Herman Vandever Navajo High Grade Royston turquoise sterling pendant. No issues, weight and measurements in pics. Herman Vandever (1964- ) Diné Navajo Nation. He belongs to a family of well-known silversmiths and it seems only natural that he would follow in their footsteps. He turns traditional methods into contemporary styles with fine, natural stones, coral and even sea shell. He often makes his own ingot silver jewelry by melting his silver to roll it out into handmade sheet silver. Started silversmithing in 1989, he was taught by his older sister Esther Wood. All precious metals are tested and guaranteed,

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 7" Ray Tafoya Navajo 14k/Sterling heavy cuff bracelet. No issues, weight and measurements in pics. Solid 14k gold center piece in sterling.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 7.25" Orville Tsinnie Navajo 14k/Sterling Wild Horse cuff bracelet. No issues, weight and measurements in pics. Solid 14k gold bezel and 10 decorative beads, the rest solid sterling. Fancy stamped interior. Orville Tsinnie (1943-2017) was a Navajo artist and master silversmith who has been featured in the American Indian art world for over 25 years. He was born in Tuba City, Arizona in 1943 and lived and worked in Shiprock, New Mexico. Tsinnie learned jewelry making from his Hopi brother-in-law in the 1970s and has since won many awards, including a Lifetime Achievement award from the Indian Arts and Crafts Association.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 3/8" Navajo Ike Wilson (1900-1942) sterling and turquoise cuff bracelet. No issues, weight and measurements in pics. Solid sterling. Diné silversmith Ike Wilson worked for many years for the Kelsey Trading Company at Zuni. He did silverwork for many of the Zuni lapidary artists including Ida Vacit Poblano. He often collaborated with his wife, Katherine Wilson. Navajo Nation artist Ike Wilson (1900-1942) would sign his creations with his bow and arrow hallmark. There has been some confusion in the past about the hallmark of Ike Wilson (1901-1942). It seems that sometimes his work was attributed to Austin Wilson. Both men were born in the same year and in a similar area of the reservation and both men worked at times for trader C. G. Wallace and the Kelsey Trading Company. Ike Wilsons work is signed with a bow and arrow. After his death in 1942, his wife Katherine Wilson (1907-1985) continued to use his hallmark. The bow and arrow hallmark was initially attributed to Ikes contemporary, Austin Wilson, but the corrected attribution was published in Messier, 2014.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.75" Orville Tsinnie Navajo 14k/Sterling sugilite cuff bracelet. No issues, weight and measurements in pics. Solid 14k gold bezel and 12 decorative beads, the rest solid sterling. Fancy stamped interior. Orville Tsinnie (1943-2017) was a Navajo artist and master silversmith who has been featured in the American Indian art world for over 25 years. He was born in Tuba City, Arizona in 1943 and lived and worked in Shiprock, New Mexico. Tsinnie learned jewelry making from his Hopi brother-in-law in the 1970s and has since won many awards, including a Lifetime Achievement award from the Indian Arts and Crafts Association.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 1/8" Pete Sierra Navajo sterling cobblestone turquoise cuff bracelet. Solid sterling, weight and measurements in pics. Marked as shown. Sierra was a former student of Charles Loloma, and is mentioned in Nancy Schiffer‘s book "Jewelry by Southwest American Indians: Evolving Designs." Sierra‘s works are found in the Maxwell Museum of Anthropology as well as other museums, and he has been represented by many galleries worldwide. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 7 3/8" Roland Dixon Navajo sterling high grade turquoise cuff bracelet. This, heavy, handmade Navajo cuff bracelet with no issues. Weight and measurements in pics. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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Kee Nez Navajo Modernist sterling feather pin with high grade coral. Solid sterling, weight and measurements in pics. Navajo silversmith, Kee Nez, is a member of the Many-Goats clan and is from an artistic family. His mother is a rug weaver and his grandfather was a silversmith, but he credits his award-winning brother, Al Nez, with influencing his style. Kee uses 14K gold and sterling silver to create his stunning handcrafted surface design on bolas, rings, pendants, and earrings. He often uses sandcasting techniques to produce each item and many times uses the finest American turquoise or richly colored coral as a focal point on the piece. Kee was featured in Arizona Highways in the article “A New Generation of Indian Artists and has several pieces showcased in the books, Enduring Traditions and Navajo Indian Jewelry by Jerry and Lois Jacka. He has garnered numerous awards at Gallup, New Mexicos Annual Intertribal Ceremonial.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6" Jimmie King Jr Navajo sterling multi-stone inlay cuff bracelet. Weight and measurements in pics. No issues. For over a quarter of a century, Navajo silver and goldsmith Jimmie King, Jr. excited the imagination of jewelry lovers. His unique heavy metal work style and delicate inlay earned him a reputation as a master jeweler. His work is a combination of strength and delicacy. The most common reaction when people first pick up a piece of his work is to comment on the weight of the jewelry. It feels substantial. It is inlaid with precision and color awareness, marking it as King‘s alone. King was particular about his work, refusing to hurry a piece and willing to melt it down if unsatisfied with the result. Every piece is hand-built and finished. He lived and worked just off the northern edge of the Navajo reservation near Farmington, New Mexico. His interests included reading, learning new things, and listening to opera as he created his jewelry. King created the inlay cube, the solid link bracelet with an inlaid clasp, and the "Sky High" bracelet. He has won top awards at the Gallup Intertribal Ceremonial and featured in several books and magazines about Native American art. His jewelry is signed in cursive "JR" for his name‘s first and last initials. Six dots in a semi-circle above the letters stand for the six sacred directions: North, East, South, West, the Sky, and the Earth. Years ago, in a ceremony, a medicine man told him that if he put these dots on his jewelry, everything would go well for Jimmie - it appears he was right. Marked or unmarked as shown in pics, weight<br>and other measurements in pics. Sorry but my jewelry is stored in a secure<br>location and cannot be accessed for more pictures, videos, or measurements until<br>sold. If you look at pictures/description your question should be answered.<br>Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" Norbert Peshlakai Navajo sterling forged cuff bracelet No issues, weight and measurements in pics. Norbert Peshlakai was born on May 6, 1953, into the Black Sheep clan of the Dine people. Growing up in Crystal, New Mexico, with nine brothers and sisters, his mother is an accomplished weaver and all of his sisters and one brother followed in her footsteps. Norbert began discovering his artistic abilities as a painter in high school, starting with landscapes and abstract portraiture. He enrolled in painting classes at the University of Kansas intending to pursue a career in art. On a whim he decided to take a single jewelry making class, but after making mistakes on his first few class assignments he began to think, “making jewelry must not be my thing. He started skipping classes, until one day he ran into his teacher on campus. His teacher told him he was failing due to his absences and in order to pass he needed to present his sketchbook, identify 65 necessary tools, and make six pieces of jewelry. Norbert made more than six pieces of jewelry, and passed the examination with ease. As the teacher was photographing all of his students end of semester work in class, he motioned for Peshlakai to come over and take a look into the camera. When Norbert saw his jewelry through the lens of the camera something struck him, he reminisced, “I saw my work for the first time. Norbert continued through college attempting both painting and jewelry, but it was not long before jewelry took over as his passion. The artist sees his jewelry as a combination of painting and sculpture, and credits the sculptural work of John Boomers abstract wooden forms as an inspiration for him throughout his career. Norbert makes his own unique stamps from concrete nails to create imaginative, energetic patterns on his spirited shapes and has developed his own style of textures and overlays he is now known for. In the late 1970s he began making intricately ornamented silver pots, something he was introduced to in college and continues to experiment with today. His work is identified with a hallmark he created in the very beginning of his career consisting of a circle, dot, and v stamp forming the shape of an eye, symbolizing ‘vision. Norbert continues to make jewelry and silver pots from his home in Gallup, New Mexico, breathing life into his creative, one-of-a-kind pieces. Marked or unmarked as shown in pics, weight<br>and other measurements in pics. Sorry but my jewelry is stored in a secure<br>location and cannot be accessed for more pictures, videos, or measurements until<br>sold. If you look at pictures/description your question should be answered.<br>Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Everett & Mary Teller Navajo sterling bolo tie with woven silver cord. Amazing 54" long cord. The cord is solid braided sterling silver with a clasp on the back as shown. Amazing design and workmanship. Very heavy, weight and measurements in pics. No issues. These self-taught silversmiths have been making jewelry for over 40 years. Everett and Mary Tellers work is made of sterling silver and 14k gold with simple Navajo overlay designs. They incorporate the storm pattern designs on many of their jewelry pieces. They carefully design their pieces and select the stones using a wide variety of natural stones -Turquoise, Lapis, Oyster Shell, Coral, Onyx and more. They show their work in galleries as well as prestigious art shows such as The Heard Museum and Santa Fe Indian Markets. The workmanship is impeccable - you can always depend upon quality when you purchase a piece of Everett & Mary Teller jewelry. Mary shares her joy for making jewelry, “I enjoy designing something new. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Alvin Yellowhorse Navajo sterling sugilite, turquoise cobblestone turtle pendant. No issues, weight and measurements in pics. Just a few miles west of Gallup, NM., nestled among the canyons & hills of the small town of Lupton, AZ., lies the quaint, cozy workshop of the young Navajo artist, Alvin Yellowhorse. Alvin learned the silversmithing trade at an early age from his father, Frank Yellowhorse, and later mastered the techniques of cutting the small turquoise & other colorful stones into precise little pieces in which he assembles into intricate designs inspired by his Anasazi ancestors. This technique is called “Channel Inlay. A style of inlay where all the stones are cut & assembled together first & then ground flush before being highly polished. Alvin is credited for originating another style of inlay called “Corn Row Wave Inlay in which the stones are individually cut & rounded over before setting them into a silver or gold bracelet, pendant, ring, or link bracelet. Corn Row Wave Inlay is much more time consuming as he has to completely finish each stone one at a time before placing them into the gold or silver setting. Alvin creates each piece one at a time . There are no mass production techniques or assembly lines. His designs, although very contemporary, are enriched by the Zuni, Hopi, & Anasazi influences along with his own Navajo heritage. Alvin also receives inspiration from the ancient petroglyphs found along the canyon walls near his workshop. Alvin is forever amazing the jewelry & art galleries with new designs & techniques. Aside from being featured in several high-end galleries, Alvin was recognized by the Smithsonian Magazine in their August 1999 issue, along with Art Book Arizona Magazine doing a profile on his life. Each year Alvin enters his jewelry into the Santa Fe Indian Market competition & has won several Blue Ribbons. All precious metals are tested and guaranteed,

