Neckaces and Pendants

Huge Lupe Iule San Felipe Pueblo cast sterling and turquoise cross pendant, very substantial, one stone with fracture... All stones secure in bezels.. Weight and measurements in pics. Lupe Iule (1916-?) Lupe Iule was born at San Felipe Pueblo and is the wife of Horace Iule who was her mentor. Her favorite designs are crosses. She was an active jeweler between 1937-1975. Horace Iule (1901-1978) was a Zuni artist who made a wide variety of sterling silver and stone pieces, most notably traditional Zuni crosses. Horace worked with his wife Lupe Iule, who was from San Felipe Pueblo. They were married in 1933, and had six children: Ruby, Lupe, Cecilia, Robert, Barney, and Phillip. Cecilia continues in her fathers tradition with the crosses. Cecilia creates her crosses from tiny to huge and uses coral, turquoise, and other gem stones. Horace Iule was taught silversmithing by his father. He made sand-cast items and then embellished them with hammering and die stamping. His children use some of his original casting equipment to continue the Iule cross legacy.

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Large Vintage Native American sterling and turquoise cross pendant Weight and measurements in pics. Unmarked solid sterling. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Native American sterling and turquoise cross pendant. Weight and measurements in pics. Unmarked solid sterling. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1980‘s Carlos Eagle Navajo sterling turquoise corn row pendant. Weight and measurements in pics. No issues, very substantial piece that I believe was possibly once a belt buckle. "Carlos career as a jeweler began in the 1970s, inspired by his mother, who was an artist of Ottawa/Chippewa descent. He is completely self-taught. Unlike many jewelers, he is both a lapidary and a silversmith, and fabricates all of his jewelry by himself. Nothing is cast or manufactured. He is an Elder in the Little River Band of Ottawa Indians, but also considers himself part of Gods Universal Family. His greatest pride comes from his work with animals and caring for the land. ‘I am doubly blessed. I have been able to pursue my passion for art as a career which has enabled me to live the life I have dreamed of. No one could ask for more‘." He‘s been featured in magazines and has adorned celebrities with his amazing pieces. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Native American sterling and turquoise cross pendant Weight and measurements in pics. Unmarked solid sterling. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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60‘s-70‘s Vintage Native American sterling - turquoise and coral pendant. Weight and measurements in pics. No issues, very substantial piece. Solid sterling, unmarked as was rather common in this era (third quarter of 20th century) All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Retired James Avery openwork cross pendant sterling silver. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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In 1964 David Andersen of Oslo Norway created a simple yet elegant set of jewelry called the “Troll Series. This pendant, designed by Bjorn Sigurd Ostern for David Andersen, is called the Ship of Good Fortune. It resembles a Viking dragon boat. The oval amazonite stone is gorgeous, the sterling has age appropriate wear with some small dings and scratches that dont impair the beauty of the piece. There is a good sized hook on the back that would accommodate most necklaces. Weight and measurements in pics.

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Retired James Avery heart cross pendant sterling silver. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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Retired James Avery budded cross pendant sterling silver. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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28" Amazing Native American flush inlay coral sterling beaded necklace. No issues, weight and measurements in pics, solid sterling. No apparent markings. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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20" Amazing vintage Hallmarked Native American turquoise necklace Hopi?. No issues, weight and measurements in pics, solid sterling. Obscured or partial hallmark shown in second pic. It came from a collection full of important pieces and the quality is phenomenal. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Retired James Avery Sunburst modernist sterling pendant and earrings set. Weight and measurements in pics. Selling the exact pieces shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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Retired James Avery Onyx 18k/sterling modernist pendant. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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17" Leo Harvey sterling Navajo pearl necklace. No issues, weight and measurements in pics, solid sterling. Tag with initials LH, no other markings. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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16" Retired James Avery heavy modernist sterling necklace. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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Retired James Avery Domed 14k/sterling hammered pendant and earrings set. Weight and measurements in pics. Selling the exact pieces shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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Retired James Avery sand dollar pendant in sterling. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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Rare Retired Large James Avery Horned toad pendant in sterling. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. The uncommon but more commonly found version of this is a charm and significantly smaller. While this isn‘t huge it‘s big compared to that. It‘s an oversized charm or small pendant. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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Vintage Zuni Sunface/thunderbird sterling channel inlay spinner pendant. No issues, weight and measurements in pics. Solid sterling, appears unmarked. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked.

