Borghese Terracotta Cherubs set of 3. Selling the three shown 8.25" tall with no cracks, chips, or restorations. Minor wear to gilding on bases. TW246

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c1750's Battersea snuff box. 3 5/8" wide x 1.6" tall. Some overall crazing and very minor overpainting at bottom rim inside and out. This and a few more Battersea pieces I'm listing have tags indicating they were last purchased at Sotheby's Parke-Bernet in the 1970's.Having already opened an office in New York, in 1964 Sotheby’s bought Parke-Bernet, America’s largest fine art auction house.Battersea boxes developed in the mid 18th century as tiny decorative containers covered with enamel or porcelain and decorated with pleasing designs. Originally the boxes were made of copper covered with white enamel, decorated with classical or religious scenes or portraits. They evolved over time to become more sentimental. The Battersea box got its name from a firm under the tutelage of Sir Stephen Theodore Janssen, Once Lord Mayor of London at York House in Battersea. The boxes were decorated by transfer printing, which took an impression from an engraved plate painted with enamel and printed on to the box which was then hand painted and fired. The firm existed only from 1753 to 1756 however other firms producing similar boxes, especially those in the village of Bilston, took up this technique. Battersea became the collective name for all such boxes. With advancements in the pottery industry due to the Industrial Revolution, Battersea boxes gradually fell from favour. Allowing small boxes to be produced at less cost than the enameled competitors made Battersea boxes decline significantly by the mid 19th century. They became popular again in the second half of the 20th century with the development of commemorative boxes produced for such well known firms as Tiffany & Co.

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12 Pound Petrified Wood Covered in Crystals. It weighs 12 pounds and Measures 13" x 7" x 4.75". Picures don't do it justice. I bought it from a guy that found it in a storage locker.

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Antique Austro Hungarian Silver Royal Litter Carriage Figural perfume bottle.<br>Hallmarks on each of the hand bars and inside rim of lid.. 3.5" wide x 2 5/8"<br>tall x 1.25" deep. High quality silver marked and tested with highest quality<br>crystal insert.

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Antique Austin Texas American National bank Compact/pill box. Nice old item<br>likely from the first quarter of the 20th century with no significant issues.

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Antique Meyer Texas Stoneware Jug 2 qt. Excuse me for calling this cute, but it is. Great size. I'm guessing at the 2qt, maybe 1 qt, definitely not a gallon, don't have time to check. 8.5" tall x 6" wide with handle, a few very small nicks on top rim. No large chips, no cracks, no restorations.Meyer Pottery Co. 1887 - 1964 Franz Schultz founded this company in 1887 with his son in law William Meyer at the Atascosa Community in Bexar County just Southwest of San Antonio. Schultz, an 1885 immigrant from Germany, was reared in a pottery-making family, and, upon his arrival in Texas, he found work in the pottery shop of William Saenger. Shortly thereafter he was joined by William Meyer, who had arrived in Texas on the same ship with Schultz. Meyer not only went to work for Saenger, but married Schultz's daughter Mary. Soon Meyer's sister Maria arrived with her potter husband Ernst Richter, who would go on to establish the Star Pottery Co. in Elmendorf. When Schultz and Meyer got word of a good clay outcropping at Atascosa to the west, they set up their own company to produce all types of utilitarian stoneware. The Meyer Pottery was one of very few Texas companies of the period who continued to rely primarily on a native clay source for their slip glaze. Rejecting the newly available commercial Bristol and Albany slips, the Meyer Co. chose, either for aesthetic or financial reasons, to dig their own slip clay from the banks of nearby Leon Creek. It is primarily this slip, unique in Texas pottery, that makes the Meyer work so recognizable. Also their shoulder-to-shoulder ring handle attachment is rare on Texas pottery. The Leon slip fires to a wide range of colors from dark brown to light mustard. Most have a greenish tint. Upon William Meyer's death in 1920, his two sons, Frank Meyer (b. 1888) and Gustav (Gus) Meyer (b. 1896) took over the family business. They continued to manufacture utilitarian vessels well into the 1940s. I know of no piece of normal production utilitarian ware with a "Meyer" mark. There is a handful of "specialty" items with marks, including advertising pieces and a type of cistern float. But it is the striking, mustard to brown to olive green "Leon Slip" glaze that is the best known Meyer signature, and this is a beautiful example of that classic look.

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c1870 Antique Miniature Porcelain plaque. Hand painted, not examined outside of frame 4.25" tall x 3.5" wide with frame. tw125

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Large 15th Century Thai Sawankhalok Celadon Jar. 6" tall x 7" wide, Stable 3" long hairline in body shown in third pic, likely excavated or shipwreck item as it appears to have calcium deposits/worn glaze. Detailed description in 1984 appraisal included with item. isshelf

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c1900 McKinley Roosevelt Jugate 1.25" . Vice President Hobart died in 1899, so the Republican convention chose New York Governor Teddy Roosevelt as McKinley's running mate in the 1900 presidential election. Selling the exact button shown front and back, guaranteed authentic turn of the century c1900 jugate.

