c1880's Huge EAPG Priscilla by Dalzell, Gillmore and Leighton Glass Centerpiece<br>compote. Uncommon/difficult to find in the large size. 12.25" wide x 8" tall<br>with no cracks, chips, restorations, or detectable wear.<br>isshelf

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c1880's J.E. Caldwell Sterling Silver Server. 8.75" long x 3.75" wide 81 grams.<br>sterlingdrawer

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c1880's Lockhart Texas Fire Department Badge Hose Co 2. 2.25" tall x 1.75" wide<br>rocker engraved part of screw post missing from back.

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c1880's Meridian Bee With Fans with Birds Chinoisiere Victorian Silverplate Napkin Ring. Some worn plating, but no dents or bends 3.25" tall. TW134

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c1880's Penny Farthing Bicycle Humidor or Biscuit jar lid. This is the real<br>deal, extremely rare and desirable. It came to me on a turn of the century clear<br>pressed glass jar shown in the last pic. I'll throw in the jar unless you<br>request otherwise. That Jar has a 3.75" outer diameter for the lip, the lid is a<br>little loose but does catch where it should. So maybe it's the right lid/base.<br>This is an important lid and it should be on an important jar, jar is old with<br>no damage, but not important by any means. Seems like the lis could have went<br>inside a jar as it has a lip. If so it would goi inside about a 4 1/8" opening<br>on the jar, I think 4.25" would be too big. So it can go outside a 3.75"<br>possibly 3 7/8" jar. Total height with jar 9 5/8", lid 4 5/8". No damage to jar<br>or lid, some brass showing through the silver plating on the bicycle. The right<br>pedal turns. B17<br><br><br>Penny-farthing<br><br>The penny-farthing, also known as a high wheel, high wheeler or ordinary, is an<br>early type of bicycle. [1] It was popular in the 1870s and 1880s, with its large<br>front wheel providing high speeds (owing to its travelling a large distance for<br>every rotation of the legs) and comfort (the large wheel provides greater shock<br>absorption).<br><br>It became obsolete in the late 1880s with the development of modern bicycles,<br>which provided similar speed amplification via chain-driven gear trains and<br>comfort through pneumatic tires, and were marketed in comparison to<br>penny-farthings as "safety bicycles" because of the reduced danger of falling<br>and the reduced height to fall from.<br><br>The name came from the British penny and farthing coins, the penny being much<br>larger than the farthing, so that the side view of the bicycle resembles a<br>larger penny (the front wheel) leading a smaller farthing (the rear wheel).<br>Although the name "penny-farthing" is now the most common, it was probably not<br>used until the machines were nearly outdated; the first recorded print reference<br>is from 1891 in Bicycling News. For most of their reign, they were simply known<br>as "bicycles", and were the first machines to be so called (though they were not<br>the first two-wheeled, pedaled vehicles). In the late 1890s, the name "ordinary"<br>began to be used, to distinguish them from the emerging safety bicycles; this<br>term and "hi-wheel" (and variants) are preferred by many modern enthusiasts.<br><br>Following the popularity of the boneshaker, Eugène Meyer, a Frenchman, invented<br>the high-wheeler bicycle design in 1869 and fashioned the wire-spoke tension<br>wheel. Around 1870 English inventor James Starley, described as the father of<br>the bicycle industry, and others, began producing bicycles based on the French<br>boneshaker but with front wheels of increasing size, because larger front<br>wheels, up to 5 feet (152 cm) in diameter, enabled higher speeds on bicycles<br>limited to direct-drive. In 1878, Albert Pope began manufacturing the Columbia<br>bicycle outside Boston, starting their two-decade heyday in America.<br><br>Although the trend was short-lived, the penny-farthing became a symbol of the<br>late Victorian era. Its popularity also coincided with the birth of cycling as a<br>sport.<br><br>History<br>Main article: History of the bicycle § 1870s: the high-wheel bicycle<br>Origins and development<br><br>Book cover of The Modern Bicycle, published in London in 1877<br>Eugène Meyer of Paris is now regarded as the father of the high bicycle[9] by<br>the International Cycling History Conference in place of James Starley. Meyer<br>patented a wire-spoke tension wheel with individually adjustable spokes in<br>1869.[3] They were called "spider" wheels in Britain when introduced there.<br>Meyer produced a classic high bicycle design during the 1880s.