Ton of Glass

5pc Imperial 1936 Texas Centennial Glass Luncheon Set. Authentic High quality Imperial glass made in the US for the 1936 Texas centennial exposition in 1936. The platter is 12 1/8" wide and the plates are 8 1/8" wide. Absolutely no chips, cracks, or excessive wear of any kind. As clean as they come. Selling the exact set shown.

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5 1940's Sterling Lid Art Deco Pressed Glass Salt and Pepper Shakers. Selling all 5 2 pepper with residue of pepper inside and 3 salt shakers. No chips, One with dent in lid. 3" tall

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50's-60's Italian Murano Dog figure with gold flecks 6" tall x 5" deep with no cracks, chips, or restorations, no dings. Appropriate shelf wear on base as it's heavy and 60+ years old. Estate fresh as of yesterday with no identifying marks, likely had a paper label.

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4 Ruby Bohemian Etched Cordial Glasses. These are nice old glasses from the first half of the 20th century. I'm unsure of the maker but I'm sure they are Czechoslovakian glass. They have two different bases as shown in the pics, the tops are the same. They are perfect with no damage or wear. 3 3/8" tall x 1 13/16" wide at rim. TW148

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4 Mid Century Murano Satin glass Toothpick holders/miniature vases. Selling the 4, all vintage from the third quarter of the 20th century. No damage or wear other than wear to labels. Two have original labels, others unmarked but guaranteed Italian Murano glass. Tallest 2 3/8" x 2.5" wide at rim. toothpickdrawer

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4.75" Large Eickholt Opalescent Iridescent Jellyfish Paperweight with controlled bubbles. No cracks, chips, or dings. First pic is same paperweight on a black background which seems to present it better. isshelf

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4 1970's Ruby Fostoria Coin Wine Goblets. No cracks, chips, restorations, or scratches. Selling all four. TW72

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3 Mid Century Italian Murano Latticinio toothpick holders. Selling the three with no flaws, damage, or wear, all apparently unmarked but guaranteed Italian Murano glass. Tallest 2.25" x 2.5" wide. toothpickdrawer

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3 Contemporary art glass shot glasses/toothpick holders. One signed Joel Bloomberg, two Astral glass dated 2017. Tallest 2 3/8", all with no damage or wear. Selling all three. toothpickdrawer

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2 Waterford Kenmare Claret Wine Glasses Vintage Irish Crystal. Selling the two shown with no cracks, chips, scratches, or hard water stains. 6" tall x 3" wide at rim. B48

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2 Waterford Crystal Scent bottles. Selling both, tallest 4 7/8". Neither with any chips, cracks, or scratches. Both marked, the mark on the one with the dauber is faint and on the base, you have to catch the light just right. The other is marked on bottom side. One with dauber, other with silverplate lid with plastic insert. Both smell of perfume inside but could easily be cleaned with alcohol if needed. TW161

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2 Mid Century Italian Murano Latticinio toothpick holders. Selling the two with no flaws, damage, or wear, all apparently unmarked but guaranteed Italian Murano glass. Tallest 2 7/8" x 2 1/8" wide., largest a little big for a toothpick but these were part of a toothpick collection put together in the mid to late 20th century. toothpickdrawer

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2 Mid Century Italian Murano Applied Glass toothpick holders. Selling both the toothpicks shown, the cranberry with loss to one petal. No other damage. Tallest 2.75" toothpickdrawer

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2 c1890 Glass Beer Steins Paulaner braeu. Selling both glass beer steins from the late 19th century to early 20th. 8.5" tall with no cracks, chips, or restorations. Nice fancy lids on these. Nice tight hinges without play. TW254

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2 Antique Bohemian Beer Glasses Hand Enameled Early 20th century. One 1.2l and 8 5/8" tall, other 1/4l and 6.5" tall. Some gold wear on larger one. No cracks or chips.

