Lilien Czechoslovakian Rhinestone Costume Jewelry Set. Selling the set shown<br>with no missing or damaged stones. I don't believe it was worn. All pieces<br>except earrings marked Lilien so they are from before they became Lilien Czech.<br>Necklace is Adjustable up to 20", the center piece is 5.25" long. Earrings are<br>2.75" long and clip ons with good springs.<br>tw252

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Antique Sterling Judaica Yad Torah Pointer with Agate handle. Guaranteed solid<br>high content 90% or more silver, tested with no detectable markings. 16" long,<br>147.5 grams with no issues. 100+ years of built up silver polish likely hiding<br>hallmarks.<br>tw125

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c1890 Antique Carlsbad Austria Oyster Plate. 9" wide with no cracks, chips, or restorations, some wear to gilding on rim. isshelf

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Nice Heavy forged iron betty lamp. Very minor loss to tip of door, no other issues, no holes. 3 3/8" x 4.25" , 10.5" tall with hanger extended. This early betty lamp burned grease for lighting in the 19th century. It is called a 'betty lamp' which comes from the word 'besser' in German (meaning better). Far superior to the rushlight or splint lamp, it evolved from the crusie lamp with the addition of a cover and a wick support which ensured that any oil/grease drippings from the wick flowed back into the reservoir. The betty lamp was probably the most widely used means of lighting among people of middle or lower income until refined whale oil became common. It burned any fat or oil that was available virtually without smell or smoke, using a twisted cotton wick. B70

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c1880 A. Jacobi Baltimore Sterling Repousse Chatelaine purse. Very nice functional bag about 135 years old. Very high quality functional hinge and closure. Thick heavy sterling with no issues. 6" wide at top of frame x 8.25" tall without the chain. 194.3 grams total weight with 98% of that being the silver top.A.JACOBI & CO JACOBI & JENKINS JENKINS & JENKINS - Baltimore, MD founded in 1879 as A.Jacobi. Succeeded by A.Jacobi & Co (1890), Jacobi & Jenkins (1894) and Jenkins & Jenkins (1908). Sold to the Heer-Schofield Company (Schofield Company Inc) in 1915 tw187

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18th/19th century Tortoise shell snuff box. 3.75" wide x 1 5/8" deep x 1 1/8" tall, 200 years of wear with no significant issues, completely stable crack front top left corner, close-ups shown in last two pics. These were all purchased in New York at Parke-Bernet Galleries before they were bought out by Sotheby's in 1964.

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c1900 Texas Cowboy Hat Mold Hand carved wood. Great piece from the first quarter of the 20th century, hand carved. Looks great, excellent patina, stable cracks from wood shrinkage. 12" x 10.5" x 5" tall. I'll be offering a few of these that were collected about 40 years ago.

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c1900 Yale University Gorham Sterling Silver Enamel Spoon. Extremely rare and obviously desirable spoon. Very slight wear to enamel at top of bowl where it meets handle, won't find another one. 5 3/16" long.

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Antique Gilt Sterling silver Guilloche blue egg form sewing kit/thimble/spool. No damage, weight measurements, and any markes detected are in the pictures.

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c1911 William Comyns British sterling silver potpourri box reticulated jewelry. Weight and measurements in pictures, a zillion times nicer than the pictures suggest. Amazing work of art with no damage or significant wear. Lightweight cloth liner. William Comyns & Sons was one of the most notable London silversmithing firms of the Victorian and Edwardian periods, renowned for its exceptional decorative silverwork. William Comyns founded the company in 1858, following his apprenticeship with George J. Richards. He initially operated from the former premises of silversmith Robert Tagg at 2 Carlisle Street, Soho, London, where he registered his first makers mark (W.C in a four-tipped oval) in 1859. The firm quickly gained recognition for its finely crafted silverware, particularly elaborate dressing table sets, vanity boxes, and pictorial repoussé work. As demand grew, Comyns expanded operations, acquiring additional premises on Beak Street and Regent Street. In 1885, his sons, Charles and Richard, joined the business, leading to its renaming as William Comyns & Sons. Comyns silverware was retailed by some of the worlds most prestigious firms, including Tiffany & Co., The Goldsmiths & Silversmiths Company, and leading London retailers such as Henry Lewis and Howell & James. Among its most distinctive creations were silver and tortoiseshell pieces featuring delicate piqué work, a technique of inlaying fine silver patterns into tortoiseshell. These, along with jewellery boxes, toiletry sets, clocks, and other objets dart, were crafted in ornate Victorian and flowing Art Nouveau styles, highly prized for their intricate designs and exceptional quality. Following William Comyns death in 1916, his sons navigated the challenges of World War I. After Charles passed away in 1925, the firm became a limited liability company under Richard Comyns. The firm survived through the interwar years and continued producing high-quality silverware. In 1953, Bernard Copping acquired the company, but it changed hands multiple times in the following decades. William Comyns & Sons eventually ceased trading and was formally liquidated in 1987. Despite its closure, Comyns silverware remains highly collectible, admired for its refined craftsmanship and historical significance in British silversmithing.

