Herman Vandever Navajo High Grade Royston turquoise sterling pendant. No issues, weight and measurements in pics. Herman Vandever (1964- ) Diné Navajo Nation. He belongs to a family of well-known silversmiths and it seems only natural that he would follow in their footsteps. He turns traditional methods into contemporary styles with fine, natural stones, coral and even sea shell. He often makes his own ingot silver jewelry by melting his silver to roll it out into handmade sheet silver. Started silversmithing in 1989, he was taught by his older sister Esther Wood. All precious metals are tested and guaranteed,

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Herman Vandever Navajo Sterling Yei figures necklace. No issues, weight and measurements in pics. Solid sterling silver. 24" long. Herman Vandever (1964- ) Diné Navajo Nation. He belongs to a family of well-known silversmiths and it seems only natural that he would follow in their footsteps. He turns traditional methods into contemporary styles with fine, natural stones, coral and even sea shell. He often makes his own ingot silver jewelry by melting his silver to roll it out into handmade sheet silver. Started silversmithing in 1989, he was taught by his older sister Esther Wood.

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Herman Vandever Navajo Sterling, turquoise, and spiny oyster necklace. No issues, weight and measurements in pics. Solid sterling silver. 23" long. Herman Vandever (1964- ) Diné Navajo Nation. He belongs to a family of well-known silversmiths and it seems only natural that he would follow in their footsteps. He turns traditional methods into contemporary styles with fine, natural stones, coral and even sea shell. He often makes his own ingot silver jewelry by melting his silver to roll it out into handmade sheet silver. Started silversmithing in 1989, he was taught by his older sister Esther Wood.

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赫尔曼·桑塔格 (1873-1944) 古董瓷匾手绘女人。 10 3/8" x 8 3/8" 带框 x 6 3/8" x 4.25" 牌匾。不会损坏饰板或框架。

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Heubach 荷兰男孩和女孩瓷器人物 19 世纪 7.5 英寸 x 4.5 英寸 无裂纹、缺口或维修。 19世纪末。

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两者均签名为 Heubach，尺寸为 13 英寸高 x 8 英寸宽。绿色连衣裙的右上角靠近她手的地方有一个非常小的缺口，左下角也有一个缺口，缺口下方还有工厂烧制的缺陷，没有任何其他损坏。穿粉色裙子的那件在底座标记下方有一个非常小的缺口，没有任何其他损坏。它们都是 1890 年维多利亚时期的作品。他们一起住在庄园里，所以我想让他们在一起，但如果你只对其中一个感兴趣，我会考虑报价。

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高品质签名江户时代日本伊万里充电器 15 3/8 英寸宽，无裂纹、缺口或修复。有趣的是，我认为背面有艺术家签名。我相信这是江户 18 世纪/19 世纪初江户时期的作品。

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高品质复古亚洲风格刻花青瓷工作室陶瓶形状花瓶，高 5 5/8 英寸，内部开口 1 英寸，宽 4.5 英寸。无裂纹、缺口或修复。目前我对工匠不熟悉，但在我认为质量是一流的。书架

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HLA Favour Russian Charoite sterling pendant. Weight and measurements in pics, no issues. All precious metals are tested and guaranteed,

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HOB 墨西哥银十字带珍珠母贝。 21 克 2.75 英寸 x 3 3/8 英寸，没有任何问题。经过标记和测试的纯银，不确定中心宝石是什么，但它很漂亮，而不是玻璃。

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Hobe 复古服装首饰夹耳环 4 对。出售所有四个，制作精良，华丽，没有重大问题。两对仅背面有轻微氧化，其中一只耳环似乎曾一度被修复，仅看到背面的焊料。

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Hochst porcelain figure of a boy. Fine porcelain with no damage or restorations, measurements in pics.

