美国艺术玻璃

133产品


  • Jerry Heer Lotton Art glass perfume vial

    Jerry Heer Lotton Art glass perfume vial

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    Jerry Heer Lotton Art glass perfume vial. No damage or detectable wear 6.5" tallx 4" wide. Signed and dated as shown.

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    $375.00

  • c1890 Hobbs Brockunier Wheeling Peachblow cruet

    c1890 Hobbs Brockunier Wheeling Peachblow cruet

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    c1890 Hobbs Brockunier Wheeling Peachblow cruet. No damage to base, a fewminiscule "chigger bites" to facets, bruises and small chips to bottom of stopper as always. 7" tall x 4" wide Guaranteed authentic and original late 19th century American art glass.In 1886, a Chinese porcelain vase with "Peach Bloom" glaze sold at auction for $18,000. The tremendous price and the phrase Peach Bloom were widely publicized. Within months, American glass companies developed new formulas to capitalize on the Peach Bloom name. This glassware is now collectively referred to as "Peachblow".One type of Peachblow, shading from yellow at the bottom to deep red at the top, was made by the Hobbs, Brockunier and Company of Wheeling, West Virginia. It is now called Wheeling Peachblow after the town where it was made. Wheeling Peachblow is a two-layered glass or cased glass. The inside layer is white; the outer layer shades from yellow at the bottom to deep red at the top. Original Wheeling Peachblow was made in two finishes, shiny and satin. tw273

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    $625.00

  • 1880's New England Agata peachblow creamer - Estate Fresh Austin

    1880's New England Agata peachblow creamer

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    1880's New England Agata peachblow creamer 4.5" tall x 5" spout to handle, buying the piece shown with no damage. I'm offering the creamer and sugar separately so I can accurately present each item. I photographed them both under the same conditions one after the other. Agata is so rare that I have no way of knowing if the decoration on the sugar is "better" from the factory 135+ years ago or not. Agata glass was made by Joseph Locke of the New England Glass Company of Cambridge, Massachusetts, after 1885. A metallic stain was applied to New England Peachblow, which the company called Wild Rose, and the mottled design characteristic of agata appeared. Most agata glassware is shaded pink to rose or rose to white, with mottled spots similar to lusterware. The Glass of New England 1818-1888 The glass industry was attracted to New England for many of the same reasons it was attracted to other locations throughout history; access to natural fuel resources, availability to world marketplaces, and a ready work force. Of the many glass houses in New England in the early to mid-1800s, two of the best known were The New England Glass Company and The Boston and Sandwich Glass Company. The New England Glass Company was located in the Cambridge area of Boston. The use of the term "Cambridge Glass" in literature has led to some confusion with the somewhat later Cambridge Glass Company of Cambridge, Ohio. The New England Glass Company was incorporated in 1818. Deming Jarvis, the only one of the four owners with practical business experience, was to run the shop. Mr. Jarvis, born in Boston into a wealthy family, had working experience in the dry goods business before joining the NEGC. He had a unique talent for selecting the right men and getting them to come to work for him, including some of Europe's most skillful cutters. Deming's father died in 1823, leaving him with considerable wealth and he spent some time in Pittsburghstudying the local methods of glass making. isshelf

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    $450.00

  • c1890 Mt Washington decorated burmese vase

    c1890 Mt Washington decorated burmese vase

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    c1890 Mt Washington decorated burmese vase. 4.75" tall x 5" wide with no damage.MT. WASHINGTON AND PAIRPOINT GLASSMt. Washington and its successor, the Pairpoint Corporation, was one ofAmerica’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture, decoration, pattern, and color - developing a variety of styles and decorating techniques which were so technically complex that few are even practiced today.The Mt. Washington Glass Company was founded in South Boston in 1837, and moved to New Bedford, Massachusetts, in 1870. In 1880, Thomas J. Pairpoint, an English silversmith, was hired to run the Pairpoint Manufacturing Company, another company in New Bedford which Mt. Washington’s owners established to produce ornate silver-plated mounts for Mt. Washington glass.In 1894, the Pairpoint Manufacturing Company absorbed Mt. Washington, and the company was renamed the Pairpoint Corporation in 1900, which remained the company’s name until it went out of business in 1938. It was revived briefly as the Gundersen-Pairpoint Glass Company but closed permanently in 1957. The company’s most successful years were from 1880 (in the height of the opulent Gilded Age) to 1930 (the end of the exuberant Roaring Twenties).MT. WASHINGTON ART GLASS AND CUT GLASSEnglishman Frederick Shirley was hired in 1872 to run Mt. Washington’s chandelier department, and two years later was put in charge of the entire company. Shirley was entrepreneurial and litigious, quick to adopt new designs and quick to complain if he thought any other firm was copying his wares. By the time he resigned in 1891, he had amassed a total of 27 patents and five design patents for various types of glass, most of which were quite successful.In 1885, Shirley introduced Burmese glass, a translucent glass that shaded from yellow to pink, which was highly decorated in the elegant and sophisticated style characteristic of the day. It became an immediate success on the Art Glass market. Shirley was a good businessman and took advantage of the dawning age of advertising to promote Burmese glass extensively.Mt. Washington’s large decorating shop specialized in enameling. The decorators who worked on Burmese glass also applied their skills to a variety of other decorated glasses with exotic names like Royal Flemish, Crown Milano, Colonial, and Pearl Satin Ware. By 1890, the company was advertising itself as “Headquarters in America for Art Glass Wares.” isshelf

