1" 1950's Allen Pooyouma Hopi overlay belt buckle sterling silver. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1" belt. Circa mid 20th century.Hopi Pueblo artist Allen Pooyouma began his silver work around 1937 and retired around 1970 making him one of the earliest Hopi silversmiths. He worked many of his professional years in Tucson with master goldsmith Morris Talawytewa Robinson and Ralph Tawangyaouma. Allen Pooyouma is known for silver ingot, hand wrought, heavy stampwork and twist wire jewelry set with high quality, natural turquoise.Allen Pooyouma (1922-2014) signed with his hallmark, a stamped ear of corn, and with conjoined letters, HC. Presented in this way, the HC refers to Hopi Crafts. Formerly known as Hopi Enterprises, Hopi Crafts was started by brothers Wayne and Emory Sekaquaptewa operating on Second Mesa between 1962-1983—providing a further genesis and date range for these earrings (pg. 153, Hougart). Listed with ExportYourStore.com

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1" Antonio Pineda (1919-2009) Taxco Sterling belt buckle 57.7 grams, very sturdy, other measurements in pics. This is an extremely high quality and good looking buckle. Due to reflections it's difficult to present items of this type in the light the deserve in the time available to me.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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1" Bernard Dawahoya Hopi overlay corn belt buckle sterling silver. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1" belt. Circa third quarter of the 20th century.Hopi artist Bernard Dawahoya was considered by all to be a master silversmith. His bold and clean designs along with the precise matting or texture he worked into the negative areas of this pieces, made his work easily recognizable. His Hopi name was Masaqueva (Wings of the sun). He was born in the second Mesa village of Shungopavi. Not only a master jeweler, but a respected storyteller and a man of great talents. He passed away in 2010. His work is displayed in Museums across the country and in many publications. Listed with ExportYourStore.com

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1" c1950's Hopi or Navajo sterling silver modernist turquoise belt buckle . Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1" belt. Circa mid 20th century. Stone secure with old fracture. Listed with ExportYourStore.com

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1" Duane Maktima Hopi sterling silver bear form belt buckle in overlay style. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1" belt. Circa last quarter of the 20th century.Duane MaktimaEnjoy the legacy of handcrafted works of Duane Maktima. Duane's works are represented in many museum gift shops and finer galleries and shops who represent the best in quality and spirit of the refined Native American craftsman. A master Jeweler-Designer-Craftsman has created a niche/trademark that lives on as heirloom pieces for many distinguished patrons and collectors.Duane Maktima's work is the result of being an accomplished and award winning jeweler going on his Thirty-seventh year. That knowledge gained throughout those years is evident as his work represents a refinement only available by such accomplished hands.His mission has been to sustain integrity as a master craftsman and designer, striving only for the best. Duane is also deeply rooted as an advocate for the continuation and survival of the cultural arts within his native heritage of the southwestern pueblo people.Duane was a premiered artisan for the Chesapeake Gallery at the Grand Opening event of the National Museum of the American Indian, Washington, DC. 2004A graduate of Northern Arizona University, Flagstaff, Ariz.(1981)-College of Creative Arts and recipient of two distinguished Alumni Awards-1990 "Jubilee Year"(100 year celebration) and 1999-"Millenia"(Year 2000-national celebration) Listed with ExportYourStore.com

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1" Emery Holmes Hopi overlay Hopicrafts sterling silver corn belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1" belt. Circa fourth quarter of the 20th century. Listed with ExportYourStore.com

