที่มีรูปแบบอิสระมากขึ้น ภาพร่างสีถ่าน และคอมพิวเตอร์กราฟิก การออกแบบที่สร้างด้วยคอมพิวเตอร์ของเขาจะทำให้การ์ดอวยพรสวยงามในไม่ช้า เพื่อนสนิทและผู้ดูแลส่วนตัว Patrick Grant เห็นงานนี้โดย Madsen และแนะนำ ``คำทักทายจาก Eagle Vision'' โปสการ์ดที่มีรูปถ่ายสัมฤทธิ์ของ Madsen จะช่วยเสริมคอลเลกชันนี้ ไม่ค่อยมีใครได้ยินคำพูดที่ทำให้ท้อแท้จากศิลปินคาวบอยผู้ให้คำมั่นว่าจะใช้ชีวิตตามวิถีของตนเอง กลับมานั่งบนอานอีกครั้ง เขากำลังสร้างกล้ามเนื้อที่อ่อนแอขึ้นใหม่ผ่านโปรแกรมการขี่ม้าบำบัดที่มีโครงสร้างชัดเจน เมื่อถูกถามถึงทัศนคติของเขาต่อชีวิตนับตั้งแต่เกิดอุบัติเหตุ Madsen ก็ตอบอย่างร่าเริงว่า ``ไปเลย!'' เมื่อถูกถามว่าทัศนคติต่อชีวิตในอดีตของเขาคืออะไร เขาก็ตอบอีกครั้งว่า ``ไปเถอะ

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Pewter trimmed Graniteware Tea Kettle with Childrens Granite ware Teapot. Selling the pair late 19th century. The Large tea kettle is super clean and useable with tight lid and only a small dent under the spout. 11" handle to spout x 8.75" tall. Childs teapot has a few dings and bent bottom of spout, missing lid. 2.75" tall. Selling both. TW164

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9" tall x 8" handle to spout. Hard to find item. There is some pitting to the metal and the knob on the lid isn't straight. There is copper showing through the plating on the base. I believe it was made by Manning bowman in Meridian, Connecticut in the late 1800's.

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10" handle to spout x 7.5" tall. Worn spot on one side, couple flakes and some rust on one side of the spout. The hinge pin appears to have been replaced, lid wobbles a little when opened, but closes tight. Nice uncommon 130 year old piece with no major issues.

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10.5" handle to spout x 8" tall. Small flake on one side with dent in pewter. Looks as though someone did an excellent job restoring the lid ages ago. Fantastic patina, hold water. Interesting copper base and brass by handle. Tw31

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Phil Chapo Navajo silver, turquoise, and coral belt buckle 3.5" x 2 7/8", fits up to a 1.5" belt, no issues.<br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Sterling Silver | Genuine Coral | Phil Garcia Coral Squash Blossom Necklace | Navajo Native American Southwest Indian Jewelry | Weight:57.1 Grams, | Dimensions: Necklace: 18" length, 1.75" x 2.75" center pendant | Signed: PG

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Phil Loretto (Cochiti/Jemez) sugilite, turquoise, coral intricate earrings. Great earrings with no issues, tested and guaranteed solid sterling silver, any marks detected, weight, and measurements will be shown in the pictures. Phil Loretto (Cochiti/Jemez) 1951-2017 Phil Loretto was a unique person in history. One of a kind. He was an early student of IAIA. He won so many ribbons at Santa Fe Indian Market, that his teacher, Allan Houser, took him aside and said, "Gee, Phil, aren‘t you going to let the other artists have a chance." Phil moved beyond competing for ribbons to even greater heights as a fine artist

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Phil Pvo Kiowa 14k gold/sterling silver bolo tie with elk. Tested and guaranteed solid sterling silver slide and tips with solid 14k gold accents. Weight and measurements in pictures. Great bolo, 44" long with no issues other than some fraying to the cord at the end. The rest of the cord is good so it could be shorened.

