JP Ukestine Zuni sterling snake eye turquoise cross. Solid sterling, weight and measurements in pics. No issues.

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一定会成为任何收藏或房间中的明星。不含框架的尺寸为 18 英寸，带框架的尺寸为 23 7/8 英寸。这是一件优雅的艺术品，可与大多数环境融为一体。瓷器完美无缺，没有任何损坏或磨损。框架很干净，但匾额周围缺少四颗珠子。

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Juan Calavaza Zuni cast sterling silver turquoise nugget cluster belt buckle. Tested and guaranteed solid sterling silver weight and measurements in pictures, Circa third quarter of the 20th century. Fits a 1.25" belt. Functional with age appropriate wear. Listed with ExportYourStore.com

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Juan Willie Navajo 14k/Sterling silver freeform pebble brutalist collar necklace. Very high quality with no issues. Weight and measurements in pictures. 44 Solid 14k yellow gold beads mixed with sterling beaded accents..

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19 世纪末美利奴羊家族 Jules Moigniez - 这件由动物雕塑家 Jules Moigniez（法国，1835-1894 年）制作的高度精细的青铜作品首次在 1861 年的巴黎沙龙展出。这位雕塑家不仅创造了一个有吸引力的、平衡的家庭群体，而且还详细描述了羊毛的每一个卷曲，并在松散的皮肤和颈部羊毛中塑造了一系列几乎巴耶式的褶皱。树叶的造型非常出色，是Moigniez的商标。 - 与当时公认的想法相同，莫瓦尼兹将其中一只羊（在本例中是骄傲的公羊）的前脚放在岩石上，增加了高度和视角，并吸引了观众的注意力稍微不对称的三角形。 - 美利奴羊家族于 19 世纪在法国铸造，很可能是在艺术家父亲经营的备受推崇的铸造厂中铸造的。该雕塑具有棕色色调的陈旧铜绿。它高 11.5 英寸，宽 15.5 英寸。 儒勒·莫瓦尼（Jules Moigniez，1835年5月28日－1894年5月29日）是一位法国动物雕塑家，创作于19世纪。他的作品主要是青铜铸造的，他经常在巴黎沙龙展出他的雕塑。他以其描绘鸟类的青铜器而闻名，尽管他的技巧和多才多艺使他能够创作出高质量的马雕塑（主要是赛马）、狗雕塑和狩猎场景。他的鸟类雕塑是他那个时代最精美的作品之一。

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保证是 19 世纪中后期的青铜雕塑，具有令人难以置信的细节，我在照片中确实无法捕捉到。它的重量约为 30 磅，尺寸为 21 英寸 x 13 英寸，不含木质平台，木质平台可能是也可能不是这件作品的原创，但我将其包括在内。这是一位 150 年前著名艺术家的令人难以置信的例子。 儒勒·莫瓦尼（Jules Moigniez，1835年5月28日－1894年5月29日）是一位法国动物雕塑家，创作于19世纪。他的作品主要是青铜铸造的，他经常在巴黎沙龙展出他的雕塑。他以其描绘鸟类的青铜器而闻名，尽管他的技巧和多才多艺使他能够创作出高质量的马雕塑（主要是赛马）、狗雕塑和狩猎场景。 [1]他的鸟类雕塑是他那个时代最精美的作品之一。[2]

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Julia Etsitty Navajo Sterling silver/gold filled turquoise/coral belt buckle. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa fourth quarter of the 20th century. Fits a 1.5" belt.

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Julius Heinrich HAHNEL (1823-1909) 青铜顽皮猫 6.75 英寸宽 x 3 5/8 英寸高。漂亮的古董青铜 c1900，具有令人难以置信的铜绿，没有任何问题。这位艺术家往往在拍卖会上表现出色，我明白为什么。 b29

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Julius Manuelito 西南纯银紫色宝石通道镶嵌项链和耳环。 16 英寸项链，0.75 英寸耳环，无夹子。强大的剪辑，没有任何问题。我不确定这些石头是什么，但它看起来很漂亮，没有任何问题。所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。大多数袖口手镯都是在 6 英寸的女性手腕上拍摄的，并附有一张照片，显示金属尖端与卷尺上的数字相交处的内周长。

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K Navajo sterling silver onyx pendant necklace with feather links. Circa last quarter of the 20th century, tested and guaranteed solid sterling silver. No apparent issues. 26" long. Circa 1970‘s-80‘s.

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K Yazzie Navajo heavy vintage sterling silver deep stamped belt buckle. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa last quarter of the 20th century.

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K Yazzie Navajo sterling silver 3/4" vintage ranger belt buckle set. Tested and guaranteed solid sterling silver weight and measurements in pictures, circa last quarter of the 20th century. Fits a 3/4" belt. Ranger belts taper down at the buckle/keeper/tip as shown. Belt not guaranteed for condition, I‘m selling the sterling ranger belt buckle set and the belt is free, last hole on belt is 39.5".

