Nelson Morgan Navajo sterling and turquoise kachina bolo tie. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 39" total length. Sterling slide and tips.

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c1960 c-31 Zuni inlay sterling bolo tie with thunderbird. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 37" total length. Sterling slide and tips. Apparently unmarked.

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1986 Huge 130ct Bisbee Turquoise sterling silver bolo tie. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 39" total length. Sterling slide and tips. 100-150ct Vintage Large Bisbee Turquoise bolo tie. 77.5 grams total weight, if 1/3 of that is stone weight which is likely, that would be approximately 130 carat stone which is rather rare. Similar quality Bisbee sells for about $30/ct. One really cool thing about this bolo is it has the original owner‘s Name and 1986 Date inscribed on the back and Tombstone, AZ. Tombstone is 23 miles from Bisbee, AZ.

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c1970 Vidal Aragon Kewa heavy sterling bolo tie with fancy overlay tips. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 41" total length. Sterling slide and tips. From Santo Domingo Pueblo, Vidal Aragon (1923-2015) translated pueblo life into intricate storyteller jewelry. He became internationally renown for his inventive silver and gold overlay designs. His representations of the elements of nature, animals and pueblo life are symbolic of the Indian way. One symbol refers to “everlasting happiness. Other common motifs are animals and the tracks they make and the blessing and nourishment of corn. An expert craftsman, Aragon drew each story strip with his saw blade and soldered it to a textured oxidized underlayer to illuminate the images. He often incorporated a trademark gold disk to represent the sun or moon. Vidal Aragon learned the overlay technique in the 1930s when he was a student at the Santa Fe Indian School. Before inventing the storyteller jewelry, he experimented with tufa casting and other metalworking techniques. He briefly lived in Scottsdale where he honed his skills as a shop smith. He has fond memories of the time he spent learning ballet as a young man in Phoenix. By the early 1940s, Vidal was already being recognized alongside such prominent smiths as Ambrose Roanhorse and Tom Burnsides for his innovative yet classical designs. Aragon found his true calling though when he began to translate his rich sense of the pueblo way of life into wearable stories, often full of his unique humor.

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c1960 c-31 Zuni inlay sterling knifewing figural bolo tie. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 37" total length. Sterling slide and tips. Apparently unmarked.

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c1930‘s Concho - c1960 c-31 Sterling/turquoise hand stamped silver bolo tie. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 40" total length. Sterling slide and tips. Extremely awesome heavy handmade tips, old concho from the second quarter of the 20th century turned into bolo right around 1960.

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c1960 c-31 Navajo sterling and green turquoise bolo tie. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 38" total length. No detectable markings. Sterling slide and tips.

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c1950 Navajo silver rainbow man dancer bolo tie. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 35" total length. No detectable markings. Sterling slide and tips.

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Large c1960 c-31 Zuni silver inlay turquoise snake eye border bolo tie. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 38" total length. No detectable markings. 2.75" x 2.25" slide. Sterling slide and tips.

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Heavy Vintage sterling brutalist bolo tie. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 35" total length. No detectable markings. Cord is very old but intact and should stay that way with careful use.

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c1960 c-31 Eldon James Hopi arrowhead form bear head bolo tie. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 42" total length. No detectable markings. Cord is very old but intact and should stay that way with careful use.

