c1950‘s Sterling/14k gold turquoise Shoshone Indians hand engraved belt buckle. Solid sterling silver with weight and other measurements in the pictures. Fits up to a 1.5" belt, no issues. No damage, minimal wear. Not sure if this was a presentation item or what, but it‘s great.

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6.25" Adjustable Fritch Bros 10k gold/Sterling silver hand engraved bangle bracelet. No issues,  weight and measurements in pictures. Fits from a 6" to 6 3/8" wrist.   Tested and guaranteed solid sterling silver with solid 10k gold embellishments.   There is no 10k marking but this was also verified by Robert Fritch that they didn't use gold filled embelishments on these bracelets, it's solid 10k gold.

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Vintage sterling silver 10k gold Bell Telephone (tested) belt buckle. Solid sterling silver with solid 10k gold bell telephone piece. One stone missing, stones untested (just no time) with weight and measurements in pics. Fully functional, with appropriate wear as shown in the pictures.

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14k High Grade spiderweb Carico Lake turquoise earrings AC. Weight and measurements in pics. Solid 14k gold with no issues, likely Native American made from the last quarter of the 20th century.

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Vintage 14k Jadeite Budhha pendant. Marked and tested 14k gold, Jadeite. Weight and measurements in pics. Estate fresh item with No chips, cracks, or other issues.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.75" Robert Taylor Navajo Sterling/14k gold kokopelli cuff bracelet. Solid 14k gold Kokopelli‘s. No issues, weight and measurements in pics. Robert Taylor was born on the Navajo Reservation at Indian Wells in 1961. His father is a medicine man, and his mother is a weaver. He started working in metals as a child helping his father and older siblings. He turned to making jewelry professionally as a young adult after working in construction for several years. He is known for his overlay technique in silver and gold. He currently resides with his family on the Navajo Reservation. Marked or unmarked as shown in pics, weight<br>and other measurements in pics. Sorry but my jewelry is stored in a secure<br>location and cannot be accessed for more pictures, videos, or measurements until<br>sold. If you look at pictures/description your question should be answered.<br>Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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David Reeves Navajo 14k gold/sterling earrings. No issues, weight and measurements in pics. David Reeves (1949 - no longer with us) “Navajo silversmith David Reeves was the older brother of Gary Reeves (now no longer with us) and Daniel "Sunshine" Reeves. He taught them both the craft of silversmithing, along with half-brothers Andy and Darrell Cadman. David had an affinity for complex engraved and hand stamped geometric designs. He was a part of recreating and popularizing the old Navajo designs of the early 20th century. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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sz8 70‘s-80‘s Saunsa 14k cobblestone band ring. I‘m not sure what ethnicity Saunsa was, this is the type of work they did. Very clean modernist Hopi style jewelry. No issues. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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Bora Yasar Sterling/22k gold Ruby Emerald ring. Very well made ring with Natural Ruby and Emeralds. No issues. For Brooklyn-based designer Barbaros Yasar, craftsmanship reigns supreme for his artisanal jewelry brand, Bora. While he jets between his native home of Turkey and back to his studio in the U.S., Yasars lengthy trek doesnt seem to be slowing down his creative process. The brand, which boasts designs that are handcrafted by Yasar and his three brothers, makes up a plethora of styles ranging from charming antique baubles to a mixture of modern-meets-vintage adornments. Though each presents individual aesthetics that wonderfully harmonize in each collection. Following suit of their native Ottoman roots, the jewelrys intricate and ornate designs can be seen throughout the Bora collection thats seen in gilded oxidized diamond neckwear and a number of opulent tension-set rings. As Bora rounds its 10th year showing at Accessories, The Show, the Mediterranean designers clients, current and new, will be delighted as they step into the booth and are transported into a cultural realm of wearable art.

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c1890 Meiji Japanese Silver, gold, copper, mixed metals belt buckle. Amazing work of art with no detectable markings. Measurements in pics.

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14mm-15mm Lagos Caviar 18k gold and Sterling bracelet. Guaranteed authentic, top quality Lagos Caviar, solid 18k gold beads and logo mounted a thick high quality sterling silver bracelet. 107 grams total weight. No issues, preowned with little wear.

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Danny Romero Yaqui (1954-2018) 14k Gold Diamond, Tanzanite, Opal, sugilite, coral, boulder opal, and lapis necklace. Measurements in pics, accompanied with 2013 receipt. Still in like new condition with no damage or detectable wear. Please keep in mind that in 2013 gold averaged 1/2 the price it currently is so did the other top grade materials used to make this, not to mention a deceased artists talent and time. Also It seems this dealer sells secondary market items, so I believe this 7k was a used price in 2013 as it's really not a lot of money for this necklace now and wasn't then.  18.5" long Danny Romero 1954-2018 Danny Romero is of both Yaqui and Spanish heritage. He creates jewelry and paintings from his home in New Mexico. Growing up in Douglas, Arizona, he has been working with stone and silver for over 20 years. "I like E.S. Curtis photographs," he says, referring to the famous turn-of-the-century photographer and ethnographer who documented more than 80 Native American tribes. "I go through magazines. I've done drawings and I paint". He was one of five silversmiths invited to the Night of the First Americans at the Kennedy Center in Washington D.C., and he has had showings of his jewelry in galleries and museums in many parts of the country as well as in Germany, Japan, and Canada. Danny Romero is no longer producing jewelry. The jewelry we have was made by Danny Romero circa 2005. Danny received wide acclaim in the 1970's-80's for both his traditional turquoise jewelry as well as his inlay jewelry. Danny Romero was the first silversmith to literally put painted art into jewelry.  

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Andy Lee Kirk Isleta Pueblo (1947-2001) 14k gold Sugilite and Opal necklace. With accompanied 2008 appraisel from Waddell Gallery 2008, keep in mind gold averaged 1/3 of it's current price in 2008 so do the other materials not to mention a deceased master's labor and skill. No issues with the necklace or pendant, no damage or significant wear. 23" long and other measurements in pics. 64 grams total weight.Andy Lee Kirk was a Master contemporary Native American artist of Isleta and Navajo heritage, who died tragically at the height of his career at the age of 54. He created beautiful gold and silver jewelry using the finest materials from 1970 to 2001. Born in 1947, he originally earned a degree in biology continuing on to work for the Fish and Wildlife and Forest Services. Andy had learned the basics of jewelry making at the University of New Mexico and with the urging of Navajo artist, Gibson Nez, he made the decision to become a full time jeweler. Andy Lee Kirk was a consummate artist with many fine skills. He did lapidary work, rolling his own beads, and had mastered many types of precious metalwork including lost wax and sand cast techniques, stamping, engraving, overlay and fabrication. His artistic innovation reached further than aesthetic beauty alone. His designs were brilliant – a perfect balance between clean modern lines, meaningful symbolism, and bright southwestern colors such as lapis lazuli, turquoise, and red coral. He was the IACA Artist of the Year in 1996 and earned many other prestigious awards and accolades including First Place and Best of Division at Santa Fe Indian Market and Best of Category at the Inter-Tribal Indian Ceremonial in Gallup, NM.All precious metals are tested and guaranteed,

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 3/8" Veronica Poblano Zuni 14k gold Turquoise and Coral modernist cuff bracelet. No issues, measurements in pics. 6 3/8" inside circumference including the 7/8" gap.. Appears unworn. The daughter of Leo Poblano and Ida Vacit Poblano, Veronica Poblano has become recognized as a top contemporary jeweler. While she draws on Zuni silverworking and lapidary forms and techniques, her work is characterized by a high degree of innovation and individual creative license, making it a fertile hybrid of the contemporary and the traditional. Veronica has gained notoriety as a contemporary innovator, working with uncommon materials in wide-ranging styles. All precious metals are tested and guaranteed,

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8" Melanie Kirk Isleta Pueblo 14k gold Opal and Sugilite reversible bracelet,  showing little to no signs of wear.   The quality of workmanship is absolutely amazing. Recognized as the leading voices of today’s Contemporary Native Jewelry scene, Designers and Goldsmiths Melanie Kirk-Lente and Michael Lente (Isleta Pueblo) command a distinctive presence at the top of collectors’ lists world-wide. The Lentes continue to carry on their well-known family tradition in fine jewelry design, being taught by Melanie’s father, renowned artist Andy Lee Kirk.

