c1880's Meridian Bee With Fans with Birds Chinoisiere Victorian Silverplate Napkin Ring. Some worn plating, but no dents or bends 3.25" tall. TW134

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Antique Persian Copper Coffee Pot. This is a really early piece, hundreds of<br>years old I think. It was laquered on the exterior and put on display about 60<br>years ago and was an antique then. There's caked up limescale all in the<br>interior and a really nice patina that is more evident on the base and inside<br>the lid. There is a dent in the front of the base that causes it to sit a little<br>lopsided. I didn't realize until after I took the pics but a small piece of felt<br>or something on the front of the base would hold it straight. This is for sure<br>an old one. 15" tall x 2" handle to spout.<br>TW133

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Ming Chinese Brown Stoneware Jar with handles 4" tall from a collection of<br>mostly Ming Chinese ceramics put together in the mid 20th century. One restored<br>chip to rim and one restored handle. No other issues.<br>TW32

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Ming Chinese Brown Stoneware Jar 3" tall x 3.5" wide from a collection of mostly<br>Ming Chinese ceramics put together in the mid 20th century. No cracks, chips, or<br>restorations.<br>tw132

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Early Chinese Water Dropper teapot form this is a really old piece fresh from a collection that was mostly Ming period Chinese but also had some Thai, Korean, and other Asian Ceramics from the same timespan. 3" tall with no cracks, chips, or restorations. tw132

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Early Celadon Jar 3" tall x 4 3/8" wide. Earthenware from a collection of mostly Ming Chinese ceramics put together in the mid 20th century. One hairline shown in center of first pic if you look very closely and a few small chips on rim, no restorations. TW132

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Thai Sawankhalokk Celadon Jarlet with lobed decoration and handles Some small<br>chips to footrim, purchased in 1973 I am not sure what was used to write that on<br>the bottom but chose not to attempt to remove it. No cracks or restorations.<br>Sorry I forgot to measure this and it's packed but it's about 2.5" to 3" tall.<br>TW132

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Chinese Ming Dynasty Storage Jar Brownware 6.75" tall x 6" wide. Good early<br>piece of early chinese stoneware from an old collection. No cracks, chips, or<br>restorations, blemish on side where pots were too close when cooling.<br>TW132

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Early Celadon Stoneware Tea Bowl with Lotus Decoration. From a collection of<br>mostly Ming chinese porcelain but some other asian ceramics mostly from the same<br>era. 5 old stable hairlines as shown. 4.25" wide x 1 13/16" deep.<br>TW132

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Chinese Ming Dynasty Plate Blue Underglaze 8.25" a few very tiny glaze frits on<br>the sharp points and one tight hairline that extends halfway to the footrim.<br>TW132

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Chinese Ming Dynasty Plate Blue Underglaze 7" One tight hairline less than 1", a<br>few flakes on the barbs and one small chip on footrim. No other chips, cracks,<br>or restorations.<br>TW132

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Chinese Ming Dynasty Plate Blue Underglaze 7.75" One tight hairline that extends<br>almost to the footrim. No other cracks, chips, or restorations.<br>TW132

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c1890 Mt Washington Napoli Hand Painted Nappy. No cracks, chips, or restorations. 7 1/8" wide with handle. tw130

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Large Ming Dynasty Chinese Celadon Bowl with Double sided incised Lotus<br>Decoration 13.75" wide x 2.5" deep. 3 very old tight stable hairlines shown in<br>pics. No other cracks, no chips, no restorations. From a collection I'm helping<br>disperse that was put together in the 1950's and 60's by a woman who is now 96.<br>TW130

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1910's Antique Arcade Cast Iron Lion Bank with good gold paint 4.75" long x 3<br>7/8" tall.<br>b41

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15th Century Thai Sawankhalok Kiln Condiment Jar with Lid. Very early piece of<br>Thai pottery 15th century collected in the mid 20th century by a woman that is<br>now 96. I'll be selling more of her items shortly. 3" tall x 3.75" wide with no<br>cracks, chips, or restorations.<br>TW129

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Unusual c1800 Tin Samovar with brass trim. Great piece guaranteed 200+ years<br>old. I've never seen such a bold and fancy piece of tin. It fit in perfectly at<br>the 9 million dollar house I removed it from. It's functional, unusual, and<br>fantastic. It has an old coat of clear lacquer on the exterior I believe which<br>won't affect it's functionality or beauty. 18.5" tall x 11.25" wide, a few small<br>dents to give it character.<br>Tw128