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Kamiwaza 日本纯银马头牌匾。经标记和测试，纯银含量为 99% 或以上。令人难以置信的艺术品。 1187 克，10.75 英寸 x 8.25 英寸，全银，正面背面，没有任何重量。去年，这家制造商/零售商生产的一套茶具连买家溢价在 Heritage 拍卖会上以 37,500 美元的价格售出。 b70

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Karl Heinz Stittgen (1930 - 2023) 18k/Sterling chrysocolla pendant/necklace. 28" necklace, solid 18k gold slab at the top of the bezel/pendant. I know it didn‘t photograph well due to contrasts and time limitations but it‘s great. No issues, weights and measurements in pics. STITTGEN, Karl Heinz 1930 - 2023 Karl Stittgen emigrated from Germany in the early 1950s and established himself as a prominent jeweller and watchmaker in West Vancouver. His creations soon gained global recognition and consequently he opened additional Stittgen stores in Calgary, New York and San Francisco. In his golden years, he trained many Master Goldsmiths who carry on his traditions and techniques today. Karl Stittgens profound impact on both local and international jewellery design was honoured in 2009, when he received the Creative Achievement Award of Distinction at the 5th annual British Columbia Creative Achievement Awards for Applied Art and Design. Karl was born in Bad Durkheim, Germany, and emigrated to Canada in 1952 at the age of 21. Although trained as a watchmaker, his creative urge led him to try his hand at jewelry making, where he gained the confidence of a loyal clientele drawn to his discerning eye for design. His reputation soon spread globally, and he expanded with stores in Calgary, New York, and San Francisco. Karl‘s loyal clients, recognizing his sense of style, taste, and precision, convinced him to design and furnish the unique homes of a very select few. Karl‘s first wife, Gabrielle Pontoppidan, whom he married in 1961, admired and supported these forays into new areas of creative work. Karl‘s second wife, Nora Sasaki, was a talented artist who complemented his vision and unique creative style. Together, they designed and built an exquisite architectural landmark home, "Halcyon Days," on Pender Island. The home reflected Karl‘s admiration for Frank Lloyd Wright in every detail. Both Karl and Nora took great delight in hosting many different creative people on the island and visitors from all over the world, entertaining them with a feast for all senses in their home. They were also renowned for their generosity towards the artistic community on Pender Island and beyond. Well into his eighties, Karl began working in the new medium of ceramics. His studio was a place where he cultivated imagination and had the incredible self-assurance to traverse new and uncharted territory. To see his creations, free in form but precise in construction, was to be in the presence of genius. Karl‘s childhood was difficult, bereft of encouragement to explore or parental affection and support. This may have forged Karl‘s inner strength and determination to become his own person strong in creative conviction with the courage to try the unthinkable. How else would a person move from being a watchmaker to a celebrated jeweler, to an architectural designer, and finally taking creativity literally back into his hands as an acclaimed ceramicist? Karl‘s creative trajectory was only possible because, as he often mentioned, he left Germany to live in Canada where he felt free to tread new terrain without formal training. In September 2009, Karl received the B.C. Creative Achievement Award of Distinction in Vancouver. He was selected for his "profound and lasting impact on applied art and design in British Columbia" and for a "lifetime of creative vision and innovation." His designs were largely inspired by organic sculptural forms found in nature. His exquisite jewelry received much critical acclaim during what some have called the golden age of design in Vancouver. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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Kee Joe Benally Navajo sterling silver lapis modernist belt buckle vintage, fits up to a 1.5" wide belt. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa last quarter of the 20th century. Kee Joe Benally was a top prize-winning Navajo contemporary jeweler. He used only the finest natural stones and materials. He was influenced by Kenneth Begay but could work in many different styles. He served his people as President of the Lupton Chapter of the Navajo Tribal Government.

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Kee Nataani 纳瓦霍手工压印纯银手镯。适合 6.5 英寸的手腕，重 23.2 克。 卡尔·“基”·纳塔尼 (Karl "Kee" Nataani) 相信，成为一名银匠一定是他的本能：他的外祖母来自 Peshlaki 家族，“peshlaki”是纳瓦霍语中银的意思。他通过数十年的实践发展出的无可挑剔的工艺证明了这一思想。他在亚利桑那州的纳瓦霍族保留地生活和工作，在那里他和他的妻子还饲养着一群农场动物，从牛到鸡再到美洲驼。所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。

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Kee Nez Navajo Modernist sterling feather pin with high grade coral. Solid sterling, weight and measurements in pics. Navajo silversmith, Kee Nez, is a member of the Many-Goats clan and is from an artistic family. His mother is a rug weaver and his grandfather was a silversmith, but he credits his award-winning brother, Al Nez, with influencing his style. Kee uses 14K gold and sterling silver to create his stunning handcrafted surface design on bolas, rings, pendants, and earrings. He often uses sandcasting techniques to produce each item and many times uses the finest American turquoise or richly colored coral as a focal point on the piece. Kee was featured in Arizona Highways in the article “A New Generation of Indian Artists and has several pieces showcased in the books, Enduring Traditions and Navajo Indian Jewelry by Jerry and Lois Jacka. He has garnered numerous awards at Gallup, New Mexicos Annual Intertribal Ceremonial.