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Hollands San Angelo #205 10k gold sterling silver rubies ranger 5/8" belt buckle set. Solid 10k gold accents on hand engraved sterling silver with factory rubies. Vintage set with some expected wear but no significant issues. Fits up to 5/8" ranger belt. Ranger belts are wider and taper down at the buckle/keepers/tip. These also make great hardware for a super duper hatband. Vintage set, this model number with rubies current retails for $3700 directly from Hollands. Hollands Fine Jewelry has been a prominent contributor in the West Texas community for over 100 years. The family owned business began its story in 1918 when Chase Holland, Sr. purchased a jewelry store from Mr. C. C. McBurnett and renamed the business “Hollands Jewelry. Prior owners can, however, be traced to 1891. In addition to traditional jewelry and watches of the period, Hollands Jewelry was widely recognized for its extensive inventory of fine silver, china, and crystal. The Hollands Spur Clip was created and patented in 1936. With the country emerging from the difficult years of the Depression, Mr. Holland designed a miniature sterling silver spur tie clasp as a symbol of recognition, given to someone who had “earned their spurs. Two of these first “Spurs Clips were presented to President Franklin Roosevelt and Vice-President John Nance Garner. Over the years, many other celebrities, politicians, and dignitaries have been presented spur jewelry as gifts of both accomplishment and gratitude. The spur clip marked the genesis of Hollands Jewelrys debut into the world of jewelry manufacturing, specializing in hand-crafted buckles, spur jewelry items, and a variety of other hand-made, hand-engraved specialty pieces, many of which are still in production. The family owned business grew quickly. Chase Hollands son, Chase, Jr. began his work in the business after completing his service in the Army Air Corps during WWII. Chase Jr., with his wife Virginia, began management of the company in 1960. Many of our clients still remember working with Mrs. Virginia, who was a major staple in the community. With the help of the store manager Mr. George McCormack, and her two sons Chase III and Bill, the company grew into the successful establishment that it is today. Brant Horner of Brownwood, TX joined the company in 1985. After graduating with an accounting degree from Angelo State University, he continued to progress at Hollands Jewelry and quickly worked his way to Master Jeweler. Aside from his fine craftsmanship as a jeweler, Brant brought a new age of tailored jewelry making to Hollands. He specializes in die making, hand carving and modern rapid prototyping for custom jewelry, stone setting, and hand engraving. In 2012, Brant became business partners with the Holland brothers. After celebrating the 100th year for the company, Bill Holland joined Chase Holland III in retirement and Brant Horner took over ownership and management of the company. The family operated tradition continues with Brant Horner and his daughter, Evyn Horner Higgins, who began working at Hollands in 2011. Hollands Jewelry is a member of The American Gem Society, Jewelers of America, Jewelers Vigilance Committee, Better Business Bureau, and many other trade organizations. For over 100 years, Hollands has been committed to providing professional, knowledgeable service while offering quality diamonds, jewelry, gemstones, watches, and exclusive gift items. anderas

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Holmegaard Selandia Per Lutken 1961 年款 MCM 中心装饰碗。出售这两个碗，最大宽度为 12.5 英寸，没有任何裂纹、缺口或表面划痕。书架

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Honoris Custos 二战第 189 野战炮兵团珐琅别针 1.25 英寸高

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Hopi Overlay Man in the maze/bear sterling silver spinner pendant. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa last quarter of the 20th century.Unknown artist with no artists hallmark, attributed to Hopi tribe. Listed with ExportYourStore.com

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Hopi Sterling Man in the Maze earrings. Solid sterling, picto-hallmark on back. Weight and measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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霍皮族纯银覆盖公羊头波洛领带。尖端和波洛是实心纯银，采用手工雕刻风格，称为覆盖。 2 1/8 英寸宽波洛衫。背面有图案标志和纯银标记，状况干净且功能齐全，重量 41 克