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Phillip Sekaquaptewa Weseoma Hopi sterling silver coral beaded necklace/pendant. Authentic with no damage, with weight and measurements in the pictures. Tested and guaranteed solid sterling silver. 28" long necklace. Hopi Pueblo artist Phillip Sekaquaptewa, or Weseoma, was Eagle Clan and was actively making jewelry circa 1973-2003. He is known for his gold and silver overlay, appliqué, tufa cast jewelry. Weseoma lived in Hotevilla, Third Mesa, Hopi Pueblo, Arizona. Weseoma learned his trade from Hopicrafts Cooperative Guild, Second Mesa, Az. Phil Sekaquaptewa was the grandson of Judge Emory Sekaquaptewa, Sr. and Helen Sekaquaptewa; son of Wayne Sekaquaptewa and Judy Chen Wagner; brother of Kenneth Sekaquaptewa, Harlan Sekaquaptewa, David Sekaquaptewa, Jeannie Groves, Helen Freeman, Patricia Sekaquaptewa, Kimball Sekaquaptewa; father of Caroline Huma, Wayne Perry Sekaquaptewa.

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Phillip Sekaquaptewa Weseoma Hopi sterling silver lapis beaded necklace . Authentic with no damage, with weight and measurements in the pictures. Tested and guaranteed solid sterling silver. 22" long necklace. Hopi Pueblo artist Phillip Sekaquaptewa, or Weseoma, was Eagle Clan and was actively making jewelry circa 1973-2003. He is known for his gold and silver overlay, appliqué, tufa cast jewelry. Weseoma lived in Hotevilla, Third Mesa, Hopi Pueblo, Arizona. Weseoma learned his trade from Hopicrafts Cooperative Guild, Second Mesa, Az. Hopi Pueblo Jeweler Phil Sekaquaptewa (1948-2003) Weseoma was the grandson of Judge Emory Sekaquaptewa, Sr. and Helen Sekaquaptewa; son of Wayne Sekaquaptewa and Judy Chen Wagner; brother of Kenneth Sekaquaptewa, Harlan Sekaquaptewa, David Sekaquaptewa, Jeannie Groves, Helen Freeman, Patricia Sekaquaptewa, Kimball Sekaquaptewa; father of Caroline Huma, Wayne Perry Sekaquaptewa. Reference: American Indian Jewelry III: M-Z 2,100 Artist Biographies by Gregory and Angie Yan Schaaf.

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Pierre Alexandre Morlon (1878-1951) WW1 1918 French Bronze Victory Medal Joan of Arc 2.75" wide with no issues, silver plated bronze. Pierre Alexandre Morlon (1878-1951) was a prolific die engraver at the Paris mint during the early part of the twentieth century. His designs were used on medals and the Art Deco style coinage of France during the 1930s.

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P&W Natewa Zuni sterling mother of pearl inlay bib necklace. 20" long with no issues. Weight and measurements in pics. All precious metals are tested and guaranteed,

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ฉันขายแก้วหนึ่งใบ แต่มีแก้วให้เลือก 6 ใบ และทั้งหมดอยู่ในสภาพเหมือนใหม่ไม่มีรอยแตก ร้าว มีรอยขีดข่วน หรือขุ่นหากคุณต้องการมากกว่าหนึ่งแก้ว ให้เปลี่ยน ปริมาณในการสั่งซื้อ ขอบคุณ!

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Pizzichillo & Gordon Studio Art Glass Vase 7.25" tall x 6.5" wide.<br>No cracks, chips, or restorations.<br><br>Bruce Pizzichillo and Dari Gordon are internationally known artists who create<br>large, colorful handblown glass vases, sculptural vessels and bowls as well as<br>intriguing glass and mixed media sculptures. Using glassmaking techniques that<br>are thousands of years old, along with many of their own invention, Bruce and<br>Dari melt glass in furnaces that are designed for work in multiple colors. They<br>achieve a palette of distinctive colors by mixing various metallic oxide<br>formulations containing gold, silver, cobalt and others, into the molten glass.<br>They heat the raw materials in large ceramic pots inside a glass furnace at<br>temperatures in excess of 2400 degrees Fahrenheit. As the molten liquid glass<br>achieves a working temperature, the artists gather the fluid substance onto the<br>end of a five foot long steel pipe or rod. They blow, manipulate and shape the<br>mass of molten glass, constantly spinning it and dipping it back into the pot<br>for additional gathers if the piece is exceptionally large. For decoration, they<br>apply shards, frit, bits and strings of colored glass that they have pre-made to<br>the hot surface of the glass, and then reheat the piece to fuse the elements to<br>the surface. When they complete the blowing and shaping process, they remove the<br>piece from the pipe and place it into an annealing oven, where it will cool<br>slowly over a specific period. In general, the larger and thicker the piece, the<br>longer the time required for it to anneal. If not properly annealed, the piece<br>will shatter when exposed to room temperature. Finally, the artists inspect each<br>piece to determine if it meets their standards for first quality. They then<br>proceed with the finishing work, which can include cutting, grinding and<br>polishing before signing the completed piece. Depending on the size and<br>complexity of the piece, the artists may reject half the pieces they make, or<br>more, for lacking the requisites of first quality. Bruce studied at the<br>University of New Mexico and earned a Bachelor of Fine Arts degree in glass from<br>the California College of Arts & Crafts, where he studied with world-renowned<br>glass artist Marvin Lipofsky. Bruce has worked with glass since 1976. <br><br>TW9

