Vintage Southwestern/ Gold Mining Sterling silver charm bracelet. Circa mid 20th<br>century, all sterling even if some pcs are unmarked, they are all solid<br>sterling. No issues.

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6"-7.5" Sheldon Lalio Adjustable Sterling and lapis channel inlay bracelet. 5mm wide. All precious metals are tested and guaranteed,

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8" David Andersen Norway Sterling Modernist cuff bracelet 16mm wide in center. I believe it's meant to be worn more like a bangle loosely. Sturdy but flexible enough to adjust the gap to suit your purpose.

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Retired James Avery 3D open Heart Charm in sterling 5/8" wide x .75" tall with<br>original uncut jump ring.<br><br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br><br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.

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Vintage Navajo Sterling and turquoise hair piece. Main silver piece is 3" x 5/8"All precious metals are tested and guaranteed,

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Vintage Sterling and brass engraved bracelet 7" long x 29mm wide with no issues.

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Retired James Avery Sterling X Infinity cuff bracelet. Fits up to a 7" wrist,<br>great with no issues.

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20's-50's Baseball and Basketball Sterling silver charms 30.6 grams total.

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Pandora Sterling Charm Bracelet with 5 charms 7.25" authentic estate fresh with no detectable wear. All charms marked 925 ALE. I believe they're all retired.

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Vintage Egyptian Revival Gold Filled Scarab Bracelet with Semiprecious stones. Great piece mid 20th century with no issues. 21.1 grams

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Vintage Egyptian Revival Gold Filled Scarab Bracelet with Semiprecious stones. Great piece mid 20th century with no issues. 10.5 grams

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Margot De Taxco Sterling silver enamel bracelet. No issues, no damage to enamel.<br><br>Margot Van Voorhies was born in 1896 in San Francisco, California. By the time<br>she left her native country for good, she had survived the death of her father<br>in 1903, the San Francisco Earthquake in 1906, the loss of her mother at the<br>hands of a er in 1931 and the end of her first marriage in 1936.<br><br>Fortunately, a Mexican vacation changed the life of Margot Van Voorhies in ways<br>she could never have imagined. In 1937, forty-one-year-old divorcée Margot Van<br>Voorhies left San Francisco on a trip to Mexico City. Fate threw her into the<br>path of Don Antonio Castillo, who took her to Taxco, a Mexican hotbed for the<br>design, crafting, and production of silver objects, in particular jewelry and<br>housewares.<br><br>Soon, Castillo would become Margot’s second husband. At the time, Castillo was<br>working for William Spratling, a pioneer in Mexican silversmithing. He brought<br>Margot into the business as a designer, helping her to transform her paper<br>creations into three-dimensional forms in silver. In 1939, the pair, along with<br>other members of Castillo’s family, opened shop as Los Castillo Taller [Taller<br>is Spanish for “Workshop”], with Margot as the top designer.<br><br>After ten years, the marriage between Castillo and Van Voorhies dissolved, as<br>did their professional association. Margot went on to open her own shop in 1948,<br>taking the name Margot de Taxco, by which she is best known today. Seven years<br>later, enamel was added to many of her pieces, and this is where Margot found<br>her legacy.<br><br>At the peak of her career, Margot, who designed each piece herself, had two<br>dozen silversmiths and a dozen enamellists in her employ to execute her vision.<br>The men performed the duties as silversmiths; the women did the enamel work,<br>using tiny brushes to bring the watercolor drawings to life. To ensure the<br>accurate rendering of her jewelry designs, she compiled a book of instructions<br>and drawings, detailing the construction and finishing of each. Margot attracted<br>talented craftsmen who later went on to cement their own reputations, such as<br>Sigi Pineda, Miguel Melendez, and Melecio Rodriguez.<br><br>Many contemporary Hollywood celebrities were clients of Margot, including John<br>Wayne and Lana Turner, who visited her shop every year.<br><br>Tragedy struck in the form of a fire in 1960. Forced to move her studio, she<br>never again regained her prior success, and the business folded in 1974. Margot<br>granted several of the silversmiths in her employ permission to use her molds to<br>create pieces on their own, in return for debt forgiveness. As a result, many of<br>Margot’s pieces were re-created by silversmiths such as Jaimie Quiroz and<br>Geronimo Fuentes, bearing their hallmark rather than hers.<br><br>Margot passed away in 1985. But her talent as a designer and her influence as an<br>artist have continued to gain recognition since the time of her death.<br><br>Margot’s shop produced some repousse silver (a technique where a raised or<br>relief design is hammered in from the reverse side of the piece). But she is<br>best known for her champlevé enamel work. Champlevé is created by carving,<br>etching, striking, or casting troughs or cells into the surface of a piece and<br>filling it with vitreous enamel. In Margot’s jewelry, the designs were<br>die-struck, a process that was detailed and critical to the final product.<br><br>Margot produced many suites that included necklaces, brooches, bracelets, and<br>earrings, as well as convertible jewelry. Margot de Taxco jewelry is recognized<br>for its elegance, femininity, and variety.<br><br>There were many areas of influence that can be found in Margot’s work. Her fish<br>and wave motifs celebrated her love of Japanese art. The ornate swirls and<br>floral motifs were reminiscent of the Art Nouveau style. Mischievous<br>pre-Columbian figures were a recurring theme. Art Deco style ballerinas struck<br>graceful poses. Margot was also taken with Egyptian motifs and Mexican crafts.<br><br>Margot de Taxco pieces are distinguished by the stamp that includes her name,<br>Eagle 16 (or Eagle 1, for her earlier works), along with a production number.<br>Issued by the government, the eagle stamp was a way to identify the<br>manufacturer.