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Kenneth Begay Navajo White Hogan Modernist Sterling salt spoons/ironwood bowl. Selling the three Kenneth Begay salt spoons and Ironwood salt bowl shown. No issues. Weight and measurements in pics. Kenneth Begay (1913-1977) was called the “Father of Contemporary Navajo jewelry for his clean, bold, modern designs. Begay began as a blacksmith, took his first course in silversmithing from Fred Peshlakai at the Fort Wingate Vocational School for the Native Americans in Fort Wingate, New Mexico in 1938. Fred Peshlakai had been taught by his father, Slender Maker of Silver, who was trained by Atsidi Chon, one of the earliest Navajo silversmiths. Begay in turn taught traditional techniques of silversmithing to his own students from 1968-1973 at Navajo Community College in Many Farms, Arizona. In 1946, Begay started working with John Bonnell at the White Hogan shop in Flagstaff, Arizona, beginning an 18 year relationship. In collaboration with Bonnell, Begay moved Indian jewelry beyond personal adornment and into the arena of pure metalsmithing making, amongst other things, flatware sets, plates, boxes, and vessels of various kinds. Although highly unusual at this time among silversmiths, 1951-1952, he also began signing his jewelry using KB. When working for the White Hogan he additionally stamped his pieces with a small hogan. A master metalsmith, Kenneth Begay was very creative and strongly influenced by his traditional background. In his jewelry this translated to a balance between silver, stone and bold but unpretentious designs. He created clean, elegant designs based on streamlined shapes that were repeated to form balanced and harmonious patterns, a style that has been compared to Navajo weaving. Although he used and taught the old techniques, Begay explained near the end of his life, “I like to create something new and still use the old Navajo design style. All precious metals are tested and guaranteed,

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Artie Yellowhorse Navajo 14k/Sterling bracelet/earrings set. No issues, weight and measurements in pics. Artie Yellowhorse is known for her contemporary designs that incorporate high-quality stones and materials with an exceptional quality of silverwork. The influences of her Navajo heritage are apparent in the beautiful wearable art, which evolved out of generations of artistic talent. Raised in Arizona, Yellowhorse is a third generation Navajo jewelry artist from the Towering House Clan. Her grandfather and father were both silversmiths and the women in her family were skilled weavers. Yellowhorse has carried on the jewelry making tradition and passed it on to her daughters Desiree and LeiLani. Dominic and James, Arties grandsons, are now taking an active role in the business as well. Undeniably, Artie Yellowhorse jewelry is a family affair. "We take great pride in continuing a family legacy and bringing beauty and joy to people helping in understanding the Navajo concept of ‘Walk with Beauty.‘" - Artie Yellowhorse All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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David Reeves Navajo 14k gold/sterling earrings. No issues, weight and measurements in pics. David Reeves (1949 - no longer with us) “Navajo silversmith David Reeves was the older brother of Gary Reeves (now no longer with us) and Daniel "Sunshine" Reeves. He taught them both the craft of silversmithing, along with half-brothers Andy and Darrell Cadman. David had an affinity for complex engraved and hand stamped geometric designs. He was a part of recreating and popularizing the old Navajo designs of the early 20th century. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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David Tune Navajo Sterling multi-stone cobblestone inlay pendant. Weight and measurements in pics with no issues. David Tune David Tune, of Creek and Navajo descent, was born July 21,1955, in Winslow Arizona. He was raised in Albuquerque, New Mexico and Oklahoma. Davids motivation to create jewelry began in 1976, when he was commissioned to design the jewelry for the March of Dimes Poster Child and President Fords senate. David has been creating jewelry for over 16 years, as well as teaching High School for two of those years. In 1987, after winning countless awards, he was forced to resign himself from his art due to cancer. He was cured of his cancer by his uncle, and with pride and self-determination, returned in 1994 to his passion of creating beautiful pieces of jewelry. Like other excellent artists, the work of David Tunes work is distinctive and easily recognizable. Working primarily with sterling silver and gold, David uses multi-colors of coral, turquoise, lapis, sugilite, mother of pearl, opal, and various other materials in combination with his dramatic stamp work. His colorful and innovative inlays in his jewelry are inspired by the aerial views of the earth that he sees from hot-air ballooning and skydiving. His creations include rings, necklaces, bolos, bracelets, earrings, and concho belts. David feels that every marking on his jewelry has spiritual meaning. Awards Gold Division-Gallup Ceremonial, New Mexico 1983 to 1986 Grand Master- Boulder, Colorado 1985 and 1986 Grand Master- Oklahoma City, Oklahoma 1985 Morning America Show 1984 Various Galleries Awards 1979 to 1987 Honorable Mention New Mexico State Fair 1996 Third Place- Rapid City, South Dakota Juried Art Show 1997 1st Merit- Gold Division Indian Art Show-Lawrence, KS 1997 All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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Sz9.75 David Tune Navajo Creek Tufa Cast Sterling cobblestone masterpiece ring, with no issues. Solid sterling silver, weight and measurements in pics. David Tune David Tune, of Creek and Navajo descent, was born July 21,1955, in Winslow Arizona. He was raised in Albuquerque, New Mexico and Oklahoma. Davids motivation to create jewelry began in 1976, when he was commissioned to design the jewelry for the March of Dimes Poster Child and President Fords senate. David has been creating jewelry for over 16 years, as well as teaching High School for two of those years. In 1987, after winning countless awards, he was forced to resign himself from his art due to cancer. He was cured of his cancer by his uncle, and with pride and self-determination, returned in 1994 to his passion of creating beautiful pieces of jewelry. Like other excellent artists, the work of David Tunes work is distinctive and easily recognizable. Working primarily with sterling silver and gold, David uses multi-colors of coral, turquoise, lapis, sugilite, mother of pearl, opal, and various other materials in combination with his dramatic stamp work. His colorful and innovative inlays in his jewelry are inspired by the aerial views of the earth that he sees from hot-air ballooning and skydiving. His creations include rings, necklaces, bolos, bracelets, earrings, and concho belts. David feels that every marking on his jewelry has spiritual meaning. Awards Gold Division-Gallup Ceremonial, New Mexico 1983 to 1986 Grand Master- Boulder, Colorado 1985 and 1986 Grand Master- Oklahoma City, Oklahoma 1985 Morning America Show 1984 Various Galleries Awards 1979 to 1987 Honorable Mention New Mexico State Fair 1996 Third Place- Rapid City, South Dakota Juried Art Show 1997 1st Merit- Gold Division Indian Art Show-Lawrence, KS 1997 Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Size 9 Ring.