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框架尺寸为 8.75" x 6"，瞄准器为 2" x 6" 原始框架。 Stevengraph 状况良好，原始框架有一些磨损。史蒂文格拉夫的迷人世界。比尔·坡斯着。我们今天所知的史蒂文图画（Stevengraphs）令人着迷的丝绸图画实际上起源于英国遥远的纺织工业的萧条，而 19 世纪英国经济学家和政治家理查德·科布登（Richard Cobden）可能享有部分功劳。 1860年，所谓的《科布登条约》生效，这是由科布登谈判达成的一项自由贸易条约，取消了英国对丝绸、锦缎和丝带等商品的保护性关税。它对英国丝带编织业集中地考文垂 150 年的影响是毁灭性的。考文垂百分之四十五的人口靠织带谋生。织布机被毁，两年间有 9,000 人移居国外寻找工作。但有一个人足智多谋，克服了这一打击，足以养活自己的家人和他雇用的织工，并以很小的方式促进了考文垂的经济。这个人就是托马斯·史蒂文斯 (Thomas Stevens)，1828 年出生于福尔斯希尔 (Foleshill) 边远地区。 托马斯·史蒂文斯 (Thomas Stevens) 还是个孩子的时候，就在位于考文垂上井街 (Upper Well Street) 的 Pears and Franklin 公司学习了丝带编织工的技艺，并于 1854 年在皇后街 (Queen Street) 创办了自己的企业。他对自己的行业的各个方面都了如指掌，而且提花织机对他特别感兴趣。这种织机是法国约瑟夫·提花 (Joseph Jacquard) 于 1790 年左右发明的，并于 1820 年引入英国，其卓越性能很快得到认可，因此到 1838 年，考文垂已有 2,200 台提花织机在运转。提花织机的原理基于机械操作装置控制线圈和滑轮在纺织品中编织图案的事实。 托马斯·史蒂文斯通过一系列发明改进、改造和完善了织布机，使他能够生产出具有精致细节和三维效果的丝绸作品。他创作了精美绝伦的图片、音符、文字和肖像。制作史蒂文格拉夫作品的第一步是艺术家在方格纸上绘画。这些设计是原件、肖像的复制品、印刷品的复制品，并且通常是插图手稿形式的文本。维多利亚时代对覆盖作品整个表面的热爱在这些作品中经常得到体现。方格纸图片看起来像是十字绣刺绣作品的设计。 人们制作了大卡片来承载艺术家的图片，并为图片的每条编织线中的每种颜色制作并穿孔了一张单独的卡片。这些梳理机被放入环形链条中并放置在提花织机中以调节经纱的运行。每次携带纬纱的梭子穿过织机时，都会使用一张不同的卡片，要求改变经纱，从而改变图案。许多作品使用了十到十二种颜色。整个图案完成后，提供了一个空间，图案开始重复。通过这种方式，编织者生产出了编织精美的图画丝带线轴，然后在分离区域将其分开。由于将卡片放入织布机中的工作量很大，因此在进行更改之前编织了许多图片丝带，并使用了一组不同的卡片。史蒂文斯生产的一款 13 英寸长的书签需要 5,500 张穿孔卡片。 托马斯·史蒂文斯并不是考文垂唯一一位能够通过编织图案丝带在经济大萧条中幸存下来的织工，他也不是第一个在提花织机上制作图案的人。早在 1801 年的里昂，黑白肖像就让人们惊叹不已。 1855 年，詹姆斯·哈特 (James Hart) 编织了描绘维多利亚女王和拿破仑 111 的丝绸图片，1858 年，约翰·卡尔迪科特 (John Caldicott) 编织了一条印有考文垂国会议员爱德华·埃利斯 (Edward Ellice) 肖像的丝带。但最著名的提花织工是托马斯·史蒂文斯 (Thomas Stevens)。是他脱颖而出，也是他发明了“史蒂文格拉夫”这个词。 到 1862 年，史蒂文斯已经生产了九种不同设计的书签。 1862 年，他注册了四种新图案：“不变的爱”、“祝你圣诞快乐”、“感恩节”和“你的新娘日”。同年，他创作了几幅较大的作品，适合装框，但他显然改变了对这些照片的看法，因为在接下来的 16 年里，他不再创作这些作品，而是将自己限制在制作他受欢迎的书签上。 。谁制造了第一个史蒂文格拉夫型书签是一个颇有争议的问题，这一荣誉的竞争者是约翰·卡尔迪科特、约翰·拉特利夫，或许还有托马斯·史蒂文斯。与史蒂文斯同时代的人中，除了刚才提到的那些人之外，还有约翰·卡什和约瑟夫·卡什兄弟，以及道尔顿和巴顿。 1863 年，威尔士王子和王妃的皇室婚礼，以及 1864 年莎士比亚诞辰三百周​​年，为编织者提供了充足的素材，以满足渴望纪念品的国家的需求。奇怪的是，此时史蒂文斯的竞争对手退出了竞争，并在一段时间内为他留下了一个空闲的空间来生产他的书签和相关物品。到 1880 年代末，他已经制作了 900 多件物品，其中包括香袋、生日诗句、圣诞和新年祝福、日历、扇子、情人节礼物、女士领带和腰带、兄弟会订单的象征性腰带、适合装框的图片以及当然，还有一直流行的书签，许多书签末端都带有流苏。装裱画的尺寸从 1 1/4 x 4 英寸到 7 1/2 x 13 英寸不等，他的各种物品售价低至 5 美分，腰带则高达 14 美元。 1877 年，史蒂文图谱作为赠品赠送给订阅《女士花柜》的人们。 1870 年代，博兰、韦尔奇和伦顿复制了他的书签，而 WH 格兰特则在 1880 年代模仿了他的装裱画，从而展开了竞争。史蒂文斯成为七个孩子的父亲。 1878 年，他搬到伦敦，监督他不断扩张的业务。此时，除了伦敦之外，他还在纽约市、辛辛那提、莱比锡、格拉斯哥、都柏林和伦敦德里设有销售机构。在他最活跃的时期，为了刺激展览会上的销售，他派织工带着他的提花织机到许多展览会上。在那里，人们可以观看一件作品的编织过程，然后购买并将其带回家作为展会的纪念品。他或他的儿子们曾举办过这样的活动，其中包括 1876 年的费城百年纪念博览会；约克博览会，1879 年；爱丁堡，1886 年；曼彻斯特，1887 年；辛辛那提 1888；伦敦，1890 年；芝加哥，1893 年；圣路易斯，1904 年；巴黎、安特卫普、利物浦、布里斯托尔、波士顿、布鲁塞尔和巴黎。 在赢得 30 多枚奖牌和文凭后，托马斯·史蒂文斯于 1888 年 10 月 24 日在伦敦去世，并被埋葬在考文垂的家族墓地中。他的两个儿子托马斯和英格在他去世前管理着考文垂工厂，并继续经营这项业务。托马斯·史蒂文斯（Thomas Stevens）在一个以条件恶劣着称的行业中建立了舒适的工作条件。他的工厂有充足的照明、通风、宜人的用餐区，而且卫生。 1940 年，德国对考文垂的猛烈轰炸摧毁了他的建筑物和生意，但他在数百名专门研究史蒂文格拉夫古董收藏家的赞赏中得以生存，其中包括总部位于欧文顿河畔的史蒂文格拉夫收藏家协会的 175 名活跃成员。纽约州哈德逊市以及英格兰、加拿大、苏格兰、奥地利、南非、新西兰以及美国的成员。 1972 年 4 月在伦敦拍卖史蒂文格拉夫 (Stevengraph) 的最高价格为 1,560 美元。这篇文章是《无玷始胎》的典范，极为罕见。然而，史蒂文斯的许多作品的售价都在许多收藏家的承受范围之内。人们关心的是他们收藏的物品是否是史蒂文斯制作的真品以及它们的年代。这两件事都存在困难。 1865 年，卡片上就形成了图案，很多年后，同样的卡片可以再次使用来生产相同的物品。没有模具或蚀刻板被破坏的限量版。某些物品可以根据它们描绘的事件和日期来确定日期，就像 1876 年费城百年博览会的日期一样。有些物品可以根据某些物品背面的纸张上注明的奖项数量来确定日期。当然，很多都是在编织时签名的。陶器上的菱形登记标记可以追溯到 1842 年至 1883 年期间使用的许多年。 托马斯·史蒂文斯是一位商人，生产畅销的奢侈品或纪念品。如果主题很吸引人，情感也很吸引人，人们就会为自己购买或作为送给朋友的小礼物。因此，他和他的继任者的设计反映了维多利亚时代的品味，而这些品味在很多情况下都是当时的普遍品味。其中包括维多利亚女王、莎士比亚、爱德华七世国王、约翰·沙利文、罗伯特·伯恩斯、“水牛比尔”科迪、奥托·冯·俾斯马克王子以及克利夫兰总统和夫人的肖像。 在景观的总标题下，我们发现了许多英国城堡，如巴尔莫勒尔堡、凯尼尔沃思城堡、沃里克城堡和温莎城堡。其他景观包括水晶宫、国会大厦、伦敦塔和塔桥，以及 1888 年辛辛那提俄亥俄河谷和中部各州百年博览会。历史图片包括哥伦布离开西班牙、哥伦布登陆、独立宣言和纳尔逊之死。在那些描绘《偷窥狂》、《丽达》、《戈黛娃夫人游行》和《普赛克浴》的编织物中，可以找到古典和传奇的主题。某些作品展现了维多利亚时代的多愁善感，如《God Speed the Plough》、《Good Old Days》、《Called to the Rescue》、《Grace Darling》和《For Life or Death》。图中描绘了许多战舰和火车以及许多体育赛事。后者包括对西班牙斗牛、赛马、猎狐、板球、自行车比赛、网球和棒球的描绘。 托马斯·史蒂文斯 (Thomas Stevens) 是一位技艺高超的精湛工艺大师，只要其丝质纤维粘在一起，就会受到高度尊重。 TW61