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c1950‘s Sterling Zuni Multi-stone channel inlay sunface pendant No issues, weight and measurements in pics. It appears that this was once a pin and possibly not a pendant. Now it‘s a pendant and it‘s great. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Julie Ondelacy Lahi Zuni Sterling turquoise pendant/pin. Solid sterling, weight and measurements in pics. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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22" Augustine Largo Navajo sterling and turquoise necklace, weight and measurements in pics. Augustine Largo is a renowned Navajo silversmith recognized for his outstanding craftsmanship and traditional designs. Growing up on the Navajo Nation, he honed his skills in silversmithing techniques such as hand-stamping and repoussé, producing intricate jewelry that frequently incorporates turquoise, coral, and other semi-precious stones. Augustines work is distinguished by its bold and elegant designs, which reflect his profound cultural heritage and connection to Navajo traditions. His jewelry has received widespread acclaim and is highly coveted by collectors for its beauty, quality, and cultural significance. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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32" Large Federico Jimenez sterling turquoise slabs necklace 32" long, weight and measurements in pics. This is a very substantial necklace. Federico Jimenez Federico comes from the tiny village of Tututepec, Mexico. When he was 12 years old he accidentally set fire to a nativity set in his village. His family was pressured into sending him to live in the city of Oaxaca. When he returned to Tututepec in his late teens, Federico and his father were repairing the foundation of their home and uncovered a big pot. Inside was a pre-Columbian Mixtec Indian pectoral (a chest ornament) with strands of gold, turquosie and shell that had been secretly buried by his family. Later when he worked for the Anthropological Museum he learned that the village had once been the kingdom of the Mixtecs and his great-grandfather had probably been their chief. During his years in Oaxaca he developed an appreciation for antiques. After finding the pectoral he became interested in collecting antiques and started going village-to-village searching for more. He started collecting jewelry and Indian costumes. A few years later he met his future wife who was with a group of American anthropologists. She said, "If you love me, you‘ll follow me". So he followed her to Los Angeles where he hit all the big swap meets, buying, selling, trading and building his inventory. He also built up a private collection of Mexican jewelry that he claims is now the world‘s largest as it incorporates pieces from contemporary, colonial and pre-Columbian periods. He organizes exhibitions and acquires items for UCLA‘s Museum of Cultural History and the National Folk Art Museum in Santa Fe. He displays many pieces of his jewelry in the Anthropological Museum in Mexico City. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Herman Vandever Navajo High Grade Royston turquoise sterling pendant. No issues, weight and measurements in pics. Herman Vandever (1964- ) Diné Navajo Nation. He belongs to a family of well-known silversmiths and it seems only natural that he would follow in their footsteps. He turns traditional methods into contemporary styles with fine, natural stones, coral and even sea shell. He often makes his own ingot silver jewelry by melting his silver to roll it out into handmade sheet silver. Started silversmithing in 1989, he was taught by his older sister Esther Wood. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Marisa Selecion Zuni sterling intarsia inlay knifewing pendant, weight and measurements in pics. This is considerably larger than most if not all other examples you are likely to find. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Federico Jimenez sterling turquoise discs necklace 20" long, weight and measurements in pics. No issues, solid sterling. Vintage, retired, if not one of a kind design. Federico Jimenez Federico comes from the tiny village of Tututepec, Mexico. When he was 12 years old he accidentally set fire to a nativity set in his village. His family was pressured into sending him to live in the city of Oaxaca. When he returned to Tututepec in his late teens, Federico and his father were repairing the foundation of their home and uncovered a big pot. Inside was a pre-Columbian Mixtec Indian pectoral (a chest ornament) with strands of gold, turquosie and shell that had been secretly buried by his family. Later when he worked for the Anthropological Museum he learned that the village had once been the kingdom of the Mixtecs and his great-grandfather had probably been their chief. During his years in Oaxaca he developed an appreciation for antiques. After finding the pectoral he became interested in collecting antiques and started going village-to-village searching for more. He started collecting jewelry and Indian costumes. A few years later he met his future wife who was with a group of American anthropologists. She said, "If you love me, you‘ll follow me". So he followed her to Los Angeles where he hit all the big swap meets, buying, selling, trading and building his inventory. He also built up a private collection of Mexican jewelry that he claims is now the world‘s largest as it incorporates pieces from contemporary, colonial and pre-Columbian periods. He organizes exhibitions and acquires items for UCLA‘s Museum of Cultural History and the National Folk Art Museum in Santa Fe. He displays many pieces of his jewelry in the Anthropological Museum in Mexico City. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Cecil Ashley Navajo sterling tiger‘s Eye, Onyx, petrified wood pendant/necklace. No issues, weight and measurements in pics, solid sterling. Necklace is the same stones but with only sterling mark on the cones. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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27" c1960‘s Native American cast silver and turquoise squash blossom necklace. No issues, weight and measurements in pics, solid sterling. Unmarked as typical of this era. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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28" Vintage Sterling Navajo pearl beaded necklace. No issues, weight and measurements in pics, solid sterling. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Huge Orville Tsinnie 14k/Sterling variscite double sided cross pendant. No identifying marks, this cross and some others I‘ll be offering were custom order items purchased directly from Orville Tsinnie approximately 25 years ago. The bezels on both sides all all the gold beads are solid 14k gold, the rest solid sterling. No purity markings or artist signatures which is common with custom order pieces done by well respected artists as the work itself is the signature, anyone familiar with Orville Tsinnie‘s work can tell who made these. Selling the cross shown in displayed only like new condition with no issues or damages. Orville Tsinnie (1943-2017) was a Navajo artist and master silversmith who has been featured in the American Indian art world for over 25 years. He was born in Tuba City, Arizona in 1943 and lived and worked in Shiprock, New Mexico. Tsinnie learned jewelry making from his Hopi brother-in-law in the 1970s and has since won many awards, including a Lifetime Achievement award from the Indian Arts and Crafts Association.