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sz6 Albert Platero Navajo sterling and shell ring. Expected wear. No issues, weight and measurements in pics. Albert Platero Navajo Albert Platero was born on the Navajo reservation in To‘hajiilee, New Mexico, 30 miles west Of Albuquerque, New Mexico. He has been creating outstanding silver work since the rise of its popularity in the 1970‘s. He is the uncle of Vincent Platero, another outstanding silversmith. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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Roy Vandever Navajo Sterling belt buckle. Hallmarked as shown, tested sterling with no issues. Weight and measurements in pics.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" UITA6 1930's Navajo ingot silver and turquoise cuff bracelet. Weight and measurements in pics. Beginning in 1931, The United Indian Trader’s Association (UITA), a volunteer organization of leading Southwestern Indian traders, created and enforced a strict set of quality standards for the making and selling of Navajo and Pueblo jewelry in the trading posts of its various members. UITA’s distinctive hallmark of its initials UITA with an arrowhead in the middle followed by the numeric designation of the particular trading company it was made at or for was a guarantee of the highest quality Native jewelry; completely handmade using solely traditional methods of craftsmanship and use of only the finest, traditional materials. Since the UITA traders were the most important “Who’s-who” of their day they were well-equipped to set and enforce such high standards and as a result, the finest jewelry pieces made under UITA’s auspices are some of the very finest Navajo and Pueblo pieces of the 20th Century. "The United Indian Traders Association (UITA) was established on September 13, 1931 for the expressed purpose of authentication of Indian crafts. At the time, the UITA was an important player both in Indian cultural life and in advocating for the sale of authentic Indian arts and crafts." “UITA 6” was the numeric designation assigned to the historic and extremely remote Borrego Pass Trading Post, set in the high pinon-juniper studded hills about 50 miles south of Chaco Canyon in Northwestern New Mexico. The post first opened in 1927 and was named after the nearby Borrego Pass, an ancient water gap across the Continental Divide where Navajos used to drive their sheep. Borrego Pass Trading Post was operated by several highly influential prominent Indian traders over the next fifty-plus years, including Ben and Anna Harvey, Bill and Jean Cousins and Don and Fern Smouse. The Navajo know Borrego Pass in the Navajo language as “Tiish Bito” (Snake Spring) or “Dibe Yazhi Habitiin” meaning "Upward Path of the Lamb." Don Smouse was the chief Judge for silversmithing for the Navajo Nation for a time and dealt with the highest quality turquoise from around the world. The Trading Post was Borrego Pass Trading Post along the continental divide just south and west of Crownpoint, New Mexico. The Smouse's were old time traders and at one point were the oldest living traders in the USA and were on the national news during the 90's for still trading the old way. Don helped train the top artists in the trade and sold there jewelry from the trading Post. They had buyers come from the Middle East, Europe and Asia for the top quality product being produced. The stamp is the Smouse traders stamp.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 5/8" Ivan Howard Navajo 14k/Sterling cuff bracelet 5" plus 1 5/8" gap. No issues.Ivan Howard, Diné (Navajo) Ivan Howard's award winning, distinctive Neo-Traditional Navajo silver work showcases high grade turquoise stones with fascinating matrix and depths of color. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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sz6.75 Roy Vandever Navajo sterling, carved shell, turquoise, and coral ring.Roy Vandever (1936-2009)Roy Vandever, Diné, Navajo Nation, active ca 1950s-2009: silver stampwork, shadowbox, chip inlay jewelry. Roy Vandever was the son of Walter Vandever and Emma Vandever; uncle of Esther Vandever Wood; husband of Donna Vandever; father of Cassandra Xalladitto, Cindy Howe, Verna Kee, Sheila Vandever, Sherwood Vandever, and Jerome Vandever.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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sz9 Calvin Martinez Navajo large sterling high grade turquoise ring. New old stock condition with no detectable wear.Born in 1958. He learned to make jewelry from his parents. All of his jewelry are prayed on to keep people safe and give them happiness. He finishes off his pieces with a polish that takes time to make it smooth and beautiful.All precious metals are tested and guaranteed,

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sz6.75 1970's Orville Tsinnie Sterling turquoise, and coral ring.Orville Tsinnie: A Luminary in Navajo ArtistryIn the early 1970s, Orville Tsinnie, a distinguished Navajo artist, embarked on a journey of artistic discovery under the tutelage of his Hopi brother-in-law. This marked the genesis of a career that would see him garner numerous accolades, including the prestigious Lifetime Achievement Award from the Indian Arts and Crafts Association. This honor is reserved exclusively for the crème de la crème of American Indian artists, underscoring Tsinnie's exceptional talent.Orville Tsinnie (1943-2017) signs his work with "Orville Tsinnie, New Mexico" along with two stamps of Shiprock.Tsinnie's work was a testament to his superior craftsmanship. While he was adept at creating traditional jewelry, his true genius lay in his ability to conceive and execute innovative designs. His meticulous attention to detail and unwavering commitment to precision were the hallmarks of his work, resulting in pieces that were unmistakably his own.Operating from his studio in Shiprock, New Mexico, Tsinnie was a stalwart presence at Santa Fe's annual Indian Market. His participation in this yearly event further cemented his status as a luminary in the realm of Navajo artistry. His legacy continues to inspire and influence the world of indigenous art.All precious metals are tested and guaranteed,

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" Robert Taylor Navajo 14k/sterling buffalo cuff braceletRobert Taylor was born on the Navajo Reservation at Indian Wells in 1961. His father is a medicine man, and his mother is a weaver. He started working in metals as a child helping his father and older siblings. He turned to making jewelry professionally as a young adult after working in construction for several years. He is known for his overlay technique in silver and gold. He currently resides with his family on the Navajo Reservation.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 5/8" Jerry Roan Navajo Sterling and turquoise cuff bracelet.Navajo tribal native Jerry Roan (1919-1977) had a productive life as a silversmith and jewelry maker. He began actively working at silversmithing around 1968. In 1969, a year after he began smithing, he on a 1st Award at the Navajo Tribal Fair in Arizona. Roan was included in the 2002 exhibit “Jewels of the Southwest” at the Museum of Indian Arts and Culture, Santa Fe. His work is included in the collections of the Smithsonian National Museum of the American Indian, Washington, and the Yellowhorse Museum in Paradise Valley, Arizona.All precious metals are tested and guaranteed,

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 7/8" Orville Tsinnie Navajo sterling heavy turquoise row cuff bracelet. 5 5/8" plus 1 1/8" gap, fits up to a 6.75" wrist. Clean with no issues.. rville Tsinnie (1943-2017) was a Navajo artist and master silversmith who has been featured in the American Indian art world for over 25 years. He was born in Tuba City, Arizona in 1943 and lived and worked in Shiprock, New Mexico. Tsinnie learned jewelry making from his Hopi brother-in-law in the 1970s and has since won many awards, including a Lifetime Achievement award from the Indian Arts and Crafts Association.  