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sz6 c1880 Antique 14k Green Hardstone cameo ring. Tested and guaranteed solid 14k gold, illegible markings on band. It appears this was a pendant or brooch that was long ago soldered to a gold ring that used to have stones if you look at all the pics. It's really great with no issues. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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Large Retro 14k gold Jade pendant with diamonds. Nice sized Jade pendant, marked and tested 14k gold. Diamonds are small but real diamonds. High quality Jadeite and Setting estate fresh so I don't know if it's type A, etc.

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sz5.75 Antique gold carved carnelian ring. Nice old 19th century ring. The shank is cut on the back but when closed it sits at size 5.75. I'll try to test carat and weigh later. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 5 Ring.

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c1960 14k gold Budweiser Executive ladies watch. Fits a 6"-6.5" wrist, just a little stretchy. Watch solid 14k gold, bracelet not. Watch is overwound and not currently ticking. This is a really rare if not one of kind item from the third quarter of the 20th century.

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10k Gold WW2 USN US Navy Sweetheart Pendant. Marked and tested 10k gold,guaranteed ww2 era. 1.4 Grams. 1.75" long x .5" wide.

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24" 14k Black Jade beaded necklace. 8.5mm black jade beads, solid 14k tested and guaranteed beads and clasp. 42.7 grams with no issues.

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34" Estate Black Jade, 14k, Carnelian beaded necklace. Extremely high quality piece on hand tied silk cord. 10mm natural black Jade beads with 20mm Carnelian agate largest beads. 14k yellow gold (tested) accent beads. 118.6 grams

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Vintage Ankh 14k gold/Amethyst mounted bronze. Measurements in pics. Looks to have been custom made from an antique piece of solid 14k gold/amethyst jewelry. Interesting, one of a kind. Tested and guaranteed solid 14k gold center piece.

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Antique HBJ 9ct gold hardstone watch key pendant/charm. Hallmarked by maker on one side, 375 and date/city codes on other. All unresearched by me, 19th century.

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sz4.25 14k Ming's of Hawaii Jadeite ring 20mm x 12mm face. <br><br>Ming’s opened in 1940’s by Wook Moon and eventually had retail stores not only<br>in Hawaii but in San Francisco and New York.<br>Ming’s became popular among folks in the downtown area with a store here in Fort<br>Street mall. Some of our clients themselves tell us their memories of Mr. Moon<br>offering no-interest lay-away for modestly paid downtown secretaries and office<br>workers to afford buying a piece every now and again.<br><br>Ming’s became a favorite staple in Hawaiian jewelry as it often featured<br>beautiful Hawaiian and Asian cultural themes.<br>They often featured delicately carved "Off White" pieces, as well as sterling<br>silver brooches, pearl and jade clusters, and gold bangles.<br>Popular themes includes the Peony, Lotus, Chrysanthemum, and Plum Flowers, the<br>infamous “Bird in Plum” and others. Some are said to represent the seasons, or<br>represent the blending of different Asian cultures. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 4 Ring.

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sz7.25 14k Ming's of Hawaii Jadeite ring 22mm x 16mm face. <br><br>Ming’s opened in 1940’s by Wook Moon and eventually had retail stores not only<br>in Hawaii but in San Francisco and New York.<br>Ming’s became popular among folks in the downtown area with a store here in Fort<br>Street mall. Some of our clients themselves tell us their memories of Mr. Moon<br>offering no-interest lay-away for modestly paid downtown secretaries and office<br>workers to afford buying a piece every now and again.<br><br>Ming’s became a favorite staple in Hawaiian jewelry as it often featured<br>beautiful Hawaiian and Asian cultural themes.<br>They often featured delicately carved "Off White" pieces, as well as sterling<br>silver brooches, pearl and jade clusters, and gold bangles.<br>Popular themes includes the Peony, Lotus, Chrysanthemum, and Plum Flowers, the<br>infamous “Bird in Plum” and others. Some are said to represent the seasons, or<br>represent the blending of different Asian cultures. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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sz7.25 14k Ming's of Hawaii Lavender Jadeite ring. Guaranteed Grade A Natural Jadeite, solid 14k gold marked and tested. The last two pics show Ming's Hallmark and 14k mark. Ring face 20mm, Jadeite 15mm wide. <br><br>Ming’s opened in 1940’s by Wook Moon and eventually had retail stores not only<br>in Hawaii but in San Francisco and New York.<br>Ming’s became popular among folks in the downtown area with a store here in Fort<br>Street mall. Some of our clients themselves tell us their memories of Mr. Moon<br>offering no-interest lay-away for modestly paid downtown secretaries and office<br>workers to afford buying a piece every now and again.<br><br>Ming’s became a favorite staple in Hawaiian jewelry as it often featured<br>beautiful Hawaiian and Asian cultural themes.<br>They often featured delicately carved "Off White" pieces, as well as sterling<br>silver brooches, pearl and jade clusters, and gold bangles.<br>Popular themes includes the Peony, Lotus, Chrysanthemum, and Plum Flowers, the<br>infamous “Bird in Plum” and others. Some are said to represent the seasons, or<br>represent the blending of different Asian cultures. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 5 Ring. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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sz7.25 14k Ming's of Hawaii Lavender Jadeite ring. Guaranteed Grade A Natural Jadeite, solid 14k gold marked and tested. The last two pics show Ming's Hallmark and 14k mark. 19mm x 15mm face of ring, stone a few mm smaller. <br><br>Ming’s opened in 1940’s by Wook Moon and eventually had retail stores not only<br>in Hawaii but in San Francisco and New York.<br>Ming’s became popular among folks in the downtown area with a store here in Fort<br>Street mall. Some of our clients themselves tell us their memories of Mr. Moon<br>offering no-interest lay-away for modestly paid downtown secretaries and office<br>workers to afford buying a piece every now and again.<br><br>Ming’s became a favorite staple in Hawaiian jewelry as it often featured<br>beautiful Hawaiian and Asian cultural themes.<br>They often featured delicately carved "Off White" pieces, as well as sterling<br>silver brooches, pearl and jade clusters, and gold bangles.<br>Popular themes includes the Peony, Lotus, Chrysanthemum, and Plum Flowers, the<br>infamous “Bird in Plum” and others. Some are said to represent the seasons, or<br>represent the blending of different Asian cultures. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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sz9 Vintage 14k Multi-color Natural Jadeite balls ring, balls approx 6mm, ring face approx 20mm, no issues. Scratched on inside of ring 14k and and illegible makers name. From a significant estate collection of mostly Ming's jadeite rings. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Size 9 Ring.