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Huge Orville Tsinnie 14k/Sterling Sugilite 2 sided cross pendant. No identifying marks, this cross and some others I‘ll be offering were custom order items purchased directly from Orville Tsinnie approximately 25 years ago. The bezels on both sides all all the gold beads are solid 14k gold, the rest solid sterling. No purity markings or artist signatures which is common with custom order pieces done by well respected artists as the work itself is the signature, anyone familiar with Orville Tsinnie‘s work can tell who made these. Selling the cross shown in displayed only like new condition with no issues or damages. Between the gold, sugilite, silver, and time...this couldn‘t be made today for my asking price assuming Orville was still alive to make it. Orville Tsinnie (1943-2017) was a Navajo artist and master silversmith who has been featured in the American Indian art world for over 25 years. He was born in Tuba City, Arizona in 1943 and lived and worked in Shiprock, New Mexico. Tsinnie learned jewelry making from his Hopi brother-in-law in the 1970s and has since won many awards, including a Lifetime Achievement award from the Indian Arts and Crafts Association.

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Huge Orville Tsinnie 14k/Sterling White Buffalo 2 sided cross pendant. No identifying marks, this cross and some others I‘ll be offering were custom order items purchased directly from Orville Tsinnie approximately 25 years ago. The bezels on both sides all all the gold beads are solid 14k gold, the rest solid sterling. No purity markings or artist signatures which is common with custom order pieces done by well respected artists as the work itself is the signature, anyone familiar with Orville Tsinnie‘s work can tell who made these. Selling the cross shown in displayed only like new condition with no issues or damages. Orville Tsinnie (1943-2017) was a Navajo artist and master silversmith who has been featured in the American Indian art world for over 25 years. He was born in Tuba City, Arizona in 1943 and lived and worked in Shiprock, New Mexico. Tsinnie learned jewelry making from his Hopi brother-in-law in the 1970s and has since won many awards, including a Lifetime Achievement award from the Indian Arts and Crafts Association.

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Huge Orville Tsinnie 14k/Sterling Wild Horse 2 sided cross pendant. No identifying marks, this cross and some others I‘ll be offering were custom order items purchased directly from Orville Tsinnie approximately 25 years ago. The bezels on both sides all all the gold beads are solid 14k gold, the rest solid sterling. No purity markings or artist signatures which is common with custom order pieces done by well respected artists as the work itself is the signature, anyone familiar with Orville Tsinnie‘s work can tell who made these. Selling the cross shown in displayed only like new condition with no issues or damages. Orville Tsinnie (1943-2017) was a Navajo artist and master silversmith who has been featured in the American Indian art world for over 25 years. He was born in Tuba City, Arizona in 1943 and lived and worked in Shiprock, New Mexico. Tsinnie learned jewelry making from his Hopi brother-in-law in the 1970s and has since won many awards, including a Lifetime Achievement award from the Indian Arts and Crafts Association.

