Sam and Esther Guardian Zuni inlay Bolo tie and belt buckle.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist, rings photographed<br>on the appropriate sized finger when possible. With bracelets if the measurement<br>is not given in the description then inside circumference is shown where the<br>metal meets the number on the the cloth tape measure.

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c1960 c-31 Navajo Overlay turquoise Large bolo tie sterling silver. Solid sterling, illegible to me hallmark, weight and measurements in pics. Clip on back is not sterling, tips and slide are sterling.

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Stan Davidson (1933-2012) Brutalist sterling picture jasper bolo tie. Solid sterling bolo slide, base metal tips and catch on back 36" long, appears unworn

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c1960 c-31 Ted Edaakie Zuni Owl sterling channel inlay bolo tie with fancy tips 39" long with no issues, no identifying markings on the silver. Attributed to Theodore Edaakie, pins and bolos in this design have surfaced signed, typically later examples. 48.2 grams Ted Edaakie, who began producing in about 1930. Theodore Edaakie, called Ted Edaakie, had work represented in the C.G.Wallace catalog, the Museum of The American Indian Smithsonian Institution, The Museum of New Mexico and The Heard Museum in Arizona. Edaakie won several awards for his work. The C.G. Wallace catalog also reports the sale of two of his roadrunner pins. In the 1930‘s and 1940‘s Theodore Edaakie was employed as an artist at C. G. Wallace‘s Trading Post at Zuni. Mosaic and channel inlay pieces that Theodore made were collected by Wallace and several were sold at the 1975 Sotheby‘s Auction of Wallace‘s collection. He was one of the famous Edaakie brothers. He was a superb lapidarist as well as silversmith All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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c1970 Jessie Claw Navajo sterling and turquoise bolo tie. Solid sterling, marked with artists hallmark only, weight and measurements in pics. Clip on back is not sterling, tips and slide are sterling.

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c1970 Zuni sunface sterling inlay bolo tie v. Solid sterling, unmarked, weight and measurements in pics. Clip on back is not sterling, tips and slide are sterling.

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c1970 Benson Yazzie Navajo sterling, turquoise/branch coral bolo tie. Solid sterling, unmarked, weight and measurements in pics. Clip on back is not sterling, tips and slide are sterling.

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c1980 Heavily Stamped Vintage Navajo sterling shadowbox bolo tie w/turquoise. Solid sterling, weight and measurements in pics. Clip on back is not sterling, tips and slide are sterling.

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c1980 GJ Navajo sterling and turquoise bolo tie 38" long, weight and measurements in pics, solid sterling. Marked as shown.

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Large c1960 c-31 Robert and Bernice Leekya bolo tie sterling/turquoise, 44" long, weight and measurements in pics. Solid sterling slide and tips. Non-sterling Bennett clip. Robert and Bernice Leekya, Zuni Pueblo Jewelers Husband and wife Robert and Bernice Leekya from Zuni Pueblo are known for their bold turquoise nugget jewelry and channel inlay. Robert (1934-) and Bernice Leekya have been making jewelry since 1953. Robert is the son of famous fetish carver Leekya Deyuse and learned his craft from his father as a young man.

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c1980s Peter Nelson Navajo modernist sterling bolo tie 40" long, weight and measurements in pics, solid sterling. Marked as shown. Navajo silversmith, Peter Nelson was born in Keams Canyon, AZ in 1954 and now resides in Flagstaff, AZ. He comes from a family of 10. His mother is a weaver and his brother Howard is a well regarded silversmith as well. Peter is married and has three daughters and two grandsons. His background studies were at The Institute of American Indian Art. His painting teacher was Onalee Loloma, jewelry he learned from Skip Holbrook, and sculpture from Alan Houser. Peter has been a jeweler working in silver and gold for 40 years. Peter has a distinctive contemporary style of his own, using geometric designs reminiscent of Navajo rug patterns. He often combines Navajo stamping with overlay and will sometimes add a stone cabochon here and there as a tasteful garnish to a piece. He is a very talented, humble, kind man who is highly enjoyable to work with.