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sz7 Large Vintage Ming's of Hawaii Jadeite 14k gold ring. Guaranteed Grade A Natural Jadeite, solid 14k gold marked and tested. The last two pics show Ming's Hallmark and 14k mark. 20mm x 30mm face of ring, stone a few mm smaller. <br><br>Ming’s opened in 1940’s by Wook Moon and eventually had retail stores not only<br>in Hawaii but in San Francisco and New York.<br>Ming’s became popular among folks in the downtown area with a store here in Fort<br>Street mall. Some of our clients themselves tell us their memories of Mr. Moon<br>offering no-interest lay-away for modestly paid downtown secretaries and office<br>workers to afford buying a piece every now and again.<br><br>Ming’s became a favorite staple in Hawaiian jewelry as it often featured<br>beautiful Hawaiian and Asian cultural themes.<br>They often featured delicately carved "Off White" pieces, as well as sterling<br>silver brooches, pearl and jade clusters, and gold bangles.<br>Popular themes includes the Peony, Lotus, Chrysanthemum, and Plum Flowers, the<br>infamous “Bird in Plum” and others. Some are said to represent the seasons, or<br>represent the blending of different Asian cultures. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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sz9.5 vintage 14k carved Jadeite ring 21mm face, jade likely 20mm. Possibly an older/antique Jadeite piece made into a ring. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Size 9 Ring.

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18k Gold French Art Deco Lapis cufflinks for Nieman Marcus. I don't recognize the hallmark but these are the highest quality, similar to that of Van Cleef & Arpels, Boucheron. I feel this is likely an obscure hallmark only used for a short time by a well respected company such as the ones mentioned. 11/16" face, 16 grams.

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sz7 14k Ming's of Hawaii White Jadeite ring. Guaranteed Grade A Natural Jadeite, solid 14k gold marked and tested. The last two pics show Ming's Hallmark and 14k mark. 25mm x 15mm face of ring, stone a few mm smaller. <br><br>Ming’s opened in 1940’s by Wook Moon and eventually had retail stores not only<br>in Hawaii but in San Francisco and New York.<br>Ming’s became popular among folks in the downtown area with a store here in Fort<br>Street mall. Some of our clients themselves tell us their memories of Mr. Moon<br>offering no-interest lay-away for modestly paid downtown secretaries and office<br>workers to afford buying a piece every now and again.<br><br>Ming’s became a favorite staple in Hawaiian jewelry as it often featured<br>beautiful Hawaiian and Asian cultural themes.<br>They often featured delicately carved "Off White" pieces, as well as sterling<br>silver brooches, pearl and jade clusters, and gold bangles.<br>Popular themes includes the Peony, Lotus, Chrysanthemum, and Plum Flowers, the<br>infamous “Bird in Plum” and others. Some are said to represent the seasons, or<br>represent the blending of different Asian cultures. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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Vintage Karl Lagerfeld Gold-tone and Faux Mabe pearl clip-on earrings, 1 1/8" wide with little wear. A few slight scratches to Faux pearls, no wear to gold. Guaranteed authentic, strong springs on clips. Very high quality. 15 grams each.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 7 3/8" Thistle & Bee Hammered Cuff Sterling Silver with 18K gold vermeil bezels, white Topaz. Very clean condition with no issues.<br><br>Thistle & Bee maintains a longstanding reputation in the design and global manufacture of sterling silver. Established in 1998 to fill a niche for high quality, luxury sterling silver jewelry, Thistle & Bee epitomizes classical elegance, bringing unique design and luxury to the Sterling Silver arena.<br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.<br><br>anderas

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sz8.75 Retro Modernist 14k gold/onyx on sterling ring. Amazing work of art, unmarked, tested and guaranteed solid 14k yellow gold accents on solid sterling.<br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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c1860 French 14k Gold top cut glass perfume bottle. Tested 14k gold, Dutch Oak leaf 14k Hallmark on lid and mounting, both shown in the last pic, one in the center of the pic.. Another on other side of lid. The gold is tested and guaranteed. Original inner stopper intact. Amazing bottle with no issues, top gold lid snaps on tight, inner stopper forms waterproof seal, no chips or cracks. 5.5" tall x 2" wide.

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sz6.5 Dian Malouf 14k gold Accented Sterling freeform modernist stackable ring. Selling the chunky ring shown.<br><br>A visionary who has spent her life searching the globe for unusual objects, Dian<br>Malouf is a nationally recognized jewelry designer, published author, mother and<br>obsessive measurer of electromagnetic fields. Known for bold silver and gold<br>jewelry enlivened by diamonds and vivid semiprecious stones,<br><br>Dian Malouf is one of the few fine jewelry designers whose work is instantly<br>recognizable as hers alone. Dian has designed over 10,000 pieces since the first<br>silver dome ring that she made for herself launched the business by popular<br>demand in 1986, and many are one-of-a-kind pieces prized by collectors.<br><br>Dian frequently incorporates her passion for environmental causes, and political<br>and social themes into her designs. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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sz6.5 Dian Malouf 14k gold Accented Sterling freeform modernist stackable ring. Selling the chunky ring shown.<br><br>A visionary who has spent her life searching the globe for unusual objects, Dian<br>Malouf is a nationally recognized jewelry designer, published author, mother and<br>obsessive measurer of electromagnetic fields. Known for bold silver and gold<br>jewelry enlivened by diamonds and vivid semiprecious stones,<br><br>Dian Malouf is one of the few fine jewelry designers whose work is instantly<br>recognizable as hers alone. Dian has designed over 10,000 pieces since the first<br>silver dome ring that she made for herself launched the business by popular<br>demand in 1986, and many are one-of-a-kind pieces prized by collectors.<br><br>Dian frequently incorporates her passion for environmental causes, and political<br>and social themes into her designs. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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sz6.5 Dian Malouf 14k gold Accented Sterling freeform modernist stackable ring. Selling one with two available by changing the qty. They stack very well, I believe were intended to wear that way. I believe this is a retro retired design, but a current version of these retails for $720 for each ring new. These are in like new condition.<br><br>A visionary who has spent her life searching the globe for unusual objects, Dian<br>Malouf is a nationally recognized jewelry designer, published author, mother and<br>obsessive measurer of electromagnetic fields. Known for bold silver and gold<br>jewelry enlivened by diamonds and vivid semiprecious stones,<br><br>Dian Malouf is one of the few fine jewelry designers whose work is instantly<br>recognizable as hers alone. Dian has designed over 10,000 pieces since the first<br>silver dome ring that she made for herself launched the business by popular<br>demand in 1986, and many are one-of-a-kind pieces prized by collectors.<br><br>Dian frequently incorporates her passion for environmental causes, and political<br>and social themes into her designs. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6" Duane Maktima Hopi 14k gold Multi-stone channel inlay cuff bracelet. 5" plus 1" gap, 6" total inside including gap. 25mm wide in center tapering down to 15mm on the tips, 10mm tall, 64.2 grams. Super clean with no detectable damage or wear inside or out. I don't believe it has ever been worn. Hallmarked by artist twice in interior, hallmarked 14k 3 times in interior.  This bracelet it composed of 14k gold, Gem Silica, Natural Australian Opal, Carnelian, Chalcedony, and Lapis Lazuli.   Duane Maktima was studying education at Northern Arizona University in Flagstaff, when a dean suggested he switch his major to art. “ I thought it would be a hobby.” Growing up in tiny towns in Arizona under the tutelage of his Hopi and Laguna relatives, Maktima learned how to carve and paint, but these artworks were referred to as “blessings” and not art. The Dean, having seen Duane’s work was insistent. When Maktima first laid eyes on the jewelry in the jewelry lab, he says, “It was like my whole life flashed before my eyes, I was hooked.” It took a decade for Maktima to complete his degree. He left college to work as a resident artist at the nearby Museum of Northern Arizona in Flagstaff. At only 19 years old he was given a studio and stipend to make jewelry which was snapped up by visitors from around the world.  Eventually he embarked on a personal retreat from the pressure and spent 3 years at Laguna Pueblo. Maktima worked there as a survey helper and everyday he walked the country from Second Mesa to Black Mesa.  During these long walks he came to deeply appreciate his heritage and decided to complete his education. When he did return to university, it was an exciting time for Native American artists. His research into African and Indian art led him create spiritual based  pieces from beads, shell work mosaics, motifs from Hopi pottery, hollow silver tubes, gold , lapis, turquoise , and red coral. In 1982, Maktima,  received a second-ever fellowship from the Southwestern Association for Indian Arts. He moved to Sante Fe a year later. An active community leader,  he has influenced many young people to pursue a career in art.  His brooches, buckles, and other exquisite jewelry have been featured in some of the best Native American galleries. In 1990, Northern Arizona University honored the artist with its 2000 Distinguished Alumni Artist Award, Distinguished Achievement Award, and member of the President’s Circle. Maktima credits his achievements to his education and his family. “I can hear grandpa saying, ‘You have really learned something. You’ve really excelled with what God gave you.’ ” According to his grandfather, the name “Maktima” means “searching for eagles.”