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c1970 Frank Patania jr "Caballeros del Sol" Sterling/turquoise bolo tie. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 38" total length. In 1927 Italian immigrant Frank Patania Sr. opened the Thunderbird Shop in Santa Fe which sold Native American handmade arts and crafts. Patania, a trained goldsmith and fine jewelry designer, had become enamored with Native American jewelry. He quickly turned his talents to designing and fabricating sterling silver and turquoise jewelry inspired by Native designs, developing a new type of Southwest jewelry, termed “Thunderbird style which combined Mediterranean elegance with traditional Native American materials. He became known for his exquisite craftsmanship and unique jewelry designs which displayed great attention to detail. As his business grew, Patania required assistance in the workshop and in 1932 hired Charles Begay, a skilled Navajo silversmith. He became the first of many Native Americans to work for the Patanias as silversmiths in the Thunderbird Shop in Santa Fe, and later also in Tucson. Some of these artists remained employed until retirement, while others, after becoming versed in the Thunderbird style, departed to work on their own, carrying with them the influence and inspiration of Patania family designs. Those who carried the Thunderbird style into their own successful careers were Lewis Lomay, Julian Lovato, Jimmie Herald and Harry Sakyesva, whose talents and body of work still resonate long after their passing. The history of the Cabaleros Del Sol- As retold by charter members Schuy Lininger and Stub Ashcraft In the mid 1920s, two doctors named Huett and Kline who specialized in the care of tubercular (TB) patients saw the need to begin touting the great dry heat of Tucson as the perfect place to be for people with lung problems. This need along with the desire of Tucson business people to get more people to visit and move to The Old Pueblo eventually evolved into an organization called the Tucson Sunshine Climate Club. Many years later, the visitors & Convention Bureau was added to the professional heading. For the next 37 years (1926- 1963), the Sunshine Climate Club grew as the premier organization to bring and develop new business to Tucson. The organization was funded in part by both the city of Tucson and Pima County. Some of the greatest early “City Fathers of Tucson served this group. As the Chamber of Commerce grew both the City and County decided to quit funding the Sunshine Climate Club as they felt there were some overlapping between the two organizations. So in 1963, two key people- Frank Drachman and Roy Miller convinced the entire Board of Directors of the Sunshine Climate Club to dissolve their Club and become a standing committee in the Tucson Chamber of Commerce. The group would be call the Caballeros Del Sol and Roy Miller (who ran the J.C. Penney store downtown) would become the first El Jefe. They put sunshine in cans, models in cactus “bathing suits and Tucson in the underwood of every travel writer in the country. “Nobody did the things we did to promote tourism says C.L. “Stubs Ashcraft, general manger back in the ‘50s of the old Tucson Sunshine Climate Club. Who else would: Scoop out the tops of two saguaro cactus arms, fashion them into a “bra, and have the end result modeled by a local high school girl? : Welcome the Cleveland Indians to town with smoke signals from atop “A Mountain? : Get the superintendent of Saguaro National Monument to draw beer from a cactus? How you gonna get “em out to the desert? With sunshine, sex and rootin tootin atmosphere. For 40 years, that was the winning formula used by the Tucson Sunshine Climate Club to bring visitors to town- until a merger put an end to all the good times. It began with a rivalry. “By 1920, Phoenixs population was the larger than Tucsons, says Roy P. Drachman, general manager of the Sunshine Climate Club, 1939- 1945. Naturally says Drachman, this “annoyed a few Tucson businessman. So car dealers Monte Mansfield and L.C. “Jessie James decided to form an organization to promote tourism. In 1922, the Tucson Sunshine Climate Club held its first meeting. Far from feeling usurped, the Chamber of Commerce welcomed the move, says Drachman. “There was a lot of overlap. Many of the same members served on both boards. Money came from local businesses, which bought up memberships, and from the city and county, which helped pay for advertising in publications across the country. Back then, Tucson was still considered a health mecca. “I think we spent more money in the American Medical Association Journal than any other publication, says Drachman. When he took over as manager in 1939, Drachman hired two photographers, Chuck Abbot and Robert Burns, who took pictures of prominent folk visiting the desert and then sent the photos to various news organizations, where they received wide play. “We had a clipping service, says Drachman. “We kept big sheets of brown paper covered with clippings we got back from photos we had sent out. The club also co- sponsored a modeling club, using high school girls, mainly from Tucson High, to sell the Old Pueblo. “Wed put them in a pair of boots, shorts, shirt and a hat and send them out in the desert with Ray Manley, says Ashcraft. “Wed put them up against a cactus or in a field of poppies, anything for publicity. The Clubs finest hour for cheesecake however, probably came during Drachmans reign. “We hollowed the tops out of a saguaro cactus and made a bra, says Drachman.“Then we took prickly pear cactus pads and cut all the thorns off and hung them on wire for a skirt. Then we put a model from Tucson High in that outfit and took her picture. Life magazine printed it, full page. By the time Ashcraft came on board as the general manager in 1952, the publicity machine was in high gear. “I used to lie awake at nights thinking of things to do. Such as passing out cans of “sunshine. Or posing a model in a $ 3,500.00 pair of mink “jeans. Or having the Cleveland Indians pull a stagecoach with their manager on board, cracking the whip. Naturally all of this was photographed for play in the Eastern papers. Ashcrafts golden moment may have come in 1955, when a group of travel writers arrived in town on a junket sponsored by American Airlines. “First thing we did was take them downtown and get them outfitted with jeans, shirts, boots and a hat, says Ashcraft. Then they took them to the Forty Niners Ranch for a party.“The next morning, most of these folks had hangovers like you couldnt believe, says Ashcraft. “Then we got them up on horses for a ride to Saguaro National Monument. By the time we got them there, their tongues were hanging out by a mile. What the writers didnt know was that a chuck wagon filled with draft beer had been set up at the monument. Standing next to the chuck wagon was a mannequin in a squaw dress, and next to the mannequin was a saguaro cactus, with a thin tube running through it. The tube was a conduit, allowing beer to flow from a keg in the chuck wagon to a spigot on the outside of the cactus. “After we got there, we had John Lewis, who was the superintendent of the monument, give this talk on the flora and the fauna of the desert, says Ashcraft. “It was the most boring thing you had ever heard. Then he bent over and the mannequins hand fell on the spigot and the beer started to flow. You should have seen the eyes of those travel writers. As with most of the clubs stunts, this one, says Ashcraft, followed the script “right down to a gnats eyebrow. Such was not the case, however, the day the club welcomed the Cleveland Indians to town with a smoke- signal greeting. Every year when the Cleveland Indians came to town for spring training, we tried to top what we had done the year before, says Ashcraft. “So I thought, ‘Ah, lets welcome ‘em with smoke signals. “I went down to Indian Village Trading Post. They had an Indian there who did sand painting, and I said, ‘Freddy I dont remember his last name- ‘Do you know how to make smoke signals? He said yes, ‘Sure, so we arranged it. Ashcraft also arranged for American Airlines, which was bringing the team to town, to fly directly over “A Mountain where the signals would be sent. The day arrived. “It was a nasty damn day, recalls Ashcraft. “The wind must have been blowing about 100 miles per hour. And of course we had invited the local press and photographers there. Ray Manley was there and for some reason he had brought along a couple of old tires. It never dawned on any of us the consequences of what we were about to do. “So we got the fire started and Ray threw the tires on it and the black smoke started pouring out. Then the sheriffs car came up the road, its lights blinking. They didnt want to come all the way up, and they were hollering at us to come down. We were scared to death. “Well, people were calling all over. “A Mountain used to be a volcano and people thought it was erupting again. “Anyway, the time came for the plane to come over. Freddy has the blanket. Here comes the plane. Freddy and his friend put the blanket down over the tire- and it burned a hole right in the middle of the damned blanket. “I said, ‘Freddy, what in the hell happened? He said, ‘I forgot. We were supposed to wet the blanket. In 1962, the Tucson Sunshine Climate Club merged with the Chamber of Commerce Industrial Development Board, in an effort to strengthen the chamber and do away with duplication of effort. “That killed the club, says Ashcraft. But not its past deeds. “When we started out, we were getting the tourists, says Ashcraft. “They liked it and came back as winter visitors. Then they decide to retire here. We had businessmen come here, decide to have a convention, then relocate their businesses here. Now, there isnt the Western atmosphere anymore. Asked if perhaps the Tucson Sunshine Climate Club did its job to well, Ashcraft sits and reflects by the pool of a midtown hotel, a hundred feet away from the rush of the traffic along Alvernon Way. Finally, the words come: “If I could do it all over again, I wouldnt do it. I loved the Old Pueblo.

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c1960 c-31 Alice Leekya Homer Zuni sterling turquoise fishscale inlay bolo tie, unmarked - attributed. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 40" total length. No detectable markings. Cord is very old but intact and should stay that way with careful use.

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Gary and Elsie Yoyokiei Hopi large sterling bolo tie in overlay style. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 38" total length. Yoyokie, Gary and Elsie Gary and Elsie Yoyokie live on Third Mesa, Arizona at Kykotsmovi on the Hopi reservation. During their distinguished careers as silversmiths, the Yoyokies have won many awards at major shows and exhibits, including the Santa Fe Indian Market, where their unique jewelry has won dozens of ribbons, including Best of Division awards. The Yoyokies were selected as Fellowship winners by the Southwestern Association for Indian Arts in 1993 in recognition of their beautifully designed and crafted silverwork. They were also honored by the Museum of Northern Arizona, which presented the Yoyokies with the Charles Loloma Award of Excellence. They have won many ribbons, including Best of Division at the Heard Museum Indian Fair and Market, Best of Show at the Twin Cities Indian Market in Minneapolis, as well as awards from the Eight Northern Pueblos Indian Arts and Crafts Exhibit, the Sedona Hopi Show, the Lawrence, Kansas Museum of Anthropopogy Indian Arts Show, the American Indian Art Festival in Dallas and numerous other major shows.

