Robert Eickholt Iridescent Studio art glass vase. No cracks, chips, restorations, or scratches. 5" wide x 6" tall. Robert Eickholt is a well known glass artist who has been creating captivating blown glass for over 40 years. Robert founded Eickholt Glass in 1978 when he returned home to Columbus, Ohio after studying glassblowing in Berkeley, California. Once home he continued his studies at Ohio State and at the Columbus College of Art and Design. Since its founding the studio has produced numerous types of beautiful art glass creations such as paperweights, vases, eggs, sculptures and perfume bottles. Each piece is made one at a time and completely unique. Eickholt Glass is quite well known for their distinctive designs which incorporate precious metals including gold and silver and rare oxides like cobalt and copper. Their beautiful art glass has earned them accolades worldwide. isshelf

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1844 Oeuvres de J Racine 6 Volume set in French. Complete set 6" x 9" books in<br>great condition for 177 year old set of books. Some foxing in the first few<br>pages on each side, gilt edges, externally clean with minor shelf wear. No water<br>damage or missing pages.

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Vintage Native American Sterling/turquoise pendant/pin. 2.25" x 1.5" x 20.8<br>grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Russian Fedoskino Lacquer Box. Good condition with two small dings on the back corner of the box top rim above the hinge and slight wear in interior and on base. 9.5" x 7" x 2 3/8" tall. isshelf

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Russian Fedoskino Lacquer Box Late 20th century. No damage or wear, hand painted. 3 1/8" x 2 7/8" x 1.5" deep. isshelf

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c1920 Art Deco 935 Silver guilloche enamel box. Descreetly fancy as can be. Extremely high quality tick solid silver. Gilt interior and exterior, wear to exterior gilding. No damage to enamel anywhere. Lid forms airtight seal. 2.75" wide without hinge or catch, 7/8" deep 120 grams.

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Vintage Bronze Buddha Statue. I believe this may be an antique, but I'm not totally sure. It's from a nice estate that had lots of antiques and artifacts collected long ago. I believe it's southeast asian. 7" tall x 4.5" wide at the base. Nice piece with some good age on it, likely 19th century or earlier. TW201

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Russian Fedoskino Lacquer Box Late 20th century. No damage or wear, hand painted. 3.5" x 3" x 1.5" deep. isshelf

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c1870 Old Paris Porcelain Snuff Box/Powder Jar. No cracks, chips, or restorations, some wear to gilding. 3 5/8" wide x 1.25" tall. tw201

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Vintage Native American Sterling Gypsy Cuff. Very cool unmarked but tested sterling from the third quarter of the 20th century. 6.5" including 1.25" gap, solid cuff. 26.5 grams .5" wide.

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Navajo Sterling and Blue ridge turquoise pendant. Signed RB, marked and tested sterling 1.5" x 3", 26 grams.

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Meiji Japanese Shakudo Sterling/Gold on bronze Mixed Metal ring. Some wear to gold overlay, no other issues.

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1797 British George III Sterling fish server. No damage or issues, 11.5" x 3.1" at widest point. 144.3 grams. The handle may be slightly weighted, but most of the weight is in the thick blade with fantastic hand engraving. Monogram as shown, likely some sort of royalty. London hallmark dating it 1797, makers mark I.O, I am unsure who that is, possibly John Orme. tw255

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Incredible Matrix Large Vintage navajo sterling/turquoise ring. Nice old ring from the 50's or 60's, extremely interesting matrix with spiderweb turquoise on one side, lots of Pyrite, then lighter turquoise shown. Marked as shown. 14.1 grams. All precious metals are tested and guaranteed,

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sz 5.25 Kathleen Chavez Navajo Sterling and Sonoran Turquoise Ring. Marked and tested sterling 1.75" face, 15 grams. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 5 Ring.

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MCM Sterling Pietra Dura Multistone Mosaic Inlay southwestern mountains pendant with Lapis, Coral, and other stones. A somewhat confusing piece made by an artist that seemed to be able to think for oneself and combine many styles but didn't care to sign such a work of art. A fantastic Mid century style to the silver mounting which I have no way of know is period or not, really good lapidiary work on a level that has never really been common in the US, but the scene sure reminds me of an Arizona mountain landscape. All hand done approaching micromosaic level. Tests sterling, completely unmarked. 29 grams 3.5" tall x 2.5" wide. This piece is really clean, there are some marks on the wings in the pics, they were residues of silver polish which I have removed.

