Shelley Melody Chintz Cup and Saucer. No cracks, chips, restorations, scratches, or stains. No crazing. This is larger than Demitasse, but smaller than some modern tea cups. Saucer is 4 13/16", cup is 3" tall x 2 7/8" wide at rim. It has a light green interior.

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7" Vintage Navajo sterling and turquoise bracelet 15mm wide. All precious metals are tested and guaranteed,

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c1900 Hand Painted German Porcelain Cuspidor Spittoon a few small flakes on enamel paint, wear to Gilding on rim, very attractive. No cracks,chips, or restorations. Circa late 19th century to 1910. 5.5" tall x 8" wide at rim.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" 40's-50's Vintage Native American silver and waterweb turquoise hearts bracelet. 25mm wide in center. All precious metals are tested and guaranteed,

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BPOE No 30 New Orleans Elk Lodge restaurant China Egg Cups early 20th century,<br>very uncommon. Small one shows a short hairline on exterior that doesn't go<br>through to interior. So it's really just stained crazing. No other issues.<br>Selling both.

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c1870 Japanese Cloisonne Over Blue/White Porcelain Vases Pair 8.5". One is 8<br>5/8". Not quite a pair, but I'm guessing they've been together for 140 years so<br>I'd hate to separate them now. Externally special pieces.<br>Guaranteed mid to late 19th century. No cracks, chips, or restorations. Rare,<br>possibly one of a kind pieces that required a great amount of effort to produce.

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7" Vintage Heavy stamped silver green spiderweb turquoise bracelet. 36mm wide in<br>center.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Faye Schnuriger( 1911-1997) San Antonio Texas Landscape Deer Painting on Board<br>17" x 14" framed, 12" x 9.5" panel.<br><br>Faye Schnuriger( 1911-1997) is a native Texan, painter, teacher, and writer. She<br>studied art with Fredrick Taubes, William Earle, Harold Roney, Fred Samuelson,<br>Clint Bermann, and other well known instructors. She studied at the Fashion<br>Institute of Technology and Traphagen School of Design in New York; was<br>associated with a correspondence school as a writer, designer, and assistant<br>artist. She has one book to her credit-“Pint-along-with Faye.” Her Paintings are<br>in private collections in Canada, Washington, Dallas, Midland, and San Antonio.<br>Her “Learning Tower” won best of showin a Central Park Invitational Show and was<br>purchased by a Doctor from San Antonio. Her “Fern Forest” was choosen with<br>twenty other artists’ paintings for the National League of American Pen Women’s<br>Bi-Centennial Art Show in Washington, D.C. Schnuriger was affiliated with: San<br>Antonio River Art Group, Randolph art League, New Braunfels Art League, Liberty<br>Art League, Lone Star Art<br>League, Hillcountry Art League. She has pieces in the Smithsonianand Texas<br>Women's University Library<br>B3

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.75" Vintage Zuni inlaid shell sterling bird bracelet. 42mm wide in center. All precious metals are tested and guaranteed,

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23.5" Antique Carved Wood African Congo Ceremonial Mask 10.5" deep Fantastic no<br>brainer patina on this piece of art. Expected wear with no major issues. Estate<br>fresh guarantee well over 100 years old actual ceremonial mask that was used at<br>one point of it's life.

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7" Vintage Navajo Sadie Randolph Sterling turquoise and coral bracelet.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Sterling Silver Ship Commemorating 20th Year of GAOCMAO Gulf Area Oil Companies<br>Mutual Aid Organization 240 grams. Ship itself is 235 grams, and the brackets<br>that hold it should be at least 5 grams. Without the case the ship measures 9.5"<br>long x 9.5" tall. Case protective case measures 13.25" tall x 12" wide x 8"<br>deep. I am 99% sure this is a one of a kind item that was produced to mark the<br>20 year anniversary of this extremely important occasion and was taken home<br>after retirement or given to a top executive of this organization upon<br>retirement. Fantastic cross collectible and work of art. Tested and guaranteed<br>solid silver. I found one 925 marking, no damage or issues.<br><br>In 1972, a group of oil companies operating in the western half of the Arabian<br>Gulf came together to form an organization for the purpose of improving their<br>capability to combat oil pollution. The companies sought to establish a joint<br>oil spill response capability, not by setting up a separate, operational<br>response group like other more conventional cooperatives, but instead by<br>utilizing the principle of mutual assistance in times of need. The resulting<br>organization, kown as the Gulf Area Oil Companies Mutual Aid Organisation<br>(GAOCMAO), has proved its effectiveness in several major oil pollution incidents<br>over its twelve years of existence and has gained recognition as a credible and<br>responsible representative of the oil industry's views on matters relating to<br>marine pollution in the Gulf region.<br>Subsequent to the establishment of GAOCMAO, environmental awareness in the Gulf<br>area generally has increased very significantly. Regional and state<br>organizations have been set up by the various Gulf states' governments to<br>monitor the environmental effects of industry of all kinds, including oil, and<br>to develop appropriate control measures. To some extent, these changes have been<br>reflected in an expansion of GAOCMAO's interests to areas outside those purely<br>of oil spill response, but the primary commitment to joint response capability<br>through mutual aid has not diminished.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" Vintage Larry Moses Yazzie Navajo Sterling and malachite bracelet approx 19mm wide. All precious metals are tested and guaranteed,

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Vintage Native American Spiderweb turquoise Bracelet, pendant, and ring set. All<br>stones secure and intact, center stone of bracelet with fracture. Unsure of<br>mine, I believe the set to be fromt he third quarter of the 20th century before<br>Chinese turquoise was introduced to the US for jewelry.<br>Ring is size 6 with a 1 5/8" long face, pendant is 2 3/8" tall x 1 5/8" wide,<br>bracelet is 7/8" or 20mm wide x 7" including the 1.2" gap 82.6 grams total<br>weight. The pendant and bracelet appear to have a V hallmark.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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c1950 Bauer Chicken Of the Sea Advertising Salt and Pepper Shakers MINT California pottery No cracks, chips, scratches, or crazing. 1 7/8" tall x 2.75" long

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(6) antique Odd Spurs Buermann, North & Judd, Rodeo, Silver Mounted Cards, 1940 Half Dollar. Selling all for one price,. Good early Spurs from late 19th century<br>to mid 20th century.<br>Tw30

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 3/8" Vintage Navajo Silver High grade spiderweb turquoise and spiny oyster<br>bracelet 18mm wide, really nice bracelet that I feel is significantly older than<br>it appears at first glance. No markings.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Shelley Heather cup and Saucer Set (multiple available) Gainsborough Shape with no cracks, chips, restorations, crazing, gold wear, or stains. Saucer is 5.5", cup is 2 5/8" tall x 3 3/8" wide at rim without handle.