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.75" Kirk Smith Navajo sterling and turquoise cuff bracelet. Native American jewelry artisan Kirk Smith, or Kiyaa Alani Shush Dine (his Dine tribe name, meaning “towering house bear people clan”), created a long-lasting legacy in a tragically short life. His work is highly regarded for its quality craftsmanship and his use of stones of only the highest quality and richest coloring. Kirk’s pieces, primarily his concho belts for which he was best known, have long been coveted and collectible, with their value only increasing as a result of his unexpected, early death. His story is an interesting one. HIS LIFE: Kirk Smith first began working with silver at around age 7 in his grandfather’s hidden workshop, that according to Smith’s interview with Perry Null Trading, “you would not see it unless you knew it was there”. His grandfather also made jewelry and Kirk used to aid him by first learning to run the bellow to heat the charcoal that would allow his grandfather to work with the silver at high temperatures, and then eventually began to work with beads and bracelets and necklaces himself. He later used these primitive skills to craft jewelry for his uncle, who would exchange clothes and shoes for his pieces. In 1972, Kirk struck out on his own, primarily working in silver cast work, until the price of silver went up in 1974 and he went to work doing different things like working in the mine or a refinery in Galveston. He returned to jewelry making in the early 1980s when his mother got sick and he desired to be nearer to her. That’s when his craft took a turn. HIS MENTORS: Of course, his grandfather was his earliest influence, and perhaps the most profound on Kirk as a person, but when it comes to his craftsmanship, the game-changer for him was his brother-in-law. Kirk’s sister was married to an artisan named Harry Morgan, a well-known name in the world of Native American jewelry. Harry was known for his intricate stamp work and the way he would style his silver to give it an antique look, believing that overly polished silver hid the detailing and the beauty of a piece. It was Harry who really taught Kirk about design and style in terms of his craft.     HIS CRAFT: Kirk is probably best known for his concho belts, like the one we found in Audrey’s closet, that we thought was too beautiful not to share with y’all after being tucked away for too long. He was known for his unrelenting insistence on working his silver by hand, resulting in beautiful pieces of heavy silver and high-grade stones. In addition to concho belts, Kirk crafted gorgeous statement cuff bracelets with turquoise and red coral and some of the most striking blue lapis you’ve ever seen, as well as some rings, pendants, earrings, and even a few squash blossoms. As we mentioned, his work is highly collectible, not only because of its stunning beauty, but because sadly, there won’t be any more made; Kirk was tragically killed in 2012.   HIS DEATH: On September 17, 2012, Kirk was in an altercation in a parking lot with a young man whose truck had struck Kirk’s vehicle as the man was attempting to back into a parking spot. When the driver, who was intoxicated, tried to flee the scene, Kirk jumped onto the hood of the man’s truck. When he was eventually unable to maintain his grip, Kirk was flung from the moving vehicle and suffered injuries which resulted in his death in an Albuquerque hospital a little while later. The driver did succeed in fleeing the scene, but eventually collided with another truck and a barrier on Interstate 25 and was apprehended after a violent struggle with police; he was found to have had a blood alcohol concentration of 0.16, twice the legal limit. Incredibly, the driver, who was 16 at the time, was only sentenced to 90 days in a treatment center and two years probation. As you might imagine, Kirk’s surviving family does not feel that justice was done in the wake of his death, but they are carrying on his legacy in a positive way despite the circumstances.   Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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sz7.5 Leo Yazzie Black Jade and coral channel inlay sterling ring. Overall good condition with minor wear.LEO YAZZIE Leo Yazzie has been designing and creating fine jewelry for more than 30 years. Born and raised at Black Mesa on the Navajo Reservation in northeastern Arizona, the influence of the land and his culture is a part of each piece of his contemporary and sophisticated jewelry.Leo uses both gold and silver to create jewelry with a unique combination of traditional and contemporary designs. “The inspiration for many of my designs came from watching my grandmother, mother and other women in the family weaving rugs. They told me their designs came from Spider. Now, I make designs inspired by the patterns they wove.”Leo’s patterns vary, from a delicate cutout border with intricate detail to bold geometrics. It might be a gold panel with a geometric motif overlaid on a silver pendant; a cut-out stepped pattern encircling a stone; or a lightning shaped band on a ring. Whatever the pattern, the effect is sophisticated and elegant.The classic use of turquoise and coral is a favorite combination of Leo’s. The coral may range from pale pink to a very deep red. Leo uses turquoise of the highest quality, sometimes rare pieces from famous mines that have been closed for years. “I love working with quality stones,” says Leo. To guarantee he’d always have the best materials to work with, Leo has collected high quality stones from gem shows and traders over the years.In addition to turquoise and coral, Leo uses other semi-precious stones from around the world like sugilite, lapis, gaspeite, white opals and more. Sugilite has gained in popularity since its introduction in the 1980s. Found in the Kalahari Desert of South Africa, this stone with its deep rich purple to soft lavender color works beautifully with turquoise, or on its own. Leo enjoys pairing it with the fire in white opals.Leo’s settings are all handmade, often built up layer-by-layer. Designs are sawed out and appliquéd. Rich multi-colored side inlay will often be added to highlight a larger stone or add accent colors to the design. He uses channel inlay on some pieces, with the stones precisely cut flush with each other, so that they almost appear to be one stone. Some pieces will have a sculptural inlay, where each stone is cut and shaped, then fitted together.Leo’s avant-garde work is fitting for today’s contemporary fashions. His attention to detail and craftsmanship is evident in each piece and reflects his willingness to take the time to let a design emerge.“I enjoy what I do and I like to take my time with each piece,” says Leo. He usually works on several pieces at a time, working with one and then setting it aside to work on another, or taking one of his long walks. “I usually work for three hours each morning and then leave the pieces alone,” says Leo. His long walks are important; they reconnect him with the land and life surrounding him.The care and time that Leo takes fabricating each of his pieces has resulted in his winning enough awards and ribbons to fill two large boxes. Today, Leo has stopped entering contests. “I wanted to make room for the younger artists,” says Leo. He may have stopped competing, but he has not stopped creating. This quiet man and gifted artist continues to innovate and dazzle us with his eye for color and attention to detail. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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sz9.25 Herman Vandever Navajo silver spiderweb turquoise ring. Herman is a multiple award winning Navajo silversmith, I believe this is one of his earlier pieces. Herman Vandever (1964- ) Navajo.   He belongs to a family of well-known silversmiths and it seems only natural that he would follow in their footsteps. He turns traditional methods into contemporary styles with fine, natural stones, coral and even sea shell.  He often makes his own ingot silver jewelry by melting his silver to roll it out into handmade sheet silver.  All precious metals are tested and guaranteed,

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41" Harry Begay Navajo Sterling Concho belt. Extremely sturdy and well made as with all of Harry Begay's work. Fits up to a 41" waist but can be hooked anywhere. 265 grams, other measurements in pics.Harry H. Begay comes from the Navajo tribe, and has specialized in handmade Native American jewelry since the early 1970s. His silversmithing style is curated through ingot silver that has been mined from mountains and caves from across the country. The turquoise he uses is also the best in business, which results in a rich colored stone.The talented proceedings using ingot silver is endeavoring work; that specializes in melting the silver to a desired shape, to curate the designs, with the ending result of a heavy solidified piece of jewelry.Harry Begay is one of the prime silversmiths in our century.All precious metals are tested and guaranteed,

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Mary Marie Yazzie Lincoln Navajo sterlin with spiny oyster pendantMary Marie is the current matriarch of the talented and prolific Yazzie family of Gallup, New Mexico which are among the most celebrated Navajo jewelry making families of our time. Mary has been creating beautiful jewelry and actively silversmithing since the 1970's. She has won many awards for her work and is featured in several publications.Her parents were Chee and Elsie Yazzie who lived and worked at Zuni Pueblo at Kelsey’s Trading Post in the 1940s. They had 13 children and nine of them became silversmiths. Mary Marie is known for her elegant settings which highlight the beauty of a single stone. Mary Marie’s solid silverwork is distinctive. The pendant is signed with her hallmark, MARY MARIE.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Tommy Singer (1940-2014) Navajo Large Sterling bear pendant. 34.1 grams 2.75" both ways with bail, 22mm bail.Tommy Singer (1940 - May 31, 2014) was a World Famous Navajo Silversmith and his distinct style of Indian Jewelry is recognized the world over. Tommy was a silversmith for over 50 years. He learned the art of silversmithing from his father when he was just 7 years old. His Father Tsinnigine Hathali was a Navajo Medicine man. His early works were done in the Silver overlay technique but soon began to feature Turquoise stones. While working with scrap turquoise chips, Tommy pioneered the technique of Chip inlay used by thousands of artists to this day. Tommy eventually returned to his roots by creating Exquisite Silver Overlaid Jewelry with intricate designs.<br><br>All precious metals are tested and guaranteed,

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6 3/8" Orville Tsinnie Navajo sterling high grade turquoise bracelet.Orville Tsinnie (1943-2017) was a Navajo artist and master silversmith who has been featured in the American Indian art world for over 25 years. He was born in Tuba City, Arizona in 1943 and lived and worked in Shiprock, New Mexico. Tsinnie learned jewelry making from his Hopi brother-in-law in the 1970s and has since won many awards, including a Lifetime Achievement award from the Indian Arts and Crafts Association. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6" David Reeves Navajo sterling and onyx cuff bracelet, no issues.David Reeves (1949 - no longer with us) “Navajo silversmith David Reeves was the older brother of Gary Reeves (now no longer with us) and Daniel "Sunshine" Reeves. He taught them both the craft of silversmithing, along with half-brothers Andy and Darrell Cadman. David had an affinity for complex engraved and hand stamped geometric designs. He was a part of recreating and popularizing the old Navajo designs of the early 20th century.”All precious metals are tested and guaranteed,