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Hotel El Paso Del Norte 儿童娃娃梳妆镜。 4 英寸 x 2 英寸，有一些凹痕，镜子状况良好。可能是从 20 世纪上半叶开始。 TW168

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众议院气球酒杯 Magnum Fostoria Wilma Stem。 7 1/8 英寸高 x 边缘宽 3.5 英寸。出售一件多件，均无裂纹、缺口、划痕或变色。

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德克萨斯州休斯敦油井工具手表钥匙扣 Reed 牙轮钻头（英镑）和 Hughes 三牙轮钻头。出售所示的两个表扣，Reed 滚轮钻头为纯银，相当罕见。从任何意义上来说，这两者都不常见。

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Howard Sice Hopi/Laguna Sterling silver/mixed metal copper pendant/necklace. Mixed metals, made of Sterling, copper, and brass. The Chain is woven copper, brass, and sterling. Solid sterling silver tested and guaranteed with no markings other than artists hallmark on the pendant in the back, weight and measurements in the pictures. No issues, circa last quarter of the 20th century. 25" long. Howard Sice (Hopi - Laguna) Arizona, USA Native American jewelry artist. He is self taught. Over his career, he has been the recipient of countless awards, including Best of Show and 1st Place. He was raised on the Laguna Pueblo of Paraje but split time with relatives in Hopi so his work displays strong influences from both cultures. He served twenty years in the Air Force inclusive of a year in Vietnam. While in the service he obtained a degree in a special area of medical research (lab work). While still in the service, in 1972, he started working in jewelry in 1972. He has added to his skills over the years. It was once he started engraving in 1985 that his metal work became distinctly identifiable. He has fairly recently started working with several very interesting materials. The first is Niobium. I probably shouldn‘t even mention it given I sold out of the pieces I bought before I got a chance to post them but I will get more at some point. Niobium is a metal that, when oxidized, can take on some beautiful colors. The other metal Howard is working in is Argentium silver. Standard Sterling is 92.5% silver and 7.5% copper. Argentium is classified as Sterling as it still has a 92.5% silver content but a small portion of the copper has been replaced by Germanium. The result is startling. There are a number of advantages to the artist in how they can work with the material but to the end user (and me) the difference is the huge reduction is tarnishing. The finished work also is amazingly bright, noticeably more so than even the most polished standard Sterling. Argentium requires makers (artists) be registered with them to utilize the distinct hallmark of a flying unicorn. Howard is a registered user and is moving over to the use of Argentium almost exclusively. I will mark on each piece if it is Argentium. Artist may USE Argentium without registration but may not use the hallmark. I had some work by Myron Panteah that I‘m all but certain was Argentium but was not hallmarked as such.