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Antique Bronze Water Dropper. Late 19th century solid heavy, well cast bronze water dropper.. Best of the best quality. I'm not sure if it's Chinese or Japanese, you be the judge. I'm guaranteeing it's antique. 2" tall x 3.5" long. TW227

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sz5 Navajo Old Pawn Sterling High Grade Nevada Turquoise ring. 1.25" face width, 10.2 grams, no issues. Unmarked tested sterling. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 5 Ring.

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Vintage Navajo Sterling and Royston Turquoise Pendant and Necklace. Very heavy set, pendant unmarked but tested sterling, the clasp for the necklace is marked Mexico sterling but I suspect it may be a replacement and maybe the necklace is originally native american. Everything tests sterling. Very heavy beads 191.4 grams total. Pendant is 3 3/8" x 1 5/8" Necklace is 28.5". Selling the necklace and pendant.

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Pre-Columbian Quimbaya Hanging Incense Bowl. A similar example without the figures on the sides can be found in the Brooklyn Museum, Museum Expedition 1938, Dick S. Ramsay Fund, 38.586. 9" wide x 5.5" tall. Excavated item with professional museum grade restorations. Appears to have been broken into several large pieces and restored, all pieces appear present. Very special piece.This is part of a large collection of artifacts I'm helping liquidate, all purchased from reputable sources over the last quarter of the 20th century, money was no object. I'm pricing everything at a small fraction of what it cost from the galleries/auctions.

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sz8 Barbara Bixby 18k Gold Sterling and Garnet ring. No damage or significant issues. 14.8 grams. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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Vintage SOL Sterling and Amethyst necklace and earring set.. Super cool vintage set from the third quarter of the 20th century. Has a super cool tribal look to it. Genuine amethyst, full of inclusions and some variations of color. Some wear to the stones, but overall very attractive with lots of character. Total weight 158.2 grams for necklace and earrings. Necklace is 18.5" long, pendant is 2.25" long.. Earrings are 1 7/8" long.

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Vintage Sterling cross and necklace 18" Italian necklace, 3.25" Mexican cross, both marked and tested sterling 77 grams total weight.

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18th/19th century Tortoise shell snuff box. 3.75" wide x 1 5/8" deep x 1 1/8" tall, 200 years of wear with no significant issues, completely stable crack front top left corner, close-ups shown in last two pics. These were all purchased in New York at Parke-Bernet Galleries before they were bought out by Sotheby's in 1964.

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c1900 Cast Iron Art Nouveau Woman dresser tray 7" tall x 6.25" wide, great looking piece guaranteed over 100 years old. very light surface rust on reverse that'll take less than a minute to remove. TW226

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Sterling silver crystal necklace. Great looking necklace, adjustable at 17" and 18", stones untested. No damage or wear to stones.

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1970's Matilde Poulat Style Mexican Silver pendant and necklace 16" necklace 2.5" long pendant. 19.9 grams total marked and tested sterling.

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c1840 British Imari hand painted earthenware platter. No damage or restorations. 10" x 7.75" unmarked. isshelf

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Retro Carnelian Mexican Modernist sterling pendant. Clean with no issues. 2 5/8" tall with bail x .75" wide.

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Kordes & Lichtenfels 835 Silver Mid Century Modern brooch. Great 1960's well made piece 1.5" wide, no issues.

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Vintage Tommy Jackson Navajo Sterling multistone Overlay Style bracelet. 7" very high quality with no issues 43.5 grams .5" marked and tested sterling. Tommy Jackson was born in Phoenix, Arizona on January20, 1958 but grew up in the heart of Navajo land in Chinle, Arizona. He went to high school in Chinle, the town at the mouth of the legendary Canyon de Chelly—a stronghold for 19th century Navajo, known then as the “Lords of the Land”. Steeped in mythology, this landscape echoes the strength and beauty in the Navajo bedrock of beliefs—foremost of those is responsibility to family and clan. A husband, father, and grandfather, Tommy is also a world-renowned gold and silversmith, his award-winning pieces on exhibit in museums and treasured in collections around the world. As a premier Navajo Silversmith he counted amongst those few known as “The Supersmiths.” Jackson started silversmithing in 1973, learning at the bench of his parents, renowned silversmiths Gene and Martha Jackson. (He is also the nephew of Dan Jackson, another well-known silversmith.) However, it was his mother who urged him to pursue a degree, and he followed her footsteps into education, eventually teaching elementary school at Wide Ruins on the Reservation. But jewelry-making called to him in his spare time, in the after-hours, in the late night, and by 1988 he was winning prestigious awards, and has continued winning nearly every year since at the big shows, including Santa Fe Indian Market and the Heard. He was also chosen as Navajo Tribal representative for the Salt Lake City Winter Olympics. A striking example of Tommy’s pieces is the motif of Navajo rug designs. He sometimes works these patterns directly into the gold or silver; or he inlays stones in visually stunning creations that reflect the complexity of Navajo tapestries. Other pieces are a declaration of his passion for high-grade American turquoise. These pieces are all about the great stone. He will use heavy-gauge silver, and in keeping with the old style tradition then chisel or hand-stamp, all with an eye of showcasing a great old American turquoise stone such as Bisbee, Morenci, Lander Blue or Candelaria. He is known for integrating traditional Navajo designs with a modern flair, working with gold and silver and a variety of precious and semi-precious stones. He has won numerous awards for his beautiful and unique jewelry from the Heard Museum Show in Phoenix, Santa Fe Indian Market and The Museum of Northern Arizona, to name a few including First at Indian Market, as recently as 2014. He and his wife, Marie, who does much of the stone-cutting for his pieces, have pieces featured in national publications.

