Frank Patania Sr Sierra Blanca Ski Club Ruidoso NM sterling gold filled pin. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, Circa mid 20th century, thick gold filled on sterling silver.

读 更多的 较少的

Johnny Mike Begay Navajo modernist sterling silver belt buckle. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa third quarter of the 20th century. Fits a .75" belt. No apparent damage. Kenneth Begay was a noted Navajo jeweler who worked at the White Hogan Gallery at Scottsdale. He brought in his brother, Johnny Mike, to work with him. Kenneth is credited with inventing rail bracelets of all types, but it was Johnny Mike who expanded this style. Johnny Mike passed away in 1976, since then others have copied his style

读 更多的 较少的

Vintage Abstract Southwestern Modernist sterling silver bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Great bolo, 38" long with no issues. Tray is tared out, so weight shown is just the bolo of course. Unknown maker, apparently unmarked.

读 更多的 较少的

c1960 c-31 Southwest Modernist sterling silver coral cluster turquoise bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Great bolo, 39" long with no issues. No detectable markings, likely Native American made. Tray is tared out, so weight shown is just the bolo of course.

读 更多的 较少的

sz8 Benny Armijo Navajo Modernist silver Sugilite, Coral, turquoise ring. Has the artists CM hallmark, somehow the photographer missed it, I‘ll try to follow up with a pic of the mark. No issues, weight and measurements in pics Benny Armijo (1937-2022).   Benny was a renowned master Navajo silversmith who specialized in this complex inlay and "corn row" type cobblestone inlay using high quality stones.  His jewelry was featured on the Oprah Winfrey show and was collected by many high-profile artists from James Taylor, Charlie Daniels, to Hank Williams Jr. His pieces can be seen on many album covers of top music groups and are highly collectable today. His incredible sense of humor was as well-known as his jewelry. He was simply the most generous man that one could ever imagine, always helping complete strangers he encountered along the way. He was active from the early 70's until the late 20th century..   His older mark from the 1970's looks like a tadpole and has been misattributed to "Edward Zuni", but I'm 100% sure this is Benny Armijo's work and hallmark, it's been confirmed by his living relatives.   Benny was born in Santa Fe, New Mexico Benito M Armijo Jr  The older stamp he first used was to represent the letter C and letter M which stood for Chief Marcos. Many years later maybe around 1989 he stamped his jewelry with Benny Armijo. He lived in California for many years and returned to New Mexico and passed away January 2022. He was known for his stone inlay on what he called a Hopi wedding band in which all the stones were inlaid inside the ring or bracelet. Giving the thought that the beauty between the couple is in the eye of the beholder and the couple would choose the different color of stones and their meanings to be inlaid on their wedding bands.  Women's Size 8 Ring.

读 更多的 较少的

David Andersen 830 Silver Ringebu 6pc Knife set. 8" long each. Selling the set shown all solid 830 silver mid century modern pattern with stainless steel blades. All by David Andersen and signed. No issues, all very clean. Measurements in pictures, no other measurements are available. 1

读 更多的 较少的

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Ray Scott Navajo textured overlay modernist sterling silver cuff bracelet. Weight and measurements in pictures, solid sterling silver. Ray Scott is an accomplished Native American Navajo silversmith. His art is his own. It is innovative and original... it explores our senses. His jewelry is often a journey into the 3rd dimension... depth. It is twisted, layered, textured and colored all to produce feelings of movement. Ray‘s jewelry is art. Lyrical, musical in a way that stirs your emotions. Beautiful compositions in turquoise and silver. It should also be noted that Ray‘s choice of gemstones never fails to add to the piece. Nothing in Ray Scott jewelry happens by accident. His jewelry is always well thought out with the express purpose of moving his designs forward. "I take great pride in my work", Ray says and he means every word. Ray (Raynard) Scott jewelry is made entirely by him. Nothing is bought from jewelry supply stores... nor do any other silversmiths participate in its making.

读 更多的 较少的

大号 Los Ballesteros 现代主义纯银手镯。袖口很棒，没有损坏或明显磨损。 Los Ballesteros 珠宝 - 历史 该公司由 Jalil Majul Ballesteros 于 1937 年在墨西哥伊瓜拉创立。他曾跟随祖父和教父学习银饰艺术，很早就开始制作具有金丝细工外观的珠宝。 1941 年，他将工作室迁至塔斯科，并采用了更符合那里生产的旅游作品的风格。 20 世纪 50 年代，计件作品被外包给塔斯科地区较小的家庭作坊，这些作品被标记为“Talleres de los Ballesteros”。这些作品在全国各地的商店出售，包括墨西哥城和阿卡普尔科。该公司还于 1952 年开始出口珠宝。现代化企业版的 Los Ballesteros 继续通过墨西哥的商店以及世界各地的其他供应商销售其产品，包括珠宝和装饰礼品。该公司对质量的承诺是强烈的，以纪念他们的传统，他们仍然在其品牌中使用传统的 Talleres de los Ballesteros 风格的 B 标志。

读 更多的 较少的

Antonio Pineda (1919-2009) Mid Century Modern sterling belt buckle 2.5" x 1 3/8", fits up to a 1 1/8" belt. 42.9 grams. <br><br>Pineda is one of two living members of the Taxco School and is recognized as a<br>world-class designer and a Mexican national treasure. <br> Pineda’s jewelry is especially known for its elegant acknowledgment of the<br>human form. It is often said that a Pineda fits the body perfectly, that it<br>feels right when it is worn. So, for example, a thick geometric necklace that<br>might at first glance seem too weighty or rigid to wear comfortably is, in fact,<br>faceted, hinged, or hollowed in such a way that it gracefully encircles the neck<br>or drapes down the décolletage.  In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with as much ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master.