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13pc 1930's Little Orphan Annie nodder Walt Disney Bisque collection cartoon characters Made in Japan. Selling the lot shown mostly Disney, most if not all with Character name on back. Some paint loss, Sleepy elf with chip on foot. All made in Japan, most if not all marked so. Tallest 4.25". tw198

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Anique General Electric Instrument Potential Transformer Porcelain Sign GE. Great unrestored authentic piece from the early 20th century with no significant damage. 6.75" x 4.25" TW165

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Large Vintage Carved Cameo Conch Shell 5.75" long x 4" wide x 3.75" tall with no<br>cracks or chips, lots of carving, fantastic shell from the first half of the<br>20th century.<br>tw147

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Limoges Trinket Box Perfume bottle Holder. 2.5" tall x 1.5" wide no cracks, chips, restorations, never used. Snaps shut with audible click, strong hinge. TW109

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c1877 Engraved Snuff Box with inscription. Hand engraved Silver plate<br>snuff/tobacco box 3 1/8" x 2" x 1". I believe this is silver plated nickel as<br>silver prices were crazy in the 1870's, they were basically the same price as<br>they were in the 1970's.<br>isshelf

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Antique Miniature Teddy bear excelsior filled. 4" tall excelsior filled, seems<br>to be felt or closely shaven/worn mohair. Not sure. The legs and arms move<br>together meaning if you move one arm both arms move, one leg both legs move.<br>Great little bear from the first quarter of the 20th century. If you have any<br>clues on the maker I'd be grateful. I could find no button or other markings.<br>isshelf

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Antique Meissen Dancing Couple Figure Group. Uncommon Meissen figure, the only<br>other time I've seen this it was missing the man's hand and the floral wreath.<br>6.25" tall, the man's hand has been glued back on and that are a few very tiny<br>nicks to the flowers on the wreath. These are only visible upon very close<br>examination. No other cracks, chips, or restorations.<br>TW251

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The man is 17.5" with some minor nicks on the base rim and a small chip on the<br>flower on one shoe, also his hand sticking out has been professionally restored.<br>The lady is 17" and had small chips on base rim and it appears there may have<br>been a bouquet in the cone in her right hand. No other damage. They're both<br>guaranteed c.1860-1890.<br><br>These are very heavy, basically sculptures. They weigh 9 pounds together.

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Bing and Grondahl Boy feeding chickens figure 6.5" No cracks, chips,<br>restorations, or crazing<br>b36

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7.25" tall x 3.5" wide with no cracks or chips, no loss or other issues. Guaranteed circa late 19th century. Came from a collection of great late 19th century art glass, all genuine.

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Bing and Grondahl Girl Holding baby figure 8" tall with no damage or wear.

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Bing and Grondahl Girl with cat figure 5" wide x 4" tall with no damage or wear.

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Antique Persian Middle Eastern Silver Inlay Copper Tray 14" wide and very heavy<br>for it's size as it's copper and silver. Guaranteed 18th-19th century. 90+%<br>silver (tested) on copper.<br>TW121