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This piece is signed on the bottom with "Acoma Keith Chino" as pictured. Keith Chino was born in 1960, Keith Chino is a member of both the Eagle and Sun Clans of Acoma Pueblo and has been a potter for over 30 years.He studied at Haskell Indian College and his work can be found at the Heard Museum, Phoenix, Arizona.He works closely with his wife, Sharlyn. They reside in Acoma Pueblo 60 miles west of Albuquerque, New Mexico. 5.5" long x 3.5" tall with no cracks, chips, or restorations. isshelf

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Keith Jack 10k/英镑指南针吊坠。干净没有问题。 1.75 英寸 x 1 5/16 英寸 8.3 克。

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Kelsey Jimmie Navajo 18k 装饰纯银和绿松石超大蜘蛛波洛领带。 50 英寸长，3.75 英寸 x 2 3/8 英寸 bolo 滑块重 191.6 克。凯尔西 (Kelsey) 拥有精美陶器雕刻师的设计背景，但在艺术家达里尔·贝盖 (Darryl Begay) 的指导下，凯尔西 (Kelsey) 正在用银施展魔法。凯尔西（Kelsey）采用凝灰岩铸造和砂铸设计，具有精美的雕刻特征。所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示金属接触处的内周长布卷尺上的数字。

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Fleisch didn't do a lot of portraits, I've only seen s few others. One of which<br>brought $6100 on eBay in 2013. This piece is estate fresh, has never been<br>offered anywhere until now since it was purchased from the artist.<br><br>Frame measures 31"x 19", it's the original frame Made in Italy with 78061<br>sticker on it coinciding with the number on the back of the painting. Canvas is<br>24" x 12". Both the painting and the frame are flawless. This is one of his<br>earlier works c.1970's, also one of his better works in my opinion. He's well<br>listed and has brought some very high prices at auction even before he passed<br>away in 2008.<br><br>Ken Fleisch<br><br>(American, 1943-2008)<br><br><br><br>Ken Fleischs' paintings are stark, compelling and deceptively simple in their<br>appearance. Flawless in its detail and realism, Fleischs work reaches the core<br>of life in an almost classical fashion.<br><br><br><br>            Born in Texas on November 4, 1943, Fleischspent his early years<br>experiencing a wide perspective of life throughout the United<br>States and Europe as the son of an Air Force officer. Fleischs art education is<br>a combination of formal training in both American and European universities with<br>exacting practical experience gained through private study and joint projects<br>with internationally known artists.<br><br><br><br>            A self-described realist, he often draws inspiration from his native<br>state of Texas, yet his paintings transcend geographical boundaries, touching<br>the core of life in an almost classical fashion. His evocative paintings are<br>more than mere reflections of reality: they are a means by which he shares<br>philosophy and emotion. Using the commonplace to convey the complex, he often<br>uses old pottery, artifacts, and icons for his stark and still lifes, which many<br>find compelling. <br><br>            Fleisch began painting landscapes then moved on to architecture and<br>buildings and eventually was drawn inside to long forgotten objects sitting on<br>shelves. Fleisch now paints still lifes exclusively. He is interested in the<br>convergence of cultures and the stories behind the objects he paints.<br><br><br>Ken Fleisch's award winning work has been featured extensively in regional and<br>national publications and his paintings are in major private and public<br>collections across the country. The wide recognition of Ken Fleischs' art on a<br>national level, the popularity of his print series and the wide diversity of his<br>collectors, from Bob Dylan to CBS Television, can only underscore the depth and<br>integrity of his work.

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Ken Romero Taos/Laguna Pueblos sterling spiny oyster cobblestone pendant. This pendant has a clip on the back to clip on a "Navajo Pearl" or other beaded necklace, but also comes with the removable bail. No issues, weight and measurements in pics. Ken Romero (1956-Present) Pueblos: Taos and Laguna Pueblos Ken is a full-time contemporary jewelry artist, working in the arts for over two decades. His work has been described as being ‘Contemporary in Traditional Native Design. He has an Associate of Fine Arts Degree from the Institute of American Indian Arts and a BA from the California College of Art and Design. \ Ken is known for his beautiful and intricately inlaid jewelry creations using semiprecious gemstones and cutting-edge designs. When he sits down to make a piece, the exact pattern of the inlay comes as he places one stone at a time and the piece takes on a life of its own. Through his work, he wants to convey the beauty and resilience of his pueblo ancestry. Many of the pieces in his inlay process take on the texture, feel, and look of a village, particularly multi-storied Taos Pueblo. Each piece is made entirely by Ken from start to finish. “I design my pieces with inlay to look and feel like a village or pueblo building. I call this my pueblo village design inlay. All of the jewelry is completed with Kens hallmark. Ken is known for his beautifully wearable works of art. Romero has received numerous honors, including awards at Santa Fe Indian Market, Heard Museum Indian Fair & Market, Eiteljorg Museum Indian Market, and SWAIAs Santa Fe Indian Market. He resides in Albuquerque, New Mexico. All precious metals are tested and guaranteed,