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c1950 Edward Beyuka Zuni Roadrunner carved bolo tie sterling. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 37" total length. Unmarked to the best of my knowledge. I could not lift the cord up in the center without risking damaging it. Attributed as I‘ve seen similar carved later examples that were signed. This one is slightly different, but it‘s also earlier than any I have seen recorded.

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c1950 Navajo silver thunderbird bolo tie. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 38" total length. No detectable markings. Cord is very old but intact and should stay that way with careful use.

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c1970 William Zunie sterling silver Zuni channel inlay bolo tie. Solid sterling, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). No damage, sterling tips and bolo slide. Hallmarked as shown, WM Zunie, 40" total length.

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vintage Frank Patania Thunderbird Shop "Caballeros del Sol" Sterling/turquoise bolo tie. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 38" total length. In 1927 Italian immigrant Frank Patania Sr. opened the Thunderbird Shop in Santa Fe which sold Native American handmade arts and crafts. Patania, a trained goldsmith and fine jewelry designer, had become enamored with Native American jewelry. He quickly turned his talents to designing and fabricating sterling silver and turquoise jewelry inspired by Native designs, developing a new type of Southwest jewelry, termed “Thunderbird style which combined Mediterranean elegance with traditional Native American materials. He became known for his exquisite craftsmanship and unique jewelry designs which displayed great attention to detail. As his business grew, Patania required assistance in the workshop and in 1932 hired Charles Begay, a skilled Navajo silversmith. He became the first of many Native Americans to work for the Patanias as silversmiths in the Thunderbird Shop in Santa Fe, and later also in Tucson. Some of these artists remained employed until retirement, while others, after becoming versed in the Thunderbird style, departed to work on their own, carrying with them the influence and inspiration of Patania family designs. Those who carried the Thunderbird style into their own successful careers were Lewis Lomay, Julian Lovato, Jimmie Herald and Harry Sakyesva, whose talents and body of work still resonate long after their passing. The history of the Cabaleros Del Sol- As retold by charter members Schuy Lininger and Stub Ashcraft In the mid 1920s, two doctors named Huett and Kline who specialized in the care of tubercular (TB) patients saw the need to begin touting the great dry heat of Tucson as the perfect place to be for people with lung problems. This need along with the desire of Tucson business people to get more people to visit and move to The Old Pueblo eventually evolved into an organization called the Tucson Sunshine Climate Club. Many years later, the visitors & Convention Bureau was added to the professional heading. For the next 37 years (1926- 1963), the Sunshine Climate Club grew as the premier organization to bring and develop new business to Tucson. The organization was funded in part by both the city of Tucson and Pima County. Some of the greatest early “City Fathers of Tucson served this group. As the Chamber of Commerce grew both the City and County decided to quit funding the Sunshine Climate Club as they felt there were some overlapping between the two organizations. So in 1963, two key people- Frank Drachman and Roy Miller convinced the entire Board of Directors of the Sunshine Climate Club to dissolve their Club and become a standing committee in the Tucson Chamber of Commerce. The group would be call the Caballeros Del Sol and Roy Miller (who ran the J.C. Penney store downtown) would become the first El Jefe. They put sunshine in cans, models in cactus “bathing suits and Tucson in the underwood of every travel writer in the country. “Nobody did the things we did to promote tourism says C.L. “Stubs Ashcraft, general manger back in the ‘50s of the old Tucson Sunshine Climate Club. Who else would: : Scoop out the tops of two saguaro cactus arms, fashion them into a “bra, and have the end result modeled by a local high school girl? : Welcome the Cleveland Indians to town with smoke signals from atop “A Mountain? : Get the superintendent of Saguaro National Monument to draw beer from a cactus? How you gonna get “em out to the desert? With sunshine, sex and rootin tootin atmosphere. For 40 years, that was the winning formula used by the Tucson Sunshine Climate Club to bring visitors to town- until a merger put an end to all the good times. It began with a rivalry. “By 1920, Phoenixs population was the larger than Tucsons, says Roy P. Drachman, general manager of the Sunshine Climate Club, 1939- 1945. Naturally says Drachman, this “annoyed a few Tucson businessman. So car dealers Monte Mansfield and L.C. “Jessie James decided to form an organization to promote tourism. In 1922, the Tucson Sunshine Climate Club held its first meeting. Far from feeling usurped, the Chamber of Commerce welcomed the move, says Drachman. “There was a lot of overlap. Many of the same members served on both boards. Money came from local businesses, which bought up memberships, and from the city and county, which helped pay for advertising in publications across the country. Back then, Tucson was still considered a health mecca. “I think we spent more money in the American Medical Association Journal than any other publication, says Drachman. When he took over as manager in 1939, Drachman hired two photographers, Chuck Abbot and Robert Burns, who took pictures of prominent folk visiting the desert and then sent the photos to various news organizations, where they received wide play. “We had a clipping service, says Drachman. “We kept big sheets of brown paper covered with clippings we got back from photos we had sent out. The club also co- sponsored a modeling club, using high school girls, mainly from Tucson High, to sell the Old Pueblo. “Wed put them in a pair of boots, shorts, shirt and a hat and send them out in the desert with Ray Manley, says Ashcraft. “Wed put them up against a cactus or in a field of poppies, anything for publicity. The Clubs finest hour for cheesecake however, probably came during Drachmans reign. “We hollowed the tops out of a saguaro cactus and made a bra, says Drachman.“Then we took prickly pear cactus pads and cut all the thorns off and hung them on wire for a skirt. Then we put a model from Tucson High in that outfit and took her picture. Life magazine printed it, full page. By the time Ashcraft came on board as the general manager in 1952, the publicity machine was in high gear. “I used to lie awake at nights thinking of things to do. Such as passing out cans of “sunshine. Or posing a model in a $ 3,500.00 pair of mink “jeans. Or having the Cleveland Indians pull a stagecoach with their manager on board, cracking the whip. Naturally all of this was photographed for play in the Eastern papers. Ashcrafts golden moment may have come in 1955, when a group of travel writers arrived in town on a junket sponsored by American Airlines. “First thing we did was take them downtown and get them outfitted with jeans, shirts, boots and a hat, says Ashcraft. Then they took them to the Forty Niners Ranch for a party. “The next morning, most of these folks had hangovers like you couldnt believe, says Ashcraft. “Then we got them up on horses for a ride to Saguaro National Monument. By the time we got them there, their tongues were hanging out by a mile. What the writers didnt know was that a chuck wagon filled with draft beer had been set up at the monument. Standing next to the chuck wagon was a mannequin in a squaw dress, and next to the mannequin was a saguaro cactus, with a thin tube running through it. The tube was a conduit, allowing beer to flow from a keg in the chuck wagon to a spigot on the outside of the cactus. “After we got there, we had John Lewis, who was the superintendent of the monument, give this talk on the flora and the fauna of the desert, says Ashcraft. “It was the most boring thing you had ever heard. Then he bent over and the mannequins hand fell on the spigot and the beer started to flow. You should have seen the eyes of those travel writers. As with most of the clubs stunts, this one, says Ashcraft, followed the script “right down to a gnats eyebrow. Such was not the case, however, the day the club welcomed the Cleveland Indians to town with a smoke- signal greeting. “Every year when the Cleveland Indians came to town for spring training, we tried to top what we had done the year before, says Ashcraft. “So I thought, ‘Ah, lets welcome ‘em with smoke signals. “I went down to Indian Village Trading Post. They had an Indian there who did sand painting, and I said, ‘Freddy I dont remember his last name- ‘Do you know how to make smoke signals? He said yes, ‘Sure, so we arranged it. Ashcraft also arranged for American Airlines, which was bringing the team to town, to fly directly over “A Mountain where the signals would be sent. The day arrived. “It was a nasty damn day, recalls Ashcraft. “The wind must have been blowing about 100 miles per hour. And of course we had invited the local press and photographers there. Ray Manley was there and for some reason he had brought along a couple of old tires. It never dawned on any of us the consequences of what we were about to do. “So we got the fire started and Ray threw the tires on it and the black smoke started pouring out. Then the sheriffs car came up the road, its lights blinking. They didnt want to come all the way up, and they were hollering at us to come down. We were scared to death. “Well, people were calling all over. “A Mountain used to be a volcano and people thought it was erupting again. “Anyway, the time came for the plane to come over. Freddy has the blanket. Here comes the plane. Freddy and his friend put the blanket down over the tire- and it burned a hole right in the middle of the damned blanket. “I said, ‘Freddy, what in the hell happened? He said, ‘I forgot. We were supposed to wet the blanket. In 1962, the Tucson Sunshine Climate Club merged with the Chamber of Commerce Industrial Development Board, in an effort to strengthen the chamber and do away with duplication of effort. “That killed the club, says Ashcraft. But not its past deeds. “When we started out, we were getting the tourists, says Ashcraft. “They liked it and came back as winter visitors. Then they decide to retire here. We had businessmen come here, decide to have a convention, then relocate their businesses here. Now, there isnt the Western atmosphere anymore. Asked if perhaps the Tucson Sunshine Climate Club did its job to well, Ashcraft sits and reflects by the pool of a midtown hotel, a hundred feet away from the rush of the traffic along Alvernon Way. Finally, the words come: “If I could do it all over again, I wouldnt do it. I loved the Old Pueblo.