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Large c1900 French Mont Joye Cameo art glass vase with hand enameled decoration<br>12.5" tall x 7" wide with no cracks, chips, or restorations.<br><br>Mont Joye was a tradename used by E. S. Mont, its successors, and Legas & Cie<br>for cameo and enamel, painted glass made between the 1880s and 1920s.<br><br>Mont Joye - History<br>E S. Monot’s Cristallerie de la Villette was the first glassworks to produce<br>cameo glass with a "Mont Joye” marking. Monte merged with Pantin and went<br>through a series of ownership changes.<br><br>After World War I, Legras & Cie acquired the company.

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Guaranteed 19th century. No cracks, chips, or restorations. Most of the Gilding on the top rim is significantly worn. All hand decorated. Antique Japanese Signed Imari Vases Birds of Paradise Huge 15" tall x 6" wide

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Guaranteed c. 1890-1910 with no damage there is minor wear to the Gilding,<br>overall clean. No cracks, chips, restorations, or scratches. The porcelain was<br>made by Rosenthal, hand decoration by another Dresden company. 100% hand painted<br>guaranteed.

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Fleisch didn't do a lot of portraits, I've only seen s few others. One of which<br>brought $6100 on eBay in 2013. This piece is estate fresh, has never been<br>offered anywhere until now since it was purchased from the artist.<br><br>Frame measures 31"x 19", it's the original frame Made in Italy with 78061<br>sticker on it coinciding with the number on the back of the painting. Canvas is<br>24" x 12". Both the painting and the frame are flawless. This is one of his<br>earlier works c.1970's, also one of his better works in my opinion. He's well<br>listed and has brought some very high prices at auction even before he passed<br>away in 2008.<br><br>Ken Fleisch<br><br>(American, 1943-2008)<br><br><br><br>Ken Fleischs' paintings are stark, compelling and deceptively simple in their<br>appearance. Flawless in its detail and realism, Fleischs work reaches the core<br>of life in an almost classical fashion.<br><br><br><br>            Born in Texas on November 4, 1943, Fleischspent his early years<br>experiencing a wide perspective of life throughout the United<br>States and Europe as the son of an Air Force officer. Fleischs art education is<br>a combination of formal training in both American and European universities with<br>exacting practical experience gained through private study and joint projects<br>with internationally known artists.<br><br><br><br>            A self-described realist, he often draws inspiration from his native<br>state of Texas, yet his paintings transcend geographical boundaries, touching<br>the core of life in an almost classical fashion. His evocative paintings are<br>more than mere reflections of reality: they are a means by which he shares<br>philosophy and emotion. Using the commonplace to convey the complex, he often<br>uses old pottery, artifacts, and icons for his stark and still lifes, which many<br>find compelling. <br><br>            Fleisch began painting landscapes then moved on to architecture and<br>buildings and eventually was drawn inside to long forgotten objects sitting on<br>shelves. Fleisch now paints still lifes exclusively. He is interested in the<br>convergence of cultures and the stories behind the objects he paints.<br><br><br>Ken Fleisch's award winning work has been featured extensively in regional and<br>national publications and his paintings are in major private and public<br>collections across the country. The wide recognition of Ken Fleischs' art on a<br>national level, the popularity of his print series and the wide diversity of his<br>collectors, from Bob Dylan to CBS Television, can only underscore the depth and<br>integrity of his work.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 5/8" Retro Southwestern sterling and turquoise channel inlay bracelet<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6" 40's-50's Zuni Stamped silver double row turquoise bracelet.  One stone apparently replaced, should be an easy fix if considered a distraction.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 5/8" 14k/Sterling Navajo bracelet, solid 14k gold slab in center, no issues.All precious metals are tested and guaranteed,

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Antique Chinese Ceramic Embossed dragon bowl. From an old collection, unsure of<br>exact age. Wonderful complex glaze and crisp design. 7 3/8" wide x 2 1/8" tall,<br>some expected wear, minor wear to foot-rim, no cracks, chips, or restorations.<br>chinadrawer

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Sterling Sunset Trails Engraved Rope edge 3/4" Belt buckle with two keepers.<br>Buckle and keepers will handle a 3/4" belt, no tip present.

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Large Retro Modernist sterling pins collection. All three are high quality, but<br>top left is really high quality, best of the best. It measures 3 5/8" x 2 1/8",<br>91.9 grams total weight (3 together) All three sterling.

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Patriotic Vintage Navajo Sterling, Turquoise, Coral, and Shell belt buckle 3 5/8" x 2.75" x 90.4 grams with no issues.

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Retro 14k/Sterling Onyx Modernist sun/saw blade pendant. Very cool and extremely<br>high quality thick sterling with thick solid 14k gold accent pieces. 58.5 grams.<br>I'm unfamiliar with the artisan, but it's a great design, very high quality<br>work, and expensive materials.

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sz7.25 Vintage Zuni sunface channel inlay ring 4.1 grams.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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Vintage Navajo Sterling buckle with turquoise on 30"-35" belt. Belt is 15/16"<br>wide and fits a 30-35" waist with existing holes, there's room for more holes on<br>each side. Belt is vintage but leather is soft with a lot of life left in it 2<br>7/16" x 2 3/16" buckle, buckle fits a 1" belt. Unmarked.

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Pat Bedoni Navajo 14k on Sterling modernist clip-on earrings. 24mm tall x 16mm<br>wide x 8.1 grams with no issues.Pat BedoniNavajo silversmith, Pat Bedonie, was<br>born in Ganado, Arizona on the Navajo Reservation. She is of the Edge Water and<br>Coyote Pass Clans. Pat’s mother, Lutricia Yellowhair, is an accomplished<br>silversmith who has passed the traditional Navajo jewelry making styles onto her<br>children. Every time you look at a piece of Pat Bedonie’s work you see her<br>mother’s influence. Today, Pat lives in Farmington, New Mexico and often<br>collaborates with her mother to create an array of stunning jewelry. She uses a<br>variety of symbols important in her Navajo heritage.Pat Bedoni is known for her<br>fine traditional Navajo carved jewelry and miniature silver boxes. All Pat<br>Bedonie Jewelry is made by herself alone. She creates exceptional silver jewelry<br>by any standards, which is not surprising, since her brother is Ron Bedoni, a<br>well-known silversmith. Pat’s jewelry is much like her brother Ron's, however<br>you'll find the designs not as complex.

