1970‘s Navajo sterling silver tube bead necklace with turquoise stones long. Tested and guaranteed solid sterling silver with weight and measurements in the pictures. No detectable issues. Any markings detected will be shown in the pictures. Unknown artist, likely Native American made from large collection of Native American jewelry purchased in the last quarter of the 20th century and never worn for the most part.   14" long, it's on a fairly stiff but pliable wire.

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Antique Persian Middle Eastern Silver Inlay Copper Tray 14" wide and very heavy<br>for it's size as it's copper and silver. Guaranteed 18th-19th century. 90+%<br>silver (tested) on copper.<br>TW121

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14" Antonio Pineda Mid Century Modernist 970 silver choker necklace, from the 3rd quarter of the 20th century with no issues. 14" inside measurement when closed, would be longer but doesn't stretch all the way long due to it's construction. 82.3 grams, 14mm wide.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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15" Antonio Pineda Mid Century Modernist silver choker necklace, from the 3rd quarter of the 20th century with no issues. 15" inside measurement when closed, would be longer but doesn't stretch all the way long due to it's construction. 79 grams, 14mm wide. Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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14" c1910 Schierholz Dresden Germany Hand Painted handled Serving Dish No damage whatsoever, clean gold with minor wear, very big. 14" x 10 5/8" x 2" deep. Colors are more vibrant than the pics suggest.

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14" Huge Wimberly Glassworks art glass fan vase. 8" wide at rim with no cracks, chips, restorations, or wear. Signed WGW 2007 on base. While not very old, this would retail for about $400-$500 new from Wimberly Glassworks and it's in new condition, handmade. TW221

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14" Vintage Mid Century Modernist Mexican sterling choker necklace 15mm-16mm wide. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa third quarter of the 20th century.

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14.25" Georg Jensen Art Deco Sterling and moonstone Choker necklace. 14.25" long<br>closed x 5/8" wide x 48.4 grams. No issues whatsoever, pictured on a 12" neck.<br><br>Georg Jensen, (born August 31, 1866, Raadvad, Denmark—died October 2, 1935,<br>Copenhagen), Danish silversmith and designer who achieved international<br>prominence for his commercial application of modern metal design. The simple<br>elegance of his works and their emphasis on fine craftsmanship, hallmarks of<br>Jensen’s products, are recognized around the world.<br><br>Jensen was apprenticed to a goldsmith at age 14. His artistic talents were<br>briefly focused on sculpture, but he returned to metalwork, primarily jewelry<br>and silver pieces, produced in the workshop he opened in Copenhagen in 1904.<br>Jensen exhibited his works at several major foreign exhibitions (winning a gold<br>medal at the Brussels Exhibition of 1910) and quickly built a reputation as an<br>outstanding and highly original silversmith. He moved to a larger workshop in<br>1912 and acquired his first factory building in 1919.<br><br>Jensen’s silverware achieved immediate popularity and commercial success. He<br>was, in fact, the first silver maker to realize a profit from the manufacture of<br>modern silver. Until Jensen’s time virtually all successful silverware producers<br>had relied on a standard repertory of popular traditional designs. Jensen,<br>however, found that the market for his sleek, simple pieces was larger than<br>anyone had predicted. His firm grew rapidly, expanding throughout Europe and<br>opening branches in London and New York City. On both continents Jensen’s work<br>set trends for contemporary tableware. He was among the first designers to<br>fashion steel—formerly considered fit only for low-quality, inexpensive<br>flatware—into handsome, serviceable cutlery.

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14.75" Chinese Kangxi (1661-1722) Famille Verte charger. 14.75" wide x 3" deep, small chips and glaze frits all around rim and some on footrim. One tight and stable hairline really only visible on reverse side shown at bottom of last pic by the label. No large cracks or restorations. Stable and displays very well.

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14K gold and Jasper beaded necklace. Marked and tested 14k gold clasp and beads.<br>24" long with no issues.