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38" c1980 Vintage Navajo sterling concho style bolo tie. Solid sterling, unmarked, weight and measurements in pics. Clip on back is not sterling.

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42" c1950‘s Phil Sterling Handmade channel inlay bolo tie42" long, weight and measurements in pics, solid sterling. Incredible handmade tips. Incredible bolo, I‘m not sure who Phil is, but it looks Native American made.

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c1950 Navajo cast silver bolo tie with turquoise 34" long, weight and measurements in pics, solid sterling. Unmarked

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Michael Sockyma Hopi Overlay bolo tie sterling bear paw 43" long, weight and measurements in pics, solid sterling. Hopi artist Michael Sockyma Sr. Michael is from the Hopi village of Hotevilla. He learned the art of overlay at Hopicraft and later worked for them. He is a member of the Corn clan and his hallmark is a corn plant, often with his connected initials MS. He has won multiple awards for his outstanding overlay jewelry. Was born in 1942 and began his career in 1965.

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Vintage sterling pyrite agate bolo tie, weight and measurements in pics, solid sterling. Unmarked. Circa 70‘s. clip on back isn‘t sterling.

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40" c1960 c-31 Royston turquoise/coral sterling kachina bolo tie. 40" long, weight and measurements in pics, unmarked, solid sterling. No issues.

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Lendrick Lomayestewa Hopi Overlay bolo tie sterling bolo tie 38" long, weight and measurements in pics, solid sterling.

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Vintage Southwestern Tufa Cast Sterling lizard bolo tie.. Weight and all measurements in pics, 40" cord, appears unworn. Solid sterling silver. Very well made bolo, I don‘t recognize the hallmark offhand.

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Walt Doran (1953-2023) Southwestern Modernist silver bolo tie. No issues, weight and measurements in pics. Solid sterling, Walt passed away in 2023.  37" total length.Walt DoranJewelry Designer and Belt Buckle DesignerA Santa Fe native, Walt Doran grew up admiring the legendary Indian traders that were among his family friends. He spent hours in their galleries studying the painstaking workmanship that went into the old pawn jewelry. Curious about these pieces, he began to research their background and became fascinated with the process of making objects out of metal.In 1978 Walt left New Mexico for Europe. He traveled for three years, visiting Denmark, Holland, West Germany, Belgium, Switzerland, Czechoslovakia, France and Spain. Everywhere he went, Walt sought out and studied design, architecture, ironwork, painting and sculpture. “I went to every museum, every gallery, Walt says, I returned with hundreds of drawings and piles of photographs.Classic techniques such as stamping, chasing, repousee, overlay, inlay and engraving came to life under the new vision formed by Walts European design study. In addition, Walts love of New Mexico and the work of the Indian traders he grew up admiring began to be reflected in his work.Walts silver jewelry has been featured in the film Dances with Wolves, and his expert knowledge is sought after by local artists. He believes that a work of silver must be “significant, deeply personal, and a totally solemn outward mark of an interior intention. At its core function, though, Walts goal is down to earth; mostly, he says, “I want to make art that people will keep and wear for a long time, and hand down to their grandchildren.

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70‘s-80‘s Vintage Sterling, turquoise, coral cobblestone inlay bolo tie.. Weight and all measurements in pics, 42" long cord. Solid sterling silver, unmarked.

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c1960 c-31 William Zunie Zuni Eagle Dancer sterling channel inlay bolo tie. 40" long, weight and measurements in pics, unmarked, solid sterling. No issues.

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36" c1960 c-31 Sterling/turquoise brutalist bolo tie. 36" long, weight and measurements in pics, unmarked, solid sterling. some bends and dents to tips.

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38" Edison & Laurenda Bobelu Zuni sterling turquoise channel inlay bolo tie 38" long, weight and measurements in pics, solid sterling.