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3 Southwestern Sterling Pendants/necklaces. Selling the three shown with no<br>issues. Carol Felley turquoise 1.5" tall pendant and 20" necklace, Mexican Onyx<br>2 5/8" tall pendant 18" necklace, Carolyn Pollack Sterling, brass, and Agate<br>pendant 2 7/8" tall. Both necklaces and all three pendants sterling. No issues.<br>102.1 grams total weight.All precious metals are tested and guaranteed, any<br>Native American jewelry referred to as Silver or Sterling is guaranteed to be a<br>minimum of 90% (coin) silver and possibly higher content. Anything marked is<br>guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist<br>(non hairy), rings photographed on the appropriate sized finger when possible.<br>With bracelets if the measurement is not given in the description then inside<br>circumference is shown where the metal meets the number on the the cloth tape<br>measure.

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4 French Limoges Porcelain pins. The two floral ones are late 19th century,<br>Other two are about mid 20th century. The older ones are hand painted. Largest 3<br>1/8" x 2". Selling all 4.

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4 Vintage Southwestern sterling pins, Coyote 2" wide for scale. 39.9 grams<br>total, all sterling, all marked.All precious metals are tested and guaranteed,<br>any Native American jewelry referred to as Silver or Sterling is guaranteed to<br>be a minimum of 90% (coin) silver and possibly higher content. Anything marked<br>is guaranteed to be what it's marked, most bracelets are photographed on a 6"<br>wrist (non hairy), rings photographed on the appropriate sized finger when<br>possible. With bracelets if the measurement is not given in the description then<br>inside circumference is shown where the metal meets the number on the the cloth<br>tape measure.

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Tommy Jackson Navajo sterling and turquoise cobblestone ring. Size 9.5, clean<br>ring with no issues. 31 grams.Tommy Jackson was born in Phoenix, Arizona on<br>January20, 1958 but grew up in the heart of Navajo land in Chinle, Arizona. He<br>went to high school in Chinle, the town at the mouth of the legendary Canyon de<br>Chelly—a stronghold for 19th century Navajo, known then as the “Lords of the<br>Land”. Steeped in mythology, this landscape echoes the strength and beauty in<br>the Navajo bedrock of beliefs—foremost of those is responsibility to family and<br>clan. A husband, father, and grandfather, Tommy is also a world-renowned gold<br>and silversmith, his award-winning pieces on exhibit in museums and treasured in<br>collections around the world. As a premier Navajo Silversmith he counted amongst<br>those few known as “The Supersmiths.” Jackson started silversmithing in 1973,<br>learning at the bench of his parents, renowned silversmiths Gene and Martha<br>Jackson. (He is also the nephew of Dan Jackson, another well-known silversmith.)<br>However, it was his mother who urged him to pursue a degree, and he followed her<br>footsteps into education, eventually teaching elementary school at Wide Ruins on<br>the Reservation. But jewelry-making called to him in his spare time, in the<br>after-hours, in the late night, and by 1988 he was winning prestigious awards,<br>and has continued winning nearly every year since at the big shows, including<br>Santa Fe Indian Market and the Heard. He was also chosen as Navajo Tribal<br>representative for the Salt Lake City Winter Olympics.A striking example of<br>Tommy’s pieces is the motif of Navajo rug designs. He sometimes works these<br>patterns directly into the gold or silver; or he inlays stones in visually<br>stunning creations that reflect the complexity of Navajo tapestries. Other<br>pieces are a declaration of his passion for high-grade American turquoise. These<br>pieces are all about the great stone. He will use heavy-gauge silver, and in<br>keeping with the old style tradition then chisel or hand-stamp, all with an eye<br>of showcasing a great old American turquoise stone such as Bisbee, Morenci,<br>Lander Blue or Candelaria. He is known for integrating traditional Navajo<br>designs with a modern flair, working with gold and silver and a variety of<br>precious and semi-precious stones. He has won numerous awards for his beautiful<br>and unique jewelry from the Heard Museum Show in Phoenix, Santa Fe Indian Market<br>and The Museum of Northern Arizona, to name a few including First at Indian<br>Market, as recently as 2014. He and his wife, Marie, who does much of the<br>stone-cutting for his pieces, have pieces featured in national publications. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Size 9 Ring.

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Sz7.25 Vintage Native American Sterling Channel inlay ring. Unmarked, nice old<br>ring 18mm face, 15.2 grams.All precious metals are tested and guaranteed, any<br>Native American jewelry referred to as Silver or Sterling is guaranteed to be a<br>minimum of 90% (coin) silver and possibly higher content. Anything marked is<br>guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist<br>(non hairy), rings photographed on the appropriate sized finger when possible.<br>With bracelets if the measurement is not given in the description then inside<br>circumference is shown where the metal meets the number on the the cloth tape<br>measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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sz9.75 Zuni Silver Channel inlay turquoise ring 15/16" face, 17.2 grams, nice<br>old unmarked ring.All precious metals are tested and guaranteed, any Native<br>American jewelry referred to as Silver or Sterling is guaranteed to be a minimum<br>of 90% (coin) silver and possibly higher content. Anything marked is guaranteed<br>to be what it's marked, most bracelets are photographed on a 6" wrist (non<br>hairy), rings photographed on the appropriate sized finger when possible. With<br>bracelets if the measurement is not given in the description then inside<br>circumference is shown where the metal meets the number on the the cloth tape<br>measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Size 9 Ring.

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Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Men's Size 10 Ring.