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William Waldo Dodge Westport Yacht Club hammered sterling silver creamer trophy. Weight and measurements in pictures, a zillion times nicer than the pictures suggest. Amazing work of art with no damage or significant wear. William Waldo Dodge, Jr. (1895-1971), architect and craftsman, was one of the leading figures in Ashevilles architectural scene as well as an illustrious and well-known silversmith. He was part of an important larger movement in Asheville that expressed the influences of the romantic and Arts and Crafts movements in a variety of media from architecture to silver, pottery, weaving, and other arts. His personalized work attracted liberal patronage, even during the Great Depression, from clients who could still afford to build, and his buildings remain treasured expressions of his craftsmanly approach to architecture. Dodge was born in Washington, D. C. in 1895, the son of William W. and Margaret Parker Dodge. His father was a patent attorney who headed a successful family legal practice in the nations capital. William, Jr., attended the Friends School in Washington and then Philips-Exeter Academy in New Hampshire. He was sent to Princeton University to prepare for a career in law, but after a year decided that he did not want to be an attorney and enrolled at the Massachusetts Institute of Technology to study architecture. He was graduated from MIT with a Bachelor of Architecture in 1916. From Cambridge, with World War I looming, he went to Plattsburg, New York, and enrolled in officers training school. He was commissioned as a second lieutenant and sent to France as a member of the American Expeditionary Force. Wounded in battle, he was awarded a Silver Star and Purple Heart. Exposure to chlorine gas during the war aggravated Dodges tubercular condition, and after the war, he was treated at the veterans hospital at Oteen near Asheville, North Carolina, a community long regarded as having a climate and surroundings beneficial to patients afflicted with lung diseases. This assignment brought Dodge to the Asheville area, where he spent most of the rest of his life. At Oteen he taught crafts to fellow patients and developed an interest in silver and copper smithing. After he was released from the hospital, Dodge moved to Connecticut and married Margaret Robinson, but a relapse forced him to enter Gaylord Tuberculosis Sanitorium. While he was convalescing there, the Dodges studied silversmithing. After his discharge, the couple moved to Asheville, where Dodge briefly taught physics and mechanical drawing at the Asheville Boys School. He opened a silversmith shop on Charlotte Street in Asheville and created over the years a unique and widely admired body of artistic silver work. Early in the 1920s, a prominent Asheville citizen asked Dodge to design a residence for him, and Dodge planned for him the lavish Tudor Revival style Hammond-Knowlton House (1925). Drawing upon his training at MIT, Dodd added architectural practice to his silversmiths craft. With Asheville in the midst of a boom period, he found abundant opportunities and in 1927 moved to a shop he designed and built in the new suburban community of Biltmore Forest, developed on a portion of the Biltmore Estate. An account of Dodges practice was published in the American Architect in November, 1928, illustrating his silverware, workshop, and studio, and describing him as “an architect by profession and a craftsman by avocation. In 1929 Dodge obtained a license to practice architecture in North Carolina, and he continued to attract or find commissions during the Great Depression. Blending English, French, and rustic elements already favored in the mountain city, where the mountain setting and the romantic (and French) aura of Biltmore exerted strong influences, Dodge rendered these themes in picturesque compositions enriched with handcrafted detailing that appealed to the wealthy residents of Asheville and Biltmore Forest. His own shop and other small buildingsincluding repurposed log cabins from the regiondisplay his intricately crafted details and rustic motifs on a modest scale, while larger houses such as the William A. Knight House II in Biltmore Forest combine brick, stucco, stone, and wood, and individually designed details of wood carvings, hinges, sculptures, and more to evoke the spirit of a French chateau. In 1942, facing the wartime hiatus in private construction, he and five other western North Carolina architects banded together to form the architectural firm of Six Associates to enable them to compete for defense contracts and other large projects. Although the firm continued and expanded after the war, in 1947 Dodge withdrew to resume his own practice, which he pursued until his retirement in 1956. His son William Waldo Dodge, III, followed him in the profession with a large practice in Raleigh. Note: A large collection entitled the William Waldo Dodge Architectural Drawings, 1916-1989 (MC 00372) was donated in 2010 to the Special Collections Research Center at NCSU Libraries. Although most of the drawings are from the firm of Dodge III, there are several by Dodge, Jr., especially from the post-World War II period. When processing is complete and further field checking can be done, additional entries will be inserted in the building list. In the meantime readers may consult the preliminary inventory at http://library.ncsu.edu/findingaids/mc00372.