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14k gold/sterling silver Hollywood classics Texas star hand engraved belt buckle . Tested and guaranteed solid sterling silver, solid 14k gold star, weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa last quarter of the 20th century.. Fits up to a 1 1/8" belt

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14k gold/Sterling silver Norbert Peshlakai Navajo Italian coral belt buckle. Tested and guaranteed solid sterling silver, solid 14k gold bezel, weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa last quarter of the 20th century.. Fits up to a 1.25" belt

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14k yellow gold citrine and peridot necklace pendant. Tested and guaranteed solid 14k gold, natural stones. Circa last quarter of the 20th century. Very clean with minimal wear, weight and measurements in pictures.

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14k yellow gold garnet cluster halo pendant. Tested and guaranteed solid 14k gold, natural garnets. Circa last quarter of the 20th century. Very clean with minimal wear, weight and measurements in pictures.

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Vintage Italian designer clamper bracelet from the late 20th century very clean<br>with strong spring. Marked and tested 14k gold and sterling 36 grams<br>approximately 7" inside diameter.

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14k/sterling modernist southwestern earrings 1 1/8" tall, amazing quality, unsure of artisan. 6.4 grams. All precious metals are tested and guaranteed,

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14mm-15mm Lagos Caviar 18k gold and Sterling bracelet. Guaranteed authentic, top quality Lagos Caviar, solid 18k gold beads and logo mounted a thick high quality sterling silver bracelet. 107 grams total weight. No issues, preowned with little wear.

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15 1950's-1960's Restaurant China Coasters for Astrup Company Walker China 4".<br>Selling all 15 2 atlantic Cities, other than that all different. These are all<br>mint with no cracks, chips, scratches, crazing, or stains.

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Cups are 3" tall, saucers are 5.75" wide. Great vintage set in a harder to find<br>pattern. No cracks, chips, or stains. Crazing on every piece, I believe it was<br>produced that way on purpose.

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15" & 17" 2 1970‘s Vintage Navajo sterling silver turquoise/chip inlay necklaces. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa 1970‘s, one 15" long another 17" long. Selling both for one price.

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15" Robert Eickholt Heavy Abstract studio art glass centerpiece bowl. 15" wide with no damage or detectable wear. Robert Eickholt is a well known glass artist who has been creating captivating blown glass for over 40 years. Robert founded Eickholt Glass in 1978 when he returned home to Columbus, Ohio after studying glassblowing in Berkeley, California. Once home he continued his studies at Ohio State and at the Columbus College of Art and Design. Since its founding the studio has produced numerous types of beautiful art glass creations such as paperweights, vases, eggs, sculptures and perfume bottles. Each piece is made one at a time and completely unique. Eickholt Glass is quite well known for their distinctive designs which incorporate precious metals including gold and silver and rare oxides like cobalt and copper. Their beautiful art glass has earned them accolades worldwide. tw243

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15" Vintage Navajo modernist sterling silver abalone shell choker bib necklace. Selling the necklace shown in good condition with weight and measurements in pictures. Tested and guaranteed solid sterling silver. 15" long necklace, circa third quarter of the 20th century.

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15.25" Longchamp French Majolica Asparagus Serving Platter 9.25" deep x 3.5" tall. No cracks, chips, restorations, or glaze flakes, some crazing as expected. I have 6 plates and a larger serving bowl listed separately.

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15.4" c1860 Meissen Vase serpent Handles Hand Painted, Heavy Gold. 9.5" wide<br>from handle to handle. No cracks, chips, or restorations. Near perfect gold,<br>these are seldom found, but when they are the gold is often very worn on the<br>raised areas.

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18K yellow gold and sterling silver David Yurman Figaro chain necklace featuring<br>black onyx faceted beads with toggle closure. Very fine pre-owned condition with<br>no damage or detectable wear. 39.7 grams 7mm wide.

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15.5" Mitchel Sockyma Hopi overlay bib choker necklace paw sterling silver. Tested and guaranteed solid sterling silver with weight and measurements in pictures. No issues. Circa last quarter of the 20th century. 15.5" long, with no apparent issues.

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15.5" Penketewa Zuni vintage sterling silver beaded pendant necklace. Selling the necklace shown in good condition with measurements in pictures. Tested and guaranteed solid sterling silver. Weight and measurements in pictures. Circa third quarter of the 20th century, 15.5" long.