读 更多的 较少的

Antonio Pineda (1919-2009) Los Castillo 现代主义太空时代纯银袖扣 1 5/16" x 0.75" 面，24.7 克。在墨西哥格雷罗州的塔斯科山镇，大规模采矿可以追溯到十六世纪，白银是一种生活方式。墨西哥革命后的几年（1910- 20），珠宝和其他银制品都是在那里以完全创新的方法制作的，知情者现代主义和新的墨西哥民族认同的创造。如今，89 岁的安东尼奥皮内达是塔斯科学院的两名在世成员之一，被公认为世界级设计师和墨西哥国宝。近两百件皮内达广受好评的银制作品将在 展出于《银色诱惑：墨西哥现代主义者安东尼奥·皮内达的艺术》（Silver Seduction: The Art of Mexican Modernist Antonio Pineda）展览于 2008 年 8 月 24 日在福勒博物馆首次亮相。值得注意的是，考虑到皮内达的众多成就和国际声誉，他自我定位主要担任 Taxqueño（塔斯科）银匠。从一开始，塔斯科运动就开创了新的局面以技术成就和设计为基础。出生于美国、居住在塔斯科的设计师 William斯普拉特林被誉为当代塔斯科白银运动的先锋，一群才华横溢的墨西哥设计师后来建立了独立工作室并开发了独特的“塔斯科学校”。这些设计师融合了多种美学取向——前哥伦布时期的艺术；墨西哥殖民时期的银制品、宗教图像和其他艺术品；和当地流行艺术——将它们融入广泛的现代主义之中。皮内达本人因其大胆的设计和对宝石的巧妙运用而受到赞誉。银色诱惑痕迹 他的作品从 20 世纪 30 年代到 70 年代的演变，包括项链和项链各五十多件手镯，以及许多漂亮的戒指、耳环和他的空心器皿的各种例子餐具。所有作品都体现了皮内达难以实现的高度精致执行力的结合和手工制作的吸引力。 Pineda 的珠宝以其对人体形态的优雅诠释而闻名。常常是据说 Pineda 非常适合身体，穿着时感觉很舒服。因此，例如，厚几何项链乍一看似乎太重或太僵硬，佩戴起来不舒服，但事实上，多面、铰接或镂空，优雅地环绕颈部或诱人地垂坠下胸围。此外，没有其他 Taxqueño 珠宝商使用如此多昂贵的半宝石或镶嵌如此多的宝石。与皮内达一样，他具有很多独创性、技巧和多样性。只有最有才华的银匠才能掌握Los Castillo 珠宝 - 历史 Antonio Castillo 和他的兄弟 Jorge、Miguel 和 Justo 于 1939 年创立了 Los Castillo。他们都曾在 William Spradling 的高高店当学徒，然后在墨西哥塔斯科开始自己的生意。安东尼奥·卡斯蒂略在斯普拉特林工作期间晋升为银匠大师。几十年来，洛斯卡斯蒂略作坊培养并雇用了许多熟练的银匠，其中包括卡斯蒂略兄弟的表弟萨尔瓦多·特兰、西吉·皮内达、安东尼奥·皮内达和安东尼奥·卡斯蒂略的妻子玛戈·范·沃里斯·卡尔。所有这些艺术家都继续开设了自己的成功工作室，其中包括范·沃里斯·卡尔 (van Voorhies Carr)，她在与安东尼奥·卡斯蒂略 (Antonio Castillo) 离婚后创立了玛格特·德塔斯科 (Margot de Taxco)。洛斯卡斯蒂略以其优质银器以及将铜和/或黄铜与纯银混合的混合金属而闻名。其他装饰性家居饰品有镀银和镶嵌石材装饰。 查托 (豪尔赫) 卡斯蒂略 (Chato (Jorge) Castillo) 是卡斯蒂略兄弟之一，曾在 20 世纪 30 年代为威廉·斯普拉特林工作。他以其技术专长和设计才华而闻名。他开发了结合金属、银羽毛、阿兹特克马赛克或石镶嵌、贝壳或鲍鱼镶嵌的技术……（墨西哥银：莫里尔和伯克的现代手工珠宝和金属制品（Schiffer：2007 年，第 4 版），第 86 页。

读 更多的 较少的

Set Gorham Modernist sterling silver colored enamel footed shot glass set. Good condition with no damage or significant wear. In original box as shown. Weight and measurements in photos, possibly unused.

读 更多的 较少的

Antonio Pineda (1919-2009) Taxco Modernist Sterling Pre-columbian style cufflinks.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

6.5" Vintage Los Ballesteros Sterling and gemstone bracelet. Stones untested, likely synthetic.

读 更多的 较少的

c1950‘s Modernist silver malachite bolo tie. Solid sterling, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Some natural fissures in stone only superficial and not noticeable in real life when worn, fully functional with overall attractive appearance. Sterling tips and bolo slide. 37" total length, unmarked slide but tips marked sterling.

读 更多的 较少的

Georg Jensen Acorn sterling Nutracker with stainless steel cracker. Sterling handle with stainless "cracker" part.. No damage or significant wear, vintage set. Measurements shown in one of the pictures. No monograms or monogram removals. Designed in 1915 by Johan Rohde, the Acorn sterling silver cutlery pattern represents the early foundation of Georg Jensens organic and timeless design language. In contrast to the Art Nouveau style of the early 1900s, Acorns design captures a classic, understated style where decoration is used to emphasise the form and shape. Regarded as both a sumptuous and noble pattern, Acorn at one time had 220 individual pieces. Todays range totals approximately 75 pieces and remains one of Georg Jensens most exclusive silver cutlery patterns. silverdrawer

读 更多的 较少的

William Spratling sterling Aztec style pin 1/7/8" wide with no issues. c1940'sSpratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

读 更多的 较少的

Large William Spratling sterling bow pin with amethyst 42.2 grams, other measurements in pics.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

读 更多的 较少的

Modernist sterling nephrite Jade belt buckle Solid sterling silver with weight and measurements in pics. Fully functional, with appropriate wear as shown in the pictures.

读 更多的 较少的

David Andersen 挪威纯珐琅 MCM 摘要别针 1 5/8" x 1.25" 17.2 克，不会损坏珐琅。

读 更多的 较少的

Henry Steig (1906-1973) 现代主义纯银自由形状别针和螺丝背耳环套装 2 5/8" x 2 1/8"，耳环 1"。 总重14克。 Jules Brenner 和 Henry Steig 是纽约中世纪工作室珠宝商中的一员，他们手工制作可佩戴的艺术品，颂扬前卫，拒绝传统珠宝形式，并吸引知识分子和时尚人士。自由派中产阶级。 朱尔斯·布伦纳出生于布朗克斯，在华盛顿高地长大，师从斯特拉·阿德勒学习表演，并在格林威治村学习绘画和雕塑。 亨利·斯泰格（Henry Steig，又名亨利·安东）曾就读于城市学院和国家设计学院，并开始了他作为纽约市爵士音乐家、作家、小说家、漫画家和画家的职业生涯。 20 世纪 50 年代，布伦纳和斯泰格在曼哈顿和马萨诸塞州普罗温斯敦（当时是著名艺术家的飞地）经营商店和工作室，在那里出售手工制作的银和金设计，这些设计通常强调生物形态、超现实主义、立体主义和几何形式。每个人都知道电影《七年之痒》中的著名画面，玛丽莲·梦露站在纽约人行道上，她的裙子被下面地铁格栅的上升气流吹起。 然而，并不是所有人都知道，此时她正站在列克星敦大道 590 号亨利·斯泰格 (Henry Steig) 的珠宝店前。亨利·史泰格 (Henry Steig) 是一位多才多艺的人。 在成为珠宝商之前，他是一位爵士音乐家、画家、雕塑家、商业艺术家、漫画家、摄影师、短篇小说作家和小说家。“亨利是一位文艺复兴时期的人，”《纽约客》漫画家米莎·里克特 (Mischa Richter) 说道，他是施泰格的好朋友，也是普罗温斯敦的邻居。Henry Anion Steig 于 1906 年 2 月 19 日出生于纽约市。 他的父母约瑟夫和劳拉在世纪之交从利沃夫（德语称为伦贝格）来到美国，当时利沃夫位于奥匈帝国的波兰港口。 约瑟夫是一名房屋油漆工，劳拉是一名裁缝。他们有四个儿子：欧文、亨利、威廉和亚瑟，他们多才多艺、才华横溢、富有艺术天赋。 威廉·史泰格（William Steig）是著名的《纽约客》漫画家和儿童读物作家兼插画家。 欧文是《纽约客》的短篇小说作家。 亚瑟是一位画家和诗人，他的诗歌发表在《新共和》和《诗歌》杂志上。William Steig 回忆道：“我的父亲和母亲在儿子长大后都开始指点并成为展览艺术家。1945 年 5 月 14 日，《新闻周刊》杂志发表了一篇关于在新艺术圈画廊举办的展览的文章，“可能是艺术街（第 57 街）的第一场家庭展览”。 它被称为“八位表演史泰格，艺术家全部。”其中包括约瑟夫和劳拉·斯泰格的画作；威廉的绘画和雕塑以及他的妻子丽莎的画作；亚瑟和他的妻子奥罗拉的画作；以及亨利的照片和他的妻子咪咪的画作。 唯一没有包括在内的兄弟是欧文，“唯一不墨守成规的施泰格”，当时他在康涅狄格州一家肥皂制造商担任广告经理。在文章中，“兄弟俩将家族中众多优秀艺术家归因于我们都喜欢彼此的作品……对此感到兴奋。 每当有人开始时，他们都会得到很多鼓励。 约瑟夫·斯泰格补充道：“绘画是一种具有感染力的东西。 如果您生活在我们的环境中，您可能会指出。'"Henry Steig 在这种非凡的环境中长大。 这家人住在布朗克斯。 高中毕业后，Henry Steig 进入城市学院 (CCNY)。 三年后，他前往国家设计学院学习绘画和雕塑。 他也是一位多才多艺的音乐家，演奏萨克斯管、小提琴和古典吉他，在大学期间，他开始担任爵士音乐家。 大约从 1922 年（当时年仅 16 岁）开始，直到 1932 年，他与当地舞蹈乐队一起演奏簧片乐器。在国家学院学习四年后，Steig 成为一名商业艺术家和漫画家。 他在自己的漫画上署名“亨利·安东”，因为他的兄弟威廉同时也是一名漫画家，为许多相同的杂志工作。 大约从1932年到1936年，亨利·安东的漫画出现在《生活》、《法官》、《纽约客》等杂志上。Steig 于 1935 年开始写作生涯，一直持续到 1947 年左右。 他作为一名短篇小说作家非常成功并广为人知，他的故事定期出现在《周六晚邮报》、《纽约客》、《时尚先生》、《高力报》等杂志上。 它们通常是关于爵士乐和爵士乐音乐家的幽默故事，他们在蓬勃发展的二十年代音乐世界中占据一席之地。 其他故事是关于他在布朗克斯的童年。 他还撰写非小说类杂志文章，包括《纽约客》对本尼·古德蒙的简介和爵士乐评论。 他的几篇非小说类文章由威廉·史泰格 (William Steig) 绘制插图。1941 年，阿尔弗雷德 A. 克诺夫出版了亨利·斯泰格的小说《送我下来》。 这个故事以绝对现实主义的方式讲述，讲述了两兄弟在二十多岁时成为爵士音乐家的故事。 斯泰格在书封皮上写道：“《送我下来》的大部分材料都是在我作为一名爵士音乐家与当地爵士乐队、歌舞杂耍和舞厅巡演活动中的巡回团体一起演奏时收集的。 虽然我作为一个音乐家只是二流，但我从内部了解我的主题，并且我相信我是第一个根据个人实际经历写爵士乐故事的人。“他的儿子迈克尔回忆说，当时有人有兴趣将这本书拍成电影。 “我父亲告诉我约翰·加菲尔德想扮演主角。“Steig 确实于 1941 年前往好莱坞，签订了编剧合同。 他将与词曲作者约翰尼·默瑟合作。 12月7日珍珠港事件后，他返回纽约。 “无论如何，他无疑会回来，”迈克尔·施泰格说。 “他对经纪人为他谈判的合同并不满意。” 米莎·里克特 (Mischa Richter) 表示，“亨利对好莱坞非常不以为然。”

