c1980's British Roadace Replica 1960 G.T.R. Sports Jaguar Mercedes Ferrari and<br>Porsche models. Selling the board shown, I don't know what scale these are,<br>possibly 1:200, they are smaller than the others I have, amazing. There is some<br>loss that isn't evident without close examination. Mercedes and Porsche appear<br>to missing the drivers or the seats, the Jaguar is missing part of the tailfin.<br>Still a great group, extremely rare to find in any condition. Board measures 6<br>1/8" x 1.25", cars 18mm or .75" long.<br><br>Roadace Replicas were made by hand in Mannamead, Plymouth, England in the 1970s<br>to 1990s. Principals were A. K. Dolton and B. E. Dolton. Principal subjects have<br>been sports and GT cars, sports racing cars, and Formula 1 racing cars.<br><br>Models were cast in resin and individually painted by hand, including such<br>details as hood louvers, aperture lines, and spokes on wire wheels. Plastic was<br>used for flat windscreens and occasionally metal was formed and used for details<br>like cycle-type fenders. Most are in a scale of 1/100 though, incredibly, some<br>are even smaller.

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All hand decorated with great detail and care. Circa late 19th century. No cracks, chips, restorations, crazing, or stains. Wear to gold on rims and minor wear in other places.

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Large Antique 14k Gold Sardonyx Shell cameo with natural pearls pendant/brooch.<br>2.75" x 2" x 21.2 grams. Part of an impressive collection of rare cameos.<br>Unmarked but acid tested to be just under 14k gold, guaranteed solid gold from<br>10-14 Carat.

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Well here it is! What you've always wanted but couldn't justify doing<br>financially or with a clear conscience. Someone did it for you about 50 years<br>ago. They did a good job it appears. Though I guess they had to drill the<br>pitcher. The pitcher is perfect otherwise with no cracks, chips, or<br>restorations. The bowl has a very tight crowsfoot on the base that doesn't go<br>through to interior. Both pieces have the expected crazing from 120 year old<br>earthenware. A couple worn glaze spots on rim of bowl, no chips or cracks. The<br>bowl is 15.75" wide, pitcher is 11.5" tall without brass hardware. Lamp and<br>switch work.<br><br>I'll include the shade if you want, but my main concern will be the careful<br>packaging of the bowl/pitcher. They will for sure reach you in the condition<br>they're currently in.

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c1980's British Roadace Replica 1960's BRM F1 Racer model collection. No damage<br>or detectable wear. The Average Wood base measures 2 3/8" x 1 3/8", car approx<br>1.5 or 35mm long. Selling the Exact 3 cars shown. These are all quite rare as<br>they were not mass produced, historically they tend to average $125-$200 each.<br>If I were to split up this group I would want towards the higher end for just<br>one but could potentially work a deal on several. I'll be offering other makes<br>and models separately, these are really fantastic.<br><br>Roadace Replicas were made by hand in Mannamead, Plymouth, England in the 1970s<br>to 1990s. Principals were A. K. Dolton and B. E. Dolton. Principal subjects have<br>been sports and GT cars, sports racing cars, and Formula 1 racing cars.<br><br>Models were cast in resin and individually painted by hand, including such<br>details as hood louvers, aperture lines, and spokes on wire wheels. Plastic was<br>used for flat windscreens and occasionally metal was formed and used for details<br>like cycle-type fenders. Most are in a scale of 1/100 though, incredibly, some<br>are even smaller.

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Fostoria Midnight Rose Etched Footed Flared Vase 8 3/8" no chips, cracks, or stains. Light scratches in bottom inside of vase.

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c1980's British Roadace Replica 60's-70's Ferrari models collection. No<br>detectable issues or wear other than the one I photographed individually has the<br>tiniest paint nick on back left corner of tailfin. Average Wood base measures 2<br>5/8" x 1 3/8", car approx 1 5/8 or 40mm long. Selling the Exact 11 cars shown. I<br>photographed one individually with the intention of listing individually but I<br>figured I would offer them as a group for a better price. These are all quite<br>rare as they were not mass produced, historically they tend to average $125-$200<br>each. If I were to split up this group I would want towards the higher end for<br>just one but could potentially work a deal on several. I'll be offering other<br>makes and models separately, these are really fantastic.<br><br>Roadace Replicas were made by hand in Mannamead, Plymouth, England in the 1970s<br>to 1990s. Principals were A. K. Dolton and B. E. Dolton. Principal subjects have<br>been sports and GT cars, sports racing cars, and Formula 1 racing cars.<br><br>Models were cast in resin and individually painted by hand, including such<br>details as hood louvers, aperture lines, and spokes on wire wheels. Plastic was<br>used for flat windscreens and occasionally metal was formed and used for details<br>like cycle-type fenders. Most are in a scale of 1/100 though, incredibly, some<br>are even smaller.

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Inside of matting measures 9" x 11.25", frame measures 13" x 15". A little foxing just inside matting. Appears to be a Victorian frame. B1

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Frame measures 26.25" x 30.5" some wear to the frame and a few small dents in<br>the canvas (with slight paint loss at those locations) that can only be seen<br>upon close inspection. Really nice painting.