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15.5" Vintage Chinese Cloisonné Birds and Butterfly Vase. Nice, high quality piece. Estate fresh from the third quarter of the 20th century with no damage, minor oxidation to exposed brass. No identifying marks. Large piece 15.5" tall x 7.25" wide. isshelf

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Guaranteed early to mid 1800's. 10 saucers and 5 cups. One saucer has a crow's foot, but since there's extras that shouldn't be an issue. Very light yellowing to some pieces, no dark noticeable stains. No cracks, chips, or restorations other than the one crow's foot. These are 100% hand decorated, it takes close examination to see the subtle variations of the pattern. 5.75" saucer x 2.5" tall cup.

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15pc c1900 Haviland Limoges Game Set Art Nouveau Jeweled Rims Hand Painted Over transfer. I'm including a Sauce boat with lid that isn't shown in the pics it will be a pleasant surprise as it has the same jeweled border and nice basketweave handles with gold accents. There is a repaired chip on the lid of the sauce boat. There are no other cracks, chips, or restorations to the rest of the set. There is some very minor gold wear, mainly to the platter on the very outside rim, none of it is noticeable on a fine and unique set such as this one. 13 Plates total I'm listing the quanity of each style below starting with the first pic shown of individual plate and ending with the last. 3 Woodcocks, 3 Pheasants, 2 Roadrunners?, 2 doves?, 2 Quails, 1 mallard duck. The one 17.75" x 12.25" Platter with multiple gamebirds. I've had a lot of Game sets of the years and this is the best one I've had that would mix well with most modern decor, this set would fit in anywhere. B46

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15th century Ming Chinese porcelain bowl with blue underglaze decoration 5" wide, described in detail on 1984 appraisal which will be included and a pic of is included in the attached pictures. Jo Ann Adams was a very well respected, thorough, and knowledgeable appraiser that specialized in Asian antiques. And as you most likely know if you're reading this Chinese porcelain is one of the few areas of Antiques/Collectibles that have proven to be an excellent investment in the last 38 years since these appraisals were done.Two tiny chips on top rim, one on footrim. Some crazing and light stains, a few tight lines on top rim that don't extend far on either side, no restorations, cracks, or large chips.isshelf

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older<br>2" tall no significant damage, no cracks, no restorations.<br>B31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older 2 3/8" tall no significant damage, tiny chips on unglazed footrims, the one with handles has a very old restoration on top rim and one handle. no cracks. b31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older 2 5/8" tall no significant damage, tiny chips on unglazed footrims, no cracks, no restorations. B31

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15th Century Thai Sawankhalok celadon Tall bottle or Vase with incised<br>decorations 15th century or older 4" tall one handle looks to have very old<br>restoration, tiny chip on top rim, no cracks or other issues.<br>b31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older<br>2" tall widest is 2.5" . Decorated one has tiny chip on footrim, no other<br>cracks, chips, or restorations.<br>B31

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15th Century Thai Sawankhalok Kiln Celadon Jar. 3.75" tall x 4.5" wide, red low fired clay, some firing glaze flaws on top likely from overstacking the kiln. B31

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15th Century Thai Sawankhalok Kiln Condiment Jar with Lid. Very early piece of Thai pottery 15th century collected in the mid 20th century by a woman that is now 96. I'll be selling more of her items shortly. 3.25" tall x 4 3/8" wide One chip on top of lid and some roughness inside the rim on the lid and base that is likely a combination of firing flaws and minor wear from centuries of use. b31

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15th Century Thai Sawankhalok Kiln Condiment Jar with Lid. Very early piece of Thai pottery 15th century collected in the mid 20th century by a woman that is now 96. I'll be selling more of her items shortly. 3.25" tall x 4 3/8" wide One chip on top of lid and some roughness inside the rim on the lid and base that is likely a combination of firing flaws and minor wear from centuries of use. b31

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15th Century Thai Sawankhalok Kiln Condiment Jar with Lid. Very early piece of<br>Thai pottery 15th century collected in the mid 20th century by a woman that is<br>now 96. I'll be selling more of her items shortly. 3" tall x 3.75" wide with no<br>cracks, chips, or restorations.<br>TW129