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Ken Romero Taos/Laguna sterling silver cobblestone inlay belt buckle turquoise/coral. Tested and guaranteed solid sterling silver, fits a 2" wide belt. No issues, some expected wear. Circa last quarter of the 20th century. Weight and measurements in pictures. Signed illegibly with a hallmark I don‘t recognize. Ken Romero (1956-Present) Pueblos: Taos and Laguna Pueblos Ken is a full-time contemporary jewelry artist, working in the arts for over two decades. His work has been described as being ‘Contemporary in Traditional Native Design. He has an Associate of Fine Arts Degree from the Institute of American Indian Arts and a BA from the California College of Art and Design. Ken is known for his beautiful and intricately inlaid jewelry creations using semiprecious gemstones and cutting-edge designs. When he sits down to make a piece, the exact pattern of the inlay comes as he places one stone at a time and the piece takes on a life of its own. Through his work, he wants to convey the beauty and resilience of his pueblo ancestry. Many of the pieces in his inlay process take on the texture, feel, and look of a village, particularly multi-storied Taos Pueblo. Each piece is made entirely by Ken from start to finish. “I design my pieces with inlay to look and feel like a village or pueblo building. I call this my pueblo village design inlay. All of the jewelry is completed with Kens hallmark. Ken is known for his beautifully wearable works of art. Romero has received numerous honors, including awards at Santa Fe Indian Market, Heard Museum Indian Fair & Market, Eiteljorg Museum Indian Market, and SWAIAs Santa Fe Indian Market. He resides in Albuquerque, New Mexico.

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Kenneth Begay Navajo White Hogan Modernist Sterling salt spoons/ironwood bowl. Selling the three Kenneth Begay salt spoons and Ironwood salt bowl shown. No issues. Weight and measurements in pics. Kenneth Begay (1913-1977) was called the “Father of Contemporary Navajo jewelry for his clean, bold, modern designs. Begay began as a blacksmith, took his first course in silversmithing from Fred Peshlakai at the Fort Wingate Vocational School for the Native Americans in Fort Wingate, New Mexico in 1938. Fred Peshlakai had been taught by his father, Slender Maker of Silver, who was trained by Atsidi Chon, one of the earliest Navajo silversmiths. Begay in turn taught traditional techniques of silversmithing to his own students from 1968-1973 at Navajo Community College in Many Farms, Arizona. In 1946, Begay started working with John Bonnell at the White Hogan shop in Flagstaff, Arizona, beginning an 18 year relationship. In collaboration with Bonnell, Begay moved Indian jewelry beyond personal adornment and into the arena of pure metalsmithing making, amongst other things, flatware sets, plates, boxes, and vessels of various kinds. Although highly unusual at this time among silversmiths, 1951-1952, he also began signing his jewelry using KB. When working for the White Hogan he additionally stamped his pieces with a small hogan. A master metalsmith, Kenneth Begay was very creative and strongly influenced by his traditional background. In his jewelry this translated to a balance between silver, stone and bold but unpretentious designs. He created clean, elegant designs based on streamlined shapes that were repeated to form balanced and harmonious patterns, a style that has been compared to Navajo weaving. Although he used and taught the old techniques, Begay explained near the end of his life, “I like to create something new and still use the old Navajo design style. All precious metals are tested and guaranteed,

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肯尼思·怀亚特 (Kenneth Wyatt)（1930-2021）“Texican”和“Arbuckle”抛光锡制雕塑。出售的两个雕塑均没有损坏或可检测到的磨损。 肯尼思·怀亚特博士（Kenneth Wyatt，1930-2021）是德克萨斯州狭长地带著名的西方艺术家。他通过绘画、青铜和锡制雕塑、写作、演讲和布道而广为人知。他住在德克萨斯州图利亚，在那里经营着自己的工作室画廊、青铜铸造厂和 Y-8 Publishing, Co。他还担任了 30 年的卫理公会牧师。作为他成功的一个例子，他的作品被从白宫到华盛顿特区国会大厦等著名机构收藏。

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Kevin Billah 纳瓦霍纯银眼镜蛇，配有绿松石串珠项链和银珍珠耳环，来自德克萨斯州埃尔金“八点牧场”的新旧库存，他们有一家小型美洲原住民珠宝店，现已停业。 21 英寸项链、3 英寸 x 2 3/8 英寸带吊环吊坠、2 英寸长耳环。 73.8 克 经过标记和测试的纯银，整条项链均为纯银，耳环也是纯银。耳环和项链没有标记为典型。