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Ancient Terracotta head on stand. From a collection of world artifacts, much eastern, much from the central and Southern US. Honestly not 100% sure where it's from but I know it's early, guaranteed over 500 years old, likely much older. 3" x 3.25" wide without stand, 4.5" tall with stand. Stand is vintage, head is an ancient shard and particularly nice. b60

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Large Pre-Mayan Olmec Articulating Arms Pre-Columbian figure. 10" tall x 7" wide, very old restoration on one shoulder and to neck I believe, very old stable fissures at hips. Rare, museum quality with unusual complex articulating arms likely intended to hold various size offerings. The arms move smoothly and fluidly with no evidence of a string as seen with simpler versions of these. This was made by a master potter approx 2500 years ago. Authenticity guaranteed. This is part of a large collection of artifacts I'm helping liquidate, all purchased from reputable sources over the last quarter of the 20th century, money was no object. I'm pricing everything at a small fraction of what it cost from the galleries/auctions. Olmec, the first elaborate pre-Columbian civilization of Mesoamerica (c. 1200–400 BCE) and one that is thought to have set many of the fundamental patterns evinced by later American Indian cultures of Mexico and Central America, notably the Maya and the Aztec. The Nahuatl (Aztec) name for these people, Olmecatl, or Olmec in the modern corruption, means “rubber people” or “people of the rubber country.” That term was chosen because the Olmecs extracted latex from Panama rubber trees (Castilla elastica) growing in the region and mixed it with the juice of a local vine (Ipomoea alba, moonflower) to create rubber. The chief Olmec sites are San Lorenzo, La Venta, Laa de los Cerros, and Tres Zapotes in what is now southern Mexico. Much of what is known about the Olmecs was inferred from archaeological excavations at those sites, which have uncovered large earthen pyramids and platforms and monumental stone carvings. The Olmecs are especially identified with 17 huge stone heads—ranging in height from 1.47 to 3.4 metres (4.82 to 11.15 feet)—with flat faces and full lips, wearing helmetlike headgear. It is generally thought that these are portraits of Olmec rulers. Other Olmec artifacts include so-called baby-faced figures and figurines. These display a rounded facial form, thick features, heavy-lidded eyes, and down-turned mouths, and they are sometimes referred to as were-jaguars. The Olmecs lived in hot, humid lowlands along the coast of the Gulf of Mexico in what is now southern Veracruz and Tabasco states in southern Mexico. The first evidence of their remarkable art style appears about 1200 BCE in San Lorenzo, their oldest known building site. This site is remarkable for its many stone monuments, including some of the colossal carved heads mentioned above. In the late 20th century a stone slab engraved with symbols that appear to have been the Olmec writing system (sometimes called epi-Olmec, or Isthmian) was discovered in the village of Cascajal, near San Lorenzo. The Cascajal stone dates to approximately 900 BCE and may be the oldest example of writing from the Americas. Other objects containing glyphs include the Tuxtla Statuette, the Chiapa de Corzo shard, the O’Boyle mask, and the La Mojarra stela (discovered 1986). The last object, which displays 465 glyphs, greatly facilitated the interpretation of the epi-Olmec language, though many questions remain. The Olmecs developed a wide trading network, and between 1100 and 800 BCE their cultural influence spread northwestward to the Valley of Mexico and southeastward to parts of Central America. The constructions and monuments of the Olmecs, as well as the sophistication and power of their art, make it clear that their society was complex and nonegalitarian.