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15th/16th Century Early Printed bible page with hand rubricated initials. From a large collection of manuscripts, framed in the third quarter of the 20th century. 10.75" x 8.75" framed, 8.5" x 6.25" sight. paintingshelf

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15th/16th century Vellum Antiphonal leaf. This is on Vellum/hide. There are some tears but it's stable in the frame. For some weird reason there is clear tape on the back of the glass and a little on the front, possibly they taped the two panes together and over time the tape degraded a little, still it displays well. Slightly illuminated in the picture shown. 22.5" x 16" framed.The origins of liturgical music traditionally date back to St. Gregory the Great (d. 604), who was inspired by the Holy Dove to record the principles of 'Gregorian' chant. The Gradual contained the musical parts of the Missal and was sung from the steps (gradus) of the altar. The Antiphoner contained the musical sections of the Breviary. These terms have become interchangeable in modern times. Because of their size and complexity, these manuscripts were still being handmade in the traditional way for centuries after the introduction of printing. They were boldly hand-written and illuminated on large sheets of sturdy vellum so that the entire choir could read from one book.

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15th/16th century Vellum Antiphonal leaf. This is on Vellum/hide. There are some<br>tears but it's stable in the frame. For some weird reason there is clear tape on<br>the back of the glass and a little on the front, possibly they taped the two<br>panes together and over time the tape degraded a little, still it displays well.<br>Slightly illuminated in the picture shown. 22.5" x 16" framed.<br><br>The origins of liturgical music traditionally date back to St. Gregory the Great<br>(d. 604), who was inspired by the Holy Dove to record the principles of<br>'Gregorian' chant. The Gradual contained the musical parts of the Missal and was<br>sung from the steps (gradus) of the altar. The Antiphoner contained the musical<br>sections of the Breviary. These terms have become interchangeable in modern<br>times. Because of their size and complexity, these manuscripts were still being<br>handmade in the traditional way for centuries after the introduction of<br>printing. They were boldly hand-written and illuminated on large sheets of<br>sturdy vellum so that the entire choir could read from one book.

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16" 10mm David Yurman Sterling/18k Figaro Chain. Guaranteed authentic David<br>Yurman, marked and tested 18k gold and sterling. 52.7 grams No damage or<br>significant wear.

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16" 1940‘s Taxco Art Deco Sterling silver Mexican Disks necklace. Solid sterling silver tested and guaranteed Marked Taxco Sterling as shown in one of the pics.. No issues, circa second quarter of the 20th century. Weight and measurements in pictures.

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16" Antique Japanese Meiji Period Imari Charger . No cracks, chips, or restorations, late 19th century.

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16" c1900 Wilhelm Schiller Austrian Majolica Vase 11.75" wide with handles. X 15 7/8" tall. No cracks, chips, or restorations.Wilhelm Schiller began production of porcelain and earthenware in Bodenbach, Bohemia in 1829, operating under the name of Schiller and Gerbing. In 1885, the firm was dissolved and renamed Wilhelm Schiller and Son and remained in operation until the onset of World War I. It is unknown whether the firm of Schiller and Gerbing produced majolica, but the firm of Wilhelm Schiller and Son is clearly the most prolific of the Bohemian manufacturers of majolica.The color palette used by Bohemian majolica makers including Schiller is much more subdued than that of their Staffordshire counterparts. The background of many Schiller pieces is of a matte-finished taupe, light gray or turquoise with glazed surface features in various shades of brown and black. The interiors are usually glazed in turquoise. Much of the firm’s production reflects the transition from traditional Victorian majolica to the Art Deco style. The most common Schiller pieces are decorative vases, jardinieres, table centers and ewers. No examples of Schiller majolica plates, bowls or other functional table-wares are known.Wilhelm Schiller and Sons majolica was marked with the letters ‘WS&S’ that was either impressed or contained within a raised cartouche.

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16" c1930 Pink Cut Depression Glass Lamp. Incredible lamp 6" wide at base with<br>no cracks, chips, or restorations. There are some very tiny chigger bites where<br>the hole was drilled for the cord which is to be expected as it's not a flat<br>surface, it likely had a grommet 85 years ago. The lamp and switch work<br>TW95

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16" David Anersen Norway Sterling silver blue enamel leaf for modernist necklace. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. No issues, marked as shown.