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Pope Paul VI Silver Rosary/pill box and Sterling keepsake pendant. Selling both pieces, they both snap shut tightly with an audible click and stay shut securely, there are no markings on the rosary box silver content unknown.

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Creamer is 3.5" tall x 5" from handle to spout. Sugar is the same. Both are<br>cracks, chip, and restoration free. Circa 1920's to 1930's. Firm ceased<br>production at the beginning of World war 2.

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Porfilio Sheyka Zuni sterling silver coral cardinal redbird pendant/pin . Tested and guaranteed solid sterling silver with weight and measurements in pictures.Porfilio Sheyka, Zuni Pueblo JewelerAward winning Zuni Pueblo artist Porfilio Sheyka was active 1961-1982. He is best known for mosaic, channel inlay, and engraved jewelry.Porfilio Sheyka was the husband of Ann Skeyka; father of Shawn Sheyka and 3 other children.Porfilio Sheyka (1938-1982) won awards from Inter-tribal Indian Ceremonial, Gallup, New Mexico and the New Mexico State Fair, Albuquerque, New Mexico. He signed his work as early P. Sheyka. Later in his career he collaborated with Ann his wife he signed Ann & Porfilio Sheyka. Listed with ExportYourStore.com

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Porfirio Salinas (1910–1973) Big Bend Texas/Mexico Landscape South of El Paso.100% guaranteed Original Oil on canvas painted by Porfirio Salinas in the 1960's<br>with no damage or restorations of any kind. Overall: 32 3/4 by 38 3/4 inches<br>24" x 30" painting. Salinas is not as well known for his west Texas/Northern<br>Mexico desert landscaped but he did do some. I'm sure it was more pleasant<br>sitting in a bluebonnet field close to home in the spring then it was sweating<br>in the desert, but a trained eye should be able to see this master's skill and<br>respect his diversity.<br><br>On Oct 18, 2008 a much smaller Porfirio Salinas landscape with a similar terrain<br>was offered for auction by David Dike Fine Art at a $15,000 starting price, I'm<br>unsure if it sold or what it sold for. It was titled "75 Miles South of El<br>Paso", 1953 oil on canvas 16 x 20. So less than half of the size of this<br>painting, it had the same cacti and Red Yucca. In 2019 prickly pear Cacti<br>Landscape by Salinas brough $125,000 with the buyers premium at the same David<br>Dike Fine Art.<br><br>The paper on this frame possibly covers the title of this painting, I'm tempted<br>to remove it but I'm going to try my best not to as the old brittle paper does<br>help date the painting and I really like to leave things as I found them. No<br>damage or restorations whatsoever to the painting, thoroughly examined under<br>both natural and UV light.<br><br>Porfirio Salinas (November 6, 1910 – April 18, 1973) was an early Texas<br>landscape painter who is recognized for his depictions of the Texas Hill Country<br>in the springtime. He was one of the first Mexican American artists to become<br>nationally recognized for his paintings. He was described by The New York Times<br>as being United States President Lyndon B. Johnson's favorite painter. Works by<br>Salinas are displayed in the Texas State Capitol, the Texas Governor's Mansion<br>and in a number of museums including the Witte Museum in San Antonio, Texas and<br>the Panhandle-Plains Historical Museum.<br><br>Early history<br>Salinas was born on November 6, 1910, near Bastrop, Texas. He came from a family<br>of Mexican American tenant farmers, his father Porfirio G. Salinas and his<br>mother Clara G. Chavez Salinas leaving the farm for San Antonio when Porfirio<br>was a child. Salinas was a precocious talent who drew and painted from the time<br>he was a small boy and received encouragement from his teachers. He had little<br>formal education and left school when he was young in order to work in an art<br>supply store. When he was fifteen he met the English-born landscape artist<br>Robert William Wood (1889–1979) at the store.<br><br>Salinas went to work in Wood's studio in 1925, where he learned the basics of<br>being a professional painter. He stretched Wood's canvasses, and learned to<br>frame paintings, how to mix paints and how to prepare canvas under Wood's<br>supervision. Wood was a very capable businessman, and Salinas learned how to<br>sell and market his art from the English painter. Salinas accompanied Wood and<br>the Spanish-born artist and teacher José Arpa (1858–1952) on sketching trips to<br>the hills and valleys surrounding San Antonio where they painted blooming<br>wildflowers in the spring and the Texas Red Oak in the fall. With his talent and<br>hard work he was soon capable of professional work.