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Huge Orville Tsinnie 14k/Sterling Morenci Turquoise/Coral 2 sided cross pendant. Ultra high grade Mediterranean coral on one side, ultra high grade Natural Morenci turquoise on the other. No identifying marks, this cross and some others I‘ll be offering were custom order items purchased directly from Orville Tsinnie approximately 25 years ago. The bezels on both sides all all the gold beads are solid 14k gold, the rest solid sterling. No purity markings or artist signatures which is common with custom order pieces done by well respected artists as the work itself is the signature, anyone familiar with Orville Tsinnie‘s work can tell who made these. Selling the cross shown in displayed only like new condition with no issues or damages. Orville Tsinnie (1943-2017) was a Navajo artist and master silversmith who has been featured in the American Indian art world for over 25 years. He was born in Tuba City, Arizona in 1943 and lived and worked in Shiprock, New Mexico. Tsinnie learned jewelry making from his Hopi brother-in-law in the 1970s and has since won many awards, including a Lifetime Achievement award from the Indian Arts and Crafts Association.

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Vintage Lone Mountain Turquoise Native American sterling pendant. No issues, weight and measurements in pics. Large cabochon of Natural Lone Mountain spiderweb turquoise.

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Sammy and Esther Guardian Zuni Spinner pendant Blue jay/Hummingbird sterling. No issues, weight and measurements in pics. First active as early as 1972, these two Zuni jewelers (husband and wife) created mosaic as well as inlay jewelry. They made bolos, bracelets, earrings, necklaces, pendants and pins using gold, silver, coral, turquoise, jet, mother-of-pearl, abalone shell and penn shell. Preferred designs were: songbirds, cardinals, roadrunners, mallard ducks, red berry bushes, cactus and cattails.

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Vidal Aragon Santo Domingo sterling turquoise and coral overlay pendant, weight and measurements in pics. Nice older piece circa mid 20th century. From Santo Domingo Pueblo, Vidal Aragon (1923-2015) translated pueblo life into intricate storyteller jewelry. He became internationally renown for his inventive silver and gold overlay designs. His representations of the elements of nature, animals and pueblo life are symbolic of the Indian way. One symbol refers to “everlasting happiness. Other common motifs are animals and the tracks they make and the blessing and nourishment of corn. An expert craftsman, Aragon drew each story strip with his saw blade and soldered it to a textured oxidized underlayer to illuminate the images. He often incorporated a trademark gold disk to represent the sun or moon. Vidal Aragon learned the overlay technique in the 1930s when he was a student at the Santa Fe Indian School. Before inventing the storyteller jewelry, he experimented with tufa casting and other metalworking techniques. He briefly lived in Scottsdale where he honed his skills as a shop smith. He has fond memories of the time he spent learning ballet as a young man in Phoenix. By the early 1940s, Vidal was already being recognized alongside such prominent smiths as Ambrose Roanhorse and Tom Burnsides for his innovative yet classical designs. Aragon found his true calling though when he began to translate his rich sense of the pueblo way of life into wearable stories, often full of his unique humor.

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Ernie Northrup Hopi Sterling high grade turquoise pendant/necklace. No issues, weight and measurements in pics. 20" necklace, I believe the necklace to be an older Native American made necklace with a replacement clasp. Selling what‘s shown. All solid sterling. Ernie Northrup is a very fine Hopi Jeweler whose pieces are recognized as Hopi Art. Ernie lives in the Kykotsmovi area on the Hopi Reservation in Arizona.

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Dave Scott Carico Lake turquoise hand engraved sterling shadowbox pendant . No issues, weight and measurements in pics. Solid sterling, marked as shown. .5" wide inside bail.

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Large Angela Celicion Zuni Butterfly Sterling multi-stone/shell intarsia inlay pendant/pin. No issues, weight and measurements in pics. Solid sterling, marked as shown.

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Nelson Morgan Navajo sterling Needlepoint turquoise Kokopelli shadowbox pendant. Large with no issues, .5" wide inside bail, weight and measurements in pics. Nelson Morgan Pieces handmade by Navajo artist Nelson Morgan. Born in 1962, Navajo silversmith Nelson Morgan learned the art of silversmithing from his parents, David and Dorothy Morgan. He has been designing beautiful Navajo overlay jewelry for over 30 years. Nelson is a diverse Navajo silversmith specializing in stone setting and inlay jewelry. He is primarily known for his intricate Kachina designs: Sunface, Mud Head, Eagle, etc. Nelson is one of the most well-known kachina character jewelry artists in the southwest today.

