1920's Antique Condom Tin Akron tourist tubes Zeppelin Litho Vintage<br>Prophylactics Tin. Very cool 2 1/8" x 1 5/8" x .25", guaranteed authentic. A<br>handfull of these originally found by my client's grandfather about 50 years ago<br>in an old barn in West Virginia. He sold those, some for as much as $2500 each<br>via Ebay auctions, he saved the best two and here we are. One scratch at bottom<br>right below Zeppelin. Overall super clean with no rust.<br>pwdrawer

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1920's Antique Flower Basket Doorstop. 10.5" tall x 8" wide. Heavy cast iron likely over 100 years old with no damage.

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1920's Art deco Watson Sterling Genuine Cloisonné Brooch. Great condition 1.75" wide x 5/8" tall with no detectable wear or damage.

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1920's Austria Portrait Butter Pat set for Herzog Galleries Houston. Selling the set of 5 shown, combination of hand painted accents over a transfer. 3" wide with no cracks, chips, or restorations. isshelf

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1920's Awaji Japanese Deco Art Pottery Vase Tubelined Squeezbag Decoration in the Style of Moorcroft. Very unusual and wonderful piece. Period art deco, signed Made in Japan and the Awahi Kiln Mark. The outlines of the hand painted decoration are Tubelined. 7.5" tall x 7.25" wide at rim. No cracks, chips, or restorations, some expected crazing, but no stains. While the decoration is also Gouda style, this is really next level quality with the tubelined squeezbag and the great matte glaze. In my opinon this would be a Book Cover type example for a few diferent collecting areas, it's fresh to the market for the first time since the internet. Awaji pottery has got its name after the Japanese island at which it was made during a period of about one hundred years, between 1830 and 1939. Most of the pieces we find are made from the mid 1870's when Awaji began to export its products, to the mid to late 1930's when the last of the kilns closed. Earlier wares from the active period of this kiln catered to the Asian taste and could be found imitating Chinese monochromes from the Kangxi period and later. Wares from the turn of the century, the shapes got more inspired by the western art movement such as Art Deco (Jugend) and Art Noveau. Awaji pottery is usually hand thrown. The body is made of high-fired, white or cream colored clay. Footrims can vary from pink or buff to white or grey. The glazes are lead based and often brilliant in tone. They are typically translucent and have a fine crackle. The lead in the glaze gives the colors brilliance and makes the translucent enamels glassy and often iridescent. Most common are the green and yellow Awaji monochromes. The yellow can range from pale lemon to deep amber but also cobalt blue, aubergine, light green, blue, light and dark turquoise, mirror-black, and burdy occurs. Other wares can feature two-tone glazes, three-color glazes that are very similar to Chinese sancai), pieces, with incised decoration (most commonly featuring iris flowers), and applied relief decoration. Also more gaudy examples from the last decade are Flambé and drip glazed wares similar to Japanese Sumida and Chinese Shiwan pottery, or later Jindezheng Jun or transmutation glazes, with generous layers of thick glaze B35

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1920's Bohemian Hoffman Intaglio Perfume bottle with stopper. Great bottle likely with the best smelling perfume ever. The stopper is stuck and I don't have time to mess with it. Stopper mis missing part of the dauber which can't be seen with the bottle mostly full as it is, no other damage or wear to stopper, two tiny tiny rough spots on base, no large chips other than dauber, no cracks. 5.5" tall x 4 1/8" wide. Butterfly mark engraved in bottom center of stopper, no other detectable markings. perfumedrawer

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1920's Czechoslovakian Amethyst Iridescent Hand Enameled Candlestick. 8.75" tall, over the top with iridescence and enameling from the first half of the 20th century with no cracks, chips, or restorations. B32

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1920's Demitasse Turkish Coffee Cup and Saucer Set of 5 Rudolph Wachter Bavaria.<br>Selling the 5 Demitass cups and saucers shown with no cracks, chips, or<br>significant wear. Cups are 3" tall x 2 3/8" wide at the rim, saucers are 5".<br>Highly decorative set as shown, hand painted accents over transfer design. Very<br>close to 100 years old if not so.<br>TW227

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1920's Durand Art Glass Candlestick. Very amazing candlestick, I've had a lot of<br>Tiffany, Steuben, etc candlesticks and they just don't come any better. 5.25"<br>tall x 4.5" wide rim with no damage or flaws.<br><br>Durand art glass was made between 1924 and 1931. Durand was the art glass<br>division of Vineland Flint Glass Works in New Jersey which was founded by Victor<br>Durand in 1897. Many of the glass artists came from the Quezal Art Glass company<br>which closed in 1924. The artists at Durand were granted a great deal of freedom<br>to produce glass in a variety of styles. Many pieces were blown using an unusual<br>yellow glass which many collectors now refer to as "Ambergris". Durand produced<br>a wide variety of art glass items including bowls, vases, perfume bottles,<br>candlesticks and lamps. Durand's art glass quickly gained fame for its beauty<br>and quality. In 1926 Durand received a medal of honor at the Sesquicentennial<br>International Exposition in Philadelphia. Sadly production ceased in 1931 when<br>Victor Durand died in an auto accident.<br><br>tw106

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1920's Durand Blue Cut to Clear glass Vase. 8 5/8" tall with no cracks, chips,<br>or restorations. Does appear to have some cloudiness in the interior which I<br>didn't attempt to remove. unmarked.<br><br>Durand art glass was made between 1924 and 1931. Durand was the art glass<br>division of Vineland Flint Glass Works in New Jersey which was founded by Victor<br>Durand in 1897. Many of the glass artists came from the Quezal Art Glass company<br>which closed in 1924. The artists at Durand were granted a great deal of freedom<br>to produce glass in a variety of styles. Many pieces were blown using an unusual<br>yellow glass which many collectors now refer to as "Ambergris". Durand produced<br>a wide variety of art glass items including bowls, vases, perfume bottles,<br>candlesticks and lamps. Durand's art glass quickly gained fame for its beauty<br>and quality. In 1926 Durand received a medal of honor at the Sesquicentennial<br>International Exposition in Philadelphia. Sadly production ceased in 1931 when<br>Victor Durand died in an auto accident.<br>b34

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Well made with great crisp detail, Modeled after James Earle Frasier's "End Of The Trail", No makers name or marks, Cast iron finished to look like bronze, Each measures approx 6" tall x 5.75" x 2" and weigh approx 3.8 pounds each, Native American Indian Warrior on Horseback with spear. I believe the spears are bronze, the top of the spear on one of the bookends is broken at his arm I believe. TW68