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1994 David Lotton Shot Glasses Alpha and beta. Selling the two vessels for you to use for whatever. Tallest is about the size of a typical shot glass or cordial 2" tall x 1.5" wide, the other is 1.25" tall x 1.5" wide. Smaller is inscribed as a gift from David. No damage to either. DAVID LOTTON David Lotton is a second generation American glassblower. He is the oldest son of Charles Lotton and was introduced to the world of glassblowing at a very young age. In 1970, Charles started building a furnace and began blowing pieces of glass from melted down pop bottles in a shed behind their house. David was there in this infancy and he was Charles first assistant at the age of ten. David has vivid memories of his childhood working in the shop with his father. When most children were playing childhood games he was spending time after school and on the weekends helping him at the bench. By the age of 14 he started learning how to do finishing work, polishing the bottom of the glass flat. David eventually followed in his fathers' footsteps and by the age of 15 began making paperweights. That ignited a passion to begin glass blowing. David has been creating his one of a kind vessels since 1978. His unique handcrafted works are designed with precise attention to detail. Developing his own glass formulas, David has created a complex palette of colors, giving him the ability to create his multi-layering and sculpting style. Each year David continues to study and refine the techniques he uses in creating his art. David's Clematis Reflection Series, Hollyhock Paperweight Series and Mixed Bouquets Series all reflect his floral patterns which capture his love for detail. He combines color and layering to create depth and beauty. His Organic Sculptures reflect movement and rich hues of a summer sunset. David is inspired by all nature. He has a successful ranch in the hills of Kentucky where he is inspired to evolve, change, and grow continually. He commutes back and forth to fulfill both loves. toothpickdrawer

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1993 David Lotton Leaf and Vine Art glass vase 7.75" tall with no cracks, chips, restorations, or wear. Signed David Lotton 1993 Leaf and Vine. The inside of this vase is iridescent. DAVID LOTTON David Lotton is a second generation American glassblower. He is the oldest son of Charles Lotton and was introduced to the world of glassblowing at a very young age. In 1970, Charles started building a furnace and began blowing pieces of glass from melted down pop bottles in a shed behind their house. David was there in this infancy and he was Charles first assistant at the age of ten. David has vivid memories of his childhood working in the shop with his father. When most children were playing childhood games he was spending time after school and on the weekends helping him at the bench. By the age of 14 he started learning how to do finishing work, polishing the bottom of the glass flat. David eventually followed in his fathers' footsteps and by the age of 15 began making paperweights. That ignited a passion to begin glass blowing. David has been creating his one of a kind vessels since 1978. His unique handcrafted works are designed with precise attention to detail. Developing his own glass formulas, David has created a complex palette of colors, giving him the ability to create his multi-layering and sculpting style. Each year David continues to study and refine the techniques he uses in creating his art. David's Clematis Reflection Series, Hollyhock Paperweight Series and Mixed Bouquets Series all reflect his floral patterns which capture his love for detail. He combines color and layering to create depth and beauty. His Organic Sculptures reflect movement and rich hues of a summer sunset. David is inspired by all nature. He has a successful ranch in the hills of Kentucky where he is inspired to evolve, change, and grow continually. He commutes back and forth to fulfill both loves. tw274

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1989 Freeform Art glass paperweight. Dated 89 on one side and illegible signature on the other. 3.75" long x 2.5" tall with no damage or detectable wear. pwdrawer

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1988 Selkirk Art Glass paperweight. Signed Selkirk Glass Original 1988 416/500 3 3/8" wide x 3 1/8" tall with no scratches, dings, or damage. pwdrawer.

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1985 Studio Art Glass Vase Abstract "Shadows" Signed. Interesting piece with illegible to me signature. 9.5" tall with no cracks, chips, restorations, or scratches. TW124

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1984 Robinson Scott Studio Art Glass Vase. No cracks, no chips, no restorations. 4.5" tall x 4.5" wide