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The woman is 8 7/8" tall, the man is 8.5" tall. Tag on the base indicating they<br>were part of the "Burnap Collection" Chelsea, 1770. I believe they're from the<br>crossover period right around the time the firm changed hands in 1769. They have<br>the Patch marks on the base. I believe these are a fairly uncommon subject<br>matter. Guaranteed 18th century.<br><br>There is much damage to the applied Florals on both pieces. I believe there is a<br>very old professional restoration to his hat and her arm.<br><br>The pair is very heavy, 3.25 pounds.<br><br>The Chelsea porcelain manufactory (established around 1743-45) is the first<br>important porcelainmanufactory in England;[1] its earliest soft-paste porcelain,<br>aimed at the aristocratic market—cream jugs in the form of two seated goats—are<br>dated 1745. The entrepreneurial director was Nicholas Sprimont, a silversmith by<br>trade, but few documents survive to aid a picture of the manufactory's history.<br>Early tablewares, being produced in profusion by 1750, depend on Meissen<br>porcelain models and on silver prototypes, such as salt cellars in the form of<br>realistic shells.<br><br>Chelsea was known for its figures. From about 1760 its inspiration was drawn<br>more from Sèvres porcelainthan Meissen.<br><br>In 1769 the manufactory was purchased by William Duesbury, owner of the Derby<br>porcelain factory, and the wares are indistinguishable during the "Chelsea-Derby<br>period" that lasted until 1784, when the Chelsea factory was demolished and its<br>moulds, patterns and many of its workmen and artists transferred to Derby.

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1990 Carol Felley Sterling StoryTeller Necklace and bracelet set, Very<br>substantial set 22" necklace 7.5" bracelet. NO issues, appears unworn.<br><br>Following her passion for painting and jewelry design Carol moved to New Mexico<br>after graduating from Carnegie Mellon University with a Fine Arts degree. She<br>was inspired by the jewelry making community in the Southwest and opened a<br>design and jewelry manufacturing business in Albuquerque, New Mexico which she<br>owned and operated for thirty years.<br><br>She has also been deeply moved by her volunteer work with hospice and decided to<br>develop a new jewelry company called “Style Conscience” dedicated to raising<br>awareness and support for specific causes that she is passionate about. Carol<br>has rededicated her efforts and has combined her love and talent for jewelry<br>design with her passion for making a difference in the world.<br><br>Carol has developed her own unique signature jewelry collections that raise<br>awareness jewelry to a new level of design and beauty. She believes that women<br>want to wear something precious and meaningful that is beautifully designed to<br>express their support for important causes. Carol’s jewelry is crafted from<br>precious metals and gemstones and each individual piece is beautifully finished<br>by hand.”  necklacepossibly2025box

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I'm not 100% sure this is a Dresser design as I could find no records on an<br>identical piece.<br><br>Measures 11" tall total, base is 5 1/8" wide. burner mechanism is functional.<br>Knob turns and wick goes up. There may have been a cap that covered the burner<br>when not in use. M monogram on Base. Rd no. 600494 stamped in center on base,<br>which dates it to 1912. Patent stamped on burner knob. Minor wear to Silverplate<br>underneath bear<br>Base and on burner/knob.<br><br>Hukin and Heath, a silver and Silverplate company was established by Jonathan<br>Wilson Hukin and Thomas Heath c.1855. A strong relationship was developed with<br>Dr Christopher dress as the head designer from 1877 until c.1881. Dressers'<br>designs were launched at the opening of the firm's showrooms on Charterhouse<br>street in August 1879. Some of Dresser's designs were manufactured until after<br>1900.<br>Tw10

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2 great pieces with a fantastic patina. All hand decorated. They both have a<br>small engraving on the back that seems later than the pieces, most likely one of<br>the owners initials. They're 7.5" wide x 1.5" deep. Guaranteed 19th century<br>possibly much older.

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Measures 4.5" tall. No chips, cracks, restorations, scuffs, or crazing.

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Carolyn Pollack Relios Heavy Sterling turquoise amethyst bracelet. Fits up to a<br>6.5" wrist, clean with no issues.

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French 1977 R.D. Marmande Hand Carved/painted 1:43 Scale Model Intaltera Ford V8<br>Coupe. Clean with no issues.<br><br>RD, that is Raymond Daffaure from the town of Marmande in South-West France, is<br>in a way probably one of the greatest model makers ever. All his models are made<br>entirely by hand from a piece of wood. Mr Daffaure sculpted about 40 models a<br>month, for 20 years from the 50's-70's, to make a living. For him. Lmited to X<br>pieces wasn‘t a marketing strategy, but pure necessity. Of his best selling<br>model, the Ferrari GTO, he made maybe 200 copies, others were made only in 2 or<br>3 copies. Raymond Daffaure probably sculpted more than 800 different cars.

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Guaranteed circa mid to late 19th century, special. There is no damage, overall<br>crazing as expected with light stains on a few pieces. Hand potted with applied<br>handles, creamer is molded. Plates are 5 5/8" wide.

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Loaded Vintage Danecraft Sterling Charm bracelet. Danecraft bracelet, piano<br>Danecraft, some 800 silver, mostly sterling. All Guaranteed solid high content<br>silver 80% or more, almost all marked. Approx 7" long.

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Measures 9" tall. The opening is 1 9/16" wide, base measures 4 13/16" wide. Guaranteed early to mid 19th century. All hand painted with dovetailed brass base. Chip on rim, still a rare enough piece to have significant value.

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1930's Heisey Tangerine Gascony Shot/Juice/wine tumblers. I'm not 100% sure what<br>these are catalogued as. They are all three perfect with no damage or wear, and<br>very rare. Selling the three. 2 7/8" tall x 1.75" wide at the rim. These are on<br>a lit background is why they look lighter than they are. They are a rich<br>tangerine color all the same wonderful color.<br>isshelf

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Vintage Native American Sterling slotted spoon. Very nice handmade native<br>american spoon, tufa cast top. Unmarked, tested and guaranteed solid sterling.<br>8.75" long x 3" wide with no issues. 94.8 grams.