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    $595.00

  • 6 Hawkes Louise Etched Crystal Iced Tea Tumblers

    6 Hawkes Louise Etched Crystal Iced Tea Tumblers

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    6 Hawkes Louise Etched Crystal Iced Tea Tumblers. Selling the set of 6 shown<br>with no cracks, chips, cloudiness, or other issues. 6" tall x 3 5/16" wide at<br>the rim. from the second half of the 20th century. Very high quality American<br>crystal that rings like a bell.<br><br>Thomas Gibbons Hawkes, born in County Cork, Ireland in 1846 to a prominent<br>family with a glassworking heritage, emigrated to the United States in 1863. His<br>career began as a foreman for glass factory Hoare and Daily in Brooklyn, New<br>York moving with the company to Corning, New York in 1868.<br><br>Once in Corning, he soon opened his own cutting shop which was incorporated as<br>T.G. Hawkes & Company in 1890. This on the heels of success the year before when<br>Hawkes famously won acclaim and Grand Prize at the Universal Exposition in<br>Paris.<br><br>Thomas Gibbons Hawkes<br>European taste for sparkling cut glass at this time was emulated in the United<br>States in what was called the Brilliant Cut Glass Period. Over 1,000 cutting<br>shops were founded to meet the demand and T.G. Hawkes & Company flourished. The<br>company was in operation for 82 years.<br>TW229

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    $175.00

  • c1910 Fenton Carnival Glass Plate Pair in Concord Grape Amethyst - Estate Fresh Austin

    c1910 Fenton Carnival Glass Plate Pair in Concord Grape Amethyst

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    c1910 Fenton Carnival Glass Plate Pair in Concord Grape Amethyst. These are pretty rare to find one, to find a pair is really amazing. There's a tag on the back indicating they were sold as a pair sometime in the last quarter of the 20th century. Just over 9" wide each with no cracks, chips, or restorations. I have photographed each plate separately in a series. While there are slight variations I couldn't really decide which one was better.TW230