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Vintage Garnet baroque pearl sterling bracelet. Nice mid century looking<br>bracelet with no issues, worn but present 925 mark, no other detectable<br>markings, clasp appears to be later.<br><br>All precious metals are tested and guaranteed, if Stated sterling it's<br>guaranteed to be 90% silver or more, all clasps are functional, I will not offer<br>anything here with any significant issues. Measurements and weight should be<br>shown in the pics if not otherwise described in the listing.<br><br>When I call a piece of jewelry "retro", I mean last quarter of the 20th century,<br>"vintage" would be second or third quarter of the 20th century, "antique" would<br>be first quarter of the 20th century or earlier.

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Retro sterling silver grey pear toggle bracelet. Clean with no issues. Authentic<br>pearls.<br><br>All precious metals are tested and guaranteed, if Stated sterling it's<br>guaranteed to be 90% silver or more, all clasps are functional, I will not offer<br>anything here with any significant issues. Measurements and weight should be<br>shown in the pics if not otherwise described in the listing.<br><br>When I call a piece of jewelry "retro", I mean last quarter of the 20th century,<br>"vintage" would be second or third quarter of the 20th century, "antique" would<br>be first quarter of the 20th century or earlier.

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Retro Christin Wolf Reversible Native American Sterling bracelet with amber.<br>Reversible, can be worn either way. I believe the stones are amber.<br><br>Christin Wolf is a nationally recognized jewelry designer known for blending<br>timeless lines and contemporary style with a vibrant southwest color pallette.<br>For the past 30 years Christin Wolf has been recognized as a leader in Southwest<br>jewelry design.<br><br>Christin Wolf Jewelry is handcrafted by Native Americans in the Christin Wolf<br>Studio in Albuquerque’s Old Town.<br><br>All precious metals are tested and guaranteed, if Stated sterling it's<br>guaranteed to be 90% silver or more, all clasps are functional, I will not offer<br>anything here with any significant issues. Measurements and weight should be<br>shown in the pics if not otherwise described in the listing.<br><br>When I call a piece of jewelry "retro", I mean last quarter of the 20th century,<br>"vintage" would be second or third quarter of the 20th century, "antique" would<br>be first quarter of the 20th century or earlier.

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Loaded Vintage Danecraft Sterling Charm bracelet. Danecraft bracelet, piano<br>Danecraft, some 800 silver, mostly sterling. All Guaranteed solid high content<br>silver 80% or more, almost all marked. Approx 7" long.

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Vintage Sterling silver Tourmaline bracelet. Extremely high quality marked and<br>tested sterling bracelet. The stones test as Tourmaline with a Smartpro Gemeye 1<br>and look like tourmalines to me.

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Barbara Bixby Sterling/18k Cuff bracelet. No damage or detectable wear, springed<br>hinge for easy removal.

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Mid Century Modernist Los Ballesteros Sterling and Onyx bracelet. Very cool<br>bracelet from the third quarter of the 20th century with almost no issues or<br>detectable wear. One very small "chigger bite" on the outside rim of one of the<br>stones, not noticeable whatsoever.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible.

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Mid Century Modernist Los Ballesteros Sterling and Cat's Eye bracelet. Very cool<br>bracelet from the third quarter of the 20th century with no issues or detectable<br>wear.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible.