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Frame measures 25.75" x 18.5" dimensions inside inner matting is 12" x 19". It's<br>triple matted. Frame shows some wear, picture and matting are perfect.<br><br>Billy Molokeng<br><br>Born 1944 - Gauteng<br><br>About the Artist<br><br>Billy Molokeng was born in 1944 in the Alexandria Township in Johannesburg. He<br>was orphaned at a very young age and brought up by his sisters. In order to make<br>a day-to-day living he started selling his drawings, and later, paintings. This<br>brought him to the attention of a wealthy sponsor, who enabled him to attend a<br>private art school, which in turn helped to develop his style and technique.<br><br>Molokeng is an unusual and dynamic personality who enjoys and excels in all<br>forms of creativity. He composes and performs his own songs, enjoying enormous<br>popularity under the stage name of “Billy Africa”.<br> <br><br>Style and Format<br><br>Versatility, dynamism and inventiveness have kept Billy Molokeng’s work fresh<br>and ever changing, ensuring that both he and his art do not become stereotyped.<br>This is demonstrated by the fact that his work was initially typically<br>“township” in character, but developed into his own more unique style in later<br>years.<br><br>His early paintings portray scenes taken directly from life in the townships.<br>The compositions of these early works are dense and on a single plane, usually<br>with several figures depicted in a bold and heavy manner. His individuality and<br>originality, however, is still strongly evident. His figures are lively and<br>filled with movement, containing a subtle humour, underlying joy and<br>light-heartedness which so many art lovers relate to, and enjoy.<br><br>During the 1970s and 1980s, this South African artist’s work became more<br>sophisticated, both technically and conceptually, representing a more mature<br>artist at work. Molokeng’s work started to move away from direct township<br>depictions towards a fusion of the urban experience with African motifs and<br>culture.<br><br>Compositionally, his African art became lighter and began to incorporate more of<br>the figurative and abstract than the literal. Many of his paintings began to<br>display a more sketchy landscape background, containing forms such as huts,<br>missionary churches, ox wagons, oxen and human figures in tribal and rural dress<br>partaking in traditional customs.<br><br>Towards the end of the 1970’s, a calligraphic element within his work began to<br>emerge. This, together with the Bushman-like figures that started to populate<br>his township art, gave his work a potent African flavour that still exists to<br>this day, and makes Billy Molokeng’s work so appealing to South Africans and<br>foreigners alike.<br><br>In the 1980’s Molokeng’s work witnessed further developments, resulting in a<br>more refined technique and style. Township life, once again, became important<br>subject matter, although it was rendered in a more personal manner and blended<br>with the African landscape. The landscape element of this newer work is more<br>solid and is rendered as an integral part of the more abstract compositions and<br>forms. Influenced by life and politics within the townships during the most<br>volatile period of South African history, Molokeng’s work began to demonstrate<br>strength and a sensitivity that were to remain an intrinsic part of his work.<br> <br><br>Exhibitions<br><br>Molokeng had his first exhibition at Dorkey House, Eloff Street, Johannesburg.<br>In 1974 he participated in several group exhibitions – at the Canadian Embassy,<br>Gallery 101, Lidchi Art Gallery and at the Herbert Evans Art Gallery,<br>Johannesburg. In 1976, he participated in the Second International Art Fair in<br>Tel Aviv, Israel. This was followed by a one-man show in Germany in 1979. The<br>next year (1980), he took part in group shows in Athens and in Rome and<br>subsequently had a one-man show at the Lidchi Art Gallery in Johannesburg. In<br>1981, Billy Molokeng was awarded one of the three prizes for painting at the<br>Republic Art Festival.<br><br>Molokeng has also been featured in a group exhibition at the World Bank offices<br>in Washington, U.S.A. along with other artists chosen from Cameroon, Ghana, Mali<br>and Nigeria.<br><br>Currently, Billy Molokeng presents a strong sense of “Africa” within his<br>paintings. Their potency and appeal lie in his bold use of colour, his strong<br>compositions and his unique use of his medium. The acrylic and oils are used as<br>an overlay, which is often scratched away to create different textures and<br>layers, as well as expose various underlying colours. His use of black<br>strengthens and enhances the burnt sienna, ocher, gold, greens and blues as well<br>as emphasizing his trademark white and black eyes of his figures.<br><br>Billy Molokeng’s South African artworks are appreciated by thousands and are<br>part of many private and public collections both in South Africa and abroad.

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13" c1940 Shirley Temple Doll with book "The little Princess" These came together, estate fresh and well preserved. A little writing and wear on outside of the book, clean interior. Doll is about 13" tall without her poofy hair. I believe the clothes and shoes are original. Clean unrestored condition composition body. Selling the doll and the book, last date in the book is 1939. isshelf

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Antique Arcade Cast Iron Buffalo Bank c.1920's 3" tall x 4 3/8" long. Guaranteed<br>authentic with orthogonal paint. Nice patina that doesn't show so well in the<br>pics.

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Antique Meissen Figure Gentleman Gathering Firewood. 8" tall, 19th century.<br>Clean break to upper stick coming out of his hand. The stick is shown taped to<br>base but I will pack it better for shipping. It's an easy fix and will be barely<br>noticeable with just a touch of glue but I think it's better to ship like this..<br>No other chips, cracks, or restorations.<br>TW192

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Ancient Roman Bronze buckle. This is part of a large collection of artifacts I'm helping liquidate, all purchased from reputable sources over the last quarter of the 20th century, money was no object. I'm pricing everything at a small fraction of what it cost from the galleries/auctions. Just the displays alone must've cost a small fortune. They come in a very fancy Steel/acrylic display case, case measuring 3.5" tall x 2.25" wide, some wear/adhesive residue to case, Artifact is 2 3/8" x 1 3/8" wide.

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Antique Sitzendorf Porcelain courting farm couple. Selling the two hand painted<br>German porcelain figures from the first quarter of the 20th century. Lady with<br>loss to one finger, no other cracks, chips, or restorations. 8.25" tall.<br>figshelf

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Antique Blacksmith Forged miner's candle holder. Authentic piece from the 19th to very early 20th century at the latest. 8.5" long 3 3/8" tall, great patina and very old wax residue. No identifying marks I could find. tw270

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Antique Agate Match Safe. Gold filled mount with no markings, tin striker<br>surface with some intact rough surface for striking, lift tin top to store<br>matches. 2.25" long x 1" wide x 13/16" deep, no damage, some expected wear.<br>These were all purchased in New York at Parke-Bernet Galleries before they were<br>bought out by Sotheby's in 1964.