读 更多的 较少的

退役 James Avery 现代主义纯银耳环 1 5/8 英寸高 x 1.25 英寸宽 x 6 克，无损坏或明显磨损。 James Avery 于 1954 年创立了自己的公司，最初仅用 250 美元在德克萨斯州克尔维尔的一个两车位车库里制作珠宝，他渴望为他人创造持久的价值。艾弗里先生相信意义让生活变得更加美好，这一理念至今仍继续推动着我们设计珠宝的方式。 2007 年，在詹姆斯·艾弗里 (James Avery) 首次创立公司 53 年后，他正式辞去首席执行官一职，并将权力交给了他的儿子克里斯 (Chris) 和保罗 (Paul)。艾弗里先生的使命很简单：为自己和他人创造有意义的珠宝。他专注于创造简单的设计和对一切事物诚信的核心信念，他的珠宝不仅仅是贵金属和宝石。客人们带着他们的故事——他们的特殊时刻——来找他，这样他就可以将它们制作成他们可以自豪地佩戴一生的作品。从写信到问候客户，艾弗里先生优先考虑与每个与他的设计有联系的人建立持久的关系。

读 更多的 较少的

William Spratling silver modernist sterling screw back earrings sphere 18 grams, measurements in pics, no issues. . Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

读 更多的 较少的

Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Men's Size 10 Ring.

读 更多的 较少的

William Spratling sterling Bird pin with amethyst 20.9 grams, other measurements in pics. Stone intact and structurally sound with what appears to be natural fissures.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

读 更多的 较少的

Harald Christian Nielsen for Georg Jensen Silver and Hematite ring 46A Size 6, super clean with no damage or detectable wear. <br><br>Harald Nielsen (20 July 1892 – 22 December 1977) was a Danish designer of silver for Georg Jensen. The younger brother of Georg Jensen's third wife, he joined the company at 17 as a chaser's apprentice but later became one of the company's leading designers in the 1920s and 1930s and Jensen's closest colleague. One of his most well-known designs being the pyramid flatware pattern. In the early 1950s he headed the company's apprentice school and in 1958 became its artistic director.<br><br>Georg Jensen, (born August 31, 1866, Raadvad, Denmark—died October 2, 1935,<br>Copenhagen), Danish silversmith and designer who achieved international<br>prominence for his commercial application of modern metal design. The simple<br>elegance of his works and their emphasis on fine craftsmanship, hallmarks of<br>Jensen’s products, are recognized around the world.<br><br>Jensen was apprenticed to a goldsmith at age 14. His artistic talents were<br>briefly focused on sculpture, but he returned to metalwork, primarily jewelry<br>and silver pieces, produced in the workshop he opened in Copenhagen in 1904.<br>Jensen exhibited his works at several major foreign exhibitions (winning a gold<br>medal at the Brussels Exhibition of 1910) and quickly built a reputation as an<br>outstanding and highly original silversmith. He moved to a larger workshop in<br>1912 and acquired his first factory building in 1919.<br><br>Jensen’s silverware achieved immediate popularity and commercial success. He<br>was, in fact, the first silver maker to realize a profit from the manufacture of<br>modern silver. Until Jensen’s time virtually all successful silverware producers<br>had relied on a standard repertory of popular traditional designs. Jensen,<br>however, found that the market for his sleek, simple pieces was larger than<br>anyone had predicted. His firm grew rapidly, expanding throughout Europe and<br>opening branches in London and New York City. On both continents Jensen’s work<br>set trends for contemporary tableware. He was among the first designers to<br>fashion steel—formerly considered fit only for low-quality, inexpensive<br>flatware—into handsome, serviceable cutlery. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

读 更多的 较少的

William Spratling(1900-1967) Taxco Modernist sterling mixed metal cufflinks.<br>Each side 18mm x 14mm, 15.3 grams. William Spratling(1900-1967) Spratling, an<br>architect and artist who taught at Tulane University in New Orleans, came to<br>Mexico in the late 1920s and settled in the city of Taxco. Having developed an<br>interest in Mesoamerican archaeology and culture from his colleagues at Tulane,<br>he traveled to Mexico for several summers lecturing and exploring. He sought out<br>remote villages in the state of Guerrero, 110 miles from Mexico City, where in<br>some places Nahuatl, the Aztec language, was spoken. Spratling collected<br>artifacts and contemporary indigenous crafts. Spratling made a fortune<br>manufacturing and designing silver, but his true life's work was to conserve,<br>redeem, and interpret the ancient culture of his adopted country. He explained<br>for North American audiences the paintings of Mexico's modern masters and earned<br>distinction as a learned and early collector of pre-Columbian art. Spratling and<br>his workshop gradually became a visible and culturally attractive link between a<br>steady stream of notable American visitors and the country they wanted to see<br>and experience. Spratling had the rare good fortune to witness his own<br>reputation -- as one of the most admired Americans in Mexico -- assume legendary<br>status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

读 更多的 较少的

William Spratling(1900-1967) Taxco Modernist sterling cufflinks 30mm both ways,<br>10.8 grams. Fully functional with no issuesWilliam Spratling(1900-1967)<br>Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