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 7/8" Jerry Roan Navajo 1975 First Prize winning cuff bracelet. 5 3/8" plus 1.5" gap. No apparent marks but very high quality. I acquired it with this ribbon and believe they go together.<br><br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 3/8" Ike Wilson Navajo (1901-1942) Ingot silver and turquoise cuff braceletDiné silversmith Ike Wilson worked for many years for the Kelsey Trading Company at Zuni. He did silverwork for many of the Zuni lapidary artists including Ida Vacit Poblano. He often collaborated with his wife, Katherine Wilson.Navajo Nation artist Ike Wilson (1900-1942) would sign his creations with his bow and arrow hallmark. There has been some confusion in the past about the hallmark of Ike Wilson (1901-1942). It seems that sometimes his work was attributed to Austin Wilson. Both men were born in the same year and in a similar area of the reservation and both men worked at times for trader C. G. Wallace and the Kelsey Trading Company. Ike Wilson’s work is signed with a bow and arrow. After his death in 1942, his wife Katherine Wilson (1907-1985) continued to use his hallmark. The bow and arrow hallmark was initially attributed to Ike’s contemporary, Austin Wilson, but the corrected attribution was published in Messier, 2014.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is<br>stored in a secure location and cannot be accessed for more pictures, videos, or<br>measurements until sold. If you look at pictures/description your question<br>should be answered. Thank you so much for your time and consideration

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" Harry Morgan (1947-2008) Navajo Sterling twisted wire cuff bracelet with turquoiseMarked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is<br>stored in a secure location and cannot be accessed for more pictures, videos, or<br>measurements until sold. If you look at pictures/description your question<br>should be answered. Thank you so much for your time and consideration!<br><br> NUMEROUS award winner Navajo artist Harry Morgan (1947-2008) was a 5th<br>generation Navajo silversmith who'll always be remembered for his traditional<br>"Vintage Revival-Old Pawn" style jewelry that had these gleaming sterling<br>vintage looking darkened finishings that were made in a classic old style Navajo<br>design..The beauty he gave the sterling was so warm that it brought out the<br>metal's maximum luster..Harry once said "That's the way old style jewelry should<br>look," he said.. "When silver is all shined up it hides all of the intricate<br>detail in the stamp work and the bezels. This older style is what I grew up with<br>and what I love."<br><br>Although it was his mother who inspired him to create this style of jewelry that<br>had that old Navajo look,it was Harry however who was the 1st to bring this<br>style to the forefront of the industry..Paving the way for others like his<br>brother-in-law Kirk Smith who then followed in Harry's footsteps & with Kirk's<br>connection with other artists,they then followed in Kirk's footsteps. Now this<br>is the dominant style amongst most Navajo artists & you see this old pawn style<br>darkened finishing everywhere..Kirks name will always be associated with Harry's<br>& vise versa.<br><br>if you've ever wondered why most Navajo pieces have that old style look &<br>finishing where many of you can't tell if the piece is new or old anymore,it was<br>this man who we can give the credit to for bringing a style of jewelry that we<br>now see everywhere. He lived to see his jewelry being exhibited at the Heard<br>Museum a year before his death..<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.75" UITA-21 30's-40's Navajo Silver cuff bracelet with turquoise, early 1930’s to 1940’s and the place was Santa Fe, New Mexico at the prestigious Indian trading company of Julius Gans known as Southwest Arts and Crafts.The United Indian Trader’s Association or U.I.T.A., founded in 1931 was a voluntary organization made up of the leading Indian traders of the day organized to promote and enforce the highest quality standards for the creation of genuine traditional Indian Arts and Crafts. The members were a veritable who’s who of the leading Indian traders of their dayand all pieces certified by UITA and stamped with their unique arrowhead hallmark had to pass a rigorous set of quality inspections regarding the materials and techniques used. Each member of UITA was assigned a specific numeric code which all pieces sold by them had to be stamped with.One of the most prestigious Indian trading companies of the time was Julius Gans’ Southwest Trading Company of Santa Fe, New Mexico. Julius Gans was an enterprising and dynamic trader who employed at one time or another a veritable All-star team of some of the finest Native American silversmiths in the business; the Roanhorse brothers, Ambrose and Sam, Mark Chee and the fine Cochiti Pueblo silversmith David Taliman among others. The numeric code assigned by UITA to Southwest Arts and crafts was “UITA21” which is the stamp this bracelet is marked with.This bracelet could very easily have been made by any one of Southwest Arts and Crafts’ ace silversmiths; it most resembles in our minds the work of Ambrose Roanhorse but it could easily have been made by his brother Sam or even possibly by Mark Chee or David Taliman or a number of others. The design is a beautiful repeating pattern of nine perfectly-executed diamond-shaped Navajo textile-style designs running across the center of the bracelet’s shank.“The United Indian Traders Association (UITA) was established on September 13, 1931 for the expressed purpose of authentication of Indian crafts. At the time, the UITA as an important player both in Indian cultural life and in advocating for the sale of authentic Indian arts and crafts.UITA was incorporated as a non-profit in New Mexico, with the support of a number of traders and San Francisco attorney Charles Elkus. Bert Staples (Coolidge, NM) was UITA's first President, R. C. Master (Zuni, NM) was Vice President, C. N. Cotton (Gallup, NM) served as Treasurer and Tobe Turpen (Gallup, NM) was Secretary. Directors included L. L. Sabin, C. G. Wallace, J. M. Drolet, Ramon Hubbell, Lloyd Ambrose, Bruce Barnard and Mike Kirk. All of the founding directors and officers were veteran owners of trading posts in the Southwest. The founding membership of 753 grew to over 125 in about 10 years.”-Quotation source and © Bille Hougart BooksAll precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" 1970's Gary Reeves Navajo stamped silver and turquoise cuff braceletGary Reeves was born in 1962 in Gallup, N.M. and died July<br>2014. He began silver work in 1974.<br><br>He was the older brother of renowned silversmith Sunshine Reeves and the younger<br>brother of David Reeves (now no longer with us), who was so instrumental in<br>teaching the craft to both Gary and Sunshine, as well as their half-brothers<br>Darrel and Andy Cadman.<br><br>While each artist has his own individual style, they all share an affinity for<br>complex engraved and hand stamped geometric designs and they are all a part of<br>recreating and popularizing the old Navajo designs of the early 20th century.<br>They call their style Navajo Revival Style.<br><br>He filled his old style silver with lots of stamp patterns and used high quality<br>pieces of turquoise. Gary smithed silver from the age of twelve. His work, like<br>that of his brother Sunshine, is present in the collections of the Heard Museum<br>in Phoenix and Gary has won numerous awards for his work.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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6.5" Pat Bedoni Navajo 14k/Sterling link bracelet 6.5" long with no issues.Pat Bedoni Navajo silversmith, Pat Bedonie, was born in Ganado, Arizona on the Navajo Reservation. She is of the Edge Water and Coyote Pass Clans. Pat’s mother, Lutricia Yellowhair, is an accomplished<br>silversmith who has passed the traditional Navajo jewelry making styles onto her<br>children. Every time you look at a piece of Pat Bedonie’s work you see her<br>mother’s influence. Today, Pat lives in Farmington, New Mexico and often<br>collaborates with her mother to create an array of stunning jewelry. She uses a<br>variety of symbols important in her Navajo heritage.Pat Bedoni is known for her<br>fine traditional Navajo carved jewelry and miniature silver boxes. All Pat<br>Bedonie Jewelry is made by herself alone. She creates exceptional silver jewelry<br>by any standards, which is not surprising, since her brother is Ron Bedoni, a<br>well-known silversmith. Pat’s jewelry is much like her brother Ron's, however<br>you'll find the designs not as complex.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 5/8" Richard Begay Navajo silver multi-stone cuff bracelet Richard Begay was born and raised in Navajoland, Arizona. Throughout his art classes in school, he always wanted to create the perfect shape. His first career, however, took him into the Forest Industry. He soon realized that he wanted to follow the yearnings of his heart and create beautiful jewelry.He borrowed jewelry tools from his father-in-law and set to work, learning the demanding craft of silversmithing. Richard was immediately drawn to the intricate inlay work, for which he is known for. As he perfected his craft, Richard explored different techniques of inlaying. He was always searching for the best way, the most beautiful setting, the perfect harmony of material and craft.He also developed an eye for choosing the best stones for his inlay. Turquoise and coral are his favorite, but Richard used a wide variety of stones and shells, including malachite, spiny oyster, and pacific coral. Not limited to the usual in anything he did, he also inlaid opals, sugilite, lapis and other exotic stones into his award-winning pieces.The importance of harmony in his work was echoed in his silverwork, especially his pendants. In these pieces, he incorporated important symbols from his culture. Corn was a significant gift to the People by the Creator--it represents life to the Navajo. The Yei-Be-Che is the personal link between the Navajo gods and mortal man. The Bear, one of the four animals given to the first people, embodies power and wisdom. It was provided for protection and guidance, and to ward off evil. Richard also used the Steppe Design found in the wedding baskets and recreates special times, such as the social dances he goes to. Encircling it all is his extraordinary inlay, adding color and life. The beautiful things Richard looked for exist in his creations.Richard passed away in 2013.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 1/8" c1940's UITA-22 Navajo silver cuff bracelet with turquoiseNavajo trader Dean Kirk opened his trading post at Manuelito, New Mexico (between Gallup and the Arizona border) around January 1941. The silver work made in Dean’s shop was typically Navajo tourist type designs and hallmarked UITA22 (under the auspices of the United Indian Traders Association) until about 1951.The UITA's stated goals were: 1) to promote improved business practices among Indian traders, arts and crafts dealers, Indians, and all related agencies; 2) to promote, encourage, and protect the manufacture and sale of genuine Indian handmade arts and crafts; and 3) to promote the general welfare of those engaged in the business of Indian trading, as well as the welfare of the Navajo Indians and all other Indians of North America.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Men's Size 12 Ring.