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    $1,395.00

  • 1920 年代的斯托本蚀刻玻璃蜜饯,硒红

    1920 年代的斯托本蚀刻玻璃蜜饯,硒红

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    1920 年的斯托本蚀刻玻璃蜜饯,硒红。茎上刻有图案,即使不是独一无二,也是罕见的。 8 英寸高 x 8 英寸宽,底座上有酸印 Steuben,无损坏或可检测到的磨损。斯托本玻璃厂Steuben Glass 是一家美国艺术玻璃制造商,由 Frederick Carder 和 Thomas G. Hawkes 于 1903 年夏天在纽约州康宁市(位于斯托本县)创立,公司名称也由此而来。霍克斯是当时康宁最大的切割玻璃公司的所有者。卡德是一位英国人(生于 1863 年 9 月 18 日),拥有多年在英国为史蒂文斯和威廉姆斯设计玻璃的经验。霍克斯从许多来源为他的切割店购买了玻璃毛坯,并最终想创办一家工厂自己制造毛坯。霍克斯说服卡德来到康宁并管理这样一家工厂。卡德曾在史蒂文斯和威廉姆斯的晋升中被排除在外,他​​同意这样做。 1918年,斯托本被康宁玻璃厂收购,成为斯托本分部。 2008 年 7 月,康宁公司以未公开的价格将 Steuben 出售给 Schottenstein Stores,[2] 该公司还拥有 Retail Ventures 51% 的股份,Retail Ventures 是 DSW、Filene's Basement 和以前的 Value City Department Stores 的控股公司; Value City Furniture,更名为American Signature Furniture; American Eagle Outfitters 的 15%、零售清算人 SB Capital Group、约 50 个购物中心以及 5 家生产鞋子、家具和水晶的工厂。 2011年9月15日,Schottenstein宣布关闭Steuben在康宁的工厂和曼哈顿商店,结束了该公司108年的历史。不久之后,康宁公司回购了Steuben品牌。 2014 年初,康宁玻璃博物馆宣布将与独立承包商合作,使用新的无铅配方及其经典的含铅水晶来复制 Steuben。卡德时期(1903-1932) Steuben 玻璃厂于 1903 年 10 月开始运营。Carder 为 Hawkes 生产毛坯,并开始自己生产切割玻璃。卡德非常喜欢彩色玻璃,并在史蒂文斯和威廉姆斯工作期间对彩色玻璃的重新引入发挥了重要作用。当斯托本为霍克斯生产毛坯的成功得到保证后,卡德开始尝试彩色玻璃,并继续在英国开始的实验。他很快完善了 Gold Aurene,它类似于蒂芙尼和其他公司生产的虹彩艺术玻璃。紧随 Gold Aurene 之后,出现了各种彩色艺术玻璃,最终生产出 7,000 多种形状和 140 种颜色。 斯托本玻璃厂继续生产各种玻璃,直到第一次世界大战。当时的战时限制使斯托本无法获得继续制造所需的材料。该公司随后被出售给康宁玻璃厂并成为斯托本分部。卡德继续担任部门经理,公司的运营没有发生任何实际变化,只是他现在有向康宁玻璃厂管理层报告的责任。康宁的管理层试图将斯托本发表的文章仅限于最受欢迎的文章,但大多没有成功。生产一直持续到 1932 年左右。 1932年,斯托本管理层发生重大变动。全国性的萧条限制了斯托本的销售,公众对彩色玻璃的兴趣也有所减弱。 1932 年 2 月,约翰·麦凯 (John MacKay) 被任命接替卡德 (Carder) 的职务。卡德成为康宁玻璃厂的艺术总监。随后斯托本主要生产无色艺术玻璃。 斯托本仍然生产彩色艺术玻璃,但主要是为了满足特殊订单。卡德在康宁玻璃厂担任新角色后,添加了一些新颜色,但斯托本最后一次已知的彩色艺术玻璃拍卖是在 1943 年书架

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    $450.00

  • c1890 华盛顿山装饰缅甸玫瑰碗

    c1890 华盛顿山装饰缅甸玫瑰碗

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    c1890 华盛顿山装饰的缅甸玫瑰碗。 2 5/8 英寸高 x 3 英寸宽。无裂纹或缺口。我不能 100% 确定,因为这是一种罕见的形式,但有可能 130 年前它的顶部延伸得更高一点,我不确定。公吨。华盛顿和配对玻璃 Mt. Washington 及其继任者 Pairpoint Corporation 是美国历史最悠久的豪华玻璃公司之一(1837-1957 年),可与蒂芙尼 (Tiffany) 和斯托本 (Steuben) 等同期知名公司相媲美。它通过在纹理、装饰、图案和颜色方面的创造力,不断地重塑和重振其业务——开发了各种风格和装饰技术,这些技术在技术上非常复杂,以至于今天很少有人实践。华盛顿山玻璃公司于 1837 年在南波士顿成立,并于 1870 年迁至马萨诸塞州新贝德福德。 1880 年,英国银匠 Thomas J. Pairpoint 受聘经营 Pairpoint 制造公司,这是位于新贝德福德的另一家公司。华盛顿山的所有者建立贝德福德工厂,为华盛顿山玻璃生产华丽的镀银支架。 1894 年,Pairpoint Manufacturing Company 兼并了 Mt. Washington,并于 1900 年更名为 Pairpoint Corporation,直到 1938 年停业为止,该公司一直沿用该名称。曾短暂恢复为 Gundersen-Pairpoint Glass Company,但随后关闭1957 年永久成立。该公司最成功的时期是从 1880 年(富裕的镀金时代的鼎盛时期)到 1930 年(繁荣的咆哮的二十年代末)。公吨。华盛顿艺术玻璃和切割玻璃英国人 Frederick Shirley 于 1872 年受聘管理华盛顿山吊灯部门,两年后被任命负责整个公司。雪莉富有创业精神,喜欢打官司,很快就会采用新设计,如果他认为有其他公司抄袭他的产品,他会立即抱怨。到1891年辞职时,他已累计获得各类玻璃的27项专利和5项设计专利,其中大部分都相当成功。 1885年,雪莉推出了缅甸玻璃,一种从黄色到粉红色的半透明玻璃,装饰精美,具有当时优雅精致的风格特征。它立即在艺术玻璃市场上取得了成功。雪莉是一位出色的商人,她利用广告时代的曙光广泛推广缅甸玻璃。华盛顿山的大型装饰店,专门从事搪瓷。制作缅甸玻璃的装饰师还将他们的技能应用于各种其他装饰玻璃,这些玻璃具有异国情调的名称,如皇家佛兰德、皇冠米兰、殖民地和珍珠缎器皿。到 1890 年,该公司将自己宣传为“美国艺术玻璃制品总部”。牙签抽屉