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1" Emory Sekaquaptewa Hopi overlay deer/antelope belt buckle sterling silver. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1" belt. Circa third quarter of the 20th century.Emory Sekaquaptewa (December 28, 1928 – December 14, 2007) was a Hopi leader and scholar from the Third Mesa village of Hotevilla. Known as the "Noah Webster of the Hopi Nation," [1] he is best known for his role in compiling the first dictionary of the Hopi language. He became assistant professor, Department of Anthropology, University of Arizona in 1972, and was Professor in its Bureau of Applied Research in Anthropology from 1990 to 2007. Emory received the 4th Annual Spirit of the Heard Award by the Heard Museum in October 2007.BackgroundEmory Sekaquaptewa was born in Hotevilla in the Third Mesa, on the Hopi Reservation of northern Arizona, in 1928. His birth was never formally noted so he took 28 December as his birthday for official purposes. He was believed to be the first Arizona Native American to attend West Point, and he later attended law school at the University of Arizona, graduating in 1970.He held various leadership positions within the village of Kykotsmovi, as well as positions on the Hopi Tribal Council and serving as a judge on the appellate division of the Hopi Tribal Court.Sekaquaptewa was at one time married to Beverly Sekaquaptewa, and was the son of Helen and Emory Sekaquaptewa Sr who met at the Phoenix Indian School about 1915. His mother's story was told in the book Me and Mine: The Life Story Of Helen Sekaquaptewa as told to Louise Udall, Published by University of Arizona Press, Tucson, 1969. His father was a farmer and tribal court judge.[6] Among his siblings were Abbott, longtime Tribal Chairman, and Marlene, a political leader and quilt maker.[6]Sekaquaptewa received the 4th Annual Spirit of the Heard Award by the Heard Museum on October 5, 2007, for his contributions to the Heard Mission: "To educate the public about the heritage and the living cultures and art of Native peoples, with an emphasis on the peoples of the Southwest."ScholarshipSekaquaptewa was the "Cultural Editor" on the Hopi Dictionary Project, which produced the first ever Hopi dictionary: Hopi Dictionary/Hopìikwa Lavàytutuveni: A Hopi–English Dictionary of the Third Mesa Dialect in 1998. The 900-page dictionary contains entries on 30,000 words, as well as a sketch of Hopi grammar. This dictionary is credited with playing an important role in revitalizing the Hopi language and took him thirty years to complete, since the language had no standard or received variant and is highly complex.He became assistant professor, Department of Anthropology, University of Arizona in 1972, and was Professor in its Bureau of Applied Research in Anthropology from 1990 to 2007. As an academic, Sekaquaptewa was the coauthor of books and articles including a chapter on the Hopi concept of clowning called "One More Smile for a Hopi Clown".HopicraftsAbout 1961 Sekaquaptewa and his brother Wayne Sekaquaptewa opened Hopi Enterprises in Phoenix, a business which employed Hopi silversmiths to make overlay jewelry for sale. Two of the silversmiths hired were Harry Sakyesva and Bernard Dawahoya. In 1962 Emory and Wayne relocated the business to the village of Kykotsmovi at Third Mesa on the Hopi Reservation and renamed it Hopicrafts. The business developed its own designs and style of overlay and successfully competed with the Hopi Silvercraft Guild on Second Mesa. It employed many talented silversmiths while in operation. Pieces made in the shop all bore a shop hallmark of a conjoined capitol "H" and lowercase "C". Sekaquaptewa made silver jewelry that was hallmarked SEKAQUAPTEWA, his brother Wayne only occasionally made jewelry and shared the hallmark. Hopicrafts closed in 1983. His nephew Phillip Sekaquaptewa, son of Wayne Sekaquaptewa, was a talented silversmith and skilled at not only Hopi silver overlay technique but an original contemporary master of stone and silver flush inlay. Listed with ExportYourStore.com

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1" Horace Iule Zuni cast sterling silver turquoise ranger belt buckle set. Tested and guaranteed solid sterling silver. Fits up to a 1" wide belt. Some expected wear, marked as shown with the artists hallmark. Good condition, functional. Circa mid 20th century. Horace Iule, Zuni Pueblo Jeweler Horace Iule learned silversmithing from his father and eventually became an expert of the casting method. He was one of the first from Zuni Pueblo to create the Knifewing God in silver. Horace began working as a silversmith in the 1930s after returning from school in Phoenix where he had studied blacksmithing. Horace Iule (1901-1978), pronounced Ai-ú-le was a third-generation silversmith. His grandfather, a man known as Sneezing Man, was identified by John Adair in his book The Navajo and Pueblo Silversmiths as one of the first silversmiths at Zuni Pueblo. Horace Iule also taught jewelry making at Zuni Day School, teaching and influencing a whole generation of Zuni smiths. Horace taught his son Wilbur Iule who carries on the tradition.

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1" Ivan Kee Navajo White Hogan Shop 1968 Phoenix inv sterling silver belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1" belt. Circa third quarter of the 20th century.Ivan Dominic Kee (1936 – 1982) Navajo, is the brother of Allen and George Kee. His work was featured in the 2002 exhibit “Jewels of the Southwest”, at the Museum of Indian Arts & Culture in Santa Fe, NM. Listed with ExportYourStore.com

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1" James Reid 14k gold/Sterling silver southwestern ranger belt buckle set. Belt is 36"-40" with existing holes, center hole at 38". Ranger set it made to fit a 1" belt. James Reid was a very high end gold/silversmith in Santa Fe, New Mexico, he retired around 10 years ago. Very clean with minimal wear. Selling the ranger set, giving you the belt for free, if it happens to fit....great. Very thick slabs of solid 14k gold.