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1984 David Lotton Magnum coral paperweight. Ni chips, cracks, dings, scratches, or other issues. 3.75" wide x 3" tall. DAVID LOTTON David Lotton is a second generation American glassblower. He is the oldest son of Charles Lotton and was introduced to the world of glassblowing at a very young age. In 1970, Charles started building a furnace and began blowing pieces of glass from melted down pop bottles in a shed behind their house. David was there in this infancy and he was Charles first assistant at the age of ten. David has vivid memories of his childhood working in the shop with his father. When most children were playing childhood games he was spending time after school and on the weekends helping him at the bench. By the age of 14 he started learning how to do finishing work, polishing the bottom of the glass flat. David eventually followed in his fathers' footsteps and by the age of 15 began making paperweights. That ignited a passion to begin glass blowing. David has been creating his one of a kind vessels since 1978. His unique handcrafted works are designed with precise attention to detail. Developing his own glass formulas, David has created a complex palette of colors, giving him the ability to create his multi-layering and sculpting style. Each year David continues to study and refine the techniques he uses in creating his art. David's Clematis Reflection Series, Hollyhock Paperweight Series and Mixed Bouquets Series all reflect his floral patterns which capture his love for detail. He combines color and layering to create depth and beauty. His Organic Sculptures reflect movement and rich hues of a summer sunset. David is inspired by all nature. He has a successful ranch in the hills of Kentucky where he is inspired to evolve, change, and grow continually. He commutes back and forth to fulfill both loves. pwdrawer

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1980 Chihuly student William Morris Art Glass vase height: 10 1/2 inches, width:<br>10 1/2 inches, depth: 3 1/2 inches. Absolutely no damage or wear whatsoever.<br>This vase represents his early work he was producing at Pilchuck while gaffing<br>for Dale Chihuly.<br><br>William Morris was born in Carmel, California in 1957. He is an American glass<br>artist who has been able to change the history of art within his lifetime.<br>Morris was educated at California State University in Chico, California as well<br>as Central Washington University in Ellensburg, Washington. 
In 1978, Morris<br>arrived at the Pilchuck Glass School and found work initially as a driver.<br>Later, he worked with Dale Chihuly, the founder of the school, and eventually<br>became his chief gaffer in the 1980s. Morris remained with Chihuly for about 10<br>years as his chief assistant before deciding to form his own studio and develop<br>his own artistic style of glass blowing.<br><br>For more than twenty-five years, William Morris has captivated and intrigued the<br>art community with hauntingly evocative and beautiful glass sculptures. He has<br>captured the imagination time and again by creating objects that appear to be<br>ancient stone or woodcarvings, not the modern glass sculptures they actually<br>are. His art speaks of human origins, myth, ancestry, and ancient civilizations.<br>It symbolizes a harmony between humanity and nature and provides a ghost-like<br>bond to the world around us – a world that is often forgotten, ignored, and<br>abused.<br><br>Morris gathers much of his inspiration from ancient cultures from around the<br>world – Egyptian, Asian, Native American – all peoples who respected and admired<br>the land they inhabited. Because of this, Morris’s artwork has become something<br>all its own: culturally distinct and yet familiar to all cultures. His pieces<br>embody a spiritual quality that sharply contrasts old beliefs with those of the<br>modern world. These objects speak to our senses and continuously beg us to<br>explore them further.<br><br>Morris achieved much success during his career and retired in 2007. He spent<br>over twenty-five years honing his skills and pushing the medium of glass further<br>than anyone, including himself, could ever have imagined.<br><br>Morris’ work can be found in numerous public collections including:<br><br>The Metropolitan Museum of Art, New York, NY; Corning Museum of Glass, Corning,<br>NY; American Glass Museum, Millville, NJ; Hokkaido Museum of Modern Art,<br>Hokkaido, Japan; Musee Des Arts Decoratifs, Paris, France; Auckland Museum,<br>Auckland, New Zealand and the Victoria and Albert Museum, London, England.

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1977 Libra Paperweight. Very cool with no issues or damage 3.25" pwdrawer

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1975 Irving J Slotchiver Tennessee Studio Art Glass Vase. No cracks, chips, or scratches. 6.5" tall x 4" wide Tw47

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1970's Murano Art Glass Bear. Purchased in Murano Italy in the late 1970's, I'm not sure if it was new us vintage at the time. 8" long x 5" tall with no cracks, chips, dings, or restorations. tw187

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1970's Lalique Nina Ricci Bath salts box. These bath salts were bought fifty years ago and never used. A half century old bath crystals ready for current use and a magnificent Lalique frosted crystal vanity box as a premium -what a premium! Rene Lalique frosted glass box with molded relief decoration of a pair of love doves on l the lid. 5.5" wide x 3.5" tall. Near microscopic chigger bite on the very inside rim on the lid shown top center of the 5th picture. No other damage or wear. isshelf