    库存有1

    $325.00

  • 大卫洛顿艺术玻璃鸟舍

    大卫洛顿艺术玻璃鸟舍

    库存有1

    大卫·洛顿艺术玻璃鸟舍。 10.25 英寸高 x 4.25 英寸宽,未使用文书工作和拍摄,签名如上图所示。工厂地面底座的内缘没有裂缝或缺口,但粗糙,可能一直都是这样。大卫·洛顿 大卫·洛顿(David Lotton)是第二代美国玻璃吹制师。他是查尔斯·洛顿 (Charles Lotton) 的长子,很小的时候就进入了玻璃吹制世界。 1970 年,查尔斯开始建造一座熔炉,并开始在自家后面的棚子里吹制熔化的汽水瓶中的玻璃碎片。大卫在这个婴儿期就在那里,他在十岁时成为查尔斯的第一助理。大卫对童年时期与父亲一起在店里工作的情景有着清晰的回忆。当大多数孩子都在玩童年游戏时,他在放学后和周末在替补席上帮助他。 14 岁时,他开始学习如何进行精加工,将玻璃底部抛光平整。 David 最终追随父亲的脚步,在 15 岁时开始制作镇纸。这激发了人们开始吹制玻璃的热情。 David 自 1978 年以来一直在创造他独一无二的器皿。他独特的手工作品在设计时注重细节。 David 开发了自己的玻璃配方,创造了复杂的调色板,使他能够创造自己的多层和雕刻风格。每年大卫都会继续研究和完善他在创作艺术时使用的技术。 David 的铁线莲倒影系列、蜀葵镇纸系列和混合花束系列都体现了他对细节的热爱的花卉图案。他将色彩和层次感结合起来,创造出深度和美感。他的有机雕塑反映了夏日日落的运动和丰富的色调。大卫的灵感来自大自然。他在肯塔基州的山上拥有一座成功的牧场,在那里他受到启发,不断发展、改变和成长。他往返于两地,以实现两种爱情。

    库存有1

    $325.00

  • c1890 华盛顿山装饰缅甸酒杯

    c1890 华盛顿山装饰缅甸酒杯

    库存有1

    c1890 华盛顿山装饰的缅甸烈酒杯。 2.75 英寸高 x 2.25 英寸宽,无损坏。公吨。华盛顿和配对玻璃 Mt. Washington 及其继任者 Pairpoint Corporation 是美国历史最悠久的豪华玻璃公司之一(1837-1957 年),可与同时代更为知名的蒂芙尼 (Tiffany) 和斯托本 (Steuben) 相媲美。它通过在纹理、装饰、图案和颜色方面的创造力,不断地重塑和重振其业务——开发了各种风格和装饰技术,这些技术在技术上非常复杂,以至于今天很少有人实践。华盛顿山玻璃公司于 1837 年在南波士顿成立,并于 1870 年迁至马萨诸塞州新贝德福德。 1880 年,英国银匠 Thomas J. Pairpoint 受聘经营 Pairpoint 制造公司,这是位于新贝德福德的另一家公司。华盛顿山的所有者建立贝德福德工厂,为华盛顿山玻璃生产华丽的镀银支架。 1894 年,Pairpoint Manufacturing Company 兼并了 Mt. Washington,并于 1900 年更名为 Pairpoint Corporation,直到 1938 年停业为止,该公司一直沿用该名称。曾短暂恢复为 Gundersen-Pairpoint Glass Company,但随后关闭1957 年永久成立。该公司最成功的时期是从 1880 年(富裕的镀金时代的鼎盛时期)到 1930 年(繁荣的咆哮的二十年代末)。公吨。华盛顿艺术玻璃和切割玻璃英国人 Frederick Shirley 于 1872 年受聘管理华盛顿山吊灯部门,两年后被任命负责整个公司。雪莉富有创业精神,喜欢打官司,很快就会采用新设计,如果他认为任何其他公司抄袭他的产品,他会立即抱怨。到1891年辞职时,他已累计获得各类玻璃的27项专利和5项设计专利,其中大部分都相当成功。 1885年,雪莉推出了缅甸玻璃,一种从黄色到粉红色的半透明玻璃,装饰精美,具有当时优雅精致的风格特征。它立即在艺术玻璃市场上取得了成功。雪莉是一位出色的商人,她利用广告时代的曙光广泛推广缅甸玻璃。华盛顿山的大型装饰店,专门从事搪瓷。制作缅甸玻璃的装饰师还将他们的技能应用于各种其他装饰玻璃,这些玻璃具有异国情调的名称,如皇家佛兰德、皇冠米兰、殖民地和珍珠缎器皿。到 1890 年,该公司将自己宣传为“美国艺术玻璃制品总部”。牙签抽屉