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Peint Main Limoges Trinket Box Hand Painted. Tight hinge, stays snapped shut, no<br>loss to decoration or gold, no cracks, chips, or restorations.<br>3" wide x 1 5/8" deep.<br>TW141

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1950's DeVilbiss Iridescent Perfume Atomizer. These are the same fancier gilt<br>bronze lids they put on the Steuben bottles, not sure if this is steuben. All<br>it's missing is the bulb, all the hardware is here for an easy bulb add. 6.25"<br>tall with no damage.<br>tw141

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Antique Delft Tiles in Mahogany Frames. Delft earthenware tiles, 19th c., in polychrome tin glazes, stylized blue border, central octagonal reserve depicting ships in canal, centered in circular mahogany frame, (one) tile with hairline, tile: approx 6"h, 6"w, overall: approx 9.75"diam; 3.75lbs total. TW140

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Antique Chinese Carved Wood Panel with gild decoration. 8" x 4" with no<br>significant damage or repairs. Late 19th century.<br>B39

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c1870 Chinese Famille Rose Bat Shaped Condiment Bowl. 7.75" x 4.25" x 2" deep.<br>One tiny flake on top rim, no other cracks, chips, or restorations.<br>B36

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c1920 Porcelain plaque with courting scene in gilt metal frame. Frame measures<br>7.75" x 5.5". I believe it has hand painted accents over a transfer.<br>B36

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2 Antique German Porcelain pipe bowls. 5" long hand painted a few scratches as<br>shown but no chips or cracks. Selling both.<br>tw138

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c1910 33cm Hand Painted Royal Vienna Style Art Nouveau Period and style portrait<br>vase with heavy gilding. I like to think I'm an expert in quality and this is a<br>premium quality period art nouveau vase from the early 20th century. The<br>porcelain is heavy and factory ground on the base, the entire piece is hand<br>decorated including the portrait and the gold. I'm unsure of the manufacturer.<br>I'm guaranteeing it to be European, likely Germany (Austria or Dresden) from the<br>first quarter of the 20th century and hand painted with no cracks, chips,<br>restorations, or significant loss. It's 13" tall x 5.5" wide. It came from a<br>muti-million dollar art glass collection, they had the best of the best from the<br>late 19th and early 20th centuries. This was one of just a few pieces of<br>porcelain they had to compliment the glass.<br>B26

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c1880 Antique Pietra Dura Bronze Mounted Double Locket Picture frame on Easel.<br>13.5" tall x 6 5/8" high total with Easel, The sight area inside the picture<br>frames is 5 3/8' x 3 3/8" The pietra dura plaque without the easel is 8" x 5"<br>counting the bronze ormula on top. This is a really special and over the top<br>piece that required immense skill to make. The bronze frame is heavy so when it<br>is opened it will tip easily when the back leg is fully extended so it will need<br>to be on a not so slick surface if you intent to display it open with the photos<br>showing rather than with the incredible Pietra Dura plaque showing. No<br>detectable issues, some expected wear to the gold gilding on the bronze.<br>TW126<br><br><br>Pietra dura (Italian: [ˈpjɛːtra ˈduːra]) or pietre dure [ˈpjɛːtre ˈduːre] (see<br>below), called parchin kari or parchinkari (Persian: پرچین کاری‎) in the Indian<br>Subcontinent, is a term for the inlay technique of using cut and fitted, highly<br>polished colored stones to create images. It is considered a decorative art. The<br>stonework, after the work is assembled loosely, is glued stone-by-stone to a<br>substrate after having previously been "sliced and cut in different shape<br>sections; and then assembled together so precisely that the contact between each<br>section was practically invisible". Stability was achieved by grooving the<br>undersides of the stones so that they interlocked, rather like a jigsaw puzzle,<br>with everything held tautly in place by an encircling 'frame'. Many different<br>colored stones, particularly marbles, were used, along with semiprecious, and<br>even precious stones. It first appeared in Rome in the 16th century, reaching<br>its full maturity in Florence. Pietra dura items are generally crafted on green,<br>white or black marble base stones. Typically, the resulting panel is completely<br>flat, but some examples where the image is in low relief were made, taking the<br>work more into the area of hardstone carving.