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1960's Vintage Lucite/Art Glass Mosquito/Dragonfly Brooch. This piece is super cool and estate fresh circa mid 20th century guaranteed. I think it's a ual revolution things as the way it's shaped it really would have been impossible to pin on something that didn't extend from the rest of the body like a breast. 2.75" long x 2.5" wide x 1.5" tall. No damage or issues The body is Lucite and the wings, body, and head are glass. Very unusual item. While dragonfly brooches have been popular for 150 years or so I believe this is a mosquito because of it's legs. kitshelf

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1960's Kosta Boda Zoo Animals Glass Lion, elephant, and dog. Elephant is 6.5" long x 5.5", Dog is 7" long x 5.25" tall, Lion is 4" tall x 5.5" long no cracks, chips, or dings. Selling all three shown. Tw235

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1950's Seguso Alabastro Art Glass Green and Opalescent Swirled Art Deco Paperweight. No cracks, chips, dings, or scratches. The foil label is illegible other than San Antonio Texas at the bottom, so likely it's a retailers label. TW249

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1950's Murano Star Shaped Cranberry Bowl with Controlled Bubbles. Nice vintage mid 20th century piece with no cracks, chips, restorations, dings, or upper surface wear. Expected shelf wear on base that rested on table for 60+ years. 8.75" x 2.25" tw110

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1950's Mexican Sterling silver Overlay glass salt and pepper set. 2 13/16" tall with no damage, both marked 925 and tested sterling. silverdrawer

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1850's Mercury glass Chalice and Curtain Tie Back. No cracks, chips, or restorations. Very good with very minor loss to silvering. Goblet is 4.25" tall x 3.75" wide. Curtain tie is 4.5" wide x 5 3/8" with screw.

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1920's Heisey Marmalade and Underplate with rare Marbleized satin treatment and Pickard/Minton gold. Very unusual if not one of kind piece. Marked heisey on underplate and inside marmalade. 5.5" tall with 4.5" underplate, no damage or significant wear. I found a little about this, it was was custom designed and made by Heisey between the years 1923 and 1925 all for one owner, R. V. Pettingell, of Winchester Massachusetts and sold through John J. Hines of New York. TW185

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1920's Sterling/Glass Champagne Bottle Coaster Art Deco. No cracks, chips, or other issues. 5" wide. Webster sterling.  Buying one with another available. tw171 & B36

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1920's Lightolier Pendant Light With Iridescent Uranium Glass Painted Shade<br>Parrots and Geometric Art Deco Designs. It's really amazing to find a light<br>light this intact. It has the Lightolier label inside the brass ring where it's<br>wired to the ceiling. The top iron section is 15.5" The shade is 8.5" tall and<br>the Ornament at the bottom of the shade is 4.5" long. So it will hang about<br>28.5" down from the ceiling. The Globe is about 10.5" wide. It's Iridescent but<br>didn't show well in the pics. There is also some uranium in the glass as it<br>glows green under a blacklight but not as much as full on yellow vaseline glass.<br>Tiny flakes where shade attaches to hardware, no big deal and expected. No large<br>chips, no cracks, extremely rare and super cool. It will be packed with the<br>hardware in one box and the glove in another then tons of padding. There's a<br>little surface rust on the iron but really it's just got character and lots of<br>it.<br>B33

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1920's Czechoslovakian Amethyst Iridescent Hand Enameled Candlestick. 8.75" tall, over the top with iridescence and enameling from the first half of the 20th century with no cracks, chips, or restorations. B32