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1" James Reid 14k/Sterling belt buckle and keeper. James Reid did some really<br>good work out of Santa Fe, New Mexico and was expensive, he is now retired as of<br>2017. Selling the very well made buckle and keeper shown made for a 1" belt,<br>very thick chunks of 14k gold on this buckle, minimal wear. 93.2 grams, likely<br>about 10 grams of it 14k gold.

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1" Randall D Moore Sterling/14k Ranger Gürtelschnallenset. Sehr gut gefertigte Schnalle und Halter, massives Sterlingsilber mit dicken Seilen aus massivem 14k Gold an den Rändern. Passend für einen 1" Gürtel. Keine Schäden oder nennenswerte Probleme. Dies ist ein Design im Ruhestand, würde aber weit über 1.300 US-Dollar kosten, wenn es noch verfügbar wäre. 88 Gramm Randall Moore kam 1977 in Taos, New Mexico, an und begann eine informelle Ausbildung als Silberschmied im Mabel Dodge Lujan House, damals bekannt als „The Big House“. 1979 zog er nach Santa Fe, wo er noch immer lebt und arbeitet. Sein Hauptaugenmerk lag auf silbernen und goldenen Gürtelschnallen, Schnallensets und Herrenaccessoires aus Sterlingsilber, 14-karätigem und 18-karätigem Gold. In seinen Entwürfen greift er auf Einflüsse des Südwestens sowie auf zeitgenössische Elemente zurück und nutzt traditionelle Werkzeuge und Techniken, um hochwertige Erbstücke zu fertigen, die sowohl klassisch als auch modisch sind. Seine Kreationen werden von Weltklassesportlern, Entertainern, Politikern und einfach coolen Mädels und Jungs überall getragen. Randalls Studio befindet sich im Herzen der historischen Ostseite von Santa Fe, an der 868 East Palace Avenue, nur einen Block von der Canyon Road entfernt.

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1" vintage Cheama Zuni sterling silver turquoise nugget ranger belt buckle set. Tested and guaranteed solid sterling silver, weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa third quarter of the 20th century.. Fits up to a 1" belt. Listed with ExportYourStore.com

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1" Vintage Hopi Guild overlay belt buckle sterling silver bird . Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1" belt. Circa third quarter of the 20th century.Hopi Guild hallmark, unsure of artists hallmark. Listed with ExportYourStore.com

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1" Vintage Navajo sterling silver birds form belt buckle with turquoise. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1" belt. Circa third quarter of the 20th century. Age appropriate wear, one stone with old fracture, secure. Listed with ExportYourStore.com

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1" vintage Tom Bahe Navajo sterling silver belt buckle in overlay style. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa third quarter of the 20th century. Listed with ExportYourStore.com

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1.2" c1950's Hopi or Navajo vintage sterling silver belt buckle in overlay style. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.2" belt. Circa third quarter of the 20th century. Age appropriate wear. Listed with ExportYourStore.com

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1.25" Emerson H Quannie Hopi overlay snake belt buckle sterling silver. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.25" belt. Circa last quarter of the 20th century. Listed with ExportYourStore.com

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1.25" G&L Leekity Zuni sterling silver turquoise carved nugget belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.25" belt. Circa third quarter of the 20th century. Listed with ExportYourStore.com

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1.25" Jamison Kee Navajo sterling silver turquoise cluster belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.25" belt. Circa last quarter of the 20th century. Listed with ExportYourStore.com

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1.25" Joe Coochyumptewa Hopi overlay jumping deer belt buckle sterling silver. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.25" belt. Circa third quarter of the 20th century. Listed with ExportYourStore.com

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1.25" Lloyd Becenti Navajo Horses sterling silver belt buckle with turquoise. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.25" belt. Circa last quarter of the 20th century. Listed with ExportYourStore.com

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1.25" Loren Sakeva Kumauni Hopi Overlay butterfly belt buckle sterling silver. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.25" belt. Circa last quarter of the 20th century. Listed with ExportYourStore.com