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c1900 Chinese Cloisonne Box with Stone Inset on lid. Nice piece 3 7/8" x 2 1/16" x 1.25" tall with no damage, covered in 50 years of dust. B39

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Japanese Meiji Period Celadon Fukurokuju porcelain Statue. Nice piece guaranteed<br>over 100 years old, hand modeled. 8" tall x 6" wide with no cracks, chips, or<br>restorations.<br><br>FUKUROKUJU originates from an old Chinese tale about a mythical Chinese hermit<br>(Sung Period) who was famous because he performed miracles and was said to<br>embody the celestial powers of the south polar star. Fuku means happiness, Roku<br>means riches and Ju means longevity. He is the Chinese God of wisdom, happiness,<br>wealth and long life; Fukurokuju is 3 feet tall, has a big head half his height,<br>large eyes and a snowy, long white beard. He wears garments like those worn by<br>ancient Chinese scholars and likes to play chess. He sometimes also has cranes<br>and/or a tortoise near him. He is often associated with Jurojin since the two<br>are said to inhabit the same body. He is the God of Chess players, watchmakers<br>and athletes<br>Tw53

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Schafer and Vater Bathing Beauty Figure. 5.5" long x 2.25" tall with no cracks, chips, or restorations. Firing flaw on knee. b37

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1906 Rochester Fair Schafer & Vater Egyptian Revival Jeweled Hair Receiver marked on base 4" long x 2 1/8" tall with no cracks, chips, or restorations. b37

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Steuben Etched Blue Aurene Perfume bottle Base. 7. 75" tall with a 3.5" wide<br>base. No cracks, chips, restorations or wear. I sold one with the top for about<br>$1450 if I remember correctly. You could buy the top off one that isn't etched.<br>TW126

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c1890 Amberina Art Glass Cream pitcher with Embossed Daisy and Fern Pattern. Very unusual piece of late 19th century American art glass guaranteed. 5" tall x 4.75" wide, ground pontil, nice piece. No cracks, chips, or restorations. tw126

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c1890 Rubina Art Glass Wine Carafe. Guaranteed late 19th century likely American, possibly Northwood or Hobbs. 8.5" tall x 6" wide with no cracks, chips, restorations, or dings. B25

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c1880 New England Glossy Peachblow Art Glass Vase. Nice piece with no damage<br>originally from the famous Frederick Rindge Collection. 6.25" tall x 4" wide.<br>Rindge was high up in the Mt Washington Glass Collectors Society and I believe<br>others in the Nineties, he was very well respected in the art glass community<br>and shared his expertise in many glass publications. I remember reading his<br>articles in the 1990's when one could only dream of having the opportunity to<br>own an authentic rare piece of American 19th century art glass like this.<br>B25

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This is a magnificent glass vase on a metal base. Overall height is<br>approximately 10 3/8 ", the glass vase measures 9 1/2" and is up to 3 1/4" wide.<br>The diameter of the opening is 1 7/8". Pressed white milk glass with a beaded<br>top rim. Multiple embossed designs around the neck and base as well as embossed<br>scroll-like designs down the full length of the sides. Beautifully hand painted<br>on front and back with multiple small blue flowers with yellow centers and long<br>wispy brown stems and leaves. Reddish-brown accents and many white beads. The<br>metal base consists of a silver-colored ring and four attached gold-colored<br>feet. The ring appears to be made of brass with a silver colored paint, the feet<br>seem to consist of a white/grey metal with gold painting. Both ring and feet are<br>quite ornate. Manufactured by the C.F. Monroe Company in Meriden, CT and the<br>bottom of the vase is accordingly marked with the orange Wavecrest mark as used<br>around 1900. In excellent condition without any damage. No chips, no cracks, no<br>wear other than three enamel dots on the very top rim, no repairs.<br>B25

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1990's Studio USA Pig in a bathtub Trinket Box Hand Painted 2 7/8" tall with no<br>damage whatsoever. Nice tight fitting lid with nice tight hinge.<br>This piece was made by Studio USA - a company that made quality porcelain boxes<br>in the USA. They were of the same quality and prices as the Limoges Boxes from<br>France. They made very high quality boxes circa 1990's. I will be adding a nice<br>little collection of them to my store at a fraction of what they cost 25 years<br>ago and they are all in mint condition have been stored in a china cabinet for<br>25 years.<br>TW52

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Pair Early Republic Chinese Cloisonne Dragon Cup Plates with Very intricate<br>work. These have some of the finest most intricate work imaginable, they're like<br>micromosaic. They're 3 5/8" wide. Pin dishes, coasters, snuff plates, cup<br>plates, coasters. Whatever you want them to be. They work is way better than<br>I've ever seen on this type of dish. One stamped China, the other unmarked, they<br>are very early 19th century or possibly very late 19th century. While they've<br>been together forever, they're different as they're handmade.<br>TW124