<br><br>James Starley in Coventry added the tangent spokes[3] and the mounting step to<br>his famous bicycle named "Ariel". He is regarded as the father of the British<br>cycling industry. Ball bearings, solid rubber tires and hollow-section steel<br>frames became standard, reducing weight and making the ride much smoother.<br><br>Penny-farthing bicycles are dangerous because of the risk of headers (taking a<br>fall over the handlebars head-first). Makers developed "moustache" handlebars,<br>allowing the rider's knees to clear them, "Whatton" handlebars that wrapped<br>around behind the legs,[14] and ultimately (though too late, after development<br>of the safety bicycle), the American "Eagle" and "Star" bicycles, whose large<br>and small wheels were reversed. This prevented headers but left the danger of<br>being thrown backwards when riding uphill. Other attempts included moving the<br>seat rearward and driving the wheel by levers or treadles, as in the<br>"Xtraordinary" and "Facile", or gears, by chain as in the "Kangaroo" or at the<br>hub, as in the "Crypto";[15] another option was to move the seat well back, as<br>in the "Rational".<br><br>Even so, bicycling remained the province of the urban well-to-do, and mainly<br>men, until the 1890s, and was a salient example of conspicuous consumption.<br><br>Attributes<br><br>Man standing next to a penny farthing in Fife, Scotland, 1880<br>The penny-farthing used a larger wheel than the velocipede, thus giving higher<br>speeds on all but the steepest hills. In addition, the large wheel gave a<br>smoother ride, important before the invention of pneumatic tires.<br><br>Although the high riding position seems daunting to some, mounting can be<br>learned on a lower velocipede. Once the technique is mastered, a high wheeler<br>can be mounted and dismounted easily on flat ground and some hills.[citation<br>needed]<br><br>An attribute of the penny-farthing is that the rider sits high and nearly over<br>the front axle. When the wheel strikes rocks and ruts, or under hard braking,<br>the rider can be pitched forward off the bicycle head-first. Headers were<br>relatively common and a significant, sometimes fatal, hazard. Riders coasting<br>down hills often took their feet off the pedals and put them over the tops of<br>the handlebars, so they would be pitched off feet-first instead of head-first.<br><br>Penny-farthing bicycles often used similar materials and construction as earlier<br>velocipedes: cast iron frames, solid rubber tires, and plain bearings for<br>pedals, steering, and wheels. They were often quite durable and required little<br>service. For example, when cyclist Thomas Stevens rode around the world in the<br>1880s, he reported only one significant mechanical problem in over 20,000<br>kilometres (12,000 mi), caused when the local military confiscated his bicycle<br>and damaged the front wheel.<br><br>End of an era<br>The well-known dangers of the penny-farthing[24] were, for the time of its<br>prominence, outweighed by its strengths. While it was a difficult, dangerous<br>machine, it was simpler, lighter, and faster than the safer velocipedes of the<br>time. Two new developments changed this situation, and led to the rise of the<br>safety bicycle. The first was the chain drive, originally used on tricycles,<br>allowing a gear ratio to be chosen independent of the wheel size. The second was<br>the pneumatic bicycle tire, allowing smaller wheels to provide a smooth ride.<br><br><br>An 1880 penny-farthing (left), and the first modern bicycle, J. K. Starley's<br>1885 Rover safety bicycle (right)<br>The nephew of one of the men responsible for popularity of the penny-farthing<br>was largely responsible for its demise. James Starley had built the Ariel<br>(spirit of the air) high-wheeler in 1870; but this was a time of innovation, and<br>when chain drives were upgraded so that each link had a small roller, higher and<br>higher speeds became possible without the need for a large front wheel.<br><br>In 1885, Starley's nephew John Kemp Starley took these new developments to<br>launch the modern bicycle, the Rover safety bicycle, so-called because the<br>rider, seated much lower and farther behind the front wheel contact point, was<br>less prone to a header.<br><br>In 1888, when John Dunlop re-invented the pneumatic tire for his son's tricycle,<br>the high wheel was made obsolete. The comfortable ride once found only on tall<br>wheels could now be enjoyed on smaller chain-driven bicycles. By 1893,<br>high-wheelers were no longer being produced. Use lingered into the 1920s in<br>track cycling until racing safety bicycles were adequately designed.