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1920's Steuben Aurene Lamp Shade Vase Flared. No cracks, chips, or restorations, expected wear to base on about 100 year old piece of glass. Color is way better than pics suggest, lots of colors in different light. 5.5" tall x 5 3/8" wide at rim. Steuben Glass Works Steuben Glass is an American art glass manufacturer, founded in the summer of 1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in Steuben County, from which the company name was derived. Hawkes was the owner of the largest cut glass firm then operating in Corning. Carder was an Englishman (born September 18, 1863) who had many years' experience designing glass for Stevens and Williams in England. Hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. Hawkes convinced Carder to come to Corning and manage such a factory. Carder, who had been passed over for promotion at Stevens and Williams, consented to do so. In 1918, Steuben was acquired by Corning Glass Works and became the Steuben Division. In July 2008, Steuben was sold by Corning Incorporated for an undisclosed price to Schottenstein Stores,[2] which also owns 51% of Retail Ventures, a holding company for DSW, Filene's Basement, and formerly Value City Department Stores; Value City Furniture, which changed its name to American Signature Furniture; 15% of American Eagle Outfitters, retail liquidator SB Capital Group, some 50 shopping centers, and 5 factories producing its shoes, furniture and crystal. On September 15, 2011, Schottenstein announced it was shutting down Steuben's Corning factory and Manhattan store, ending the company's 108-year history. Soon after, Corning Incorporated repurchased the Steuben brand. In early 2014, The Corning Museum of Glass announced that it would work with independent contractors to reproduce Steuben using a new, lead-free formula and their classic leaded crystal. Carder period (1903-1932) Steuben Glass Works started operation in October 1903. Carder produced blanks for Hawkes and also began producing cut glass himself. Carder's great love was colored glass and had been instrumental in the reintroduction of colored glass while at Stevens and Williams. When Steuben's success at producing blanks for Hawkes became assured, Carder began to experiment with colored glass and continued experiments that were started in England. He soon perfected Gold Aurene which was similar to iridescent art glass that was being produced by Tiffany and others. Gold Aurene was followed by a wide range of colored art glass that eventually was produced in more than 7,000 shapes and 140 colors. Steuben Glass Works continued to produce glass of all sorts until World War I. At that time war time restrictions made it impossible for Steuben to acquire the materials needed to continue manufacture. The company was subsequently sold to Corning Glass Works and became the Steuben Division. Carder continued as Division manager without any real change in the company's operation except that he now had reporting responsibilities to Corning Glass Works' management. Corning's management tried, mostly unsuccessfully, to limit the articles that Steuben made to only the most popular. Production continued until about 1932. In 1932, there was a major change in Steuben management. The nationwide depression had limited the sale of Steuben and there was a lessening of public interest in colored glass. In February 1932, John MacKay was appointed to Carder's position. Carder became Art Director for Corning Glass Works. Steuben then produced primarily colorless art glass. Steuben still produced colored art glass, but mostly to fill special orders. A few new colors were added after Carder transitioned into his new role with Corning Glass Works, but the last known sale for colored art glass by Steuben was in 1943 B43

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1920's Czechoslovakian Art Glass Atomizer perfume bottle. No damage to glass, missing atomizer which can be replaced, I couldn't find a mark but it's czech c1920's-1930's. tw90

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1800's Bohemian Beer Glass Hand Cut. 8.75" tall x 3 7/8" wide at rim. One tiny<br>chigger bite on rim, several chips on foot mostly really small, one fairly<br>significant shown in last pic.

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1950's Bryce 664 Amethyst Clear Diamond Stem (8) 6.25" x 2 1/8" wide at rim. I think these are small champagne flutes. This is an extremely uncommon pattern in which not every shape is documented. I'm 100% sure and guarantee them to be Bryce 664. Bryce went out of business in the 1960's. They're all perfect with no cracks, chips, cloudiness, restorations, or scratches.

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13.75" c1928 Fostoria Grape Blue Brocade Etched Cameo Glass Iridescent Oval Centerpiece. Produced from 1927-1929. Very interesting and scarce pattern. Acid etched with a slight iridescent ground. 13.75" x 11.25" x 3" tall near mint with no chips, cracks, scratches, cloudiness, or other issues. Way nicer than the pics suggest.

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1890-1950 Unique Button Collection (47) these are all glass metal or mother of pearl except for the three on the right. I cherry picked these from a ton of buttons. They measure from .25" to 1.25" Part of a huge cache of buttons dating from 19th century to mid 20th.