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Halcyon Days 1998 Mother's Day Enamel Box - Loving Wishes on Mother's DayThis<br>beautiful trinket box is in excellent condition. It has a basket shape perfect<br>snap when the lid opens and closes tightly, no scratches or damage. It was<br>always displayed inside a showcase. It measures approx. 1.9" at the top, 1.2" at<br>the bottom, 1.1" height.<br>b37

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Vintage French Red and White Enamel Kitchen Canisters Cafe, Sucre, Chicoree circa mid 20th century Graniteware. Cool vintage set, they were marked on the base but it appears someone scratched off the marks. I've seen this with a lot of things over the years. I've found unmarked Steuben glass signed Tiffany and vice versa, can't always explain it. Regardless, they are cute and have some age on them. Nice practical use every day sizes with the largest being 6" tall x 4.25" wide. B36

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Antique Chinese Yixing Zisha Teapot Pewter Mounted Hand Enameled Decoration.<br>Incredible piece untouched mid to late 19th century. It should clean up nicely<br>but it just looked so cool like this I didn't want to mess with it. 6.5" tall x<br>9" wide with spout. I has four very old and very tight short hairlines right on<br>the baserim. It's still structurally sound, still holds water. This is a really<br>tough piece that I guarantee has made a lot of tea over the years. No other<br>cracks, chips, or restorations.<br>tw95

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c1900 German Porcelain Figures Antique Dealers Peasant Couple 8.5" tall very interesting couple of figures that are hauling a lot of junk on foot. They are early 20th century. Both marked with a crown mark. No cracks, chips, or restorations on either piece. Very slight glaze loss on two of mans fingers and tiny spots near mark on woman. Near mint and about 100 years old.

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3 Early Boy Scout whistles. Selling all three from the first half of the 20th<br>century. All three work with no significant issues. longest is 3".<br>tw1

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1950's Mexican Coin Art Ashtray. Made from 1940's and 50's coins, made in the<br>fifties or sixties. 4 1/8" wide with no issues.<br>tw7

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1940's Shawnee Pottery Wall Sconce Lamps. These are very difficult to find, especially in a pair. Marked USA but they are 75 or so year old Shawnee. No cracks, chips, restorations, or crazing, they work. 7" tall and they will stick out 6" from the wall. tw137

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1920's Awaji Japanese Deco Art Pottery Vase Tubelined Squeezbag Decoration in the Style of Moorcroft. Very unusual and wonderful piece. Period art deco, signed Made in Japan and the Awahi Kiln Mark. The outlines of the hand painted decoration are Tubelined. 7.5" tall x 7.25" wide at rim. No cracks, chips, or restorations, some expected crazing, but no stains. While the decoration is also Gouda style, this is really next level quality with the tubelined squeezbag and the great matte glaze. In my opinon this would be a Book Cover type example for a few diferent collecting areas, it's fresh to the market for the first time since the internet. Awaji pottery has got its name after the Japanese island at which it was made during a period of about one hundred years, between 1830 and 1939. Most of the pieces we find are made from the mid 1870's when Awaji began to export its products, to the mid to late 1930's when the last of the kilns closed. Earlier wares from the active period of this kiln catered to the Asian taste and could be found imitating Chinese monochromes from the Kangxi period and later. Wares from the turn of the century, the shapes got more inspired by the western art movement such as Art Deco (Jugend) and Art Noveau. Awaji pottery is usually hand thrown. The body is made of high-fired, white or cream colored clay. Footrims can vary from pink or buff to white or grey. The glazes are lead based and often brilliant in tone. They are typically translucent and have a fine crackle. The lead in the glaze gives the colors brilliance and makes the translucent enamels glassy and often iridescent. Most common are the green and yellow Awaji monochromes. The yellow can range from pale lemon to deep amber but also cobalt blue, aubergine, light green, blue, light and dark turquoise, mirror-black, and burdy occurs. Other wares can feature two-tone glazes, three-color glazes that are very similar to Chinese sancai), pieces, with incised decoration (most commonly featuring iris flowers), and applied relief decoration. Also more gaudy examples from the last decade are Flambé and drip glazed wares similar to Japanese Sumida and Chinese Shiwan pottery, or later Jindezheng Jun or transmutation glazes, with generous layers of thick glaze B35

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1940's Period Art Deco Butterscotch Bakelite Necklace and Brass Mixed Metal<br>Pendant. This is a great piece with a fantastic no brainer patina to both the<br>bakelite and the brass chain/pendant. This is a great design that I'm sure can<br>be attributed to someone but I don't have time to research things, though I'd be<br>grateful for some input. The necklace is 26" and the pendant hangs another 2<br>5/8". This thing even looks great on me, it's a really classy period statement<br>piece.