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1980‘s Tiffany Sterling silver solar Calculator TI. Clean case with no issues, sterling silver case fitted to TI Calculator, I could not remove the case, I tried before I realized it was a solar calculator. Logo top right unidentified. Working condition, needs light to work.

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c1920 Tiffany Bronze Toothpick holder/pen caddy copper arts and crafts pattern. Measurements in pictures, expected wear with no dents. If not in bag then in toothpickdrawer.

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Antique Childrens Dollhouse Rug Faux Tiger. Fantastic, rare item with wear as shown. Weight and measurements in pictures, likely over 100 years old. kitshelf

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c1840 Clews American Historical Staffordshire Landing of Gen Lafayette Soup 10" . No cracks, chips, or restorations. Marked as shown. Some expected glaze wear to footrim. isshelf

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c1840 Adams Villa Regent Park London Dark blue transferware Staffordshire 9" . No cracks, chips, or restorations, glaze wear in center front with slight stains, and minor wear to back rim. isshelf

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c1830 American Historical Staffordshire US American Independent Plymoth MA plate 10 1/8" . No cracks, chips, or restorations. Clean overall, stain that looks like "Crowsfoot" on reverse side doesn‘t go through. Impressed Enoch Wood. isshelf

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c1840 Nahant Hotel Boston American Historical Staffordshire dark blue plate 8.5" . No cracks, chips, or restorations, very clean overall. isshelf

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c1860 Staffordshire Rabbitware Stick Spatter plate Rabbit Ware 9.25" . No cracks, chips, or restorations. Some expected wear. isshelf

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c1830 Staffordshire The Philosopher soup bowl 8 3/8" " . Teeny tiny either glued chip or ding on footrim shown in pics, No other cracks, chips, or restorations. Some expected wear, overall clean, apparently unmarked. isshelf

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c1830 American Historical Staffordshire US Plymoth Rock Landing MA plate 10 1/8" . No cracks, chips, or restorations. Very clean overall, marked as shown Enoch Wood. isshelf

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c1830 Staffordshire Gaudy Dutch Single Rose cup and saucer"" . No cracks, chips, or restorations. Some expected wear, crazing and stains to cup, mostly on base inside footrim, tiny flakes on footrim.

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c1840 Linlithgow Palace Staffordshire blue transferware polychrome accent plate 9 5/8" . No cracks, chips, or restorations. Marked as shown. Gilding to rim worn. Very old handmade plate holder included. isshelf

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c1840 Staffordshire "Gaudy Ironstone" flow blue plate with floral decoration 7.5" . No cracks, chips, or restorations. Some glaze wear or degredation towards bottom that is stable and not getting worse. isshelf

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c1830 American Historical Staffordshire Upper Ferry Bridge over River Schuylkill 9" . Philadelphia, PA. No cracks, one restored chip on back side shown in two of the pics, no other restorations. Marked as shown. One stain in back shown in pics. isshelf