<br><br>Professional career<br>Salinas began painting professionally in 1930, when he was twenty years old.[4]<br>His early work was influenced by his mentor Robert Wood's paintings.[5] He<br>painted many scenes of Texas bluebonnets, the state flower, which were sold to<br>tourists by the artists and galleries in San Antonio, Texas. In 1939 he began<br>working with the art dealer Dewey Bradford (1896–1985), who sold paintings,<br>frames and art supplies in the state capital of Austin.<br><br>National recognition<br>While Salinas sold his work steadily, by 1960 he was known primarily to Texas<br>collectors and tourists who visited San Antonio. In 1961, this changed rapidly<br>with the election of his collector Lyndon B. Johnson (1908–1973) to the Vice<br>Presidency of the United States. With his ascension from the United States<br>Senate to being Vice President, Johnson and his wife Lady Bird Johnson<br>(1912–2007) purchased a large French-style chateau from the socialite and<br>heiress Perle Mesta (1889–1975). They decorated the house with French antiques<br>and tapestries that were already in the home, but the foyer was hung with Texas<br>wildflower paintings by Salinas. Lady Bird Johnson was quoted as saying, "I want<br>to see them when I open the door, to remind me of where I come from." At the<br>time of the President Kennedy's assassination, Salinas had completed a scene of<br>a horse drinking titled "Rocky Creek" that was meant to be presented to Kennedy<br>during his ill-fated visit to Dallas. Lyndon Johnson told the Washington press<br>that Porfirio Salinas was "his favorite artist." President Johnson also<br>presented a Salinas painting to President Gustavo Diaz Ordaz of Mexico as an<br>official gift from the United States. The patronage of the President was a<br>tremendous boost to the artist's career and during the 1960s, his work sold<br>briskly for ever higher prices. The Johnsons' Salinas paintings remain in the<br>collection of the LBJ Ranch today. President and Lady Bird Johnson were both<br>advocates and admirers of wildflowers. Lady Bird Johnson will always remain<br>linked to the subject of wildflowers because of her "Beautify America" campaign<br>and the Highway Beautification Act, which was passed by the United States<br>Congress in 1965. As part of that effort, many miles of Texas roadsides were<br>seeded with Texas bluebonnets, Lupinus texensis, the flowers that Salinas is<br>known for painting.<br><br>Death and posthumous reputation<br>Salinas was recognized by the city of his birth, Bastrop, Texas in 1960, when he<br>was fifty years old. He had a solo exhibition at the Witte Museum in San Antonio<br>in 1962. His work was widely published by the New York Graphic Society, which<br>added to his national reputation. In 1967 his work illustrated a book titled<br>Bluebonnets and Cactus that was published in Austin.<br><br>Salinas died on April 18, 1973, after a brief illness. He was memorialized in<br>the City of Austin with Porfirio Salinas Day in 1973. Ruth Goddard wrote a book<br>titled Porfirio Salinas that was published two years after his death. There is a<br>Youth Art Exhibition showcasing work by K-12 students, named after the artist,<br>held each year in Bastrop. In celebration of the centennial of Salinas' birth,<br>the Witte Museum mounted an exhibition titled Porfirio Salinas: Painting South<br>Texas that opened on October 16, 2010, and ran to March 20, 2011.<br><br>Artistic production<br>The professional career of Porfirio Salinas stretched to more than forty years.<br>According to the art historian Jeffrey Morseburg, he is estimated to have<br>painted between two and three thousand works. His work is divided among a number<br>of subjects, but Hill Country landscapes of the Texas bluebonnets predominate.<br>The bluebonnet landscape has remained eternally popular with both collectors of<br>historic Texas paintings and contemporary artists. Salinas also painted many<br>scenes of Texas red oak trees in the autumn and prickly pear cactus. There were<br>also scenes of the Texas desert in the Texas Panhandle and of arid West Texas.<br>Salinas made trips to Mexico and painted rural Mexican villages and the<br>volcanoes that are south of Mexico City. For Mexican American audiences, Salinas<br>painted small scenes of bullfights, cockfights and Mexican fandangos.<br><br>Personal life<br>Salinas married Maria Bonillas, a Mexican woman who worked for the Mexican<br>National Railways, in San Antonio in 1943. They had a single child, Christina<br>Maria Salinas, who was born in 1945. Maria Bonillas Salinas helped manage her<br>husband's career. The Salinas home and studio was located at 2723 Buena Vista<br>Street in San Antonio. It consists of a small stone home with a detached studio.

