波洛领带

1970's Native American Sterling high grade turquoise bolo tie 34" long with no issues.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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1970's Kingman turquoise sterling Native American bolo tie, marked sterling 38" long with no issues.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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1970's J Navajo Sterling bolo tie with turquoise and coral 36" long with no issues.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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1970's Cheama Zuni sterling and turquoise bolo tie no issues 39" longAll precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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1970's Freeform sterling moss agate bolo tie 36" long with no issues.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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1960 年代至 70 年代西南纯绿松石落基山山羊波洛领带。带有铜尖的重型实心纯银波洛帽。 Bolo 尺寸为 2.5 英寸高 x 2 1/8 英寸宽 x 总重 84 克。

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1960 年代的贝尔贸易站纳瓦霍英镑和绿松石蜘蛛波洛领带状况良好，没有任何问题，我不相信小费是英镑的。 Bolo 尺寸为 1.75 英寸 x 1.25 英寸 18 英寸长，两根绳子连在一起。

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1950 年代的 Zuni 银色多石通道镶嵌 Shriner 的波洛领带 40 英寸长 2.5 英寸 x 1 7/8 英寸波洛滑轨、尖端和波洛均为 32 克。所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记都保证与其标记的内容相符，大多数手镯都是在 6 英寸的手腕上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示金属接触处的内周长布卷尺上的数字。

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1950's Vic Cedarstaff Bolo Tie Sterling - cobblestone turquoise/coral horseshoe. Amazing and one of a kind bolo. Marked 10k on back along with sterling mark. I didn't test it but don't see anything that looks like gold on the bolo. 40" long cordThe story – which has prevailed against all others and as far as is known, has never been challenged – takes us to Wickenburg, Arizona in 1949. Here, Victor E. Cedarstaff, a resident, designed and made the first bola type of necktie.As Vic tells the story, he was out horseback riding one day and sudden gust of wind blew his hat off. Picking up his hat, he found that the band had become detached. Rather than try to replace it on the spot, he just slipped the band over his head and let it hang loose around his neck. After awhile his riding friend noticed it and remarked. “Nice tie you’re wearing, Vic!” This remark turned out to be more than casual; it sparked an idea. Being a silversmith, and having taught leatherwork, Vic went to work and designed something new and distinctive in this field. In a day or two, he had fashioned a tie from some leather lacing and trimmed the braid ends with silver balls. To this, he fastened a small silver slide adorned with a piece of turquoise. The tie attracted a good deal of skeptical attention from friends, however, orders soon began to arrive.Vic’s problem was that there seemed to be no good way of attaching the slide to the braid, one that would not slip or damage the braid. However, in due time, he succeeded toward this end by designing a triangular shaped slide, which he named a yoke. Unlike most conventional slides, which contain a variety of clips and locking devices to hold the tie in place, this yoke had none and it eliminated the necessity of having to slip the tie on over the head. He succeeded in creating something new and original and on this basis he was issued a patent.Searching for a suitable name for the tie, he settled on one that was truly western. He called it a “Piggin Necklet” naming it from the piggin-string that the cowboys use for tying the legs of a calf. Sometime later, Vic was visiting with a friend in Wickenburg, who had been in Argentina, South America. The friend showed him a device, which he had brought back with him. He called it a “bola” and explained that the Gauchos of that country used it for catching cattle. It bore a strange resemblance to the tie, which Vic had designed; in the way it was braided and had terminals similar to his tie. Vic decided to drop his original name for the tie, and call the tie “bola”. The name change proved almost magical. Soon others began making similar ties and marketing them under various trade names. However, the name “bola” seemed to be the one, which endured, and in the end it has become the universal name for the tie.

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1950's Navajo silver bolo tie with turquoise 38" long with no issues.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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1950's Large Zuni Sterling silver Inlaid Thunderbird Bolo Tie. Thunderbird is 3 1/8" x 2 7/8" Thunderbird and tips are in good condition so is leather. Unmarked but tested sterling. 49.4 grams total weight

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1950 年代 Frank Patania Sr（1899-1964）现代主义西南 Sterling RC Bolo 领带。 2 英寸宽的 bolo 幻灯片 37.7 克，没有任何问题。弗兰克帕塔尼亚和他的工作室做了很多定制作品，这可能是罕见的一种。这显然是 RC 可乐标志，但目前我无法知道它是否是为公司高管或带有 RC 首字母的人制作。这并不重要，这非常酷。所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。 老弗兰克·帕塔尼亚 (Frank Patania Sr.) 于 1908 年移民到纽约市。童工法禁止这位年轻人从事工匠工作，但第一次世界大战后，他已经足够大了，可以受聘为一家重要珠宝公司担任设计师。 1924 年，他感染了肺结核，公司将他送往新墨西哥州圣达菲的一家疗养院。帕塔尼亚被活跃的艺术殖民地和健康的气候所吸引，即使在他的健康状况有所改善后，他仍然选择留在西南部。他的作品反映了他在欧洲接受的培训以及他对普韦布洛和纳瓦霍珠宝的接触。老弗兰克·帕塔尼亚留下的遗产来自两种截然不同的传统的融合——一个是欧洲传统，另一个是美洲原住民传统。一方面，Frank Sr. 汲取了意大利悠久历史的创造精神，将技术专长与艺术想象力相结合。他向他的家族灌输了意大利对精湛工艺的承诺，以及意大利家族企业联系的习俗。 这种独特的意大利传统可以追溯到文艺复兴时期，并提供了一种结构，在这种结构中，工匠家庭的每个成员都有一份为家族企业做出贡献的工作。这种家族制衡系统是帕塔尼亚家族多年来持续追求卓越标准的强大资产。但当 Frank Sr. 在 20 世纪 20 年代接触到西南美洲原住民珠宝商的作品时，他的风格发生了巨大转变。他的灵感是多方面的。他开始使用新的媒介——银和绿松石——并扩大规模，并使用新技术。这两种不同传统的成功结合已成为每一代人保持卓越工艺和设计传统的基础，这种传统被称为“帕塔尼亚雷鸟”风格。

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