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c1830 Adams Dark Blue Staffordshire plate Villa/Cottage possibly historical 9" . No cracks, chips, or restorations. Very clean overall. Unsure of pattern name, part of a nice collection of mostly American Scenes Historical Staffordshire. isshelf

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c1830 Staffordshire Gaudy Dutch Single Rose Plate 10"" . No cracks, chips, or restorations. Some expected wear, overall clean, apparently unmarked. isshelf

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c1830 Historical Staffordshire US States Clews plate dark blue 10.5" . No cracks, chips, or restorations. minor glaze wear on rim, one glaze skip towards left. isshelf

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c1830 Harvard College American Historical Staffordshire US dark blue plate 10.25" . No cracks, chips, or restorations. Clean overall, with little wear. isshelf

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c1830 Doric Villa Regents Park London Historical Staffordshire dark blue plate" . 7.75", glaze flake on top rim, two small pencil lead sized glaze pops, some wear, stains on back. No cracks, real chips, or restorations. isshelf

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c1840 rare Multi-color stag transferware Staffordshire bowl/saucer. 5.75" x 1.25" deep. No cracks, chips, or restorations. Marked as shown. isshelf

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big c1840 God Speed the Plough Staffordshire transferware Sunderland lustre mug. Big oversized mug with no cracks, chips, or restorations. 4" wide without handle x 3.75" tall. isshelf

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c1900 silver mounted Horse Hoof Inkwell Rowland Ward 6" x 5" x 3.25" tall, Glass inkwell intact and in place with some loss to it‘s upper metal rim. Overall expected wear, good condition. 125 years old. I believe it‘s silver plated.

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6 Large 1850‘s Memphis Tennessee Coin Silver spoons James Edward Merriman. These are really big spoons all in amazing barely used condition. Each 8.75" long with 1 7/8" wide bowls. 366 grams total weight. All with the same monogram, likely an important/historical early Texas family as there were spoons from an early Austin retailer in the same estate with the same monograms.

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c1890 Royal Rudolstadt Japonesque/Satsuma style large porcelain inkwell. 5" tall x 3" square, amazing, hand decorated with no damage. Unmarked other than some illegible incised numbers. Guaranteed well over 100 years old with no cracks, chips, or restorations, and a good tight hinge on the lid. isshelf

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c1890 Antique silver Dragon Cigarette holder with glass eyes. Tested and guaranteed solid silver, articulating mouth with lever on head to open mouth. Some cracks in original amber mouthpiece, but appears stable. Case rough with broken hinge and missing/brittle leather cover. Dragon in good condition. Dragon with stem 3 3/8" long. trinketdrawer

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c1926 Othmar Kober Viennese Silver enamel Pauli Ebner, Kissing Children/Cat box. High quality box with hand painted enamel decoration depicting "Kissing Children in bedroom with cat" by Pauli Ebner. Whimsical subject matter, no damage to enamel, a few minor scratches as it‘s pushing 100 years old. The interior is gilt, lid has a strong spring on the hinge that keeps it shut. 3 1/8" x 2" x 3/8" deep. 104.9 grams.

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Antique Ornate Sterling banded agate wax seal w/ 6 pointed star 3.25" long. Very good condition overall with only the slightest wear in a few spots to the beveled agate. Sterling base, extremely detailed, apparenty unmarked. trinketdrawer

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c1900 Antique Italian Grand Tour gilt Bronze Micromosaic cross. Nice antique cross, over 100 years old Measurements in pictures, very little if any loss to decoration.

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Collection of Antique/vintage sterling silver pill/trinket boxes. Sell all the boxes shown, all sterling, all functional with no issues. Ranging from c1900 for repousse box to the third quarter of the 20th century for the two Mexican boxes. Selling the lot for one price. Measurements and weight in pictures. -anderas

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Retired James Avery dove sterling silver Christmas ornament. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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c1810 Napoleonic era French silver compote "Duc de Cadore" Union Imperiale. Hallmarked as shown in the pics, I believe it was mad in 1809, 4.5" tall with handles, 8" handle to handle. I don‘t have a large scale handy, but approximately 300 grams. A few small dings in interior, some expected wear, overall good condition. Not lopsided.