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12.75" Texas Studio Art Glass Vase Michael McDougal 7" wide No cracks, chips, scratches, or restorations. Inspired by nature and known for his sense of color and elegant whimsy, Glass artist Michael McDougal lives and works in the Texas Hill Country. He was introduced to glass by Jane Duryea, protégé of Robert Willson and went on to study at the Corning Museum of Glass in New York, the prestigious Pilchuck Glass School in Washington State, under Jane Bruce, Claire Kelly & Antony Schafermeyer and Boyd Sugiki. McDougal has spent time in the "fornaces" of Murano, Italy, as well. Today, he works with his friend and mentor Jason Lawson in studios in Fischer, Texas, a small town north of San Antonio. "Glass is an astoundingly versatile medium," says McDougal."It has an inherent music in it. Working with it in molten form is rhythmic… more of a dance than a process.”  Michael Monroe, former curator and director of the Smithsonian Institution's Renwick Gallery describes a pitcher from McDougal's collection as "…capturing the essence of molten glass in a moment of frozen elegance. The handle, with its dynamic but delicate pattern is beautifully integrated to give both a sense of motion and balance to the piece." "Whether appreciating it or creating it, I love art that elicits a sense of wonder, a sense of awe, makes me grin or laugh," says McDougal. "Whether an exploration of beauty, whimsy, or that huge realm of the unknown, it must remind me that all our human stresses and strains are insignificant.” McDougal's work is featured in galleries throughout Texas and California. He has been featured in shows in Dallas, Fort Worth, San Antonio, Houston and Galveston, among other cities.

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1930's Aquamarine McKee Rock Crystal Sherbet Dishes (6).  Very uncommon.  2 have small chips on rim, one has small chip on base.  These are shown in last three pics.  No other cracks, chips , or restorations.  These are scarce enough they're worth restoring or just loving. 3" tall x just under 4" wide at rim.

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1920's Bohemian Hoffman Intaglio Perfume bottle with stopper. Great bottle likely with the best smelling perfume ever. The stopper is stuck and I don't have time to mess with it. Stopper mis missing part of the dauber which can't be seen with the bottle mostly full as it is, no other damage or wear to stopper, two tiny tiny rough spots on base, no large chips other than dauber, no cracks. 5.5" tall x 4 1/8" wide. Butterfly mark engraved in bottom center of stopper, no other detectable markings. perfumedrawer

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15" Robert Eickholt Heavy Abstract studio art glass centerpiece bowl. 15" wide with no damage or detectable wear. Robert Eickholt is a well known glass artist who has been creating captivating blown glass for over 40 years. Robert founded Eickholt Glass in 1978 when he returned home to Columbus, Ohio after studying glassblowing in Berkeley, California. Once home he continued his studies at Ohio State and at the Columbus College of Art and Design. Since its founding the studio has produced numerous types of beautiful art glass creations such as paperweights, vases, eggs, sculptures and perfume bottles. Each piece is made one at a time and completely unique. Eickholt Glass is quite well known for their distinctive designs which incorporate precious metals including gold and silver and rare oxides like cobalt and copper. Their beautiful art glass has earned them accolades worldwide. tw243

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1930's Pickwick 5th Ave New York Mexicali Powder Jar by Akro Agate. Very cool<br>jar from the second quarter of the 20th century. Slight roughness inside lid, no<br>cracks, chips, or restorations. 5" tall<br>perfumedrawer

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1920's Steuben Alabaster Lamp Shade Vase Flared. No cracks, chips, or restorations, expected wear to base on about 100 year old piece of glass. 5.5" tall x 5 9/16" wide at rim. I could not find a mark but it is definitely Steuben from the first quarter of the 20th century. isshelf

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1920's Durand Blue Opalescent Pulled Feather Parfait. 6 3/16" tall x 3 3/8" wide at rim with no cracks, chips, or restorations. No exterior scratches. I did not notice until photographing but it appears to have been used extensively as a vase as there is hard water residue and some scratches in the interior which I'm accounting for in my pricing. Still an extremely rare item to find in any condition, unmarked. Durand art glass was made between 1924 and 1931. Durand was the art glass division of Vineland Flint Glass Works in New Jersey which was founded by Victor Durand in 1897. Many of the glass artists came from the Quezal Art Glass company which closed in 1924. The artists at Durand were granted a great deal of freedom to produce glass in a variety of styles. Many pieces were blown using an unusual yellow glass which many collectors now refer to as "Ambergris". Durand produced a wide variety of art glass items including bowls, vases, perfume bottles, candlesticks and lamps. Durand's art glass quickly gained fame for its beauty and quality. In 1926 Durand received a medal of honor at the Sesquicentennial International Exposition in Philadelphia. Sadly production ceased in 1931 when Victor Durand died in an auto accident. tw193

