Antique Ceramics Unsorted

Belleek Black Mark Lotus creamer and sugar. No cracks, chips, or restorations. Lotus flowers on creamer and petals on sugar. Selling both. Creamer 3 1/8" tall. Both ring like a bell. Pink trim on sugar, no trim on creamer.TW154

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Nymphenburg Blanc de Chine Allegorical Figure and two lions. Selling the threefigures in perfect condition. Tallest 4.5". These are from the third quarter of the 20th century but the lions or a very similar version in the same size are still available from Nymphenburg directly for $195 each. Selling the lot of three with no cracks, chips, or restorations. figshelf

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Antique Dresden Flowers Bud vase. 8.25" tall with no cracks, chips, or restorations. Faint blue underglaze crown type mark, 19th century. Hand painted high quality piece from a collection of Nymphenburg. The mark does resemble an earlier Nymphenburg mark but it's difficult to tell.TW166

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Large 1968 Austin Texas Potter Don Herron covered jar 8" tall x 8.5" wide with<br>no cracks, chips, or restorations. Nice Early work by Local Potter Don Herron<br>who has also been an Art professor at the University of Texas since 1974. Signed<br>DH 1968.

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Herend Queen Victoria Woven Reticulated bowl. 7.25" square, hand painted with<br>handmade border. No cracks, chips, or restorations.<br>TW5

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1970's Peter Deneen Studio Pottery Ashtray. Really nice ashtray to use for whatever you want from the 70's or 80's. 5" wide x 2 1/8" tall.Peter Deneen began his lifelong journey with ceramics while studying pottery at Luther College in Decorah, Iowa. During this period he also began attending Marguerite Wildenhain’s Pond Farm School (located in northern California) in 1968. Peter went on to earn his M.A. from the University of Iowa in 1971.Inspired By Art & HistoryDuring this time, Peter caught the inspirational fire of the Bauhaus movement of Walter Gropius in Post World War I Germany. The main thrust of the Bauhaus “was to create an environment which would nurture the bond between art, industry and trade through education; to insure the cooperation of industry and artists in the field of mass production.”ESTABLISHING DENEEN POTTERYIn 1972, Peter and Mary Deneen established their first studio and showroom at Park Square Court in the Lowertown neighborhood of St. Paul. Here they began producing hand thrown functional and decorative pottery and dinnerware.“Form follows function,” was embedded within their work through the teachings from Marguerite Wildenhain, recalling the Bauhaus lessons she learned from Gerhard Marcks. It was during this time that Mary started to produce more commemorative items and ceramic figures, while launching a “Bear Essentials” line.White Picture corner top leftWhite Picture corner top rightWhite Picture corner bottom leftWhite Picture corner bottom rightEarly Days of Deneen Pottery1974PARK SQUARE COURT IN LOWERTOWN•“The Spin of a potter’s wheel brings prosperity, unfettered life-style.”This was the title of the article that ran in a local St. Paul publication around 1974. “Peter Deneen sits at his potter’s wheel, fingers fashioning burnt-cinnamon clay into pots and plates, goblets and candle-holders, tall, corked canisters and small spice bottles.”At this time, the Deneens wanted to open retail outlets similar to Pottery Barn, but make all of the products at their Lowertown studio. A favorite quote (of the current office) staff has Peter saying. “We’ll never be more than a handful of people. I’d never get larger than three stores,” says Peter.” “Don’t say ‘never,'” interjects Mary.” Wow, how the path has deviated from the plans made in 1974!tw129

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C1900 Hutschenreuther Porcelain Plaque "Gute Nacht" (Good Night) after Georg<br>Hom. Fantastic Hand painted porcelain plaque from the turn of the last century.<br>French Retailers label on reverse. The 107 impression in the porcelain found on<br>the reverse side was used by Hutschenreuther for this sized plaque. Old<br>calligraphy on reverse side indicating it was given as a gift in 1908. The frame<br>and I believe the plaque are late 19th century and I believe it was an<br>extravagant 2nd hand gift at the time in 1908 as a plaque like this with this<br>quality of painting was never not a luxury item. 9" x 11" framed, 4" x 5.75"<br>plaque.<br>isshelf