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1920's French Legras Cameo Art Glass Vase. 9" tall with no cracks, chips, or restoraitons.The Legras glassworks – ultimately a multi-centred concern employing hundreds of people across several manufacturing centres – produced enough highly-distinctive pieces to be considered an art-glass movement in its own right.It’s more accurate, of course, to consider the name one of the foremost in the panoply of innovative, experimental and overtly artistic producers who revolutionised decorative glassware from the mid 1860's, throughout the fin de siècle, across the duration of the Great War and beyond The founding father of the company, François-Théodore Legras, came from humble stock, having be life as a woodsman in the Vosges department south of Strasbourg. In 1859, Legras determined that there was potentially more to life than trees and leaves, and secured himself a clerical apprenticeship at the glassworks in Clairey, a long-established manufactory producing drinking glasses and tableware which – crucially for Legras – included the manufacture of crudely-frosted pieces. After learning his trade for five years, Legras moved to Paris and took a job at the Plaine St Denis factory, securing a senior managerial role by the age of 27. He was director of the works when, underwritten by expat-philanthropist Sir Richard Wallace, it was significantly extended and modernised; the duo also took over another factory at Pantin, on the northern fringes of the city. Unrestrained by the financial strictures of facilities lacking patrons such as Wallace, Legras was able to encourage an experimental approach to glass production, harking back to his childhood in the Darney Forests and using opaque glass – based on Clairey’s frosted material – as a canvas on which designs could be created. The businesses were also underwritten by the production of utilitarian glassware for industry – distilleries and pharmacies – and this security gave François-Théodore the freedom to develop his art-glass production techniques. Intricately cut cameo glass pieces, acid-etched and enamelled imagery – requiring up to five separate firing processes to achieve the desired effect – became the Legras hallmark, with many pieces featuring forested landscapes and the favoured themes of the artistic director - irises, orchids and chrysanthemums.Additional members of the Legras family were apprenticed in to the company, notably a nephew – Charles – whose expertise in the chemical treatment of glass to produce marbled, opaline surfaces on which designs could be overlayed, was to prove a valuable commodity. Charles was ultimately to take over the running of the businesses in 1909, seven years before the death of his uncle. He was able to maintain a level of innovation which sustained the company for another decade – achieving notable successes in developing synthesised “gemstones” which could be ground up and incorporated in to the glass melt to give an extraordinary depth of colouration which provided the base for the production of striking cameo vessels.tw108

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1920's Fulper Porcelain perfume lamp. 6" tall x 5" wide in working condition<br>with no cracks, chips, or restorations. Embossed fulper on base. The same Fulper<br>American art pottery company from New Jersey.<br>tw212<br><br>The Fulper Pottery Company was founded in Flemington, New Jersey in 1899 by<br>Charles Fulper and his sons. However, the pottery had existed since 1815 when<br>the first pottery was created by Samuel Hill. The pottery initially produced a<br>wide variety of utilitarian ware, and drain tiles and storage crocks and jars<br>from Flemington’s red earthenware clay. In 1847 Dutchman Abraham Fulper, an<br>employee since the 1820s became Hill’s partner. He later took over the company.<br><br>It was not until the early 1900s when William Hill Fulper II (1870-1953) started<br>to experiment with colored glazes and the company started to create some of the<br>art pottery it is famed for. Fulper is credited with inventing the dry-body slip<br>glaze, which was used to create colorful designs on his pottery. He also<br>developed a method of using electric kilns to fire his glazes, which resulted in<br>brighter and more consistent colors.<br><br>Fulper Pottery’s Vasekraft line was inspired by the work of German potter John<br>Martin Strangl. The line includes a wide variety of vases, bowls, and other<br>vessels, all with Strangl’s signature clean lines and simple forms.<br><br>The company is especially known for the Fulper lamps-with glazed pottery shades<br>inset with colored glass-were truly innovative forms. The firm’s most<br>spectacular and innovative accomplishments are the table lamps made with glazed<br>pottery bases and shades, which were inset with pieces of colored opalescent<br>glass. These were produced from about 1910-1915 and are very rare, especially in<br>perfect order.<br><br>William Hill Fulper II was also an excellent advertiser and marketeer and<br>Fulper’s Vasekraft products were sold throughout the United States in the most<br>prestigious department stores and gift shops. Fulper’s pottery was exhibited at<br>the 1915 Panama-Pacific International Exposition in San Francisco, where it<br>received a gold medal. His work is also included in the collections of the<br>Metropolitan Museum of Art, the Smithsonian Institution, and the Philadelphia<br>Museum of Art.<br><br>During its first twenty-five years, Fulper Pottery was particularly known for<br>its flambé glazes, which were heavily influenced by Chinese and Japanese ceramic<br>traditions. These glazes, which resulted in vibrant and often unexpected colors,<br>helped to establish Fulper Pottery’s reputation for innovative and high-quality<br>art pottery.<br><br>After World War I, Fulper Pottery began to shift away from its Germanic roots<br>and move towards more Oriental-inspired forms. The company’s designers began to<br>experiment with new shapes and glazes, inspired by the Art Deco movement that<br>was sweeping Europe at the time. The Vasekraft name was changed to Fulper<br>Pottery Artware. These new pieces were softer and more graceful than the<br>functional stoneware that Fulper had been producing up until that point, and<br>they proved to be very popular with the public.<br><br>In the 1920s, Fulper Pottery was one of the leading producers of Art Deco<br>ceramics in the United States. The company’s designers created a wide range of<br>vases, lamps, and other objects that were both beautiful and stylish. Fulper’s<br>pieces were featured in some of the most prestigious design magazines of the<br>day, and they were popular with both collectors and everyday consumers.<br><br>In 1925, Charles Fulper died, and his sons took over the operation of the<br>pottery. Under their leadership, Fulper Pottery continued to experiment with new<br>glazes and firing techniques. They also began to produce a line of dinnerware,<br>which was very popular during the Depression-era.<br><br>The Great Depression hit Fulper Pottery hard, as it did many other businesses.<br>The company was forced to lay off a large number of employees and cut back on<br>production. However, Fulper’s designers continued to experiment with new ideas,<br>and the company managed to survive the difficult economic times.<br><br><br>William Hill Fulper II died suddenly in 1928. The company continued to be run<br>with Martin Stangl as President. In 1935, Fulper Pottery Artware production was<br>ceased at the small remaining Flemington location, and that building was<br>utilized solely as a retail showroom for the company’s ceramic products. After<br>1935, the company continued to be Fulper Pottery, but produced only Stangl<br>Pottery brand dinnerware and artware.