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Howard Sice Hopi/Laguna Sterling silver/mixed metal copper pendant/necklace. Mixed metals, made of Sterling, copper, and brass. The Chain is woven copper, brass, and sterling. Solid sterling silver tested and guaranteed with no markings other than artists hallmark on the pendant in the back, weight and measurements in the pictures. No issues, circa last quarter of the 20th century. 25" long.Howard Sice (Hopi - Laguna) Arizona, USA Native American jewelry artist. He is self taught. Over his career, he has been the recipient of countless awards, including Best of Show and 1st Place. He was raised on the Laguna Pueblo of Paraje but split time with relatives in Hopi so his work displays strong influences from both cultures. He served twenty years in the Air Force inclusive of a year in Vietnam. While in the service he obtained a degree in a special area of medical research (lab work).While still in the service, in 1972, he started working in jewelry in 1972. He has added to his skills over the years. It was once he started engraving in 1985 that his metal work became distinctly identifiable.He has fairly recently started working with several very interesting materials. The first is Niobium. I probably shouldn‘t even mention it given I sold out of the pieces I bought before I got a chance to post them but I will get more at some point. Niobium is a metal that, when oxidized, can take on some beautiful colors.The other metal Howard is working in is Argentium silver. Standard Sterling is 92.5% silver and 7.5% copper. Argentium is classified as Sterling as it still has a 92.5% silver content but a small portion of the copper has been replaced by Germanium. The result is startling. There are a number of advantages to the artist in how they can work with the material but to the end user (and me) the difference is the huge reduction is tarnishing. The finished work also is amazingly bright, noticeably more so than even the most polished standard Sterling.Argentium requires makers (artists) be registered with them to utilize the distinct hallmark of a flying unicorn. Howard is a registered user and is moving over to the use of Argentium almost exclusively. I will mark on each piece if it is Argentium. Artist may USE Argentium without registration but may not use the hallmark. I had some work by Myron Panteah that I‘m all but certain was Argentium but was not hallmarked as such. Listed with ExportYourStore.com

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Howlite、红碧玉和纯银耳环。无标记，经过测试的纯银。 2.5 英寸长，21 克，无损坏。

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Hubert Howytewa Hopi Overlay Kokopelli belt buckle sterling silver. Fits up to a 1.5" belt. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa third quarter of the 20th century.. Listed with ExportYourStore.com

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巨大的 14.75 英寸古董日本明治时期伊万里中心装饰碗 14.75 英寸宽 x 4.25 英寸深，是一件非常重要的约 130-160 年历史的日本伊万里手绘瓷器，没有损坏或修复。边缘镀金预计磨损，其他金色干净.如图所示签名，一流的作品。来自非常好的遗产收藏。该收藏中的一些作品以前是博物馆收藏的，因此基础上有收购编号。那是釉面，很容易用酒精脱落，我可以去除如果需要，请在发货前。

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17 英寸 1930 年代 WMF Ikora 玻璃中心装饰大碗装饰艺术蜘蛛网红色和黄色 11.5 磅 4 英寸高。它没有标记，最初带有纸质标签。保证约 1930-1950 WMF Ikora。几乎不言而喻。无裂纹或缺口。上表面没有划痕，放置在桌子上的底座预计会磨损。由 Karl Wiedmann 开发，由德国 Württembergische Metallwarenfabrik (WMF) 公司制造。我还有另外一个单独列出的，尺寸稍大，颜色相同。

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这些通常为 12 英寸，也许 14 英寸，这款尺寸为 17 7/8 英寸宽 x 4 英寸高。它没有标记，最初带有纸质标签。保证约 1930-1950 WMF Ikora。几乎不言而喻。无裂纹或缺口。上表面没有划痕，但底座确实有磨损，底座旁边有一些磨损。由 Karl Wiedmann 开发，由德国 Württembergische Metallwarenfabrik (WMF) 公司制造。

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Huge 1940‘s Leo Poblano Zuni multi-stone inlay butterfly pin sterling silver. Weight and measurements in pics, all solid sterling. All stones/inlay secure in bezels with very old fracture to jet inlay in center at bottom inlaid turquoise. Circa mid 20th century, unmarked other than C.G. Wallace code on the reverse side. Attributed to Leo Poblano family. Very big pin, it would be a big belt buckle by most standards. The "Average" men‘s belt buckle is 3" wide, this is 3.5" wide. Leo Poblano (1905-1959) is considered one of the most renowned Zuni stoneworkers of the 20th century for his innovative and skillful designs. At a time when most Zuni jewelers worked with traditional themes and materials, Leo experimented and is thought to be one of the first Zuni inlay artists to use decorative elements in his carvings. After serving in the military in World War 2, Leo returned to Zuni Pueblo where he continued to make stone mosaic jewelry as well as work for the BIA as a wildlands firefighter. Because of his friendship with Zuni trader C.G. Wallace, Leo was able to work with the finest turquoise and other high quality stones for his pieces. Wallace would also assign Leos stone pieces to Navajo silversmiths for mounting on silver boxes, finger rings, pendants, and other adornments. Leos first wife, Daisy Hooee Nampeyo, studied at Ecole des Beaux Arts in Paris and taught Leo many lapidary relief techniques which helped enhance his stone inlay pieces. Leos second wife, Ida Vacit, who was also an inlay artist, finished many of the pieces that Leo left behind after his abrupt death due to a tragic firefighting accident in 1959. Leos pieces, known for their attention to detail, impeccable technique, and innovative style are part of many notable collections including the Heard Museum and the Wheelwright Museum. He is succeeded by his daughter, Veronica Poblano, who is also an award winning Zuni artist.