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Large Larry Etcitty Navajo 14k accented Sterling Kingman turquoise cluster bolo tie, approx 51" long, 3 3/8" x 3" slide, solid 14k gold accent on reverse side covered in clear nail polish to preserve it. 160 grams, appears to have been worn little.<br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" Mark Chee (1914-1981) Navajo silver cuff bracelet with turquoise. Unmarked, attributed.. I am extremely confident that this is Mark Chee's work, it is obviously an old bracelet, circa mid 20th century. The stampings, the clean bezels around the abstract natural stones, the back, overall design, everything about it is indicative of Mark Chee's work.<br><br>Mark Chee (1914-1981) Biography<br>Navajo artist, Mark Chee is among the earliest southwest silversmiths. Mark Chee is known for traditional stamp work and high quality stone settings in unusually heavy silver. He was born in Lukachukai, Arizona around 1900 and was sent to government school at Fort Defiance (a United States government practice during that time) from the age of 10 to the 11thgrade. He is the elder brother of Joe Chee. <br><br>He was active during the 1930s through ‘60s. He specialized in heavy silver in old style designs. He began polishing silver in Julius Gans’ Southwest Art and Crafts shop in Santa Fe for $5.00 a week. He then bought a few tools and used them all his life. He quickly became an accomplished silversmith and was hired as a bench smith at Frank Patania’s Thunderbird Shop and later at Al Packard’s shop on the Santa Fe Plaza. He was also a bench-smith for the Wooden Indian at Embudo, New Mexico. <br><br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 1/8" Lee Bennett Navajo 14k/Sterling and Opal cuff bracelet. Solid 14k gold bezel and solid 14k gold wires wrapping the two sterling bars on the bracelet.<br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.<br><br>anderas

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sz4.75 Gibson Nez (1947-2007) Jicarilla Apache and Navajo Mediterranean coral silver ring 1.5" long face, 20.3 grams. <br><br>Gibson Nez, Jicarilla Apache and Navajo, is known throughout the Indian arts<br>industry and by collectors worldwide as the master of stampwork. No other<br>craftsman comes close to the expert precision of his sharp, clean, impossibly<br>close stamps. Parallel lines, a hairs-breadth apart, encircle bolos and<br>bracelets like radiant energy, drawing your eye to the extraordinary, gem-grade<br>stone Gibson hand-picks to feature in the center. Stampwork of Gibson’s caliber<br>requires extreme patience and an eye for balance. “What is important to me is to<br>make one nice piece, not a lot of mediocre pieces,” said Gibson.<br><br>Gibson’s pieces have won ribbons and awards at all the major competitions,<br>including Gallup Ceremonial, Santa Fe Indian Market, the Heard Museum, the All<br>Mankind Jewelry Competition in Washington, D.C., and Casa Grande in Arizona.<br>Asked what makes him most proud in his work, Gibson said, “I simply try to make<br>a piece that highlights the stone.”<br><br>Gibson’s work embodies unrelenting attention to detail. Each hand-struck stamp<br>adds and builds on the last. Single, meticulously placed lines are, together,<br>the power to Gibson’s work - a complete harmony of silver and stone.<br><br>Gibson sadly passed away on December 1, 2007, but his work will be cherished for<br>years to come. Long after those who knew him are gone he will still be<br>remembered through his powerful jewelry.<br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 4 Ring.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" Fred Thompson (1922-2002) Navajo Turquoise inlaid silver cuff bracelet.<br>Extremely high grade natural American turquoise.. Marked or unmarked as shown in<br>pics, weight and other measurements in pics. Sorry but my jewelry is stored in a<br>secure location and cannot be accessed for more pictures, videos, or<br>measurements until sold. If you look at pictures/description your question<br>should be answered. Thank you so much for your time and consideration!<br><br>Thompson worked as a smith for Tobe Turpen at the age of 15 and built his career<br>on the skills he learned in Turpen’s shop. He made his own stamps, never sold to<br>dealers, and only sold wholesale to Tobe Turpen. After serving in WWII, he<br>continued to make pieces into the 1990’s. He was a teacher as well as a<br>silversmith. World renowned, he focused on traditional Navajo styles, producing<br>his work with utmost skill using the highest quality stones available.<br>Thompson’s pieces are now rare and hard to find.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.75" Esther Wood Navajo Large silver and turquoise cluster cuff bracelet.   3.5" or 86mm wide in center. 5.5" plus 1.25" gap, 127.4 grams.<br><br>All precious metals are tested and guaranteed.