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c1860‘s Saynor Stag Handled Fixed Blade Bowie Knife 13.5" with 8.5" blade. As found sharp estate fresh condition. Very well made later leather sheath included. Stag Horn Handle Bowie Fighting knife, by English maker, W. Saynor (Sheffield) LTD, circa mid to late 1800s, stamped hallmark SAYNOR on the ricasso. Originally designed and created by Rezin Bowie in 1830 for his brother James (Jim), the Bowie knife has a storied history. There are many versions of who the creator was. James Black created this pattern of fixed-blade fighting knife. Jim Bowie became famous for his use of a similar patterned large knife at a duel known as the Sandbar Fight. From Sheffield, England, the Saynor family had been active in the cutlery business starting no later than the 1740s. <br>knifedrawer

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785.15 Carat Large Natural American turquoise cabochon. Weight and measurements in pics. Weight shown is in grams, it‘s 785.15 Carats. Gorgeous turquoise, natural with some loss to matrix as typical with non-stabilized turquoise.

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James Avery sterling trinket box. Weight and measurements in pics, no issues. Retailed by James Avery, made in Italy. -anderas James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Averys mission was simple: to create jewelry with meaning both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and >gemstones. Guests came to him with their stories their special mementos he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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1937 Texas Shotput/Discus TJCC State Meet sterling medals. No issues, weight and measurements in pics. -anderas

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Richard Nixon Bronze Inaguration Medal. Authentic period item, solid bronze, measurements in pics.

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Antique Ludwigsburg porcelain figure man with birdcage. Fine porcelain with no damage or restorations, measurements in pics. This is one of a pair, male and female. I would not have split them up but they were photographed separately I cannot rephotograph them due to time limitations.

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Antique Vienna porcelain figure man holding floral bouquet. No damage, weight and measurements in pics.

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Hochst porcelain figure of a boy. Fine porcelain with no damage or restorations, measurements in pics.

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Antique Ludwigsburg porcelain figure woman with birdcage. Fine porcelain with no damage or restorations, measurements in pics. This is one of a pair, male and female. I would not have split them up but they were photographed separately I cannot rephotograph them due to time limitations.

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1933 Boy Scout Silver Beaver Award With Certificate Frank Griffin Saginaw<br>Michigan. Exremely rare identified example with full sized 11" x 13 5/8"<br>certificate. The medal itself is solid sterling marked so weighing about 48<br>grams. This was awarded 2 years after the award was created so it is extremely<br>rare to find one this early especially named with the certificate.<br><br>I have a fairly large lot of Frank Griffin‘s Scouting items going back to the<br>20‘s. This listing is for this medal and certificate which I know to be<br>extremely important, I‘m still trying to decide how to do the rest of the lot as<br>I know it might be irresponsible to split it up. It ranges from the 20‘s to the<br>60‘s with photographs from the first quarter of the 20th century, scoutmaster<br>paperwork from the 20‘s and 30‘s, merit badges with paperwork, etc.<br><br>ABOUT THE AWARD<br><br>The Silver Beaver Award is the council-level distinguished service award of the<br>Boy Scouts of America. Upon nomination by their local Scout council and with the<br>approval of the National Court of Honor, recipients of this award are registered<br>adult leaders who have made an impact on the lives of youth through service<br>given to the council.[1] The Silver Beaver is an award given to those who<br>implement the Scouting program and perform community service through hard work,<br>self-sacrifice, dedication, and many years of service. It is given to those who<br>do not seek it.<br><br>Award<br>The medal consists of a silver beaver pendant suspended from a blue and white<br>ribbon worn around the neck. Recipients may wear the corresponding square knot,<br>with a white strand over a blue strand, on the BSA uniform. There is also a<br>lapel pin authorized and available for civilian wear.<br><br>Using the United States Military as the model, silver awards are the highest<br>awards in the BSA.<br><br>History<br>The Silver Beaver was introduced in 1931 as a pin-on medal, but due to the heavy<br>weight of the medallion it was switched over to a neck ribbon in mid-1932. A<br>blue-white-blue ribbon bar was introduced in 1934 for informal uniform wear. In<br>1946, ribbon bars were replaced by the current knot insignia.<br><br>The Silver Beaver was initially awarded only to men. The Silver Fawn Award, an<br>equivalent for women, was awarded starting in 1971. It used the same knot<br>insignia, but on a blue background, as women were mostly involved in Cub<br>Scouting during this period. The Silver Fawn was discontinued and the Silver<br>Beaver began to be awarded to women in 1974. A total of 2,455 Silver Fawns were<br>awarded to outstanding women for support of Cub Scouting before the award was<br>discontinued in 1974.<br><br>As this is a council BSA award, it is conceivably possible for a person to<br>receive this award multiple times from different councils. It is believed that<br>12-16 people are double-recipients of the Silver Beaver in this manner. There is<br>no record of a triple-recipient.<br>b3