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Heavy Vintage sterling brutalist bolo tie. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 40" total length. Illegibly signed on back.

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c1950‘s Modernist silver malachite bolo tie. Solid sterling, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Some natural fissures in stone only superficial and not noticeable in real life when worn, fully functional with overall attractive appearance. Sterling tips and bolo slide. 37" total length, unmarked slide but tips marked sterling.

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c1960 c-31 Navajo sterling and turquoise bolo slide with slanted stamped design. Solid sterling, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. Sterling tips and bolo slide. 36" total length, No apparent markings.

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c1950‘s small Sterling and turquoise bolo tie. Solid sterling, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. Sterling tips and bolo slide. 36" total length, slide marked sterling.

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Floyd Namingha Lomakuyvaya Hopi Overlay bolo tie sterling silver. Solid sterling, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). No damage, sterling tips and bolo slide. Hallmarked as shown. Exremely high quality. From huge collection so well preserved, 40" total length.

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Cedric Navenma Kuwaninvaya Hopi Overlay bolo tie sterling silver. Solid sterling, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). No damage, sterling tips and bolo slide. Hallmarked as shown. Exremely high quality. From huge collection so well preserved, 42" total length.

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Victoria Ukestine Zuni Sunface bolo tie sterling silver channel inlay. Solid sterling, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). No damage, sterling tips and bolo slide. Hallmarked as shown. From huge collection so well preserved, 38" total length.

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Vintage Native American sterling, turquoise/coral bear paw bolo tie. Solid sterling, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). No damage, sterling tips and bolo slide. Hallmarked as shown. From huge collection so well preserved, 41" total length.

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c1970 Large Archie Henderson Tufa Cast silver Easter Blue turquoise bolo tie. Solid sterling, weight and measurements in pics. Clip on back is not sterling, tips and slide are sterling. I don‘t know much about Archie Henderson other than he was not very prolific and he he used really high grade natural American Turquoise, he even worked with some Lander Blue. He worked in both silver and gold c1970‘s.

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c1960 c-31 Alberto Contreras Modernist silver/onyx bolo tie w/fancy tips. Solid sterling, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Clip on back is not sterling, tips and slide are sterling. Alberto Contreras (1949-1994) was taught silversmithing, by Frank Patania Sr., prior to 1949. In 1949 Alberto Contreras started his silversmithing shop, which would be one of three main, custom silversmithing shops, in Tucson, during that era: 1. Thunderbird Shop - Patania 2. Alberto Contreras 3. Carlos Diaz

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c1960 c-31 Huge Navajo silver, turquoise, and coral bolo tie. Solid sterling, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Clip on back is not sterling, tips and slide are sterling. Apparently unmarked, some bends to tips.

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c1960 c-31 Navajo Overlay turquoise Large bolo tie sterling silver. Solid sterling, illegible to me hallmark, weight and measurements in pics. Clip on back is not sterling, tips and slide are sterling.

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c1960 c-31 Ted Edaakie Zuni Owl sterling channel inlay bolo tie with fancy tips 39" long with no issues, no identifying markings on the silver. Attributed to Theodore Edaakie, pins and bolos in this design have surfaced signed, typically later examples. 48.2 grams Ted Edaakie, who began producing in about 1930. Theodore Edaakie, called Ted Edaakie, had work represented in the C.G.Wallace catalog, the Museum of The American Indian Smithsonian Institution, The Museum of New Mexico and The Heard Museum in Arizona. Edaakie won several awards for his work. The C.G. Wallace catalog also reports the sale of two of his roadrunner pins. In the 1930‘s and 1940‘s Theodore Edaakie was employed as an artist at C. G. Wallace‘s Trading Post at Zuni. Mosaic and channel inlay pieces that Theodore made were collected by Wallace and several were sold at the 1975 Sotheby‘s Auction of Wallace‘s collection. He was one of the famous Edaakie brothers. He was a superb lapidarist as well as silversmith All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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c1970 Zuni sunface sterling inlay bolo tie v. Solid sterling, unmarked, weight and measurements in pics. Clip on back is not sterling, tips and slide are sterling.