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Stieff Sterling Williamsburg 恢复苏格兰酒标签，出售所示标签，没有问题。

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Stieff Sterling Williamsburg Restoration 杜松子酒标签，销售所示标签，没有问题。

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c1940's Deep carved Orange bakelite buckle and dress clip set. Buckle 3 5/8" x 2 7/8", fits up to a 1.25" belt. Dress clips with strong springs 2 1/8" long.

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c1940's Green Art Deco Bakelite buckle set 1 7/8" x 3.5", fits up to a 1 1/8" belt.

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c1840 William Ridgway Tab Handled Cake Plates Pair. 11.75" x 9.5". Both super clean have been hanging on a wall for 40 years. No cracks, chips, or restorations, slightes glaze wear in very few spots. Selling both shown.<br>tw204

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6 5/8" Greek Gerochristo 18k/Sterling tourmaline braided bracelet. Fantastic quality, guaranteed authentic, no issues.

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Meissen 洋葱茶罐、火柴架、骨盘和小托盘。 20世纪上半叶的好地段。 4 1/8 英寸高的茶罐缺少盖子、7.25 英寸骨盘、4 英寸方形托盘、5.25 英寸火柴架。出售所有显示的部件且没有损坏。TW177

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Vintage Foley Artist Signed Hand Painted Tea Cup and Saucer with Roses. Full sized tea cup and saucer 5 5/8" saucer cup 4" wide at the rim. Set very clean with no crazing, chips, cracks, or loss to gold. isshelf

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Meissen Full Green Vine Relish 11.5" x 9.25" No scratches, cracks, chips,<br>crazing, stains, restorations, or other wear.

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British sterling silver trophy cup, William Hutton & Sons Ltd., c.1903, engraved "Trooper H. Brace No. 4 Troop, D Squadron E.I.Y., Musketry, 1903," Sheffield hallmarks, approx 4.5"h, 2.25"diam, 2.71ozt, together with (1) photograph of a soldier on horseback marked "Trooper H. Brace E.I.Y. Es Hussars, 1900," photo: approx 5.5"h, 4.25"w **Note: The Es Imperial Yeomanry (a volunteer cavalry unit) participated in the Second Boer War, South Africa, 1899-1902, the likely location of the photo. Small dent in base of trophy, no other issues. tw154

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c1890 Black Forest/Horn Carved Wood Coat hook. Amazing item, minor loss to tips<br>of horns on wood carving, no other issues. 10" tall x 3.5" deep.<br>tw255

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San Jose Mission Pottery Tile. 6.25" square. No cracks, chips, or restorations. No issues, really nice example.San Jose Mission Potteries refers to a group of tile and pottery workshops founded by Ethel Wilson Harris in the San Antonio, Texas area starting in the 1930s. tw119HistoryEthel Harris was a great enthusiast of traditional Mexican art, and the three potteries – Mexican Arts & Crafts, San Jose Potteries, and Mission Crafts – provided an outlet for Mexican artisans to produce native-inspired ceramic designs. Her first pottery company: Mexican Arts & Crafts (MAC), launched in 1931. The pottery opened in the granary of the Mission San José. A small shop attached to the pottery sold wares promoting Mexican-influenced design to area tourists.Harris hired a principal designer, Fernando Ramos, while he was still a high school student. Ramos was responsible for the collective potteries’ well-known scenes of Mexican life, local culture and dancers. He left in 1934 to take up dancing full-time and studied Spanish, Mexican and Gypsy dance in Mexico. Along the way, he met and married another dancer, Carla Montel. The pair became a popular dance team in the 1940s, appearing in nightclubs and movies. Flamenco dance themes are common in MAC pottery. In the late 1930s, Harris copyrighted Ramos’s designs, and continued to use them for many years after his departure, in all three incarnations of her pottery workshops.Her workshops gained additional exposure through participation at the 1933 Chicago World’s Fair. By 1934, Harris’s success led to expansion with San Jose Pottery, started up as a production facility for the smaller MAC workshop, which couldn’t support the kilns needed for tile manufacture. San Jose Pottery also manufactured a line of dinner-, art and tileware known as “Pan American Ware.” These pieces featured Colonial, Western, Indian and Mexican scenes.Harris left San Jose Pottery in 1937 following a disagreement with the president and partial owner of the company, Cecil Beck. As part of the split, she retained rights to all of the designs produced by the company. The Calla Lily dinnerware line that San Jose Pottery is known for was produced after Harris left the company. Beck sold the company to a New York firm in 1941. The pottery burnt to the ground in 1944. Unable to resume operations, the company went out of business and the building was razed in 1947.Concurrently with her work at San Jose Pottery, the workshop began producing tile murals and wrought iron tile tables for the 1936 Texas Centennial Exposition. MAC/San Jose Potteries also produced wares for the 1939 New York World's Fair.Harris continued her work with MAC. In 1939, Harris joined the Arts and Crafts Division of the Work Projects Administration (WPA) as a technical supervisor. During this period, she brought 60 WPA artisans into the workshop. Items produced during that period include tilework for public spaces, dinnerware for needy families and other public works. She left the WPA in 1941 to manage the San Jose Mission State park, and moved into living quarters in the mission. The third iteration of her workshop, Mission Crafts, was launched in 1941. This larger workshop featured both more space and a bigger kiln. They collaborated with local iron artisans and produced tilework in wrought-iron frames and tables. Harris eventually retired in 1963, when her son took over the business. Mission Crafts closed in 1977 due to increased production costs.