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Kimm Lanus 波普艺术大型手绘瓷花瓶。 12.5 英寸高，无损坏或磨损。 Kimm Lanus 出生于纽约州罗马，在新英格兰长大，目前居住在德克萨斯州格兰伯里。她的艺​​术研究始于 1972 年在德克萨斯大学阿灵顿分校，从她第一次接触艺术史和图卢兹·劳特累克、罗塞蒂、拉斐尔、阿尔布雷希特·杜勒以及后来的卡里埃和爱德华·霍珀的绘画开始。她被这些艺术家深深感动，艺术成为了一种生活方式，她确保艺术成为她前进生活的最前沿。 “十年前经历过一次异象后，我开始画玛丽的图像。我独自坐在教堂里，在安静的祈祷中，她的存在是如此清晰，当她跪在我面前时，我可以听到她衣服的移动。我从许多不同宗教和民族的角度来描绘她，以促进团结感。她的形象讲述了无条件的爱、家庭、和平和治愈。女性常常以一种女神般的赋权感与她联系在一起。” 拉努斯在中学任教六年多，并私教成人和青少年。在教书十多年并为德克萨斯州格兰伯里、麦金尼、怀利和理查森艺术协会举办讲习班后，她参加了多个评审展览，如科林县年度展、假日全国展、达拉斯视觉艺术年度展，格兰伯里艺术年度展，普莱诺年度艺术展，怀利年度艺术展，怀利年度展，理查森和欧文。她多次获得一等奖和二等奖，并获得芝加哥艺术学院颁发的“最佳表演奖”。

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King Navajo sterling silver, turquoise/coral vintage belt buckle. Tested and guaranteed sterling silver. Fits up to a 1.5" belt, fully functional with age appropriate wear. Please look at pictures.

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Kokopelli Overlay Navajo sterling belt buckle. Circa 1980‘s, unknown artist. Solid sterling, marked as shown, weight and measurements in pics.

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Konstantino 18k/纯银 Clio 系列柠檬圈耳环。 1 1/8" x 0.25" 宽，没有任何问题，保证正品 Konstantino 和实心 18k 金和纯银。 12.7 克，罕见的退役设计。公元前 4,000 年在地中海的中心地带，一代又一代的炼金术士、工匠和金匠探索了地球上最有价值的材料的深处。金、银、青铜和宝石激发了高级珠宝的创作，这是人类智慧的创造性表达。多年来，希腊金匠在高级珠宝史上建立了极其独特的地位，这一点在整个地中海地区、希腊的古风时代、古典时代、希腊化时代和拜占庭时代都很明显。高级珠宝坚不可摧的本质散发着神一般的品质，超越时代和潮流的永恒。康斯坦丁风格源于这些传统的根源，为自己独特的风格铺平了道路，重新定义了古典希腊身份的蓝图。 1958年：传奇的诞生康斯坦蒂诺出生在菲利亚多纳，这是雅典郊外的一个小村庄，这里曾经是梅里泰亚古城的所在地。在那里，他密切注视着父亲在农场干活，建造自己的机器和工具。在这里，康斯坦丁诺对手工艺术产生了极大的鉴赏力。 1978 年：音乐影响出于对音乐的热爱，年轻的康斯坦蒂诺成为雅典市的一名唱片骑师，演奏从卡洛斯·桑塔纳到卢·里德的各种音乐。这些标志以及更多的标志激发了一种风格的流动性，将华丽摇滚的精髓引入到场景中。通过音乐，康斯坦蒂诺开始塑造自己的审美身份，作为一个创造性思维和风格偶像。这些传奇人物继续影响着康斯坦蒂诺设计团队的打破规则精神，直至今日。关于图像 4 1983 年：珠宝救了我的命 康斯坦丁诺逃离雅典音乐界寻找绿洲，前往伊兹拉岛旅行，并在那里度过了接下来的 15 年。正是在这个神奇的岛屿上，康斯坦丁诺爱上了珠宝。他开始收集和策划珠宝，并于 1988 年开设了第一家 Konstantino 商店。 1991：安妮特Hydra 不仅是康斯坦丁诺 (Konstantinos) 对珠宝热爱的发源地，也是他结识即将成为妻子和创意合作伙伴安妮特 (Annette) 的地方。 Konstantino Jewelry 从头开始​​共同努力，很快就在美国和全球市场建立了自己的地位。 1998 年：全球影响随着对 Konstantino 的钦佩和狂热的蔓延，这个梦想不断增长，现在我们的设计遍布全球 10 个国家。随着 Neimans、Sax 等品牌的长期存在，Konstantino 很自豪能够向高级珠宝爱好者的世界展示希腊风格的演变。 2016：家庭的未来 Konstantino 和 Annette 的孩子 Julian 和 Phaedra 加入了团队，进一步延续了对金匠和设计的爱、风险和热情。新一代人以谦逊、知识和对康斯坦蒂诺品牌活力的自然直觉为领导。保留品牌的核心理念并扩展其已有的风格，是我们充满信心地应对的挑战。

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康斯坦蒂·麦凯维奇（Konstanty Mackiewicz，波兰人，1894-1985 年）巨大的中世纪现代森林景观布面油画。伟大的油画，没有损坏或修复。尺寸为 47 英寸 x 35 英寸框 x 39 英寸 x 27 英寸画布。框架有轻微损坏。这是一幅20世纪中期的老画。