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c1900 Roberts, Johnson & Rand Brown Leather High Top Lace-up Boots. Missing 5<br>buttons but still incredible. 9.25" heel to toe x 10" tall. They look great but<br>are over 100 year old leather so obviously not perfect. I think these are about<br>a size 5.5 as my wife wears 6 and they are too small for her, they are really<br>narrow as most shoes where back then.<br>isshelf

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1890's T&V Limoges Porcelain Plaque Hand Painted Depicting Jesus with a crown of Thorns in incredible frame Tressemann and Vogt . Incredible piece rare to one of a kind. 14.25" diagonal framed with a 5.25" plaque. No significant issues to frame, no issues with plaque. 30 years or so ago someone did a funny job of securing the plaque in the frame. I'm leaving it this way because the plaque is obviously not damaged and I uncovered just enough to reveal the mark, there is likely an artist signature somewhere but I don't think it matters because it is obviously an accomplished artist. B32

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Vintage Shiva Nataraja Bronze Statue 9.25" x 7.5". From the first half of the<br>20th century, nice solid bronze figure with excellent patina and no issues.<br>B32

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1940's James Kent 4002 Chintz Lot of Trinkets and Sugar and Creamer. Selling the whole lot. Creamer is 4.5" wide, Little dishes are 3.5" wide. No cracks, chips, or restorations, expected crazing on earthenware. B32

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Randy Strong 1998 Studio Art Glass Heart Dichroic Paperweight. No cracks, chips,<br>scratches, or dings. 3.25" x 2.75"<br>b31

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15th Century Thai Sawankhalok celadon Tall bottle or Vase with incised<br>decorations 15th century or older 4" tall one handle looks to have very old<br>restoration, tiny chip on top rim, no cracks or other issues.<br>b31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older 2 5/8" tall no significant damage, tiny chips on unglazed footrims, no cracks, no restorations. B31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older<br>2" tall no significant damage, no cracks, no restorations.<br>B31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older<br>2" tall widest is 2.5" . Decorated one has tiny chip on footrim, no other<br>cracks, chips, or restorations.<br>B31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older 2 3/8" tall no significant damage, tiny chips on unglazed footrims, the one with handles has a very old restoration on top rim and one handle. no cracks. b31

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15th Century Thai Sawankhalok Kiln Celadon Jar. 3.75" tall x 4.5" wide, red low fired clay, some firing glaze flaws on top likely from overstacking the kiln. B31

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1950's Vintage Matchbooks Marlboro Phillip Morris 66 Cafe Chex Gum and More. Selling the 17 matchbooks shown from the 1940's and 50's. Some have been used some haven't, they are in the condition shown they are regular sized matchbooks. B12

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1950's Coca-Cola Dr Pepper 7 up RC Chewing Gum Matchbooks. Selling the 10 matchbooks shown from the 1940's and 50's. Some have been used some haven't, they are in the condition shown they are regular sized matchbooks. B12

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c1960 Su Casa Chicago Restaurant Ashtray Tlaquepaque Mexican Folk pottery . 7 3/8" wide rare and unusual. No cracks or chips but some glaze surface wear as expected and shown. tw130

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Antique Austrian Bronze Miniature Gnome figure. Guaranteed late 19th to early 20th century, minor oxidation that I didn't try to clean. 2" tall and unmarked heavy solid bronze. tw135

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c1940s Tlaquepaque Mexican Folk Man by barrel. Very unusual and super whimsical piece. 8" tall, there is a chip on the back top of his hat and his head has been glued back on long ago. Still great and rare. b30