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sterlling silver hors d'oeuvres forks. Vintage set, really multiple sets combined from an estate. All tested sterling, some unmarked. TW102

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Franciscan Apple Soup Tureen and Lid American Backstamp. Large footed soup tureen. Near mint with no cracks, chips, crazing, or restorations. 12.5" handle to handle x 9" tall.

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9" 1964 Democratic National Committee LBJ for the USA Political Button/Sign Near Mint. Amazing piece in near mint condition. Cool, big, original. TW70

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c1910 Royal Doulton Bottle Japan Chinoisiere Imari British Imari 7.5" Desert Plates (4) with Polychrome Decoration Peach Lustre Accents. I'm listing other pieces of this scarce and attractive pattern separately. They have no cracks, chips, or restorations, One has some minor crazing the others have none. Selling the exact 4 plates shown. tw12

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2 1868 English Pewter Ice Cream/pudding Molds embossed fruit. Selling both 150 years old with appropriate wear, clean, presentable, attractive, uncommon, and functional. 8.75" tall x 4.75" wide at base.Tw28

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Sterling Silver Pepper Mill. 4 1/16" tall x 1 7/8" wide in good working condition with no issues. Simply marked sterling as shown at the bottom of the last pic. 141.7 grams inclusive of all materials.TW198

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Meissen Full Green Vine Gold Trim Large Covered Tureen 12.5" wide x 8" tall. No<br>cracks, chips, or restorations. This is a very old 19th century piece. Minor<br>wear to Gilding on base. Some general wear inside and out from use. Displays and<br>works perfectly.

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Meissen Rose Pink Bone Dish Gold Trim Mint 8"(multiple available) selling one with multiple available, all with no cracks, chips, scratches, crazing, stains, flaws, or gold wear.

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Bauer Demitasse Cups and Creamer/Sugar Orange Cobalt Yellow (5 pieces) MINT<br>California pottery<br><br>No cracks, chips, scuffs, or scratches. The color is good and true, just<br>difficult to photograph. Cups are 2.25" tall, creamer is 3" tall, sugar is<br>missing the lid.

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Meissen Full Green Vine Covered Vegetable 13.25" wide with handles x 7" tall No<br>scratches, cracks, chips, crazing, stains, restorations, or other wear.

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Meissen Full Green Vine Butter/Cheese Dish with lid 8.25" wide x 4.25" tall. Two<br>small glaze flaw firing flaws on lid. No scratches, cracks, chips, crazing,<br>stains, restorations, or other wear.

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1950's Purinton pottery Budweiser Mug 5" tall with no cracks, chips, or<br>restorations. There is one spot in the very base interior with crazing/stain, no<br>other crazing or stains. Guaranteed 1950's Purinton Pottery promotional<br>Budweiser mug. I believe these were only distributed in Pittsburg, PA.tw215

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1911 Austin Texas Sumphony Concert Hans Harthan Director Program 6 1/8" x 3 7/8". Rare piece of Austin Memorabilia that shows it's always been an extremely cultured city.

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1930's Yale University Wedgwood pottery Elihu Yale Toby Jug No cracks, chips, or restorations guaranteed. Overall crazing as expected.

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Meissen Full Green Vine Large Covered Tureen 15" wide x 10" tall. This piece is<br>second quality the green is a little lighter than other pieces. No cracks,<br>chips, restorations, crazing, or wear.

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Meissen Full Green Vine Condiment Jar with 6.75" Underplate 5.5" tall total. No<br>scratches, cracks, chips, crazing, stains, restorations, or other wear.

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Meissen Full Green Vine Serving Bowls 9.25" oval and 10" No scratches, cracks,<br>chips, crazing, stains, restorations, or other wear.

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Bahr & Proschild 585 18" Germany Porcelain Doll c.1900. Really big doll, clothes are probably about 50 years more recent than the doll. Porcelain Head has no cracks, eyes open and close naturally. Hair appears original. Restoration to one foot, maybe a few small touch ups. The only semi significant issue I see is the foot.

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c1910 Ovington Bros Vienna Austria Dessert Plate Set with Heavy gold scalloped<br>edges 9". Really nice set of mint condition plates that are about 100 years old.<br>Selling all 7 they are 9" wide with no cracks, chips, scratches, or other<br>noticeable wear. They were made in Vienna Austria and Retailed by Ovington Bros<br>in the US which was the top Jeweler/Luxury item retailer of the time in the US<br>that handled items like Tiffany and other top manufacturers from around the<br>world.