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Sz6.25 Estate 18k white gold Jadeite, Diamond ring. Nice old, extremely high quality ring, tested natural diamonds .4cttw, Approx 4ct assymetrical Jadeite stone, no tests have been done to the Jadeite other than to confirm it is Jadeite. Marked and tested 18k gold. Shown on a finger it fits. 4.5 grams. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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sz4 Antique gold carved cat's eye ring. Unmarked, guaranteed solid gold, I'll test carat and get weight later. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 4 Ring.

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复古西南/金矿纯银吊饰手链。大约在 20 世纪中叶，尽管有些电脑没有标记，但它们都是纯英镑的。没有问题。

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Lagos caviar 18k gold on sterling large french clip earrings. Measurements and<br>weight in pics. Guaranteed authentic with no issues.

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Large Vintage 14k Lavender Jade Diamond and Lapis pendant 3 1/8" tall x 1 3/8"<br>wide, apparently unmarked. Tested by me guaranteed solid 14k gold, genuine<br>diamond, Lapis, and Jadeite. 28.8 grams.

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Large Antique 14k Hardstone Cameo Onyx pendant/brooch 43mm tall without the<br>swiveling pendant ring x 35mm wide x 21.6 grams. No detectable markings, tested<br>(in multiple spots) and guaranteed solid 14k gold. Circa 1870's entirely hand<br>carved Onyx cameo.

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sz7.75 Dian Malouf 14k gold Accented Sterling freeform modernist ring 8.9 grams.<br>Marked DLM, 14k, 8, and 925<br><br>A visionary who has spent her life searching the globe for unusual objects, Dian<br>Malouf is a nationally recognized jewelry designer, published author, mother and<br>obsessive measurer of electromagnetic fields. Known for bold silver and gold<br>jewelry enlivened by diamonds and vivid semiprecious stones,<br><br>Dian Malouf is one of the few fine jewelry designers whose work is instantly<br>recognizable as hers alone. Dian has designed over 10,000 pieces since the first<br>silver dome ring that she made for herself launched the business by popular<br>demand in 1986, and many are one-of-a-kind pieces prized by collectors.<br><br>Dian frequently incorporates her passion for environmental causes, and political<br>and social themes into her designs. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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Meissen Full Green Vine Gold Trim Large Covered Tureen 12.5" wide x 8" tall. No<br>cracks, chips, or restorations. This is a very old 19th century piece. Minor<br>wear to Gilding on base. Some general wear inside and out from use. Displays and<br>works perfectly.

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Meissen Rose Pink Bone Dish Gold Trim Mint 8"(multiple available) selling one with multiple available, all with no cracks, chips, scratches, crazing, stains, flaws, or gold wear.

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No cracks, chips, or repairs. Very little crazing and discoloration, extremely crisp transfer decoration and amazing condition. Guaranteed circa early to mid 1800's.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Preston Monongye (Hopi) (1927-1987) Tufa Cast Rose Gold Channel inlay bracelet. Fits up to a 6 3/8" wrist, tapers from 20mm to 30mm wide. One of a kind bracelet, extremely rare example in gold. Preston Monongye did not work in a lot of gold, very few pieces have come to market ever, when they do they are crazy expensive. I personally had this machine tested on a $30,000+ XRF machine and it ranges from 40-43% gold (Averaging about 10k) which actually makes perfect sense. Since P Monongye didn't work with a lot of gold, the times he did were likely somewhat experimental. In this case it is somewhat obvious that he melted up some scrap gold, likely some that was brought to him by a customer or friend to make this which was likely a custom piece. The lowest gold content shot we took showed it at 48.13% copper, 40.08% gold, 8.18% silver, 3.49% zinc, and .12% Nickel.Preston Monongye (1927-1987) was an influential proponent of what he called “the new Indian art.” He wrote, “We may use old techniques, along with old designs taken from potsherds or pictographs, but then we redesign them or add innovations of our own.”Preston had an unconventional and late blossoming path to jewelry making. He served in two wars, worked in law enforcement, and was an employee for the Bureau of Indian Affairs. It was later in life that he decided to dedicate himself full time to jewelry making, which was received numerous awards. He had always experimented with jewelry and craftsmanship, but did not receive acclaim until fully committing to his art. Preston primarily did the metalwork and design for his pieces, letting his friend and acclaimed lapidary artist Lee Yazzie do the inlay, and later allowing his son Jesse Monongye to do his lapidary work. His pieces are exhibited nationwide.Born in East Los Angeles, California, to Mexican and Mission Indian parents, Monongye was adopted by a Hopi family at age seven. He was raised Hopi, speaking the Hopi language and participating in the Katsina Society. At age nine, Monongye began apprenticeship with his uncle, the master silversmith and painter Gene Pooyama. “He taught me how to live the ‘Hopi way,'” Monongye recalled. Throughout his career, Hopi colors and images were prominent in Monongye’s work.But Monongye was adamant that Native jewelry not be bound by the past, explaining, “An old piece of philosophy given to me by my father and other men of the Hopi Mesas is, ‘If you can progress without hurting your tradition or your , you should do so.”Born in 1927, in Los Angeles he was abandoned at Hopi at age seven and adopted by a prominent Hopi family. Monongye attended reservation schools and became a full participant in Hopi and social life. Following his service as a paratrooper in World War II, Monongye became a Kachina painter, working occasionally for trader Roman Hubbell and the Fred Harvey Company. Monongye re-enlisted during the Korean War and later worked in law enforcement for the Bureau of Indian Affairs while continuing to paint and make silver jewelry. After leaving his job in favor of jewelry making in the early 1960s, Monongye quickly became recognized as an innovative designer and technician, immersing himself in “the new Indian art,” using traditional techniques and motifs to create a contemporary new look. He was best known for cast silver set with stones that often were cut by his friend Lee Yazzie, and later by his son Jesse. Monongye taught his art at various schools and workshops and lectured widely on contemporary Native design. He won many awards at shows and competitions and his jewelry appears in museum collections such as the Museum of Northern Arizona in Flagstaff and the Wheelwright Museum in Santa Fe.