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1.25" Loren Sakeva Kumauni Hopi Overlay flying bird belt buckle sterling silver. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.25" belt. Circa last quarter of the 20th century. Listed with ExportYourStore.com

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1.25" Robert Lomadapki Hopi overlay belt buckle geometric sterling silver. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.25" belt. Circa third quarter of the 20th century.Robert Lomadapki was born in 1942 at Hotevilla on Hopis Third Mesa. In the 1970s he was part of a program at the Museum of Northern Arizona where he was able to collaborate and study along with Duayne Maktima and Victor Beck under the mentorship of Jake Brookings. He is known for making Hopi overlay jewelry since the 1970s.In 2008, Robert Lomadapki (1942-2015) was named an “Arizona Living Treasure for his dedicated work in education in the Native American community. Not only was he a talented artist, he was an educator and a gallery owner who spent his time encouraging and promoting the careers of young artists. He spent the last years of his life in the Applied Indigenous Studies department at Northern Arizona University as a traditional knowledge scholar. He was also the owner and operator of Isvaki Gallery in downtown Flagstaff, Arizona. Listed with ExportYourStore.com

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1.25" Vera Luna Zuni sterling silver shell/turquoise sunface/chief belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.25" belt. Circa third quarter of the 20th century. Listed with ExportYourStore.com

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1.25" vintage Irv Monte Navajo Azurite/Chrysocolla sterling silver belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.25" belt. Circa fourth quarter of the 20th century. Listed with ExportYourStore.com

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1.25" vintage Navajo sterling silver chip inlay turquoise bear coral belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.25" belt. Circa third quarter of the 20th century. Listed with ExportYourStore.com

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1.25" vintage Navajo sterling silver deep stamped belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.25" belt. Circa third quarter of the 20th century. Listed with ExportYourStore.com

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1.25" Vintage Navajo sterling silver turquoise channel inlay belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.25" belt. Circa third quarter of the 20th century. Brass hardware on back, sterling buckle. Listed with ExportYourStore.com

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1.25" vintage Navajo sterling silver turquoise cluster belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.25" belt. Circa fourth quarter of the 20th century. Listed with ExportYourStore.com

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1.5" 1992 Kokopelli Designs Sterling silver abstract creature belt buckle set. This is on a 1.5" belt, the center hole is 36" with 3 total, more could be added, belt is high quality and in good condition and it is free with the very heavy solid sterling silver, Buckle, keeper, and tip that I am selling. Weights and measurements are in the pictures. This company was in Business in the 1990‘s, the modern day equivalent of this type of quality would cost a small fortune.

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1.5" 1992 Kokopelli Designs Sterling silver Horses Equestrian Ranger belt buckle. This is on a 1.5" belt, the center hole is 36" and two on each side, more could be added, belt is high quality and in good condition and it is free with the very heavy solid sterling silver, Buckle, keeper, and tip that I am selling. Weights and measurements are in the pictures. This company was in Business in the 1990‘s, the modern day equivalent of this type of quality would cost a small fortune.

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1.5" 1993 Kokopelli Designs Sterling silver Jaguar Ranger belt buckle set. This is on a 1.5" belt, the center hole is 34" and two on each side, more could be added, belt is high quality and in good condition and it is free with the very heavy solid sterling silver, Buckle, keeper, and tip that I am selling. Weights and measurements are in the pictures. This company was in Business in the 1990‘s, the modern day equivalent of this type of quality would cost a small fortune.

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1.5" 1993 Kokopelli Designs Sterling silver Sun Face belt buckle set. This is on a 1.5" belt, the center hole is 35" with 4 total, more could be added, belt is high quality and in good condition and it is free with the very heavy solid sterling silver, Buckle, keeper, and tip that I am selling. Weights and measurements are in the pictures. This company was in Business in the 1990‘s, the modern day equivalent of this type of quality would cost a small fortune.

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1.5" 1993 Kokopelli Designs Sterling silver Toucan ranger belt buckle set. This is on a 1.5" belt, the center hole is 36" with 3 total, more could be added, belt is high quality and in good condition and it is free with the very heavy solid sterling silver, Buckle, keeper, and tip that I am selling. Weights and measurements are in the pictures. This company was in Business in the 1990‘s, the modern day equivalent of this type of quality would cost a small fortune.