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c1890 Hand Painted Yellow Mother of pearl glass vase. Very substantial piece<br>7.25" tall x 6.5" wide with no cracks, chips, or restorations, expected wear to<br>gilding. Closed bubble shown in pics 2 and 3.tw232

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Vintage Native American Sterling/turquoise ring. Nice old unmarked ring with wear to stone, no significant issues. All precious metals are tested and guaranteed,

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Retro Emilia Castillo Sterling silver cross clip-on earrings 1" square 25.3 grams. These were part of an important jewelry collection and appear to have been given as a gift by Emilia Castillo. No issues. Daughter of the famous Mexican silversmith, Antonio Castillo, home décor and jewelry designer Emilia Castillo has a following and reputation that spans the globe. As a child growing up in Taxco, Mexico, master silversmiths in her family’s legendary workshop surrounded Emilia. She has since developed a patented technique of fusing pure silver to porcelain, a beautiful and unique result that is a signature of her pieces. All of Emilia’s pieces are made of natural materials such as lapis lazuli, jasper, turquoise, malachite, onyx, porcelain and silver. Her designs are hand-crafted in the workshop at her ranch in Taxco.

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Vintage Native American sterling, turquoise and deer antler pendant. Very cool and amazing, I'm not 100% sure if this is turquoise, Variscite, or something else...but I believe it's a natural stone. 1 7/8" 35.5 grams. All precious metals are tested and guaranteed,

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17th/18th Century Chinese Sancai Glazed Earthenware censer 6.5" handle to handle x 3.5" deep x 5.25" tall with lid. Comes with antique but likely later fitted wood box and tattered cloth it was wrapped it. Will of course be packed better for shipping. Slight glaze wear on a few sharp points, no large chips, no cracks, no restorations.

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50's-60's Navajo sterling cufflinks. Nice large set of vintage cufflinks 1.25" x<br>7/8" faces, 19.8 grams.

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Vintage Bronze Texas Cowboy spurs with airplane metal rowels. Nice old spurs, I<br>believe they may be North and Judd, there's a mark on top of one but I'm not<br>sure if it's an anchor, selling them as unmarked. Nice old set of spurs I<br>believe from the second quarter of the 20th century.

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Lisa D'Agostino 18k/Sterling modernist earrings 10-11mm square, high quality<br>workmanship and design. No backs included, no other issues. 5.2 grams.For Lisa,<br>working with her hands has been the only thing that has ever really interested<br>her. Her curiosity about the potential for designing and creating with metal has<br>lasted since 1980. That year she participated in her first art fair. The shows<br>were local at first, but gradually developed into national venues that included<br>galleries as well. Except for an additional 12-year foray into baskets (see "The<br>Basketmaker's Art", Lark Publications) her focus has been on jewelry.The designs<br>have evolved over the years but the inspirations have remained the same. Lisa's<br>pieces are informed by geometry and architecture but tempered by the poetic and<br>philosophical aspects presented by astronomy. She ponders a phrase from an old<br>sixties song... "we are stardust - billion year old carbon."The work begins with<br>a loose drawing until a new solution or idea presents itself. It is a balance<br>between intention/chance and spontaneity/deliberation. The contours and forms<br>are simple at first. She likes the rigor and order of basic geometric shapes but<br>then organizing them into something more complex. Shapes are cut out of sterling<br>silver and formed or scored and soldered together. Other parts are distorted<br>through the rolling mill. Surfaces are textured with files or hammers or fused<br>with silver dust or 18K yellow gold. Many techniques may be incorporated into<br>one piece using a variety of hand tools, some of which are her oldest<br>buddies.The final steps involve patination of the piece, and then selectively<br>removing some of the patina to leave combinations of matte or polished surface<br>areas. Earthy rough stones and lustrous pearls are used to further enhance the<br>piece.Lisa was formally introduced to art at college. She earned a Bachelor of<br>Fine Arts degree at Bowling Green State University in 1977, but never really<br>learned to solder well until she was able to work in her own studio. She went<br>back to school, and after 3 years she earned a Master of Fine Arts degree from<br>the University of Kansas in 1991. During this time she continued to show and<br>sell her work at many selected art fairs and galleries across the country.All<br>precious metals are tested and guaranteed, any Native American jewelry referred<br>to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and<br>possibly higher content. Most cuff bracelets are shown photographed on a 6"<br>woman's wrist and will include a photo showing the inside circumference where<br>the metal tip meets the number on the tape measure.

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Meiji Japanese Shakudo Sterling/Gold on bronze Mixed Metal ring. 1 3/8" long<br>face, great looking ring 15,4 grams.

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Ella Linkin Navajo Turquoise Sterling Stampwork pendant. 2.25" tall x 1.25" wide x 12.5 grams with no issues, appears unworn.Ella Linkin was born in 1954 to the Salt People Clan and Water Edge Clan. Born in Gallup, NM, Ella now lives and works in Spencer Valley, NM. Ella began silversmithing when she was 15 years old, and she was trained in her craft by her father, Lee Wylie. Ella's work is carefully detailed with strong lines that give her work a distinctive style. All precious metals are tested and guaranteed,

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Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Men's Size 11 Ring.

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Antique Russian silver box. 5 1/8" wide x 1.5" tall x 237.9 grams. Hand engraved with incredible skill, over 100 years old, hallmarked as shown 87.5% silver. Lid fits very tight in a good way. Do dents or significant wear.

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Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Men's Size 10 Ring.

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Vintage Navajo Sterling, turquoise and shell earrings, pendant, and stickpin.<br>Selling the set shown unmarked, really cute set. Earrings 5/16" x 7/16" each,<br>whole set weighs 5.1 grams.

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sz7 30's-40's Zuni Silver and turquoise flush inlay ring. 6.1 grams, stones<br>secure with wear.All precious metals are tested and guaranteed, any Native<br>American jewelry referred to as Silver or Sterling is guaranteed to be a minimum<br>of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown<br>photographed on a 6" woman's wrist and will include a photo showing the inside<br>circumference where the metal tip meets the number on the tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Men's Size15 Ring.