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sz7.5 c1960's Famor 14k Emerald and diamond ring. 6mm band, Emerald 6mm x 11mm.<br>Gold, diamonds, and emerald tested and guaranteed authentic and high quality. I<br>don't have time to measure the approx carat weight but they are substantial. The<br>price is better without the extra work.<br><br>Hallmarks: 14KT Famor (Famor Inc. is a New York City Jewelry Co that existed in<br>1960's - 1970's) Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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Joseph Coriz (Santo Domingo) Overlay Sterling and 14k gold belt buckle. 3" x 1.75", takes a 1.5" belt or smaller. 63.7 grams.Joseph Coriz (1956-) learned silversmithing from his parents and Kewa jeweler Vidal Aragon by carefully observing and remembering what he saw. Growing up at the pueblo, he was inspired by watching nature and the day-to-day life of the people of the pueblo. He has been actively making jewelry since the 1980s. The pendant is signed with the maker's hallmark, his initials "JDC".

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Native American 14k Gold Spiderweb turquoise/Channel inlay spinner pendant 50mm<br>tall x 25mm wide x 11.8 grams. Marked and tested solid 14k gold.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Antique Chinese 14k gold mounted Carved Jadeite pendant 1 7/16" tall with bail x 13/16" wide x 4.8 grams. Natural fissures as shown. Unmarked, tested 14k gold.

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Meiji Japanese Shakudo Sterling/Gold on bronze Mixed Metal ring. 1 3/8" long<br>face, great looking ring 15,4 grams.

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Calvin Begay Early Work 14K Gold & Sterling Silver Geometric Overlay Earrings 1" tall x 13mm wide x 12.7 grams with no issues. Calvin Begay is an award winning artist, jeweler, designer and master craftsman. He was born in Gallup, New Mexico in 1965 and raised in Tohatchi, northwestern New Mexico. Calvin designed his first piece of jewelry at age 10, learning from his mother an uncle. In more than 20 years as a jewelry designer and craftsman, he has become a master in every aspect of the design and manufacturing process. He has won numerous awards at the Gallup Inter Tribal Ceremonial, including Best of Show in 1989. His jewelry has been featured in Arizona Highways and Southwest Art Magazines. This gifted artist continually innovates and updates his designs, working in both gold and silver, and adding new motifs and stones to his repertoire. In his leisure time, Calvin participates in rodeos and rides in the back country in his all terrain vehicles. When he creates jewelry, that wild free spirit finds expression in precious metals and stone.He has a unique ability to translate traditional Navajo inlay techniques into jewelry that reflects his Native American heritage, yet have elegant and contemporary flair. Calvin’s work is prized by clients and collectors, not only in the Southwest, but throughout the United Stated and the world. In the artistry of Calvin Begay, the stunning beauty of the untamed West is reflected in the combination of color and design that create unforgettable pieces of wearable art.

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大型古董迈森洋葱汤盖碗，带金色镶边。伟大的作品，没有裂缝、缺口或修复。 15.5 英寸手柄到手柄 x 9.5 英寸 x 12 英寸高。金色装饰有轻微磨损，在脚下标记为第二个。这比通常在这种形状中发现的盖碗大得多。盖子本身的尺寸为 11.75 英寸 x 9 3/5 英寸

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50 年代至 60 年代的尼克松·洛奇、巴里·戈德华特、史蒂文森·斯帕克曼竞选团队。出售展示的所有物品，金色金属大象是巴里·戈德华特 (Barry Goldwater) 1964 年的作品，史蒂文森 Sparkman 是 1 3/8 英寸，1952 年原装，非常干净。大号尼克松别针是全息图 2.5 英寸，尼克松手镯长 7 英寸。一切都在状况良好，一切都是原装的。出售所示批次。 TW196

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c1870 14K 金盖切割覆盖玻璃香水瓶紧身胸衣形式。盖子上有标记，如第二张图片所示，但我看不出来。它测试超过 14k 黄金但低于 18k 黄金。棕榈树切割上闪烁的红宝石没有裂纹或缺口，没有轻微磨损。极其复杂且顶级的香水瓶。 4 英寸高 x 2.5 英寸宽。香水抽屉

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尺寸 8 14K 金高级绿松石和珊瑚美洲原住民戒指可能是霍皮族。制作精良的精美戒指，除了 14k 金之外没有其他标记，经过标记和测试的 14k 金。 20 世纪最后 25 年的衣服非常干净，但很可能从未穿过。 4克。

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古董中国或日本 18K 白金雕刻牡丹花珊瑚水车。经我酸测试，至少为 18K 金，但低于 22K，唯一的标记是 SPM，表明它是为 J. Schnelwar & Sons 制造或零售的，J. Schnelwar & Sons 是纽约昔日的珠宝商（成立于 1905 年）。精美的艺术品，距今已有 100 年历史，历史悠久。 22.3 克，2 英寸 x 1 3/16 英寸，非常立体。引脚不是金的，网状背面部分有保证。无缺口、裂纹或其他问题。

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c1900 10k 金网状镶嵌粉色海螺贝浮雕胸针。经过标记和测试的 10k 金。 1.25 英寸 x 1 1/8 英寸，带 0.75 英寸 x 9/16 英寸浮雕。没有损坏或问题。