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Vintage Carolee and Whiting and Davis Clip on gold tone earrings. Selling both pairs of vintage clip ons with no issues or damage. Whiting and davis 1 1/16" tall, Carolee 1 5/16" long. Strong clips, no wear to gold.

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Vintage Foster Yazzie Navajo Sterling Turquoise, Coral Cuff Bracelet. Great<br>looking vintage cuff with no significant issues. 7" including the 1.5" gap 2<br>1/16" wide in center 95 grams

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Large Daniel Clark Navajo Sterling Natural Turquoise Heavy stamped cuff Bracelet. 6 5/8" including the 1 1/8" gap, 1 11/16" wide 122 grams marked and tested sterling.

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18th Century French Chinoisiere Carved Abalone perfume bottle 3.5" tall x 1.75" wide with no damage. No identifying marks, 18th to early 19th century guaranteed. Hand engraved mounting and mother of pearl.

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32" Meiji Period Japanese Satsuma Temple Floor Vase. 32" x 16" wide with handles. Tiny amount of loss to foo lions tentacles on each side of one handle, takes forever to find. No other cracks, chips, or restorations. Mid to late 19th century piece unmarked but I've seen this shape one other time with a Kinkozan mark on the side with the decoration. I believe it's Kinkozan. Please excuse my poor cellphone pictures. I don't currently have space to take good pictures of items this size. Like everything else it will be packed with loving care by me and Thanh for guaranteed safe arrival.

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c1860 French Cobalt blue cut glass perfume with ornate silver mounting. Illegible hallmark shown center of last pic in the center of the lip of the silver lid. Original inner stopper intact. Amazing bottle with no issues, top silver lid snaps on tight, inner stopper forms waterproof seal, no chips or cracks. 5.25" tall x 1.5" wide.

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Antique Chinese Famille Rose Medallion Teapot Creamer and Sugar. This is an assembled set, the teapot is mid to late 19th century, Sugar about 1900 and creamer about 1920. They look good together all three with good painting and no damage.. Some wear to gilding and glaze flake on teapot handle shown when spout is facing right. Sugar is 5" tall, teapot is 7" tall. Selling the pieces shown with no cracks, chips, or restorations. Underglaze factory chips on bottom rim of sugar lid. TW226

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1933 University of Texas 50 year Anniversary Magic Lantern Slides George Littlefield Brackenridge Hall. Ok, the newest these can be is the thirties, they may be older. I'm assuming they are the same age. The one that just say's University had some writing on the outside that I didn't realize was on the outside when I cleaned them. I know I remember the word fifty. These are actual slides of course and nothing is going to clean off of them, I was very careful I just didn't see that was on the outside. I wouldn't mention it but I think it might help date them as I think they are one of a kind slides from the University. I think these were custom ordered by the University and likely shown at an important event there. I have no idea, but these are the only three I have. The one with the writing that came off has a crack in the corner, no other cracks or chips on the others. 4" x 3.5".  They are backlit in the pictures.   isshelf

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6 Antique Crystal Cut Overlay Sherry Glass Stems. Very nice, best of the best quality. They have to be Val St Lambert, St Louis, Baccarat, one of the handful of top quality glass makers in the world. They are about 4 oz, believe they would be sherry glasses. Estate fresh with healthy natural wear on outside of footrim. I believe they are 19th century, though they could be early 20th century. 4" tall x 3" wide at the rim, controlled bubble stem. No cracks, chips, restorations, cloudiness, or detectable wear. Selling all 6 shown. TW225

