Belts and Buckles

40's-50's Sandcast Navajo Silver Belt buckle. 3 1/16" x 2.25", fits up to a 1.5" belt. 62.9 grams, stone secure in bezel with old cracks.

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Vintage Native American Sterling/turquoise belt buckle. Unmarked other thanmakers mark which is a Conjoined JE, tested sterling with no damage or significant wear. 3 3/8" x 1.75" 66 grams, fits up to a 1 1/16" belt. Stones are possibly Howlite, nice old buckle from the 40's or 50's.

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Vintage Native American Sterling/turquoise/coral belt buckle. Unmarked otherthan makers mark, tested sterling with no damage or significant wear. 3 1/8" x 2.75" 50.9 grams, fits up to a 1.5" belt.

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Andreas Beckmann Sterling Alligator Belt buckle on size 26 Alligator belt. From<br>the retired high end Dallas designer Andreas Beckmann. The buckle is 4.5" x<br>2.75" thick solid heavy sterling and takes up to a 1" belt. The buckle appears<br>new with no signs of wear. The belt appears to have been worn a handfull of<br>times with no significant wear but very close examination shows it's not "Brand<br>New". Belt is 1.25" wide tapering down at both ends, comes with original bag and<br>two new keepers in the box from the shop this ensemble likely came from in Aspen<br>Colorado. It was likely about a $1500 retail item that isn't currently available<br>at any price as the designer retired.

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Vintage Diablo Hand Engraved Sterling silver overlay belt buckle. Great buckle<br>from the third quarter of the 20th century with fine engraving. 4" x 3", fits up<br>to a 1.5" belt. 104.9 grams

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sz32 Curious George of Aspen - Sterling Snakes and skulls belt buckle set. Belt<br>and buckle in good condition, belt fits a 31" - 34.5" waist. If the belt doesn't<br>fit the buckle is worth way more than I'm asking for the combo and will easily<br>go on another 1" belt.<br>Belt is 1" wide.<br><br>Curious George is George Lapin, a gentleman of prodigious curiosity indeed<br>judging from his very intriguing store on the Aspen promenade. Your first clue<br>that his heart belongs to the old west is his slick handlebar mustache, ala<br>Wyatt Earp. Originally from New York City, Lapin ventured to Aspen about 25<br>years ago to see a friend and promptly fell in love with the place and all<br>things western. The results of his passion are displayed in this huge and<br>amazing store-museum. The place bulges with fascinating memorabilia like antique<br>rifles and pistols, swords, sheriff’s badges, a Cisco Kid poster, silver boxes,<br>vintage decks of cards and poker chip caddies. There’s a sumptuous circa 1929<br>black tooled-leather saddle dripping with ornate silver inlay and conchas for<br>just $32,500.<br><br>Everything has a story. Hanging on the wall is a rifle belonging to Chief Ouray,<br>presented to him in 1880 by Otto Mears, the great railroad builder of Colorado.<br>The rifle was something of a thank-you gift to the chief for helping to staunch<br>the Meeker Massacre some years before. Indian agent Meeker, in a rush of<br>enthusiasm for turning the natives into farmers, had plowed under the<br>horse-racing track which they dearly loved. Miffed, they slaughtered the man and<br>his family. Still, it could have been much worse had not Chief Ouray alerted the<br>9th Cavalry Buffalo Soldiers who rode to the rescue, a bit late for the Meekers.<br><br>Another page of history for sale is the rough leather “possibles bag” of Sioux<br>Chief Red Rainbow, a survivor of the Battle of the Little Bighorn. The bag<br>contains his colt .44 revolver which may have been raised against the ill-fated<br>Custer in the famous 1876 fight, as well as the chief’s deck of cards which<br>inexplicably have no spots<br><br>Curious George also carries tiny antique s which shoot real s, splendid old<br>Indian pawn jewelry, new and used cowboy boots, leather vests and jackets, and<br>an entire wall of belts and cases of silver belt buckles – choose a snarling<br>bear, a shrieking eagle, a lizard or turtle – in designs plain or fancy. Bill<br>Clinton, yes, in the flesh, dropped in and scooped up a whole passel of the<br>shop’s stunning contemporary turquoise and silver jewelry last summer. Nobody<br>had the nerve to ask him who would be the lucky giftee, reports George, not<br>quite curious enough this time.<br><br>George’s place has just about anything that could strike your fancy, except<br>maybe a vintage double holster, leather masterfully carved in extravagant<br>florals, with the big initials HRH on the back. Not long ago, Prince Andrew, of<br>the British Royals, stopped by and eyed the piece. When he asked the price,<br>George explained that he was waiting for some high roller to come by with those<br>initials, so he could really stick it to him. Prince Andrew, who happens to have<br>a brother who may well see those letters in front of his name in the future,<br>snickered and doled out the requisite cash. Don’t ask.<br><br>anderas