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Ilias Lalaounis (1920-2013)！8k 金虎眼复活节彩蛋。伟大的作品经过猫眼测试 18k 金。无标记定制是由大师创作的独一无二的作品，并且价格仅为原始成本的一小部分。我还列出了另一个。没有问题。伊利亚斯·拉劳尼斯维基百科，自由的百科全书跳转至导航跳转至搜索伊利亚斯·拉劳尼斯左旋光磁共振成像伊利亚斯·拉劳尼斯在 1920.jpg伊利亚斯·拉劳尼斯，1990 年出生于 1920 年 10 月 4 日希腊雅典2013 年 12 月 30 日去世希腊雅典国籍 希腊语 母校雅典大学职业珠宝商配偶 Lila Altitzoglou孩子 4个女儿伊利亚斯·拉劳尼斯（Ilias Lalaounis，1920 年 10 月 4 日 – 2013 年 12 月 30 日）是希腊珠宝先驱和国际知名金匠。[1]他尤其以其受希腊历史启发的系列而闻名。[2] 1990 年，他成为唯一入选法国美术学院的珠宝商。[3][4]内容1 早年生活2 职业生涯2.1 1969-1970年代2.2 20世纪80年代-1990年代3 博物馆4 个人生活5 荣誉及奖励6 参考文献早期生活伊利亚斯·拉劳尼斯 (Ilias Lalaounis) 1920 年 10 月 4 日出生于希腊雅典。[3][4]他是第四代珠宝商，其家族起源于德尔菲。[4]他毕业于雅典大学，主修政治学和法律。[3][4]职业伊利亚斯·拉劳尼斯珠宝博物馆。 拉劳尼斯 (Lalaounis) 的职业生涯始于为他叔叔色诺芬·佐洛塔斯 (Xenophon Zolotas) 的珠宝生意工作。[4] 1940 年，他接管了公司的管理工作，并负责管理和设计该公司的所有珠宝直至 1968 年。[3]他创立了希腊珠宝商协会，并于 1957 年在塞萨洛尼基国际博览会上展出了他的第一个系列——考古系列。它的灵感来自古典、希腊化和米诺斯迈锡尼艺术。 1969 年，他创办了自己的公司 Greek Gold - Ilias Lalaounis SA。[4] 1969-1970年代 Lalaounis 的《Blow Up》系列（1970 年）引起了轰动，他为人体披上了受米诺斯文明启发的黄金珠宝。[5]次年，他在雅典组织了一场国际珠宝展，梵克雅宝 (Van Cleef)、宝格丽 (Bulgari)、雷内·科恩 (Rene Kern) 和海瑞温斯顿 (Harry Winston) 也参加了此次展览。 1976 年，他接到了最重要的委托之一，这对他的投资组合来说是最鼓舞人心的委托之一。伊朗皇后法拉赫委托拉劳尼斯创作一系列受波斯艺术启发的珠宝和物品，并在德黑兰皇宫展出。 [6] 1970 年至 1978 年间，伊利亚斯·拉劳尼斯 (Ilias Lalaounis) 在大多数欧洲国家开设了商店。他在巴黎旺多姆广场附近的圣奥诺雷街 364 号开设了第一家国际专卖店，并制作了一部短片解释展示的珠宝的灵感来源。从那时起，他定期制作短片来展示他的收藏，例如：《艺术的奥布》、《黄金拜占庭弧线》、《编舞》、《阿喀琉斯之盾》、《伊利昂 - 特洛伊的宝藏》、《艺术与黄金》、《造物主人的共同根源》 ，圣地的宝藏。[3] 1979年，拉劳尼斯在纽约第五大道和57街的拐角处开设了一家商店。一年后，史密森尼学会邀请他就他的艺术发表演讲，并在美国国家历史博物馆展出他的收藏品《阿基里斯之盾》。 20 世纪 80 年代至 90 年代 Ilias Lalaounis 在 20 世纪 80 年代继续创造创新系列，并将品牌拓展至国际市场。在东京 Lalaounis 商店开业之际，他创作了受日本艺术启发的珠宝系列。同年，他在香港开设了一家商店，推出了一系列珠宝，灵感来自希腊几何时期的图画，与中国艺术的几何设计非常相似。 1982年，第二家店在香港开业。[3]拉劳尼斯在费城宾夕法尼亚博物馆和得克萨斯州休斯顿展出了他的《特洛伊海伦》收藏品，并被市长授予荣誉市民称号。 1984 年，他出版了《Metamorphoses》一书，书中通过分析他对珠宝本质和功能的哲学，展示了他的 19 个系列。对于 Ilias Lalaounis 来说，珠宝不是一个简单的装饰物，而是承载着一种信息，是内心生活的表达，是与遥远过去的联系，是一种象征和记忆。 [3]他因这本书获得了美术学院颁发的索雷特奖（Prix Thorlet）。随后，他的创作回顾展在索邦大学教堂举行。由于对艺术的贡献，拉劳尼斯被法国政府授予艺术与文学骑士勋章（Chevalier de l'ordre des Arts et Lettres）和学术棕榈勋章司令（Commandeur des Palmes Académiques）。他还当选为法兰西学院美术学院院士，是唯一入选的珠宝商。[3][7]院士剑（épées d'Académiciens）是在入会时授予会员的，最初是由萨尔瓦多·达利设计的，当达利变得太虚弱而无法继续时，他任命他的密友伊利亚斯·拉劳尼斯继续他的工作。 1987年11月，拉劳尼斯受耶路撒冷市长泰迪·科勒克邀请，在以色列博物馆特别举办的展览中展示了他的收藏《圣地珍宝》，随后在纽约、伦敦和巴黎展出。第二年，他推出了《Arabesques》，这是一系列镶有宝石和半宝石的金银作品。土耳其外交部长邀请他在伊斯坦布尔伊斯兰艺术博物馆展出阿拉伯式花纹以及另一件补充藏品苏莱曼大帝。 [8]他在纽约推出了 Ameridians，这是一个受北美印第安人艺术启发的系列，并于 1991 年在纽约麦迪逊大道开设了自己的商店，在那里他展示了受凯尔特艺术启发的系列。博物馆 1994 年，他在雅典市中心卫城下创立了 Ilias Lalaounis 珠宝博物馆。常设展览展示了拉劳尼斯 (Lalaounis) 在 1940 年至 1992 年期间设计的 45 个系列的珠宝和微雕塑。[9]一些特殊的作品也被永久展示，例如由伊利亚斯·拉劳尼斯设计的奥运火炬，用于在每届奥运会之前启动奥运火炬集会。