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16" Georg Jensen 1 Art Deco Sterling Choker necklace 5/8" wide x 56 grams. No issues whatsoever.Georg Jensen, (born August 31, 1866, Raadvad, Denmark—died October 2, 1935,<br>Copenhagen), Danish silversmith and designer who achieved international<br>prominence for his commercial application of modern metal design. The simple<br>elegance of his works and their emphasis on fine craftsmanship, hallmarks of<br>Jensen’s products, are recognized around the world.<br><br>Jensen was apprenticed to a goldsmith at age 14. His artistic talents were<br>briefly focused on sculpture, but he returned to metalwork, primarily jewelry<br>and silver pieces, produced in the workshop he opened in Copenhagen in 1904.<br>Jensen exhibited his works at several major foreign exhibitions (winning a gold<br>medal at the Brussels Exhibition of 1910) and quickly built a reputation as an<br>outstanding and highly original silversmith. He moved to a larger workshop in<br>1912 and acquired his first factory building in 1919.<br><br>Jensen’s silverware achieved immediate popularity and commercial success. He<br>was, in fact, the first silver maker to realize a profit from the manufacture of<br>modern silver. Until Jensen’s time virtually all successful silverware producers<br>had relied on a standard repertory of popular traditional designs. Jensen,<br>however, found that the market for his sleek, simple pieces was larger than<br>anyone had predicted. His firm grew rapidly, expanding throughout Europe and<br>opening branches in London and New York City. On both continents Jensen’s work<br>set trends for contemporary tableware. He was among the first designers to<br>fashion steel—formerly considered fit only for low-quality, inexpensive<br>flatware—into handsome, serviceable cutlery.

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16" Locaspino Zuni sterling silver needlepoint turquoise bib/choker necklace. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa third quarter of the 20th century. No detectable markings. 16" necklace, other measurements in pics.

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16" Los Castillo Modernist sterling and turquoise choker necklace. 16" long 14mm<br>wide, no issues, likely simulated or block turquoise 53 grams, rare design.<br><br>Los Castillo Jewelry - History<br>Antonio Castillo and his brothers Jorge, Miguel, and Justo began Los Castillo in<br>1939. They had all apprenticed in William Spratling’s taller before starting<br>their own business in Taxco, Mexico. Antonio Castillo rose to the level of<br>master silversmith during his time working with Spratling.<br><br>The Los Castillo workshop trained and employed many skilled silversmiths over<br>its decades in the business, including the Castillo brothers’ cousin Salvador<br>Teran, Sigi Pineda, Antonio Pineda, and Antonio Castillo’s wife, Margot van<br>Voorhies Carr. All these artists went on to open their own successful workshops,<br>including van Voorhies Carr who founded Margot de Taxco after she and Antonio<br>Castillo divorced.<br><br>Los Castillo is known for its quality silver wares as well as mixed metals that<br>incorporated copper and/or brass with sterling silver. Other decorative home<br>accessories can be found with silver plating and inlaid stone embellishments.<br><br>Chato (Jorge) Castillo was one of the Castillo brothers who worked in the 1930s<br>for William Spratling. He is known for his technical expertise and his design<br>talent. He developed the techniques for married metals, feathers with silver,<br>Aztec mosaic or stone inlay, concha or abalone inlay,...(Mexican Silver: Modern<br>Hand-wrought Jewelry & Metalwork by Morrill and Berk (Schiffer: 2007, 4th<br>Edition), p. 86.

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****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* 16" Retired James Avery heavy modernist sterling necklace. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear.

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16" Retro Southwestern sterling and lapis freeform cross necklace.. Sterling fitting and chain, genuine Lapis Lazuli, weight and measurements in pics. All precious metals are tested and guaranteed,

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16" Retro Sterling Toggle necklace with Pink Visual heart charm.  This was a promotional item given by pink visual to actresses.  If you purchase it I can send you a link of a picture of her wearing the necklace online if that's of interest.  Nice solid heavy necklace, Tests sterling marked what looks like JC 925. The heart could easily be cut off if not wanted, I could do it if asked but obviously wouldn't unless asked. 59.3 grams.