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Riley Polequaptewa Hopi Overlay bolo tie sterling bolo tie 40" long, weight and measurements in pics, solid sterling. Riley Polequaptewa has been an active silversmith since the 1970s. His specialty is the traditional Hopi silver overlay technique promoted by the Hopi Arts & Crafts Co-op Guild which was formed in 1947, after World War II, when returning Hopi servicemen were trained at a silversmithing school founded under the G.I. bill. The late Paul Saufkie, Sr. was the technical instructor and the late Fred Kabotie, noted Hopi artist and designer, taught design. Although many techniques of silver work were used, the overlay style gradually emerged as the dominate style. This simple, unique, elegant jewelry is now considered essentially the Hopi style of jewelry. The Guild‘s purpose is to produce, purchase, promote, and sell handcrafts and jewelry. The Hopi Arts and Crafts Co-op Guild has its own building on Second Mesa, Arizona, next to the Hopi Cultural Center & Museum. Any craftsman, potter, basket maker, weaver or silversmith can have his or her work displayed and sold there. Half the building is devoted to work benches and supplies for the silversmiths.

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Vintage Navajo sterling square bolo tie with nice turquoise, weight and measurements in pics, solid sterling. Unmarked. Circa 70‘s-80‘s.

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Marcella James Navajo heavily stamped sterling bolo tie, 38" long, weight and measurements in pics, solid sterling. Clip on back isn‘t sterling.

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c1970 37" Vance Zuni sterling, turquoise, and coral snake bolo tie. Solid sterling silver, weights and measurements in pics. "Bennett" clip on back is base metal. Stamped Vance on the back with no other markings. 37" long cord.

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c1980‘s 38" Sterling Texas Lone Star Badge bolo tie. Solid sterling silver, weights and measurements in pics. Clip on back is base metal. Hallmarked as shown and other hallmarks appear to be under the clip, illegible.. 38" long cord.

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c1970 John Lucio Zuni sterling inlay eagle dance bolo tie. Solid sterling silver, weights and measurements in pics. Clip on back is base metal. Stamped J Lucio on back, no other detectable hallmarks, 38" long cord.

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c1980‘s Marcella James Navajo sterling bolo tie. Solid sterling silver 38" long cord, weights and measurements in pics. Clip on back is base metal.

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c1980 38" R Navajo sterling, turquoise, and coral snake bolo tie. Solid sterling silver, weights and measurements in pics. "Bennett" clip on back is base metal. Stamped R Sterling on the back with no other markings. 38" long cord.

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c1960 c-31 38" sterling and turquoise Navajo shadowbox bolo tie. Solid sterling silver, weights and measurements in pics. Clip on back is base metal. No detectable hallmarks, 38" long cord.

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c1950 Art Lewis Choctaw silver currency bolo tie. Solid sterling silver (coins 90% silver), weights and measurements in pics. 35" long cord (Art Lewis 20th century, Choctaw) Although cited by both Barton Wright and Gregory Schaaf in their publications revealing American Indian jewelers, relatively little is shared about Art or Arthur Lewis, whose hallmark is an arrow and tepee. Lewis‘ Choctaw name was Neetha Loosa, which translates to Black Bear. He worked as a silversmith from 1929 forward.

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c1970 1924 Silver dollar bolo tie. Solid sterling silver (90% silver coin) 39" long cord, weights and measurements in pics. Clip on back is base metal. Dents to tips shown.

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42" Huge Vintage Zuni Silver Snake bolo tie with large Natural turquoise nugget. Solid sterling, weight and measurements in pics. Amazing bolo circa 60‘s-70‘s. I think the back was left open to show the nice waterweb matrix of the turquoise.

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c1970 39" Large Ray Lovato (b. 1946) Kewa Sterling high grade turquoise bolo tie. Solid sterling, weight and measurements in pics. Amazing bolo circa 1970. Lovato, Ray Ray Lovato - Did some silversmithing early in his career up until the 70‘s, now Ray Lovato is Americas premier artist creator of hand-ground turquoise beads called heishi. A native Kewa speaker, Ray is from Santo Domingo Pueblo in New Mexico. Descended from a long line of jewelers, he learned the craft from his parents, Ike and Tonita Lovato, beginning his artistic career at age eleven. Born in 1946, Lovato served three tours in Vietnam, and upon returning to the U.S., he began making beads in the old style, using high-grade natural turquoise. At a time when others were creating their lapidary necklaces with machines, using cheaper stabilized or treated turquoise, Ray Lovato continued to work in the traditional manner, individually handcrafting every bead or disc in his necklaces. The creation of turquoise beads requires patience and great attention to detail. The tiny beads are drilled and smoothed against a turning stone wheel, which reduces the weight of the expensive turquoise by 60 to 70%. Few artisans still follow the Lovato familys commitment to traditional ways, a practice Ray learned from his parents and is passing along to his own children and grandchildren.