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Antique Dresden Teichert Meissen Reticulated hand painted compote. All hand painted piece from late 19th to early 20th century with no damage or restorations. Solid and stable, not wobbly. 8.75" wide x 7: tall, no wear to gilding.The term "Dresden porcelain" refers more to an artistic movement than a particular line of figurines or dinnerware. Several decorating studios emerged in this Saxony capital in response to the rise of "Romanticism" during the 19th century. Dresden was an important center of this artistic, cultural and intellectual movement, which attracted painters, sculptors, poets, philosophers and porcelain decorators alike. In 1883, in response to the exciting developments happening all around them, four prominent ceramic decorators registered the famous blue crown Dresden mark, and the widely popular "Dresden style" was born.

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Art Deco Mixed Metal 830 Silver on Brass Carl Larsen Denmark Silver Box with<br>Amber Cabochon. Ring shown for scale purposes only, not included. 9.5" x 3.25" x<br>2" tall, no significant issues, strong hinge, thick metal, great box ready to<br>put stuff in.<br>TW217

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Antique British Sterling Cobalt lined Salt dips with spoons 2.5" x 1 7/8" x 1.25" tall with 2.25" long spoons. Selling all three with no damage. silverdrawer

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Bronze Tribal Mask African. Estate fresh. The Kids that are now in their sixties<br>remember it always being there, so it's at least 50 years old, likely older. I<br>have no other provenance. It has an old restoration and a decent looking patina<br>so I think it's pretty old. No other damage, just the restored area on bottom<br>part. 13" tall x 8" wide.<br>TW10

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c1940 Royal Winton Hand Painted Flowers Pansies Cigar Ash Tray. No cracks, chips, crazing or restorations, very minimal wear shown in pics. Measures 8.5" x 8", those may just be flutes on the side, or it may be an ashtray for large cigars. What it is now is rare and whatever you chose to use it for.

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c1884 Royal Doulton Botanical Desert Service 8 pc. 6 9" plates and one 10.5"<br>oval footed serving bowl, one 10 3/8" heart shaped dish. All pieces in near mint<br>appearing unused condition with no cracks, chips, scratches, crazing, or wear to<br>gilding. They're hand painted over transfer. I have additional pieces in this<br>pattern I'm listing separately.<br>Tw46

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1892 Miniature Pewter child's Dollhouse Desk or desk caddy. One of a kind piece with incredible original patina. I believe it's a dollhouse piece. The estate it came from had lots of good early American antiques. 2" tall x 4 1/16" wide x 2" deep. Very heavy for its diminutive size.

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c1910 American Blue & White Stoneware Spongeware Spittoon Cuspidor 5 1/8" tall x 7.5" Wide. Two very small glaze flakes, one on outside rim and another on inside rim. Other than that no cracks, chips, or restorations.

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A.R. Cole(1892-1974) Pottery Frogskin Green Covered Casserole Dish. 5.75" tall x<br>10.75" with handle x 6 7/8" wide lid. No cracks, chips, restorations, or<br>crazing.

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Shelley Melody Chintz Cup and Saucer. No cracks, chips, restorations, scratches, or stains. No crazing. This is larger than Demitasse, but smaller than some modern tea cups. Saucer is 4 13/16", cup is 3" tall x 2 7/8" wide at rim. It has a light green interior.

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c1900 Hand Painted German Porcelain Cuspidor Spittoon a few small flakes on enamel paint, wear to Gilding on rim, very attractive. No cracks,chips, or restorations. Circa late 19th century to 1910. 5.5" tall x 8" wide at rim.

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BPOE No 30 New Orleans Elk Lodge restaurant China Egg Cups early 20th century,<br>very uncommon. Small one shows a short hairline on exterior that doesn't go<br>through to interior. So it's really just stained crazing. No other issues.<br>Selling both.

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23.5" Antique Carved Wood African Congo Ceremonial Mask 10.5" deep Fantastic no<br>brainer patina on this piece of art. Expected wear with no major issues. Estate<br>fresh guarantee well over 100 years old actual ceremonial mask that was used at<br>one point of it's life.

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Sterling Silver Ship Commemorating 20th Year of GAOCMAO Gulf Area Oil Companies<br>Mutual Aid Organization 240 grams. Ship itself is 235 grams, and the brackets<br>that hold it should be at least 5 grams. Without the case the ship measures 9.5"<br>long x 9.5" tall. Case protective case measures 13.25" tall x 12" wide x 8"<br>deep. I am 99% sure this is a one of a kind item that was produced to mark the<br>20 year anniversary of this extremely important occasion and was taken home<br>after retirement or given to a top executive of this organization upon<br>retirement. Fantastic cross collectible and work of art. Tested and guaranteed<br>solid silver. I found one 925 marking, no damage or issues.<br><br>In 1972, a group of oil companies operating in the western half of the Arabian<br>Gulf came together to form an organization for the purpose of improving their<br>capability to combat oil pollution. The companies sought to establish a joint<br>oil spill response capability, not by setting up a separate, operational<br>response group like other more conventional cooperatives, but instead by<br>utilizing the principle of mutual assistance in times of need. The resulting<br>organization, kown as the Gulf Area Oil Companies Mutual Aid Organisation<br>(GAOCMAO), has proved its effectiveness in several major oil pollution incidents<br>over its twelve years of existence and has gained recognition as a credible and<br>responsible representative of the oil industry's views on matters relating to<br>marine pollution in the Gulf region.<br>Subsequent to the establishment of GAOCMAO, environmental awareness in the Gulf<br>area generally has increased very significantly. Regional and state<br>organizations have been set up by the various Gulf states' governments to<br>monitor the environmental effects of industry of all kinds, including oil, and<br>to develop appropriate control measures. To some extent, these changes have been<br>reflected in an expansion of GAOCMAO's interests to areas outside those purely<br>of oil spill response, but the primary commitment to joint response capability<br>through mutual aid has not diminished.