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16" Retro Taxco Mexican sterling silver onyx beaded tab choker necklace. Solid sterling silver tested and guaranteed Marked Taxco Mexico 925 as shown in one of the pics close to the clasp. No issues, circa last quarter of the 20th century. Weight and measurements in pictures.

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Vintage Barry Kieselstein Cord Carnelian beaded necklace with Sterling frogs/ladybug 16" long, rare if not one of a kind.

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16" Vintage Carol Felley Amethyst and sterling southwestern necklace. No issues, measurements and weight in pics.<br><br>Following her passion for painting and jewelry design Carol moved to New Mexico<br>after graduating from Carnegie Mellon University with a Fine Arts degree. She<br>was inspired by the jewelry making community in the Southwest and opened a<br>design and jewelry manufacturing business in Albuquerque, New Mexico which she<br>owned and operated for thirty years.<br><br>She has also been deeply moved by her volunteer work with hospice and decided to<br>develop a new jewelry company called “Style Conscience” dedicated to raising<br>awareness and support for specific causes that she is passionate about. Carol<br>has rededicated her efforts and has combined her love and talent for jewelry<br>design with her passion for making a difference in the world.<br><br>Carol has developed her own unique signature jewelry collections that raise<br>awareness jewelry to a new level of design and beauty. She believes that women<br>want to wear something precious and meaningful that is beautifully designed to<br>express their support for important causes. Carol’s jewelry is crafted from<br>precious metals and gemstones and each individual piece is beautifully finished<br>by hand.”<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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16" Vintage Native American sterling silver shell heishi turquoise tab necklace. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. Unmarked.. No significant issues

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16" Vintage Santo Domingo shell bead stamped sterling silver tube necklace. Solid sterling silver tested and guaranteed beads with no apparent markings, with weight and measurements in the pictures. No issues, circa third quarter of the 20th century.

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16.5" & 14" Vintage Native American sterling silver heishi turquoise necklaces. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. Unmarked.. No significant issues Selling both necklaces shown, length shown in pictures.

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16.5" & 23" Vintage Santo Domingo Pueblo Heishi shell necklaces bird fetish. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. Unmarked.. No significant issues Selling both necklaces shown, length shown in pictures.

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Bill & Lou Lucinda Laweka Zuni sterling silver coral cluster necklace. Selling the 16.5" long necklace shown, circa fourth quarter of the 20th century. Tested and guaranteed solid sterling silver. Listed with ExportYourStore.com

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16.5" Polia Pillin(1909-1992) Mid century Modern California Art Pottery Bowl<br>late 1940's-50's. Exceptional early heavily potted Pillin piece just discovered<br>estate fresh. Bought from Polia for $75, I'm thinking the 101 on the tag<br>indicates it was likely her 101st piece made. This is a really big bowl with<br>typical crazing and 3 of the tiniest glaze flakes on the outside rim. No cracks,<br>chips, or restorations.<br><br>Polish-born Polia Pillin (1909-1992) and her husband William established their<br>ceramic studio, The Pillin Art Pottery Company, in their Los Angeles, CA garage<br>in 1948. Her husband shaped and glazed the pots that became canvases that Polia<br>used to paint fanciful scenes of people and animals in the mid-century style.<br>Thousands of pieces were produced and Polia became one of the most highly<br>regarded of contemporary studio potters today.<br><br>The clay used for Pillin pottery was typically red-brick in color. William<br>experimented with different glazes and produced some pieces without Polia’s<br>artwork. However, it was Polia’s artistic designs that garnered her<br>international recognition. Polia was inspired by the Cubism movement and by the<br>works of Pablo Picasso whom she greatly admired. Her style is often referred to<br>as “Byzantine”. Polia’s favorite subjects were women, horses, birds, fish and<br>other animals painted over colorfully rich glazes. The overall pallet had an<br>organic, jewel-toned quality.<br><br>Each piece of Pillin pottery was hand-thrown, glazed, painted and hence, unique.<br>Because Pillin worked from her garage (and in her kitchen when she lived in<br>Chicago), she did not have access to expert tradesmen, chemists or specialized<br>equipment that could mass produce her work. For that reason, most Pillin pottery<br>is highly crazed. Rare pieces with little to no crazing command higher values.<br><br>Most pieces of Pillin pottery were produced beginning in 1948 and marked on the<br>bottom with Polia’s signature “Pillin” in either thick or thin black ink. Rare<br>pieces produced in her Chicago kitchen in 1946 and 1947 are incised “46” or<br>“47”. Some very early pieces are marked “W+P” above the Pillin signature to<br>indicate William throwing the pieces and Polia decorating them. Thicker thrown<br>pieces tend to indicate earlier works.