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c1970 Benson Yazzie Navajo sterling, turquoise/branch coral bolo tie. Solid sterling, unmarked, weight and measurements in pics. Clip on back is not sterling, tips and slide are sterling.

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Large c1960 c-31 Robert and Bernice Leekya bolo tie sterling/turquoise, 44" long, weight and measurements in pics. Solid sterling slide and tips. Non-sterling Bennett clip. Robert and Bernice Leekya, Zuni Pueblo Jewelers Husband and wife Robert and Bernice Leekya from Zuni Pueblo are known for their bold turquoise nugget jewelry and channel inlay. Robert (1934-) and Bernice Leekya have been making jewelry since 1953. Robert is the son of famous fetish carver Leekya Deyuse and learned his craft from his father as a young man.

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42" c1950‘s Phil Sterling Handmade channel inlay bolo tie42" long, weight and measurements in pics, solid sterling. Incredible handmade tips. Incredible bolo, I‘m not sure who Phil is, but it looks Native American made.

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Michael Sockyma Hopi Overlay bolo tie sterling bear paw 43" long, weight and measurements in pics, solid sterling. Hopi artist Michael Sockyma Sr. Michael is from the Hopi village of Hotevilla. He learned the art of overlay at Hopicraft and later worked for them. He is a member of the Corn clan and his hallmark is a corn plant, often with his connected initials MS. He has won multiple awards for his outstanding overlay jewelry. Was born in 1942 and began his career in 1965.

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Vintage sterling pyrite agate bolo tie, weight and measurements in pics, solid sterling. Unmarked. Circa 70‘s. clip on back isn‘t sterling.

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40" c1960 c-31 Royston turquoise/coral sterling kachina bolo tie. 40" long, weight and measurements in pics, unmarked, solid sterling. No issues.

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c1960 c-31 William Zunie Zuni Eagle Dancer sterling channel inlay bolo tie. 40" long, weight and measurements in pics, unmarked, solid sterling. No issues.

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38" Edison & Laurenda Bobelu Zuni sterling turquoise channel inlay bolo tie 38" long, weight and measurements in pics, solid sterling.

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Riley Polequaptewa Hopi Overlay bolo tie sterling bolo tie 40" long, weight and measurements in pics, solid sterling. Riley Polequaptewa has been an active silversmith since the 1970s. His specialty is the traditional Hopi silver overlay technique promoted by the Hopi Arts & Crafts Co-op Guild which was formed in 1947, after World War II, when returning Hopi servicemen were trained at a silversmithing school founded under the G.I. bill. The late Paul Saufkie, Sr. was the technical instructor and the late Fred Kabotie, noted Hopi artist and designer, taught design. Although many techniques of silver work were used, the overlay style gradually emerged as the dominate style. This simple, unique, elegant jewelry is now considered essentially the Hopi style of jewelry. The Guild‘s purpose is to produce, purchase, promote, and sell handcrafts and jewelry. The Hopi Arts and Crafts Co-op Guild has its own building on Second Mesa, Arizona, next to the Hopi Cultural Center & Museum. Any craftsman, potter, basket maker, weaver or silversmith can have his or her work displayed and sold there. Half the building is devoted to work benches and supplies for the silversmiths.

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c1980 38" R Navajo sterling, turquoise, and coral snake bolo tie. Solid sterling silver, weights and measurements in pics. "Bennett" clip on back is base metal. Stamped R Sterling on the back with no other markings. 38" long cord.

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c1950 Art Lewis Choctaw silver currency bolo tie. Solid sterling silver (coins 90% silver), weights and measurements in pics. 35" long cord (Art Lewis 20th century, Choctaw) Although cited by both Barton Wright and Gregory Schaaf in their publications revealing American Indian jewelers, relatively little is shared about Art or Arthur Lewis, whose hallmark is an arrow and tepee. Lewis‘ Choctaw name was Neetha Loosa, which translates to Black Bear. He worked as a silversmith from 1929 forward.

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c1970 1924 Silver dollar bolo tie. Solid sterling silver (90% silver coin) 39" long cord, weights and measurements in pics. Clip on back is base metal. Dents to tips shown.

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42" Huge Vintage Zuni Silver Snake bolo tie with large Natural turquoise nugget. Solid sterling, weight and measurements in pics. Amazing bolo circa 60‘s-70‘s. I think the back was left open to show the nice waterweb matrix of the turquoise.

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39" Vintage LJ Navajo Sterling bolo tie with high grade Royston turquoise. Solid sterling, weight and measurements in pics. Really nice bolo with no issues. I‘m not sure who LJ is but this is top notch workmanship.

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37" Vintage Navajo Black Web Kingman Gold filled sterling bolo tie. Very nice bolo with no issues, nice stone. Weight and measurements in pics. Solid gold filled sterling 38" cord. No apparent markings other than purity markings on tips.

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38" c1960 c-31 Zuni thunderbird bolo tie. Solid sterling bolo slide and tips. Base metal Bennett clip. Weight and measurements in pics. 38" long cord. Unmarked

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36" c1950 Zuni sterling thunderbird bolo tie k. Solid sterling bolo slide and tips, unmarked, 36" long.

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38" c1980 Navajo sterling hand stamped concho bolo tie. Solid sterling bolo slide and tips. Base metal Bennett clip. Weight and measurements in pics. 38" long cord. Marked Sterling.

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39" c1960 c-31 large Zuni dancer bolo tie channel inlay sterling. Solid sterling bolo slide and tips. Base metal Bennett clip. Weight and measurements in pics. 39" long cord. unmarked.

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36" c1950 Hopi or Navajo overlay bolo tie sterling. Solid sterling bolo slide and tips. Weight and measurements in pics. 36" long cord. No apparent markings.

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44" c1970 Native American sterling high grade turquoise branch coral bolo tie. Solid sterling bolo slide and tips, base metal Bennett clip. Weight and measurements in pics. Unmarked. 44" long cord.

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44" 70‘s-80‘s Vintage Sterling blue crystal bolo tie. Solid sterling bolo slide and tips. Base metal Bennett clip. Weight and measurements in pics. 44" long cord. No apparent markings, tested sterling.