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1919 American Tramp Art Sewing Box with Pincushion Top Dated WW1 Era 8.25" x<br>6.5" x 5.25" tall. Very minimal wear as shown, not a distraction, no significant<br>issues. Made from cigar boxes as shown from the exposed section on the base.<br>From a San Antonio, Texas estate.<br>The first picture is actually the back of the box with the initials on the front<br>and the date on the back.<br><br>Tramp art<br>Tramp art is a style of woodworking which emerged in America the latter half of<br>the nineteenth century. Some of tramp art's defining characteristics include<br>chip or notch carving, the reclaimation of cheap or available wood such as that<br>from cigar boxes and shipping crates, the use of simple tools such as penknives,<br>and the layering of materials into geometric shapes through glue or nails. One<br>technique used in tramp art is Crown of Thorns joinery.<br><br>History<br>Although widespread use of wooden cigar boxes in the 1850s sparked involvement<br>in tramp art, it was most prevalent during the Great Depression. Tramp art was<br>made around the world but it prospered in the United States. Examples can be<br>found in every state. The most common forms were the box and the frame and<br>although there were no rules or patterns to lend commonality in the artists’<br>work there were objects made in every conceivable shape and size including full<br>sized furniture and objects of whimsy.<br><br>Tramp art was a democratic art form made wherever the raw materials used in its<br>construction were found. It appealed to men who might have made an important<br>body of work such as ‘Sunflower’ artist John Martin Zubersky (active c. 1912 –<br>1920) or the wonderfully expressive wall pockets by John Zadzora (active circa<br>1910) but also to men who might have made one piece in their lifetime. It was<br>easy to make and appealed to anyone who had a desire to take a pocketknife to<br>wood.<br><br>There were countless men, some women, and even children who historically<br>constructed tramp art.<br><br>Origins of the Term<br>A 1959 article by Frances Lichten in Pennsylvania Folklife used the term "tramp<br>work" to describe crafts constructed from waste materials such as discarded<br>cigar boxes and assembled with a penknife. Contemporary scholars and art dealers<br>such as Clifford A. Wallach have noted that while this art form may have been<br>practiced among America's itinerant population, it was by no means unique to<br>them and was practiced by factory workers, farmers, and laborers in other<br>occupations.<br><br>In 1975 Helaine Fendelman published the first book on tramp art, Tramp Art an<br>Itinerant's Folk Art. The book acted as a catalog to the first museum show on<br>the art form sponsored by the American Museum of Folk Art.<br>b30

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c1920 Art Deco James Deakin and Sons Cut Crystal Biscuit Barrel. No cracks, chips, or restorations, no wear to plating. 7.5" tall without handle x 5.5" wide. B30

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Brother and Sister Carved Wood Bust Statue by Florentino Hensen Guagua Pampanga<br>Phillipino Artist Mid 20th century. 21.5" high x 9.5" high. Wood carving doesn't<br>get any better than this, this guy was great. Sounds like he did some great work<br>in the the Phillipines with 23 feet statues and such. Very heavy with no issues.

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Huge Antique French/Bohemian Cobalt Cut to clear Heavy gold Vase. This is a<br>really big monster of a vase circa late 19th to early 20th century with no<br>cracks or chips, minor gold wear in one spot shown in pics. I'm feeling this is<br>likely French, possibly Val St Lambert, Baccarat, or St Louis. I'm also listing<br>a vase from the same estate with a similar pattern in red.<br>TW102

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Early Chinese Brownware Jarlet Likely Ming from a collection of mostly Ming Chinese ceramics put together in the mid 20th century. 3.25" tall with tiny flake on top rim and tiny flake on bottom rim. No other chips, cracks, or restorations. TW133

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Antique Hand Painted Limoges Lamp Mothers and Daughters and Children in the Snow<br>Scenes. I didn't take it apart but I'm 100% sure it's either Limoges or Bavarian<br>porcelain from the late 19th to very early 20th century. It's a very special<br>piece, likely originally an oil lamp base. All the hardware is from the last<br>20-30 years, works perfectly and no damage to porcelain. 13.5" tall to brass<br>collar before stem goes up, 25" tall to the top where the shade goes, the lamp<br>is 5.25" wide.<br>TW133

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Early Asian brownware bowl 9" wide x 2 3/8" tall with minimal wear and no<br>restorations from a collection of mostly Ming Chinese ceramics put together in<br>the mid 20th century.<br>b25

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Early Chinese Water Dropper Sancai Glaze Man on Carp. Overall wear to glaze,<br>this is a really old piece fresh from a collection that was mostly Ming period<br>Chinese but also had some Thai, Korean, and other Asian Ceramics from the same<br>timespan. There were a few tang pieces, this has a very old restoration to the<br>fishes head that's the only damage I could find. 4.25" long x 2 5/8" tall.<br>TW130

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2 Ming Chinese Stoneware Small Jars. One a Black brown glaze 3.75" that's a<br>little dirty, maybe barnacle residue as I think part of the collection was<br>shipwreck items from a collection of mostly Ming Chinese ceramics put together<br>in the mid 20th century. No cracks, chips, or restorations.<br>tw132