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Vintage Native American Stamped Sterling and lapis concho belt. 2.5" x 2"<br>buckle, (16) 1.5" x 1 1/8" conchos. The conchos are small enough to go through<br>most belt loops I believe. 45" total length with existing holes between 32" and<br>36", plenty of room for more holes. Leather is .5" wide 187.3 grams total<br>weight.<br><br>anderas

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Kenneth Wyatt (1930-2021) "Texican" and "Arbuckle" Polished pewter Sculptures.<br>Selling both Sculptures each with no damage or detectable wear.<br><br>Dr. Kenneth Wyatt (1930-2021) was a well-known Western artist in the Texas<br>Panhandle. He was widely known through his paintings, bronze and pewter<br>sculptures, writing, speaking and preaching. He lived in Tulia, Texas, where he<br>maintained his studio gallery, bronze foundry and Y-8Publishing, Co. He was also<br>an ordained Methodist minister for 30 years. As an example of his success, his<br>works are in prestigious collections ranging from the White House to the Capitol<br>Building in Washington DC.

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Vintage Native American Sterling/turquoise/coral belt buckle. Unmarked otherthan makers mark, tested sterling with no damage or significant wear. 3 1/8" x 2 3/8" 43.9 grams, fits up to a 1.5" belt.

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30's-40's Navajo Silver and turquoise belt buckle 3 3/8" x 2 7/8" x 76.1 grams<br>fits up to a 1.5" belt.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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28" c1930's-40's Navajo Stamped silver and turquoise link concho belt. Nice old<br>concho belt, just over 29" total length, there is now catch on one side shown<br>but typically these are hooked wherever and let hang. It will hook at 28" or<br>shorter, would also make a great necklace. Could either solder a catch on one<br>side or cut one of the conchos off.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Sterling/Art Glass Barbie Koncher California Artist belt buckle 3.75" x 2.5", takes a 1.5" belt. 141.8 grams, no damage, minor wear to silver could easily be polished out.

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Pat Areias Hammered Sterling belt buckle with cool monogram. Heavy extremely high quality buckle 2 3/8" x 1 5/8", fits a 1" belt. 53.7 gramsEach piece of Pat Areias's artistry is hand rendered, one by one. As such, they may be similar, but they are not the same. “The essence of hand fabrication," Areias says, “is that every piece is made by an artisan as an original."Using a jewelry saw, buckles are cut by hand out of sheet silver and hand forged, then dapped and individually chased and soldered to produce her finished works. Pat Areias Sterling began in 1987 in Cuernavaca, Mexico, with the introduction of a three-piece buckle set which became the foundation of the designer's business. Two years later, she added silver jewelry to her collection. Reminiscent of the Art Deco era, her designs are marked by a contemporary style.Though she was born and raised in the San Joaquin Valley to third generation Portuguese dairy farmers, she pursued her interest in the traditions of her Latin descent by studying the Portuguese and Spanish cultures, arts and languages at the University of California at Santa Barbara.While subsequently serving in the Peace Corps throughout Central and South America, she had occasion to apprentice with both silver and leather craftsmen of Ecuador and Mexico. Something inside beckoned her to pursue the artistry on her own.Areias's designs are a true reflection of her love and appreciation for both Latin and Scandinavian aesthetics, dating back to an era of silver designers from the 1930s and 1940s which originated in Denmark. As silver became scarce during World War II, argent veins running through Mexico lured Danish designers to the area, where their pure designs and silversmithing finesse were shared with the native craftsmen."The Danish designers," she says, "have both a sincere affinity for the arts and an eye for contemporary lines which brings out the best of the silver. I have a great love and respect for this style of silversmithing. It is the inspiration for my own creativity which, when forged with the Latin influence of my heritage, emerges in my signature designs."While in Mexico, Areias met and married her husband, Fred Sanchez, a mechanical engineer who has since abandoned his business to become fully involved in Pat Areias Sterling.After more 30 years in business, Pat Areias sterling is not only recognizable in itself, but the name has become synonymous with quality. The provision of fine sterling silver accessories and specialized customer service has proved a successful combination for the growing company.tw208