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Ancient Near Eastern bronze bracelet. 4 1/8" outside width, 2.75" inside width.<br>Very old, unsure of exact age. It has Elephants, Cicada's, Scorpions, Oxen,<br>Fish, lots going on. This is part of a large collection of artifacts I'm helping<br>liquidate, all purchased from reputable sources over the last quarter of the<br>20th century, money was no object. I'm pricing everything at a small fraction of<br>what it cost from the galleries/auctions. Just the displays alone must've cost a<br>small fortune. They come in a very fancy Steel/acrylic display case, case<br>measuring 6.5" cube, some wear/adhesive residue to case, figures 5 3/8" tall,<br>some wear to figures but no major breaks or repairs. The figures are over 3000<br>years old and guaranteed authentic.<br><br>isshelf

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c1940's Chinese gilt filigree silver enamel cats eye bracelet. 41 grams, great<br>bracelet from the second quarter of the 20th century with no detectable issues.

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Sterling Multi-Gemstone bracelet. Adjustable from 7.5"-9", very substantial<br>marked and tested sterling with genuine stones/pearls 83.7 grams.

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6.5" Christin Wolf Native American 14k gold and sterling bracelet<br><br>Christin Wolf is a nationally recognized jewelry designer known for blending<br>timeless lines and contemporary style with a vibrant southwest color pallette.<br>For the past 30 years Christin Wolf has been recognized as a leader in Southwest<br>jewelry design.<br><br>Christin Wolf Jewelry is handcrafted by Native Americans in the Christin Wolf<br>Studio in Albuquerque’s Old Town.<br><br>All precious metals are tested and guaranteed, if Stated sterling it's<br>guaranteed to be 90% silver or more, all clasps are functional, I will not offer<br>anything here with any significant issues. Measurements and weight should be<br>shown in the pics if not otherwise described in the listing.

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Stephen Dweck Sterling Multi-stone toggle bracelet with antique gold/bronze<br>finish. Retro piece from the 90's I believe, unworn with no damage or detectable<br>wear. 36.9 grams.<br><br>Stephen Dweck Jewelry<br>Established in 1981, in Brooklyn, New York, Stephen Dweck Jewelry began as a<br>sculptural and artistic brand, unlike anything else. Known for its signature<br>hand-carved details and unique gemstones, each modern piece of jewelry is meant<br>to be treasured as a collectible.<br><br>From Stephen’s unique artistic vision and the fusion of his two passions of art<br>and sculpture at the School of Visual Arts. With Bergdorf Goodman as his first<br>client, his jewelry became known for its signature detailing of engraved<br>precious metals, and intricately hand carved and faceted gemstones. No matter<br>the size or boldness of the jewelry, it is the confidence, attitude, and spirit<br>that it brings to the wearer when wearing the designs. True wearable works of<br>art, the jewelry has always remained relevant in fashion, while staying true to<br>the brand’s identity<br><br>Still connected to his Brooklyn, New York roots, Stephen collides his rustic<br>aesthetic with a modern point of view, solidifying his status as “Romancer of<br>the Stones.” Stephen’s extensive gallery of gems and minerals from his travels<br>around the globe has made its way into the unique One-of-a-Kind collection,<br>which is adorned with the signature beetle, Adam, and is known for their<br>collector’s quality.

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Retro French Inna Cytrine Paris Wood and goldtone choker and bangle. Amazing<br>high quality set from the famous French designer Inna Cytrine. Part of a multi-million dollar clothing/jewelry collection with the best of everything, very likely never worn. Bracelet has original 1980's-early 90's $270 price tag.  Mountings hallmarked as shown, I believe those are French silver hallmarks so likely silver with a heavy plating of high carat gold. Choker is 15.5" inside<br>circumference and 5" inside width with a magnetic closure. Bangle is 6 5/8"<br>inside circumference with a functional push latch rather complex internal<br>mechanism. Bangle is 1 1/8" wide without the fittings that come out a little<br>further.<br>anderas