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c1950 Bauer Chicken Of the Sea Advertising Salt and Pepper Shakers MINT California pottery No cracks, chips, scratches, or crazing. 1 7/8" tall x 2.75" long

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Shelley Heather cup and Saucer Set (multiple available) Gainsborough Shape with no cracks, chips, restorations, crazing, gold wear, or stains. Saucer is 5.5", cup is 2 5/8" tall x 3 3/8" wide at rim without handle.

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Guaranteed c. 1890-1910 with no damage there is minor wear to the Gilding,<br>overall clean. No cracks, chips, restorations, or scratches. The porcelain was<br>made by Rosenthal, hand decoration by another Dresden company. 100% hand painted<br>guaranteed.

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Antique Continental Silver Dessert/demitass spoon set. All with<br>illegible/unidentified hallmarks, tested and guaranteed 80% or higher silver<br>content. 7 3.5" demitasse spoons and 8 5" long desert spoons, high wuality hand<br>engraved handles. 212.2 grams total.anderas

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Vintage Empire Sterling silver Baby rattle 3.5" long x 1 5/8" wide, clean with little wear. Has something inside that makes a nice sound when rattled.

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c1970 年代的含铅玻璃和贝壳首饰盒。高品质物品，5 英寸宽 x 4 英寸深 x 4.5 英寸高，没有损坏或问题。漂亮的旧物品在我拥有时已经有 50 年的污垢了。

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大型古董迈森洋葱汤盖碗，带金色镶边。伟大的作品，没有裂缝、缺口或修复。 15.5 英寸手柄到手柄 x 9.5 英寸 x 12 英寸高。金色装饰有轻微磨损，在脚下标记为第二个。这比通常在这种形状中发现的盖碗大得多。盖子本身的尺寸为 11.75 英寸 x 9 3/5 英寸

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c1960 MCM 烟灰缸德克萨斯长角餐厅用品太空时代。伟大的世纪中叶美食，可能来自 20 世纪中叶一家非常酷、味道不错的牛排馆。近乎完好，没有缺口、划痕、裂纹或污渍。漂亮的功能部件，可用于多种用途，直到需要一个大烟灰缸为止。除了 417 之外没有任何标记，但看起来确实像是出自一位重要设计师之手。 7.25 英寸 x 6.75 英寸 x 2.75 英寸高。 TW215

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1992 年 MacKenzie Childs Torquay 8 英寸方形碗 4 英寸深。无裂纹、缺口、修复、裂纹或釉面磨损。 TW206

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Pr Duchin 纯银加重烛台 3 lite。这些物品状况良好，虽然通常都被撞坏和失去光泽，但它们似乎从未被使用过。无凹痕，无蜡残留，轻微失去光泽，易于清洁，顶部有螺纹且可拆卸，您找不到更清洁的套装。每个高 6.5 英寸 x 宽 11 英寸。 TW213

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50 年代至 60 年代的尼克松·洛奇、巴里·戈德华特、史蒂文森·斯帕克曼竞选团队。出售展示的所有物品，金色金属大象是巴里·戈德华特 (Barry Goldwater) 1964 年的作品，史蒂文森 Sparkman 是 1 3/8 英寸，1952 年原装，非常干净。大号尼克松别针是全息图 2.5 英寸，尼克松手镯长 7 英寸。一切都在状况良好，一切都是原装的。出售所示批次。 TW196

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巨大古董桑托斯木雕托儿所婴儿耶稣雕像 19 世纪 24.5 英寸高 x 16.5 英寸从手到手。这比真人大小还要大。我假设它可能来自一个非常大的显示器，可以在远处观看。保证早期古董手工雕刻，玻璃眼睛，真人头发睫毛 19 世纪至 20 世纪初（超过 100 年历史）。它的木材没有破损，但在几个地方的油漆上有一些旧的修补点，不是 100% 匹配，但看起来仍然很棒。这么老的通常有手指折断等，但这个太大了，手指很粗，不会轻易折断。极为罕见，独一无二。