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Ahmad Khan 14k/Sterling Cheyenne 1" Ranger set for Maida's of Houston with belt.<br>Applied diamond monogram as shown, any decent jeweler would be happy to remove<br>it just to keep the diamonds and gold on top which is worth a few hundred<br>wholesale, or with the materials already on hand perhaps they would re customize<br>it for a discount. I'm sure Ahmad Khan would do it.<br><br>Here I'm offering a 2 1/4 wide X 2 3/8 long four piece set was made by premier<br>silversmith Ahmad Khan. Unlike other Cheyenne buckles, this one is considerably<br>thicker silver and gold. The keeper measure 1" 1/8 and the tip 1" wide X 1 5/8<br>long. the belt is American alligator hand made high quality on great conditions<br>made by MAIDA'S of Houston TX. , size 36.Please note: the buckle has been<br>previously USED but excellent conditions, quite heavy as well.Buckle measure 2"<br>1/4 wide X 2" 3/8 long and has overlay 3 initials letters full fill with<br>diamonds (MJR) . keeper measure 1" 1/8 . tip measure 1" wide X 1 5/8 long.<br>History record from the master: Ahmad was the top silversmith with Bohlin for<br>many years and has made buckles for President Ronald Regan, Larry Hagman (JR),<br>Roy Rogers, Clayton Moore (Lone Ranger), Gene Autrey, Burt Reynolds, Robert<br>Wagner and Stephanie Power (Hart to Hart).Now is your chance to join such<br>illustrious names. It is rare for Ahmad's buckles to be offered for sale<br>especially a 4 piece Cheyenne set.<br><br>Ahmad remembers the plang of steel hammers as the Master Silversmiths molded and<br>crafted pieces of precious metals into flowers, leaves and intricate curves<br>imitating the beauty of nature eternally preserved in silver and gold. He<br>revered these masters of trade as classical Italian sculptors, creating beauty<br>out of raw marble harvested from the earth, except this time the marble became<br>silver, gold and bronze. The smell of burning kilns is still vivid in Ahmad's<br>memory when he served as an errand boy in the silver shops as a young boy<br>growing up in British Guyana, before he was old enough to qualify as an<br>apprentice.<br><br>Cowboys and their trusted horses, Western outlaws and heroes with their<br>holsters, s and spurs - all seemed like a fantasy world for young Ahmad. It<br>seemed to be so far away, so out of reach, but he dreamed of someday heading up<br>North to the land of America, the land of the cowboy.<br><br>At age sixteen, Ahmad was finally old enough to apply for an apprenticeship with<br>one of the Master Silversmiths. He proved worthy of becoming an apprentice by<br>showing the Masters his artistic talent in wood and "Off White" carvings he made<br>during his breaks as an errand boy. Ahmad was somewhat apprehensive at first to<br>show his talent in mere wood and "Off White", but he apologized to the masters<br>explaining that his means of life could not allow him to purchase valuable<br>pieces of gold and silver in order to perform his carvings. The masters were<br>immediately impressed with this young man's natural talent and perseverance when<br>they saw that he had saved all of his earned money to purchase his own carving<br>tools.<br><br>It was four years of hard, dedicated work and study under the Masters until<br>Ahmad himself became a Master Smith. Under the master's teaching, Ahmad learned<br>the centuries old secrets and tricks of the trade. He had mastered how to<br>design, mold and copy any artistic form into gold or silver in the same<br>perfected fashion of his mentors.<br><br>With his tools of knowledge and gifted talent, his original inspiration to<br>become a silversmith would finally take Ahmad away from his homeland to the land<br>of the cowboys. He would depart from his family on his voyage to the States, to<br>become the artistic craftsman for cowboys.<br><br>Upon his arrival to America, Ahmad inquired about the great tradition and<br>craftsmanship with the Bohlin Shop in Hollywood, California. He had learned of<br>the Bohlin shop being the most exclusive and one of the largest silver shops in<br>America, with a notable list of patrons. Mr. Bohlin was a legend in Hollywood<br>who literally carved the way for the craftsman tradition. He rode with Buffalo<br>Bill Cody and on the last stagecoach in this country. Tom Mix, Gary Cooper,<br>Clark Gable and Buck Jones were just a few of his Hollywood patrons, not to<br>mention the voluptuous Mae West who commissioned Mr. Bohlin to make a silver<br>telephone for her personal use.