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Amazing Napier Sterling Mid Century Modern period and style bracelet. An amazing work of wearable art from the 40's or 50's. This piece rivals and of the high end silver from the period in both quality and design, the only difference is it's much rarer than say a Pineda, Spratling, or Jensen bracelet of the period as they were produced in larger quantities from my experience. This is entirely handmade, each piece is hand hammered on the sides, screams quality from every direction. 8" long x 1" wide x 59.3 grams, fully functional springed clasp, no damage or significant wear.The Napier Company got its start in North Attleboro, Massachusetts 1878, under the name of The E. A. Bliss Co., manufacturing gilt men's watch chains. In 1882, the company became incorporated as The E. A. Bliss Company with the word "The" as part of its legal name. The company relocated to Meriden, Connecticut in 1890, after the company sustained rapid growth in the previous decade. During World War I (and again in World War II), they ceased production of jewelry, and instead focused on producing war-related items, such as medallions and medals. James H. Napier became president of the company in 1920, and the company was renamed, The Napier-Bliss Co. In 1922, the company again changed its name to The Napier Co.Timeline The company was known for its ability to be on the forefront of fashion and design and had a history of sending its designers to Europe. In 1925, James Napier attended the World's Fair Exposition Internationale des Artes Decoratifs et Industriels Modernes in Paris, and brought back with him business ideas, including designs influenced by Parisian and European fashion. Mr. Napier himself, did not design jewelry. James Napier work for the company from 1914 to his death in 1960. From 1920 to 1960 he served as president. In 1999, the company was bought by Victoria & Company. The plant in Meriden, Connecticut was closed by Victoria & Company on October 15, 1999. However, under the umbrella of Jones Apparel Group, Napier jewelry is still being manufactured and distributed.Jewelry designs In the 1920s and 1930s, Napier designed necklaces, bracelets and earrings in a range of styles including, designs featuring Egyptian motifs, such as cobras, Victorian Revival designs and Deco-style motifs. The company produced very little jewelry during the 1930s, focusing on its giftware lines. In the 1940s, most of the jewelry produced was sterling silver tailored pieces. In the 1950s, it produced jewelry in a wide range of styles. Napier jewelry is notable for its simple, modern, geometric and floral designs. However, the company also produce boutique and high-end jewelry. Some of the metalwork bears resemblance to Mexican and Scandinavian designs. The fan jewelry collection was introduced as a 10-year fundraising commitment in 1955. In the 1950s, the Napier Company presented First Lady Mamie Eisenhower with a bracelet bearing an elephant design, which was reputedly one of her favorite pieces of jewelry, and which she wore often, and the Napier Company gifted the contestants of the 1955 Miss America Pageant with fashion jewelry.Historical silver designs Napier silver designs from the first half of the 20th century are in museum collections including the Brooklyn Museum, Newark Museum and a substantial collection at the Dallas Museum of Art. Over the years, Napier silver has been featured in museum exhibitions, including Modernism in American Silver: 20th Century Design at the Smithsonian in Washington, the Dallas Museum of Art, the Wolfsonian in Miami Beach, the Nevada Museum of Art in Reno, and the Dixon Gallery and Gardens in Memphis, TN (2005–07). Napier designs have also been included in two shows at the Brooklyn Museum, entitled 19th century Modern (2011–12; 2013–15). In November 2016-November 2017, the iconic Napier penguin cocktail shaker is the lead design of a Dallas Museum of Art exhibition Shaken, stirred, styled: The art of the cocktail.

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Rare Retired James Avery rose charm. 7/8" tall x 11/16" wide with no issues.<br><br>anderas<br><br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br><br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.

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Rare Retired James Avery Soccer ball charm. This is the most difficult to find<br>version. .75" with bail x .5" with no issues.<br><br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br><br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.

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Kenneth Bitsie Navajo Lapis and Opal high grade sterling channel inlay bracelet.<br>Very clean with no issues.<br><br>Acclaimed Native American Navajo Artisan Kenneth Bitsie is an American<br>Silversmith best known for intricate Contemporary Design Inlay Jewelry. Kenneth<br>Bitsie at times has been part of New Mexico local jeweler, Steve Harper of<br>Stoneweaver, select team of master inlay stone and silver artisans to execute<br>his fine contemporary jewelry designs.<br><br>anderas

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8" Fritson Toledo Navajo for Les Baker (1935-2014) Sterling Overlay and stamped<br>bangle. 8" inside circumference, 1.25" wide.<br><br><br>Fritson Toledo has been metalsmithing for over forty years. Fritson is a Navajo<br>artist who has been working as a serious silversmith since he was a teenager.<br>New Mexico in September of 1961 to Mae and Chee Toledo, Fritson grew up in<br>Torreon, NM. Growing up in a farming community located in a valley framed by the<br>Jemez Mountains, he passed his time drawing. Although he comes from a family of<br>weavers, Fritson found his artistic voice at a very early age while observing<br>his father working in their home as a silversmith. Fritson then taught himself<br>the art of jewelry-making using his father’s tools on the pieces of scrap silver<br>he left behind. Fritson eventually learned how to make his own tools and stamps<br>for silversmithing. He has clearly become a jewelry master using only the<br>highest quality stones.<br>Les Baker (1935-2014), southwest artist from New Mexico, was born in 1935. Les<br>learned to silversmith in 1962 when his wife at the time wanted a squash blossom<br>necklace. Les could not afford to buy one for her so he went out and bought the<br>tools to do so. At a Christmas party, Mrs. Maisel asked where she got the<br>necklace and his told her that her husband made it. From there upon request from<br>Mrs. Maisel, Les went to work for the Maisels. Les has also worked for Carl<br>Louthy, Navajo.  Over the years, he has had many silversmiths that have worked<br>for him such as Fritson Toledo, Johnny Watson and Harry Sandoval.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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7.5" Vintage Japanese Sterling Jade, Agate, and other stone bracelet, fun bracelet with no issues.