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1920's Steuben Etched Glass compote in Selenium red. Engraved pattern on stem making it rare if not one of a kind. 8" tall x 8" wide, acid stamped Steuben on base, no damage or detectable wear.Steuben Glass WorksSteuben Glass is an American art glass manufacturer, founded in the summer of 1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in Steuben County, from which the company name was derived. Hawkes was the owner of the largest cut glass firm then operating in Corning. Carder was an Englishman (born September 18, 1863) who had many years' experience designing glass for Stevens and Williams in England. Hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. Hawkes convinced Carder to come to Corning and manage such a factory. Carder, who had been passed over for promotion at Stevens and Williams, consented to do so.In 1918, Steuben was acquired by Corning Glass Works and became the Steuben Division.In July 2008, Steuben was sold by Corning Incorporated for an undisclosed price to Schottenstein Stores,[2] which also owns 51% of Retail Ventures, a holding company for DSW, Filene's Basement, and formerly Value City Department Stores; Value City Furniture, which changed its name to American Signature Furniture; 15% of American Eagle Outfitters, retail liquidator SB Capital Group, some 50 shopping centers, and 5 factories producing its shoes, furniture and crystal.On September 15, 2011, Schottenstein announced it was shutting down Steuben's Corning factory and Manhattan store, ending the company's 108-year history. Soon after, Corning Incorporated repurchased the Steuben brand. In early 2014, The Corning Museum of Glass announced that it would work with independent contractors to reproduce Steuben using a new, lead-free formula and their classic leaded crystal.Carder period (1903-1932) Steuben Glass Works started operation in October 1903. Carder produced blanks for Hawkes and also began producing cut glass himself. Carder's great love was colored glass and had been instrumental in the reintroduction of colored glass while at Stevens and Williams. When Steuben's success at producing blanks for Hawkes became assured, Carder began to experiment with colored glass and continued experiments that were started in England. He soon perfected Gold Aurene which was similar to iridescent art glass that was being produced by Tiffany and others. Gold Aurene was followed by a wide range of colored art glass that eventually was produced in more than 7,000 shapes and 140 colors.Steuben Glass Works continued to produce glass of all sorts until World War I. At that time war time restrictions made it impossible for Steuben to acquire the materials needed to continue manufacture. The company was subsequently sold to Corning Glass Works and became the Steuben Division. Carder continued as Division manager without any real change in the company's operation except that he now had reporting responsibilities to Corning Glass Works' management. Corning's management tried, mostly unsuccessfully, to limit the articles that Steuben made to only the most popular. Production continued until about 1932.In 1932, there was a major change in Steuben management. The nationwide depression had limited the sale of Steuben and there was a lessening of public interest in colored glass. In February 1932, John MacKay was appointed to Carder's position. Carder became Art Director for Corning Glass Works. Steuben then produced primarily colorless art glass.Steuben still produced colored art glass, but mostly to fill special orders. A few new colors were added after Carder transitioned into his new role with Corning Glass Works, but the last known sale for colored art glass by Steuben was in 1943isshelf

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Mid Century Taxco Modernistic Hinged Bracelet. Very cool bracelet with no issues or damage. Marked and tested sterling Fits up to a 6 3/8" wrist.13/16" wide at widest point. 55 grams

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Vintage Navajo Sterling braided rope cuff bracelet. Selling this vintage thick heavy cuff. Selling one but another identical available from the same estate if you change quantity to 2, vintage, handmade but obviously made by the same artist from the same estate. 6.25" counting the 1.25" gap. 30.2 grams 3/16" thick unmarked but tested sterling.

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David Lotton Art Glass Birdhouse. 10.25" tall x 4.25" wide, unused with paperwork and take, signature shown in last pic. No cracks or chips but roughness in inner rim of factory ground base, likely always been like that.DAVID LOTTON David Lotton is a second generation American glassblower. He is the oldest son of Charles Lotton and was introduced to the world of glassblowing at a very young age. In 1970, Charles started building a furnace and began blowing pieces of glass from melted down pop bottles in a shed behind their house. David was there in this infancy and he was Charles first assistant at the age of ten. David has vivid memories of his childhood working in the shop with his father. When most children were playing childhood games he was spending time after school and on the weekends helping him at the bench. By the age of 14 he started learning how to do finishing work, polishing the bottom of the glass flat. David eventually followed in his fathers' footsteps and by the age of 15 began making paperweights. That ignited a passion to begin glass blowing.David has been creating his one of a kind vessels since 1978. His unique handcrafted works are designed with precise attention to detail. Developing his own glass formulas, David has created a complex palette of colors, giving him the ability to create his multi-layering and sculpting style. Each year David continues to study and refine the techniques he uses in creating his art.David's Clematis Reflection Series, Hollyhock Paperweight Series and Mixed Bouquets Series all reflect his floral patterns which capture his love for detail. He combines color and layering to create depth and beauty. His Organic Sculptures reflect movement and rich hues of a summer sunset. David is inspired by all nature. He has a successful ranch in the hills of Kentucky where he is inspired to evolve, change, and grow continually. He commutes back and forth to fulfill both loves.