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新墨西哥州圣达菲 1943 年巨大特拉克帕克花瓶纪念品。 1940 年代墨西哥民间/艺术陶器的伟大作品。脚上有两个很浅的缺口，没有其他裂缝、缺口或修复体。非常坚固，12.5 英寸高

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Huge 1970‘s Navajo silver spiderweb turquoise butterfly bib necklace 22" total length, 170 grams, other measurements in pics. Solid sterling silver, hallmarked as shown with picto-hallmark. Very substantial and well made necklace. I didn‘t Identify the Hallmark, but likely Navajo made.

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Huge 1970‘s R Williams Native American sterling turquoise coral pendant necklace. Necklace 22" long, other weight and measurements in pics. All solid sterling.

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巨大的 19 世纪棕色釉面茶壶，带有 12 英寸高 x 15 英寸的鹰形壶嘴手柄，盖子上的槽处有一些微小的釉片以确保其固定，真正的碎片，无裂纹，无修复。这是一个非常大的茶壶，内置过滤器，保证是 19 世纪下半叶的。

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巨大复古纳瓦霍纯银和绿松石南瓜花项链。 32 英寸长项链，5 英寸 x 5.25 英寸 Naja，令人难以置信的约 20 世纪中叶无标记（经过测试）纯银南瓜花项链，上面装有天然绿松石。非常酷，独一无二的南瓜花，您不必担心您的邻居或同事佩戴同款。重 499 克，全部由纯银和绿松石制成。

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巨大的古董中国瓷结婚盒双喜临门。 19 世纪的大盒子，没有损坏或修复。 9 英寸宽 x 5 英寸高。

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巨大的古董铜煤油船灯笼，带玻璃镜片。 19 世纪末至 20 世纪初的灯笼，功能齐全，英国制造的燃烧器处于工作状态，油库无孔。 23 英寸高（不含手柄）x 14 英寸宽 x 11.5 英寸深。

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巨大的古董 Deruta 伞架/落地花瓶，带有不寻常的雕刻装饰。脚缘上有一个很小的缺口，什么也没有。没有其他碎片，没有裂缝，没有修复。

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巨大的古董法国/波西米亚钴切割透明重金花瓶。这是一个大约 19 世纪末至 20 世纪初的巨大花瓶，没有裂缝或缺口，图中所示的一个地方有轻微的金色磨损。我觉得这可能是法国的，可能是 Val St Lambert、Baccarat 或 St Louis。我还列出了来自同一庄园的一个花瓶，其图案相似，为红色。 TW102

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巨大古董矿工演示怀表 50 毫米，70 毫米表壳，58 毫米表盘，采用复古定制艺术玻璃办公桌盒。这是一款令人惊叹的非常大的手表，作品尺寸为 2 英寸或 50 毫米，如果有这样的东西，这将是 23 尺寸，但我认为没有。而且它装在一个超大的表壳中。我相信这款手表是 19 世纪最后 25 年的作品，支架很可能是后来制作的，而且这款手表很可能是后来作为支架中的礼物赠送的。WTG 也许可以代表西德克萨斯天然气公司或西德克萨斯海湾。办公桌球童非常重，高 4 英寸。该手表工作正常，走时准确，表盘底部的瓷质表盘有轻微损坏。表壳为法国标记“Depose”，作品为瑞士标记，没有其他识别标记。

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巨大古董桑托斯木雕托儿所婴儿耶稣雕像 19 世纪 24.5 英寸高 x 16.5 英寸从手到手。这比真人大小还要大。我假设它可能来自一个非常大的显示器，可以在远处观看。保证早期古董手工雕刻，玻璃眼睛，真人头发睫毛 19 世纪至 20 世纪初（超过 100 年历史）。它的木材没有破损，但在几个地方的油漆上有一些旧的修补点，不是 100% 匹配，但看起来仍然很棒。这么老的通常有手指折断等，但这个太大了，手指很粗，不会轻易折断。极为罕见，独一无二。

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巨大的新艺术风格纯银郁金香胸针，镶有水钻。 20 世纪上半叶的漂亮大胸针。 20 克，3 3/8 英寸高 x 2.5 英寸宽