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1920's German Art Deco Mesh Handbag with enamel frame. Special vintage handbag with 2 small old repairs only visible in interior, shown in last pics. TW101

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1920's Halsam Wood Safety Blocks Zeppelin Toy In Box. Rare and desirable box with Zeppelin. Wear to box shown in pics, still attractive. Blocks in very good condition.

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1920's Heisey Marmalade and Underplate with rare Marbleized satin treatment and Pickard/Minton gold. Very unusual if not one of kind piece. Marked heisey on underplate and inside marmalade. 5.5" tall with 4.5" underplate, no damage or significant wear. I found a little about this, it was was custom designed and made by Heisey between the years 1923 and 1925 all for one owner, R. V. Pettingell, of Winchester Massachusetts and sold through John J. Hines of New York. TW185

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Huge Antique Steel Airplane Toy US Mail Plane. Great early Toy from about the<br>1920's, pressed steel. Overall expected wear with nothing I know of missing. As<br>found original unrestored condition. 22 5/8" wingspan x 24" long. No apparent<br>manufacturer markings.

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1920's Lightolier Pendant Light With Iridescent Uranium Glass Painted Shade<br>Parrots and Geometric Art Deco Designs. It's really amazing to find a light<br>light this intact. It has the Lightolier label inside the brass ring where it's<br>wired to the ceiling. The top iron section is 15.5" The shade is 8.5" tall and<br>the Ornament at the bottom of the shade is 4.5" long. So it will hang about<br>28.5" down from the ceiling. The Globe is about 10.5" wide. It's Iridescent but<br>didn't show well in the pics. There is also some uranium in the glass as it<br>glows green under a blacklight but not as much as full on yellow vaseline glass.<br>Tiny flakes where shade attaches to hardware, no big deal and expected. No large<br>chips, no cracks, extremely rare and super cool. It will be packed with the<br>hardware in one box and the glove in another then tons of padding. There's a<br>little surface rust on the iron but really it's just got character and lots of<br>it.<br>B33

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1920's Missouri and Kansas Telephone Company Blue Bell Paperweight. No cracks or chips, A few very very tiny mold seam chigger bates on base rim. Right after the turn of the century the blue bell paperweights made their debut within the Bell System appearing on employee's desk. It is believed Fenton Glass Co. manufactured these paperweight starting around 1910 until 1930. The individual companies within the bell system ordered these paperweights with their names in white stencling on the front and Local & Long Distance Telephone on the back side. However there several exceptions to this, two of them being Mountain States Telephone and Western Electric Company. The blue paperweights were manufactured in ice blue, peacock blue, and colbalt blue. isshelf

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1920's Nippon Hatpin Holder Japanese Moriage Collection. Selling the three all Japanese from the late 19th to first quarter of 20th century. No cracks, chips, or restorations, Might be some very minor loss to enamel. Tallest is 4" two Unmarked, one marked "made in Japan". TW249

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1920's Noritake Art Deco heavily gilt oval bowl. Very amazing piece in near mint condition with no damage or detectable wear. Marked as shown, likely decorated by Pickard or one of the other Chicago decoration studios of the first half of the 20th century.. 10.25" x 7" x 2.5" deep.tw270

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1920's Pittsburgh Paints Pressed Glass advertising coin bank. 3.25" wide x 2.75" tall with no cracks, chips, or restorations. isshelf

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1920's Rosveville Imperial Large Centerpiece bowl 10.25" wide with no damage or<br>restorations, overall crazing.<br>isshelf

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1920's Scotsman Nodder Mechanical Bank cold painted Aluminum. Great hard to find bank with most of the original paint. He nods when the coin is inserted. 8.25" tall x 4.5" wide with no damage and good paint as shown. TW106

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1920's Spode Pink Tower 3 part Relish/Condiment dish. 9.75" wide with no cracks, chips, resorations, stains, or crazing. Selling the exact piece shown with older mark from the first quarter of the 20th century. This pattern was retired in 2007 and this is a very difficult to find piece. tw244

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1920's Steuben Alabaster Lamp Shade Vase Flared. No cracks, chips, or restorations, expected wear to base on about 100 year old piece of glass. 5.5" tall x 5 9/16" wide at rim. I could not find a mark but it is definitely Steuben from the first quarter of the 20th century. isshelf