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洛娜·汉金斯 (Lorna Hankins) 坎德拉里亚 (La Candelaria) 陶器。 7 5/8 英寸高，无裂纹、缺口或修复。洛娜·汉金斯 洛娜·汉金斯 (Lorna Hankins) 是拉坎德拉里亚 (La Candelaria) 的著名陶艺家，她通过复兴古老的功能性陶器制作方法，使这个位于卡波圣卢卡斯 (Cabo San Lucas) 和托多斯桑托斯 (Todos Santos) 之间山区的小牧场村名声大噪。 Lorna 是一位美国人，拥有金属锻造和珠宝设计学科的美术硕士学位。她第一次来到洛斯卡沃斯是为了躲避西北潮湿的冬天并练习西班牙语。她发现了拉坎德拉里亚小镇，并爱上了那里的人、地理位置和生活方式。最初，村里的一位妇女向她传授了古老的制陶传统，洛雷娜很快就热衷于分享她很快掌握的知识和技术。她在小镇上教其他人，当地人和游客很快就开始听说拉坎德拉里亚的陶器。她的作品既美观又实用，每件都是无釉且食品安全的。她的粘土是当地的，这些作品是在拉坎德拉里亚制作和烧制的，可以用来在明火和烤箱中烹饪，也可以作为雕塑来欣赏。 TW210

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1960 年代的加州艺术家 Paul E. Killinger (1927-1996) 将带盖的巴西桃花心木碗变成了中世纪现代风格。他最初从宾夕法尼亚州来到南加州。 1965 年，他参加了帕萨迪纳艺术博物馆举办的名为“加州设计 9”的工艺品展，该展是设计界的名人录，其中包括伊芙琳·阿克曼 (Evelyn Ackerman)、保罗·索尔德纳 (Paul Soldner)、纳兹勒 (Natzlers) 家族、萨姆·马洛夫 (Sam Maloof) 等。他在节目中拥有3个木碗。他在加州的地址。是 5104 瓦伦西亚奥兰治博士。他与保罗·埃谢尔曼 (Paul Eshelman) 是同一时代的人，保罗·埃谢尔曼是宾夕法尼亚州著名的碗转动工，他的碗售价约为 1000 美元。这个碗的底部刻有他的印记“保罗”。状况良好，无损坏或明显磨损。台湾210

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c1970 年胡安·雷耶斯铜和黄铜猫头鹰墙匾，饰有智利多色天然石材。署名胡安·雷耶斯·智利，这位艺术家活跃于六十年代和七十年代。他制作了一些相同风格的麦当娜珠宝雕塑。 13 英寸高 x 5.5 英寸宽。 TW205

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Case Pendleton Round-Up 小刀未使用 4254 不锈钢。非常罕见的未使用过的刀，他们没有生产很多这样的刀，而且在二级市场上也找不到。年龄大概是25岁左右。它没有使用过，刀片是崭新的，自从出厂后就从未磨过，锋利无比。刀长 4.25 英寸，最长刀片长 3.25 英寸，手柄两侧都有细小的黑点，我没有尝试清洁它们，我认为这是来自庄园的刀鞘上的染料，但我不确定是否原创。 TW208

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古董耶稣圣婴纯银微型铭牌/大号令牌。不错的早期作品，很可能是 19 世纪的。似乎是一层厚厚的纯银，没有标记，但经过铅或锡合金测试。 2 英寸宽。

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c1940 纯银装饰艺术电话号码卡夹 Industria Argentina。 20 世纪上半叶的伟大作品，仍然保留了所有功能齐全的卡片，没有任何问题。 6 英寸长，带链条。号码架长 2 5/8 英寸。 TW200

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c1900 Moorcroft 风格管状壁板手工装饰有 Squeezebag 板，上面有女人用扫帚追逐丈夫。真的很棒，可能是独一无二的。我相信它没有标记的原因是右上角的釉面有一个轻微的缺陷。在我看来，它的质量与莫尔克罗夫特相似，如果是莫尔克罗夫特，那么由于年代久远和题材宏大，它的价格将是几千美元或更多。整体开裂，无裂纹、缺口或修复。 11.5 英寸宽。我确信它是一件有 100 多年历史的古董，没有经过修复，也没有手工装饰，但这就是我真正确定的。可能是法国珐琅器。 TW198

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1870 年美国女学生针尖采样师杰西·皮尔森 (Jessie Pearson)。 18.25 英寸 x 19.75 英寸带框。 B49

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1910 年迈森创作的带有翅膀和双手被束缚的小天使雕像。状况完好，无裂纹、缺口或修复。非常有趣的 200 周年纪念，这个独特的标记有 1710 年和 1910 年的日期，有详细的记录，并指定了 1910 年制作的重要作品。这个迈森雕像描绘了一个坐着的丘比特或小天使，他的翅膀和手腕绑在背后，大概是为了让他保持以免陷入恶作剧。该人物模型由 Heinrich Schwabe 于 1880 年左右制作。高 4.25 英寸。 TW180

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