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Harry Morgan (1947-2008) Navajo Heavy stamped silver and turquosie pin<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is<br>stored in a secure location and cannot be accessed for more pictures, videos, or<br>measurements until sold. If you look at pictures/description your question<br>should be answered. Thank you so much for your time and consideration!<br><br>NUMEROUS award winner Navajo artist Harry Morgan (1947-2008) was a 5th<br>generation Navajo silversmith who'll always be remembered for his traditional<br>"Vintage Revival-Old Pawn" style jewelry that had these gleaming sterling<br>vintage looking darkened finishings that were made in a classic old style Navajo<br>design..The beauty he gave the sterling was so warm that it brought out the<br>metal's maximum luster..Harry once said "That's the way old style jewelry should<br>look," he said.. "When silver is all shined up it hides all of the intricate<br>detail in the stamp work and the bezels. This older style is what I grew up with<br>and what I love."<br><br>Although it was his mother who inspired him to create this style of jewelry that<br>had that old Navajo look,it was Harry however who was the 1st to bring this<br>style to the forefront of the industry..Paving the way for others like his<br>brother-in-law Kirk Smith who then followed in Harry's footsteps & with Kirk's<br>connection with other artists,they then followed in Kirk's footsteps. Now this<br>is the dominant style amongst most Navajo artists & you see this old pawn style<br>darkened finishing everywhere..Kirks name will always be associated with Harry's<br>& vise versa.<br><br>if you've ever wondered why most Navajo pieces have that old style look &<br>finishing where many of you can't tell if the piece is new or old anymore,it was<br>this man who we can give the credit to for bringing a style of jewelry that we<br>now see everywhere. He lived to see his jewelry being exhibited at the Heard<br>Museum a year before his death..<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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6.75" Gary Reeves (1962-2014) Navajo heavy stamped silver and turquoise bracelet<br>21mm wide in center.<br><br>Navajo silversmith Gary Reeves was born in 1962 in Gallup, N.M. and died July<br>2014. He began silver work in 1974.<br><br>He was the older brother of renowned silversmith Sunshine Reeves and the younger<br>brother of David Reeves (now no longer with us), who was so instrumental in<br>teaching the craft to both Gary and Sunshine, as well as their half-brothers<br>Darrel and Andy Cadman.<br><br>While each artist has his own individual style, they all share an affinity for<br>complex engraved and hand stamped geometric designs and they are all a part of<br>recreating and popularizing the old Navajo designs of the early 20th century.<br>They call their style Navajo Revival Style.<br><br>He filled his old style silver with lots of stamp patterns and used high quality<br>pieces of turquoise. Gary smithed silver from the age of twelve. His work, like<br>that of his brother Sunshine, is present in the collections of the Heard Museum<br>in Phoenix and Gary has won numerous awards for his work.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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7" Lee Bennett Navajo 14k/Sterling link bracelet<br><br>Marked or unmarked as shown in pics, weight and other measurements in pics.<br>Sorry but my jewelry is stored in a secure location and cannot be accessed for<br>more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece<br>referred to as "silver" or "ingot" is guaranteed to be at least 90% silver.<br>Bracelets are photographed on a 6" women's wrist.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" Roy Vandever (1936-2009) Silver turquoise, and coral cuff bracelet<br><br>Roy Vandever , (1936-2009) Dine, Navajo Nation , active ca 1950s-2009: silver<br>stampwork, shadowbox, chip inlay jewelry. Roy Vandever was the son of Walter<br>Vandever and Emma Vandever; uncle of Esther Vandever Wood; husband of Donna<br>Vandever; father of Cassandra Xalladitto, Cindy Howe, Verna Kee, Sheila<br>Vandever, Sherwood Vandever, and Jerome Vandever.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Darryl Dean & Rebecca Begay Tufa cast sterling butterflies bracelet, earrings,<br>and pendant set. Very fun set, bracelet is 6.75" including the 1.25" gap 19mm<br>wide, earrings 31mm x 13mm, pendant 65mm with bail x 20mm wide. This set is in<br>new unworn condition.<br><br>“Our calling it is to create beautiful jewelry and bring joy to people.” –Darry<br>Dean & Rebecca Begay<br><br>Darryl Dean and Rebecca Begay are Navajo artists who collaborate on jewelry<br>designs and fabrication using traditional techniques inspired by contemporary<br>life. Their Navajo culture has a powerful influence on their jewelry, telling<br>stories that allow ancient ceremonies and chants to live on. “As an Indigenous<br>people, we are still holding on to our language and culture,” Darryl Dean<br>offered.<br><br>Each artist brings a unique skill to the jewelry making process. Darryl Dean is<br>adept at stonework and is one of the few true masters at tufa casting. Rebecca<br>applies her design sense and delicate hand to floral carving, incorporating the<br>natural tufa stone texture into their work.<br><br>“We don’t mass produce,” Darryl Dean says of their meticulous methods. “The<br>thing with us is that making jewelry is more of an art form. We create each<br>piece from start to finish.”<br><br>Darryl Dean and Rebecca won the Best of Show award at the 2009 Santa Fe Indian<br>Market. They work chiefly with high-grade turquoise and silver, though also use<br>coral and other gemstones, and work in 18-karat gold as well.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" David Reeves Navajo Sterling lapis, and spiny oyster bracelet 19mm wide.<br><br>David Reeves<br>(1949 - no longer with us)<br>“Navajo silversmith David Reeves was the older brother of Gary Reeves (now no<br>longer with us) and Daniel "Sunshine" Reeves. He taught them both the craft of<br>silversmithing, along with half-brothers Andy and Darrell Cadman.<br>David had an affinity for complex engraved and hand stamped geometric designs.<br>He was a part of recreating and popularizing the old Navajo designs of the early<br>20th century.”<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" Liz Wallace (Diné-Washoe-Maidu) Twisted sterling wire and turquoise<br>bracelet 52mm wide in center.<br><br>Liz Wallace, Navajo, Washoe and Maidu, b. 1975<br><br>Liz Wallace was born to te Tachiinii Clan (Red Running Into the Water People).<br><br>As a young girl Liz would watch her parents, Alan Wallace and Kathryn Morsea<br>(both renowned artists) as they made their own works of art in gold and silver.<br>Liz has been actively creating jewelry since 1996. Lizs favorite motifs include<br>the classic or traditional Navajo style as well as designs that represent the<br>Art Nouveau period, a time when artists believed images taken from nature and<br>myth should work in harmony with materials to create a total work of art.<br><br>I have always admired and been fascinated by fine jewelry, its construction, the<br>materials, and and the various socio-cultural contexts in which it was<br>createdWhile I will always love the ingenuity and resourcefulness exhibited by<br>old Navajo and Pueblo smiths, my inspirations are diverseI am both a product of<br>my environment and of my choices within it.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6" David Reeves Navajo sterling and lapis cuff bracelet 11mm wideDavid Reeves (1949 - no longer with us) “Navajo silversmith David Reeves was the older brother of Gary Reeves (now no longer with us) and Daniel "Sunshine" Reeves. He taught them both the craft of silversmithing, along with half-brothers Andy and Darrell Cadman. David had an affinity for complex engraved and hand stamped geometric designs. He was a part of recreating and popularizing the old Navajo designs of the early 20th century.”All precious metals are tested and guaranteed,

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Pat Bedoni Navajo 14k on Sterling modernist clip-on earrings. 24mm tall x 16mm<br>wide x 8.1 grams with no issues.Pat BedoniNavajo silversmith, Pat Bedonie, was<br>born in Ganado, Arizona on the Navajo Reservation. She is of the Edge Water and<br>Coyote Pass Clans. Pat’s mother, Lutricia Yellowhair, is an accomplished<br>silversmith who has passed the traditional Navajo jewelry making styles onto her<br>children. Every time you look at a piece of Pat Bedonie’s work you see her<br>mother’s influence. Today, Pat lives in Farmington, New Mexico and often<br>collaborates with her mother to create an array of stunning jewelry. She uses a<br>variety of symbols important in her Navajo heritage.Pat Bedoni is known for her<br>fine traditional Navajo carved jewelry and miniature silver boxes. All Pat<br>Bedonie Jewelry is made by herself alone. She creates exceptional silver jewelry<br>by any standards, which is not surprising, since her brother is Ron Bedoni, a<br>well-known silversmith. Pat’s jewelry is much like her brother Ron's, however<br>you'll find the designs not as complex.

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复古 Boyd Tsosie 纳瓦霍石灰华铸造纯白仙人掌鸟项链和吊坠，镶有紫水晶和苏纪石。吊坠高 3.75 英寸 x 1 5/8 英寸宽，项链长 21.5 英寸。我相信这条项链也是由 Boyd Tsosie 制作的。总重 37.8 克。项链和吊坠均经过纯正测试，品质令人惊叹。 Boyd Tsosie 是一位珠宝商，他从丰富的纳瓦霍传统中汲取灵感。出生于1954年的他从16岁起就开始制作珠宝。肯尼思·贝加耶 (Kenneth Begaye) 是纳瓦霍保留地纳瓦霍社区学院的一名教师，他在博伊德年轻时就启发了他。博伊德称赞肯尼斯教授了他的手艺。多年来，Boyd 开发了一种现代风格的作品，主要采用 14K 金与绿松石、珊瑚、青金石和苏纪石相结合。博伊德认为，通过获得长辈的授权和祈祷，他正在创造纳瓦霍珠宝的“明天传统”，以创造他的特殊作品。他在 Jerry 和 Lois Jacka 的《纳瓦霍印第安珠宝和持久传统》以及 Lois Dubin 的《北美印第安珠宝和装饰品》中都有专题报道。 Boyd 的珠宝目前正在新墨西哥州 2002 年西南珠宝展上展出。

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David Reeves 纳瓦霍纯银蜘蛛网绿松石/青金石手镯。适合最大 6.25 英寸的手腕，间隙为 1 1/8 英寸，没有任何问题。大卫·里夫斯（1949 年 - 已故） “纳瓦霍银匠大卫·里维斯是加里·里维斯（现已去世）和丹尼尔·“阳光”·里维斯的哥哥。他向他们俩传授银匠手艺，还教他们同父异母的兄弟安迪·卡德曼和达雷尔·卡德曼。大卫对复杂的雕刻和手工压印的几何设计有着浓厚的兴趣。他参与了 20 世纪初古老纳瓦霍设计的再创造和推广。”

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大号 Tim Vandever 纳瓦霍索诺兰金绿松石纯银项链，无损坏或可察觉的磨损。可调节至 28 英寸长 x 5/8 英寸 x 2.25 英寸中心吊坠，令人惊叹的项链。184.9 克。