<br><br>As protege to the famous Master Silversmith Bud Phillips, Ahmad reached<br>popularity with Hollywood celebrities between 1981 and 1987. He created<br>masterpieces of wearable art for such distinguished patrons as Roy Rogers and<br>Dale Evans, Gene Autry, Clayton "Lone Ranger" Moore, Montie Montana, Burt<br>Reynolds, Clint Eastwood, Larry Hagman and even President Reagan. This list goes<br>on to include other famous actors, politicians, musicians and cowboys. Ahmad is<br>quick to share that President Reagan proudly wore his 4-piece, 3-color, 5-A, 18K<br>gold and sterling silver buckle set during his presidency which was given to him<br>as a gift by country singer Lee Greenwood. He was so impressed by the buckle<br>that President Reagan personally called back to highly compliment the designer<br>and craftsman of the piece. Texas Congressman Frank Tijeda once called Ahmad to<br>personally praise him for his work saying that he constantly receives<br>compliments for the craftsmanship and beauty of this custom silver buckle. "It<br>gives me a sense of pride when I see a famous figure wearing my art pieces,<br>knowing that my initials are on the back of the buckles that hold up the pants<br>of some famous and influential people," Ahmad jokingly admits.<br><br>His first Hollywood break came when he was hired by the highly respected Bud<br>Phillips at Bohlin Company to work on the project to make a replica of the<br>famous Tom Mix spurs for actor/stuntman Dean Smith. The original spurs were hand<br>crafted by Mr. Bohlin himself, but when he passed away in 1980, Bud Phillips<br>searched for a Master Silversmith who had the ability to carry out the Bohlin<br>tradition. He took Ahmad under his wings and fully trained him for making<br>western wearable art. "I always admire seeing a young Master at work," Bud<br>Phillips declared as he quietly observed the young master Ahmad at his<br>workstation. Bud Phillips himself started in the early 1930s working for<br>Hollywood legend Gene Autry, and worked with the Bohlin Company for over 44<br>years. From his home in Santa Barbara, Charles Sample, a fourth generation<br>Silver and Goldsmith who is also considered to be one of the original Bohlin<br>legends, likewise praises and respects the craftsmanship of Ahmad's work. When<br>Mr. Sample once asked Ahmad about the passion and integrity he pours into his<br>work, Ahmad simply responds, "It is an American Dream what I do... to glorify<br>the American cowboy."<br><br>Currently, much of Ahmad's work can be found on display at the Gene Autry<br>Museum, including Clayton Moore's spurs and holster buckle. The Gene Autry<br>saddle is one of the most popular exhibits, which displays some of Ahmad's<br>masterful skills of reconstruction.<br><br>Along with precious metals, Ahmad also works with precious stones to add a<br>sparkle to his art. The most popular western pieces make use of diamonds,<br>rubies, emeralds, sapphires and topaz as ornamentation. Ahmad's claim to fame is<br>the fact that he is able to reproduce any photograph or design into any desired<br>specification on silver or gold. It is no wonder that Ahmad's artistic qualities<br>have earned him the title of the "Michelangelo of Silver and Gold" for his<br>museum quality and perfection.<br><br>I was an employee of the Bohlin Company as a master Goldsmith and Silversmith<br>from 1981 through 1988, and an independent contractor doing work for them until<br>2002. I am no longer employed by the Bohlin Company. However as an independent<br>Silversmith, I have made many special custom pieces for Bohlin Company as well<br>as for reputable domestic and international companies. As a Master Goldsmith and<br>Silversmith, my work speaks for itself. I am also featured in the book, "Bohlin<br>Saddle Maker to the Stars," by James H. Nottage. He was formerly curator of the<br>Gene Autry museum.<br><br>The wearable art of the Old West returns to life in the masterful hands of Ahmad<br>Khan. The same hands that sculpted and carved the western look for the Hollywood<br>cowboy is now made available to both private collectors and to the public at<br>substantial savings directly from Ahmad. Ahmad's dream was finally fulfilled<br>when he opened his own silver shop in Hollywood. Now patrons can have<br>custom-designed wearable art crafted by a true Master Silversmith with the<br>quality and authenticity expected only by private collectors. To preserve the<br>lost art of Silversmithing, Ahmad, "The Legend", "The Myth", has re-educated<br>qualified jewelers in the lost art of Gold and Silversmithing to perfect the art<br>of his unique fabrication. His masterful skills will always preserve and be kept<br>alive in every one of his pieces since they embody a part of him. "My work takes<br>part of my body and spirit from me, each piece takes with it a part of my sight,<br>my sweat, my muscle and tears." Private collectors and the general public are<br>both welcome to contact Ahmad's Western Collectibles and speak to Ahmad himself<br>by calling (323) 913-5813, or visit his silvershop at 1321 Talmadge Street in<br>Hollywood, California 90027.