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Art Deco 835 silver Württembergische Metallwarenfabrik WMF German Bracelet 7.5" long x 7/8" wide with no issues, this is one of WMF's most desirable bracelets, circa 1930's Mistletoe pattern.The fine brass, copper and silver metalware produced by distinguished manufacturer Württembergische Metallwarenfabrik (WMF) has adorned the tabletops of restaurants, hotels and homes around the world. WMF is especially prized by collectors for its Art Nouveau works of the late 19th century and Art Deco pieces manufactured throughout the early 20th century.

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7" Retro Modernist mexican sterling and onyx bracelet. No issues.<br><br>anderas

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Pandora Charm Bracelet with Mickey mouse, Great Britain, and Class of 2015. Bracelet and every charm shown guaranteed authentic Pandora, every charm marked ALE 925 except for class of 2015 which is just marked Pandora. Appears unworn. 22.2 grams.

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Retro STS Sterling/rhinestone jewelry set. Selling the set shown, estate fresh<br>with no damage and little wear. Stones untested. Earrings are missing backs but<br>these are fairly universal.

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6.75" James Avery Sterling silver Charm bracelet with lots of charms. Selling the bracelet shown with charms shown, all with little to no wear, appears unworn with box shown, all charms James Avery with uncut loops except for the Minnie Mouse which is Disney, some retired and difficult to find.

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Vintage Southwestern Coin Silver link bracelet. Very cool bracelet likely Native American made from 90% silver US coins. No issues, I think it's really old but can't prove it. This appears to have a JK in a circle hallmark on the top of the clasp that I don't have time to recognize.

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Antique Tribal silver bracelet. Very old bracelet guaranteed solid silver (tested), recently acquired from a collection put together in the mid 20th century. 204 grams, again guaranteed silver of a fairly high content, 80% or more. Measures 2 5/8" across in the interior, 4" across the exterior. it has a few old stable cracks in the interior. Very old solid bracelet built like a tank.

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Antique Chinese Silver Enamel Malachite bangle bracelet. Marked silver tested<br>high content silver, high quality filigree and enamel work with genuine<br>malachite stones. approx 7.5"

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Vintage Chinese silver bracelet. Very substantial and heavy bracelet with no issues.

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14k Supersmith David Rosales Native American 14 kt Gold with Picture Jasper, Tiger Eye and Black Jade. From the "Native Earth" line.   Slightly worn with no damage, no wear to stones, slight expected wear to gold mainly in interior. The Native Earth Collection by Supersmith Jewelry features a stunning selection of stones, including Tiger's Eye, Picture Jasper, and Black Jade. Supersmith Inc, also known as David Rosales Designs “Contemporary Designs, Traditionally Made,” located in Gallup, New Mexico, consists of several extremely talented Native American craftspeople from the Navajo and Zuni tribe.  In 1997, David Rosales, founded Supersmith Inc along with his cousin, John Delgado.  What started as a small operation in his garage, has grown to offer one of the highest selections of contemporary Native American jewelry in the Southwest. Born and raised in Gallup, NM, David was trained as a mechanic and was offered an opportunity to accept a managing job at a jewelry company, which changed his life completely.  After discovering his own creativity and design ability, and the partnership with his cousin, John Delgado, Supersmith Inc was born. Most commonly known for beautiful, clean inlay work and stunning color combinations, their new tagline is “Contemporary Designs, Traditionally Made.”  Working from an old Coors warehouse, artists work within three different departments which include a lost-wax casting department, an inlay department, and a finishing department.  The end results are one of hand-crafted beauty from talented artists of all ages. Keeping with family traditions, David’s daughter, Sheree, joined the team in 2016.  Today Supersmith employs approximately forty employees who continue to produce hand-crafted contemporary jewelry with continually evolving designs and color combinations to keep up with current trends and popularity.  Supersmith strives to keep jewelry making alive by training and encouraging young generations of artists.