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Large Tony Ohmsatte Zuni Sterling multi-stone/shell channel inlay butterfly pendant. No issues, weight and measurements in pics. Solid sterling, marked as shown.

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Janet Jake Navajo Sterling Charoite, Gaspeite, Turquoise, coral cross pendant . No issues, weight and measurements in pics. Solid sterling, marked as shown. Made by Janet Jake (Navajo) for Running Bear shop. 5/8" wide inside bail.

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Horace Iule (1901-1978) Zuni Huge cast sterling and turquoise cross pendant. Throwing in 22" necklace. I have had quite a few Horace Iule crosses and never anything close to this size, very substantial with no issues. Weight and measurements in pics. Horace Iule (1901-1978) was an extremely influential silversmith. He became famous in his own right for his Knife-Wing designs and intricate crosses, but then became a silversmith teacher on the Zuni Pueblo, thus inspiring a new generation of artists. He was also able to pass on his talents to his children, most of whom continue to work as jewelers. Horace himself came from a family of silversmiths and was taught primarily by his father. His legacy as a master silversmith lives on through his children, the students he inspired and the exquisite work that he produced.

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Vintage Zuni sterling channel inlay thunderbird pin with yellow shell. No issues, weight and measurements in pics. Solid sterling with no markings. Mid 20th century.

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15" 1940‘s William Spratling sterling beaded necklace. Weight and measurements in pics. Who Was William Spratling? William Spratling was born in 1900 in Sonyea, New York. His father was well respected and widely known for his study and writings concerning epilepsy. After the death of both Spratling‘s mother and sister, Wilhelmina, in 1910, Spratling‘s father moved temporarily to his father‘s Alabama home (known as Roamer‘s Roost) with sons William and David as well as older daughter, Lucile. At that time, the three Spratling children became wards of their grandfather. By the end of 1912, the family had moved once more and the children were separated; each went to live with with various aunts and uncles. In 1917 William Spratling attended Auburn University and a year or two later, during his stay at Auburn served as an instructor in architecture. Spratling moved to New Orleans in 1921 where he was an Associate Professor of Architecture at Tulane University. During the following nine years, Spratling published articles in Scribners Magazine, Journal of the A.I.A., Architecture Record, and many other architecture and travel publications. He became an active part of the New Orleans literary colony during those years, and his frequent companions were Natalie Scott, Sherwood Anderson, Oliver La Farge, Frans Blom, John Dos Passos and William Faulkner. Faulkner lived with Spratling for a time, and together they wrote and published Sherwood Anderson and Other Famous Creoles in 1926. 1926 was also when Spratling visited Mexico for the first time. He returned for summers over the next several years, and in 1929, moved to Mexico. Spratling quickly was introduced to and became a welcome participant in the artistic circles of Mexico. His activities in promoting the art of Diego Rivera among New York galleries led to his participation in the first exhibition of Mexican arts held in the United States. The exhibit was funded by the Carnegie Institute and opened at the Metropolitan Museum of Art in New York. Spratling assisted in assembling the exhibit and also lent a number of his own pieces. During this same period, Spratling was working on drawings for the expanding Morrow home in Cuernavaca. Many of these drawings were included in the book written by Elizabeth Morrow, Casa Mañana. Dwight Morrow, the US Ambassador to Mexico, suggested to Spratling in 1931 that Taxco had been the site of silver mines for centuries, but Taxco had never been considered a location where jewelry and objects of silver were designed and made. Subsequently, Spratling hired an experienced goldsmith from Iguala who moved to Taxco and created silver jewelry of Spratlings design. Other craftsmen joined Spratling‘s shop and produced tin ware, copper items, textiles and furniture - all designed by Spratling. These earliest designs were based on pre-Columbian motifs as well as simple themes utilizing rope borders, strap designs and other such basic ideas. The enterprise grew far beyond Spratlings expectations! Because he had created an apprentice system of training young silversmiths many new talented artisans had an opportunity to develop their craft. Over time many of these artisans opened shops of their own all with Spratlings support. During the Second World War, U.S. department stores were unable to import merchandise from Europe, and many retail stores purchased luxury goods in Mexico. In order to meet this dramatic increase in demand, Spratling opened his company to private investors, and by the end of 1944 had lost control of his company. Early in 1946, Spratling y Artesanos was out of business. By this time, Spratling had moved to a ranch he had earlier purchased south of Taxco at Taxco-el-Viejo. He never again lived within the town of Taxco. In 1946, he was asked by the U.S. Department of the Interior to develop a plan for development of native crafts in Alaska, and in 1949, a group of 7 young men from Alaska arrived at Spratling‘s ranch at Taxco-el-Viejo and began their training. Spratling had designed and produced 200 models for that effort, but after the men completed their training and returned to Alaska, the program languished primarily due to lack of government funding. The actual benefits of the program (both for Alaskans and for Spratling) were never realized. The time, however, that Spratling spent studying Alaskan native cultures and visiting all parts of Alaska created great impact as seen in Spratling‘s later silver designs. His design ethic in 1949 was dramatically different from those designs of the 1930s until mid 1940. He also used new materials in combination with silver for many of these later designs. Spratling continued to rebuild his business and had silversmiths fabricating his jewelry and object designs at his ranch. His designs were also produced by the Conquistador Company in Mexico City for a couple of years. Spratling published More Human Than Divine in 1960 and his archaeological interests not only continued but by the early 1960s seemed to take precedence over the creation of new silver designs. He donated collections of his pre-Columbian materials to the National University of Mexico and the National Museum of Anthropology in Mexico City. Spratling has been called by many "a Renaissance Man." Throughout Mexico he is acknowledged as "The Father of Mexican Silver." Certainly the town of Taxco and its economy would be vastly different without the initiative and creativity of this man. He complemented its valuable historic past with a new vitality and spirit which recognized the importance of the indigenous culture. The artistic and economic foundation he established continues to flourish today. William Spratling was killed on August 7, 1967 in an automobile accident just outside Taxco.