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Porter Blanchard Modernist Sterling Ice Tongs. Nice pair of Heavy American sterling super cool ice tongs.. Very clean as found estate condition with no significant wear or damage. Slight tarnish, I can hand polish before shipping upon request. 83.7 grams 6" long. Porter George Blanchard (1886–1973) was an American silversmith living and working in Pacoima, California. He is considered to be part of the Arts and Crafts Movement. Blanchard learned the trade of the silversmith from his father, George Porter Blanchard in Gardner, Massachusetts. In 1923, Blanchard moved to Burbank, California, where he established a studio for silversmithing.[3] Between the 1930s and 1950, he operated a shop in Hollywood. He then worked from his home in Pacoima from the 1940s until his death in 1973.[4] His daughter Alice Blanchard married Lewis Wise, who conducted business as Porter Blanchard Silversmiths in Calabasas, California. After 1955, all Porter Blanchard flatware was made at the Calabasas shop, while the holloware was made at Blanchard's Pacoima home. His daughter Rebecca married Allan Adler, who continued designing as a silversmith in the Arts and Crafts tradition. Blanchard was a member of the Boston Society of Arts and Crafts and was awarded their title of medalist in 1944 tw187

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1950's Rosenthal HEIDENREICH Seagull Figures Pair<br><br>Looks splendid. Acknowledged artist, ceramist and sculptor Fritz Heidenreich<br>(1895 – 1966) designed this figure in 1934. He was a Rosenthal employee from<br>1919 to 1960, and from 1946 onwards the head of the art department in Selb. He<br>always tried to find contemporary ways of expressing his sense of forms. The<br>most famous of his works is vase called ‘Pregnant Luise’ (‘Orchideenvase’). All<br>Rosenthal famous Op-Art was started after he introduced this vase. He is also<br>well known for fish group ‘Scalare’, which was awarded with Grand Prize in Paris<br>in 1937. Seagull is marked on the backside with standard Rosenthal, Germany mark<br>in green identifying production of late 1950s.<br>They are 7.25" and 9" tall with 9" and 12" wingspans. Condition is immaculate<br>with no cracks or chips found. Colors are bright and vibrant.<br>isshelf

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Pr Antique Asian Brass Vases with ornate Repousse work. Very nice pair of 19th<br>to very early 20th century vases with the most amazing hand done repousse/etch<br>work. 3.75" tall x 4.25" wide with no significant issues or damage. Selling the<br>pair.<br>tw206

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Pr Antique Chinese Famille rose Monk Figures. 8.5" tall with no cracks, chips, or restorations. Last half of 19th century. tw106