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Kordes & Lichtenfels 835 银中世纪现代胸针。伟大的 1960 年制作精良，宽 1.5 英寸，没问题。

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法务大臣植木耕四郎赠送纯银清酒杯，有轻微磨损，碗内有微小凹痕，总体良好。 1.75 英寸高 x 4 7/8 英寸宽 129.4 克。

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Kosta Boda 瑞典手绘镜面玻璃球艺术家签名。 5 英寸高 x 6 英寸宽。无裂纹、缺口、修复或牙釉质磨损。桌子上的底座上有一些预期的划痕。 TW120

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L Burnside Navajo vintage sterling silver stamped beads squash blossom necklace. Tested and guaranteed solid sterling silver with weight and measurements in pictures. 28" long with no significant issues. Listed with ExportYourStore.com

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L Straus & Sons 利摩日盘 8 3/8" 手绘重金无裂纹、缺口或修复。镀金磨损最小。 8. 3/8 英寸宽。

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L Straus & Sons 利摩日盘 8.5 英寸手绘重金无裂纹、缺口或修复。镀金磨损最小。 8.5 英寸宽。

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L/M Navajo sterling multi-stone intarsia inlay bib necklace. Measurements in pics, hinges are good and no damage to stones.

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LA Native American sterling Charoite pendant/beaded necklace. Weight and measurements in pics, all solid sterling.

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Lag Zuni 纯银重型印花手镯。 24.4克，没问题。

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Lagos Caviar 18k gold and sterling French clip earrings 20mm wide, 20.9 grams. High quality, guaranteed authentic with no issues.

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Lagos caviar 18k gold on sterling large french clip earrings. Measurements and<br>weight in pics. Guaranteed authentic with no issues.

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LAGOS Caviar 18k/14k/Silver Door Knocker style earrings. Sterling with 18k enhancements and solid 14k gold posts. Please see pictures for weight and measurements. No issues, preowned with little wear.

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LAGOS Caviar 18k/Silver Hoop earrings. Sterling balls with solid 18k gold centers and posts. Please see pictures for weight and measurements. No issues, preowned with little wear. I believe this is a retired design but comparable Lagos earrings are retailing for about 1k.

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拉各斯鱼子酱 18k/纯马贝珍珠项链。保证正宗拉各斯鱼子酱，最高品质，没有任何问题。 14.75 英寸长。

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Lalique Blois（1981-1996）法国水晶雪利酒杯 4.75 英寸 x 2.5 英寸边缘 (3)。以这个价格出售所示的三个。在列出时，如果您更改数量上的数字，我有多个批次 3 可用，如果您将数量更改为 3，您将收到 9 个茎。所有部件均完好无损，没有裂纹、缺口、划痕、浑浊或修复，甚至底座上没有任何磨损。他们已经在内阁任职30年了。该图案已于 1996 年退役。 B61

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Lalique Doves Lovebirds“Dampierre”麻雀花瓶 5 英寸法国 4.75 英寸高 x 4 7/8 英寸宽大型重型花瓶。优质正品莱俪玻璃保证无裂纹、缺口、摩擦、凹痕或其他问题。如果您购买一个花瓶，您将得到与所示完全相同的花瓶，如果您更改数量，您将获得您选择的数量，所有花瓶都处于相同状态，没有损坏或可检测到的磨损，因为在列出时我有 3 个。 TW254

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Lalique Isabelle 开脚糖果盘 3.25 英寸高 x 4.75 英寸宽，无裂纹、划痕、缺口或修复。 B9

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莱俪玫瑰大号中心装饰碗法国水晶。 13 3/8 英寸对角线 x 3 英寸高。底座上没有裂纹、缺口或修复，也没有预期的划痕，因为它又大又重。除非置于光线下，否则不明显。 B9

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Lalique 东京装饰艺术风格法式艺术玻璃烟灰缸。无裂纹、缺口或修复。5 3/8 英寸宽 x 2 1/8 英寸深。 TW190

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Lalique 双天使人物 4.25 英寸宽 x 3.5 英寸高高品质正品莱俪玻璃保证无裂纹、碎裂或其他问题。 B9

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c1950 Lambert Homer Sr. Zuni Blue Gem Turquoise flush inlay sterling silver screw back earrings. Great earrings with no issues, tested and guaranteed solid sterling silver, any marks detected, weight, and measurements will be shown in the pictures. Circa second quarter of the 20th century to mid 20th century, large and unique with high grade turquoise.  Unmarked, attributed. Homer, Lambert Sr. Biography (1917-1972)Widely recognized as a fine lapidarist, Lambert Homer collaborated with other artists who worked with trader C. G. Wallace. He is perhaps best known for pieces featuring intricate mosaic inlay on spiny oyster shell that closely resemble shell inlay work found at prehistoric Southwestern sites. After removing the spines from these distinctively coral-colored shells, Homer inlaid them with white shell, turquoise and jet, creating vibrant geometric patterns. Some of his most spectacular pieces are belts with conchas of inlaid spiny oyster shell. Homer also made inlaid Knife Wings and Rainbow Gods, and he is credited with the first use of the Gan dancer as a jewelry design motif. 