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Boehm Porcelain Pink American Express Rose Made in USA. No cracks, chips, orrestorations. 7.25" long, not even the tiniest flake anywhere and it will be packed with the most care imaginable.Biography of Edward Boehm: In 1950, Edward and Helen Boehm started a basement studio in Trenton, New Jersey, and Ed created sculptures in realistic style that were admired enough that in 1951, two of them entered the collection of the Metropolitan Museum of Art. By the end of the decade, Boehm was represented in 11 other museums including the Buckingham Palace, Elysee Palace and the Vatican. Today the porcelains are in 134 museums and institutions throughout the world isshelf

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Shelley miniature Cup and Saucer. 3" saucer 1 5/8" tall cup. Mint condition with no damage or wear.B32

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c1900 Antique French Hand Painted Sevres Style Goblet Form Wine Cooler. 8.5"tall x 7.75" wide, very large piece of antique 100% hand painted French porcelain. Would make a great Cachepot, ice bucket, centerpiece, etc but it's the perfect size for a wine cooler and likely began it's life as that. Artist signed Aly.

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Nymphenburg Blanc de Chine Allegorical Figure Set. Selling the set, tallest 7.5"<br>from the third quarter of the 20th century with 5 of Bustelli's Ovidian s<br>standing on plinths. From 1754 to 1763 Franz Anton Bustelli modeled a set of<br>small putti at Nymphenburg, representing the Roman s as described by the Latin<br>poet Ovid. He took a different approach from previous representations of s,<br>seeing them as smiling, playful children in a Baroque style, with sculptural,<br>three-dimensional poses that twist and turn. Each figure has to be seen in the<br>round to be fully appreciated. Each figure is also accompanied by a specific<br>object or objects that identify which is represented, for example, a wine barrel<br>and an upraised cup for the of wine, Bacchus. Bustelli's figures of Ovidian s<br>have been reissued since the early 20th century by the Nymphenburg factory in<br>Munich as a fitting tribute to the genius of its greatest sculptor.<br>No cracks, chips, or restorations. I've seen these sell on the secondary marked<br>for over $300 ea. I don't believe they are in production anymore but heard they<br>last retailed for close to 1k each.<br>tw166

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Nymphenburg Hand Painted Porcelain diminutive bud vases. No cracks, chips, or restorations. 4.25" tall, hand painted, no wear to gold. Selling the pair of vases shown from the mid 20th century.TW166

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Antique French Gilt Bronze Champleve with onyx lamp. I believe this was likely<br>an urn or candelabra from the third quarter of the 20th century before they had<br>electric lamps that tastefully turned into a lamp in the first half of the 20th<br>century. Working condition, Highest quality 25.25" total height to the top of<br>the finial, 23.25" to the place where the shade will rest below the finial.

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c1910 Haviland Limoges Scalloped bowl with Pink Blue and Yellow Flowers. First quarter of 20th century with no damage or significant wear, clean gold. 8.25" wide x 2" deep at handle.tw7

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10 1950's English Pottery Figural Egg Cups. Selling the set from the mid 20th century with no cracks, chips, or restorations. 2.5" tall with 1.5" opening to hold egg at top.TW68

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c1860 Staffordshire cow creamer 6.75" long x 5" tall, Old restored chip to lid, reglued horn, stable hairline on front leg as shown.