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巨大的野兽美洲原住民纯绿松石/珊瑚吊坠/项链。漂亮的老作品，背面难以辨认的艺术家签名，经过英镑测试，没有英镑标记。链条是超重实心链条，没有扣环，所有东西看起来都是定制在一起的，很可能它们已经在一起了 50 年左右。将毕业生链接到顶部的较小链接。总重 206.4 克，链条和吊坠均为纯银。看起来它是由 70 年代的铁杆摩托车手或可能是超级铁杆非摩托车手佩戴的。 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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Huge Beatrice Kee Navajo sterling belt buckle. Fits a 1.5" beltMarked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more<br>pictures, videos, or measurements until sold. If you look at<br>pictures/description your question should be answered. Thank you so much for<br>your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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巨大的约 1890 年 Wavecrest Jardiniere。 11 英寸宽 x 8 英寸高，无裂纹、缺口或修复。它的底座上有一些博物馆腻子的残留物，因为它来自加利福尼亚州的收藏，我猜是为了地震。我会在发货前将其拆下，只是没有时间拍照，因为它又大又重，确实需要在更安全的地方处理它。书架

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Antique Chinese Famille Rose Medallion Wash Basin Bowl 15.75" x 5.75" deep. One<br>crowsfoot visible on exterior, not really visible on interior, very stable. No<br>cracks, chips, or restorations. Expected wear to Gilding on rim. Minor wear to<br>enamel shown in pics. Monstrous piece, not common.

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Huge c1900 Meiji Period Hand Painted Japanese bowl. Great piece from the 1890's to about 1910 at the latest. 16" wide x 3.5" deep with no cracks, chips, or restorations, expected wear to gilding on rim. Exremely rare to find a piece like this with the original label as in the late 20th century many would have removed this label and presented this as a mid 19th century piece. Personally I don't think it matters whether this is 1860 or 1900, it's the same piece and definitely a handmade antique that would cost much more than I'm asking for it to make today with all this hand painted work involved. I think it's nice to be able to put a definite date on it rather than guessing. isshelf

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Huge c1900 Nippon Heavy Gold Cobalt Hand Painted Flowers Vase. 16.5" x 8" wide at base. Very big piece, I've had umbrella/cane stands this size. No cracks, chips, or restorations, some expected wear to gilding. Unmarked.

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Huge c1960 c-31 Robert and Bernice Leekya bolo tie sterling/turquoise, 42" long, weight and measurements in pics. Solid sterling slide and tips. Non-sterling Bennett clip. Robert and Bernice Leekya, Zuni Pueblo Jewelers Husband and wife Robert and Bernice Leekya from Zuni Pueblo are known for their bold turquoise nugget jewelry and channel inlay. Robert (1934-) and Bernice Leekya have been making jewelry since 1953. Robert is the son of famous fetish carver Leekya Deyuse and learned his craft from his father as a young man. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Huge c1960 c-31 Zuni Knifewing bolo tie sterling multi-stone inlay, 39" long, weight and measurements in pics. Solid sterling slide and tips. Non-sterling Bennett clip. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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巨大的 1960 年 Metales Casados 混合金属/鲍鱼蟹中心装饰菜盘。 21.25 英寸 x 12 5/8 英寸 x 5.25 英寸高。没有损坏，内部镀银有一些磨损。这是一件非常坚固且制作精良的作品，在任何环境下都会脱颖而出。

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Huge 1970s Jerry Roan reversible spinner coral/turquoise sterling silver pendant. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa third quarter of the 20th century. 60‘s to early 70‘s. Jerry Roan (1919-1977) Navajo tribal native Jerry Roan (1919-1977) had a productive life as a silversmith and jewelry maker. He began actively working at silversmithing around 1968. In 1969, a year after he began smithing, he on a 1st Award at the Navajo Tribal Fair in Arizona. Roan was included in the 2002 exhibit “Jewels of the Southwest” at the Museum of Indian Arts and Culture, Santa Fe. His work is included in the collections of the Smithsonian National Museum of the American Indian, Washington, and the Yellowhorse Museum in Paradise Valley, Arizona.

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Huge Calvin Delgarito Navajo sterling Boulder Opal turquoise cluster pendant, no issues.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Huge Charles Johnson Navajo sterling and turquoise pendant 3.75" with bail x 2<br>3/8" wide x 70.8 grams.<br><br>Charles Johnson<br><br>Charles was taught silversmithing from his parents at about the age of 15, and<br>continued to learn on his own during the summers. His parents are lifetime<br>silversmith’s with his mother’s family having 5 generations, and his father’s<br>family with 2 generations. Charles has worked full-time as a silversmith since<br>the age of 20. He first started inlaying at the age of 13 for a few years while<br>learning both.Starting with traditional Navajo jewelry, Charles then went into<br>Navajo contemporary jewelry, then onto the Western style with swirl design<br>cutouts. The majority of his jewelry are cutout overlay on bracelets, and<br>buckles with Petroglyph designs (Anasazi drawings). He also enjoys bracelet<br>overlay with Western style and swirl design. Charles’ clans are Ashii (Salt<br>People) and Todich’ii’nii (Bitter Water Clan).<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Huge Esther Wood Navajo sterling silver multi-stone Yei pendant/2 necklaces. Solid sterling silver, marked as shown with only artists signature, with weight and measurements in the pictures. Tested and guaranteed solid sterling silver. No damage. The necklaces are both apparently unmarked, likely custom pieces. They are of the highest quality and obviously go with the pendant. They can easily be switched out. I have seen other cast necklaces similar by Esther wood.. The necklace with the diamond patterns is 29" long, the Horses necklace is 31" long, Horse necklace by itself with no pendant is 147 grams, The pendant/pin with the other necklace is 213 grams total. All three together (both necklaces and pendant/pin 360 grams. Esther Wood is a Navajo silversmith and jeweler who learned her craft from her aunt, Elsie Platero. She currently lives in New Mexico and works primarily with silver and turquoise. Esther was born in 1946, she has works in the Smithsonian and just about every major collection. I don‘t believe she is still active.