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7.75" James Avery Sterling silver Charm bracelet with lots of charms. Selling the bracelet shown with charms shown, all with little to no wear, appears unworn with box shown, all charms James Avery with uncut loops, some retired and difficult to find. The Heart Remembers charm does have Madeleine engraved on the back.

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c1940's William Spratling(1900-1967) Taxco Sterling silver Mask Bracelet. Fits up to a 6.5" wrist, 1" gap 126.8 grams with no issues. Spratling, an architect and artist who taught at Tulane University in New Orleans, came to Mexico in the late 1920s and settled in the city of Taxco. Having developed an interest in Mesoamerican archaeology and culture from his colleagues at Tulane, he traveled to Mexico for several summers lecturing and exploring. He sought out remote villages in the state of Guerrero, 110 miles from Mexico City, where in some places Nahuatl, the Aztec language, was spoken. Spratling collected artifacts and contemporary indigenous crafts. Spratling made a fortune manufacturing and designing silver, but his true life's work was to conserve, redeem, and interpret the ancient culture of his adopted country. He explained for North American audiences the paintings of Mexico's modern masters and earned distinction as a learned and early collector of pre-Columbian art. Spratling and his workshop gradually became a visible and culturally attractive link between a steady stream of notable American visitors and the country they wanted to see and experience. Spratling had the rare good fortune to witness his own reputation -- as one of the most admired Americans in Mexico -- assume legendary status before his death. William Spratling, His Life and Art vividly reconstructs this richly diverse life whose unique aesthetic legacy is but a part of its larger cultural achievement of profoundly influencing Americans' attitudes toward a civilization different from their own.

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Harold Smith Native American Sterling, turquoise, coral, Jet, and shell inlay<br>Bracelet and ring set. wonderful with no issues. I've seen this Artisan<br>Identified as both Zuni and Navajo, I'm not sure but he does really nice work<br>and this is one of his more complex pieces that I have seen. Size 10.5 ring,<br>bracelet fits up to a 6.5" wrist. 40 grams total weight.

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6.25" Greek Konstantino 18k/Sterling Heavy bracelet. 6.25" (16cm) long with no<br>issues 96.7 grams. Guaranteed authentic estate fresh bracelet. Very fine quality<br>bracelet. This same bracelet is being retailed under the Gerochristo Greek<br>Jewelry Collection as the<br>Synergy Sun Cuff Bracelet for $8640. I believe Konstantino retired the design,<br>but they both seem to share similar designs if not artisans.<br><br>https://athenagaia.com/products/synergy-sun-cuff-bracelet?_pos=2&_sid=cf7a0006f&_ss=r<br><br>4,000 BC<br>In the heart of the Mediterranean, generations of alchemists, artisans and<br>goldsmiths explored the depths of earth's most valued materials. Gold, silver,<br>bronze and precious stones inspired the creation of fine jewelry, a creative<br>expression of human intelligence.<br>Through the ages, Greek goldsmiths have estab- lished an exceptionally unique<br>presence in the history of fine jewelry, evident across the Mediterra- nean,<br>spanning through the Archaic, Classical, Hellenistic and Byzantine eras of<br>Greece. The indestructible nature of fine jewelry exudes -like qualities, a<br>timelessness that surpasses the ages of style and trend. The Konstantino style<br>emerged from the roots of these traditions, paving the way for its own unique<br>style, one re-defining the blueprint of the classical Greek identity.<br>about-image-2<br>1958: Birth of a legend<br>Konstantino was born in Filiadona, a small village outside Athens where the<br>Ancient city of Melitea once stood. There he watched his father closely as he<br>worked on the farm, building machines and tools of his own. Here Konstantino<br>developed a great appre- ciation for the art of hand craftsmanship.<br>about-image-3<br>1978: A musical influence<br>Following his love for music, the young Konstantino became a disc jockey in the<br>city of Athens, playing everything from Carlos Santana to Lou Reed. These icons<br>and many more, inspired a stylistic fluidity that introduced an essence of glam<br>rock to the scene. By way of music, Konstantino began curating his own aesthetic<br>identity, as a creative mind and style icon. Where, these legends continue to<br>influence the rule breaking spirit that drives the design team at Konstantino to<br>this day.<br>about-image-4<br>1983: Jewelry saved my life<br>Konstantino fled the music scene of Athens in search of an oasis, he took a trip<br>to the island of Hydra where he lived for the next 15 years. It was on this<br>magical island, where Konstantino fell in love with jewelry. He began collecting<br>and curating jewelry, whereby in 1988 the first Konstantino store opened.<br>about-image-2<br>1991: Annette<br>Hydra is not only the birthplace of Konstantinos love for Jewelry but was also<br>where he met his soon to be wife and creative partner, Annette. Together, from<br>the ground up, Konstantino Jewelry soon estab- lished its presence in the US and<br>global market.<br>about-image-6<br>1998: Global Impact<br>As the admiration and craze for Konstantino spread, the dream continued to grow,<br>where now our designs can be found in 10 countries globally. With the addition<br>of a longstanding presence in Neimans, Sax, etc. etc. Konstantino is proud to<br>represent an evolution of the Greek style to the world of fine jewel- ry lovers.<br>about-image-7<br>2016: A Family Future<br>Konstantino and Annette’s children, Julian and Phaedra joined the team, further<br>continuing the legacy of love, risk, and passion for gold smithery and design.<br>This new generation leads with humility, knowledge and a natural instinct for<br>the dynamic of the Konstantino brand. Preserving the core philoso- phies of the<br>brand and expanding on its already established style, is a challenge that’s been<br>taken on with confidence.