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c1880 Crown Derby Kings Imari Cranberry bowl/Open sugar. 4 7/8" wide x 2 13/16" tall. Seems more the size or a waste or cranberry bowl to me than an open sugar. Tough to tell as measurements and shapes changed over time. Very clean with no cracks, chips, restorations, or crazing, and very clean gold. TW217

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c1890 Mt Washington decorated burmese Shot glass. 2.75" tall x 2.25" wide with no damage.MT. WASHINGTON AND PAIRPOINT GLASSMt. Washington and its successor, the Pairpoint Corporation, was one of America’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture, decoration, pattern, and color - developing a variety of styles and decorating techniques which were so technically complex that few are even practiced today.The Mt. Washington Glass Company was founded in South Boston in 1837, and moved to New Bedford, Massachusetts, in 1870. In 1880, Thomas J. Pairpoint, an English silversmith, was hired to run the Pairpoint Manufacturing Company, another company in New Bedford which Mt. Washington’s owners established to produce ornate silver-plated mounts for Mt. Washington glass.In 1894, the Pairpoint Manufacturing Company absorbed Mt. Washington, and the company was renamed the Pairpoint Corporation in 1900, which remained the company’s name until it went out of business in 1938. It was revived briefly as the Gundersen-Pairpoint Glass Company but closed permanently in 1957. The company’s most successful years were from 1880 (in the height of the opulent Gilded Age) to 1930 (the end of the exuberant Roaring Twenties).MT. WASHINGTON ART GLASS AND CUT GLASSEnglishman Frederick Shirley was hired in 1872 to run Mt. Washington’s chandelier department, and two years later was put in charge of the entire company. Shirley was entrepreneurial and litigious, quick to adopt new designs and quick to complain if he thought any other firm was copying his wares. By the time he resigned in 1891, he had amassed a total of 27 patents and five design patents for various types of glass, most of which were quite successful.In 1885, Shirley introduced Burmese glass, a translucent glass that shaded from yellow to pink, which was highly decorated in the elegant and sophisticated style characteristic of the day. It became an immediate success on the Art Glass market. Shirley was a good businessman and took advantage of the dawning age of advertising to promote Burmese glass extensively.Mt. Washington’s large decorating shop specialized in enameling. The decorators who worked on Burmese glass also applied their skills to a variety of other decorated glasses with exotic names like Royal Flemish, Crown Milano, Colonial, and Pearl Satin Ware. By 1890, the company was advertising itself as “Headquarters in America for Art Glass Wares.” toothpickdrawer

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c1920 Mitsukoshi Japanese Steel Knife and fork set with celluloid handles boxed. Amazing condition, compact set, slightly smaller than todays knives and forks. Forks are just over 6" long, knives are 7" long. Really I'm almost tempted to call it a youth set, but I don't think it was intended as that. Silk lined wood box. tw120

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7" Vintage Tom Billy Navajo Sterling silver Overlay cuff bracelet. Great looking with minimal wear,<br>7" including the 1.25" gap. 1 3/8" wide 69.6 grams. Tested sterling, only signed<br>TJB

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Vintage Navajo sterling Multi-stone cuff bracelet. No issues.All precious metals are tested and guaranteed,

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1970's Boxed Avon Collection Berry nice lip gloss, perfume pins, etc. Selling the collection shown, tallest box 2.5", the girl has some minor paint wear and marker on the back, the rest are like new, dent in strawberry box. TW120

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4 Antique Chinese Famille rose plates. 4 Chinese export plates from the first half of the 19th century. 3 the same, one slightly different. 8 5/8" wide. No damage to the three the same. The one slightly different has two nearly invisible 1" hairlines and the smallest glaze flake on the rim. Selling all four. TW120

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c1850 Antique Chinese Canton Jumbo cups. Larger than average teacups. 4 1/8" and 4/75" wide at rim. Largest has two stable hairlines in the handle, no other issues, no chips, no restorations. Selling both. blkcrate

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c1900 Antique Chinese Canton cream soups. Selling both shown in perfect condition with no cracks, chips, or restorations. 4 3/8" wide without handles x 2.25" tall. Well painted by hand on both sides. blkcrate

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Italian Uranium glass Mid Century Murano Burmese dolphin figure. Selling the figure shown from the third quarter of the 20th century with no damage, previously sold at Early's art glass auction in the 90's or so. 7.25" tall, first pic shown with a uv flashlight shining on it.Burmese glass is a single layer glass with delicate coloration of pink or salmon shading to yellow by the addition of uranium oxide and gold to the original glass batch. This created a yellow opaque glass which on reheating turned to a salmon color shading into the yellow. Further reheating turned the salmon color back to yellow as shown on the scalloped base of this figurine. The uranium in the glass causes the vase to fluoresce brightly when exposed to black light.

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Vintage 800 silver Turquoise/Marcasite Art Deco Rooster Brooch. Great European piece from the mid 20th century, there are additional hallmarks but I can't find my loupe. 1 7/8" 14 grams, no issues.