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Vintage Native American sterling and turquoise belt buckle. 3 5/8" x 2 5/8",<br>takes up to a 1.5" belt, 130 grams, stones secure in bezel, one with old<br>fracture.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Vintage Buffalo Nickel Belt buckle. Made from Authentic c1910's-30's Buffalo nickels US currency. Made in the last quarter of the 20th century. 3 3/8" x 2.25", takes up to a 1.75" belt.

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Vintage Navajo Sterling Silver concho belt (10) total buckle and conchos all the<br>same size 2 3/8" x 1 7/8" conchos, all high content solid silver Marked and<br>tested sterling. 47" total length with 1 hole at 34", easy to make more holes<br>and plenty of room. Leather is 1.25" wide. 353 grams, very old price on it of<br>$750, likely original price from the 4th quarter of the 20th century.

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Vintage Navajo Silver concho belt 3" x 2" Buckle with (8) 2.5" x 1.75" conchos,<br>all high content solid silver at least 90% (coin silver). Existing holes to fit<br>between 33" and 36" waist. 2.25" wide leather. Approx 378 grams total weight. No<br>identifying marks that I could find.

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37" Vintage Navajo sterling denim lapis concho belt 37" long, can be worn<br>shorter and let hang conchos 1.25" x 1 1/8" without ears that hold jump rings. A<br>few small dents but overall good and clean. 103 grams<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1996 Retro French Chanel belt Silver-tone with leather. From the spring 1996<br>collection, authentic 27 year old chanel belt. Some tarnish that will clean with<br>silver polish if felt necessary. Looks great, very cool retro guaranteed 100%<br>authentic Chanel belt estate fresh from a multi-million dollar clothing/jewelry<br>collection that I'm fortunate to have the opportunity to help liquidate. 34"<br>long, 18mm wide carefully cleaned by me, ready to wear as a belt or a necklace.<br><br>anderasbag

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c1950's Navajo Silver and spiderweb turquoise buckle. 3.25" x 2 5/8", fits up to<br>a 1.75" belt, 80 grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.<br><br>anderas

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Vintage Native American sterling silver concho belt earrings and brooch. Sellingthe set shown, what we have here I believe is an old concho belt circa mid 20th century, it's unmarked but tested and guaranteed to be sterling.Approximately 30 years or so it was likely put on new leather and at that time one of the conchos was removed and made into a brooch professionally by the same person that made a set of earrings by hand to match the belt/brooch. Very close examination of the back of the brooch shows where there was a belt loop attached to it at one point and removed/ground/polished down. The earrings are marked sterling on the back of the hook and test sterling and maybe are as old as the concho belt but I suspect they were made the same time the brooch was converted as that was obviously done by a skilled jeweler that knew what they were doing.Brooch and Conchos are 2 3/8" x 2", buckle is 2 1/8" x 3 1/8", earrings are 1 1/8" wide x 2.25" long. Everything tested and guaranteed 90% (Coin) silver or more other than the back loops of the conchos which are brass or copper as usual. 307.3 grams total weight 31" total length of belt with holes to fit a 23"- 29" waist. Includes Buckle, 10 Conchos, Brooch, and earrings.

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36" Vintage Navajo Sterling concho belt. Fits up to a 36" waist, can be hooked<br>anywhere. Each concho 1 5/8" x 1.25" without the ears that the jump rings go on.<br>100.1 grams, Unmarked but tested sterling.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Vintage Mexican Sterling hand engraved belt buckle 3 3/8" x 2 1/8", takes up to a 2" belt, 48.6 grams.

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Mid Century Mexican sterling mixed metals belt buckle. 2.25" x 1 1/8", takes up to a 1" cloth belt. 32.8 grams.

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c1950 Hand engraved sterling buckle with 1880s Silver dollar 2 7/8" x 1.75",<br>takes up to a 1 3/8" belt 53.1 grams. Mounting appears unmarked but is hand<br>engraved solid sterling silver, coin is 90% silver real 1880 American Currency.

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Asian/Middle eastern Antique Sterling turquoise belt buckle. Nice old buckle likely from the first quarter of the 20th century 2" x 2.5", takes up to a 1.75" belt, no damage. 68.4 grams.

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Retro Mexican Modernist Sterling silver ranger belt buckle set. Fits a 1" belt, no damage, minimal wear 47 grams.