读 更多的 较少的

William Spratling(1900-1967) Taxco Modernist sterling fist cufflinks, fully<br>functional with no issues. 22mm square, 12.7 grams. William Spratling(1900-1967)<br>Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

读 更多的 较少的

William Spratling(1900-1967) Taxco Modernist sterling fist cufflinks, fully<br>functional with no issues. 20mm wide, 14.7 gramsWilliam Spratling(1900-1967)<br>Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

读 更多的 较少的

中世纪现代主义 Los Ballesteros 纯银和缟玛瑙手链。 20 世纪第三季度的非常酷的手链，几乎没有任何问题或可检测到的磨损。其中一颗石头的外缘有一个非常小的“恙螨叮咬”，无论如何都不明显。所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的内容一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。

读 更多的 较少的

中世纪现代主义 Los Ballesteros 纯银和猫眼手链。 20 世纪第三季度的非常酷的手链，没有任何问题或可检测到的磨损。 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的内容一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。

读 更多的 较少的

Antonio Pineda (1919-2009) Taxco Hammered silver pin and earrings set. All pieces hand hammered and seem a perfect match. Earring don't have a Pineda hallmark but the Mexico and Sterling stamps look the same. Measurements and weight in pics.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6" JB Southwestern modernist sterling silver cast cuff bracelet Native American. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Circa last quarter of the 20th century. Fits up to a 6" wrist.

读 更多的 较少的

1990‘s Santa Fe Artisan Modernist sterling silver earrings collection. High end, really nice with no issues. Selling all shown, one pair likely cost what I‘m asking for the lot originally. Weight and measurements in pics, all solid sterling. NO issues. Very high quality pieces from an extremely high quality collection put together in the 90‘s. I didn‘t have time to try to idenify much of it as there just is no time, but the pieces I did recognize were all from very high end mostly Santa Fe, New Mexico artists. It was all collected on trips to Santa Fe in the 90‘s. anderas anderas

读 更多的 较少的

1990‘s Santa Fe Artisan gemset modernist sterling silver earrings collection. High end, really nice with no issues. Selling all shown, one pair likely cost what I‘m asking for the lot originally. Weight and measurements in pics, all solid sterling. NO issues. Very high quality pieces from an extremely high quality collection put together in the 90‘s. I didn‘t have time to try to idenify much of it as there just is no time, but the pieces I did recognize were all from very high end mostly Santa Fe, New Mexico artists. It was all collected on trips to Santa Fe in the 90‘s. anderas anderas

读 更多的 较少的

c1970‘s M Native American modernist sterling necklace. No issues, weight and measurements in pics. Solid sterling silver. M hallmark on cast spirals, no other detectable markings. 22" long.

读 更多的 较少的

Large Los Castillo Mixed Metals Chrysocolla inlay Aztec Shaman pendant necklace. Very high quality with no issues. Weight and measurements in pictures. This particular pendant is very uncommon. 24" long necklace.

读 更多的 较少的

1950 年代 William Spradling Sterling 螺旋式耳环。没有损坏，很棒的复古耳环。总共16克。

读 更多的 较少的

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6" Emilia Castillo Modernist hammered sterling silver cuff bracelet w/amethyst. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Good condition, circa last quarter of the 20th century. Emilia Castillo is the daughter of Antonio Castillo,founder of Los Castillo & like her father & uncles (Chato for one), Emilia has jewelry designing in her blood & who better to learn & be inspired by, but this famous family that were one of Taxco‘s founding families during the Mexican Silver Renaissance days. Her brother is Wolmar Castillo. She started her business in ‘86 after studying with master craftsman in her father‘s studio.

读 更多的 较少的

****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* Retired James Avery Onyx 18k/sterling modernist pendant. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

读 更多的 较少的

不寻常的古铜色纯银现代主义手链。非常酷的设计师签名，目前无法确定。专利号独特的闭合，有些磨损到铜绿，整体非常有吸引力的手链。

读 更多的 较少的

木制十字架上的大型塔斯科现代主义英镑。我已经/看过这个的更小的版本。这个非常大，没有任何问题，只是纯正的部分比我之前拥有/见过的完整版本更大。总高度 12.25 英寸 x 7.5 英寸 厚实的纯银管凹入十字架，上面有一个厚实的现代主义纯银耶稣雕像，上面有他的荆棘王冠。书架

读 更多的 较少的

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 5/8" Michael Kirl Isleta Pueblo modernist sterling cuff bracelet.Award-winning contemporary jewelry artist Isleta Pueblo/Navajo Creates cutting-edge jewelry with high quality gemstones Channel inlay, tufa casting, feather designs, hand-rolled beads Best of Division, Santa Fe Indian Market, 1993 1st Place, Gallup Inter-tribal Indian Ceremonial, 1987, 1981, 1992 Artist of the Year, Indian Arts and Crafts Association, 1997 “It is an enormous pleasure to be recognized for my art form by an establishment synonymous with quality and integrity.

读 更多的 较少的

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 3/8" c1950's High grade turquoise southwestern modernist sterling cuff bracelet. Nice and sturdy, no issues. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

读 更多的 较少的

Henning Koppel for Georg Jensen Modernist sterling pin x. Circa third quarter of the 20th century. No issues, weight and measurements in pics. Solid sterling, selling the exact piece shown. GEORG JENSEN (1866 - 1935) When the 37-year-old Georg Jensen, with both an apprenticeship as goldsmith and sculptor behind him, made silver his way of living by establishing his silver smithy in Copenhagen in 1904, it was with the fine craftsmans understanding and appreciation of the material combined with the accomplished artists sense of form. Through his childhood in the picturesque surroundings of Raadvad north of Copenhagen Georg Jensen was inspired to become an artist. He succeeded in becoming both sculptor and ceramist but it was by way of his talent as a silver smith that he achieved the most remarkable recognition. The Georg Jensen Silversmithy created some of the most original and epoch-defining jewelry, hollowware and cutlery patterns. At Georg Jensens death in 1935 the smithy was acknowledged as one of the most important silversmithies in the world. Georg Jensen was instrumental in defining the character of the twentieth century Scandinavian Design by drawing on Danish traditions and infusing them with a progressive design rationale. He rejected the popular taste of the time for romantic and historicist ornamentation and ostentation, instead embracing the avant-garde Art Nouveau style with its simple organic forms and craft-based approach to production. Georg Jensen was a sensitive artist endowed with a great talent which made it possible for him to turn his vision into reality.

读 更多的 较少的

Niels Erik From Sterling Denmark MCM Atomoic bracelet/pin set. 7" long bracelet, weight and measurements in pics. No issues. Danish jeweller and silversmith Niels Erik From ( N.E. From) was born in 1908 and opened his first workshop in 1931 when he was still only twenty-three . Over the next forty years Niels Erik went on to become one one of the greats of Danish design, and created many works including floral-inspired designs often set with semi-precious gemstones. These pieces took inspiration from the Skønvirke style. This was a Scandinavian development that formed part of Denmarks Art Nouveau and Arts and Crafts movement . This movement ususally took inspiration from nature with designs incorporating flowers and floral motifs as well as featuring natural creatures such as fish. N.E. FROM JEWELLRY STYLES - EARLY FLORAL DESIGNS AND LATER ABSTRACT MODERNIST PIECES N.E. Froms output generally displays one of two distinct styles. In the early years of production he produced wiry, thin, foliage and floral pieces .However, beginning in the 1950‘s the work produced by From (which were often the designs of other designers) had a very different look. No longer does the jewellery feature romantic, detailed designs from nature. The later pieces have modernist, clean lines with geometric and abstract shapes. Occasionally the modern designs show nature as inspiration with abstract blossom and leaf and blossom shapes. In generally though, they follow the trend of the 1950s of , spare, minimalist design.production .