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c1900 Japanese Banko Han Painted Porcelain Teapot. No damage or restorations. 5" wide with handle x 3.25" tall tw161

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Italian Mid Century Murano Burmese Chicken and Swan figures. Selling the two from the third quarter of the 20th century with no damage, previously sold at Early's art glass auction in the 90's or so. Tallest 7 5/8", first two pics shown with a uv flashlight shining on it.Burmese glass is a single layer glass with delicate coloration of pink or salmon shading to yellow by the addition of uranium oxide and gold to the original glass batch. This created a yellow opaque glass which on reheating turned to a salmon color shading into the yellow. Further reheating turned the salmon color back to yellow as shown on the scalloped base of this figurine. The uranium in the glass causes the vase to fluoresce brightly when exposed to black light.

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c1900 Art Nouveau Sterling and Crystal perfume bottles Enamel/Cranberry silver overlay glass. Selling the three amazing bottles shown, all three fit for a queen, best of the best. 4" to 4 5/8" tall. The large cut glass with sterling enamel portrait top has some very small chigger bites as cut glass always does, no large chips. NO chips to other bottles, some mineral deposits in the large jar, none in the others. Selling the three bottles shown. All three marked sterling tw161

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18th century Cast iron hardware locks Texas/Mexico frontier. From an Austin Artists/Geologists estate that had some connection to UT. I'm not sure where they originate from but they are almost as old as dirt, really nice, hand forged. LIkely older than the 18th century I am conservatively calling them. Longest is 8.75" long without the added part that goes behind the door or whatever it came off of. b7

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1940's Heisey Orchid Etching on Lariat blank Fan vases pair. Selling both, this pattern was made from 1940-1943. No cracks, chips, restorations, hard water, or scratches. 7" tall x 6.25" wide at rim. TW225

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Pre 1850 Staffordshire transferware multicolor medici and pearlware historical bowl. Selling the three pieces shown with no cracks, chips, or restorations. Cup is 3.5" wide x 3 1/8" tall, saucer is 6 1/8" wide, bowl is 6 3/8" wide. tw148

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432 Gram Chinese Nephrite Jade Boulder carving.4 1/16" x 2 7/8" x 1.5", NIce carving. Estate fresh piece likely mid 20th century. Guaranteed authentic nephrite jade. tw225

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239 Gram Chinese Nephrite Jade Boulder carving. Nice carving 4 1/8" x 3 1/8" x 1" Estate fresh piece likely mid 20th century. Guaranteed authentic nephrite jade. tw225

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776 Gram Nephrite Jade Boulder carving. 5" x 3.75" x 1.5", guaranteed authentic nephrite jade. I think I have it sideways in the pics, there's a monkey on the bottom that should probably be on the left side. Estate fresh piece likely carved in the mid 20th century. tw225

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c1890 Antique Carlsbad Austria Oyster Plate. 9" wide with no cracks, chips, or restorations, some wear to gilding on rim. isshelf

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c1870 Pewter Relief Plaque Signed crawford. 7 3/8" square 4.5" sight with no damage. Much better in person as it's difficult to photograph behind the glass. TW148

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c1900 Haviland Limoges Butter Pat Set of 10. Selling the 10 early 20th century Haviland Limoges butter pats shown with no cracks, chips, or restorations, minor wear to gilding. 3" wide. TW224

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2 c1870 Imari Plates. Selling both Japanese imari hand painted plates from the last half of the 19th century with no cracks, chips, or restorations and expected minimal wear to gilding and enamel as shown. 8.75" wide imshelf

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Vintage Native American Sterling Shadowbox channel inlay ring 9.7 grams. All precious metals are tested and guaranteed,

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Vintage Mexican sterling turquoise pendant on necklace. 23.2 grams total 1 5/8"<br>pendant, 18" necklace. Both pieces marked and tested sterling. Necklace has<br>never been worn and is much more recent than pendant.

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Large Vintage Sterling Chrome Chalcedony ring. Very cool unmarked (tested) sterling from the third quarter of the 20th century with no issues. A very substantial 22 grams. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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1920's Austria Portrait Butter Pat set for Herzog Galleries Houston. Selling the set of 5 shown, combination of hand painted accents over a transfer. 3" wide with no cracks, chips, or restorations. isshelf

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WW2 Era Caterpillar Watch Fob Art Deco Sentinel Pocket watch. Selling the fob shown.

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Designer Sterling Pop Art Moderne Mesh screen bracelet. Very unusual piece that I feel should be by an important designer. I don't recognize the hallmark but I didn't try, maybe one day I'll have time. It's marked and tested sterling, very lightweight, very well made and in good condition. Weighs 10 grams 7.75" inside diameter.