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Mid Century Hector Aguilar Taxco 940 silver bracelet. Fits up to a 7" wrist, the<br>way it's made it naturally tapers with the wrist 1.25" wide, 58.1 grams with no<br>issues.<br><br>Who was silversmith Hector Aguilar?<br>Hector Aguilar was a master silversmith, jewelry maker, and the first graduate<br>from William Spratling’s famous apprenticeships in Taxco, Mexico. He met<br>Spratling almost by chance while bringing a load of tourists to Taxco from<br>Mexico City in the 1930s. Aguilar was one of Spratling’s best pupils, who often<br>worked with close-to-pure silver (rated at 980 instead of the 925 of sterling<br>silver on the silver scale). Aguilar was also a great businessman who only<br>stayed at Spratling’s workshop for three years before finding investors for his<br>own workshop, Taller Borda.<br><br>Aguilar’s Taller Borda became a huge success in 1943, when they secured a<br>contract with an American jewelry company, Coro. They produced several notable<br>designs for Coro throughout the 1940s. Hector kept Taller Borda running until<br>1966 when he closed up shop and enjoyed a nearly 20-year retirement, his place<br>in the firmament of great Mexican silversmiths already secured.<br><br>What kind of art did Hector Aguilar make?<br>Hector Aguilar was a silversmith, jewelry designer, and artist whose work helped<br>popularize Mexican silver in the 1940s and 1950s. His workshop’s pieces for the<br>retailer, Coro were instrumental in this endeavor. That relationship lasted<br>nearly a decade and produced some of Aguilar’s most vital work. As with most of<br>the Mexican silversmiths from this time, these designs were heavily inspired by<br>pre-Columbian artifacts and the folk art of Mesoamerica. Aguilar’s work<br>continued to innovate over the next several decades, bolstered the quality of<br>his pieces, which often used much more pure silver than his competitors. These<br>days Aguilar’s jewelry is highly sought after for his mastery of the craft of<br>silversmithing as well as its extremely high silver rating.<br><br>How did silversmith Hector Aguilar get started?<br>Hector Aguilar was born in 1905 in Mexico City. Not much is known of his early<br>years, but a chance encounter with William Spratling in the early 1930s set him<br>on a silversmithing career that would span three decades. Aguilar brought<br>tourists from Mexico City to the small town of Taxco, a place that as fate would<br>have it also was where Spratling was starting his silver workshop. Aguilar<br>worked for several years as the shop manager for Spratling while also becoming<br>an apprentice silversmith. After three years, Aguilar left to start his own<br>workshop, Taller Borda. That workshop would create countless beautiful pieces,<br>with unceasing quality up until its closure in 1966.

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Barbara Bixby Sterling/18k bracelet, fits up to a 7" wrist.. No damage or detectable wear, springed hinge for easy removal.

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Unusual patinated Sterling modernist bracelet. Very cool designer signed, can't<br>make it out at the moment. Patent number on unique closure, some wear to patina,<br>overall very attractive bracelet.

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Leonard Platero Navajo for MM Rogers 14K Gold/Sterling Silver Bear Link<br>Bracelet. 7" long x .75" wide. Nice heavy very good quality bracelet by a very<br>good artist with no issues. This is a Leonard Platero design for MM Rogers<br>Designs, this was one of their earlier productions c.1990.

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c1940's Planters Mr Peanut Charm bracelet. Super cool from 1940's with no damage. Peanuts are marked planters. 8" long.