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c1880's Tiffany Olympia Sterling Teaspoon with Dreen Monogram. 6.25" long 38.8 grams, monogrammed as shown.

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c1884 Royal Doulton Botanical Desert Service 8 pc. 6 9" plates and one 10.5"<br>oval footed serving bowl, one 10 3/8" heart shaped dish. All pieces in near mint<br>appearing unused condition with no cracks, chips, scratches, crazing, or wear to<br>gilding. They're hand painted over transfer. I have additional pieces in this<br>pattern I'm listing separately.<br>Tw46

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c1884 Royal Doulton Botanical Desert Serving pieces 2 pc one 10.5" oval footed<br>serving bowl, one 10 3/8" heart shaped dish. All pieces in near mint appearing<br>unused condition with no cracks, chips, scratches, crazing, or wear to gilding.<br>They're hand painted over transfer. I have additional pieces in this pattern I'm<br>listing separately.<br>Tw46

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c1890 Douverdrey & Bloquel French Carriage clock in Travel case. Great clock in attractive wood case. Case has some expected wear, Interior chip to bottom right of glass on front, exterior chip in same place on back. Insignificant issues in my opinon. It's running right now and keeping good time. When you get it, if you set it turning the hands clockwise it should start ticking if you wound it first and don't overwind it of course. 4.25" tall without handle or case. Case is just over 5" tall. key included Great clock. isshelf

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c1890 St Malo Terracotta Tobacco Jar Scottish Man. 6" tall with no cracks, chips, or restorations. Guaranteed late 19th to early 20th century. TW162

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c1890 "Oriental Nurser" and comedy baby bottle flask Teddy's Pet. Selling both antique bottles, I believe one is a nursing baby bottle and the other a small flask shaped like one from the same era, largest 6" long, both with no damage.

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C1890 10.25" RS Prussia Bowl. No damage of any type or restorations, wear to rim gilding. tw271

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c1890 14k gold red enamel/pearl Ladies pocket watch Harris Schafer DC. Working Antique Swiss pocket watch retailed by Harris and Schafer Washington DC in the last quarter of the 19th century. Enamel loss to one spot on the edge, no other detectable loss or issues. Crystal was dirty in the pics, gorgeous watch. Measurements in pics.

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c1890 3.25" fitter Vaseline Opalescent glass lamp shade. 7.5" tall x 5.5" wide with no damage whatsoever, it is a litghter color of vaseline with a smaller amount of Uranium than some but does glow under uv light as shown. tw105

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c1890 8 Dresden Demitasse Espresso Cups and Saucers Turkish Coffee. These are small demitasse cups and saucers typically used today for strong coffee in various countries, they're great. All hand painted 4.75" wide saucers, 2.25" tall and wide cups. One cup matches on one side but not the other, it was made by the same company but looks to have been decorated by another. One saucer has a small chip and associated hairline, it's on top right of group pic. NO other chips cracks, restorations, or other issues. Very rare to find a set of these. Selling the exact 8 cups and saucers shown. The term "Dresden porcelain" refers more to an artistic movement than a particular line of figurines or dinnerware. Several decorating studios emerged in this Saxony capital in response to the rise of "Romanticism" during the 19th century. Dresden was an important center of this artistic, cultural and intellectual movement, which attracted painters, sculptors, poets, philosophers and porcelain decorators alike. In 1883, in response to the exciting developments happening all around them, four prominent ceramic decorators registered the famous blue crown Dresden mark, and the widely popular "Dresden style" was born. TW233

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c1890 Theodore B Starr New York Pair of Hand Painted Fish Plates with ruffled rims by George Jones England. 8 7/8" wide with no cracks, chips, or restorations, minor wear to gilding and a few scratches, overall wonderful. Theodore B. Starr was a company of silversmiths founded in New York in 1862 by Theodore Starr.[1] In 1864, he was joined by Herman Marcus, and the company became known as Starr and Marcus.[1] Marcus left to join Tiffany's in 1877, and Starr bought back control of the company, with the name of the company becoming Theodore B. Starr.[1] The company was incorporated in 1907 by Starr's son, before being bought in 1918 by Reed and Barton, a silver firm, and finally closing in 1923. TW184