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Calvin Begay Early Work 14K Gold & Sterling Silver Geometric Overlay Earrings 1" tall x 13mm wide x 12.7 grams with no issues. Calvin Begay is an award winning artist, jeweler, designer and master craftsman. He was born in Gallup, New Mexico in 1965 and raised in Tohatchi, northwestern New Mexico. Calvin designed his first piece of jewelry at age 10, learning from his mother an uncle. In more than 20 years as a jewelry designer and craftsman, he has become a master in every aspect of the design and manufacturing process. He has won numerous awards at the Gallup Inter Tribal Ceremonial, including Best of Show in 1989. His jewelry has been featured in Arizona Highways and Southwest Art Magazines. This gifted artist continually innovates and updates his designs, working in both gold and silver, and adding new motifs and stones to his repertoire. In his leisure time, Calvin participates in rodeos and rides in the back country in his all terrain vehicles. When he creates jewelry, that wild free spirit finds expression in precious metals and stone.He has a unique ability to translate traditional Navajo inlay techniques into jewelry that reflects his Native American heritage, yet have elegant and contemporary flair. Calvin’s work is prized by clients and collectors, not only in the Southwest, but throughout the United Stated and the world. In the artistry of Calvin Begay, the stunning beauty of the untamed West is reflected in the combination of color and design that create unforgettable pieces of wearable art.

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1920's 14" Wachenheimer Art Deco Sterling and blue jasper choker. 14" long x .75" wide x 29.2 grams with no apparent issues. The first Wachenheimer factory was located in downtown Providence and had 18 employees. Harry ran the operations, and Jacob and Samuel remained in New York with responsibility for sales. By 1908, the company employed about 30 workers and moved to the fourth floor of 36 Garnet Street, in the jewelry-manufacturing district of the city. Late in 1919, the brothers incorporated the firm along with John R. Rosenfeld, a Providence lawyer who had been associated with gemstone dealers earlier in his career. By the following year, Wachenheimer Brothers had grown to 76 employees, had opened a showroom at 303 Fifth Avenue in New York City, and had registered several patents and trademarks. They ceased operation around 1934 due to the Depression.

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Vintage Navajo Claw and feather sterling onyx necklace. 19" long with 2.5" drop, no issues, 13.5 grams. Roie was born of three Native American Indian tribes: Pueblo of Laa Acoma, Chiricahua Apache, and Navajo. He was brought up as Navajo and in the ways of the Navajo cultures. His father Tse nahabilnii, is Navajo, while Roie's paternal grandparent, Chishi, is Chiricahua Apache. Roie's mother, is Naatsedlozii (Road runner of Laa Acoma) Her parents Haak'ohnii (Laa Acoma). Roie speaks, reads, and writs the Navajo language, and is enrolled with the Navajo tribe in window rock, Arizona. After high school and college/university in Nw Mexico and Arizona, Roie worked as a summer aide in Albuqueque, NM. He also worked on the Apache County Road Department, National Forest, Ramah Navajo School at Pine Hill, NM, and is currently employed by Circle J.W. Products. "I learned how to silversmith at an early age and have been silversmithing for over 45 years. I have also learned the art of Navajo rug weaving, using the raw materials from my own sheep. Working from scratch, I shear, wash, clean, card, and spin the wool into yarns for weaving. My late mother, Alice Raphealito, was a Master weaver and was known for her excellent work." Guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Vintage Navajo Sterling and turquoise shadowbox pendant/pin 2" tall x 1 3/8" wide x 21.3 grams with no issues. Guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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现代主义纯银蓝铜矿、孔雀石和方钠石耳环/别针套装。极高品质的套装，没有明显的标记。耳环 2 英寸长 x 1 1/8 英寸，针 2 7/8 英寸 x 7/8 英寸，总重 29.7 克，没有任何问题。出售所示整套。 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。大多数袖口手镯都是在 6 英寸的女性手腕上拍摄的，并附有一张照片，显示金属尖端与卷尺上的数字相交处的内周长。

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尺寸 5.75 复古 Fred Harvey Era 纯银和绿松石戒指。无标记 4.5 克，没有问题。 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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sz9.5 复古美洲原住民纯银槽镶绿松石戒指无标记 11.5 克。 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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sz9.75 复古美洲原住民纯爪绿松石槽形镶嵌戒指 22 毫米表面，31.6 克。 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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sz6.5 1940 年代至 50 年代 Zuni 银槽镶嵌绿松石戒指。干净没有问题。 8毫米宽带。 6克。 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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c1970 年代的含铅玻璃和贝壳首饰盒。高品质物品，5 英寸宽 x 4 英寸深 x 4.5 英寸高，没有损坏或问题。漂亮的旧物品在我拥有时已经有 50 年的污垢了。

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sz4.75 1940 年代 Zuni 银槽镶嵌绿松石戒指。干净没有问题。 9毫米宽带。 5.6克。 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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西南纯金曼绿松石和祖尼风格镶嵌饰品盒。酷炫的复古盒子，配有大号金曼绿松石。 3 英寸 x 2.25 英寸，带 1 7/8 英寸 x 13/16 英寸绿松石。 62.6克。

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大型古董迈森洋葱汤盖碗，带金色镶边。伟大的作品，没有裂缝、缺口或修复。 15.5 英寸手柄到手柄 x 9.5 英寸 x 12 英寸高。金色装饰有轻微磨损，在脚下标记为第二个。这比通常在这种形状中发现的盖碗大得多。盖子本身的尺寸为 11.75 英寸 x 9 3/5 英寸

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砂铸纯银和绿松石美洲原住民餐桌盒。 20 世纪上半叶的香烟盒，带有非常轻质的木质内衬，后来由一位非常熟练的很可能是美国原住民艺术家在 20 世纪第三季度重新加工。稍微弯曲盖子。有趣的同类物品，您找不到其他的。盒子是德国 835 Silver Bruckmann & Sohne。我没有发现这位美国本土艺术家留下的任何识别标记，但它已经过英镑测试。 5.25" x 3.5" x 1.75" 深，带浮雕。256 克。 TW217

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古董中国粉彩普通话粉彩迷你茶壶。我觉得把这个小东西称为茶壶有点奇怪，但它有一个通风盖，所以显然它是用来装热水的，而对于咖啡来说它太小了。 4.5 英寸高 x 4 英寸宽，带手柄。 18世纪末至19世纪初。喷嘴和手柄尖点上有小剥落，盖子顶端也有旧修复。无其他损坏。 TW207

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复古 Zuni 纯银多宝石镶嵌刀，配以绿松石、牡蛎壳、珍珠母和黑玉，搭配纯银链条，吊坠：约 2 7/8 英寸高，2.75 英寸宽，链条：约 31 英寸长，79.8 克大约 20 世纪中叶或更早的好老作品。