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Bowls are 5" wide x 2.5" tall, Saucers are 6" wide. Selling the 8 pcs shown with<br>no damage or significant wear.<br><br><br><br>Steuben Glass is an American art glass manufacturer, founded in the summer of<br>1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is<br>in Steuben County, from which the company name was derived. Hawkes was the owner<br>of the largest cut glass firm then operating in Corning. Carder was an<br>Englishman (born September 18, 1863) who had many years' experience designing<br>glass for Stevens & Williams in England. Hawkes purchased the glass blanks for<br>his cutting shop from many sources and eventually wanted to start a factory to<br>make the blanks himself. Hawkes convinced Carder to come to Corning and manage<br>such a factory. Carder, who had been passed over for promotion at Stevens and<br>Williams, consented to do so. In 1918, Steuben was acquired by Corning Glass<br>Works and became the Steuben Division. In July 2008, Steuben was sold by Corning<br>Incorporated for an undisclosed price to Schottenstein Stores,[2] which also<br>owns 51% of Retail Ventures, a holding company for DSW, Filene's Basement, and<br>formerly Value City Department Stores; Value City Furniture, which changed its<br>name to American Signature Furniture; 15% of American Eagle Outfitters, retail<br>liquidator SB Capital Group, some 50 shopping centers, and 5 factories producing<br>its shoes, furniture and crystal. On September 15, 2011, Schottenstein announced<br>it was shutting down Steuben's Corning factory and Manhattan store, ending the<br>company's 108-year history. Soon after, Corning Incorporated repurchased the<br>Steuben brand. In early 2014, The Corning Museum of Glass announced that it<br>would work with independent contractors to reproduce Steuben using a new,<br>lead-free formula and their classic leaded crystal. Carder period<br>(1903-1932)[edit] Steuben Glass Works started operation in October 1903. Carder<br>produced blanks for Hawkes and also began producing cut glass himself. Carder's<br>great love was colored glass and had been instrumental in the reintroduction of<br>colored glass while at Stevens and Williams. When Steuben's success at producing<br>blanks for Hawkes became assured, Carder began to experiment with colored glass<br>and continued experiments that were started in England. He soon perfected Gold<br>Aurene which was similar to iridescent art glass that was being produced<br>by Tiffany and others. Gold Aurene was followed by a wide range of colored art<br>glass that eventually was produced in more than 7,000 shapes and 140 colors.<br>These are a pair of handblown Steuben gold Aurene glass candlesticks designed by<br>Frederick Carder for the Steuben Glass Works, ca. 1913. (From a private<br>collection in Manhattan, New York.)Steuben Glass Works continued to produce<br>glass of all sorts until World War I. At that time war time restrictions made it<br>impossible for Steuben to acquire the materials needed to continue manufacture.<br>The company was subsequently sold to Corning Glass Works and became the Steuben<br>Division. Carder continued as Division manager without any real change in the<br>company's operation except that he now had reporting responsibilities to Corning<br>Glass Works' management. Corning's management tried, mostly unsuccessfully, to<br>limit the articles that Steuben made to only the most popular. Production<br>continued until about 1932. In 1932, there was a major change in Steuben<br>management. The nationwide depression had limited the sale of Steuben and there<br>was a lessening of public interest in colored glass. In February 1932, John<br>MacKay was appointed to Carder's position. Carder became Art Director for<br>Corning Glass Works. Steuben then produced primarily colorless art glass.<br>Steuben still produced colored art glass, but mostly to fill special orders. A<br>few new colors were added after Carder transitioned into his new role with<br>Corning Glass Works, but the last known sale for colored art glass by Steuben<br>was in 1943. Houghton period (1933–2012) An example of Steuben Glass design<br>during the Houghton era is the Balustrade Candlestick set, which mimics a<br>classical balustrade. Of special note is the hallmark of the perfectly formed<br>tear drop air bubble suspended in the design.Corning Glass Works<br>appointed Arthur A. Houghton Jr. as President in 1933, and under his leadership<br>Steuben changed artistic direction toward more modern forms. Using a newly<br>formulated clear glass developed by Corning (referred to as 10M) which had a<br>very high refraction index, Steuben designers developed beautiful, fluid<br>designs. Pieces such as Gazelle Bowl, designed by Sidney Waugh incorporated Art<br>Deco and modernist themes into glass. The themes during this period included<br>"balustrade" designs for water goblets and candlesticks, footed bowls and<br>serving pieces. Decorative forms included wildlife pieces representing owls,<br>penguins and other birds in smooth stylistic forms. Some pieces, such as the<br>Ram's Head Candy Dish, playfully included clean lines crowned by an ornate<br>design (a ram's head, complete with a ruff) on the lid as an homage to its<br>classic earlier pieces. The company also entered into the field of larger show<br>and presentation pieces celebrating various scenes (such as its cut-away design<br>featuring an Eskimo ice fisherman above the ice, and the fish below, or the<br>Cathedral Window design) and elements that incorporated etchings. In some cases<br>sterling silver or gold plating were used on metal finish elements such as the<br>golden "fly" atop the nose of a rainbow trout. Each piece is signed simply with<br>"Steuben" on the underside of the object. Toward the 1990s, the company also<br>began production of small objects—"hand coolers"—in various animal shapes. Items<br>from this period were also noted for their careful and elegant packaging. Before<br>boxing, each Steuben piece was placed in a silver-gray flannel bag (stitched<br>with the Steuben name), and then placed in a presentation box.<br><br><br><br>tw274

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1920's Steuben Carder Era Fan Vase Pair, One green with castle etching, one<br>amber. Green with Steuben Acid stamp in pontil, amber apparently unmarked. No<br>cracks, chips, restorations, or significant wear. Both approximately 8.5" tall x<br>7" wide at rim.<br><br>Steuben Glass is an American art glass manufacturer, founded in the summer of<br>1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in<br>Steuben County, from which the company name was derived. Hawkes was the owner of<br>the largest cut glass firm then operating in Corning. Carder was an Englishman<br>(born September 18, 1863) who had many years' experience designing glass for<br>Stevens and Williams in England. Hawkes purchased the glass blanks for his<br>cutting shop from many sources and eventually wanted to start a factory to make<br>the blanks himself. Hawkes convinced Carder to come to Corning and manage such a<br>factory. Carder, who had been passed over for promotion at Stevens and Williams,<br>consented to do so.<br>isshelf

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1920's Steuben Carder Era Fan Vase with intaglio cut Ship Etching. 8.5" tall x<br>7.25" wide guaranteed authentic Carder Era Steuben Unmarked. No cracks, chips,<br>restorations, or significant wear.Steuben Glass is an American art glass<br>manufacturer, founded in the summer of 1903 by Frederick Carder and Thomas G.<br>Hawkes in Corning, New York, which is in Steuben County, from which the company<br>name was derived. Hawkes was the owner of the largest cut glass firm then<br>operating in Corning. Carder was an Englishman (born September 18, 1863) who had<br>many years' experience designing glass for Stevens and Williams in England.<br>Hawkes purchased the glass blanks for his cutting shop from many sources and<br>eventually wanted to start a factory to make the blanks himself. Hawkes<br>convinced Carder to come to Corning and manage such a factory. Carder, who had<br>been passed over for promotion at Stevens and Williams, consented to do so.tw210