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c1890 Majolica Vases with Silverplate Mounts. 8.75" tall x 5.75" wide, rare andunusual. minor loss to a few petals which appears to have been touched up. No major loss, no cracks, one of the silverplate tops looks slightly bent on the back. No identifying marks other than a few scratched numbers on the frames which I'm assuming are silverplate. No wear to the plating, just some tarnish. b12

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Vintage French Limoges Cow Creamer with butterflies. Cows and butterflies, doesn't get much better. 7" long with no cracks, chips, or restorations.isshelf

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Boehm Porcelain Lamb and Sow Piglet. No cracks, chips, or restorations. Longest5.5" Biography of Edward Boehm: In 1950, Edward and Helen Boehm started a basement studio in Trenton, New Jersey, and Ed created sculptures in realistic style that were admired enough that in 1951, two of them entered the collection of the Metropolitan Museum of Art. By the end of the decade, Boehm was represented in 11 other museums including the Buckingham Palace, Elysee Palace and the Vatican. Today the porcelains are in 134 museums and institutions throughout the world isshelf

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C1900 Berlin Porcelain Plaque After Henry Ryland Young Woman with Rosary. Very<br>High quality 100% hand painted porcelain plaque from the first quarter of the<br>20th century, likely reframed, no cracks, chips, or restorations. Not examined<br>outside of frame. 10" x 8" with frame. 7.25" x 5.25" plaque.<br>isshelf

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c1900 Hand Painted Porcelain Plaque Depicting St. Cecilia patron saint of musicat an organ. 13.5" x 11.5" framed, 8" x 10" framed. Signed at bottom right and dated 190? 100% hand painted pre 1910 porcelain plaque in a High quality period walnut frame. I didn't have time to remove it from the frame as I have a lot of items to process, no damage. I did shake it around in the frame without removing it and it's signed Blanche S Mitchell Christmas 1906 who was a Kansas city Kansas Artist around 1900. Obviously a very skilled artist, she was a professional artist but my guess is this work was created for a loved one. It's extremely high quality. tw204

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c1960 Quality Porcelain Animal Figures lot British and Irish. Selling the four<br>figures from the 1940's-60's and in perfect condition. No cracks, chips,<br>crazing, or wear. Tallest is 3", selling all four.<br>figshelf

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c1850 Staffordshire c1940's Royal Doulton British Ceramic Dalmation figures. On<br>the left staffordshire 5.25" tall guaranteed from the last half of 19th century<br>with two old/stable fractures on front ankles, no other damage. On right Royal<br>Doulton dalmation, early version from late 30's or 40's. 7" long x 4.25" tall<br>with no cracks, chips, restorations, or crazing. Selling both together.<br>TW210

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c1920 Coronet Limoges Artist Signed Pheasant wall Plaque. 10.25" wide with no cracks, chips, or wear to paint/gilding. Exceptionally fancy border and nice painting.tw255

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c1960 French Sabino/ Danish Royal Copenhagen Porcelain Bird Figures. Selling the three figures shown all from one estate collection. Royal copenhagen are 1.75" tall, sabino is 2" all in perfect condition with no damage or wear. Sabino Bird marked Sabino France.Figshelf

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c1950 Renoleau Angouleme Faience Shaving Barbers bowl replica. No cracks, chips, restorations, or crazing. 11" x 8.25" wide.tw260

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c1870 Powell Bishop Staffordshire ABC Plate. No cracks, chips, or restorations, some stains as shown. 6 1/8"TW252

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Meissen Hand Painted Dresden Flowers Style Flared Vase. 9.75" tall x 5" wide at<br>rim with no cracks, chips, restorations, or wear to gilding.<br>TW251