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39" L Hale Navajo sterling bolo tie with turquoise/intarsia inlay. Solid sterling, weight and measurements in pics. Really nice bolo with no issues. Circa 70‘s-80‘s.

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38" Zuni sterling fishscale pattern turquoise channel inlay bolo tie. Solid sterling, weight and measurements in pics. Bolo and tips solid sterling, the "Bennett Clip" on the back is base metal.

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42" Huge Vintage Sterling Kachina bolo tie with turquoise coral eyes. Solid sterling, weight and measurements in pics. Really nice bolo with no issues. Circa 70‘s-80‘s.

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39" Vintage LJ Navajo Sterling bolo tie with high grade Royston turquoise. Solid sterling, weight and measurements in pics. Really nice bolo with no issues. I‘m not sure who LJ is but this is top notch workmanship.

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46" Big Victor Hicks Navajo sterling and turquoise bolo tie. Solid sterling, weight and measurements in pics. Really nice bolo with no issues. Victor Hicks Navajo Victor Hicks is half-brother of Bruce Morgan and his work often echoes Bruces style. He creates jewelry of 14K gold over silver and he also does traditional stone and silver work.

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42" Orville Tsinnie (1943-2017) Morenci turquoise sterling bolo tie. No issues, measurements in pics, high quality natural turquoise with pyrite matrix. Very solid and heavy bolo with heavy custom tips. Orville Tsinnie: A Luminary in Navajo Artistry In the early 1970s, Orville Tsinnie, a distinguished Navajo artist, embarked on a journey of artistic discovery under the tutelage of his Hopi brother-in-law. This marked the genesis of a career that would see him garner numerous accolades, including the prestigious Lifetime Achievement Award from the Indian Arts and Crafts Association. This honor is reserved exclusively for the crème de la crème of American Indian artists, underscoring Tsinnie‘s exceptional talent. Orville Tsinnie (1943-2017) signs his work with "Orville Tsinnie, New Mexico" along with two stamps of Shiprock. Tsinnie‘s work was a testament to his superior craftsmanship. While he was adept at creating traditional jewelry, his true genius lay in his ability to conceive and execute innovative designs. His meticulous attention to detail and unwavering commitment to precision were the hallmarks of his work, resulting in pieces that were unmistakably his own. Operating from his studio in Shiprock, New Mexico, Tsinnie was a stalwart presence at Santa Fe‘s annual Indian Market. His participation in this yearly event further cemented his status as a luminary in the realm of Navajo artistry. His legacy continues to inspire and influence the world of indigenous art. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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38" Robert Johnson Navajo sterling and turquoise bolo tie. Solid sterling, weight and measurements in pics. Really nice bolo with no issues. ROBERT JOHNSON Navajo silversmith Robert Johnson was born in Gallup, NM, raised in Pindale NM and graduated from Gallup High School in 1986. He started his career as a silversmith at the age of 14 as a buffer for his parents handmade sterling silver beads. Robert met the late silversmith, Kirk Smith, known for his unique styles of antique finish repousse stamp work, during the summer of 1986. Kirk became a mentor for Robert and taught him the art of creating jewelry traditional Navajo stamping with an antique finish, at times high polished pieces all of which started from bracelets, earrings, concho belts, rings, squash blossoms, hair ties and so forth. It was an exciting time of in his life learning a new trade and being able to support his family. Robert has enjoyed his work as a silversmith and has developed his own unique styles of Navajo Jewelry. Creating jewelry is his passion. His creations include handmade antique finished and sometimes high polished traditional and contemporary Navajo jewelry from squash blossoms to concho belts, earrings, bracelets/cuffs, rings and hair clips with sterling silver, turquoise and various gemstones.