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1920's Steuben Etched Glass compote in Selenium red. Engraved pattern on stem making it rare if not one of a kind. 8" tall x 8" wide, acid stamped Steuben on base, no damage or detectable wear.Steuben Glass WorksSteuben Glass is an American art glass manufacturer, founded in the summer of 1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in Steuben County, from which the company name was derived. Hawkes was the owner of the largest cut glass firm then operating in Corning. Carder was an Englishman (born September 18, 1863) who had many years' experience designing glass for Stevens and Williams in England. Hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. Hawkes convinced Carder to come to Corning and manage such a factory. Carder, who had been passed over for promotion at Stevens and Williams, consented to do so.In 1918, Steuben was acquired by Corning Glass Works and became the Steuben Division.In July 2008, Steuben was sold by Corning Incorporated for an undisclosed price to Schottenstein Stores,[2] which also owns 51% of Retail Ventures, a holding company for DSW, Filene's Basement, and formerly Value City Department Stores; Value City Furniture, which changed its name to American Signature Furniture; 15% of American Eagle Outfitters, retail liquidator SB Capital Group, some 50 shopping centers, and 5 factories producing its shoes, furniture and crystal.On September 15, 2011, Schottenstein announced it was shutting down Steuben's Corning factory and Manhattan store, ending the company's 108-year history. Soon after, Corning Incorporated repurchased the Steuben brand. In early 2014, The Corning Museum of Glass announced that it would work with independent contractors to reproduce Steuben using a new, lead-free formula and their classic leaded crystal.Carder period (1903-1932) Steuben Glass Works started operation in October 1903. Carder produced blanks for Hawkes and also began producing cut glass himself. Carder's great love was colored glass and had been instrumental in the reintroduction of colored glass while at Stevens and Williams. When Steuben's success at producing blanks for Hawkes became assured, Carder began to experiment with colored glass and continued experiments that were started in England. He soon perfected Gold Aurene which was similar to iridescent art glass that was being produced by Tiffany and others. Gold Aurene was followed by a wide range of colored art glass that eventually was produced in more than 7,000 shapes and 140 colors.Steuben Glass Works continued to produce glass of all sorts until World War I. At that time war time restrictions made it impossible for Steuben to acquire the materials needed to continue manufacture. The company was subsequently sold to Corning Glass Works and became the Steuben Division. Carder continued as Division manager without any real change in the company's operation except that he now had reporting responsibilities to Corning Glass Works' management. Corning's management tried, mostly unsuccessfully, to limit the articles that Steuben made to only the most popular. Production continued until about 1932.In 1932, there was a major change in Steuben management. The nationwide depression had limited the sale of Steuben and there was a lessening of public interest in colored glass. In February 1932, John MacKay was appointed to Carder's position. Carder became Art Director for Corning Glass Works. Steuben then produced primarily colorless art glass.Steuben still produced colored art glass, but mostly to fill special orders. A few new colors were added after Carder transitioned into his new role with Corning Glass Works, but the last known sale for colored art glass by Steuben was in 1943isshelf

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1920's Steuben Gold Aurene Calcite Compote. 3.5" tall x 6.75" wide, guaranteed authentic Carder Era Steuben Unmarked. No cracks, chips, restorations, or significant wear. Steuben Glass is an American art glass manufacturer, founded in the summer of 1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in Steuben County, from which the company name was derived. Hawkes was the owner of the largest cut glass firm then operating in Corning. Carder was an Englishman (born September 18, 1863) who had many years' experience designing glass for Stevens and Williams in England. Hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. Hawkes convinced Carder to come to Corning and manage such a factory. Carder, who had been passed over for promotion at Stevens and Williams, consented to do so. tw210

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1920's Steuben Lamp Shade Vase Flared. No cracks, chips, or restorations, expected wear to base on about 100 year old piece of glass. 5.5" tall x 5 3/8" wide at rim. I could not find a mark but it is definitely Steuben from the first quarter of the 20th century.tw249

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1920's Sunshine Dairy Products Stoneware Advertising Cow Mugs Rockingham Glaze.<br>Some glaze wear on both in raised areas, difficult to distinguish from<br>reflections on pics. The worn glaze areas are small both have small chips on<br>footrim. These are great regardless of minor imperfections.

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1920's Texas Promotional Coin Banks. Selling the lot shown from all over Texas<br>al from the first half, most from the first quarter of the 20th century. One<br>with key, One with a few coins rattling around inside. Selling the lot.<br>tw60

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1920's Van Briggle Pottery Mulberry Persian rose pot. Nice old piece of Van Briggle art pottery from the 1920's with no cracks, chips, or restorations. 5.5" wide x 3.5" tall. tw122

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1920's Weller Apple Tree vases. Selling the three shown all different sizes,<br>tallest 8.5". All with no cracks, chips, restorations, or crazing.<br>isshelf

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1920's Weller Art Pottery apple Pitcher. 7" tall x 8" handle to spout. No<br>cracks, chips, or restorations, expected overall crazing.<br>isshelf

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1920's Whiting & Davis Art Deco Mesh Handbag vivid Geometric Flowers. Rare to find in this condition, the mesh is extremely clean as shown. These are rare to find with the liner which is intact with a few threads missing. Measures 4 1/8" wide frame 5.25" tall without chain.

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1920's Whiting and davis Art Deco Mesh Handbag with gold Gilt Frame. Good looking purse with no significant issues, interior is worn as expected and shown. TW101

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1920's Whiting and Davis Enamel Framed Art Deco Mesh Handbag. Good condition with the slightest wear to enamel on one side of frame, pin sized spots. 4.5" wide x 6.5" tall. tw252

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1920's-30's Huge Navajo Silver and turquoise concho belt. Fits a 32"-35" waist<br>with existing holes. Buckle is 4.25" x 3.25", Conchos are 4.5" x 3 7/8". 6<br>Conchos and one buckle. One concho missing turquoise and leather back. No issues<br>with others. Good Early concho belt from the first quarter of the 20th century<br>or just right after. 910 grams total weight, yes that's 2 pounds.

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No damage whatsoever 6" tall. Rundskuedag is a Danish folk holiday during which everyone does things backwards or upside down.  I have heard it translated as "Upside Down Day" but I often think of it as "Skewed 'Round Day" (a transliteration of Rund-skue-dag).  Typically, bosses join the workers and one of the workers becomes the boss, and everybody has a good time doing things differently for one day of the year.  Street entertainment is prevalent, and special events and sales are held to raise money for charity.  Royal Copenhagen issued this series of vases as souvenirs of the day, with the proceeds going to charity.  (Anyone with Danish ancestry who would like to expand or correct this description, please contact me!) The first Rundskuedagen vase was produced in 1910, and  they continued every year through at least 1942. They were made in many shapes and sizes, often with a scene of a Copenhagen landmark on the vase, and always with the inscription RUNDSKUEDAG  (or RUNDSKUEDAGEN) and the date.  The designs are first molded into vase, and then handpainted, mostly in cobalt blue, in the same manner as Christmas plates.  Some years are highlighted with additional colors.

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1924 Keyes Davis Military/Gym Brass Laundry pin set. Selling the set shown pat 1924, stamped keyes davis under the 185. Most are 185 but a few other numbers. The pins are 5" long, total length 11" tw1

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1926 1927 Silver sixpence cufflinks with gilt sterling mounts. Extremely high quality cufflinks with no issues, possibly never worn.

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1926 Rookwood Art Deco Yellow Matte Wall pocket. No cracks, chips, or crazing.<br>7.5" tall<br>tw147

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Charles Lindbergh Non-Stop Trans-Atlantic Flight Commemorative Medal, 1927 . Bronze; 63.8 X 88.5mm. By John Gregory. Obverse: Spirit of Saint Louis heading across the globe toward Europe; "Per Aspera ad Astra" (Through difficulties to the stars). Reverse: Army Air Corps emblem above 7-line tribute from the Aeronautical Chamber of Commerce of America to the non-stop flight. This is an early version of the medal where Lindbergh is called "Capt." - later versions referred to him as "Col." Struck by Robbins Co., Attleboro, Massachusetts.