读 更多的 较少的

Large 1950's Sterling Los Castillo Amethyst fly pinLos Castillo Jewelry - HistoryAntonio Ca stillo and his brothers Jorge, Miguel, and Justo began Los Castillo in 1939. They had all apprenticed in William Spratling’s taller before starting<br>their own business in Taxco, Mexico. Antonio Castillo rose to the level of<br>master silversmith during his time working with Spratling.<br><br>The Los Castillo workshop trained and employed many skilled silversmiths over<br>its decades in the business, including the Castillo brothers’ cousin Salvador Teran, Sigi Pineda, Antonio Pineda, and Antonio Castillo’s wife, Margot van<br>Voorhies Carr. All these artists went on to open their own successful workshops,<br>including van Voorhies Carr who founded Margot de Taxco after she and Antonio<br>Castillo divorced.<br><br>Los Castillo is known for its quality silver wares as well as mixed metals that<br>incorporated copper and/or brass with sterling silver. Other decorative home<br>accessories can be found with silver plating and inlaid stone embellishments. Chato (Jorge) Castillo was one of the Castillo brothers who worked in the 1930s for William Spratling. He is known for his technical expertise and his design<br>talent. He developed the techniques for married metals, feathers with silver,<br>Aztec mosaic or stone inlay, concha or abalone inlay,...(Mexican Silver: Modern<br>Hand-wrought Jewelry & Metalwork by Morrill and Berk (Schiffer: 2007, 4th<br>Edition), p. 86.

读 更多的 较少的

William Spratling sterling Amethyst pre-columbian style pin 1 5/8" tall x 1 1/16" wide.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

读 更多的 较少的

William Spratling sterling Feather fur clip with amethyst 22.5 grams, other measurements in pics.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

读 更多的 较少的

Antonio Pineda (1919-2009) Taxco Modernist sterling clips. Selling the three, clip what you want to clip. Measurements in pics. Two likely tie clips, third maybe money clip or bookmark, not sure.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

Antonio Pineda (1919-2009) Taxco 970 silver modernist botanical pin, measurements in pics.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

3/4" Antonio Pineda (1919-2009) Taxco Sterling belt buckle 31 grams, very sturdy, other measurements in pics. This is an extremely high quality and good looking buckle. Due to reflections it's difficult to present items of this type in the light the deserve in the time available to me.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

Antonio Pineda (1919-2009) Taxco Modernist Sterling Moonstone cufflinks, No<br>issues whatsoever, fully functional. 20mm x 18mm face, 14.3 grams.Antonio Pineda<br>(1919-2009)  Pineda’s jewelry is especially known for its elegant acknowledgment<br>of the human form. It is often said that a Pineda fits the body perfectly, that<br>it feels right when it is worn. So, for example, a thick geometric necklace that<br>might at first glance seem too weighty or rigid to wear comfortably is, in fact,<br>faceted, hinged, or hollowed in such a way that it gracefully encircles the neck<br>or drapes down the décolletage.  In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with as much ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master.

读 更多的 较少的

Antonio Pineda (1919-2009) Taxco Modernist Sterling Onyx cufflinks, No issues<br>whatsoever, fully functional. 20mm square, 21.2 gramsAntonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

Antonio Pineda (1919-2009) Taxco Modernist Cat's Eye sterling cufflinks, No<br>issues whatsoever, fully functional. 28mm x 20mm x 25.1 grams. Antonio Pineda<br>(1919-2009)  Pineda’s jewelry is especially known for its elegant acknowledgment<br>of the human form. It is often said that a Pineda fits the body perfectly, that<br>it feels right when it is worn. So, for example, a thick geometric necklace that<br>might at first glance seem too weighty or rigid to wear comfortably is, in fact,<br>faceted, hinged, or hollowed in such a way that it gracefully encircles the neck<br>or drapes down the décolletage.  In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with as much ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master.

读 更多的 较少的

Antonio Pineda (1919-2009) Taxco Modernist Sterling Onyx cufflinks 18mm square,<br>19.9 grams. Antonio Pineda (1919-2009)  Pineda’s jewelry is especially known for<br>its elegant acknowledgment of the human form. It is often said that a Pineda<br>fits the body perfectly, that it feels right when it is worn. So, for example, a<br>thick geometric necklace that might at first glance seem too weighty or rigid to<br>wear comfortably is, in fact, faceted, hinged, or hollowed in such a way that it<br>gracefully encircles the neck or drapes down the décolletage.  In addition, no<br>other taxqueño jeweler used as many costly semiprecious stones or set them with<br>as much ingenuity, skill, and variety as did Pineda. Only the most talented of<br>silversmiths could master.

读 更多的 较少的

Antonio Pineda (1919-2009) Taxco Modernist Cat's Eye sterling cufflinks, No<br>issues whatsoever, fully functional. 29mm x 25mm face, 27 grams. Antonio Pineda<br>(1919-2009) Pineda’s jewelry is especially known for its elegant acknowledgment<br>of the human form. It is often said that a Pineda fits the body perfectly, that<br>it feels right when it is worn. So, for example, a thick geometric necklace that<br>might at first glance seem too weighty or rigid to wear comfortably is, in fact,<br>faceted, hinged, or hollowed in such a way that it gracefully encircles the neck<br>or drapes down the décolletage.  In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with as much ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master.

读 更多的 较少的

Harold Clifton Fithian (1905-1972) 加州现代主义纯银袖扣。 7/8" x 5/8" 面重 20.8 克。哈罗德·菲蒂安 (Harold Fithian)（1905-1972 年）是一位典型的美国浪漫人物 - 他在南加州出生和长大 - 师从埃德娜·艾姆斯 (Edna Ames) 学习表演，并于 20 年代在好莱坞环球影城的后台工作 - 是一位劳工组织者和朋友Woody Guthrie 是 1930 年代和 40 年代的著名设计师和金匠，他是 1950 年代和 60 年代的著名设计师和金属匠，他最出名的可能是他的现代主义袖扣和其他男士珠宝。

读 更多的 较少的

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 3/8" Vintage Los Ballesteros Taxco sterling wide band modernist cuff bracelet. Solid sterling silver with weights and measurements in pics. Well made, clean cuff bracelet circa 1970‘s.

读 更多的 较少的

7.5" Retro Norwegian David Andersen Sterling Modernist bangle bracelet. Buying the bracelet shown with no issues.anderas

读 更多的 较少的

Jeff Deegan Southwestern modernist sterling silver 3/4" ranger belt buckle set. Vintage set with some expected wear but no significant issues. Fits up to 3/4" ranger belt. Ranger belts are wider and taper down at the buckle/keepers/tip. Selling the buckle set shown, giving the belt for free. Belt fits up to a 36" waist with existing holes. Hole placements shown on tape measure, it‘s a Jeff Deegan Lizard belt with some wear.

读 更多的 较少的

Large Retro Modernist sterling pins collection. All three are high quality, but<br>top left is really high quality, best of the best. It measures 3 5/8" x 2 1/8",<br>91.9 grams total weight (3 together) All three sterling.

读 更多的 较少的

现代主义纯银蓝铜矿、孔雀石和方钠石耳环/别针套装。极高品质的套装，没有明显的标记。耳环 2 英寸长 x 1 1/8 英寸，针 2 7/8 英寸 x 7/8 英寸，总重 29.7 克，没有任何问题。出售所示整套。 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。大多数袖口手镯都是在 6 英寸的女性手腕上拍摄的，并附有一张照片，显示金属尖端与卷尺上的数字相交处的内周长。

读 更多的 较少的

Antonio Pineda (1919-2009) Taxco Modernist sterling screw back earrings. Selling the earrings shown with no issues.Antonio Pineda (1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other silver objects were crafted there with an entirely innovative approach, informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

James Martin Southwestern modernist sterling silver 3/4" ranger belt buckle set. Vintage set with some expected wear but no significant issues. Fits up to 3/4" ranger belt. Ranger belts are wider and taper down at the buckle/keepers/tip. Selling the buckle set shown, giving the belt for free. Belt fits up to a 29.5" waist with existing holes. Hole placements shown on tape measure, It‘s on an Al Beres belt with some expected wear.