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尺寸 8.25 睡美人绿松石和纯银美洲原住民戒指 20.5 克，戒指：8.25 尺寸，2 英寸 x 1 英寸表面。干净的使用状态，没有任何问题。未标记测试英镑。

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尺寸 8 纯银 Kingman Waterweb 绿松石戒指。签名 B lee，标记并经过测试的英镑。 1.75 英寸宽的脸。19.5 克。

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纯银 27 英寸长 2 英寸 x 2 英寸 Naja 87.2 克。漂亮的女性南瓜花，签名 B，标记和测试纯银。

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复古纳瓦霍纯银芯片镶嵌绿松石和珊瑚手表，采用 Timex Electric Dynabeat。只有手表两侧的两个端件是纯正的，手表需要电池。两件纯银作品均带有类似 KC 或 KG 的标记。手表：长 6.75 英寸，面宽 1.5 英寸。

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c1960 MCM 烟灰缸德克萨斯长角餐厅用品太空时代。伟大的世纪中叶美食，可能来自 20 世纪中叶一家非常酷、味道不错的牛排馆。近乎完好，没有缺口、划痕、裂纹或污渍。漂亮的功能部件，可用于多种用途，直到需要一个大烟灰缸为止。除了 417 之外没有任何标记，但看起来确实像是出自一位重要设计师之手。 7.25 英寸 x 6.75 英寸 x 2.75 英寸高。 TW215

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青铜多尔艺术玻璃脚中心装饰品。 9.75 英寸高 x 9 英寸宽，无损坏，青铜支架上的金色镀金饰面有明显磨损。非常漂亮的一块玻璃，里面和外面都呈虹彩。我在支架或玻璃上找不到任何识别标记。 TW187

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1992 年 MacKenzie Childs Torquay 8 英寸方形碗 4 英寸深。无裂纹、缺口、修复、裂纹或釉面磨损。 TW206

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复古纳瓦霍纯银和珍珠母带扣：28.2 克，|尺寸：带扣：2.5 英寸 x 1.75 适合 1.25 英寸的皮带。

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Bobby Johnson 纳瓦霍纯睡美人绿松石簇吊坠重量：20.4 克，|尺寸：吊坠：1.75 英寸 x 2.5 英寸 无问题或损坏。鲍比·约翰逊来自新墨西哥州彻奇罗克。他于 70 年代初开始从事银匠工作，在他的哥哥姐姐（他们也是银匠专家）的指导下开始工作。 Bobby 对绿松石和银的热爱促使他选择了自己一生的工作，并且他继续以其独特的设计和传统技术取悦美洲原住民珠宝爱好者。

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复古纳瓦霍纯金金曼绿松石手镯无标记经过测试纯银，重量：47.8 克，|尺寸：手链：内径 5.75 英寸，间隙 1 英寸，总长 6.75 英寸，面宽 1.75 英寸 没有问题

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Charles Johnson 白色水牛覆层蝴蝶手链。重量：34.5 克，|尺寸：手链：内长 5.75 英寸，间隙 1.25 英寸，总长 7 英寸，面宽 1.5 英寸。没有问题。 查尔斯大约 15 岁就从父母那里学习银器制作，并在暑假期间继续自学。他的父母都是终生银匠，母亲家族有5代，父亲家族有2代。 Charles 从 20 岁起就开始全职银匠工作。他从 13 岁起就开始镶嵌，学了几年镶嵌工艺。从传统的纳瓦霍珠宝开始，Charles 开始涉足纳瓦霍当代珠宝，然后又进入西方珠宝风格与漩涡设计镂空。他的大部分珠宝都是在手镯和带扣上刻有岩画设计（Anasazi 图纸）。他还喜欢西式风格和漩涡设计的手镯叠加。查尔斯的氏族是 Ashii（盐人）和 Todich'ii'nii（苦水氏族）。

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c1870 百家乐 Gelle Freres 理发瓶玫瑰 Tiente 罕见。 9 英寸高 x 5 英寸宽，内部有少量矿物沉积物，复杂的盖子机制的一部分看起来不见了，但令人惊讶的是它竟然存在。未签名的 19 世纪百家乐。地面足缘上有微小剥落，没有其他缺口、裂缝或修复体。 TW214 理发瓶是理发师工具箱的一部分。这些独特的瓶子里装着洗发水、生发剂和面部喷雾。理发师可以购买大量奇特的产品，或者制作自己的配方并重新装满瓶子。这些瓶子有多种款式和形状。多种多样的颜色、珐琅花卉装饰和独特的设计使这些瓶子放在架子上时非常引人注目。著名艺术家玛丽·格雷戈里（Mary Gregory）的珐琅小孩子场景如今深受收藏家的欢迎。压制和切割玻璃样品以及不透明的个性化瓶子也很受欢迎。个性化的瓶子上会有理发师的名字或非常好的客户名字，上面画有某种设计或图片。还有贴有标签的瓶子。这是覆盖标签的一层薄玻璃。许多最早的瓶子都是手工吹制的，带有桥底和应用或剪切的唇缘。这些瓶子在美国制造并从欧洲进口。大多数花式瓶子都没有压花，但也有一些例外。马萨诸塞州波士顿的 T Noonan & Co. Barber Supplies 公司在一些瓶子的底部刻有该公司的名字。 1880 年代至 1900 年代初期，理发瓶的需求量很大。 1906 年《1906 年纯净食品和药品法案》限制在无标签和可再填充容器中使用酒精类物质。这使得这些瓶子不再用于原来的用途。需求放缓，但直到 1920 年代仍在生产。

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7 个 Waterford Ashli​​ng Hock 酒杯 7.5 英寸 x 3.25 英寸。出售所示的 7 个眼镜，没有浑浊、裂纹、修复，其中一个在上一张图片中显示的边缘上有一个非常小的缺口，没有其他缺口。，没有划痕。出售如图所示的干净套装。 TW214

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50 年代至 60 年代的尼克松·洛奇、巴里·戈德华特、史蒂文森·斯帕克曼竞选团队。出售展示的所有物品，金色金属大象是巴里·戈德华特 (Barry Goldwater) 1964 年的作品，史蒂文森 Sparkman 是 1 3/8 英寸，1952 年原装，非常干净。大号尼克松别针是全息图 2.5 英寸，尼克松手镯长 7 英寸。一切都在状况良好，一切都是原装的。出售所示批次。 TW196