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38" Large Vintage Navajo square concho sterling bolo tie. Solid sterling bolo slide and tips. Base metal Bennett clip. Weight and measurements in pics. 38" long cord, from the last quarter of the 20th century.

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c1950 Zuni Knifewing bolo tie sterling inlay 35" long, weight and measurements in pics. Slide in good condition, some wear to cord shown.

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Stan Davidson (1933-2012) Brutalist sterling and onyx bolo tie. Solid sterling bolo slide, base metal tips and catch on back 38" long, appears unworn

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70‘s-80‘s Navajo sterling turquoise and coral bolo tie. Solid sterling bolo slide and tips, Bennet clip is base metal. 38" long with no issues.

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Huge c1960 c-31 Robert and Bernice Leekya bolo tie sterling/turquoise, 42" long, weight and measurements in pics. Solid sterling slide and tips. Non-sterling Bennett clip. Robert and Bernice Leekya, Zuni Pueblo Jewelers Husband and wife Robert and Bernice Leekya from Zuni Pueblo are known for their bold turquoise nugget jewelry and channel inlay. Robert (1934-) and Bernice Leekya have been making jewelry since 1953. Robert is the son of famous fetish carver Leekya Deyuse and learned his craft from his father as a young man. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Huge c1960 c-31 Zuni Knifewing bolo tie sterling multi-stone inlay, 39" long, weight and measurements in pics. Solid sterling slide and tips. Non-sterling Bennett clip. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Large Vintage Sterling Malachite bolo tie with fancy tips, weight and measurements in pics. Solid sterling slide and tips. 42" long, unmarked, Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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c1950 Navajo sterling bolo tie with turquoise 34" long, weight and measurements in pics. Solid sterling slide and tips. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Huge Tom Willeto Navajo sterling turquoise bolo tie. Weight and measurements in pics, no issues. 47" long cord. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Large Everett & Mary Teller Navajo sterling bolo tie with woven silver cord. Amazing 54" long cord. The cord is solid braided sterling silver with a clasp on the back as shown. Amazing design and workmanship. Very heavy, weight and measurements in pics. No issues. These self-taught silversmiths have been making jewelry for over 40 years. Everett and Mary Tellers work is made of sterling silver and 14k gold with simple Navajo overlay designs. They incorporate the storm pattern designs on many of their jewelry pieces. They carefully design their pieces and select the stones using a wide variety of natural stones -Turquoise, Lapis, Oyster Shell, Coral, Onyx and more. They show their work in galleries as well as prestigious art shows such as The Heard Museum and Santa Fe Indian Markets. The workmanship is impeccable - you can always depend upon quality when you purchase a piece of Everett & Mary Teller jewelry. Mary shares her joy for making jewelry, “I enjoy designing something new. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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c1980 James Victor Begay Navajo sterling and turquoise bolo tie with 1921 dollar 43" long, other measurements and weight in pics. No issues. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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c1950 Zuni sterling knifewing bolo tie with fancy tips. 38" long, weight and measurements in pics, no issues. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<b>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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c1950 Zuni sterling "Indian Chief" bolo tie 36" long, weight and measurements in pics, no issues. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<b>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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c1950 Art Lewis Choctaw Sterling Naja form bolo tie. Later bolo‘s by this highly celebrated artist had a "Bennett" style clip. Nice old, very well crafted bolo with no issues. 42" long very well cared for leather cord. (20th century, Choctaw) Although cited by both Barton Wright and Gregory Schaaf in their publications revealing American Indian jewelers, relatively little is shared about Art or Arthur Lewis, whose hallmark is an arrow and tepee. Lewis‘ Choctaw name was Neetha Loosa, which translates to Black Bear. He worked as a silversmith from 1929 forward. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<b>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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c1960 Native American silver chrysocolla bolo tie. 38" long Weight and measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<b>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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c1970 Jane yikaazba Popovitch Navajo sterling chip inlay turquoise bolo tie. Solid sterling with only jewelers hallmark as typical from this era. Weight and measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<b>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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c1950 Zuni Thunderbird sterling channel inlay bolo tie with fancy tips. No markings as typical of this era, weight and measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<b>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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c1970‘s R Monogram Mother of pearl sterling Taxco bolo tie 38" long Weight and measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<b>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All p recious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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40‘s-50‘s Native American cast silver bolo tie with fancy tips 39" long. Slide and tips solid sterling. Other measurements and weight in pics. No issues. These tips are really great, very heavy. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Large c1970 R Earl Church Navajo sterling and high grade turquoise bolo tie 39" long. Other measurements in pics. No issues. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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c1960 c-31 Native American silver and agate bolo tie. Apparently unmarked, weight and measurements in pics.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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1976 John Coers Cherokee Kachina silver, turquoise, coral Bolo tie/pendant. 40" long cord, made to be used a a pendant or bolo, no issues. Weight and measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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40's-50's Native American silver and Royston turquoise bolo tie 46" long, extremely high quality workmanship and stone, very high quality handmade tips.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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c1950's Native American silver and turquoise bolo tie. Well made bolo with handmade tips, no issues 35" long, unmarked.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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40's-50's Zuni silver channel inlay bird bolo tie with handmade tips, 41" long with no issues, measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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c1960 c-31 Freeform sterling Native American coral and turquoise bolo tie 38" long, measurements in pics, slight bend to one tipMarked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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c1960 c-31 Navajo overlay roadrunner sterling bolo tie with turquoise 40" long with no issues.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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c1960 c-31 Native American silver Shadowbox and turquoise bolo tie 39" long with no issues.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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c1960 c-31 Native American silver, turquoise, and coral large bolo tie 37" long with no issues.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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c1950 Zuni Channel inlay bolo tie with fancy dangle tips 39 long. No issues, measurements in pics, weight is for the who bolo not the box.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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50's-60's Zuni Eagle sterling channel inlay bolo tie. Some wear to cord, 36" long.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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c1970 Navajo Chip inlay sterling bolo tie with turquoise cabochons. No issues, 38" long cord.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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42" 1970's Mexican modernist sterling pyrite bolo tieAll precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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c1960 c-31 Gary Vacit Zuni Knifewing Sterling inlay large bolo tie 38" long, some wear to cord close to the tips. Considerably larger than most you will find.Gary Vacit was the renowned son of Frank Vacit, one of the mot famous silversmiths who worked for C. G. Wallace and was collected by CG Wallace and whose work appears many times in the Sotheby's famous auction catalogue. Gary achieved his own renown. You'll find pictures of work like this in Bell's third "Zuni The Art and the People" book, and in most of the subsequent books as well, and in some of the most famous museums and galleries, such as the Kennedy Museum of Art. Gary worked with his wife, Paulinis Lamy Vacit, but I'm not sure they were collaborating at the time this piece was made. The Bennett would date the piece to mid 50's to mid 60's. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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c1960 c-31 Zuni Suniface sterling channel inlay bolo tie. No issues. 36" longAll precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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c1960 c-31 Native American silver feathers and turquoise bolo tie. Very fine example of this type of work, hallmarked as shown.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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c1970's Sterling and Jasper modernist bolo tie. Nylon cord, sterling tips and bolo slide, no issues.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Large c1970 Native American Sterling, turquoise, lapis, & smoky quartz bolo tie measurements in pics with no issues.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist..