读 更多的 较少的

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 7 1/8" Retro Birks Sterling modernist cuff bracelet. AnderasMarked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.<br><br>anderas

读 更多的 较少的

Vintage Modernist Silver German Deutsche Mark Bolo tie. Measurements and weight in pics. 35" long cord.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist, rings photographed<br>on the appropriate sized finger when possible. With bracelets if the measurement<br>is not given in the description then inside circumference is shown where the<br>metal meets the number on the the cloth tape measure.

读 更多的 较少的

1980‘s Post Modernist Sterling J Gabiel/Autumn Walker clip-on earrings. Selling both pairs with no issues, one Mabe pearl, both solid sterling silver. Weight and measurements in pics.

读 更多的 较少的

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" Eduardo Tijerina Modernist Sterling and Jasper bracelet , band is 32mm wide not including the dangle.All precious metals are tested and guaranteed,

读 更多的 较少的

Antonio Pineda (1919-2009) Taxco Modernist Sterling Mixed metals cufflinks 1 3/8" x 1" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

Antonio Pineda (1919-2009) Taxco Modernist Sterling Macaw cufflinks .75" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" J Wright Southwestern modernist sterling silver tiger‘s eye cuff bracelet. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Circa second quarter of the 20th century with some expected age appropriate wear. If no maker is mentioned or mark shown in the pictures please assume this piece is unmarked which is to be expected with older Native American silver jewelry. If it‘s hallmarked and I‘m not familiar with the artist most of the time I will just mention the hallmark with no research/attribution as time is everything in our business. Thank you for looking. Bracelets are shown in the photos with a tape measure inside the bracelet, other photos will typically show the gap size. The size at the beginning of the title includes the gap. Almost all bracelets that don‘t have inlay work should be adjustable by at least .25", please refer to pictures for the gap size to see if it would work if slightly adjusted as the gap would change.

读 更多的 较少的

Riveras Southwestern Modernist sterling silver HOG Harley turquoise belt buckle. Tested and guaranteed solid sterling silver, fits up to a 1" wide belt. Weight and measurements in pictures, circa third quarter of the 20th century.

读 更多的 较少的

1950 年代 Estela Popowski 现代主义墨西哥银混合金属/缟玛瑙胸针。 2 9/16 英寸高 x 1.75 英寸宽，状况极佳，复古。波波夫斯基是一名犹太移民，为了躲避欧洲的纳粹，他于 20 世纪 40 年代移居古巴，随后于 1950 年代移居墨西哥。 20 世纪 50 年代至 60 年代初，她在塔斯科生活和工作，为 Los Castillo、Antonio Pineda 设计珠宝，后来又在自己的工作室设计珠宝。她不是银匠，所以她设计了珠宝，并由塔斯科的多位银匠大师制作。 20 世纪 60 年代中期，她搬到了加利福尼亚州的纽波特海滩，同时专注于绘画和设计项目。

读 更多的 较少的

Retro Emilia Castillo Sterling silver cross clip-on earrings 1" square 25.3 grams. These were part of an important jewelry collection and appear to have been given as a gift by Emilia Castillo. No issues. Daughter of the famous Mexican silversmith, Antonio Castillo, home décor and jewelry designer Emilia Castillo has a following and reputation that spans the globe. As a child growing up in Taxco, Mexico, master silversmiths in her family’s legendary workshop surrounded Emilia. She has since developed a patented technique of fusing pure silver to porcelain, a beautiful and unique result that is a signature of her pieces. All of Emilia’s pieces are made of natural materials such as lapis lazuli, jasper, turquoise, malachite, onyx, porcelain and silver. Her designs are hand-crafted in the workshop at her ranch in Taxco.

读 更多的 较少的

蒂芙尼现代主义纯银开信刀/夹子。保证正品蒂芙尼 20 世纪第三季度的产品，由蒂芙尼零售。 6 5/8 英寸长 x 14 毫米宽 x 23.4 克。安德拉斯

读 更多的 较少的

Large retro southwestern modernist sterling onyx penant. Weight and measurements in pics, no issues.

读 更多的 较少的

1975 Modernist Sterling bloodstone pendant choker necklace 17". Signed as shown. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

读 更多的 较少的

Henning Koppel for Georg Jensen Modernist sterling pin. Circa third quarter of the 20th century. No issues, weight and measurements in pics. GEORG JENSEN (1866 - 1935) When the 37-year-old Georg Jensen, with both an apprenticeship as goldsmith and sculptor behind him, made silver his way of living by establishing his silver smithy in Copenhagen in 1904, it was with the fine craftsmans understanding and appreciation of the material combined with the accomplished artists sense of form. Through his childhood in the picturesque surroundings of Raadvad north of Copenhagen Georg Jensen was inspired to become an artist. He succeeded in becoming both sculptor and ceramist but it was by way of his talent as a silver smith that he achieved the most remarkable recognition. The Georg Jensen Silversmithy created some of the most original and epoch-defining jewellery, hollowware and cutlery patterns. At Georg Jensens death in 1935 the smithy was acknowledged as one of the most important silversmithies in the world. Georg Jensen was instrumental in defining the character of the twentieth century Scandinavian Design by drawing on Danish traditions and infusing them with a progressive design rationale. He rejected the popular taste of the time for romantic and historicist ornamentation and ostentation, instead embracing the avant-garde Art Nouveau style with its simple organic forms and craft-based approach to production. Georg Jensen was a sensitive artist endowed with a great talent which made it possible for him to turn his vision into reality.

读 更多的 较少的

William Spratling sterling Aztec style pin 1.5" wide with no issues.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

读 更多的 较少的

William Spratling(1900-1967) Taxco Modernist sterling Amethyst cufflinks 18mm<br>wide 12.9 grams. William Spratling(1900-1967) Spratling, an architect and artist<br>who taught at Tulane University in New Orleans, came to Mexico in the late 1920s<br>and settled in the city of Taxco. Having developed an interest in Mesoamerican<br>archaeology and culture from his colleagues at Tulane, he traveled to Mexico for<br>several summers lecturing and exploring. He sought out remote villages in the<br>state of Guerrero, 110 miles from Mexico City, where in some places Nahuatl, the<br>Aztec language, was spoken. Spratling collected artifacts and contemporary<br>indigenous crafts. Spratling made a fortune manufacturing and designing silver,<br>but his true life's work was to conserve, redeem, and interpret the ancient<br>culture of his adopted country. He explained for North American audiences the<br>paintings of Mexico's modern masters and earned distinction as a learned and<br>early collector of pre-Columbian art. Spratling and his workshop gradually<br>became a visible and culturally attractive link between a steady stream of<br>notable American visitors and the country they wanted to see and experience.<br>Spratling had the rare good fortune to witness his own reputation -- as one of<br>the most admired Americans in Mexico -- assume legendary status before his<br>death. William Spratling, His Life and Art vividly reconstructs this richly<br>diverse life whose unique aesthetic legacy is but a part of its larger cultural<br>achievement of profoundly influencing Americans' attitudes toward a civilization<br>different from their own.