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Meissen Full Green Vine Scalloped 8" Plate (multiple available) (multiple available).<br>Selling one with multiple available, All appear unused with no wear or damage<br>whatsoever.

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Sterling Retired James Avery Dancing Angels Tree Christmas ornament. Selling the exact ornament shown with no box or paperwork, no bends or deep scratches. Overall expected wear.

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Sterling Retired James Avery Train Christmas ornament. Selling the exact ornament shown with no box or paperwork, no bends or deep scratches. Overall expected wear.

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Sterling Retired James Avery Angel with Horn Christmas ornament. Selling the exact ornament shown with no box or paperwork, no bends or deep scratches. Overall expected wear.

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Sterling Retired James Avery Three Wise Men Christmas ornament. Selling the exact ornament shown with no box or paperwork, no bends or deep scratches. Overall expected wear.

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c1860 Scarifator blood letting device for surgeons box-type case with twelve blades, top cocking lever and side release button, original leather-covered boxCirca: Mid 19th century Condition: Excellent condition. Fully functional with no issues, extra pics showing it with blades out coming.

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Charles Lindbergh Non-Stop Trans-Atlantic Flight Commemorative Medal, 1927 . Bronze; 63.8 X 88.5mm. By John Gregory. Obverse: Spirit of Saint Louis heading across the globe toward Europe; "Per Aspera ad Astra" (Through difficulties to the stars). Reverse: Army Air Corps emblem above 7-line tribute from the Aeronautical Chamber of Commerce of America to the non-stop flight. This is an early version of the medal where Lindbergh is called "Capt." - later versions referred to him as "Col." Struck by Robbins Co., Attleboro, Massachusetts.

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1945 President FDR Memorial bronze medal. No detectable dings or dents, some oxidation and a small amount of green which could easily be removed with vinegar or lemon juice.

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2 pound Vintage Sterling silver Eagle Kachina doll turquoise, coral inlay. 973 Grams 8.5" total height x 4" wide. Marked, tested, and guaranteed solid sterling silver. Engraved Semion F on the base, no other detectable markings. Previously sold at Cowan‘s Auctions, Cincinnati, OH, American Indian and Western Art, 13 September, 2008, lot 203

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Large Vintage Carved Cameo Conch Shell 6" long x 4.5" wide x 3.75" tall with no<br>cracks or chips, lots of carving, fantastic shell from the first half of the<br>20th century. tw147

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1709 French Land Grant Texas? The acrylic case measures 17" tall x 20" wide. I haven't had a chance to figure out what territory is being discussed here as I don't speak French. I did acquire it with some early Texas documents/land grants with presidential signatures but none quite this old. I feel like this is likely a really important document and would be grateful for any type of info regarding the territory discussed here or anything else.

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c1940's Carved Multi-color Bakelite dress clip. Very well preserved authentic item from an extensive long time collection put together in the last quarter of the 20th century. Measurements shown in pics, it will not be available for extra measurements/pics until sold. Thank you so much for your time and consideration.