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Large c1960 c-31 Zuni Sterling channel inlay Dancer bolo tie 40" long 58 grams with no issues.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Large Southwestern Modernsit Sterling and picture jasper bolo tie. Hallmarked as shown, likely Native American made, 45" long 68 grams with no issues.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Chief Wolf Robe Hunt (1905-1977) Acoma silver Bolo tie with turquoise/Jasper heart, 40" long with no issues.Wayne Wolf Robe Hunt, a full-blood Acoma Indian (1905-1977). Born on the Acoma Reservation, Wolf Robe was the son of Chief Day Break (Edward Proctor Hunt), Chief of the Delight Makers -- a man instrumental in the improvement of relations between the Acomas and whites. His mother, Morning Star, whose own father was Governor of Acoma seven times, was a potter and weaver. Wolf Robe learned silver-smithing from his older brother on the reservation. Wolf Robe achieved recovnition and fame for his jewelry and art work, winning the prestigious Philbrook Art Center's Grand Award in 1967. In addition, he was a businessman, with his own arts and crafts store in Tulsa, a lecturer, international traveller, author, and translator for the Bureau of American Ethnology. He assited L. A. White in his extensive studies of the Acoma Indians and made recordings for the National Anthropological Archives. Wolf Robe was particularly interested in the preservation of tribal customs, language and culture, and devoted his own time to this and the encouragement of others in similar efforts. Of his work at BAE he said, "My work there as an interpreter is the highlight of my efforts in trying to preseve all of the rich and wholesome lore of my people."* Not only was the preservation of the 'old ways' important to Wolf Robe, but also the representation and dissemination of his culture to whites, in an effort to promote their understanding and appreciation. He travelled all over Europe and to Australia for the Departments of Agriculture and Commerce, representing the American Indian to an appreciative audience.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Dan Simplicio (1917-1969) silver, turquoise and branch coral bolo tie 38" long 2 5/8" x 3" slide. 70.4 grams, no issues, unmarked. 50's-60's.Dan Simplicio Sr.(1917-1969) is one of the most collected & one of the most innovative Zuni artisans from decades ago.In a way,you can say he is similar to Charles Loloma in how he brought new ideas to what was considered 'common' to Native American jewelry..Ideas that just weren't happening before & changed how things were being done,as well as introducing new materials into Native American jewelry.It is said that back in the 30's,he was one of the 1st Native American artists to work in gold,which doesn't in the least,surprize me!In Dan's later years,it was he who was the 1st to incorporate using whole pieces of branch coral in it's natural form & also introduced leaf work into Zuni jewelry.His leaf work was fluid in design & how at times he would beautifully wrap these so elegantly around the coral..The leaves themselves were like pieces of art,all on their own.He collaborated with who are now some of the most sought out names, when it comes to 'Masters" of Zuni jewelry..Artists like the famed Leo Poblano,LeekyaDeyuse, Teddie Weahkee,Bernard Homer and Lee Edaakie.Early in his career,he was employed by C.G.Wallace at his Zuni trading post,where he did a lot of grinding work & set stones for the company.. Wallace collected some of Dan's finest work and when his collection was auctioned at Sotheby’s in 1975, it included more than 50 pieces by Simplicio. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large c1950's Native American silver and turquoise bolo tie. Signed on back with an interesting hallmark, circa mid 50's to early 60's. High quality workmanship. 40" long with no issues. This bolo has a lot going for it in my opinion.

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Nelson Navajo Large Sterling and turquoise bolo tie, 44" long, measurements in pics.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Fred and Lolita Natachu Zuni c1970's Sterling inlay bolo tie 40" long, everything else in pics.Fred and Lolita Natachu<br><br>Legendary Zuni artists Fred and Lolita Natachu are known for their stunning<br>mosaic and channel inlay. Rainbow God and Knifewing are two of their favorite<br>subjects. They have been creating jewelry since the 1970’s.<br><br>Lolita is the daughter of Zuni silversmith Jacob Haloo. Her sisters, Dolly<br>Banteah, Nancy Lacnsello, and Rolanda Haloo are also recognized Zuni inlay<br>silversmiths.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Lavonne Lalio Zuni Native American sterling and turquoise bolo tie 37", no issues.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Large Vintage Navajo Brooch/Convertible bolo tie silver and Malachite. This a really cool clip that can be switched out with other pins. The brooch is nice also, the stampings kind of match the pattern on the Malachite.

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Samuel LaFountain - Diné, Turtle Mountain Chippewa Tufa Cast silver turquoise pendant/bolo. Could be worn as a pendant sideways on a beaded necklace or a bolo. Just selling the slide shown. The loops are 12-13mm wide. 56.3 grams. Samuel Greatwalker LaFountain was born in 1986 in Santa Fe, New Mexico. He has been making jewelry for over 22 years. He infuses contemporary concepts with his traditional background, creating beautiful pieces of art. Hallmarked with his G and 2 dragonflies. Award winning artist.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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40's-50's Zuni Channel inlay Knifewing bolo tie 38" long, other measurements in pics, no issues.

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c1960 Navajo silver overlay bolo tie with kachina 40" long, weight and measurements in pics. Bolo slide and tips sterling with steel back clip.