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6.25" tall x 4.25" wide at widest point. Guaranteed antique circa late 18th to early 19th century Vienna porcelain. This was originally an extremely popular Meissen design in the early 18th century. Later copied by Chelsea c.1760, I've seen examples bring 20k. No major damage or restorations. There is damage to one of her bows and one petal missing off of the flower by the Man's foot. No other damage. Unusual figure.

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9" tall x 8" handle to spout. Hard to find item. There is some pitting to the metal and the knob on the lid isn't straight. There is copper showing through the plating on the base. I believe it was made by Manning bowman in Meridian, Connecticut in the late 1800's.

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Georg Jensen Acorn Demitasse/mocha spoons pair. Selling both in very clean condition. 3 7/8" long.

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Good looking piece measures 1 7/7" x 7/8"

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4 1890's Incredible Sterling collector spoons. These are really taking collector<br>spoons to the next level. All marked/tested/guaranteed 80% silver or more. All<br>with hand Engraving, hand done filigree, incredible casting. 49.8 grams total<br>weight, longest 5.75" These are the highlights of a collection someone spent<br>their life putting together.

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These are really nice noritake coasters circa 1910's. Guaranteed authentic with no cracks or chips. There is some paint wear on the top rim. Selling all six.

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1890 Dutch sterling Tea Caddy Spoon. Hallmarked on front, tested sterling, hand engraved for xmas 1890 on reverse side. 5.75" long 23.9 grams.

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Really nice piece, lots of time was spent on this piece 120+ years ago. Gold wear on rim, the rest of the gold is very clean. A few very tiny chigger bites on the rim and one shallow chip fingernail sized towards the top, no cracks, no restorations.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Sterling/turquoise Chip channel inlay cuff bracelet Fits up to a 6.5" wrist, Unmarked All precious metals are tested and guaranteed,

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Measures 6" tall x 6 7/8" from spout to back. Very clean for over 150 years old, guaranteed that old. No cracks or restorations guaranteed. Very tiny chigger bite on spout, minimal enamel loss on one side shown in pic, no other issues. tw103

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These are usually 12", maybe 14", this one measures 17 7/8" wide x 4" tall. It's unmarked, originally bore a paper label. Guaranteed c.1930-1950 WMF Ikora. Pretty much speaks for itself. No cracks or chips. No scratches on upper surface, but it does have wear on base and a few scuffs right next to the base. Developed by Karl Wiedmann and manufactured by the Württembergische Metallwarenfabrik (WMF) company in Germany.

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8 5/8" long x 7.5" tall with no cracks, chips, or other damage. Very hard to find item.

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1933 Ladies Sterling Golf Trophy Manila Golf Club Philippines. Rare, interesting, one of a kind functional antique. Cutest 5" tall high quality sterling vase given as a trophy for Women's golf in the Philippines of all places in 1933. Slightest bends to top and bottom. Overall beautiful and displays well. 54 grams.

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Great estate fresh piece. Frame measures 15.75" x 12 5/8". Inside of matting is<br>8" x 5.75". The paper is a little dark and there's a small damaged spot on the<br>very right center. Replacing the matting with slightly smaller would easily fix<br>that issue. Here's a link for this print at Rago's.<br><br>https://www.ragoarts.com/auctions/2015/02/14/early-20th-c/246<br>B3

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c1890 American Sterling repousse Pendant/Chatelaine trinket/pill box gold gilt. Great little high quality box made to hang on a chatelaine or necklace. Solid sterling gold gilt with fancy repousse work, snaps shut tightly with an audible click. 1.8" wide x 2 1/8" tall with bail, no issues, 18.3 grams, marked as shown. pendantbag

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Southwestern Modernist Jack Woolsey Agatized Coral/Purple Jasper/agate<br>Multi-stone channel inlay cuff. Fits a 6.5" wrist.Artist and jeweler Jack Woolsey was born in 1940 in Colorado Springs, CO. He learned his jewelry making techniques from the Navajo silversmiths around Taos, NM, and is renowned for his modernist inlay cuff bracelets, belt buckles, and earrings. Some of his materials were obtained in trade with Eskimos living in the Alaskan tundra. He also created distinctive wrap inlay designs using turquoise, red jasper, black onyx, and other semiprecious stones. Jack Woolsey passed away in 2005, at the age of 64.

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Measures 4.5" tall. No chips, cracks, restorations, scuffs, or crazing.

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Antique Royal Vienna Style Urn Hand Painted Artist Signed Portrait with heavy gold and enamel Decoration on cobalt ground. Measures 10 3/8" tall with no cracks, chips, or repairs. Minor gold loss and loss to enamel shown in pics, tiny paint loss spout on woman's head. Overall excellent condition, good and tight. Guaranteed circa late 19th century Austrian porcelain. tw135

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Turquoise Sterling Row cuff. Nice old cuff circa 1950's,<br>unmarked. Fits up to a 6 3/8" wrist.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Really special work of art. The note on the back indicates that the mold was from these peoples wedding then I guess the family turned it into art for their 50th anniversary. I assume they were gold plated at that time. That was 50+ years ago from the looks of the frame. Frame measures 12.25" x 10.5" x 1.75" deep. The mold measures 5 1/8" wide x 3.5" tall. b20

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Art Deco Russian 875 Silver Ladies Watch Band. Great watch band from the 20's or<br>30's. Adjustable with center springs from 6"-6.5" approximately 10mm wide. So it<br>just so happend I had a white gold watch laying here so I had the opportunity to<br>figure out how easy this thing is to use. Each side has a clasp mechanism that<br>is easier to undo and do than the average bracelet but is totally secure. So any<br>old watch with 10mm or larger lugs on the sides, this should snap right on<br>easily and it is easy to snap right off so even if it's tight you can use either<br>end like a clasp. Watch shown in last pic not included 19.8 grams.<br>anderas

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Very hard to find character jug. Measures 7.25" tall x 8.75" handle to handle.<br>No cracks, chips, or crazing.