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c1904 Theodore Roosevelt Stand Pat Picture Pin Political Jugate. Very clean condition as shown.Theodore Roosevelt: Classic Stand Pat Picture Pin. One of the all-time great designs. 1.25" button with portrait of TR on a winning card hand, captioned "Stand Pat!" Designed by Edward A. Ely of Detroit. Original Stand Pat Button Company of Detroit back paper. It mentions "lithograph hangers" in this design, but we have never seen any. Clean and bright

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Antique Meissen Drummer Figure. No cracks, chips, or restorations. Measurements in pics.

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Mid Century Meka Danish Sterling cobalt enamel Master salt and spoon set. Selling the set shown with no apparent damage, measurements shown..

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21" Vintage Sterling 4mm wheat chain. No issues, marked and tested sterling, likely Balinese.

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Guaranteed over 100 years old American primitive basket fresh a local estate<br>full of nice primitives and other baskets. I only list rarities online, so this<br>is the only one I'm listing. Money back guarantee it to be as stated. Not quite<br>mint, but very clean, see pics. Nice patina. 3.25" wide x 3" tall.

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1950's DeVilbiss Large French Crystal Atomizer Perfume bottle. 8" tall heavy<br>French crystal with no damage. Some cloth missing from bulb, but everything<br>works as it should.<br>tw138

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6.75" Tiffany Sterling Aztec bracelet guaranteed authentic Tiffany and Co Sterling silver, estate fresh with no issues. No box or bag. Buying the exact bracelet shown.anderas

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Large Azurite Sterling reversible handmade cross. Illegible signatures on bail 3.5" tall with bail, 2.5" wide x 34.3 gramsAll precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Vintage Ankh 14k gold/Amethyst mounted bronze. Measurements in pics. Looks to have been custom made from an antique piece of solid 14k gold/amethyst jewelry. Interesting, one of a kind. Tested and guaranteed solid 14k gold center piece.

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Vintage Givenchy and other costume jewelry lot. Selling everything shown, all clean with no issues. 2 pairs of Givenchy. Strong clips, springs, etc. Brooch is 3 3/8" wide for scale, penny also shown for scale, lot cannot be accessed for extra measurements.

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18th century Delt/French Faience Figure of Cockatoo. Marked as shown, fantastic piece with a professional restoration to neck and section right about legs. Appears to have been broken into three pieces. This restorations had to have cost hundreds of dollars. It's not easily apparent to someone that hasn't been handling ceramics their entire lives. Minor glaze wear in a few spots shown in pics.

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c1940's Green Carved Bakelite Clamper Bracelet. Fits up to a 6.25" wrist without<br>springing open. Spring is good on clamper, would proably fit a slightly larger<br>wrist tightly. Tapers from 1" to 1.5" wide.

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Working Chonographe Suisse Works/Dial/Crystal/18k buttons 36mm dial, working condition, removed working, still ticking, chronograph works. It will be handled/stored carefully. The buttons are likely solid 18k gold as it came from an 18k watch with a damaged case. Including everything shown including the frame that goes inside the watch and the back that covers the works under the gold back. The crown was carefully removed to remove the watch. Nothing was damaged. This is ready to go in a watch.

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Antique Louis Philippe I Bronze Medallion, circa mid 19th century. Solid bronze, clean as shown, nice antique medallion, Measurement shown in both cm and inches.

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1849 Sibour (1792-1857) Catholic Archbishop of Paris Bronze Medallion. Solid bronze, clean as shown, nice antique medallion, Measurement shown in both cm and inches.

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c1940's Art Deco Bakelite buckle set 3", fits up to a 1 3/8" belt.

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c1940's Black carved bakelite buckle set 4 5/8" x 1 5/8", fits up to a 1 1/8" belt.

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Collection of Antique Stering and 800 silver demitass spoons. Selling the set<br>shown, 5" average length, no issues. All late 19th to early 20th century, all<br>solid silver.<br><br>anderas

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c1920's Art Deco Elgin Sterlin silver miniature purse. Great item with two<br>compartments and a place for a photo and perhaps a secret compartment behind it.<br>Measurements in pics. A few minor dents shown. 55 grams.<br><br>anderas

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14" c1910 Schierholz Dresden Germany Hand Painted handled Serving Dish No damage whatsoever, clean gold with minor wear, very big. 14" x 10 5/8" x 2" deep. Colors are more vibrant than the pics suggest.

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