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1920's Pittsburgh Paints Pressed Glass advertising coin bank. 3.25" wide x 2.75" tall with no cracks, chips, or restorations. isshelf

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1890's Pink to cranberry Cased Glass Peg student lamps Pair. It's really rare to<br>find a pair of these, especially with the shades. The whole lamps top, bottom,<br>burners, hardware, etc are from the 1890-1910. I obviously have no way of<br>knowing if these shades were on them 125 years ago or not, they were on them<br>when I got them and they look fantastic on them. As you can see some of the<br>hardware on the burners doesn't match completely, but they are functional, bases<br>and most of the hardware was polished and lacquered at one point in the last<br>half of the 20th century. Total height 18.5", the top shades are 6.25" wide.<br>They will obviously be disassembled for shipping.<br>TW234

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Pair of Vintage 1933 Cambridge Crystal 3 Light Candleholders. Dimensions: 6 1/4" H x 6 1/2" W x 4 5/8" DTwo original matched pair of highly decorative #1338 crystal 3-light candlesticks from Cambridge Glass ca. 1933 to 1939 .These gorgeous and highly stylized candlesticks were originally introduced as part of both the Gadroon and #3400 patterns.The style was so well regarded, that Cambridge later incorporated them into the Caprice line.Our candle holders are style number 1 with the gorgeous crosshatched balls supporting the bowls.You get 2 candle-holders. No cracks, chips, or dings. tw226

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14" Huge Wimberly Glassworks art glass fan vase. 8" wide at rim with no cracks, chips, restorations, or wear. Signed WGW 2007 on base. While not very old, this would retail for about $400-$500 new from Wimberly Glassworks and it's in new condition, handmade. TW221

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1933 University of Texas 50 year Anniversary Magic Lantern Slides George Littlefield Brackenridge Hall. Ok, the newest these can be is the thirties, they may be older. I'm assuming they are the same age. The one that just say's University had some writing on the outside that I didn't realize was on the outside when I cleaned them. I know I remember the word fifty. These are actual slides of course and nothing is going to clean off of them, I was very careful I just didn't see that was on the outside. I wouldn't mention it but I think it might help date them as I think they are one of a kind slides from the University. I think these were custom ordered by the University and likely shown at an important event there. I have no idea, but these are the only three I have. The one with the writing that came off has a crack in the corner, no other cracks or chips on the others. 4" x 3.5".  They are backlit in the pictures.   isshelf

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1940's Heisey Orchid Etching on Lariat blank Fan vases pair. Selling both, this pattern was made from 1940-1943. No cracks, chips, restorations, hard water, or scratches. 7" tall x 6.25" wide at rim. TW225

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1930's Art Deco Tumblers Dancing Nymphs by Consolidated Martele 9 oz 5 5/16" tall. All authentic 1930's consolidated glass with no cracks, chips, or restorations. Selling the 6 shown. Designed by Reuben Haley and introduced in 1926, Consolidated’s Martele’ line of art glass was inspired by the glorious works of Rene’ Lalique featured at the 1925 Paris Exposition. Haley, who had previously been associated with Hocking and Fostoria, worked with his son Kenneth to produce the Martele collection. tw222

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1920's Steuben Gold Aurene Calcite Compote. 3.5" tall x 6.75" wide, guaranteed authentic Carder Era Steuben Unmarked. No cracks, chips, restorations, or significant wear. Steuben Glass is an American art glass manufacturer, founded in the summer of 1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in Steuben County, from which the company name was derived. Hawkes was the owner of the largest cut glass firm then operating in Corning. Carder was an Englishman (born September 18, 1863) who had many years' experience designing glass for Stevens and Williams in England. Hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. Hawkes convinced Carder to come to Corning and manage such a factory. Carder, who had been passed over for promotion at Stevens and Williams, consented to do so. tw210

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