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c1890 Amber Apothecary Bottle Set some Labels Under Glass ground stoppers. Selling all the bottles shown all from one estate, I was told their family owned a drugstore in the late 19th-early 20th century south of Austin but unfortunately didn't get more details. These bottles are really clean all late 19th to early 20th century. No chips, cracks, not all scratched up, no dinged up or stained. The large bottles have labels under glass 9.75" tall marked W.T. Co USA. Mid sized are high quality art glass with ground pontils indicating they were hand blown by a top factory 7" tall and the labels appear to be enameled glass, these are the highest quality pharmaceutical bottles I've ever seen. The smallest ones are 6 1/8" tall and have paper labels, the bases are embosses 200 x 2, and the 2's look a little Frenchy. Selling all the bottles shown all very clean with no significant issues. tw246

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c1890 Amberina Art Glass Cream pitcher with Embossed Daisy and Fern Pattern. Very unusual piece of late 19th century American art glass guaranteed. 5" tall x 4.75" wide, ground pontil, nice piece. No cracks, chips, or restorations. tw126

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c1890 Amberina Art Glass Diminuative pitcher5" tall x 4.5" wide, larger than what most would consider a creamer. No cracks, chips, or restorations. TW192

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c1890 Amberina Art Glass Footed vase. 5" tall x 3" wide with no cracks, chips, or restorations. Fine quality piece. tw126

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c1890 Amberina Art Glass Juice Pitcher8" tall, likely bohemian, no cracks,<br>chips, or restorations. Great piece of functional art.<br>TW185

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c1890 Amberina Art Glass spooner. 4.5" tall with no damage, receipt from last purchased included. Amberina glass, blended colour glass in which the lower part, a yellowish amber, merges into a ruby-red colour higher in the vessel. It was patented in 1883 for the New England Glass Company at East Cambridge, Mass., and was produced extensively there and by the successor company, the Libbey Glass Company at Toledo, Ohio, into the 1890s. The base metal was an amber glass containing some gold, and the tinges were developed by applied reheating. The glass was sometimes blown in molds. A wide range of table and ornamental wares, with diamond or ogival designs, or swirled ribbing, were produced by the New England Glass Company, and amberina glass was also produced at New Bedford, Mass., under the name rose amber. isshelf

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c1890 Amberina Footed Rose Bowl. Most likely American. No cracks, there is a little roughness on the feet and one actually chip but you have to look so close to see any of it, like 6" away and serious scrutiny. Looks beautiful from all sides, promise. 6" tall x 4.5" wide. b26

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c1890 Amberina Large Footed Rose Bowl in Ribbed swirl pattern. Guaranteed late 19th century with no cracks, chips, or restorations. I've seen this bowl attributed to Mt Washington but don't have time to confirm, it's nice and 19th century and undamaged is what it is. 7" wide x 4.25" tall with a 3.25" foot. TW127

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c1890 Amberina Mary Gregory Style Hand Painted Creamer and Sugar. Selling both<br>pieces with no cracks, chips, or restorations, ground pontil on creamer. Creamer<br>is 3 7/8" tall, both are about 3.5"-4" wide.<br>TW183

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c1890 American Sterling repousse Pendant/Chatelaine trinket/pill box gold gilt. Great little high quality box made to hang on a chatelaine or necklace. Solid sterling gold gilt with fancy repousse work, snaps shut tightly with an audible click. 1.8" wide x 2 1/8" tall with bail, no issues, 18.3 grams, marked as shown. pendantbag

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c1890 Antique Bohemian Art Glass Pink glossy Peachblow Style Ewers. 8" tall no cracks, chips, or restorations. Selling the pair.

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c1890 Antique Bronze Figural Bell Woman with Large dress. This may be depicting someone I should be familiar with. Guaranteed antique bronze over 100 years old unsigned but obviously a good artist and fine casting. Including a reciept where it was purchased as an antique in 1984 6.5" tall x 3.25" wide at base. HIgh quality bell with very nice ring to it. b50

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c1890 Antique Carved Meerschaum Pipe with horses. Late 19th to very early 20th century, great case with functional snap. Pipe in good condition but missing stem. Case is 4" x 2"

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c1890 Antique Chinese Silver Dragon Link Bracelet. Really nice solid silver (80% or more) Chinese link bracelet. It has a revolving ball in the center that threads in the other end. Very ingenious from a guaranteed over 100 year old bracelet. No significant issues, illegible Character stamp. Approximately 7" inside diameter 38.4 grams, guaranteed late 19th to very early 20th century.