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38" Jefferson Abeyta Navajo sterling and turquoise bolo tie. Very nice bolo with no issues, nice stone. Weight and measurements in pics. Solid sterling 38" cord.

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37" Vintage Navajo Black Web Kingman Gold filled sterling bolo tie. Very nice bolo with no issues, nice stone. Weight and measurements in pics. Solid gold filled sterling 38" cord. No apparent markings other than purity markings on tips.

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46" H Harvey Navajo for Rocking Horse Ranch sterling bolo tie 46" long cord. Solid sterling, weight and measurements in pics. Rocking Horse Ranch was originally a ranch in Phoenix owned by the parents of Lani Mastrangel. After marrying Kevin Randall in 1968 and a stint for Kevin in the Vietnam war, Lani and he began producing high quality silver jewelry at the ranch. They began by hiring talented Navajo silversmiths, including Edison Smith, who was very interested in the early Navajo “master silversmiths. Thomas and Wilson Jim, Thomas Curtis, Fidel Bahe, and Curtis Pete also worked there and learned the craft of the “master silversmiths. Rocking Horse Ranch concentrated primarily on making concho belts and the artists there were instrumental in revitalizing the design and techniques of the early 1900s. Sadly, both Lani and Kevin have passed away. They helped some of the contemporary Navajo smiths become the finest smiths of the last 30 years. The story which has prevailed against all others and as far as is known, has never been challenged takes us to Wickenburg, Arizona in 1949. Here, Victor E. Cedarstaff, a resident, designed and made the first bola type of necktie. As Vic tells the story, he was out horseback riding one day and sudden gust of wind blew his hat off. Picking up his hat, he found that the band had become detached. Rather than try to replace it on the spot, he just slipped the band over his head and let it hang loose around his neck. After awhile his riding friend noticed it and remarked. “Nice tie youre wearing, Vic! This remark turned out to be more than casual; it sparked an idea. Being a silversmith, and having taught leatherwork, Vic went to work and designed something new and distinctive in this field. In a day or two, he had fashioned a tie from some leather lacing and trimmed the braid ends with silver balls. To this, he fastened a small silver slide adorned with a piece of turquoise. The tie attracted a good deal of skeptical attention from friends, however, orders soon began to arrive. Vics problem was that there seemed to be no good way of attaching the slide to the braid, one that would not slip or damage the braid. However, in due time, he succeeded toward this end by designing a triangular shaped slide, which he named a yoke. Unlike most conventional slides, which contain a variety of clips and locking devices to hold the tie in place, this yoke had none and it eliminated the necessity of having to slip the tie on over the head. He succeeded in creating something new and original and on this basis he was issued a patent. Searching for a suitable name for the tie, he settled on one that was truly western. He called it a “Piggin Necklet naming it from the piggin-string that the cowboys use for tying the legs of a calf. Sometime later, Vic was visiting with a friend in Wickenburg, who had been in Argentina, South America. The friend showed him a device, which he had brought back with him. He called it a “bola and explained that the Gauchos of that country used it for catching cattle. It bore a strange resemblance to the tie, which Vic had designed; in the way it was braided and had terminals similar to his tie. Vic decided to drop his original name for the tie, and call the tie “bola. The name change proved almost magical. Soon others began making similar ties and marketing them under various trade names. However, the name “bola seemed to be the one, which endured, and in the end it has become the universal name for the tie.