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Huge Fred and Lolita Natachu Zuni Sterling inlay pendant. Weight and measurements in pics, no issues. Comes with insignificant 16" necklace Fred and Lolita Natachu Legendary Zuni artists Fred and Lolita Natachu are known for their stunning mosaic and channel inlay. Rainbow God and Knifewing are two of their favorite subjects. They have been creating jewelry since the 1970s. Lolita is the daughter of Zuni silversmith Jacob Haloo. Her sisters, Dolly Banteah, Nancy Laconsello, and Rolanda Haloo are also recognized Zuni inlay silversmiths. All precious metals are tested and guaranteed,

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Huge Gary G Navajo for Rocki Gorman sterling silver cross pendant turquoise. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa last quarter of the 20th century, huge bail made to go on multi-strand necklace. Clean with no significant wear.

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Huge Lotus Form Vintage Ken Edwards El Palomar Mexican studio pottery bowl. No<br>damage or detectable wear. 11" wide x 5.25" tall.<br>isshelf

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Huge JB 70‘s-80‘s Vintage Navajo sterling silver inlaid belt buckle turquoise. Solid sterling silver (tested) buckle with weight and measurements in pictures.. Fits up to a 2" belt. No issues, appears possibly unworn.

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Huge Jerry Roan Navajo sterling silver turquoise/coral Kachina bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Circa last quarter of the 20th century. 47" long

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巨大的 Kosta Boda 艺术家选择 Kjell Engman 中心装饰品。无裂纹、缺口、划痕或其他问题，两张原装标签。边缘高 12.25 英寸 x 10 7/8 英寸宽。一件重约 10 磅，质量很重。

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巨大的中世纪墨西哥纯银胸针，镶嵌绿松石。标记为银，测试为纯银。 54.8 克，4 7/8 英寸宽，状况良好，尖端有轻微磨损。

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巨大纳瓦霍卡里科湖绿松石/英镑查尔斯约翰逊吊坠 5 英寸高，带吊环 x 3.25 英寸宽 x 110 克，优质绿松石，无损坏。这是一款非常大的吊坠，可轻松佩戴在多股项链或大纳瓦霍珍珠上，任何直径不超过 22 毫米左右的珍珠。查尔斯·约翰逊 查尔斯大约 15 岁就从父母那里学习银器制作，并在暑假期间继续自学。他的父母都是终生银匠，母亲家族有5代，父亲家族有2代。 Charles 从 20 岁起就开始全职银匠工作。他从 13 岁起就开始镶嵌，学了几年镶嵌工艺。从传统的纳瓦霍珠宝开始，Charles 开始涉足纳瓦霍当代珠宝，然后又进入西方珠宝风格与漩涡设计镂空。他的大部分珠宝都是在手镯和带扣上刻有岩画设计（Anasazi 图纸）。他还喜欢西式风格和漩涡设计的手镯叠加。查尔斯的氏族是 Ashii（盐人）和 Todich'ii'nii（苦水氏族）。

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Huge Navajo Tufa Cast Silver belt buckle. Solid sterling silver, unmarked. Weight and measurements in pics.

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Huge NS Native American sterling Skyhorse turquoise bolo tie. Amazing workmanship on the tips and bolo, stone with natural fissure. 50" long, weight and measurements in pics. Circa 1990‘s so some wear to cord. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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垫子内部尺寸为 27 英寸 x 21 英寸，框架尺寸为 38 英寸 x 31.5 英寸。图纸或框架没有问题。布伦达·波尔斯基·摩根·柴尔兹传记讣告： “客户包括理查德·尼克松、约翰·韦恩、鲍勃·霍普、芭芭拉·乔丹”，美国政治家帕特里克·乔治，2008 年 11 月 9 日星期日1963 年，未来的总统理查德·尼克松 (Richard Nixon) 观看了在奥斯汀举行的德克萨斯州与阿肯色州的橄榄球比赛。时任美国德克萨斯州参议员约翰·塔尔想要送给尼克松一份礼物，委托奥斯汀艺术家布伦达·波尔斯基·摩根·柴尔兹 (Brenda Polsky Morgan Childs) 绘制游戏中的场景，然后将其发送给尼克松。查尔兹的朋友回忆说，这幅画是乘坐头等舱飞往华盛顿的，但她乘坐的是经济舱。这是蔡尔兹绘画天赋的一个完美例子——这为她带来了约翰·韦恩、鲍勃·霍普和芭芭拉·乔丹等著名客户——但她的谦逊却从未被掩盖。

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Huge Retired James Avery Oak Tree of Life pendant. This is the biggest size out of many. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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Huge Retired James Avery Oak Tree of Life pendant. This is the biggest size out of many. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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