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Vintage Sterling/malachite pendant/necklace Very cool pendant apparently unmarked but tested sterling. 18" necklace marked 925 italy.

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Sure to be the star of any collection or room it's in. It measures 18" without<br>the frame and 23 7/8" with. A graceful work of art that will blend in with most<br>settings. The porcelain is perfect with no damage or wear. The frame is clean<br>but missing four of the beads surrounding the plaque.

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Measures 4.5" tall. No chips, cracks, restorations, scuffs, or crazing. There is a tiny flake on the base shown in pics, looks possibly painted over like a factory flaw.

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Jadeite Sterling Handmade artisan ring. size 5.75, signed illegibly as shown, marked 925, tested Jadeite. High quality handmade one of a kind ring. 8.5 grams. All precious metals are tested and guaranteed,

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Great, way above average lap Desk. Annie McKellar must've been much appreciated<br>to have received such a gift 116 years ago. Any help on additional provenance<br>would be greatly appreciated.<br><br>The desk in in great condition with a small chip off the verneer in the top back<br>left corner, and small inlay missing at key hole. There are some cracks in the<br>verneer on the lid. No key included, no other issues. Measures 12" x 9" x 7"<br>tall.

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The soles appear to have never touched the ground. There's a tag on then that<br>says 3 1/2D and has a price of 1.93 or 7.93, can't tell for sure. The laces are<br>a little frail, but the leather on the boots is soft like early kid glove<br>leather. There is some wear to the purple silk lining. They're pretty small<br>measuring 9.5" long from pointy top to very back of heel, and 2.75" wide at the<br>widest point.

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No scratches, dings, cracks, or chips. Dated January 1978 and numbered 887<br><br>Bio<br><br>Randy Strong<br><br>Winner of the juried 2005 and 2008 Niche award for blown glass and finalist for<br>2010 – awarded by Niche magazine for the best of blown glass in the United<br>States – Randy Strong – artist and designer in hot glass for 40 years, has<br>worked continuously throughout his career producing innovative designs in glass<br>that continually influence the ever changing and growing community of studio<br>glass artists.<br><br>Randy is one of a handful of the early pioneering American Glass Artists to help<br>define American Studio Art Glass.  Before he was to enter the world of glass<br>however, he began his broad education in the arts by working in and collecting<br>photography.  In the late 60’s he was working as an events photographer for the<br>Oakland Tribune, and for a brief period, was privileged to work with and learn<br>from photographer Ansel Adams.  His first taste of working in glass came in 1969<br>at the California College of Arts and Crafts in Oakland, Calif. where he began<br>by studying ceramics and was fortunate to have as his mentor, the renowned<br>ceramicist, Peter Voulkos.  Upon graduation in 1970 he received one of the first<br>scholarships to the University of Art in Osaka, Japan as one of the first<br>exchange students between the Universities of Calif., Calif. College of Arts and<br>Crafts, and Osaka, Japan.  That grounding in ceramics led him into the largely<br>unknown (at that time ) frontier of studio art glass.  In 1970, he was with Dale<br>Chihuly when Dale and the Haubergs selected the location for the now renowned<br>Pilchuck Glass School in Seattle, Washington – and the journey into that<br>frontier was well underway.<br><br>Many of today’s successful, working glass artists are either former students, or<br>have worked with or  for him at one time.  His work, ranging from his<br>distinctive crystal and gold goblets and his ground-breaking work with dichroic<br>glass, to his imposing cast sculptures, and now his seemingly gravity defying,<br>color saturated, multi-piece sculptures, have been acquired by collectors<br>internationally and are a part of collections ranging from The Corning Museum in<br>New York, to the Louvre in Paris.<br><br>Randy’s work through the last 4 decades has been characterized by the use of<br>difficult, defining techniques, materials, colors and forms. His newest<br>sculptural work again breaks new ground by challenging the concept of solid form<br>in glass by further expressing its personality in lightness and movement.<br><br>In 1970, he built and established his own studio and gallery in Northern<br>California, where he continues to create, design and teach.  After 45 years of<br>making distinctive work in glass, he is continuing to make a limited number of<br>pieces a year while he compiles his book “The Glassmakers”, spotlighting and<br>detailing<br>the history of the pioneers in glass responsible for creating what now exists as<br>the American Glass Movement.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Sterling and shell cuff bracelet. Bear claw picto hallmark with an H inside, no other markings. All precious metals are tested and guaranteed,

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Mint with no cracks, chips, crazing, or restorations guaranteed. Clean inside and out, really tough to find in this condition.

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4 are pushups, 2 side pushups, the two miniature ones may have had pushups but none are there. The other pair are marked England therefore made after 1891 but I think they are still turn of the century as they have a nice patina. There's a few dings and bends but overall good condition. I think all the pushups are frozen with wax.

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Measures 12 1/8" x 8.75" with two very tiny flakes on the bottom right rim. No<br>other cracks, chips, or restorations. Guaranteed 19th century or earlier. All<br>hand decorated. Close-up of flakes shown in last pic, they're really nothing.

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Both signed Heubach, they measure 13" tall x 8" wide. The green dress one has a<br>very small chip on her dress at the top right close to her hand and one more on<br>the base left corner, also a factory firing flaw below the mark, no other damage<br>whatsoever. The one with the pink dress has a very small chip below the mark on<br>the base with no other damage whatsoever. They're both guaranteed Victorian<br>c.1890. They were together in the estate so I'd like to keep them together, but<br>if you're only interested in one I'd consider an offer.