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1927-1929 Black Hills University B.H.T.C. South Dakota Flute Band Medals University of South Dakota Gold Filled. Selling the 5 medals shown, they're the same size as typical military medals. Pretty interesting and rare. Very attractive with thick gold plating would make interesting jewelry.

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1928 Presentation Cocktail Shaker American Legion "Revue" Cast to Dan G Folan. I'm not sure what the history is on this piece but it seems so dramatic I had to list it. It does have some dents a few on the body and on the footrim. I didn't try to fix them, still a cool one of a kind piece. tw101

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1929 Latvian Sterling silver 5 Laati Coin pin. Pin made from real 90+ year old silver coin, no issues. Buying the exact pin shown. Weight and measurements in pics. 5 lati coin minted in 1929, 1931 and 1932. It became a popular symbol of independence during the Soviet occupation. In February 1929, the Latvian Ministry of Finance decided to issue a ? 5 circulation coin depicting the head of a maiden, which would symbolize the Republic of Latvia and freedom. The coin was designed by Rihards Zariņš. The image of the maiden on the coin is colloquially known as Milda (a Latvian female name). The model was Zelma Brauere (1900-1977), a proofreader of the State Securities Printing House. She served as a model for other works of the artist, including the ? 10 and ? 20 banknotes and the 50s coin. In 1939, the Latvian government prepared to mint new ? 5 coins to be issued in 1941. The Latvian maiden was to be replaced by a portrait of the authoritarian leader of Latvia, Kārlis Ulmanis. Those coins were never minted as the Second World War broke out. Say the truth, it is one ot the most beautiful silver coin issued in 1920s. An the value for this coins goes high every year. You can find this coins in my store, but here you have a chance to get absolutely amazing item - Brooch from Silver Latvian Coin!

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1930's Aquamarine McKee Rock Crystal Sherbet Dishes (6).  Very uncommon.  2 have small chips on rim, one has small chip on base.  These are shown in last three pics.  No other cracks, chips , or restorations.  These are scarce enough they're worth restoring or just loving. 3" tall x just under 4" wide at rim.

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1930's Art Deco Tumblers Dancing Nymphs by Consolidated Martele 9 oz 5 5/16" tall. All authentic 1930's consolidated glass with no cracks, chips, or restorations. Selling the 6 shown. Designed by Reuben Haley and introduced in 1926, Consolidated’s Martele’ line of art glass was inspired by the glorious works of Rene’ Lalique featured at the 1925 Paris Exposition. Haley, who had previously been associated with Hocking and Fostoria, worked with his son Kenneth to produce the Martele collection. tw222

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1930's Art Deco Face Powder boxes Three Flowers Richard Hudnut Shari Langlois..<br>Selling both, Three flowers is full with original contents. both 3 1/8" wide,<br>tallest 2.25" good condition as shown.<br>TW153

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1930's Art Deco Lustre Enamel Finish Cast Iron Woman Fireplace Brush Holder. All heavy cast iron in good condition, the Woman is iron with no cracks, one small flake on her hair.

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1930's Art Deco Mexican Silver Earrings Screw Back Clip on. One pair marked del rio, one marked silver, other unmarked. All three sterling silver with working clips or screw backs.

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c1930 Bohemian art glass Buddha liqueur set. Ultra rare and cool, most likely<br>Czech made from the 20's or 30's. No damage to buddha, shot glasses and small<br>decanter are super clean with only the tiniest roughness to ground rims and tip<br>of stopper. No large chips, slight wear to gilding. Buddha is 14.25" tall x 9.5<br>" wide. This set is fully functional, hinge is good, snaps shut and stays<br>shut...but it is pushing 100 years old and if I personally were to actually use<br>this which I think would be great as it's extremely fun.. Still I would put<br>something behind it for Buddha's head to rest on while it's open or put it close<br>to a wall as I had it for the pics just to not put too much stress on the 90 or<br>so year old hinge as the top is rather heavy.<br><br>These were also made in pink in green, this is the most rare and desirable<br>color.

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1930's Cambridge Crown Tuscan Rose Point Lamp. 13" tall, my camera is washing<br>out the color. It's the gorgeous pink that crown Tuscan is. No cracks, chips,<br>nicks, or restorations. Lamp works. It was an advertising piece that said<br>Cambridge rose point on both sides in gold. That was removed, if you look very<br>close you can see traces of it. The rest of the gold is clean with minimal wear<br>shown in pics. Very few of these exist, the previous piece paid $500 for this in<br>1983.

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1930's Cedar Hill Girl a Scout Camp pin 5/8" wide. Circa 1920's-1940's. Unsure<br>of exact date. Cedar hill is a very old camp in Massachusetts.

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1930's Chinese Gilt Sterling Silver Enamel with Turquoise and coral fan brooch.<br>Chinese from the first half of the 20th century, simply marked silver. 2.75"<br>wide and long with no issues.

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1930's Chinese Sterling Silver Enamel Agate brooch. 1 3/8" x 1' with no damage, from the first half of the 20th century.

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1930's Chinese Sterling Silver Enamel with Turquoise gold gilt filigree fan Brooch. Chinese from the first half of the 20th century, simply marked silver. 2.75" wide and long with no issues.

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1930's Etsitty-Tsosie, Eskiesosie Navajo sterling silver knifewing pin/brooch. Tested and guaranteed solid sterling silver, weight and measurements in pictures. Unmarked. Circa second quarter of the 20th century.

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1930‘s Georg Jensen Art Deco Period 173 Sterling silver/Lapis pin/brooch. Weight and measurements in pics, all solid sterling. Tested and guaranteed solid sterling silver. Circa second quarter of the 20th century. Georg Jensen (1866-1935) was a Danish silversmith and designer who founded the renowned Georg Jensen company, known for its exceptional craftsmanship and Scandinavian design. He began as a goldsmith‘s apprentice, later studied sculpture at the Royal Danish Academy of Fine Arts, and eventually combined his skills to create distinctive silver pieces. His work, particularly his jewelry and hollowware, is celebrated for its naturalistic style and innovative use of materials and techniques.