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Pr Antique Meissen Potpourri vases model number 884 and artists mark 70, blue<br>crossed swords mark with cancellation, with iron read 9; 19th C., after a model<br>by Johann Friedrich Eberlein from 1747. Base and bowl fired in two pieces and<br>screw-mounted, with decorative cap on interior. Measurements Height: each, with<br>lid 13 inches Width: 6 3/4 inches Diameter: bowl, 6 1/8 inches Weight Each: 6<br>lbs. 8.5 oz. Combined: 13 lbs. 1 oz.<br><br>Condition: Each with minor areas of restoration to some flowers first vase: babe<br>and seated woman with losses to feet and one babe lacking right leg, with losses<br>to flowers, and leaves; second vase: babe and seated woman with losses to one<br>foot each, with losses to flowers, most notable to cover's finial, cover<br>interior rim with 1 3/4 inch chip to underside, with associated crack 5 3/4<br>inches in length and associated minor areas of restoration, and with repaired<br>chip approximately 1/2 inch in length. One with Factory firing flaw in base<br>where the porcelain is joined on the top, only visible on exterior with very<br>close examination.

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Pr Duchin Sterling เชิงเทียนถ่วงน้ำหนัก 3 ลิตร สิ่งเหล่านี้อยู่ในสภาพที่ยอดเยี่ยม แม้ว่าสิ่งเหล่านี้มักจะถูกกระแทกและทำให้มัวหมอง แต่สิ่งเหล่านี้ดูเหมือนจะไม่เคยถูกนำมาใช้ด้วยซ้ำ ไม่มีรอยบุบ ไม่มีคราบขี้ผึ้ง มีรอยหมองเล็กน้อยที่จะทำความสะอาดได้ง่าย ด้านบนเป็นเกลียวและถอดออกได้ คุณจะไม่พบชุดทำความสะอาด กว้างชิ้นละ 6.5" สูง x 11"TW213

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Pr Vintage Native American shell inlay earrings. Well made with artisans mark. 11.2 grams marked and tested sterling, no damage or issues.

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Pr Vintage Native American Sterling/natural stone channel inlay earrings. High quality pair of earrings unmarked, tested sterling 21.2 grams total weight.

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Pre 1850 Staffordshire transferware multicolor medici and pearlware historical bowl. Selling the three pieces shown with no cracks, chips, or restorations. Cup is 3.5" wide x 3 1/8" tall, saucer is 6 1/8" wide, bowl is 6 3/8" wide. tw148

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery or art. I<br>bought a collection, the collectors are no longer with us so I'm having a<br>difficult time with it but I'm sure it's all old. I probably won't list it all<br>at once, but it's all pre Columbian and guaranteed to be so. I won't lie about<br>regions or centuries because I don't know all that and don't have time to become<br>an expert. I'm going to try to pass on what I would pay to a good auction house<br>to you.<br><br>This piece is 8.5" tall with base x 3 3/8" wide without base. It has a no<br>brainer patina and was mounted on the metal base at a later date for display.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought<br>a collection, the collectors are no longer with us so I'm having a difficult<br>time with it but I'm sure it's all old. I probably won't list it all at once,<br>but it's all pre Columbian and guaranteed to be so. I won't lie about regions or<br>centuries because I don't know all that and don't have time to become an expert.<br><br>This piece is 4.5" tall x 5" long. No cracks, chips, or restorations.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought a collection, the collectors are no longer with us so I'm having a difficult time with it but I'm sure it's all old. I probably won't list it all at once, but it's all pre Columbian and guaranteed to be so. I won't lie about regions or centuries because I don't know all that and don't have time to become an expert. Selling 7 pieces, largest piece is 5", there seems to be some ancient chips.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought a collection, the collectors are no longer with us so I'm having a difficult time with it but I'm sure it's all old. I probably won't list it all at once, but it's all pre Columbian and guaranteed to be so. I won't lie about regions or centuries because I don't know all that and don't have time to become an expert. Selling 8 pieces, largest piece is 4", there seems to be some ancient chips.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought a collection, the collectors are no longer with us so I'm having a difficult time with it but I'm sure it's all old. I probably won't list it all at once, but it's all pre Columbian and guaranteed to be so. I won't lie about regions or centuries because I don't know all that and don't have time to become an expert. Selling 7 pieces, largest piece is 3.5" the whistle works but has an old repair. Seems to be some ancient chips.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought a collection, the collectors are no longer with us so I'm having a difficult time with it but I'm sure it's all old. I probably won't list it all at once, but it's all pre Columbian and guaranteed to be so. I won't lie about regions or centuries because I don't know all that and don't have time to become an expert. Selling 6 pieces, largest piece is 4 3/8" pedant is 2" seems to be some ancient chips.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought<br>a collection, the collectors are no longer with us so I'm having a difficult<br>time with it but I'm sure it's all old. I probably won't list it all at once,<br>but it's all pre Columbian and guaranteed to be so. I won't lie about regions or<br>centuries because I don't know all that and don't have time to become an expert.<br><br>Selling 4 pieces one pipe or whistle looks to have old chips and possibly be<br>missing some feet. One face appears to be a shard, another face effigy, and some<br>sort of funnel or incense cover. Largest piece is 3 7/8"