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1" Randall D Moore Sterling/14k Ranger Belt buckle set. Very well made buckleand keeper, solid sterling with thick ropes of solid 14k gold on the borders. Fits a 1" belt. No damage or significant issues. This is a retired design but would retail well over $1300 if still available. 88 grams Randall Moore arrived in Taos, New Mexico in 1977 and began an informal apprenticeship as a silversmith at The Mabel Dodge Lujan House, then known as "The Big House". In 1979, he relocated to Santa Fe where he still lives and works.His primary focus has been silver & gold belt buckles, buckle sets, and Men's accessories in sterling silver, 14K and 18K gold. Drawing upon Southwestern influences as well as contemporary elements for his designs and utilizing traditional tools and techniques, Mr. Moore crafts heirloom quality items that are at once both classic and fashionable. His creations are worn by world class athletes, entertainers, politicos and just plain cool gals and guys everywhere.Randall's studio is located in the heart of Santa Fe's historic east side, at 868 East Palace Avenue, just a block off of Canyon Road.

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Vintage Engraved Sterling belt buckle from Mexico. Great buckle from the third quarter of the 20th century in apparently unworn condition or close. No damage or significant wear, no monogram. 2 3/8" x 1 5/16", fits a 1" belt. 31.3 grams.

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Vintage Zuni Jobeth Mayes Sterling, snake eye and inlaid turquoise concho belt.<br>1" wide, fits up to a 38" waist, can obviously be hooked shorter and let dangle.<br>Missing two stones...easy fix, 191.2 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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3 Vintage Mexican Sterling silver/gold belt buckles. Selling the 3 buckles shown<br>from the mid 20th century, perhaps a little older. 2 with .5" openings, one<br>5/8".48 grams total.

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Old Pawn Native American Sterling silver ranger belt buckle set. Great set fits<br>a 3/4" belt tapering down to 5/8 at the buckle. Estate fresh I believe from the<br>mid 20th century. All pieces marked sterling with no other marks. 42.7 grams.

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Heavy Retro Taxco Sterling silver belt. 44" maximum length 5/8" wide at maximum<br>point, extremely well made belt with lots of silver made by hand in the last<br>quarter of the 20th century when skilled artisans with more time than money<br>could afford to make something such as this. Silver is much more expensive now,<br>between that and labor a piece like this would be cost prohibitive except to<br>large high end designers that would charge an arm and a leg for something of<br>this quality.<br><br>It has a hook on both ends so adjustable to any size under 44", could also be<br>worn as a triple necklace or whatever your heart desires, 234 grams total<br>weight.

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Victorian Sterling Buckle Bangle Hand Engraved with Chester Hallmarks 40mm wide<br>Fits up to approx 7.25" wrist. A few small dents on reverse side, front side<br>super clean, date code for 1881. Perfect hinge and catch. 45.6 grams.

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32"-37" Alfred Martinez Navajo Sterling/Lapis Concho belt. Larger Oval buckle and ten matched slightly smaller conchos, each with central blue lapis cabochon within serrated bezel, stampwork accents, on a leather belt, belt: approx 32.75"l (buckle catch to to first hole), approx 36.5" (buckle catch to last hole), buckle: approx 2 5/8"h, 3"w, each concho: approx 2 1/8"h, 2 5/8"w, 448 grams total. No damage or issues with belt or conchos, the quality is amazing on both the stampwork/silverwork and the leather belt.

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Robert Chee Cast Sterling/ Carrico lake turquoise belt buckle. 3" x 2" x 75<br>grams x take up to a 1.5" belt. No damage or issues of any kind, appears unworn.<br><br>Robert Chee is a Navajo from the famous Manuelito Trading Post, New Mexico area<br>where much of the finest Navajo rug weaving is done. And now most of the weavers<br>have passed on, and it is rare to see the next generation weaving. Robert<br>specializes in traditional jewelry, and he excels in silver casting and stamp<br>work.<br><br>Robert’s father worked for the trading post as a silversmith, the old Mike Kirk<br>Trading Post. He has fond memories of growing up there, lots of hiking in the<br>mountains, arroyos, and they would also ride horses.<br><br>He is related to famous Navajo jeweler Harry Morgan, his first cousin, with whom<br>he apprenticed under. They grew up together living under the same roof, and in<br>the early days they lived in a hogan. Their mothers were sisters. The Navajo are<br>a matriarchal society, and he had a strong upbringing in the traditional ways<br>especially due to having 2 mothers.<br><br>He was born in 1952 at home. There were 10 children in the family, and Robert<br>was Number 9! Two of his siblings have now passed on. He has two children of his<br>own, but they are not interested in silversmithing.