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1930's Gulf Coast Lines Silverplate Railroad Silver Teapot Rogers Sheffield<br>Reproduction. The Gulf Coast Lines was the name of a railroad system comprising<br>three principal railroads, as well as some smaller ones, that stretched from New<br>Orleans, Louisiana via Baton Rouge and Houston to Brownsville, Texas. Originally<br>chartered as subsidiaries of the Frisco Railroad, the system became independent<br>in 1916 and was purchased by the Missouri Pacific Railroad in 1925.[3]<br><br>The parent company of the independent Gulf Coast Lines was the New Orleans,<br>Texas and Mexico Railway, incorporated in Louisiana on February 28, 1916, which<br>bought the property and assets of the Frisco-owned New Orleans, Texas and Mexico<br>Railroad. The NOT&M was headquartered in New Orleans, and owned or leased a<br>number of other railroads in Louisiana and Texas, operating them all together as<br>the Gulf Coast Lines. As of December 31, 1916, the total trackage operated by<br>the Gulf Coast Lines system was 1,013 miles (1,630 km), including branches,<br>sidings, trackage rights, and leased lines.[4]<br><br>4 5/8" tall x 6" handle to spout. Some small dents and wear to the plating and<br>Emblem, bent finial, rare piece. Gulf Coast Lines Dissolved in 1956.

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1930's Heisey Tangerine Gascony Shot/Juice/wine tumblers. I'm not 100% sure what<br>these are catalogued as. They are all three perfect with no damage or wear, and<br>very rare. Selling the three. 2 7/8" tall x 1.75" wide at the rim. These are on<br>a lit background is why they look lighter than they are. They are a rich<br>tangerine color all the same wonderful color.<br>isshelf

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1930's Hines Advertising Puppy Paperweight Griswold?. I know some of these were made by Griswold, some Hubley. I also Heard Hines was a flask company. I don't know everyone seems as confused as I am. I know it's 80+ years old, I'm 100% sure. 1.75" tall, very heavy for it's size, original paint. isshelf

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1930's Hubley Thrifty Pig Still bank. 6.75" tall original 90ish year old bank, possible replacement screw. isshelf

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1930's Japanese Porcelain Figural Perfume Lamp in Female form. Good working<br>condition with functional inline switch. Cord has likely been replaced at one<br>point. 7.25" tall with no cracks, chips, or restorations. Wear to paint on back<br>of woman's head.<br>TW5

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1930's JB Cole North Carolina Pottery Apothecary Jar with Split Handles.<br>Fantastic piece of primitive Art Deco hand thrown pottery. Large piece no<br>cracks, chips, or restorations, expected crazing as this was low fired clay.<br>9.5" tall x 10" wide, unmarked.<br>isshlf

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1930's Lenox Collection 8 pcs. Selling whole lot in mint condition with no<br>damage or wear. Largest piece 9"

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1930's Lindstrom Dancing Lassie Scottish Windup Toy. Wind her up and she vibrates and dances all over the place. Working condition with good paint as shown. isshelf

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1930's Little Orphan Annie Japanese Lusterware Wall pocket. 5.5" tall with no damage tw255

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1930's McCoy Angelfish pitcher. Better Glaze and stronger embossing than on most. 6" tall with no cracks, chips, or restorations, tiny glaze flake on inside rim near spout. isshelf

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1930's Nancy Carroll Autographed Picture Paramount Pictures 5.5" x 7". Some tack holes in corners and minor soiling, authentic. TW82

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c1930‘s Concho - c1960 c-31 Sterling/turquoise hand stamped silver bolo tie. Solid sterling silver, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Fully functional with overall attractive appearance. 40" total length. Sterling slide and tips. Extremely awesome heavy handmade tips, old concho from the second quarter of the 20th century turned into bolo right around 1960.

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1930's Navajo large sterling silver hand stamped butterfly turquoise pin/brooch . Selling the pin shown in good condition with measurements in pictures. Weight and measurements in pictures.

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1930's Noritake Luserware Bird of Paradise vase. No damage or significant wear.<br>5.25" tall<br>kitshelf

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1930's Nymphenburg Franz Anton Bustelli Art Deco Chinese Man Figure5.5" tall x 4" deep with no cracks, chips, or restorations. TW248

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1930's Popeye Pipe Toss Game. Box 11" x 5", some damage to box shown, displays well.

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1930's Rare Broadmoor Pottery Colorado Cowboy Wall plaque. 3.25" round with no<br>cracks, chips, restorations, or crazing, some surface scratches. Rare, possibly<br>undocumented.<br>isshelf

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1930's Ronson Art Metal Works English Bulldog Table Lighter. 4.5" tall x 5.25" long. rare and unusual.Along with the Touch Tip, the Striker lighters are probably the most desirable Ronson Lighters for collectors. It is evident the craftsmanship that the Art Metal Works put into these well made lighters. To use striker lighters, one pulls out the wand, which is resting in lighter fluid, from the top of the dog’s head. Then sliding the wand down the flint on the dog’s snout will cause a spark and ignite the tip of the wand. Ronson offered a variety of animal striker lighters. Some of the other animals include an elephant, a very Art Deco pelican and a bear.The Ronson lighter company started as The Art Metal Works in 1897 and was incorporated on July 20, 1898, by Max Hecht, Louis Vincent Aronson and Leopold Herzig, in Newark, New Jersey.Louis V. Aronson was a huge creative driving force for the company; and, with a few business adjustments, including the addition of Alexander Harris (1910-11)[4][5] as Business Manager, the company soon became World Famous.All accounts state that Louis Aronson was a gifted man, who at 16 years old set up a money-making shop in his parents' home - before receiving a U.S. patent for a commercially valuable metal-plating process he developed when he was 24 years old, and he sold half the rights while retaining the Right to Use. "His experiments, which he has been conducting since his early youth, resulted in 1893 in the discovery of a process for electrically producing tinplate. Much money was expended upon improving the process... and has been of great practical value to the whole industry.[7] Retaining its rights, he sold half the patent rights, and later used part of the proceeds to open the Art Metal Works in Newark, N.J.[8] Soon the company was producing a variety of high-quality Lamps, Book ends, Art Statues and other decorative items, prized today for their detail in the collector marketplace.tw154

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1930's Brown Pottery Arden North Carolina Pottery Pitcher Redware Albany Slip<br>Interior. Nice old utilitarian piece 4.5" tall x 7.75" wide with handle. No<br>cracks, chips, or restorations.