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Early Chinese/Asian Porcelain Jarlets and miniature bowl tallest 2 5/16" from a<br>collection of mostly Ming Chinese ceramics put together in the mid 20th century.<br>3" wide bowl has two chips on rim and one on footrim. No other cracks, chips, or<br>restorations.<br>TW132

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2 Ming Chinese Blue and White Jarlets. They are 3.75" and 3.5" high Both have<br>some old stable cracks as shown, no chips or restorations.<br>TW132

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Ming Chinese Celadon Plate with Lotus Motif. Lots of heavily carved decoration, heavily potted. 10.5" wide. 3 Hairlines as show with old restoration at one. No chips. Nice early Ming barbed edge plate. TW132

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Early Celadon Stoneware Bowl with incised Decoration From a collection of mostly<br>Ming chinese porcelain but some other asian ceramics mostly from the same era.<br>Possibly Korean, I'll try to find time to research further later, but now I have<br>a lot to list. 6.5" wide x 2.75" deep with no cracks, chips, or restorations.<br>TW132

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Early Celadon Stoneware Water Dropper in Teapot Form 3" tall x 3.5" handle to spout. Even with UV light I'm not 100% sure, but I think there may be a very old, very good restorations to the handle. From a collection that was mostly Ming period Chinese but also had some Thai, Korean, and other Asian Ceramics from the same timespan. TW130

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Ming Dynasty Chinese Celadon plate with incised Floral Motif 7 5/8" wide. There<br>is crazing throughout and it difficult to tell, but some of it may be a<br>fracture. Regardless it's stable and no chips, or restorations. I was told it's<br>15th century. From a collection I'm helping disperse that was put together in<br>the 1950's and 60's by a woman who is now 96.<br>TW130

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Ming Dynasty Chinese Barbed Edge Celadon Bowl with incised Lotus Decoration 7.5"<br>wide x 3" deep. There is a section about 6.5" wide that was broken and later<br>restored long ago. It is still very attractive and genuine, I believe a<br>competent restorer could do a better job with modern technology. No other<br>cracks, no chips, no restorations. From a collection I'm helping disperse that<br>was put together in the 1950's and 60's by a woman who is now 96.<br>TW130

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c1979 Perthshire Millefiori Perfume bottle Paperweight. 6" Tall x 2.75" wide<br>with no cracks, chips, scratches, or internal stains. Perthshire was a small<br>company in Crieff, Scotland devoted to the creation of quality glass<br>paperweights. They were founded in 1968 and stopped production in January 2002<br>after more than 30 years of production. There are three books on Perthshire<br>Paperweights. If you collect Perthshire paperweights, you should have them in<br>your library. There was some dust inside for pics that I didn't notice until<br>later and easily cleaned.<br>tw130

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Baccarat Thomas Payne Sulfide Paperweight. Very few of these paperweights were made, I'm not exactly sure of the date on it, most in the collection were from the seventies. 3.25" wide x 2.5" tall and in mint condition with no cracks, chips, dings, or wear. tw130

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Large Ming Dynasty Chinese Celadon Bowl with Fish. 13 3/8" wide x 3" deep. No<br>cracks, chips, or restorations, some expected wear to front. From a collection<br>I'm helping disperse that was put together in the 1950's and 60's by a woman who<br>is now 96.<br>TW129

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Antique Chinese Ming Dynasty Kendi. One chip on inside rim and very slight roughness on spout. From a very old collection put together in the 1950's and 60's by a woman who is now 96. I'm helping liquidate some of her collection.7.75" tall x 6.5" wide with spout. tw129

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c1910 German Beaded Handbag with Roses. Nice antique over 100 year old beaded handbag in good stable condition. It's not falling apart and only has a few spots of missing beads shown in pics. 11" long with tassels and without chain and 6.5" wide at the frame. TW126

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Vintage Trifari Chunky Runway Gold Tone Choker necklace, Bracelet, and Clip on<br>Earring Set. Really good looking set from the last quarter of the 20th century.<br>The necklace and earrings look like new, there's a little wear to the gold on<br>the bracelet mainly just on the inside on the sharp points. It's not noticeable<br>when worn, just worth pointing out. These are 9/16" wide, the necklace is 16.25"<br>long when worn.<br>tw127

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c1890 Stevens & Williams Cranberry Amberina Threaded Finger bowl set (4).<br>Selling the set of 4 130 year old bowls in near mint condition. I found two of<br>the tiniest pencil lead sized chigger bites to the threading after extremely<br>close scrutiny. One is shown in the center of the last pic. 5.75" wide x 2 5/8"<br>tall. No cracks, chips, or restorations.<br>TW127