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大卫·里夫斯（1949 年 - 已故） “纳瓦霍银匠大卫·里维斯是加里·里维斯（现已去世）和丹尼尔·“阳光”·里维斯的哥哥。他向他们俩传授银匠手艺，还教他们同父异母的兄弟安迪·卡德曼和达雷尔·卡德曼。大卫对复杂的雕刻和手工压印的几何设计有着浓厚的兴趣。他参与了 20 世纪初古老纳瓦霍设计的再创造和推广。” 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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6 5/8" Roy Vandever (1936-2009) 石灰华铸造银 - 绿松石和珊瑚手链。 Roy Vandever，（1936-2009）用餐，纳瓦霍族，活跃于 1950 年代至 2009 年：银质印章、影盒、芯片镶嵌珠宝。罗伊·范德弗 (Roy Vandever) 是沃尔特·范德弗 (Walter Vandever) 和艾玛·范德弗 (Emma Vandever) 的儿子；埃丝特·范德弗·伍德的叔叔；唐娜·范德弗的丈夫；卡桑德拉·萨拉迪托 (Cassandra Xalladitto)、辛迪·豪 (Cindy Howe)、维娜·基 (Verna Kee)、希拉·范德弗 (Sheila Vandever)、舍伍德·范德弗 (Sherwood Vandever) 和杰罗姆·范德弗 (Jerome Vandever) 的父亲。所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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纳瓦霍卡尔文马丁内斯纯银雕刻绿松石吊坠和 4 股黑石项链吊坠 3 1/8 英寸 x 2 5/8 英寸（无吊环），项链长约 21 英寸，总重 105.2 克。 Calvin Martinez 是一位自学成才的纳瓦霍银匠，从事珠宝制作已有 20 多年。卡尔文·马丁内斯 (Calvin Martinez) - 出生于 1960 年 - 从纳瓦霍血统中汲取创作灵感。 “我关注古老的银匠和我的文化。如果没有纳瓦霍传统的指导，就不会有卡尔文·马丁内斯银匠。”他出身于一个著名的银匠世家。他的兄弟特里·马丁内斯（Terry Martinez）也是一位著名的银匠。 Calvin 的珠宝采用传统的古老技术制作，他的一切都是手工制作，包括手工切割边框。他在作品中只使用高品质的天然石材。卡尔文·马丁内斯 (Calvin Martinez) 以第一批纳瓦霍银匠的纯粹风格制作珠宝。他的作品清晰、实质，采用最好的宝石级绿松石，雄辩地讲述了纳瓦霍人的本质：谦逊的人对自己在自然平衡中的地位有着坚定的信念。卡尔文将这种安静力量的态度带入了他的每一个创作中。 他只用厚重的银器、灵巧的双手和平衡的眼光，为每件作品注入了简约的力量。他的手工切割镶边镶嵌着非凡的绿松石宝石。

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Dan Jackson 纳瓦霍地毯石灰华铸造手链，带 Ajax 绿松石 适合 6 7/8 英寸的手腕，包括 1 英寸的间隙。 117.2克。丹·杰克逊（Dan Jackson，1944-2022 年）是一位屡获殊荣的纳瓦霍银匠，以其细致的银和金“地毯图案”蚀刻而闻名。 Dan 忠实于纳瓦霍生活方式的文化和传统，饲养着马和羊，但他创造的金银珠宝通常在精美的叠加设计中融入地毯图案。凭借各种饰面（纹理、抛光、哑光、深色）和细致的做工，这些复杂的设计呈现出非常现代的都市魅力。 Dan 说：“我从父亲那里学会了银制品，他一直从事银制品工作直到 95 岁。我（珠宝）上的地毯设计……来自我母亲的编织……我继承了父亲的繁重银制品。”他的珠宝上的标志性签名是霍根（Hogan），纳瓦霍人的传统家园——“第一人送给用餐者的礼物。这种土木圆形结构体现了纳瓦霍人生活的框架：生命的循环本质。一切事物都是有生命的，由两部分组成——正是这两部分的结合构成了整体，从而创造了平衡与和谐。” Dan 将这种平衡和传统的概念融入到他精致的银质珠宝中。 Dan 向他的父亲 John Nez Begay 学习银器制作，他从事珠宝制作已有 80 多年，活到了 106 岁。他的母亲伯尼斯·查理 (Bernice Charlie) 是一名织布工，也是丹的灵感来源。他讲述了他的母亲在梦中拜访他，她在梦中激励他创作了他现在著名的三层叠加地毯设计珠宝。 丹接受的正规教育是工程学。他在印第安事务局工作了 20 年。 1985 年受伤后，丹需要另一种方式来养家糊口（4 个女儿）。作为一名出色的银匠，他将时间投入到制作珠宝上才有意义。丹在圣达菲印度市场等评审艺术展上不断获得奖项和荣誉。他在盖洛普部落间仪式、Window Rock、亚利桑那州部落博览会、新墨西哥州和亚利桑那州博览会以及新墨西哥州 Shiprock 博览会上赢得了无数奖项和丝带。 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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Richard Tsosie 纳瓦霍鹅卵石镶嵌石灰华铸造皮带扣。 2 5/8" x 2"，最多可容纳 1.25" 的皮带。艺术家 › 理查德·曹西 理查德也许以其独特的纹理银色设计而闻名。当他注意到银屑熔合到他正在焊接的环上时，他偶然发现了他标志性的造粒技术。他将产生这种颗粒状表面纹理的过程称为“网状”，并且他在整个职业生涯中一直在完善这项技术。 Richard 出生于 1956 年，自 20 世纪 70 年代中期以来一直是一名珠宝商。他从他的兄弟博伊德和亚利桑那州纳瓦霍社区学院的肯尼思·贝盖那里学习珠宝制作。他很快从切割和抛光宝石的基本任务进展到更复杂的镶嵌过程。 理查德的当代银器和持有作品的特点是使用制造、覆盖和粒化。他还以各种天然宝石的彩色镶嵌作品以及对细节的精细控制和关注而闻名。他的设计灵感来自自然世界的图像，特别是他度过了大部分青春时光的保留地的宽阔废墟区域。理查德谈到他的作品时说：“日落时山脉的颜色、黎明时出现的阴影和光线的图案以及黑色夜空中的点点星光给我带来了灵感。”他的作品通常包含照明符号和箭头图案。闪电代表自然原因，而箭头则象征人为因素。理查德说，这个设计代表了生活的酸甜苦辣。 “有些事情我们无能为力，你应该尽力享受生活。” 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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6 7/8 英寸重型复古美洲原住民银珊瑚、缟玛瑙和贝壳槽形镶嵌手链重 190.4 克，适合 6 7/8 英寸的手腕（包括间隙）。 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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复古 Reeves 纳瓦霍纯珊瑚和绿松石戒指，尺寸 5.5，8.3 克。所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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罕见 1970 年代 Carol Kee Zuni 多宝石镶嵌米奇波洛领带。 Bolo 幻灯片 3.5 英寸 x 1.75 英寸 x 45 克总重量，没有问题。 Carol Kee 是一位活跃于 60 年代和 70 年代的祖尼美洲原住民工匠，她也做过其他工作，但最著名的是她极具收藏价值的角色作品。她制作的波洛波洛衫比戒指少得多。她的一些角色作品在拍卖会上拍出了 2-3 千美元的价格，还有一些甚至更高。所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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1960 年代 Tomasita Montoya（1899-1978）Dominguita Sisneros Naranjo（生于 1942 年）圣胡安陶器美洲原住民碗母亲/女儿。 7 英寸宽 x 4 英寸高，无裂纹、缺口、修复或明显磨损。 Tomasita Montoya 是 1930 年代复兴这一艺术形式的最初 7 位圣胡安陶艺家之一。她的女儿罗西塔·德·埃雷拉 (Rosita de Herrera) 和多明吉塔·埃雷拉 (Dominguita Herrera) 向她学习制作陶器。普韦布洛有着悠久的陶器制作历史，但到 1890 年左右，陶艺家已所剩无几。 1930 年，Regina Cata 在圣胡安普韦布洛组织了一个陶器研究小组，旨在振兴陶器生产。该小组研究了早期在圣胡安制造的古代陶器碎片，并选择 Potsuwi'i 刻纹陶器（1450-1500）作为当代陶器类型的基础。到了1930年代后期，进一步发展，出现了深雕彩瓷和刻花器，至今仍在生产。 托马西塔尤其以其雕刻的红色瓷罐、碗和花瓶而闻名。这些船只上的装饰主要是细线几何阴影线。有时她会使用云母粘土，为几何元素添加一些纹理和闪光。托马西塔还制作了深雕刻的彩色作品，其中包括云、基瓦台阶和植物的图案。 TW229

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Benally 纳瓦霍石灰华铸造纯绿松石手镯。袖口美观，没有任何问题。适合 6.25 英寸的手腕，间隙 1 英寸，中心宽 2.25 英寸，重 61.6 克。 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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