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Egyptian Silver and turquoise pendant with necklace. This piece is great and has significant age on it but I don't have time to figure out the hallmarks, I know the bottom one means it's egyptian, I believe 80% silver purity, there's another one on the top piece that's different. Great piece, 50-100 years old. The necklace was on it when I got it, the necklace tests sterling with a replacement clasp that isn't sterling.34.5 grams Pendant is 3" long x 2.25" wide, necklace is 24" long. This is a very high quality piece, not the typical tourist piece you find.

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Vintage Native American Sterling Stampwork cuff bracelet. Nice heavy hand stamped cuff from the third quarter of the 20th century. All precious metals are tested and guaranteed,

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Russian Fedoskino Lacquer Box Late 20th century. No damage or wear, hand painted. 3.5" x 3" x 1.5" deep.<br>isshelf

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Vintage Shiva Bronze statue. Nice well cast bronze from the first half of the 20th century. Very heavy for it's size solid bronze with no damage. 10" tall x 8.5" wide. TW223

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1875-1905 JB&SM Knowles American Sterling Fancy Serving Spoon Newton and Lincoln. I'm not sure if Newton and Lincoln was a hotel or what, reguardless it's a great spoon that's really clean in basically like new condition and it's about 120-140 years old. 8.75" long 54.5 grams. tw255

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c1890 Guilloche Enamel Gilt 900 Silver Calling card case. I believe this is Austrian, the quality is the best from the construction of the heavy for it's size box to the painting on the front enamel plaque to the the guilloche sides and reverse, all great. Some damage as shown to the Guilloche on sides, front and back are good with no scratches. 154.2 grams 2.25" x 3.5. Entirely hand painted portrait with thick gold interior, the box only opens just under 90 degrees as shown, that's how it was manufactured 130 or so years ago. tw208

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Vintage Native American Sterling silver Turquoise Tufa cast claw channel inlay cuff bracelet. . All precious metals are tested and guaranteed,

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Vintage Kee Native American Sterling silver Turquoise channel inlay cuff bracelet All precious metals are tested and guaranteed,

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c1900 Art Nouveau George Unite Sterling Scent Bottle with French Limoges Enamel Plaque. Very special and over the top in so many ways. 413.8 grams very thick solid sterling marked and tested of the best quality encasing a glass perfume bottle with ground stopper. A few very small dents on the top, no other issues. tw208

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2 Vintage Southwestern Twisted rope sterling silver bangles. Unmarked, tested sterling.

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c1890 Douverdrey & Bloquel French Carriage clock in Travel case. Great clock in attractive wood case. Case has some expected wear, Interior chip to bottom right of glass on front, exterior chip in same place on back. Insignificant issues in my opinon. It's running right now and keeping good time. When you get it, if you set it turning the hands clockwise it should start ticking if you wound it first and don't overwind it of course. 4.25" tall without handle or case. Case is just over 5" tall. key included Great clock. isshelf

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2 Vintage Southwestern Twisted rope sterling silver bangles. Unmarked, tested sterling.

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c1929 Crown staffordshire Miniature Tea Cup and saucer, bowl and pitcher and other. Selling the lot shown with no cracks, chips, or restorations. Saucers 2.25" wide for reference, some expected crazing with no stains. Selling everything shown. b1

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Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Men's Size 11 Ring.

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Navajo Sterling Onyx Pendant 19.5 grams 2.25" tall with no issues.

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Chinese Ming Swatow Bowl. Stable hairline in top, some crazing. No other cracks, chips, or restorations, was purchased from Neiman Marcus galleries in Houston in the Early Seventies, at the time they sold antiques and maybe still do. 10 7/8" wide. tw217

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Sz 8 Vintage Amber and Sterling ring. Genuine amber, marked 925 tested sterling with no damage or issues. 8.8 grams Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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c1880 French Bronze Dore Guilloche Enamel Opera Glasses. 4" wide x 2.75" tall fully extended. They don't get much better 100% hand painted, original case. Fully functional and display very well, there are some missing jewels and slight cracks to enamel shown in last pic, leather handle to case is damaged. tw217

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3 Pairs Vintage Navajo/Hopi Sterling earrings. 29 grams total, largest 1.75" long. Largest missing backs which I removed from the other pair to show artists name in pic. No significant issues. The Stone in the large pair appears to be rose quartz.

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Vintage German Sterling Guilloche Marcasite Fish brooch. No damage 10.5 grams 1<br>5/8" wide.

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