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought<br>a collection, the collectors are no longer with us so I'm having a difficult<br>time with it but I'm sure it's all old. I probably won't list it all at once,<br>but it's all pre Columbian and guaranteed to be so. I won't lie about regions or<br>centuries because I don't know all that and don't have time to become an expert.<br><br>Selling 4 pieces, they're all four very heavy like store, but appear to be made<br>from clay. The larger 5" head appears intact, the other pieces seem to be<br>missing limbs possibly.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought a collection, the collectors are no longer with us so I'm having a difficult time with it but I'm sure it's all old. I probably won't list it all at once, but it's all pre Columbian and guaranteed to be so. I won't lie about regions or centuries because I don't know all that and don't have time to become an expert. Selling 5 pieces, largest piece is 4 3/8", it's been broken and glued, there seems to be some ancient chips. The whistle works very well, missing horn.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought<br>a collection, the collectors are no longer with us so I'm having a difficult<br>time with it but I'm sure it's all old. I probably won't list it all at once,<br>but it's all pre Columbian and guaranteed to be so. I won't lie about regions or<br>centuries because I don't know all that and don't have time to become an expert.<br><br>This piece is 3.5" wide x 9" long. No cracks, chips, or restorations. I'm not<br>sure what it is. It doesn't whistle just by blowing in it, probably an art to<br>it.

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Pre-Columbian Aztec Jaguar Warrior figures and head shard. Selling both out of<br>an important collection of world artifacts all purchased through major auction<br>houses/reputable galleries. The receipts I did find showed price was no object.<br>I feel really fortunate to be able own these items even if just for a short time<br>and to be able to offer them at a fraction of what they last sold for. The<br>collector collected for himself and was low key as are his heirs, so as much as<br>I would love to acquire more provenance on each item it's just not possible at<br>this point without being intrusive, then possibly still not possible.<br><br>The head shard is great and all, measures 4.75" wide x 4.25" tall with loss<br>shown, likely broken at the neck and part of a large figure. This Jaguar warrior<br>is absolutely amazing, polychrome decorated, has an amazing "no brainer" to me<br>patina overall. Very realistic figure made by a skilled potter at the time. 6"<br>tall with old restorations to clean break at head, base of sword, and one leg.<br>Even though this is not incredibly large it is incredibly nice and my guess is<br>the previous owner paid thousands of dollars for this figure. Selling both<br>pieces shown. Guaranteed over 500 years old.

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Pre-Columbian Quimbaya Hanging Incense Bowl. A similar example without the figures on the sides can be found in the Brooklyn Museum, Museum Expedition 1938, Dick S. Ramsay Fund, 38.586. 9" wide x 5.5" tall. Excavated item with professional museum grade restorations. Appears to have been broken into several large pieces and restored, all pieces appear present. Very special piece.This is part of a large collection of artifacts I'm helping liquidate, all purchased from reputable sources over the last quarter of the 20th century, money was no object. I'm pricing everything at a small fraction of what it cost from the galleries/auctions.

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Prehistoric Pottery Pots Fresh from an Estate Pair. Selling both Prehistoric pots. Tallest is 8.5" with some repairs and chips on top and 3 small holes in bottom. The ribbed one is 6" tall x 7" wide, some chips on top and a tight stable hairline. They're both in stable condition and likely over 1000 years old. Selling both. TW74

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