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c1890 Antique French Bronze Crucifix. Nice antique French bronze Crucifix with<br>wonderful natural patina. 7.5" tall x 6.75" wide Heavy well cast solid bronze.<br>TW136

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c1890 Antique French Marquetry Brass/mother of pearl inlaid Jewel casket. Fantastic original liner, really nice burlwood/brass/mother of pearl inlay. 12.5" x 4.25" x 3.5" tall. Fully functional with no significant issues. Original lock/key which appears functional but doesn't seem to catch and I really don't have time to puzzle over it. Estate fresh and appears the previous owner paid 1k for it. tw271

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c1890 Antique French Marquetry glove box with brass/mother of pearl inlay. 12 1/8" x 4.25" x 3.25" tall extremely clean with no issues. Nice antique box with no identifying marks, no key present. tw270

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c1890 Antique Carlsbad Austria Oyster Plate. 9" wide with no cracks, chips, or restorations, some wear to gilding on rim. isshelf

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c1890 Antique Miniature Viennese Dore Bronze and Hand Painted Enamel Settee. 3.5" wide x 3" tall, no damage, some oxidation on sides that I didn't attempt to clean, sits cleanly on all 4 legs with no wobble.

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A beautiful Pirkenhammer porcelain cabinet plate of a hand painted central<br>portrait depicting Elisabeth Vigee Le Brun, a prolific painter associated with<br>Marie Antoinette.<br>9 5/8" wide, very high quality professional restoration at the 10:00 position<br>(upper left), very difficult to spot from the front but has yellowed with age on<br>back as it's likely about a 30 year old restoration and that's what happens.. No<br>other cracks, chips, or restorations, 100% hand painted and great.

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C1890 Antique Porcelain Plaque Madonna in carved wood frame 4.5" x 3 5/8" total<br>with approx 2" x 1 5/8" sight on plaque. No damage to plaque, not examined<br>outside of frame, old glue restorations to frame.<br>trinketdrawer

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c1890 Antique Primitive Butter Mold/Paddle collection. Everything in the picture is late 19th to early 20th century. Some cracks in the woods as shown but still functional and attractive. The round ones are 4 5/8-4.75" wide at end of cup paddle is 8 7/8" long x 5.25" wide. Selling everything shown. TW247

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c1890 Antique Primitive Butter Molds. Selling both primitive American butter<br>molds from the last half of the 19th century hand carved. 4.5" 4 7/8" wide at<br>the end of opening where butter would go.<br>tw123

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c1890 Antique Primitive Butter Molds. Selling both primitive American butter molds from the last half of the 19th century hand carved. 4.5" 4 7/8" wide at the end of opening where butter would go. tw123

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c1890 Antique silver Dragon Cigarette holder with glass eyes. Tested and guaranteed solid silver, articulating mouth with lever on head to open mouth. Some cracks in original amber mouthpiece, but appears stable. Case rough with broken hinge and missing/brittle leather cover. Dragon in good condition. Dragon with stem 3 3/8" long. trinketdrawer

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c1890 Antique tin head doll. Well loved late 19th to early 20th century, lissing one arm, fingers on other hand, one leg about to fall off....still great. I cannot get the dress down to look for a makers mark. 13" tall. tw147

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c1890 Art glass tumbler collection, Amberina Mary Gregory, Rainbow Glass, Hand<br>enameled Cranberry, etc<br>Great collection all from the same estate. They all measure from 3.5" to 4" tall<br>and the widest is 2 15/16" wide. A few may have tiny flakes on the ground rims,<br>but nothing big enough to be a distraction or prevent use. No large chips, no<br>cracks, no hard water. Selling the 6 tumblers shown all guaranteed to be from<br>the late 19th century.<br>tw182

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Great piece wonderful patina 6.25" tall. Artist signed by I'm sure a listed<br>artist. There is a pinhole in the base and I'm not sure why as it's very thick<br>heavy bronze, the hole is too small for a lamp cord and it would not look right<br>mounted. Other than that no issues, surely a 1k+ piece by a listed artist with<br>weird/messy handwriting. Me spending an hour trying to figure out who that is<br>won't make this any nicer than it is. I would rather give a better price than<br>waste time. 881.7 grams.<br>tw203