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Ishmael Soto(1932-2017) Austin Texas Studio Pottery Sgraffito Owl Plate 10.75".<br>No cracks, chips, or restorations.<br><br>Ishmael Soto, longtime Austin ceramicist and teacher, died Monday after a battle<br>with cancer. He was 84.<br><br>“Ishmael’s passing is a loss for us all in the community,” said Sylvia Orozco,<br>director of Mexic-Arte Museum. “He was a great human being, teacher and artist.<br>Ishmael was one of the first, if not the first Mexican-American Austinite to<br>become a professional visual artist.”<br><br>Artist and teacher Ishmael Soto died Feb. 27 at age 84. Contributed by Tahila<br>Mintz<br><br>Soto won many prizes and was exhibited frequently in group and solo shows.<br><br>A native Austinite, Soto earned his first degree from the University of Texas<br>and his second from the famed Cranbrook Academy of Art in Michigan. His 57th<br>Annual Potters Show and Sale took place in December 2016. He taught ceramics at<br>UT for seven years — one of the first Hispanics to teach in the art department<br>— then at St. Edward’s University and Austin Community College for a total of<br>more than 30 years..<br><br>“He was a modest, generous mentor and major inspiration to many artists,” said<br>his widow, Cynthia Leigh. “He taught thousands of students over his lifetime.<br>Many of his students decided to become artists from his encouragement and<br>support. He did not try to mold his students to imitate his work; he encouraged<br>them to follow their own artistic path and draw on their own talents”<br>tw250

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Rosenthal porcelain male dove designed by Fritz Heidenreich (1895 -1966), in<br>1930. He headed Rosenthal's art department in Selb, Germany, starting in 1946.<br>Rosenthal porcelain male dove stamped on bottom "Rosenthal Germany, F.<br>Heidenreich". Dove measures 5 1/2" high with 7" wide fanned out feathers and 5<br>1/2" high in the back. No cracks, chips, restorations, or other issues.<br>TW251

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Hand Painted Limoges Trinket Boxes Fruit and roses. Selling both from last<br>quarter of 20th century with no damage or wear, tight hinges, snap shut audibly.<br>The Apple is 2" tall x 2" wide.<br>TW247

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c1870 British Bodley Porcelain Hand painted plate with bird and butterfly. Great<br>piece from about the third quarter of the 19th century. Impressed Bodley in<br>center under glaze, chip on footrim. No other cracks, chips, or restorations.<br>TW260

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Hand Painted Limoges Trinket Boxes egg shaped. Selling both from last quarter of 20th century with no damage or wear, tight hinges, snap shut audibly. 2.75" x 1.75" x 1.75" tall.TW247

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Biblical Staffordshire Childs plate I lay my body down to sleep let angels guard<br>my head. light stains, no cracks, chips, or restorations. 6.75"<br>isshelf

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c1850 Staffordshire Pink lustre rimmed transferware bowl Very clean with no<br>cracks, chips, or restorations. 5.5"<br>isshelf

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Le Tallec Limoges Porcelains Trinket Box for Tiffany Private Stock. 2" tall x 23/8" wide with no cracks, chips, scratches, or other issues. Strong hinge and tight closure that snaps shut. Le Tallec was a Paris studio that decorated Limoges porcelains. Founded in the 1930s by Camille LeTallec, everything was entirely hand painted of very high quality. Le Tallec did a lot of work for Tiffany and was probably the most prestigious decorating studio in France. tw249

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c1850 KPM Heavy gold Berlin Porcelain Butter/Cheese dish with lid. No<br>cracks,chips, or restorations. 8" wide x 5.5" tall with lid on. clean gold, hand<br>decorated.<br>isshelf

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c1900 LS&S Hand Painted Limoges Eggshell Porcelain Tiny Coffeepot and sugar bowl. All hand painted with no cracks, chips, restorations, or wear to gilding. The small pot is 5.5" tall x 5 3/8" handle to spout, the sugar is 3 7/8" handle to handle x 1 5/8" tall. No damage to either. Both very small and very great.TW247

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Hand Painted Limoges Trinket Boxes Flower basket and painted roses. Selling both<br>from last quarter of 20th century with no damage or wear, tight hinges, snap<br>shut audibly. Largest is 2 5/8" tall x 3" wide.<br>TW247

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c1900 Hand Painted Limoges Punch bowl w/ Stand. Great piece guaranteed over 100<br>years old, estate fresh. The bowl and the base appear to have been painted by<br>the same person, the Base was made by Delinieres & Co. It measures 10 1/8" toe<br>to toe x 3" tall x 6.5" inside the ring that keeps the bowl from slipping off.<br>The bowl was made by Tressemann and Vogt, it's 12.5" wide x 5.25" tall. No<br>cracks, chips, or restorations on either piece, very minimal wear to gilding,<br>some expected wear on the part of the base that the bowl rests on. It was not<br>uncommon for porcelain decorating studios to order from multiple companies and I<br>feel these two pieces have been together for 99.9% of their lives since they<br>were decorated sometime between 1891-1910.