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Vintage Chinese 14k Jadeite Pendant 2.5" tall x 1 5/8" wide 26.5 grams, marked<br>and tested 14k gold, tests as Jadeite

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1940's Art deco Mexican Sterling/amethyst brooch 2.5" x 1.5" 20 grams.

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Inside of matting is 27" x 21", frame is 38" x 31.5". There are no issues with the drawing or the frame.Biography   Brenda Polsky Morgan ChildsObituary: "Clients Included Richard Nixon, John Wayne, Bob Hope, Barbara Jordan," by Patrict George, American Statesman, Sunday, November 09, 2008 In 1963, future President Richard Nixon attended a Texas vs. Arkansas football game in Austin. Wanting to give a gift to Nixon, then-U.S. Sen. John Tower of Texas commissioned Austin artist Brenda Polsky Morgan Childs to paint a scene from the game, which he then sent to Nixon. The painting was flown to Washington first class, but she flew coach, Childs' friends recall. It was a perfect example of how Childs' talent at painting — which brought her famous clients like John Wayne, Bob Hope and Barbara Jordan — never overshadowed her humility.

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9" tall x 6" wide. Really special with all hand painted decoration. Circa 1930's to 1940's. No cracks, chips, gold wear, or other damage.

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Vintage Richard Tsosie Navajo Tufa Cast Sterling Peyote Bird Necklace and Pendant<br>with amethyst and Sugilite. Pendant 3.75" tall x 1 5/8" wide, necklace 21.5"<br>long. I believe the necklace was made by Richard Tsosie also. 37.8 grams total<br>weight. Both necklace and pendant tested sterling, both amazing quality.<br><br>Richard is perhaps best known for his distinctive textured silver designs. His trademark techniqie of granulation was discovered by accident when he noticed silver filings were fusing onto a ring he was soldering. He calls the process which produces this granulated surface texture “reticulation,” and he has been perfecting the technique throughout his career.<br><br>Born in 1956, Richard has been a jeweler since the mid 1970s. He learned jewelry making from his brother Boyd and from Kenneth Begay at Navajo Community College in Arizona. He quickly progressed from basic tasks of cutting and polishing stones to the more complex process of inlay.<br><br>Richard’s contemporary silver and hold work features the use of fabrication, overlay, and granulation. He is also known for colorful inlay work with a variety of natural stones and for his fine degree of control and attention to detail. His designs are motivated by images of the natural world, particularly the Wide Ruins area of the reservation where he spent a large part of his youth. Richard says of his work, “I am inspired by the colors of the mountains at sunset, the patterns of shadow and light that emerge at dawn, and the pinpoints of starlight against the black night sky.”<br><br>His pieces typically contain the symbol for lighting and an arrow pattern. The lightning stands for natural causes, while the arrowhead symbolizes man-made elements. Richard says the design represents the ups and downs of life. “Some things we can’t do anything about and you should try to enjoy life to the fullest.”

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3.5" tall x 4.5" tall. Really incredible piece of complex hand made art pottery<br>by the Texas Artist Barbara Woodruff. No damage whatsoever.

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Cups are 3" tall, saucers are 5.75" wide. Great vintage set in a harder to find<br>pattern. No cracks, chips, or stains. Crazing on every piece, I believe it was<br>produced that way on purpose.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 30's-40's Heavy Stamped Native American Silver watch cuff with original working<br>period Benrus watch. Very old and very nice work, likely the oldest watch cuff<br>most of us could hope to find. With period likely original Benrus Windup watch<br>that works. 77.3 grams, 1 1/8" gap, fits a 6 5/8" wrist. Likely originally worn<br>by a smaller wristed man, but todays watches are larger so now it's uni.

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Underplate measures 16 1/8" x 11 5/8", Tureen measures 12.5" x 8.5" x 9.5" tall. No cracks, chips, crazing, paint or gold wear. Very clean vintage condition, discontinued in 1991.

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15.5" tall x 6.5" wide. All hand decorated. Nice fancy embossing, really good<br>quality porcelain, no cracks, chips, or restorations, clean gold on trim and<br>handles. I'm 100% sure these have no restorations, amazing but I guess they were<br>kept out of the way for over 100 years. They're really big.

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The only pieces that don't have damage are the 3 5/8" tall Chelsea Sprig Creamer<br>that's very unusual with the blue background and the handle less cup and saucer.<br>The saucer is 5 5/8" wide. The blue decorated pitcher is 5" tall with repaired<br>handle and a chip on rim. The multicolor painted pitcher is 4.25" tall with 3<br>small chips on the spout. The 3.5" blue striped mug has a repair on handle and<br>restored chip on base. The 4" blue striped cup has 2 chips and 2 small hairlines<br>on rim. The 4.5" pink lustre decorated pitcher has a chip on bottom of handle<br>and 2 small chips on spout.

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Late 19th century Staffordshire English. Minor crazing and utensil marks, very<br>light stains shown on bottom left pic, please look at pics. Still has a really<br>nice shine to the glaze. No cracks, no other chips, no restorations.

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WB Vintage Native American Sterling/turquoise bolo tie. Bolo and tips are sterling, cord is really cool with no issues. Bolo 1.75" tall x 1.5" wide, 38.7 grams total weight.

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Late 19th century Staffordshire English. Very small glaze flake shown in next to last pic. Some Polychrome decoration worn, please look at pics. I haven't owned it the past 130+ years so I'm not sure how it started off. Minor utensil marks, still has a really nice shine to the glaze. No cracks, no other chips, no restorations.