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41" Vintage Vic Cedarstaff 10k/Sterling horse head Hand Engraved bolo tie. Marked 10k on back along with sterling mark. 41" long cord, Solid 10k gold horse, solid sterling bolo slide, tips, and accent pieces. The story which has prevailed against all others and as far as is known, has never been challenged takes us to Wickenburg, Arizona in 1949. Here, Victor E. Cedarstaff, a resident, designed and made the first bola type of necktie. As Vic tells the story, he was out horseback riding one day and sudden gust of wind blew his hat off. Picking up his hat, he found that the band had become detached. Rather than try to replace it on the spot, he just slipped the band over his head and let it hang loose around his neck. After awhile his riding friend noticed it and remarked. “Nice tie youre wearing, Vic! This remark turned out to be more than casual; it sparked an idea. Being a silversmith, and having taught leatherwork, Vic went to work and designed something new and distinctive in this field. In a day or two, he had fashioned a tie from some leather lacing and trimmed the braid ends with silver balls. To this, he fastened a small silver slide adorned with a piece of turquoise. The tie attracted a good deal of skeptical attention from friends, however, orders soon began to arrive. Vics problem was that there seemed to be no good way of attaching the slide to the braid, one that would not slip or damage the braid. However, in due time, he succeeded toward this end by designing a triangular shaped slide, which he named a yoke. Unlike most conventional slides, which contain a variety of clips and locking devices to hold the tie in place, this yoke had none and it eliminated the necessity of having to slip the tie on over the head. He succeeded in creating something new and original and on this basis he was issued a patent. Searching for a suitable name for the tie, he settled on one that was truly western. He called it a “Piggin Necklet naming it from the piggin-string that the cowboys use for tying the legs of a calf. Sometime later, Vic was visiting with a friend in Wickenburg, who had been in Argentina, South America. The friend showed him a device, which he had brought back with him. He called it a “bola and explained that the Gauchos of that country used it for catching cattle. It bore a strange resemblance to the tie, which Vic had designed; in the way it was braided and had terminals similar to his tie. Vic decided to drop his original name for the tie, and call the tie “bola. The name change proved almost magical. Soon others began making similar ties and marketing them under various trade names. However, the name “bola seemed to be the one, which endured, and in the end it has become the universal name for the tie.

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38" c1960 c-31 Zuni thunderbird bolo tie. Solid sterling bolo slide and tips. Base metal Bennett clip. Weight and measurements in pics. 38" long cord. Unmarked

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36" c1950 Zuni sterling thunderbird bolo tie k. Solid sterling bolo slide and tips, unmarked, 36" long.

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41" Austin Garcia Santo Domingo sterling and turquoise bolo tie. Solid sterling bolo slide and tips, Bennet clip is base metal. 41" long with one tip dented. Austin Garcia is a talented silversmith from Kewa (Santo Domingo) Pueblo who creates unique shadow box effect settings for his jewelry and hand cuts subtle designs into the edges of the silver.

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42" c1970 Zuni sterling Bighorn Ram bolo tie. Solid sterling bolo slide and tips, base metal Bennett clip. Weight and measurements in pics. Appears to be marked TF under the clip. 42" long cord.

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40" c1960 c-31 Sterling and turquoise nugget cluster bolo tie. Solid sterling bolo slide and tips, base metal Bennett clip. Weight and measurements in pics. Unmarked, 40" long cord.

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44" Harold Smith Navajo sterling Loloma style cobblestone inlay bolo tie. Solid sterling bolo slide and tips. Weight and measurements in pics. 44" long cord.

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39" B Native American sterling green spiderweb turquoise bolo tie. Solid sterling bolo slide and tips. Base metal Bennett clip. Weight and measurements in pics. Marked B Sterling, not shown in pics. 39" long cord.

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38" c1980 Navajo sterling hand stamped concho bolo tie. Solid sterling bolo slide and tips. Base metal Bennett clip. Weight and measurements in pics. 38" long cord. Marked Sterling.

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40" Large Vintage Native American sterling channel inlay bolo tie. Solid sterling bolo slide and tips. Base metal Bennett clip. Weight and measurements in pics. FAT for First American Traders of Gallup, 40" long cord.

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39" c1960 c-31 large Zuni dancer bolo tie channel inlay sterling. Solid sterling bolo slide and tips. Base metal Bennett clip. Weight and measurements in pics. 39" long cord. unmarked.

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36" c1950 Hopi or Navajo overlay bolo tie sterling. Solid sterling bolo slide and tips. Weight and measurements in pics. 36" long cord. No apparent markings.

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40" Vintage Zuni Peyotebird bolo tie. Solid sterling bolo slide and tips. Base metal Bennett clip. Weight and measurements in pics. 40" long cord. Unmarked

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