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16.5" Retro Carol Felley Sterling silver malachite beaded pendant necklace. Solid sterling silver tested and guaranteed with the markings shown in the pictures markings, with weight and measurements in the pictures. No issues, circa last quarter of the 20th century.

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16.5" Vintage Navajo sterling silver cone beaded necklace w/turquoise pendant . Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa third quarter of the 20th century.

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16 5/8" tall Antique Parian Figure Sculpture Woman in ornate dress 19th century<br>8" wide at base. Small chip inside base rim. No cracks, other chips, or<br>restorations. Large heavy piece. Weighs 9 pounds. Marked B&B with H on top and S<br>on bottom in a diamond.

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168ct Boulder Opal drilled pendant/bead. Selling the exact stone shown. Has a<br>clean 2mm hole drilled through it. I have several of these I will be offering<br>them separately. They were on a 24k gold necklace with large 24k beads between<br>each stone. The gold has already been recycled and I'm hoping to repurpose these<br>as they are expensive stones that were worthy of putting on a necklace that had<br>thousands of dollars worth of gold on it. The possibilities are endless, one of<br>them or a few would be great in or out of a setting. Buying the exact stone<br>shown 58mm x36mm, weighs 168ct.

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17" 40‘s-50‘s Vintage Zuni sterling silver petit point bib necklace turquoise. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Stones secure, a few with old fractures.. Circa second quarter of the 20th century. Chain appears later.

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17" Antique Chinese Carved wood Buddha statue. 18th-19th century antique figure, previously sold at Christies East with label intact. 17" tall x 7" wide, repair to hand as shown.

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17" c1940‘s Navajo sterling silver high grade turquoise pendant necklace Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa second quarter of the 20th century. Unmarked.. No significant issues

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17" JB Navajo sterling silver squash blossom choker necklace. Selling the 17" long necklace, circa third quarter of the 20th century. Tested and guaranteed solid sterling silver.

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17" M White Navajo Atkinsons Trading Post sterling silver shadowbox necklace. Selling the 17" long necklace shown, circa third quarter of the 20th century. Tested and guaranteed solid sterling silver. Listed with ExportYourStore.com

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17" Retro Southwestern Touch of Santa Fe sterling channel inlay necklace 5mm wide with no issues.The initial idea was born in Santa Fe, New Mexico in the heart of the Native American art district to cater to the educated collectors of southwest jewelry and art, and the every day American consumers which are interested in a modern look that carries value and pizzazz . A Touch of Santa Fe was founded in 1993 in Albuquerque, New Mexico. ATSF grew rapidly to become one of the largest producers of Native American crafted lapidary (Inlay) jewelry. The collectors of southwestern jewelry and art have recognized for the past 24 years ATSF as the only company in the industry that offers a lifetime guarantee on its products, along with a wide variety of both men and women’s jewelry styles in an unlimited selection of color combinations.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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17" small Antique Navajo ingot silver squash blossom necklace turquoise naja. Selling the necklace shown in good condition with measurements in pictures. Tested and guaranteed solid ingot silver. Weight and measurements in pictures. Circa first quarter of the 20th century, 17" long smaller necklace likely worn by a youth or smaller woman.

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17" Southwestern sterling silver onyx, lab opal arrowhead form pendant necklace. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa last quarter of the 20th century. Unknown maker.

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17" Vintage Native American Sterling, turquoise and antler necklace. 17" long, beads and other metal is solid sterling, genuine turquoise, pendant is 2" 45.7 grams. Marked FB on reverse side.

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