    库存有1

    $450.00

  • 1880 年代新英格兰镀金龙涎香糖浆罐

    1880 年代新英格兰镀金龙涎香糖浆罐

    库存有1

    1880 年代新英格兰电镀 Amberina 糖浆罐,原装金属银板底座,带一体式手柄,四板底板标记“JAMES W. TUFTS”并编号“1954”,抛光桥标记。颜色:蛋白石外壳,深栗色紫红色至琥珀色/带有罕见蓝色亮点的奶油糖。出处:新英格兰玻璃公司。年代:大约 1886 年。状况:未损坏,玻璃表面有一些轻微的分散划痕;底板顶面有轻微分散磨损,底面有中度划痕/磨损。尺寸:糖浆:5 3/4" HOA。底盘:6 1/4" D镀金琥珀于 1886 年 6 月 15 日由约瑟夫·洛克 (Joseph Locke) 申请专利,由新英格兰玻璃公司制造。它的颜色与琥珀色相似,但其特征是奶油色或黄绿色内衬(绝不是白色)和外部的小脊或肋。镀金琥珀的颜色从黄色到红宝石色不等。新英格兰玻璃 1818-1888 玻璃工业被新英格兰所吸引的原因有很多,就像它被历史上其他地方所吸引一样。获得天然燃料资源、进入世界市场以及准备就绪的劳动力。在 1800 年代初至中期新英格兰的众多玻璃屋中,最著名的两家是新英格兰玻璃公司和波士顿和三明治玻璃公司。新英格兰玻璃公司位于波士顿剑桥地区。文献中使用“剑桥玻璃”一词导致了与后来的俄亥俄州剑桥市剑桥玻璃公司的混淆。 新英格兰玻璃公司成立于 1818 年。戴明·贾维斯 (Deming Jarvis) 是四位拥有实际商业经验的所有者中唯一一位拥有实际商业经验的人,负责经营这家商店。贾维斯先生出生于波士顿的一个富裕家庭,在加入NEGC之前有干货行业的工作经验。他具有独特的才能,能够选择合适的人才并让他们为他工作,其中包括一些欧洲最熟练的切割师。戴明的父亲于 1823 年去世,给他留下了可观的财富,他在匹兹堡度过了一段时间研究当地的玻璃制造方法。书架

    库存有1

    $3,995.00

  • c1890 Mt Washington Crown Milano Melon Ribbed Muffineer Sugar Shaker - Estate Fresh Austin

    c1890 华盛顿山皇冠米兰甜瓜罗纹松饼糖罐

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    c1890 华盛顿山皇冠米兰瓜纹松饼糖罐。 5.75 英寸高 x 2 7/8 英寸宽,无裂纹、缺口或修复。 TW214

    库存有1

    $325.00

  • 1920's Steuben Gold Aurene Calcite Compote - Estate Fresh Austin

    1920 年代斯托本金色 Aurene 方解石蜜饯

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    1920 年的 Steuben Gold Aurene 方解石蜜饯。 3.5 英寸高 x 6.75 英寸宽,保证正品 Carder Era Steuben 无标记。无裂纹、缺口、修复或明显磨损。 Steuben Glass 是一家美国艺术玻璃制造商,由 Frederick Carder 和 Thomas G. Hawkes 于 1903 年夏天在纽约州康宁市(位于斯托本县)创立,公司名称也由此而来。霍克斯是当时康宁最大的切割玻璃公司的所有者。卡德是一位英国人(生于 1863 年 9 月 18 日),拥有多年在英国为史蒂文斯和威廉姆斯设计玻璃的经验。霍克斯从许多来源为他的切割店购买了玻璃毛坯,并最终想创办一家工厂自己制造毛坯。霍克斯说服卡德来到康宁并管理这样一家工厂。卡德曾在史蒂文斯和威廉姆斯的晋升中被忽略,但他同意这样做。 TW210

    库存有1

    $365.00

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