皮带和带扣

1970's Orville Tsinnie Bisbee Turquoise Navajo Sterling belt buckle. Signed on back by Orville or Darlene "Bisbee Blue". Very nice large Bisbee Stone 35mm x 18mm.Tsinnie, Orville and DarleneOrville and Darlene made beautiful jewelry from their studio near Shiprock, New Mexico. Orville first learned the silversmithing trade from his brother-in-law, who was a silversmith. He became a master silversmith and earned many awards over 40+ years of jewelry-making, including a Lifetime Achievement award from the Indian Arts and Crafts Association. Orville passed away in 2017. His extraordinary talent and big heart made him a favorite in the industry. Orville is known for his meticulously stamped silverwork, often set with beautiful stones or bones.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1970's Nakai Navajo sterling chip inlay belt buckle with belt. High quality buckle and belt, both Navajo made. Belt fits from 37" to 42" waist with existing holes. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1970 年代 Judy Wallace Zuni 纯银镶嵌大号蜂鸟贝壳腰带。罕见、不寻常的祖尼纯银贝壳腰带。每个康乔都签有JW，没有英镑标记，但测试英镑。质量非常好，全手工制作，大约 1970 年代。 9 个 Conchos，包括带扣，宽 2 3/8 英寸，平均重量为 45 克，皮带总重量为 526 克，总长 39 英寸，现有孔位于 31 英寸-34 英寸。皮革只是 1.5 英寸以下的一根头发丝TW208

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1968 Diablo Sterling/10k CPHA Chapter 5 Trophy belt buckle. Fits up to a 1.5" belt.

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1960's Zuni Sterling, turquoise, and shell inlay Ghan Dancer belt buckle. Fully functional with some expected wear, weight and measurements in pics.

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1960's G Calavaza Zuni Sterling turquoise, and coral snakes belt buckle 115.8 grams, fits a 1.5" belt, nice substantial buckle with high quality work and stones. Better quality than most of the Effie C pieces I've had. I already wasted a lot of time trying to figure out for sure who G Calavaza is, I don't think it's her daughters and am sure it's not her grandson Gilbert. Not sure. I am sure this is a very old buckle from the third quarter of the 20th century.Marked or unmarked as shown in pics, weight and other measurements in pics. Older Native American jewelry is typically unmarked. If I call it Silver or Ingot I'm guaranteeing it to be 90% or more silver. This isn't something I get confused about. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration.

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1950's Navajo belt buckle with inlaid turquoise. Weight and measurements in pics.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1920 年代至 30 年代巨大的纳瓦霍银和绿松石贝壳腰带。适合 32"-35" 腰围（带现有孔）。带扣尺寸为 4.25" x 3.25"，Conchos 尺寸为 4.5" x 3 7/8"。 6 个 Conchos 和 1 个带扣。一件贝壳缺少绿松石色和皮革背板。与其他人没有问题。 20 世纪上半叶或之后不久的早期贝壳带。总重量 910 克，是的，即 2 磅。

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14k/sterling Vintage Southwestern hand engraved belt buckle. 2" x 1 3/8", fits a1" belt, 27.3 grams...my guess is 25% of the weight is 14k gold. That is a thick 3d solid 14k gold bird on the front center. Marked and tested sterling and 14k gold.

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1.5" John Rippel for James Reid Heavy stamped southwestern sterling silver beltbuckle set. Hand signed inside tip J R Ltd Rippel, marked with James Reid's Hallmarks on buckle. This type of buckle is very easy to fit on a belt, just make a small hole in the tip for the stud to go through. Fits up to a 1.5" belt, the inside of tip tapers down to 1.25", 1.5" inside keeper and buckle. Buckle itself measures 3" both directions 160.3 grams total weight.James Reid was an extremely high end Santa Fe Silversmith, he is now retired.anderas

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1.5" Jeff Deegan Sterling Jaguar belt buckle and keeper on 38" J.W. Cooper belt. Very little wear to belt and no detectable wear to belt buckle or keeper.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more<br>pictures, videos, or measurements until sold. If you look at<br>pictures/description your question should be answered. Thank you so much for<br>your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1 英寸 Randall D Moore 纯银/14k Ranger 皮带扣套装。带扣和固定器制作精良，实心纯银，边框上有粗实心 14k 金绳。适合 1 英寸皮带。没有损坏或重大问题。这是一款已退役的设计，但如果仍然有售，零售价将远超 1300 美元。 88克兰德尔·摩尔 (Randall Moore) 于 1977 年抵达新墨西哥州陶斯，开始在 Mabel Dodge Lujan House（当时被称为“大房子”）担任银匠的非正式学徒。 1979 年，他搬到圣达菲，至今仍在那里生活和工作。 他的主要产品是银金皮带扣、带扣套装以及纯银、14K 和 18K 金的男士配饰。摩尔先生的设计借鉴了西南风格的影响以及当代元素，并利用传统工具和技术，制作出既经典又时尚的传家宝品质物品。他的作品被世界一流的运动员、艺人、政客以及世界各地的酷女孩和男士所佩戴。 Randall 的工作室位于圣达菲历史悠久的东区中心，东宫大道 868 号，距离峡谷路仅一个街区。

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1" James Reid 14k/Sterling belt buckle and keeper. James Reid did some really<br>good work out of Santa Fe, New Mexico and was expensive, he is now retired as of<br>2017. Selling the very well made buckle and keeper shown made for a 1" belt,<br>very thick chunks of 14k gold on this buckle, minimal wear. 93.2 grams, likely<br>about 10 grams of it 14k gold.

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1" Antonio Pineda (1919-2009) Taxco Sterling modernist belt buckle 34.7 grams, very sturdy, other measurements in pics. This is an extremely high quality and good looking buckle. Due to reflections it's difficult to present items of this type in the light the deserve in the time available to me.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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1" Antonio Pineda (1919-2009) Taxco Sterling belt buckle 57.7 grams, very sturdy, other measurements in pics. This is an extremely high quality and good looking buckle. Due to reflections it's difficult to present items of this type in the light the deserve in the time available to me.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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1 英寸 14k/英镑 Randall D Moore Metro Ranger 皮带扣套装。适合 1 英寸皮带，21 年复古版本，现零售价 1100 美元。轻微的预期磨损，没有重大问题。兰德尔·摩尔 (Randall Moore) 于 1977 年抵达新墨西哥州陶斯，开始在 Mabel Dodge Lujan House（当时被称为“大房子”）担任银匠的非正式学徒。 1979 年，他搬到圣达菲，至今仍在那里生活和工作。 他的主要产品是银和金皮带扣、带扣套装以及纯银、14K 和 18K 金的男士配饰。摩尔先生的设计借鉴了西南风格的影响以及当代元素，并利用传统工具和技术，制作出既经典又时尚的传家宝品质物品。他的作品被世界一流的运动员、艺人、政客以及世界各地的酷女孩和男士所穿着。 Randall 的工作室位于圣达菲历史悠久的东区中心，东宫大道 868 号，距离峡谷路仅一个街区。安德拉斯

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1 3/8" Antonio Pineda (1919-2009) Taxco Sterling belt buckle. Really big and heavy buckle, fits up to a 1 3/8" belt, has the detachable hook. This is an extremely high quality and good looking buckle. Due to reflections it's difficult to present items of this type in the light the deserve in the time available to me.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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