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Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Men's Size 10 Ring.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Mitchell Calabaza Sterling cuff bracelet. Fits up to a 6<br>3/8" wrist, 1.25" gap, no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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c1940 Lenox Miniature Girl on Ledge Figure 3.75" tall with no cracks, chips, or crazing. b12

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Great set of early candlesticks with a nice patina. Will clean up really well<br>without too much work. Guaranteed 19th century. These are a different style from<br>the many I've owned. They measure 8.25" tall. One is missing the button on the<br>pushup, and both are stuck with wax.

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8" tall x 4.5" wide. All hand decorated. Nice fancy embossing, really good quality porcelain, no cracks, chips, or restorations, minor gold wear on trim and handles.

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Plaque measures 5.75" x 4" frame measures 8" x 6 1/8" no damage of any kind. All<br>hand painted and artist signed. Guaranteed 19th century Hutschenreuther.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Heavy Stamped sterling cuff bracelet. Fits up to a 6.25"<br>wrist, 1" gap, 46 grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Some gold wear on rim and flowers closest to the rim. No chips, cracks, or restorations. Unmarked, but guaranteed RS Prussia.

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Guaranteed early to mid 1800's. 10 saucers and 5 cups. One saucer has a crow's foot, but since there's extras that shouldn't be an issue. Very light yellowing to some pieces, no dark noticeable stains. No cracks, chips, or restorations other than the one crow's foot. These are 100% hand decorated, it takes close examination to see the subtle variations of the pattern. 5.75" saucer x 2.5" tall cup.

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8 5/16" wide c.1900 good vintage condition, only minor rough spots on unglazed part of the foot rim, and some gold trim wear on rim. No cracks, scratches, or chips on exterior rim.

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Fantastic rare set that's been together over 100 years. One tumbler has a few<br>tiny flakes on the rim that go down about a millimeter of that, maybe 1/32 of an<br>inch. The rest is perfect with no cracks, chips, or cloudiness. Tumblers are<br>3.75" tall, pitcher is 8.75" tall x 7" wide with handle. Ground pool on pitcher.

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1930's Chinese Gilt Sterling Silver Enamel with Turquoise and coral fan brooch.<br>Chinese from the first half of the 20th century, simply marked silver. 2.75"<br>wide and long with no issues.

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The egg tempera painting is 8" x 10", the frame is 13.75" x 15 3/8". Auckland<br>artist Bruce Harvey is one of New Zealand's best known painters of birds and<br>animals. His paintings are displayed in public and private collections around<br>the world. He exhibits at the Kennedy Galleries in New York and at Country<br>Stores Galleries in Texas. Collectors of his works include: Mrs. Lyndon Johnson,<br>former Secretary of the Treasury, John Connelly, and the Governor of Hawaii, Mr.<br>George Ariyoshi.<br>TW89

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Sterling/turquoise cuff bracelet. Circa mid 20th<br>century, unmarked.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Buying one with multiple available 4 5/8" wide x 1 1/8" tall. No damage or wear, no scratches, scuffs, cracks, chips. Guaranteed circa 1930's, I believe this color was only produced for two years, 1938 & 1939. These are extremely rare and I have more of this pattern available.

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Buying one with multiple available 3 13/16" tall x 3.75" wide at rim. No damage<br>or wear, no scratches, scuffs, cracks, chips. Guaranteed circa 1930's, I believe<br>this color was only produced for two years, 1938 & 1939. These are extremely<br>rare and I have more of this pattern available.

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Creamer is 3.5" tall x 5" from handle to spout. Sugar is the same. Both are<br>cracks, chip, and restoration free. Circa 1920's to 1930's. Firm ceased<br>production at the beginning of World war 2.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Heavy stamped silver Agate cuff bracelet. Nice heavy<br>stamped cuff from the second quarter of the 20th century. No damage or breaks..<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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1941 Bob Crabb Texas Hill country Bluebonnet Landscape Watercolor. Really nice<br>watercolor. This guy did a lot of exhibitions in his time, there's archives of<br>him in the Smithsonian. He was in the Dallas Museum of art in 1940. Frame<br>measures 18.75" x 14 5/8" inside of matting is 12" x 8". His art is in many<br>private collections but rarely comes on the market as he was not very prolific.

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1980's Bronze Delta Kappa Gamma Golden Rule Award from JC Penney. 8" tall x 8.5"<br>wide at base, solid bronze with a marble base, heavy. Press photo shown is just<br>a copy of something someone else sold previously therefore not included.<br><br>A bronze flame is the symbol of the JC Penney Golden Rule Award, presented in<br>recognition of outstanding volunteer service to the community. The Award,<br>accompanied by a $1,000 grant to support the volunteer's work, is given to an<br>individual or organization selected by a distinguished panel of civic leaders in<br>a community-wide competition. The Award reflects a tradition of community<br>service at JC Penney that has persisted since James Cash Penney in 1902 opened<br>his first store, called "The Golden Rule." Sculptor Greg Wyatt represents his<br>bronze flame-of-freedom as the spirit of the volunteer's free choice to help a<br>neighbor.<br><br><br>Greg Wyatt is an American representational sculptor who works primarily in cast<br>bronze,[1] and is the sculptor-in-residence at the Cathedral Church of St. John<br>the Divine in New York City.<br><br>Wyatt was born in Nyack, New York and raised in Grand View-on-Hudson, New York.<br>His father was William Stanley Wyatt, a painter and professor of fine arts at<br>Columbia University, Rockland Community College and the City College of New<br>York.[1] Greg Wyatt graduated from Columbia College of Columbia University in<br>1971 with a Bachelor of Arts degree in Art History.[1] He also attended the<br>National Academy of Design for three years, where he studied figurative<br>sculpture, and received his certificate in sculpture, and earned a master's<br>degree in Ceramic Arts from Columbia Teachers College in 1974. Wyatt has taught<br>at New York University and at Jersey City State College.[3][4] He is currently a<br>member of the Board of Directors at The American College of the Mediterranean in<br>Aix-en-Provence, France. He is also a member of the Board at Brookgreen Gardens.<br><br>Wyatt bases his work on the philosophy of "spiritual realism," merging realistic<br>images and abstract masses of form, space and energy.<br>Professor Sir Stanley Wells, a renowned Shakespearian scholar and emeritus<br>chairman of the Shakespeare Birthplace Trust, says, "I compare Wyatt to Rodin.<br>He's that good."[6] "Wyatt emulates the sculpture of the western world with<br>contemporary vision."[3] His works have been exhibited at the Metropolitan<br>Museum of Art, Harvard University, and Vanderbilt Mansion National Historic<br>Site, among other institutions and collections,[5] and can be seen in more than<br>20 public spaces in cities from New York to Beijing.<br><br>Wyatt has made many corporate commissions, including a bronze statue of J.C.<br>Penney founder James Penney which weighs 3 tons and cost $250,000