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c1890 Amberina Large Footed Rose Bowl in Ribbed swirl pattern. Guaranteed late 19th century with no cracks, chips, or restorations. I've seen this bowl attributed to Mt Washington but don't have time to confirm, it's nice and 19th century and undamaged is what it is. 7" wide x 4.25" tall with a 3.25" foot. TW127

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Vintage Peachblow Art Glass Cruet. Nice hand blown peachblow art glass cruet. It came from a collection of predominately Victorian American art glass, but there were some pieces from other countries and a few mid 20th century Pairpoint items. I can't honestly attribute this to anyone but I know it's not Chinese and I know it's not junk. It could be Murano, Bohemian, or American. Most of the collection was acquired in the 90's or before and much of it came from Earlys' Art glass auction. 7.5" tall x 3.5" wide with handle. No cracks, chips, or restorations. B26

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c1890 Amberina Footed Rose Bowl. Most likely American. No cracks, there is a little roughness on the feet and one actually chip but you have to look so close to see any of it, like 6" away and serious scrutiny. Looks beautiful from all sides, promise. 6" tall x 4.5" wide. b26

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VITTORIA MAZZOTTI (1907-1985) Mid Century Modern Abstract Vase Artist Signed.<br>Really nice piece in flawless conditon. No cracks, chips, restorations,<br>scraches, or crazing. 9" tall x 5" wide. If you recognize the name of the artist<br>please fill me in. The piece was designed by Mazzotti and decorated by the<br>artist that signed it circa 1960's.<br>B26

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derson Pairpoint Peachblow Tall Candlestick in uncommon form. 8.25" tall x 3<br>5/8" wide at base. From the second quarter of the 20th century. It has a diamond<br>scratched P in a diamond on the base which is tough to photograph but if you<br>look close at last picture you can see it highlighted by the uv flashlight. It<br>is a catalogued derson period shape. No cracks, chips, or restorations.<br>B26

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c1890 Amberina Art Glass Footed vase. 5" tall x 3" wide with no cracks, chips, or restorations. Fine quality piece. tw126

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1960's Bing and Grondahl Love Refused Figure Boy and Girl. No cracks, chips, or<br>restorations. 7" tall.<br>B22

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c1870's Saloon Back Bar Liquor Bottles with Etched Gilt Advertising San<br>Francisco Nestor Maryland Rye Gibson's Whiskey Pennsylvania<br>The Nestor Maryland Rye bottle was actually from a distillery named KOPPEL &<br>DWAN that operated in San Francisco, CA 1877-1878, it's extremely rare blown<br>bottle, it's not etched just gold gilding. They're both rare. Largest is 9 1/8",<br>other is 6.75". The Gibson's bottle is engraved with gilding in the engraving.<br>The facets are polished and it has a ground pontil. Originally, Gibson was a<br>producer of American, not Canadian, rye. John Gibson was a western Pennsylvania<br>distiller who started up in the 1830s, and by 1856, according to Canadian whisky<br>guru Davin de Kergommeaux, his operation spanned 40 acres alongside the<br>Monongahela. Once Prohibition rolled around, though, the distillery shut down<br>and was demolished. A New York company called Schenley Industries bought the<br>rights to the Gibson’s name and held onto them until 1972, when Schenley started<br>using it for Canadian whisky produced at a distillery it owned in Valleyfield,<br>Quebec.<br>No cracks or chips, or excessive wear to the bottles. They both have minor<br>mineral deposits in the bottom that I didn't attempt to clean.<br>I May split these up if you care to make a reasonable offer.<br>B22

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1985 Studio Art Glass Vase Abstract "Shadows" Signed. Interesting piece with illegible to me signature. 9.5" tall with no cracks, chips, restorations, or scratches. TW124

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Great looking painting in a shadowbox frame with no issues. I can't make out the<br>signature, but it's a good quality painting that's very well presented. 9" x 13"<br>sight in a 16.5" x 20.5" Shadowbox frame behind glass.

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c1880 Cranberry Enameled Oil Lamp Base. 11" tall x 5.5" wide with no cracks,<br>chips, or restorations. The hole in the base is an open pontil from<br>manufacturing it hasn't been drilled. The top part was blown separately and has<br>no hole, it will hold oil if you wish to put a burner on it and use it as an oil<br>lamp. I probably have a burner if that's an issue to help make the sale so feel<br>free to ask. When I got it the old burner was disentigrated and broken so I<br>discarded it.<br>TW124

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