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c1890 Banker's Dip Pen Stand with Mother of pearl calligraphy pens. Selling the lot shown, two pens missing nibs. Longest 7", stand 5.25" tall. Slight roughness to tips of a few mother of pearl pens, and slight bends to a few nibs. TW260

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c1890 Beatty Overall Hobnail Opalescent Toothpick collection 2.5" tall. One in vaseline glass. All with no damage or detectable wear. These were part of a much larger collection, the best ones in the best condition without issues were saved for here. Selling all 5 shown with no wear to hobs, no mold seam roughness. These are actually the perfect size for votive candle holders. 1.75" inside width from side to side. toothpickdrawer

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c1890 Black Forest/Horn Carved Wood Coat hook. Amazing item, minor loss to tips<br>of horns on wood carving, no other issues. 10" tall x 3.5" deep.<br>tw255

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c1890 Bohemain Cruets Amberina and Blue/Amber Enameled 6.25" and 7 3/8" tall the<br>amberina has a tiny sliver chip from the cop of the finial, not a distraction.<br>No other cracks, chips, or restorations both with minor mineral deposits inside.<br>tw185

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c1890 Bohemian Crackle finish Peachblow art glass vases. 3 3/8" tall x 3.75"<br>wide with no cracks, chips, or restorations. Most likely Kralik. Selling both<br>vases for one price.<br>tw154

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c1890 Bohemian Cranberry Overshot Centerpiece. 7.25" tall x 9" wide with no cracks, chips, or restorations. One tip is slightly rough to the touch shown to the right side of the last pic. This will most likely be dissasembled for safe shipping. The base is weighted sterling unmarked. b13

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c1890 Bohemian Peachblow Enameled vase, 9" tall with no damage and minimal wear.<br>tw274

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c1890 Cased opaline toothpick in silverplate holder. 3.5" tall with no damage. toothpickdrawer

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c1890 Cast Iron Gilt Picture frame 11.5" x 8 5/8" Will take up to 4.25" x 6.5" picture Has matting already for a 3" x 5" picture, no glass. TW228

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c1890 Chicago Wendell Sterling Boxed Demitasse set Retailed by S Hyman & Co. From the rarely observed firm of WENDELL MANUFACTURING COMPANY - Chicago, IL Founded by Charles Wendell in 1850 c. Became Wendell Mfg Co in 1885. In late 1890s acquired some flatware patterns and dies of Mauser Mfg Co. Active in New York with retail or wholesale outlet under the name Wendell & Co. This company closed right around 1900.Selling the set shown in this amazing silk lined Velvet covered box. The spoons are 4" long with 3/4" wide bowls and weight 7-8 grams each. Box is 12 3/8" wide. Spoons and box are immaculate. Selling the 12 spoons in the box, as good as it gets. It even has a spring lid that automatically pops up when the functional catch is disengaged. These are small spoons for coffee/tea, stuff like that. tw187

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c1890 Clementson Bros Flow Blue Fruit Pattern Scalloped serving bowl. Really<br>nice shape and color, fine molding. 13 1/8" x 9.75" x 2.25" deep. Some expected<br>crazing, no stains, no cracks, chips, or restorations. When I took the pics<br>there was a spot of white paint on the bottom right edge, it was just paint, I<br>removed it.<br>TW229

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c1890 Coralene Heavily Enameled Cranberry Art glass Vase with lots of gold 8.5"<br>tall with no cracks, chips, or restorations, and minimal wear to gold, some<br>expected loss to the glass coralene beads over the gold.<br>TW183

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6.75" c1890 Coraline Art glass vase. Minor loss to glass beaded coraline<br>decoration. No cracks, chips, or restorations...

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c1890 Cranberry Glass Muffineer Sugar Shaker with Cut paneled Sides. 5.5" tall<br>with no cracks, chips, or restorations. Slight roughness inside lip under lid<br>likely original to manufacture.<br>TW70

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c1890 Cranberry Opalescent Buttons n Braids Water Pitcher. No cracks,chips, or restorations. Excellent clarity except very bottom 1/2" has some hard water deposits. 9.75" tall x 7.5" handle to spout. Color is more vibrant than pics suggest.

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c1890 Cranberry Threaded Enameled Water pitcher. Great piece with no cracks,<br>chips, or restorations. Possibly Stevens and Williams, definitely 120-130 years<br>old. 9.25" tall x 7.5" handle to spout.<br>isshelf.

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