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1920 年的 Steuben Carder Era 扇形花瓶，带有凹雕船刻图案。 8.5 英寸高 x 7.25 英寸宽保证正品 Carder Era Steuben 无标记。无裂纹、缺口、修复或明显磨损。 Steuben Glass 是一家美国艺术玻璃制造商，由 Frederick Carder 和 Thomas G. Hawkes 于 1903 年夏天在纽约州康宁市（位于斯托本县）创立，公司名称也由此而来。霍克斯是当时康宁最大的切割玻璃公司的所有者。卡德是一位英国人（生于 1863 年 9 月 18 日），拥有多年在英国为史蒂文斯和威廉姆斯设计玻璃的经验。霍克斯从许多来源为他的切割店购买了玻璃毛坯，并最终想创办一家工厂自己制造毛坯。霍克斯说服卡德来到康宁并管理这样一家工厂。卡德曾在史蒂文斯和威廉姆斯的晋升中被忽略，但他同意这样做。 TW210

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巨大古董桑托斯木雕托儿所婴儿耶稣雕像 19 世纪 24.5 英寸高 x 16.5 英寸从手到手。这比真人大小还要大。我假设它可能来自一个非常大的显示器，可以在远处观看。保证早期古董手工雕刻，玻璃眼睛，真人头发睫毛 19 世纪至 20 世纪初（超过 100 年历史）。它的木材没有破损，但在几个地方的油漆上有一些旧的修补点，不是 100% 匹配，但看起来仍然很棒。这么老的通常有手指折断等，但这个太大了，手指很粗，不会轻易折断。极为罕见，独一无二。

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c1860 古董中国粉彩圆角切角碗。无裂纹、缺口或修复。有些磨损到镀金和珐琅。碗大，形状不寻常。对角线宽 10 英寸，宽 4.75 英寸。

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Fidencio Castillo，墨西哥人（1907-1993 年）带有 Rebozo 雕塑的女人，签名为 Fide C.，安装在黑色大理石底座上，石底座上有一些碎片，对青铜没有损坏。整体：约 9.5 英寸高、7 1/8 英寸宽、6 1/8 英寸深、11 磅菲登西奥·卡斯蒂略·圣地亚哥（Fidencio Castillo Santiago，1907年11月16日－1993年7月29日）是一位墨西哥艺术家、教育家，也是墨西哥塑料沙龙的创始成员。墨西哥革命前不久，他出生于墨西哥哈利斯科州的埃察特兰，父母是特立尼达·卡斯蒂略和雷蒙达·圣地亚哥。他的妹妹罗莎·卡斯蒂略·圣地亚哥（Rosa Castillo Santiago，1910-1989）也是一位知名艺术家。 Fidencio Castillo Santiago 曾就读于圣卡洛斯学院，然后在 Escuela Nacional de Pintura、Escultura y Grabado "La Esmeralda" 学习。[1]随后，他在后者任教了三十多年，并与帕斯·卡斯蒂略·阿拉尔孔结婚。 他的作品在墨西哥和国外展出，包括1995年墨西哥艺术展期间的东京和仓敷等城市以及1967年亚利桑那州凤凰城的展览。在墨西哥，主要展览包括1960年的Bienal Mexicana Contenporánea、Salón de Invierno、Galería 1956 年的 Plástica Mexiana、1958 年的 Salón de Arte Mexicano 和 1964 年的第一届 Salón de Pintura y Escultura Contemporánea Jalisciense。1971 年，Salón de la Plástica Mexicana 举办了他的作品回顾展。 2004 年，墨西哥塑料艺术家协会、联合国教科文组织和墨西哥城地铁公司联合举办了另一场活动，以纪念他和他的妹妹罗莎·卡斯蒂略 (Rosa Castillo)。他因多种原因在墨西哥城去世，享年 85 岁。今天，哈利斯科州瓜奇南戈历史博物馆举办了该作者的永久展览

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洛娜·汉金斯 (Lorna Hankins) 坎德拉里亚 (La Candelaria) 陶器。 7 5/8 英寸高，无裂纹、缺口或修复。洛娜·汉金斯 洛娜·汉金斯 (Lorna Hankins) 是拉坎德拉里亚 (La Candelaria) 的著名陶艺家，她通过复兴古老的功能性陶器制作方法，使这个位于卡波圣卢卡斯 (Cabo San Lucas) 和托多斯桑托斯 (Todos Santos) 之间山区的小牧场村名声大噪。 Lorna 是一位美国人，拥有金属锻造和珠宝设计学科的美术硕士学位。她第一次来到洛斯卡沃斯是为了躲避西北潮湿的冬天并练习西班牙语。她发现了拉坎德拉里亚小镇，并爱上了那里的人、地理位置和生活方式。最初，村里的一位妇女向她传授了古老的制陶传统，洛雷娜很快就热衷于分享她很快掌握的知识和技术。她在小镇上教其他人，当地人和游客很快就开始听说拉坎德拉里亚的陶器。她的作品既美观又实用，每件都是无釉且食品安全的。她的粘土是当地的，这些作品是在拉坎德拉里亚制作和烧制的，可以用来在明火和烤箱中烹饪，也可以作为雕塑来欣赏。 TW210

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1960 年代的加州艺术家 Paul E. Killinger (1927-1996) 将带盖的巴西桃花心木碗变成了中世纪现代风格。他最初从宾夕法尼亚州来到南加州。 1965 年，他参加了帕萨迪纳艺术博物馆举办的名为“加州设计 9”的工艺品展，该展是设计界的名人录，其中包括伊芙琳·阿克曼 (Evelyn Ackerman)、保罗·索尔德纳 (Paul Soldner)、纳兹勒 (Natzlers) 家族、萨姆·马洛夫 (Sam Maloof) 等。他在节目中拥有3个木碗。他在加州的地址。是 5104 瓦伦西亚奥兰治博士。他与保罗·埃谢尔曼 (Paul Eshelman) 是同一时代的人，保罗·埃谢尔曼是宾夕法尼亚州著名的碗转动工，他的碗售价约为 1000 美元。这个碗的底部刻有他的印记“保罗”。状况良好，无损坏或明显磨损。台湾210