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c1900 LS&S Hand Painted Limoges Raised Gold tray. 13" x 9.75" with no cracks,chips, scratches, or wear to gold. All hand painted and wonderful, great tea or dresser tray. TW247

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c1900 Haviland Schleiger 70d Snack Set Cup and plate Pink roses and blue thistle with gold. Great snack set from the late 19th to early 20th century with no damage or detectable wear. The cup measures 4 1/4 inches wide, including handle and 2 inches tall. The saucer /snack plate, which has a fitted indentation for the cup, measures about 8 1/2 inches long and 7" wide.

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1950's Rosenthal HEIDENREICH Seagull Figures Pair<br><br>Looks splendid. Acknowledged artist, ceramist and sculptor Fritz Heidenreich<br>(1895 – 1966) designed this figure in 1934. He was a Rosenthal employee from<br>1919 to 1960, and from 1946 onwards the head of the art department in Selb. He<br>always tried to find contemporary ways of expressing his sense of forms. The<br>most famous of his works is vase called ‘Pregnant Luise’ (‘Orchideenvase’). All<br>Rosenthal famous Op-Art was started after he introduced this vase. He is also<br>well known for fish group ‘Scalare’, which was awarded with Grand Prize in Paris<br>in 1937. Seagull is marked on the backside with standard Rosenthal, Germany mark<br>in green identifying production of late 1950s.<br>They are 7.25" and 9" tall with 9" and 12" wingspans. Condition is immaculate<br>with no cracks or chips found. Colors are bright and vibrant.<br>isshelf

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c1860 Staffordshire cow creamer 6.75" long x 5" tall, Old professional restoration to lid, one ear/horn broken clean and reglued (almost missed both) lid fits loosely, no other issues.

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c1860 Staffordshire cow creamer 6.75" long x 5" tall, rare original lid undamaged, base has an old professional restoration to ears/horns and a stable fracture to both back legs/associated stable hairline on back base.

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c1860 Staffordshire cow creamer 6.75" long x 5" tall, Old restored chip to lid,<br>reglued horn, stable hairline on front leg as shown.

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c1880 St Jerome Hand Painted Porcelain Plaque 4 1/8" x 3.75" framed with no cracks, chips, restorations, and very clean frame. It's never been out of the frame.TW237

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Antique French Faience Large Centerpiece signed Rotheneuf. Nice large piece late19th to early 20th century. I have seen some older Quimper pieces with a Quimper mark and Rotheneuf as an artist signature. There's also a small Island in france name Rotheneuf. I'm not really sure who to attribute it to but it's a good old piece close to 100 years old is not older. No cracks, chips, or restorations, some minor glaze wear on sharp rims as expected. 10" tall x 15" wide x 7.5" wide at the top of the trumpet.

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c1900 Antique Royal Vienna Style Plate with heavy raised gold. 9 5/8" wide with no cracks, chips, or restorations. Mostly hand painted over a transfer decorated design. Artist signed, slight wear right at the signature.TW235

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c1920 RS Germany Cake Plate. 11 7/8" wide with no cracks, chips, or restorations. Minimal surface wear.isshelf

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(2) Royal Copenhagen Blue Fluted Half lace 7oz Teacups and Saucers. Selling the exact two teacups and two saucers shown (4 pcs total). No detectable flaws but all four pieces do have a faint scratch through the mark. Cups are 3 15/16" wide without handles, saucers are 5.75" wide. TW260