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Frame measures 14.5" x 12 3/8" canvas measures 7 3/8" x 9 3/8" really ornate 3"<br>deep frame with no major issues. No issues or restorations to painting. There<br>were two brackets added to the back to hold the painting in as the original<br>nails are missing. There was a modern cover over the back canvas to protect it,<br>that'll be re installed prior to shipping. Estate fresh at the time of this<br>listing this is the first time it's been for sale in a really long time.<br><br>He married his first wife in 1871, maybe this is her? Regardless this is one of<br>his earlier pieces from before he got famous.<br><br>Born  December 9, 1848 (1848-12-09) Lockport, New York<br>Resting place  Glenwood Cemetery, Lockport, New York 43°10′53.73″N 78°42′33.1″W<br>/ 43.1815917°N 78.709194°W / 43.1815917; -78.709194<br>Died  May 12, 1915, Stamford, Connecticut, United States<br><br>Burr H. Nicholls (December 9, 1848 – May 12, 1915) was an American painter who<br>studied art with Carolus-Duran in Paris and first exhibited his work in London<br>at Dudley Gallery. Most of his works were based upon scenes from the seven years<br>that he studied and lived in Europe.<br><br>Nicholls was married three times, but it was his marriage to his second wife,<br>Rhoda Holmes Nicholls, that caused a media sensation across the United States.<br>In 1897 both Burr and Rhoda Nicholls submitted paintings to the Paris Salon;<br>Rhoda's was accepted with honorable mention but Burr's was rejected. This<br>triggered a period of marital discontent followed by separation. Their divorce<br>was finalized in 1906 and was reported in many American newspapers. Journalists<br>warned women of the peril of pursuing vocations that put them in competition<br>with their husbands.<br><br>Early life<br><br>Burr H. Nicholls was born in Lockport, New York to Luman Nicholls and Ann<br>Halliday Nicholls. Painters in his family included his mother and his nephew<br>Henry, son of his brother Mark. Henry made copies of several of Burr's paintings<br>including a Brittany farm scene and The Red Staircase.<br><br>Marriage<br><br>His first of three marriages was to Alice McDonald or Alethea P. McConnell in<br>1871; she died in 1876.<br><br>Nicholls met the English artist Rhoda Holmes during a trip to Venice. They<br>married in 1884 at Lyminster Church in Sus, England, honeymooned in Venice and<br>sailed for the United States in the spring of 1884.<br><br>The couple exhibited their works in some of the same shows, like the Chicago<br>Interstate Industrial Expositions. In 1893 the Nicholls lived in a "cosey" home<br>and both had studios on the top floor. By 1896, Nicholls lived with his wife in<br>a West 50th Street mansion in New York City with their daughter and son, Rhoda<br>Olive and Arundel Holmes Nicholls.<br><br>The couple's marriage became contentious when in 1897 one of Rhoda Holmes<br>Nicholls works was accepted with honorable mention by the Paris Salon, but<br>Burr's work was denied. The couple separated the following year. Their divorce<br>was finalized by September 18, 1906 and "newspapers widely warned women about<br>the dangers of success and its potential influence on marital and domestic<br>bliss."<br><br>His final marriage was to Josephine Lewis of Buffalo, New York. Her brother was<br>Dr. Park Lewis, a "well-known physician".<br><br>Education and career<br><br>Nicholls studied art in Buffalo, New York with Lars (L.G.) Sellstedt and with<br>Carolus-Duran at the Paris Beaux Arts. He studied and worked in England, Paris,<br>Italy and Brittany for seven years which provided inspiration for his paintings<br>for years. Most of Nicholl's paintings were made of European subjects and<br>settings, like A Street Scene in France and A Quiet Corner, Venice, exhibited at<br>the Pan-American Exposition of 1901 held in Buffalo, New York.<br><br>His first exhibition was in 1879 at London's Dudley Gallery. Nicholls exhibited<br>at "every important exhibition in America" and the Paris Salon. His work was<br>favorably received at the 1891 Society for the Promotion of Art exhibition at<br>Eden Musee [New York].<br><br>The Buffalo Fine Arts Academy, now the Albright-Knox Art Gallery, had acquired<br>works by Nicholls by 1882.<br><br>He and his third wife were members of the Buffalo Historical Society.<br><br>Death<br><br>Nicholls died in May, 1915 in Lockport, New York.<br><br>Collections<br><br>Albright–Knox Art Gallery: Hunting up a Quotation and A Group of Fowls<br><br>Peabody Institute: The Vegetable Garden<br><br>Pennsylvania Academy of the Fine Arts: Effect of Sunlight<br><br>Andrew Carnegie and Parisian M. Johannot were collectors of his works.