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Ilias Lalaounis (1920-2013)！8k 金虎眼复活节彩蛋。伟大的作品经过猫眼测试 18k 金。无标记定制是由大师创作的独一无二的作品，并且价格仅为原始成本的一小部分。我还列出了另一个。没有问题。伊利亚斯·拉劳尼斯维基百科，自由的百科全书跳转至导航跳转至搜索伊利亚斯·拉劳尼斯左旋光磁共振成像伊利亚斯·拉劳尼斯在 1920.jpg 伊利亚斯·拉劳尼斯，1990 年出生于 1920 年 10 月 4 日希腊雅典2013 年 12 月 30 日去世希腊雅典国籍 希腊语母校雅典大学职业珠宝商配偶 Lila Altitzoglou孩子 4个女儿伊利亚斯·拉劳尼斯（Ilias Lalaounis，1920 年 10 月 4 日 – 2013 年 12 月 30 日）是希腊珠宝先驱和国际知名金匠。[1]他尤其以其受希腊历史启发的系列而闻名。[2] 1990 年，他成为唯一入选法国美术学院的珠宝商。[3][4]内容1 早年生活2 职业生涯2.1 1969-1970年代2.2 20世纪80年代-1990年代3 博物馆4 个人生活5 荣誉及奖励6 参考文献早期生活伊利亚斯·拉劳尼斯 (Ilias Lalaounis) 1920 年 10 月 4 日出生于希腊雅典。[3][4]他是第四代珠宝商，其家族起源于德尔菲。[4]他毕业于雅典大学，主修政治学和法律。[3][4]职业伊利亚斯·拉劳尼斯珠宝博物馆。 拉劳尼斯 (Lalaounis) 的职业生涯始于为他叔叔色诺芬·佐洛塔斯 (Xenophon Zolotas) 的珠宝生意工作。[4] 1940 年，他接管了公司的管理工作，并负责管理和设计该公司的所有珠宝直至 1968 年。[3]他创立了希腊珠宝商协会，并于 1957 年在塞萨洛尼基国际博览会上展出了他的第一个系列——考古系列。它的灵感来自古典、希腊化和米诺斯迈锡尼艺术。 1969 年，他创办了自己的公司 Greek Gold - Ilias Lalaounis SA。[4] 1969-1970年代 Lalaounis 的《Blow Up》系列（1970 年）引起了轰动，他为人体披上了受米诺斯文明启发的黄金珠宝。[5]次年，他在雅典组织了一场国际珠宝展，梵克雅宝 (Van Cleef)、宝格丽 (Bulgari)、雷内·科恩 (Rene Kern) 和海瑞温斯顿 (Harry Winston) 也参加了此次展览。 1976 年，他接到了最重要的委托之一，这对他的投资组合来说是最鼓舞人心的委托之一。伊朗皇后法拉赫委托拉劳尼斯创作一系列受波斯艺术启发的珠宝和物品，并在德黑兰皇宫展出。 [6] 1970 年至 1978 年间，伊利亚斯·拉劳尼斯 (Ilias Lalaounis) 在大多数欧洲国家开设了商店。他在巴黎旺多姆广场附近的圣奥诺雷街 364 号开设了第一家国际专卖店，并制作了一部短片解释展示的珠宝的灵感来源。从那时起，他定期制作短片来展示他的收藏，例如：《艺术的奥布》、《黄金拜占庭弧线》、《编舞》、《阿喀琉斯之盾》、《伊利昂 - 特洛伊的宝藏》、《艺术与黄金》、《造物主人的共同根源》 ，圣地的宝藏。[3] 1979年，拉劳尼斯在纽约第五大道和57街的拐角处开设了一家商店。一年后，史密森尼学会邀请他就他的艺术发表演讲，并在美国国家历史博物馆展出他的收藏品《阿基里斯之盾》。 20 世纪 80 年代至 90 年代 Ilias Lalaounis 在 20 世纪 80 年代继续创造创新系列，并将品牌拓展至国际市场。在东京 Lalaounis 商店开业之际，他创作了受日本艺术启发的珠宝系列。同年，他在香港开设了一家商店，推出了一系列珠宝，灵感来自希腊几何时期的图画，与中国艺术的几何设计非常相似。 1982年，第二家店在香港开业。[3]拉劳尼斯在费城宾夕法尼亚博物馆和得克萨斯州休斯顿展出了他的《特洛伊海伦》收藏品，并被市长授予荣誉市民称号。 1984 年，他出版了《Metamorphoses》一书，书中通过分析他对珠宝本质和功能的哲学，展示了他的 19 个系列。对于 Ilias Lalaounis 来说，珠宝不是一个简单的装饰物，而是承载着一种信息，是内心生活的表达，是与遥远过去的联系，是一种象征和记忆。 [3]他因这本书获得了美术学院颁发的索雷特奖（Prix Thorlet）。随后，他的创作回顾展在索邦大学教堂举行。由于对艺术的贡献，拉劳尼斯被法国政府授予艺术与文学骑士勋章（Chevalier de l'ordre des Arts et Lettres）和学术棕榈勋章司令（Commandeur des Palmes Académiques）。他还当选为法兰西学院美术学院院士，是唯一入选的珠宝商。[3][7]院士剑（épées d'Académiciens）是在入会时授予会员的，最初是由萨尔瓦多·达利设计的，当达利变得太虚弱而无法继续时，他任命他的密友伊利亚斯·拉劳尼斯继续他的工作。 1987年11月，拉劳尼斯受耶路撒冷市长泰迪·科勒克邀请，在以色列博物馆特别举办的展览中展示了他的收藏《圣地珍宝》，随后在纽约、伦敦和巴黎展出。第二年，他推出了《Arabesques》，这是一系列镶有宝石和半宝石的金银作品。土耳其外交部长邀请他在伊斯坦布尔伊斯兰艺术博物馆展出阿拉伯式花纹以及另一件补充藏品苏莱曼大帝。 [8]他在纽约推出了 Ameridians，这是一个受北美印第安人艺术启发的系列，并于 1991 年在纽约麦迪逊大道开设了自己的商店，在那里他展示了受凯尔特艺术启发的系列。博物馆 1994 年，他在雅典市中心卫城下创立了 Ilias Lalaounis 珠宝博物馆。常设展览展示了拉劳尼斯 (Lalaounis) 在 1940 年至 1992 年期间设计的 45 个系列的珠宝和微雕塑。[9]一些特殊的作品也被永久展示，例如由伊利亚斯·拉劳尼斯设计的奥运火炬，用于在每届奥运会之前启动奥运火炬集会。

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复古 14k 扣翡翠串珠项链。漂亮的旧项链，未经处理的翡翠，大约产于 20 世纪中期，手工绑丝绸，配有 14k 金扣。 10-11毫米珠子128克。 33 英寸长，可轻松折叠成颈链。

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复古阿甘翡翠串珠项链。出售所示的复古阿甘翡翠项链，刻度珠子从 4.7 毫米到 10.2 毫米，用数字卡尺测量，重 50.7 克，14k 金搭扣。 22 英寸长。大约 20 世纪中叶，没有损坏，有一些天然裂缝/颜色变化，因为它是未经处理的硬玉，不含塑料和染料。 自 1861 年以来，Gump's 一直是独特而永恒的珠宝目的地。玉石一度被认为比黄金更珍贵，并被珍视了数千年，在亚洲，玉石比任何其他宝石都更受推崇。它代表和谐、平衡和保护，被认为能为佩戴者带来好运。

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1990 年法国 Philippe Ferrandis 巴黎秀场金色项链和夹式耳环。令人惊叹的复古套头套装干净且可直接穿着，来自价值数百万美元的珠宝/服装系列，其中任何东西都只能佩戴几次。无损坏或可检测到的磨损。耳环高 3.5 英寸 x 宽 2 英寸，夹子上配有强力弹簧。项链 20 英寸长，没有问题。保证 80 年代末至 90 年代正品套装，没有任何问题。安德拉斯巴格

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c1890 维多利亚时代 14k 微型马赛克狗耳环。一对很棒的 19 世纪下半叶空心但实心（经过测试）的 14k 金耳环。 2 英寸高 x 5/8 英寸宽 6.5 克。未标记的

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大号格鲁吉亚 14k 金镶嵌肖像微型吊坠。 18 世纪至 19 世纪初的非常精美的微型肖像画，安装在由 14+K 金实心制成的厚框架中。我将其拆解，以便在不损坏外部的情况下进行准确测试，它是实心 14k 或以上但低于 18k 黄金。拆开后，我发现里面有三张纸，一张被切成两半，放在一起时写着： Lane Portrait and Miniature Painter 135 High Street Portsmouth，背面可能是这幅肖像的收据。然后另一篇论文读到了这个10 月 _______ 先生大乔治街威斯敏斯特 我真的很惊讶地发现这些线索，虽然我没有太多时间去跟进它们，但它们很有趣。我把这些纸片放回了它们在过去 200 多年里安全隐藏的地方。高 3.5 英寸（不含额外宽松的顶环）x 2 3/8 英寸宽 44.8 克。这些照片是在对 200 多年历史的金框进行重新组装和仔细清洁后拍摄的。

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大号古董 18k 硬石浮雕褐红玛瑙胸针。令人惊叹的 19 世纪最新高浮雕经过测试，保证至少为实心 18K 金。 2.25 英寸高 x 1 5/8 英寸宽 34.7 克。

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大号古董 14k 金褐玛瑙贝壳浮雕，配有天然珍珠吊坠/胸针。 2.75 英寸 x 2 英寸 x 21.2 克。令人印象深刻的稀有浮雕收藏的一部分。未标记，但经酸测试为略低于 14k 金，保证为 10-14 克拉纯金。

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复古中国 14k 翡翠吊坠 2.5 英寸高 x 1 5/8 英寸宽 26.5 克，标记并测试 14k 金，测试为翡翠

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尺寸 4.5 纳瓦霍 Irvin Kee 14k 宝石级地中海红珊瑚戒指。无标记、经过测试的实心 14k 金。很可能是 20 世纪最后 25 年的作品，但几乎没有磨损的迹象。 4.9克。这是一枚真正高品质的戒指。我找不到关于这位艺术家的太多信息，但他做了一些非常好的作品，正如这里所显而易见的，但他所做的一切都非常好，使用了最高品质的宝石，并且非常注重细节。他只是产量不高，质量似乎胜过数量。所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。

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古董 14k 金硬石浮雕珍珠吊坠。无标记、经过测试并保证为 14-15 克拉纯金。大约 150 岁，高 1 7/8 英寸，带保证金和跳环 x 1.25 英寸宽。 14克。