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c1890 Dresden Pierced Reticulated Cake Stand and two plates. Selling the three pieces with no cracks, chips, or restorations. Plates are 8 7/8" wide, cake stand is 9.75" x 4" tall. All hand paintedThe term "Dresden porcelain" refers more to an artistic movement than a particular line of figurines or dinnerware. Several decorating studios emerged in this Saxony capital in response to the rise of "Romanticism" during the 19th century. Dresden was an important center of this artistic, cultural and intellectual movement, which attracted painters, sculptors, poets, philosophers and porcelain decorators alike. In 1883, in response to the exciting developments happening all around them, four prominent ceramic decorators registered the famous blue crown Dresden mark, and the widely popular "Dresden style" was born.TW232

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c1930's Karl Ens Voklstedt Girl with goose. 7.75" long. Loss to one pink petal, no other cracks, chips, or restorations. Just marked Germany but I've seen this figure with the rest of the mark and the quality makes the maker obvious in my opinion.Figshelf

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c1900 Dresden Flowers Hand Painted Dresser Tray. 10.5" x 7.25" with no cracks,<br>chips, restorations, or detectable wear.<br>The term "Dresden porcelain" refers more to an artistic movement than a<br>particular line of figurines or dinnerware. Several decorating studios emerged<br>in this Saxony capital in response to the rise of "Romanticism" during the 19th<br>century. Dresden was an important center of this artistic, cultural and<br>intellectual movement, which attracted painters, sculptors, poets, philosophers<br>and porcelain decorators alike. In 1883, in response to the exciting<br>developments happening all around them, four prominent ceramic decorators<br>registered the famous blue crown Dresden mark, and the widely popular "Dresden<br>style" was born.<br>TW230

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c1870 Bronze Mounted Hand Painted Porcelain Plaque. Not totally sure if it's<br>French or Bohemian, but I'm totally sure it's great and mid to late 19th century<br>with no damage or restorations. 10 7/8" wide, estate fresh 100% hand painted<br>with heavy bronze mount.<br>TW228

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c1830 British Star shaped dish. Nice hand painted gold decoration. There is a<br>chance this is German or French but the paste seems British to me. I guarantee<br>it first half of 19th century. 8" wide two of the tiniest flakes on footrim, no<br>other cracks, chips, or restorations.<br>tw260

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1920's Demitasse Turkish Coffee Cup and Saucer Set of 5 Rudolph Wachter Bavaria. Selling the 5 Demitass cups and saucers shown with no cracks, chips, or significant wear. Cups are 3" tall x 2 3/8" wide at the rim, saucers are 5". Highly decorative set as shown, hand painted accents over transfer design. Very close to 100 years old if not so.TW227

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Biblical Staffordshire Childs plate Joseph's Two dreams. Very clean with no<br>cracks, chips, or restorations, small stain on back. 6"<br>isshelf

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c1850 TPM Heavy gold Porcelain Butter/Cheese dish with lid. No cracks,chips, or<br>restorations. 8.75" wide x 5.25" tall with lid on. clean gold, hand decorated.<br>isshelf

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1946 Green Top Pottery Petersham Massachusetts Henry Jewett Greene(1879-1970). 8" wide x 2.25" tall with no cracks, chips, restorations, scratches, or crazing. It is iscised hjg 46 on the footrim.Henry and his wife Bertha Elizabeth Auracher were married on October 23, 1907 in Lisbon, Iowa. Henry and Bertha were self-taught potters. Henry while active would have lectures called "The Lure of Pottery" where he would discuss his world travels of visiting other countries to learn about the pottery making medium. In these lectures, he would discuss in detail visits to a few of the important Chinese kilns where it was reflected some of the finest pottery in the world was made. These lectures would also typically include a demonstration of Henry at the wheel. In 1938 they exhibited at the Syracuse Ceramic Nationals. Henry's work can be found in the University of Michigan Museum of Art Collection.tw238

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