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弗里茨·怀特（Fritz White，1930-2010）持有水牛青铜器的美洲原住民。 17 英寸高、8 英寸宽、6.75 英寸深、10.5 磅，演员弗里茨·怀特（美国，1930-2010 年）签名，编号 22/ 225，C/A 美国牛仔艺术家邮票。弗里茨·怀特以其独特的青铜雕塑风格而闻名于世，并将拉夫兰变成当今著名的雕塑界的关键人物。 1930 年 1 月 14 日，他出生于俄亥俄州米尔福德，父母是丹佛 (Denver) 和日内瓦 (哈特菲尔德) 怀特 (Geneva (Hatfield) White)。当他 12 岁时，他的父亲为他报名参加辛辛那提一所大学的成人艺术课程。 “战争正在进行，那些小型大学需要他们能招到的所有学生，所以他们同意接收我。我得到了老师们的特别关注。太棒了，”他回忆道。 1948 年，弗里茨从辛辛那提的特雷斯公园高中毕业后，开始踢半职业橄榄球。他将这些教训发扬光大，后来担任初中橄榄球队教练，并被人们亲切地称为怀蒂教练。弗里茨 (Fritz) 自豪地于 1948 年至 1953 年间在美国海军陆战队服役，担任步枪排中士，后来担任甘尼 (Gunny)。退役后，弗里茨创办了 Fancy Lettering，一家销售出版物的设计工作室，随后在 National Underwriter Company 任职。 1961年，他突发奇想，在自己的车里装上了来自科罗拉多州马布尔的大块大理石，从此开始了他漫长的雕塑生涯。在好友约翰·麦格劳 (John J. McGraw) 的支持下，弗里茨很快就开始从事粘土和青铜工作。 十年后，1972 年春天，弗里茨被选为著名的美国牛仔艺术家，并被广泛认为是本世纪最优秀的雕塑家之一。除了获得多项 CAA 卓越奖（包括唯一一位荣获柯尔特奖的雕塑家）外，他还担任过董事会成员、副总裁和总裁。他还是国家雕塑协会的会员。

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来自加利福尼亚州西米谷的艺术家 Peter Madsen 创作了“法律的长臂”青铜雕塑，高 17.5 英寸 x 宽 19 英寸。无损坏或磨损。它的日期为 1991 年，日期为 13/24，重 30 磅。 18/24号于2015年5月3日在ebay上以5K的价格售出，因此价格合理且现实。它将被极其小心地包装和运输。文章摘自 1997 年 7 月 11 日 署名：Patricia Hesselbach 每日新闻特约撰稿人` 《良药》就放在彼得·马德森 (Peter Madsen) 在西米谷家中用木炭画草图的桌子上。这座小雕塑是马德森在多产的艺术生涯巅峰时期创作的众多雕塑之一，它提醒他内心的力量，并给他开始新生活的勇气。马德森以其描绘美洲印第安人和牛仔的细致青铜雕像而闻名，在他的领域取得了巨大的成功。自 1986 年以来，他已成为一位知名的艺术家，曾获得无数奖项。西屋公司、纽约证券交易所、罗伯特·杜瓦尔和铁眼科迪购买了他的作品。吉恩·奥特里西部遗产博物馆永久展出了他的一系列青铜器。马德森无处可去，只能跻身美国著名艺术家行列。 1993 年 5 月的一天，一场意外彻底改变了马德森精心打造的生活。当艺术家享受他的另一项伟大激情时，参加西部骑马比赛，他被从马背上摔了下来。他遭受了严重的头部创伤和脑损伤。他陷入了长达三个月的深度昏迷。马德森醒来后开始了新的旅程，教会他的身体再次移动。他左腿的轻微运动标志着他开始康复。这位艺术家还说出了事故发生后的第一句话。在九个月的住院治疗和随后七个月的过渡性家庭环境中，马德森开始了他非凡的再教育过程。 “我正在重生，”马德森笑着回忆起自己第一次尝试写 ABC 时的情景。这位因其青铜雕像中复杂的人体解剖学应用而受到赞赏的雕塑家必须重新学习自己的身体部位。 “当他第一次开始画人物时，他会留下一条右臂，”他的妻子维姬说。她说他的画反映了他的现实。在画出右侧之前，他必须重新熟悉自己的右侧。 “艺术品的第一个迹象出现在 1996 年，”Vicki Madsen 说道。几个月来，她一直试图哄这位艺术家重返工作岗位。每次她递给他粘土时，他都会回答：“我现在做不到。”然后，在九月的一天，一群艺术家朋友拜访了马德森。谈论雕塑激发了他内心的某些东西。有人送给马德森一小块粘土。他捏了捏它，并以灿烂的笑容回应。彼得·马德森的故事有一个讽刺的转折。在受伤之前，这位艺术家一直在雕刻一个从马背上摔下来的牛仔的形象。四年后，马德森通过代理雕塑家 Jean Cherie 重新开始创作这件作品。 “他有眼睛、有远见。 Jean Cherie 是他的双手，”Vicki 说道。就像这位新兴艺术家一样，《预言实现》是一项正在进行中的作品。马德森曾经只专注于他的写实青铜作品，现在他在更加自由的浅浮雕风格的雕塑、木炭素描和计算机图形中找到了创造性的表达。他的计算机生成的设计很快就会为贺卡增色不少。密友兼私人服务员帕特里克·格兰特 (Patrick Grant) 看到了马德森的作品，并建议“来自 Eagle Vision 的问候”。印有马德森青铜器照片的明信片将补充该收藏。这位誓言要走自己的路的牛仔艺术家很少听到令人沮丧的话语。再次回到马鞍上，他正在通过结构化的骑马治疗计划来重建虚弱的肌肉。当被问到事故发生后他对生活的态度时，马德森兴高采烈地回答：“加油！”当被问到他以前对生活的态度是什么时，他再次回答：“加油吧！”

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c1970 年胡安·雷耶斯铜和黄铜猫头鹰墙匾，饰有智利多色天然石材。署名胡安·雷耶斯·智利，这位艺术家活跃于六十年代和七十年代。他制作了一些相同风格的麦当娜珠宝雕塑。 13 英寸高 x 5.5 英寸宽。 TW205

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罕见 Shelley Melody 印花棉布戒指花盆玫瑰碗。雪莱印花棉布的形状非常不寻常。 8 英寸 x 7 英寸 x 1.5 英寸深，无裂纹、缺口、裂纹、修复或污渍。 TW209

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