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古董雕刻 14k 金绿松石别针。经过标记和测试的实心 14k 金。马克在接球时变得微弱，随着时间的推移而磨损。手工雕刻，精美绝伦。 15/16 英寸 x 5/8 英寸 x 2.5 克。

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19 英寸复古 14k 扣 14-15 毫米青金石串珠项链。优质复古项链，没有任何问题。122.2 克。安德拉斯

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Sz6 Estate 18k 翡翠、钻石和珍珠戒指。天然未经处理的硬玉，12 颗大小合适的天然测试钻石，重量可能超过 1 克拉。优质珍珠，经过标记和测试 18k 金，带有难以辨认的制造商标记。 20 毫米 x 24 毫米环面。 11.8克。

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18k 天然埃塞俄比亚棕色蛋白石/钻石吊坠。美丽的吊坠，经过标记和测试，采用 18K 金制成，镶嵌约 0.15 克拉钻石和 2 克 0.9 克拉天然蛋白石，没有损坏或明显磨损。 1 1/8 英寸高 x 0.5 英寸宽。

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6.5 英寸 Christin Wolf 美洲原住民 14k 金和纯银手链Christin Wolf 是一位全国知名的珠宝设计师，以将永恒的线条和现代风格与充满活力的西南色调融为一体而闻名。过去 30 年来，Christin Wolf 一直被公认为西南珠宝设计领域的领导者。 Christin Wolf 珠宝由美洲原住民在阿尔伯克基旧城区的 Christin Wolf 工作室手工制作。所有贵金属都经过测试并有保证，如果以纯银表示，则保证含银 90% 或更多，所有扣环均可用，我不会在这里提供任何有任何重大问题的东西。如果列表中未另有说明，则应在图片中显示尺寸和重量。

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复古 14k 金绿松石串珠项链 18.5 英寸项链，5/8 英寸吊坠，5 毫米珠子 18.4 克。

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复古 14k 翡翠和珍珠串珠项链。出售所示项链，其中有经过标记和测试的 14k 金珠子和扣环、翡翠长方形珠子和养殖珍珠。 26 英寸长 23.7 克，宽 4 毫米。

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sz9 Barbara Bixby 18k 金纯橄榄石戒指。没有损坏或重大问题。 14.8克。

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复古中式 14k 金 26 英寸长青金石串珠项链。14k 扣环和珠子，天然青金石，珠子约 8.5 毫米 60.7 克。

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ST Dupont Fidelio Lignes Recoupees 3 笔套装。出售所示的所有三支钢笔，钢笔的笔尖为 14k，可能已经干了，另外两支写得很好。它们三个都非常干净，没有凹痕或划痕，磨损最小。正品保证，夹子上均带有序列号。饰品抽屉

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大号古董 18k 金微马赛克别针。令人惊叹的 19 世纪艺术珠宝，按我的体重计 2 英寸 x 1 5/8 英寸，重 39.4 克。经我和独立珠宝商测试，为 18K 金，无标记。包括最后一张图片中显示的评估。

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纳瓦霍赫尔曼史密斯 14k 金纯银耳环 1 英寸高 x 0.75 英寸宽，没有问题 13.3 克。 1964 年出生于新墨西哥州盖洛普。赫尔曼从母亲那里学会了银器制作。他以其细致而独特的邮票作品而闻名，这些邮票作品只使用很少的邮票。他是当地著名的艺术家，他的珠宝在他的家乡很受欢迎。

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一款独一无二的金色纯银游侠腰带，上面还安装了 5 套。总共 6 套游侠套装。 20 世纪上半叶的所有游骑兵套装，全都是纯金镶嵌的，全是手工雕刻的，我相信所有都是墨西哥制造的，除了德克萨斯制造的，我相信那是 Nelson Bringhoff。较大的主扣是 1" Ranger 套件，其他是 3/4" Ranger 套件。总长 41 英寸，我相信它适合 32 英寸至 35 英寸的腰围，可能会为 36 英寸的腰围添加一个额外的孔。皮革状况良好，由德克萨斯州奥斯汀的“The Leather Bench”定制。皮带最宽处为 2 英寸，逐渐变细至 15/16 英寸。

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David Yurman 14K 黄金纯银双“X”扭绞缆绳耳环。内部标记为 Yurman 14k 925。14.5 克保证 100% 正品 David Yurman。

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sz6.5 John Atencio 18k/纯银和紫水晶金门水平戒指。正品，保证超级干净的顶级品质，没有任何问题。

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古董中国珊瑚项链，带 14k 金扣。表扣经过测试，保证采用实心 14k 黄金，并配有填充金的安全链。 14 英寸长，19 世纪末至 20 世纪初。总重 84.3 克。

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925 纯金/22k 金和红宝石凸圆面项链。漂亮的多股 17 英寸纯银和 22k 金项链，经过标记和测试。总重 40.3 克。我无法识别标志，康斯坦丁诺或约翰·哈迪风格。

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c1880 Robbins Clark & Biddle 14k 金可伸缩吊坠医生铅笔，带跳环封闭的长度略多于 3.5 英寸，带跳环完全展开的 4 7/8 英寸。功能齐全，没有任何问题。没有标记，但经过我在多个地方的酸测试，结果是 14k 金，没有任何镀金的迹象或证据。一侧刻有零售商的名称，另一侧刻有医生的名字。 18.6克。在不损坏这个的情况下，我不能 100% 确定它不是镀金的，但正如我所说，没有证据表明它是电镀的，没有磨损，并且它在多个地方测试 14k 时很坚固，但在 18k 时褪色，通常镀金的物品更多通常是 12k，所以不会测试 14k，所以我相信它是纯金。一些内部机制将是另一种金属，因为它们比金更耐用。我之前拆解过同一时代的不同型号，它们通常是 50-75% 的黄金，并带有少量的钢或黄铜部件用于机械装置。如最后一张图片所示，固定铅笔的内轴是黄铜的。 Robbins、Clark 和 Biddle，地址：费城切斯纳特街 1124 号。这是一家珠宝店，还出售纯银和电镀制品、进口商品、钟表、青铜器、“镀金、皮革、木材和水晶的精美商品”，其中包括花瓶、墨水架、花瓶、珠宝盒、工作盒和篮子、温度计和气压计、油醋汁和卡盒。塞缪尔·比德尔是贝利、班克斯和比德尔的比德尔。 1857 年，他在托马斯·C·加勒特 (Thomas C. Garrett) 门下当学徒，并在 1860 年之后的某个时候接手了他的生意，成立了 Clark & Biddle。后来变成了《罗宾斯、克拉克和比德尔》（至少到 1876 年为止；它们出现在百年纪念展览的目录中），然后在 1878 年变成了我们今天所知的贝利、班克斯和比德尔。我见过 Clark & Biddle 零售的其他制造商（包括 Krider）的商品，但他们似乎也生产了一些商品，至少在早期是这样。

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维多利亚时代 18k 玫瑰金高浮雕熔岩浮雕胸针。 19 世纪，未标记，但经过测试并保证为纯 18K 金。 2 英寸高 x 1.75 英寸宽，没有任何问题。

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维多利亚时代 14k 玫瑰金/珍珠镶硬石浮雕胸针。 19 世纪硬石浮雕雕刻，没有任何问题，框架经过测试，保证为实心 14k 金，无标记。 1.75 英寸高 x 1.45 英寸宽。 19.4克。

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