读 更多的 较少的

Antonio Pineda (1919-2009) Taxco Modernist Sterling/Onyx cufflinks. Faint hallmark as shown, .5" x 1.5" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

Antonio Pineda (1919-2009) Taxco Modernist Sterling cufflinks 13/16" 9/16" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

1950 年代 Los Castillo Taxco 黄铜 Adam 和 Eve 玻璃衬裙，配眼镜。出售所示的两副眼镜，没有任何损坏。 4.5 英寸高 x 2.5 英寸宽。尺寸不错的眼镜，大约 8-9 盎司。 TW229

读 更多的 较少的

17.5" JCJ Southwestern Modernist sterling silver bib necklace w/earrings. Circa last quarter of the 20th century, tested and guaranteed solid sterling silver. No apparent issues. Unknown maker.

读 更多的 较少的

Southwestern A Jensen sterling silver shadowbox bear paw turquoise belt buckle. Solid sterling silver (tested) buckle, Weight and measurements in pictures with some expected wear, fully functional. Firs a 1.5" belt.

读 更多的 较少的

7" Vintage Mexican Modernist sterling silver link bracelet art deco MCM. Weight and measurements in pictures, solid sterling silver. Marked as shown with no damage.

读 更多的 较少的

c1930‘s William Spratling tin milk pitcher/creamer. No holes or breaks, a few small dents shown. 4 7/8" tall to top of handle, 5 3/8" wide handle to spout. LRshelf William Spratling was born in 1900 in Sonyea, New York. His father was well respected and widely known for his study and writings concerning epilepsy. After the death of both Spratling‘s mother and sister, Wilhelmina, in 1910, Spratling‘s father moved temporarily to his father‘s Alabama home (known as Roamer‘s Roost) with sons William and David as well as older daughter, Lucile. At that time, the three Spratling children became wards of their grandfather. By the end of 1912, the family had moved once more and the children were separated; each went to live with with various aunts and uncles. In 1917 William Spratling attended Auburn University and a year or two later, during his stay at Auburn served as an instructor in architecture. Spratling moved to New Orleans in 1921 where he was an Associate Professor of Architecture at Tulane University. During the following nine years, Spratling published articles in Scribners Magazine, Journal of the A.I.A., Architecture Record, and many other architecture and travel publications. He became an active part of the New Orleans literary colony during those years, and his frequent companions were Natalie Scott, Sherwood Anderson, Oliver La Farge, Frans Blom, John Dos Passos and William Faulkner. Faulkner lived with Spratling for a time, and together they wrote and published Sherwood Anderson and Other Famous Creoles in 1926. 1926 was also when Spratling visited Mexico for the first time. He returned for summers over the next several years, and in 1929, moved to Mexico. Spratling quickly was introduced to and became a welcome participant in the artistic circles of Mexico. His activities in promoting the art of Diego Rivera among New York galleries led to his participation in the first exhibition of Mexican arts held in the United States. The exhibit was funded by the Carnegie Institute and opened at the Metropolitan Museum of Art in New York. Spratling assisted in assembling the exhibit and also lent a number of his own pieces. During this same period, Spratling was working on drawings for the expanding Morrow home in Cuernavaca. Many of these drawings were included in the book written by Elizabeth Morrow, Casa Mañana. Dwight Morrow, the US Ambassador to Mexico, suggested to Spratling in 1931 that Taxco had been the site of silver mines for centuries, but Taxco had never been considered a location where jewelry and objects of silver were designed and made. Subsequently, Spratling hired an experienced goldsmith from Iguala who moved to Taxco and created silver jewelry of Spratlings design. Other craftsmen joined Spratling‘s shop and produced tin ware, copper items, textiles and furniture - all designed by Spratling. These earliest designs were based on pre-Columbian motifs as well as simple themes utilizing rope borders, strap designs and other such basic ideas. The enterprise grew far beyond Spratlings expectations! Because he had created an apprentice system of training young silversmiths many new talented artisans had an opportunity to develop their craft. Over time many of these artisans opened shops of their own all with Spratlings support. During the Second World War, U.S. department stores were unable to import merchandise from Europe, and many retail stores purchased luxury goods in Mexico. In order to meet this dramatic increase in demand, Spratling opened his company to private investors, and by the end of 1944 had lost control of his company. Early in 1946, Spratling y Artesanos was out of business. By this time, Spratling had moved to a ranch he had earlier purchased south of Taxco at Taxco-el-Viejo. He never again lived within the town of Taxco. In 1946, he was asked by the U.S. Department of the Interior to develop a plan for development of native crafts in Alaska, and in 1949, a group of 7 young men from Alaska arrived at Spratling‘s ranch at Taxco-el-Viejo and began their training. Spratling had designed and produced 200 models for that effort, but after the men completed their training and returned to Alaska, the program languished primarily due to lack of government funding. The actual benefits of the program (both for Alaskans and for Spratling) were never realized. The time, however, that Spratling spent studying Alaskan native cultures and visiting all parts of Alaska created great impact as seen in Spratling‘s later silver designs. His design ethic in 1949 was dramatically different from those designs of the 1930s until mid 1940. He also used new materials in combination with silver for many of these later designs. Spratling continued to rebuild his business and had silversmiths fabricating his jewelry and object designs at his ranch. His designs were also produced by the Conquistador Company in Mexico City for a couple of years. Spratling published More Human Than Divine in 1960 and his archaeological interests not only continued but by the early 1960s seemed to take precedence over the creation of new silver designs. He donated collections of his pre-Columbian materials to the National University of Mexico and the National Museum of Anthropology in Mexico City. Spratling has been called by many "a Renaissance Man." Throughout Mexico he is acknowledged as "The Father of Mexican Silver." Certainly the town of Taxco and its economy would be vastly different without the initiative and creativity of this man. He complemented its valuable historic past with a new vitality and spirit which recognized the importance of the indigenous culture. The artistic and economic foundation he established continues to flourish today.

读 更多的 较少的

Carmen Beckmann Modernist sterling chrysocolla pin 16.6 grams, other measurements in pics.Carmen Beckmann (???? – ????) Carmen Beckmann sold jewelry from a shop she owned and operated out of her home in San Miguel de Allende, Mexico from the 1950’s through the 1970’s. Experts believe her jewelry was produced by multiple silversmiths and her hallmark affixed to the jewelry.Her work often draws on pre-Columbian designs presented in modernist contexts. She is known for necklaces, rings, pins, brooches, and earrings that employ silver and copper decorated with jade and other semi-precious stones.It is not entirely clear what role she played in the design of work she sold, but her mark on sterling silver jewelry indicates a collectible piece.

读 更多的 较少的

Carmen Beckmann Modernist sterling turquoise pendant/pin 22.7 grams, other measurements in pics.Carmen Beckmann (???? – ????) Carmen Beckmann sold jewelry from a shop she owned and operated out of her home in San Miguel de Allende, Mexico from the 1950’s through the 1970’s. Experts believe her jewelry was produced by multiple silversmiths and her hallmark affixed to the jewelry.Her work often draws on pre-Columbian designs presented in modernist contexts. She is known for necklaces, rings, pins, brooches, and earrings that employ silver and copper decorated with jade and other semi-precious stones.It is not entirely clear what role she played in the design of work she sold, but her mark on sterling silver jewelry indicates a collectible piece.