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1930's Texas Promotional Coin Banks. Selling the lot shown in good condition from the 20's-40's. I have the key for the austin bank. TW60

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1933 University of Texas 50 year Anniversary Magic Lantern Slides George Littlefield Brackenridge Hall. Ok, the newest these can be is the thirties, they may be older. I'm assuming they are the same age. The one that just say's University had some writing on the outside that I didn't realize was on the outside when I cleaned them. I know I remember the word fifty. These are actual slides of course and nothing is going to clean off of them, I was very careful I just didn't see that was on the outside. I wouldn't mention it but I think it might help date them as I think they are one of a kind slides from the University. I think these were custom ordered by the University and likely shown at an important event there. I have no idea, but these are the only three I have. The one with the writing that came off has a crack in the corner, no other cracks or chips on the others. 4" x 3.5".  They are backlit in the pictures.   isshelf

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1930's Yale Town Padlock From Mount Royal Hotel Baltimore MD with Room key and Tag. This is a cool set I'm certain it's been together since it's beginning. The lock works with the key inside it. This was likely Hotel property as. The Mount Royal Hotel and Apartments were designed in 1899 by the well-respected Baltimore architect, Edward H. Glidden. The Neo-Italian Renaissance style buildings were constructed in early 1900; the 103 East Mount Royal Avenue building served as an upscale hotel and the 101 East Mount Royal Avenue building contained all upscale apartments. Centered in the rich artistic and cultural life concentrated in the then city’s center, Mount Vernon, Baltimore, The Mount Royal Hotel and Apartments were a very desirable place to visit as a hotel guest, or to live in as a resident of the apartments. Once the Pennsylvania Train Station was completed in 1911, The Mount Royal’s appeal only increased, as the property’s location attracted daily commuters to and from Washington, DC. Even in 1911, the train ride from Penn Station to Union Station was just 40 minutes. b12

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1930's-40's Archery Medals and Folk art carved arrowhead. All from the same estate Wooden carved arrowhead is 4.5" long. Selling the lot shown. kitshelf

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1932 Marietta College Chi Omega Sorority Enamel Ashtray. Restoration to rim<br>bottom right, no other issues. Likely one of a kind item. 5.5" wide.<br><br>kitshelf

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1933 Boy Scout Silver Beaver Award With Certificate Frank Griffin Saginaw<br>Michigan. Exremely rare identified example with full sized 11" x 13 5/8"<br>certificate. The medal itself is solid sterling marked so weighing about 48<br>grams. This was awarded 2 years after the award was created so it is extremely<br>rare to find one this early especially named with the certificate.<br><br>I have a fairly large lot of Frank Griffin‘s Scouting items going back to the<br>20‘s. This listing is for this medal and certificate which I know to be<br>extremely important, I‘m still trying to decide how to do the rest of the lot as<br>I know it might be irresponsible to split it up. It ranges from the 20‘s to the<br>60‘s with photographs from the first quarter of the 20th century, scoutmaster<br>paperwork from the 20‘s and 30‘s, merit badges with paperwork, etc.<br><br>ABOUT THE AWARD<br><br>The Silver Beaver Award is the council-level distinguished service award of the<br>Boy Scouts of America. Upon nomination by their local Scout council and with the<br>approval of the National Court of Honor, recipients of this award are registered<br>adult leaders who have made an impact on the lives of youth through service<br>given to the council.[1] The Silver Beaver is an award given to those who<br>implement the Scouting program and perform community service through hard work,<br>self-sacrifice, dedication, and many years of service. It is given to those who<br>do not seek it.<br><br>Award<br>The medal consists of a silver beaver pendant suspended from a blue and white<br>ribbon worn around the neck. Recipients may wear the corresponding square knot,<br>with a white strand over a blue strand, on the BSA uniform. There is also a<br>lapel pin authorized and available for civilian wear.<br><br>Using the United States Military as the model, silver awards are the highest<br>awards in the BSA.<br><br>History<br>The Silver Beaver was introduced in 1931 as a pin-on medal, but due to the heavy<br>weight of the medallion it was switched over to a neck ribbon in mid-1932. A<br>blue-white-blue ribbon bar was introduced in 1934 for informal uniform wear. In<br>1946, ribbon bars were replaced by the current knot insignia.<br><br>The Silver Beaver was initially awarded only to men. The Silver Fawn Award, an<br>equivalent for women, was awarded starting in 1971. It used the same knot<br>insignia, but on a blue background, as women were mostly involved in Cub<br>Scouting during this period. The Silver Fawn was discontinued and the Silver<br>Beaver began to be awarded to women in 1974. A total of 2,455 Silver Fawns were<br>awarded to outstanding women for support of Cub Scouting before the award was<br>discontinued in 1974.<br><br>As this is a council BSA award, it is conceivably possible for a person to<br>receive this award multiple times from different councils. It is believed that<br>12-16 people are double-recipients of the Silver Beaver in this manner. There is<br>no record of a triple-recipient.<br>b3

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1933 Ladies Sterling Golf Trophy Manila Golf Club Philippines. Rare, interesting, one of a kind functional antique. Cutest 5" tall high quality sterling vase given as a trophy for Women's golf in the Philippines of all places in 1933. Slightest bends to top and bottom. Overall beautiful and displays well. 54 grams.

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1930's Yale University Wedgwood pottery Elihu Yale Toby Jug No cracks, chips, or restorations guaranteed. Overall crazing as expected.

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1935 Ft Worth Texas Folk Art Order of the Eastern Star LFATA OES Campaign<br>Miniature chair pin cushion. In many ways this is one of the coolest items I've<br>ever had. It appears to be a hand carved campaign item from depression era Ft<br>worth Texas. I believe Thelma Smith was campaigning for the Position of Electa<br>in the Ft Worth chapter 820 of the Order of the Eastern star. Not sure if she<br>won, if she did maybe this was a presentation item. Also interestingly 1936 was<br>Texas centennial so that's cool also. Stable cracks in wood as shown. 6.75" tall<br>x 3 1/8" wide.<br><br>The Order of the Eastern Star (or Eastern Star, or OES), is the world’s largest<br>fraternal organization that can be joined by both men and women. It is a member<br>of the Masonic family, but joining does not make a member a mason. It’s more of<br>an axillary group, that supports masonic lodges, masonic youth organizations, as<br>well as their own agenda. Like all Masonic organizations, they support<br>membership when in need, both financially and emotionally. They also provide a<br>framework for introspective thought and philosophical discussion on ethical and<br>spiritual topics.<br>isshelf

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1936 Texas Centennial Dallas Chalkware lamp base. A few easy to touch up nicks<br>as shown, rare item. 7.5" wide x 5.5" tall.<br>isshelf

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