Zuni artists with whom Lambert Homer collaborated include Dan Simplicio, Leo Poblano, Ida Poblano, and his son Lambert Homer, Jr. He also worked with Navajo silver-workers Roger Skeet and Charlie Bitsui. Lambert, who was married to Juanita Homer, and his brother Bernard, who was married to Alice Homer, worked closely with their wives, both of whom were daughters of Leekya.

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Lambert Homer Zuni sterling silver Kachina dancer shell inlay bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Circa third quarter of the 20th century. 40" long. Listed with ExportYourStore.com

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Lambert Poseyesva Hopi overlay dangle earrings sterling. Solid sterling silver, weight and measurements in pics. No issues. Marked as shown in the pictures.

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好吧，就在这里！你一直想要但在经济上或问心无愧的情况下无法证明做的事情是合理的。大约 50 年前有人为你做到了。看来他们做得很好。虽然我猜他们必须钻探投手。水罐在其他方面是完美的，没有裂缝、缺口或修复。碗的底部有一个非常紧密的鱼尾纹，不会穿过内部。这两件作品都具有 120 年历史陶器的预期裂纹。碗缘有几个磨损的釉点，没有缺口或裂缝。碗宽 15.75 英寸，水罐高 11.5 英寸，无黄铜配件。灯和开关工作。如果你愿意的话，我会包括阴影，但我主要关心的是碗/水罐的仔细包装。他们肯定会以目前的状态到达您身边。

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大号复古亚洲纯银凸纹拉长石吊坠。这是一件品质极高的作品，我认为是 1970 年代在亚洲旅行时购买的，已经很旧了。未经标记测试并保证纯正、漂亮的大型拉长石宝石。 3 英寸 x 1.75 英寸 x 36.7 克。

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Large 1.5" R Initial Sterling silver Rubies Ranger belt buckle set MAC 1991. Solid sterling silver with weight and measurements in pictures, some expected wear with no damage. Appears to have been made by MAC in 1991.

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Large 10k/Sterling 1970‘s Glad Hand Buffalo belt buckle LC Initials. Ruby Eyes. Solid sterling silver with solid (tested) 10k gold LC at bottom. No issues. Weight and Measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Older Native American jewelry is typically unmarked. If I call it Silver or Ingot I‘m guaranteeing it to be 90% or more silver. This isn‘t something I get confused about. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration.

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Large 15th Century Thai Sawankhalok Celadon Jar. 6" tall x 7" wide, Stable 3" long hairline in body shown in third pic, likely excavated or shipwreck item as it appears to have calcium deposits/worn glaze. Detailed description in 1984 appraisal included with item. isshelf

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15 世纪泰国 Sawankhalok 窑带盖调味罐。非常早期的 15 世纪泰国陶器，由一位现年 96 岁的女士在 20 世纪中叶收藏。我很快就会出售她的更多物品。 3 3/8 英寸高 x 5 英寸宽，无裂纹或修复，底座边缘有 4 个小缺口。亚洲货架

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1820 年代斯塔福德郡狮子狩猎印度/非洲/埃及场景金字塔大碗。令人惊奇的状况 12 5/8 英寸对角线，非常酷的图案，似乎非常罕见，因为我找不到完全匹配的产品。保证 190 多年的历史，没有裂纹、缺口、修复或明显磨损。上面有 Asterix 类型标记反面可能是早期亚当斯标记。 TW272

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1920 年代 Muller Frères 浮雕玻璃风景大花瓶。 12 英寸高 x 5.25 英寸宽，无裂纹、缺口或修复。 TW108 浮雕玻璃是一种豪华的玻璃艺术形式，通过浮雕玻璃雕刻或蚀刻和雕刻不同颜色的玻璃融合层来产生设计，通常在深色背景上带有白色不透明玻璃图形和图案。该技术首次出现在公元前 30 年左右的古罗马艺术中，它是浮雕风格的更豪华的雕刻宝石容器的替代品，浮雕风格使用天然分层的半宝石，如缟玛瑙和玛瑙。玻璃可以实现一致且可预测的彩色层，即使对于圆形物体也是如此。从 19 世纪中叶起，浮雕玻璃开始复兴，它同样适合新希腊风格和埃米尔·加勒 (Émile Gallé) 所倡导的法国新艺术风格。浮雕玻璃至今仍在生产。 Muller Frères (Co.) 是一家著名的法国玻璃制造公司，总部位于法国吕内维尔，以其新艺术风格花瓶、灯罩和吊灯而闻名，这些产品通常采用分层和彩色玻璃。亨利·穆勒 (Henri Muller) 和他的兄弟在埃米尔·加勒 (Émile Gallé) 的培训后于 1895 年建立了他们的工作室，埃米尔·加勒 (Émile Gallé) 对穆勒建立了竞争对手企业心怀怨恨。 1910 年，该公司开始与 Chapelle 合作生产灯具，在鼎盛时期雇用了大约 300 名工人。 1933 年生产停止，三年后工厂关闭，成为大萧条的受害者。