读 更多的 较少的

Vintage Southwestern Modernist sterling and turquoise pendant. Likely from the third quarter of the 20th century, most likely Native American made, unmarked. No issues, measurements in pics.All precious metals are tested and guaranteed,

读 更多的 较少的

Pat Bedoni Navajo 14k on Sterling modernist clip-on earrings. 24mm tall x 16mm<br>wide x 8.1 grams with no issues.Pat BedoniNavajo silversmith, Pat Bedonie, was<br>born in Ganado, Arizona on the Navajo Reservation. She is of the Edge Water and<br>Coyote Pass Clans. Pat’s mother, Lutricia Yellowhair, is an accomplished<br>silversmith who has passed the traditional Navajo jewelry making styles onto her<br>children. Every time you look at a piece of Pat Bedonie’s work you see her<br>mother’s influence. Today, Pat lives in Farmington, New Mexico and often<br>collaborates with her mother to create an array of stunning jewelry. She uses a<br>variety of symbols important in her Navajo heritage.Pat Bedoni is known for her<br>fine traditional Navajo carved jewelry and miniature silver boxes. All Pat<br>Bedonie Jewelry is made by herself alone. She creates exceptional silver jewelry<br>by any standards, which is not surprising, since her brother is Ron Bedoni, a<br>well-known silversmith. Pat’s jewelry is much like her brother Ron's, however<br>you'll find the designs not as complex.

读 更多的 较少的

复古墨西哥现代主义纯银和玛瑙项链 20 英寸长 84 克 实心 95% 银和真正的玛瑙宝石，一些大宝石的角上有小刻痕，没有其他问题。

读 更多的 较少的

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 8" David Andersen Norway Sterling Modernist cuff bracelet 16mm wide in center. I believe it's meant to be worn more like a bangle loosely. Sturdy but flexible enough to adjust the gap to suit your purpose.

读 更多的 较少的

7 1/8" Modernist sterling bracelet 26mm wide.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

读 更多的 较少的

sz5.25 Carmen Beckmann modernist silver filigree ring 17.2 grams, scale and size in pics.Carmen Beckmann (???? – ????) Carmen Beckmann sold jewelry from a shop she owned and operated out of her home in San Miguel de Allende, Mexico from the 1950’s through the 1970’s. Experts believe her jewelry was produced by multiple silversmiths and her hallmark affixed to the jewelry.Her work often draws on pre-Columbian designs presented in modernist contexts. She is known for necklaces, rings, pins, brooches, and earrings that employ silver and copper decorated with jade and other semi-precious stones.It is not entirely clear what role she played in the design of work she sold, but her mark on sterling silver jewelry indicates a collectible piece. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 5 Ring.

读 更多的 较少的

William Spratling sterling fur clip 14 grams, other measurements in pics.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

读 更多的 较少的

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 7 5/8" Retro Los Ballesteros Modernist sterling cuff bracelet. Clean condition with no issues. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :) All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

读 更多的 较少的

50's-60's Los Castillo sterling chrysocolla inlay aztec warrior pin, no issues.Los Castillo Jewelry - HistoryAntonio Ca stillo and his brothers Jorge, Miguel, and Justo began Los Castillo in 1939. They had all apprenticed in William Spratling’s taller before starting<br>their own business in Taxco, Mexico. Antonio Castillo rose to the level of<br>master silversmith during his time working with Spratling.<br><br>The Los Castillo workshop trained and employed many skilled silversmiths over<br>its decades in the business, including the Castillo brothers’ cousin Salvador Teran, Sigi Pineda, Antonio Pineda, and Antonio Castillo’s wife, Margot van<br>Voorhies Carr. All these artists went on to open their own successful workshops,<br>including van Voorhies Carr who founded Margot de Taxco after she and Antonio<br>Castillo divorced.<br><br>Los Castillo is known for its quality silver wares as well as mixed metals that<br>incorporated copper and/or brass with sterling silver. Other decorative home<br>accessories can be found with silver plating and inlaid stone embellishments. Chato (Jorge) Castillo was one of the Castillo brothers who worked in the 1930s for William Spratling. He is known for his technical expertise and his design<br>talent. He developed the techniques for married metals, feathers with silver,<br>Aztec mosaic or stone inlay, concha or abalone inlay,...(Mexican Silver: Modern<br>Hand-wrought Jewelry & Metalwork by Morrill and Berk (Schiffer: 2007, 4th<br>Edition), p. 86.

读 更多的 较少的

Antonio Pineda (1919-2009) Taxco flower pin with leaf, measurements in pics.Antonio Pineda (1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach, informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

Antonio Pineda (1919-2009) Taxco 980 silver flower pin 12.8 grams, other measurements in pics.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

sz10.5 50‘s-60‘s Vintage Navajo modernist sterling silver turquoise ring. Tested and guaranteed solid sterling silver. Selling the ring shown with age appropriate wear. Apparently unmarked.

读 更多的 较少的

sz5.5 Vintage southwestern modernist sterling silver turquoise freeform ring. Tested and guaranteed solid sterling silver. Unmarked. Very old fracture in turquoise to give it more character, it‘s not going anywhere. Size 5.5 Ring

读 更多的 较少的

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 8" David Andersen Norway Sterling Modernist cuff bracelet 16mm wide in center. I believe it‘s meant to be worn more like a bangle loosely. Sturdy but flexible enough to adjust the gap to suit your purpose.

读 更多的 较少的

JB Southwestern/Native American Modernist sterling silver turquoise pendant. Very nice high grade turquoise. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Unidentified/unresearched artist.

读 更多的 较少的

Retro Southwestern Modernist sterling silver turquoise PAD RAD earrings clip-on. Great earrings with no issues, tested and guaranteed solid sterling silver, any marks detected, weight, and measurements will be shown in the pictures. Strong springs on clips. The hallmark seems familiar but not currently ringing a bell.

读 更多的 较少的

Vintage Taxco Mexican modernist sterling silver skin/hide style belt buckle. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa last quarter of the 20th century. Fits a 1.25" belt.

读 更多的 较少的

14" Vintage Mid Century Modernist Mexican sterling choker necklace 15mm-16mm wide. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa third quarter of the 20th century.

读 更多的 较少的

Vintage Southwestern modernist sterling silver jasper stone abstract bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Great bolo, 36" long with no issues. Tray is tared out, so weight shown is just the bolo of course. Marked with illegible hallmark and 925.

读 更多的 较少的

西南现代主义纯孔雀石手链。适合最大 6.75 英寸的手腕，没有问题。

读 更多的 较少的

复古西南地中海珊瑚纯现代主义手链，适合 6.5 英寸的手腕。 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

读 更多的 较少的

Cecilia Tono Piedra Negra Mid Century Modernist sterling mixed metals pendant/pin. Measurments in pics. 31.5 grams..

读 更多的 较少的

7 英寸复古墨西哥现代主义纯银和玉石手链。没问题。漂亮的大号、坚固、做工精良的手链。

读 更多的 较少的

large AARIKKA Finland Modernist sterling pin. Large with no issues, weight and measurements in pics.

读 更多的 较少的

Mid Century Modernist Los Ballesteros Sterling and Onyx pin. No damage.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible.

读 更多的 较少的

Antonio Pineda (1919-2009) Taxco 970 silver photo holder keychain. All info in pics, stays shut with catch loop. Holds .5" x 1" pics.Antonio Pineda (1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

Emilia Castillo vintage Mexican modernist sterling silver clip-on earrings . Great earrings with no issues, tested and guaranteed solid sterling silver, any marks detected, weight, and measurements will be shown in the pictures. Strong springs on clips.

读 更多的 较少的

vintage Modernist sterling silver trompe l‘oeil belt buckle. Fully functional. Circa last quarter of the 20th century. Marked as shown, unidentified. No issues. Tested and guaranteed solid sterling silver.

读 更多的 较少的

7.5" Retro Mexican modernist sterling silver chunky link bracelet leaf design. Weight and measurements in pictures, solid sterling silver. Marked as shown with no damage. Circa last quarter of the 20th century.

读 更多的 较少的

c1960 c-31 Navajo modernist sterling silver channel inlay turquoise bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Great bolo, 44" long with no issues. Tray is tared out, so weight shown is just the bolo of course.

读 更多的 较少的