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signed BB, buckle and eleven conchos with stampwork, on a black leather belt, rough-cut slits/holes, belt: approx 33"l (buckle catch to first hole), 36"l (buckle catch to last hole), buckle: approx 1.75"h, 2.25"w, conchos 1 5/8" x 2", 372 grams

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39" Retro Navajo stamped sterling concho belt. Fits up to a 39" waist, can be<br>hooked anywhere and let hang or cut shorter.. Marked sterling on buckle, tested<br>sterling. Each concho 1.5" x 1.25" without ears that hold the rings. 132.8<br>grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Early Tufa Cast Native American Turquoise/sterling belt buckle. Very nice bucklefrom the first half of the 20th century 3.5" x 2.25", takes up to a 1 5/8" belt. 79.3 grams. Unmarked of course, tests silver (guaranteed 90% (coin silver) or better) One of the pins has long since been replaced, strong and functional, no other issues.

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Large Early Tufa Cast Native American Turquoise/sterling belt buckle. Very nicelarge buckle from the first half of the 20th century 4.25" x 2 7/8", takes up to a 1 5/8" belt. 146.4 grams. Unmarked of course, tests silver (guaranteed 90% (coin silver) or better)

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c1940's-50's Native American Silver and turquoise channel inlay belt buckle.Extremely high quality work, nice old one. 2" x 1 5/8", takes up to a .5/8" belt. 25.5 grams.

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Irvin Paul Sterling Native American Concho belt. Heavy thick gauge sterling<br>concho belt. (1) Buckle 2.5" x 2", (12) conchos 2" x 1.5" Buck signed as shown,<br>conchos not removed from belt but appear unmarked but tested sterling. The belt<br>they are on is not a Native american belt, but it looks great. On current belt<br>with current holes it will fit a 31"-37" waist but there's room for more holes<br>or it the leather could be easily cut. Conchos are on the leather very tight but<br>can be spaced however you like with a little effort. 369 grams total weight<br>inclusive of all material.

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Retro Mexican Sterling belt style bangle. Adjustable. Super clean with no damage<br>or significant wear.

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44" Sarah Grey Navajo Stamped Sterling Silver Dollars concho belt. Huge and heavy belt that fits up to a 44" waist but can be hooked at different places or conchos could even be removed, or it could be a necklace that doubles up. The whole thing is over 90% silver, sterling conchos with 90% silver real American Currency silver dollars. 10 Conchos total including the buckle, each measuring 3.5" x 2.5" x 751 grams. I'll follow up with more pictures later, no issues.

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Vintage Native American Tufa Cast Sterling/turquoise concho belt, Navajo/ Dine,<br>the openwork buckle featuring three bezel set stones, five conchos, spaced by<br>six stylized bows, all with a single bezel set turquoise stone at center,<br>mounted on a thin leather belt, with wider leather overaly, conchos: approx 3"w,<br>bows: approx 2.5"w, belt: approx 2.5"w, 38.25"l (first hole) to 40"l (last<br>hole), end to end: 55.5"l 665 grams total weight. Tests silver 90%(coin silver)<br>or sterling guaranteed. No identifying marks that I could find.

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1911 Henry Tatton Edinburgh Scottish Sterling silver buckle set. Very amazing<br>pair of hand engraved buckles 2 3/8" x 1 5/8" x I believe handling up to a 1.5"<br>belt with the center of the opening tapering as small as 5/8". I believe these<br>would be shoe buckles, total weight 44.3 grams.

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Wilbur Musket Navajo stamped sterling - turquoise shadowbox belt buckle. 3 1/8" x 2 5/8", fits a 1.5" belt 54.6 grams, no issues.Wilbur Muskett Sr. started making jewelry in the 1960's. His son is a Navajo Silversmith, as well. He is referenced in Schaaf's "American Indian Jewelry III" and Hougart's "Native American and Southwestern Silver Hallmarks".All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Wilbur Musket Navajo stamped sterling - turquoise and coral shadowbox belt buckle. 3 1/8" x 2 5/8", fits a 1.5" belt 57 grams, no issues.Wilbur Muskett Sr. started making jewelry in the 1960's. His son is a Navajo Silversmith, as well. He is referenced in Schaaf's "American Indian Jewelry III" and Hougart's "Native American and Southwestern Silver Hallmarks".All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Vintage Native American Tufa Cast sterling and turquoise concho belt 1 Buckleand 10 Conchos for a total of 11 Each 2.25" x 13/16" leather belt approx 5/8" wide Fits between a 32" and 34.5" waist with existing holes but there is plenty more leather to make it longer and of course it's easy to make it shorter. Total weight 161 grams.