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Mid Century Venetian Latticino Glass Ewer 10" tall with labels intact, no damage.

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The last picture is the base which you can see from the next to the last pic is hammered on. So I guess this is one hookah base hammered onto another layer of brass to ensure being waterproof. Guaranteed early, maybe 18th century. Guaranteed 100+ yrs old maybe 300, you be the judge.10" tall x 5.5" wide x the inside of the lip is 1.25" wide.

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Malcolm Furlow Cut Steel 3 Dimensional Pop Art Sculpture of Native American Man.<br>Measures 21.5" tall x 17.5"wide x 8" deep with , weighs 20 pounds. Fresh from a<br>local estate along with a painting on canvas by the same artist. Guaranteed<br>authentic. This had to be extremely labor intensive and would stand out<br>anywhere, he did do much of this type of work. Malcolm Attended University of<br>Texas here in Austin and Studied art. This piece came from Austin, I believe it<br>is one of his earlier pieces when he was still trying to figure out what<br>direction to take his career, obciously it is super cool.<br><br>The comes out and will be removed for shipping. The paint is very sturdy, I<br>believe it is a special metal paint similar to auto paint but it will be well<br>wrapped to prevent abrasion or wear during transportation.<br><br>Taos resident, Malcolm Furlow, an award winning painter, hasn't always been an<br>artist. As a young man he received a track scholarship to the University of<br>Texas and decided to choose art as his major. Unfortunately, his art professor<br>disapproved of his style of painting and a disappointed Furlow left college to<br>become a rock and roll musician. For 18 years he played the sax, bass and<br>sometimes the guitar, playing back up for such notable groups and soloists as<br>the Beach Boys and Lou Rawls.<br><br>Leaving his music career behind, Furlow used his artistic talent to construct<br>models for movie sets at Walt Disney Studios. He also delved into photography,<br>writing a book for Kodak, called Close-Up Photography, that explained the best<br>way to photograph miniatures, especially models. But, in 1987 after hearing<br>scholar Joseph Campbell's words "Follow Your Bliss," Furlow decided to go back<br>to his first love, painting.<br><br>Furlow began drawing American Indians at the age of six, when his father had<br>Malcolm accompany him on business trips throughout New Mexico. Beginning with<br>watercolors, Furlow realized the medium was ill suited for large canvases and<br>switched to brightly colored acrylic images of Native Americans. In all his<br>works, Furlow strives to show his deep admiration and respect for his Choctaw<br>heritage.<br><br>About his subject matter and painting style, Furlow has said, "I knew I wanted<br>to say it with color because that's the emotion of it. I've got to make the<br>viewer feel what I feel . All I'm trying to do is paint them as they are - paint<br>their culture, their dignity and their stature . I didn't want to do portraits<br>of Indians, I wanted to say something about the human condition." He paints two<br>worlds: the Native American and their place in the Anglo World. In addition,<br>Furlow rides and decorates motorcycles.<br><br>A recently filmed documentary entitled the "Life and Art of Malcolm Furlow,<br>"refers to him as a "Renaissance Man": the quintessential cowboy, musician, and<br>intellectual artist. He is an award-winning painter, whose accolades include the<br>Silver award from the Sorbonne, and the highly coveted Gold Award from the<br>world-renown Luxembourg Museum, Paris. PBS featured him in a documentary called<br>"The Life and Art of Malcolm Furlow", he was also awarded the Gold Award from<br>the Luxembourg in Paris (an honor shared with Pablo Picasso)<br><br>As of spring 2007, Furlow has "sold-out" over fifty solo shows. Malcolm Furlow's<br>paintings command principal placement in exhibitions, philanthropist campaigns,<br>and private collections around the world, including the U.S. Embassies of<br>Morocco, Belgium and Beijing; the White House; CEO Magazine; The Smithsonian;<br>Mobil Oil; Arnold Schwarzenegger; Samuel Goldwyn; Richard Pryor; Presidents<br>George H.W. Bush, Bill Clinton, and George W. Bush; Senator Hillary Clinton;<br>Bernadette Peters; Wes Studi; Phyllis Diller; William DeVane; B.J. Thomas; Jane<br>Goodall Institute; Darryl Hannah; Eiteljorg Museum; Jon Bon Jovi; National<br>Wildlife Museum; Koshare Museum; Santa Fe Fine Arts Museum; Paul Clarkson; Coca<br>Cola Olympic Pavilion; Make a Wish Foundation; NBC's Today Show; Raymond James<br>Financial Art Collection; Columbia University; and many others Malcolm is<br>equally celebrated in the industry of Model Railroading. He has written several<br>"How-To" books for Kodak photograghy, worked as a photogragher for Italian Vouge<br>. Malcolm has also written several "How-To" books for Model Railroading. His<br>published articles about photograghy and model railroading are inumerable.

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Retro Mexican Modernist Sterling and onyx necklace 20" long 84 grams Solid 95%<br>silver and genuine Onyx stones a few of the large stones with small nicks on the<br>corners, no other issues.

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Really nice early 1800's to 1860's compote set. I believe the Brown leaves on the rim are transfer printed, but am positive the flowers in the centers are hand painted. Every piece has slight variations some even have different colored roses in the same spots. The plates were made on a potters wheel. The Compote and plates are 9" wide x 2.5" tall, no cracks, chips, or restorations on any of the 5 pieces there is minor gold wear on the compote, very minor utensil marks here and there on all pieces, extremely light stains on the front and back of one plate. This is a really clean set and very early.

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c1890 French Surfine P. Bardinet Limoges Mary Gregory Style Advertising ewer.<br>6.5" tall with no damage, hand painted.<br><br>isshelf

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