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70‘s-80‘s Navajo sterling turquoise and coral bolo tie 14.5" long with no issues. Weight and measurements in pics.

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40‘s-50‘s Vintage Zuni sterling turquoise cluster squash blossom earrings. Weight and measurements in pics. Solid sterling. Strong springs on clips Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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c1940‘s Zuni sterling and turquoise squash blossom earrings. Second quarter of the 20th century with no issues. Weight and measurements in pics. Solid sterling unmarked, solid sterling replacement hooks. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Vintage Zuni high grade red coral sterling squash blossom cluster earrings. Earrings likely from the third quarter of the 20th century, very nice cluster work. No detectable markings, solid sterling, hooks on top likely modern replacements. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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24" Geneva Apachito 3 Strand Burnished Sterling/Turquoise Necklace/earrings set. Necklace adjustable from 20"-24", "New old stock" never worn condition. No damage or wear, retails between $1600-2k. Geneva Apachito Navajo Born in 1969 in Soccorro, New Mexico, Geneva Apachito was raised on the Alamo Navajo reservation. She was taught silver work by her mother, Genevieve Apachito.

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Collection of Native American/southwestern sterling pendants. Selling the collection shown, weight and measurements in pics. Mostly Native American made. All solid sterling silver with various stones. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Hopi Overlay pendant/pin sterling. No issues, weight and measurements in pics. Very well made, unsure of Artist.

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Large Vintage Native American Overlay Roadrunner pendant sterling. No issues, weight and measurements in pics. Very well made, unsure of Artist. Navajo or Hopi from the third quarter of the 20th century, unmarked solid sterling.

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Retro Sterling Montana Agate pendant. Marked by an artist once known, no issues. Weight and measurements in pics.

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18" Tommy Singer (1940-2014) Navajo sterling, gold filled, turquoise necklace. No issues, weight and measurements in pics. Tommy Singer (1940 - May 31, 2014) was a World Famous Navajo Silversmith and his distinct style of Indian Jewelry is recognized the world over. Tommy was a silversmith for over 50 years. He learned the art of silversmithing from his father when he was just 7 years old. His Father Tsinnigine Hathali was a Navajo Medicine man. His early works were done in the Silver overlay technique but soon began to feature Turquoise stones. While working with scrap turquoise chips, Tommy pioneered the technique of Chip inlay used by thousands of artists to this day. Tommy eventually returned to his roots by creating Exquisite Silver Overlaid Jewelry with intricate designs. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Delbert Vandever Navajo Azurite sterling pendant. No issues, weight and measurements in pics. Very well made pendant with gorgeous stone.

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Large Vintage Zuni Indian Chief pendant/pin. No issues, weight and measurements in pics. Very well made, unsure of Artist. Zuni Native American made from the third quarter of the 20th century, unmarked solid sterling.

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