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Jared Chavez Santo Domingo modernist sterling Link bracelet. 7" long x 1 1/6" wide x 75.1 grams. Does have a scratched signature JJC-00 on reverse side. Jared J. ChavezI began my journey as an artist learning to craft jewelry from my father, Richard I Chavez, a renowned lapidary artist. I was not given exact direction as to what to make but was only given the tools and instruction on how to use them. Along the way my work would be critiqued by my father and I would continually strive to evolve my designs and fabrication processes. He stressed the quality of the design and construction making sure that every aspect of a piece looked “finished” and no corners were cut. Along with all that I learned in my father’s studio, I would receive a Bachelor of Arts from Georgetown University in Studio Arts with a focus in Digital Art and Printmaking. After I graduated, I would attend The Revere Academy of Jewelry Arts’, Intensive Bench Jeweler Program in San Francisco. Each of these educational experiences added a particular technical or visual aspect to my work and would encourage me to continue to explore all the ways I could enhance my designs. My current work focuses on the reflective nature of polished silver. Though fabrication, metal stamping, and some casting, I explore how light and reflection interacts with the materials I utilize. I’ve found that polished silver takes in the colors and the light of the world around, and through the use of surface texture a dynamic play of light is created across the surface of my designs. I further enhance my work thought the use of semi-precious stones (agates, quartzs, jades, etc.). However one of the most important qualities in my selection of stones is often translucency. I’ve found that by allowing light to shine though a stone an overall rich and warm effect is created in the overall design. Along with my yearly schedule of shows where I sell my designs, I’ve also made it a point to educate the public about my work. Growing up in my father’s studio, I always saw just how much of himself he put into his designs and how sometimes he was met with disbelief as to how much work was put into his pieces. I found this to be a similar case when I entered the business, as the general public only sees the finished piece. For that reason, though in person demonstrations and self-produced video mini-documentaries, we’ve made it a point to show the skill, time, and passion that goes into every design. I continually strive to evolve my work and hold every design to the exacting standards that my father established when he created Chavez Studio 50 years ago.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. All precious metals are tested and guaranteed,

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Loaded Vintage Southwestern Themed Sterling charm bracelet. Cool charm bracelet from the third quarter of the 20th century, all the charms and bracelet are sterling.anderas

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c1890 Antique Chinese Silver Dragon Link Bracelet. Really nice solid silver (80% or more) Chinese link bracelet. It has a revolving ball in the center that threads in the other end. Very ingenious from a guaranteed over 100 year old bracelet. No significant issues, illegible Character stamp. Approximately 7" inside diameter 38.4 grams, guaranteed late 19th to very early 20th century.

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Ancient bronze bracelet. Very old bracelet with a very nice patina and nice hand<br>decorated design. Likely from a UT Professor's estate but I really can't<br>remember where I acquired it as I sometimes acquire more in a week than many<br>normal people do in a lifetime. My lovely wife helped my clean my old photo room<br>and it got mixed in with tons of other jewelry. It is 15/16" wide with a .75"<br>gap and it isn't flexible, so it seems like it would have had to have been put<br>on a child. I know many cultures wore bronze jewelry, African and Viking of<br>course being the first to come to mind, I'm just not really sure. and I don't<br>know whether it's 250 years old or 2500 years old, but would bet it's in that<br>range. Approximately 6.75" inside diameter including the gap. 98.6 grams

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Vintage Sterling charm bracelet. Cool charm bracelet from the third quarter of the 20th century, all the charms and bracelet are sterling. anderas

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Art deco Sterling Sanborns Mexican Silver Amethyst openwork bracelet. 6.75" 1<br>1/8" center width. 58.5 grams, very clean with no issues, very unusual piece.

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Designer Sterling Pop Art Moderne Mesh screen bracelet. Very unusual piece that I feel should be by an important designer. I don't recognize the hallmark but I didn't try, maybe one day I'll have time. It's marked and tested sterling, very lightweight, very well made and in good condition. Weighs 10 grams 7.75" inside diameter.

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Vintage Egyptian Revival Gold Filled Scarab Bracelet with Semiprecious stones. Great piece mid 20th century with no issues. 21.1 grams

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Huge Vintage Navajo Sterling/Turquoise and coral Watch Bracelet 166.3 Grams, | Dimensions: Watch: 7.75" length, 1.5" face width. Minor wear with no significant issues but I think watch needs a battery. Unmarked, tested sterling.

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6.5" Harold Tahe Navajo Sterling/Turquoise Link bracelet. 1.25" wide in center,<br>32 grams, no issues or damage.

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