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3 1980's Texas Belt buckles. Selling the three shown, all high quality buckles taking up to 1.75" leather belt. I don't believe either has been worn, slight surface wear to Duncanville buckle 3.5" to 3 7/8" wide.

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Annie Davis Sterling Silver Scottie Dog belt buckle 3.5" x 2 3/8" fits up to a 13/8" belt. 93.4 grams marked and tested sterling silver. Annette Allen Crawford Davis1933 - 2021Annette Davis was a gifted artist. She turned the garage of her home into a studio, and taught art classes there. She created remarkable sculptures out of clay, marble, sterling and bronze. Later in her career she took up welding, painting, and glass slumping. Several years after her husband Bill died, she married George Davis III. He was also a gifted artist who taught figurative sculpture at "The Studio" in northeast Dallas. Together they traveled all over the world, shared a love for sc uba diving and photography, and occasionally parachuted out of airplanes. They were actively involved with the artistic community in Dallas, and for a time Annie was president of the Dallas Sculpture Association.

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1911 Henry Tatton Edinburgh Scottish Sterling silver buckle . Fantastic hand<br>engraving. I listed a pair of these with similar engraving, made the same year,<br>same maker before I uncovered this little gem. 1.5" x 1 1/8" x 7.2 grams .<br>Center opening is .5" at widest point.

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One of a Kind Gold mounted sterling silver ranger belt with 5 more sets mounted<br>to it. 6 Ranger sets total. All the ranger sets from the first half of the 20th<br>century, all sterling mounted in gold, all hand engraved, I believe all are Made<br>in Mexico except one has Made in Texas, I believe it's a Nelson Bringhoff. The<br>larger main buckle is a 1" ranger set, the others are 3/4" ranger sets. Total<br>length 41", I believe it will fit a 32" to 35" waist, an extra hole could likely<br>be added for a 36". The leather is in good condition, this was custom made by<br>"The Leather Bench" of Austin Texas. The belt is 2" at widest point and tapers<br>down to 15/16".

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Antique Scottish Shoe Buckle Joseph Gray Styles Chester Sterling Silver with<br>Citrines. 3 1/8" x 2.25" with no damage or wear to natural stones. 34.6 grams<br>hand engraved with Keltic designs.

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C 1815 Samuel behere, Edward Wigan British Sterling Buckle. Hallmarked SG EW a<br>pin added later to wear as a brooch. 3 3/8" x 2 5/8" 68.4 grams, Amazing piece<br>with incredible workmanship, no damage. Hallmarked all over the place with an<br>early engraved I.S. on reverse side, articulating hinges to work however it's<br>supposed to work. This is from a collection of antique Highlander/Scottish<br>silver. I went around in circles with the hallmarks longer than I could afford<br>to, it's from 1800-1820's.

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Richard Tsosie Navajo Cobblestone inlay Tufa cast belt buckle. 2 5/8" x 2",takes up to a 1.25" belt.Artists › Richard Tsosie Richard is perhaps best known for his distinctive textured silver designs. His trademark techniqie of granulation was discovered by accident when he noticed silver filings were fusing onto a ring he was soldering. He calls the process which produces this granulated surface texture “reticulation,” and he has been perfecting the technique throughout his career.Born in 1956, Richard has been a jeweler since the mid 1970s. He learned jewelry making from his brother Boyd and from Kenneth Begay at Navajo Community College in Arizona. He quickly progressed from basic tasks of cutting and polishing stones to the more complex process of inlay.Richard’s contemporary silver and hold work features the use of fabrication, overlay, and granulation. He is also known for colorful inlay work with a variety of natural stones and for his fine degree of control and attention to detail. His designs are motivated by images of the natural world, particularly the Wide Ruins area of the reservation where he spent a large part of his youth. Richard says of his work, “I am inspired by the colors of the mountains at sunset, the patterns of shadow and light that emerge at dawn, and the pinpoints of starlight against the black night sky.”His pieces typically contain the symbol for lighting and an arrow pattern. The lightning stands for natural causes, while the arrowhead symbolizes man-made elements. Richard says the design represents the ups and downs of life. “Some things we can’t do anything about and you should try to enjoy life to the fullest.”All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Vintage Native American Silver Channel inlay belt buckle. 2.5" x 2 3/8", takes up to a 1.75" belt, 56.2 grams.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman's wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure.

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vintage Wage's Sterling Hand Engraved horse belt buckle. 4 1/8" x 3.25" and itfits a 1.5" belt 115.5 grams with no issues.

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Small Vintage Navajo Sterling - Turquoise and coral belt buckle. 2.5" x 1 7/8", fits up to a 1.5" belt. 26.9 grams

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