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大型 1940 年代 Hummel Crown Mark Tmk1 上市。 6.5 英寸高，无裂纹、缺口或修复，底座边缘有极少量的裂纹。哈姆谢尔夫

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1940 年代日本手工雕刻 950 银粉盒。大型紧凑型 4 英寸方形，总重 215 克，约 130 克银。镜子和其他所有部件完好无损，按扣关闭，形成紧密密封，显示有轻微磨损，但总体干净。

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1940 年代日本手工雕刻 950 银粉盒。大型粉盒，4 英寸，重 127.5 克，手工雕刻，无凹痕或弯曲，按扣闭合良好，镀金有些磨损，没有镜子，但固定它的碎片完好无损。

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大型 1950 年代穆拉诺生物形态烟灰缸/中心装饰品。 10 5/8" x 8.5" x 4" 深。保证 Murano 是 50 年代至 70 年代的。没有裂纹、缺口或凹痕。底座有适当的自然磨损。漂亮的抽象设计可能曾经是一个大雪茄烟灰缸，但现在没有了不再是了。 TW183

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Large 1950's Sterling Los Castillo Amethyst fly pinLos Castillo Jewelry - HistoryAntonio Ca stillo and his brothers Jorge, Miguel, and Justo began Los Castillo in 1939. They had all apprenticed in William Spratling’s taller before starting<br>their own business in Taxco, Mexico. Antonio Castillo rose to the level of<br>master silversmith during his time working with Spratling.<br><br>The Los Castillo workshop trained and employed many skilled silversmiths over<br>its decades in the business, including the Castillo brothers’ cousin Salvador Teran, Sigi Pineda, Antonio Pineda, and Antonio Castillo’s wife, Margot van<br>Voorhies Carr. All these artists went on to open their own successful workshops,<br>including van Voorhies Carr who founded Margot de Taxco after she and Antonio<br>Castillo divorced.<br><br>Los Castillo is known for its quality silver wares as well as mixed metals that<br>incorporated copper and/or brass with sterling silver. Other decorative home<br>accessories can be found with silver plating and inlaid stone embellishments. Chato (Jorge) Castillo was one of the Castillo brothers who worked in the 1930s for William Spratling. He is known for his technical expertise and his design<br>talent. He developed the techniques for married metals, feathers with silver,<br>Aztec mosaic or stone inlay, concha or abalone inlay,...(Mexican Silver: Modern<br>Hand-wrought Jewelry & Metalwork by Morrill and Berk (Schiffer: 2007, 4th<br>Edition), p. 86.

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1960 年代 Fenton 蓬松玫瑰蔓越莓缎面大号牛奶玻璃花瓶。 8.5 英寸高 x 7 英寸宽，由 Fenton 为 LG 赖特制造，通常这种形状是灯罩，但这是一个不太常见的花瓶。无裂纹、缺口或其他问题。书架

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1960 年代签名 Barbini Murano 大花瓶。 14.5 英寸高 x 7.25 英寸宽，精美的作品和出色的设计，一定会脱颖而出并适合任何地方。质量非常高，没有裂纹、缺口、划痕或其他问题。签名如最后一张图片所示。书架

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1964 年美洲原住民大号纯银/绿松石银半美元皮带扣。 4 英寸 x 3 1/8 英寸，可容纳 1.75 英寸的皮带。110.3 克。由纳瓦霍艺术家 R Chee 测试纯正。

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大号 1968 年奥斯汀德克萨斯波特 Don Herron 野兽派有盖罐子 8 英寸高 x 8.5 英寸宽，无裂纹、缺口或修复。当地波特唐·赫伦 (Don Herron) 的早期作品，自 1974 年以来一直担任德克萨斯大学艺术教授。1968 年签署 DH。

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Large 1970‘s BJS Sterling silver and jasper southwestern bolo tie. Solid sterling silver slide and tips. Weight and measurements in pics. 39" long. Expected wear with no apparent damage. Weight shown is just the entire bolo, if there is a tray pictured it will be tared out of course.

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Large 1970‘s Brutalist Sterling Modernist pendant with Chrysoberyl Cat‘s eye stone. Dated 1973 with other illegible hallmarks. No issues, weight and measurements in pics. I know nothing about this piece other than it‘s 50 years old, solid sterling, most likely American made and fantastic. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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1970 年的大号水牛刀，装在木质展示盒中，看起来未使用且未磨利。有些地方有氧化现象，但总体来说很干净，没有被我碰过。总长 9.75 英寸，刀片 4.5 英寸。饰品抽屉

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Large 1970's Native American silver and turquoise bolo tie. 44" long, stones secure in bezels with old fractures.

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