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39" 60's-70's Native American silver and turquoise bolo tie with fancy danglesMarked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed.A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Vintage Vera Luna Zuni Eagle Dancer Bolo tie Sterling channel inlay 40" long, 3" both ways slide, 51.2 grams. <br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Vintage Sterling and Brass Native American bolo tie with mother of pearl 38" long with 3 1/8" x 1 7/8" slide, unmarked, tested sterling. <br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Vintage CR Southwestern Sterling and Morenci turquoise bolo tie/pendant 44" long, 2" slide that converts to a pendant 49 grams. Big chunk of Morenci, I'll be listing a matching buckle separately. <br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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c1960 Navajo Heavy stamped silver bolo tie with turquoise and dangles. Late 50's to early 60's. Slide is 2 1/8" x 1 7/8", 41" long. <br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Vintage Modernist Silver German Deutsche Mark Bolo tie. Measurements and weight in pics. 35" long cord.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist, rings photographed<br>on the appropriate sized finger when possible. With bracelets if the measurement<br>is not given in the description then inside circumference is shown where the<br>metal meets the number on the the cloth tape measure.

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Wilbert Secatero Navajo Sterling turquoise and coral bolo tie Sterling slide and tips, 3" x 2 3/8" slide, 40" long, 79.6 grams. <br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist, rings photographed<br>on the appropriate sized finger when possible. With bracelets if the measurement<br>is not given in the description then inside circumference is shown where the<br>metal meets the number on the the cloth tape measure.

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Large c1950's zuni thunderbird sterling channel inlay bolo tie. Apparently<br>unmarked. Weight and measurements shown. Thank you so much for taking the time<br>to look and consider, and thank you for understaning that my jewelry inventory<br>is large therefore stored at a secure remote location and cannot be accessed for<br>additional videos, pics, or measurements.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Vintage Zuni Channel inlay owl bolo, very high quality work, I don't recognize the hallmark/artisan. I believe it's petrified wood, shell, and jet. 38" long 3" x 1.5" bolo slide 43.4 grams with no issues. All precious metals are tested and guaranteed,

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40's-50's Navajo Silver overlay style bolo tie with turquoise 39" long, 1.25"<br>tall x 1 1/16" wide bolo slide. 17.7 grams total weight. I have another bolo<br>I'll be offering from the same estate obviously made by the same hand. One has<br>turquoise, the other doesn't.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist, rings photographed<br>on the appropriate sized finger when possible. With bracelets if the measurement<br>is not given in the description then inside circumference is shown where the<br>metal meets the number on the the cloth tape measure.

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Vintage Navajo hand stamped silver bolo tie with turquoise. Very nice workmanship, apparently unmarked. 38" long, other measurements in pics. <br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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38" 40's-50's Zuni thunderbird bolo tie with no issues. <br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Ernest Medina Zia Sterling inlaid shell bolo tie. Extremely high quality item inlaid with turquoise, red coral, and shell. 40" long, other measurements in pics. Hand engraved on the back of the shell by Ernest Medina Zia Pueblo.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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40's-50's Zuni Knifewing silver channel inlay bolo tie. 36" long with 1.5" tall x 1.25" wide slide. Great custom tips that were once screw back earrings.<br><br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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37" Vintage Navajo silver shadowbox bolo tie 37" long, 2" x 1.5" slide, 22.4 grams with slight dent in front. Sterling tips and slide with steel clip on back. <br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Nelson Garcia Santo Domingo 银色波洛领带，采用高级绿松石色，长 43 英寸，重 68.7 克，滑动带 2.25 英寸 x 1.75 英寸，定制手工尖端 1 7/8 英寸，宽 10 毫米，非常高级的皮绳，状况极佳。纳尔逊·加西亚 (Nelson Garcia) 是一位非常有能力的银匠，他使用最好的材料，做着极其干净/高端的工作，希望在这里可以看出这一点。 纳尔逊·加西亚 (Nelson Garcia) 1955 年 10 月 6 日出生于新墨西哥州圣多明各普韦布洛的村庄。他在一个由四个兄弟和四个姐妹组成的大家庭中长大。作为长子之一，他成熟得早，心地善良，分担了年轻时的责任。与兄弟们一起在田里干活或观看父亲的生意，完美的种子就这样播下了。他的父亲 Joe Jay Garcia 是一位银匠，在传统设计和黑石项链方面拥有天赋。通过学习他父亲的工艺，他形成了更多的才能。纳尔逊了解到，任何工作都可以完成，但如果做得不正确，它就是一项毫无意义的任务。在他的小学时期，他创作了他的第一部作品。他从叔叔那里购买银器，制作银锥体，用作黑石项链的末端。完成后，他会走遍整个村庄，向许多艺术家出售他的银锥。谁知道这些元素将为未来取得更大的成就奠定基础。高中毕业后，尼尔森告别了舒适的家，于 1974 年搬到了亚利桑那州凤凰城。在学校里，他充满乐观地开始了人生的下一个篇章。他开始在当地一家珠宝店担任银匠。再次审视周围的环境，这段经历会给他自己创业的动力。随着时间的流逝，像每个人一样，他会找到自己的幸福。 1975 年，他与妻子海伦 (Helen) 结婚，海伦是来自 Naakaii Dine'e 部落的纳瓦霍人。一年后，他的第一个孩子出生了，他们将女儿命名为 Coreen。 对于任何企业来说，早年的经历决定了性格和意志。 1983 年，带着刚出生的儿子 AAron，他决定自己创业。他将自己的创作打包并装进车里，开车前往亚利桑那州佩吉市参加他的第一次艺术展。那个星期六，他将作为独立艺术家进行第一次拍卖。可悲的是，这将是他当天唯一的销售。其中一枚戒指，他曾经争论过价格，但最后还是被卖掉了。手里拿着新的十四美元，人们会认为恐惧会降临。第二天，他表现出了韧性，开车去了亚利桑那州弗拉格斯塔夫的科科尼诺中心。这一大胆的举措将定义他的商业道德。他将带着厚望和耐心参加下一次艺术展。那天晚上晚些时候，他口袋里装着四百八十美元开车回家，他的美国梦已经成为现实。随着这一年的过去，尼尔森在美国一些最大的艺术展览中赢得了许多杰出奖项。从圣达菲印第安市场到俄克拉荷马城的红土。他的珠宝走遍了欧洲的中心地带，在德国、奥地利和瑞士举办了展览。他与西方世界的许多客户建立了信任关系。他的工作保证完美是人们所期望的。只选择最好的宝石并设计最精心的表达。至今，他与妻子和家人在凤凰城过着成功的生活。标记或未标记如图片所示，体重和其他尺寸如图所示。抱歉，我的珠宝存放在安全位置，在售出之前无法访问更多图片、视频或测量数据。如果您查看图片/描述，您的问题应该得到解答。非常感谢您的时间和考虑！所有贵金属均经过测试并有保证。被称为“银”或“锭”的美洲原住民珠宝首饰保证至少含有 90% 的银。手镯拍摄于 6 英寸女性手腕上。

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