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1.5" 50's-60's Vintage Navajo sterling silver cast belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa third quarter of the 20th century. Age appropriate wear. Listed with ExportYourStore.com

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1.5" Allen Pooyouma Hopi sterling silver modernist vintage belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa third quarter of the 20th century. Allen Pooyouma (1922-2014, Hopi Pueblo)Hopi Pueblo artist Allen Pooyouma began his silver work around 1937 and retired around 1970 making him one of the earliest Hopi silversmiths. He worked many of his professional years in Tucson with master goldsmith Morris Talawytewa Robinson and Ralph Tawangyaouma. Allen Pooyouma is known for silver ingot, hand wrought, heavy stampwork and twist wire jewelry set with high quality, natural turquoise.Allen Pooyouma (1922-2014) signed with his hallmark, a stamped ear of corn, and with conjoined letters, HC. Presented in this way, the HC refers to Hopi Crafts. Formerly known as Hopi Enterprises, Hopi Crafts was started by brothers Wayne and Emory Sekaquaptewa operating on Second Mesa between 1962-1983—providing a further genesis and date range for these earrings (pg. 153, Hougart). Listed with ExportYourStore.com

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1.5" Eddison Smith Navajo sterling silver deep stamped belt buckle turquoise. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa last quarter of the 20th century.Eddison Smith, NavajoBorn in 1977 in Steamboat AZ. Eddison;'s jewelry is known as traditional Navajo. The stampwork and hand-cut stone makes his jewelry look like old jewelry from the 1960s to 80s. His stamps and bampout makes his jewelry unique. Listed with ExportYourStore.com

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1.5" Fermin Hawee Hopi overlay belt buckle geometric imagery sterling silver. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa fourth quarter of the 20th century. Listed with ExportYourStore.com

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1.5" Gary Reeves Navajo sterling silver carved turquoise nugget belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa third quarter of the 20th century. Gary ReevesNavajo silversmith Gary Reeves was born in 1962 in Gallup, N.M. and died July 2014. He began silver work in 1974.He was the older brother of renowned silversmith Sunshine Reeves and the younger brother of David Reeves (now deceased), who was so instrumental in teaching the craft to both Gary and Sunshine, as well as their half-brothers Darrel and Andy Cadman. While each artist has his own individual style, they all share an affinity for complex engraved and hand stamped geometric designs and they are all a part of recreating and popularizing the old Navajo designs of the early 20th century. They call their style Navajo Revival Style.He filled his old style silver with lots of stamp patterns and used high quality pieces of turquoise. Gary smithed silver from the age of twelve. His work, like that of his brother Sunshine, is present in the collections of the Heard Museum in Phoenix and Gary has won numerous awards for his work. Listed with ExportYourStore.com

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1.5" Huge 1992 Kokopelli Designs Sterling silver Ranger belt buckle set. This is on a 1.5" belt, the center hole is 36" and one on each side, more could be added, belt is high quality and in good condition and it is free with the very heavy solid sterling silver, Buckle, keeper, and tip that I am selling. Weights and measurements are in the pictures. This company was in Business in the 1990‘s, the modern day equivalent of this type of quality would cost a small fortune.

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1.5" ladies Juan Willie Navajo Virgin de Guadalupe sterling and turquoise belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa fourth quarter of the 20th century.   This is a ladies buckle, the catch is on the side that a woman's buckle would be unless you want to wear it upside down or put your belt on "backwards"Listed with ExportYourStore.com

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1.5" Karen Dale Navajo or Hopi sterling silver bear paw belt buckle . Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa third quarter of the 20th century. Listed with ExportYourStore.com

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1.5" Michael Sockyma Hopi overlay kachina head belt buckle sterling silver. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa fourth quarter of the 20th century.Hopi artist Michael Sockyma Sr. Michael is from the Hopi village of Hotevilla. He learned the art of overlay at Hopicraft and later worked for them. He is a member of the Corn clan and his hallmark is a corn plant, often with his connected initials MS. He has won multiple awards for his outstanding overlay jewelry. Was born in 1942 and began his career in 1965. Listed with ExportYourStore.com

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1.5" Philbert Poseyesva Hopi overlay belt buckle carved eagle sterling silver. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa last quarter of the 20th century. Listed with ExportYourStore.com

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1.5" Raymond Kyasyousie Hopi overlay kachinas belt buckle sterling silver. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa third quarter of the 20th century. Listed with ExportYourStore.com

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1.5" Richard Henry Yazzie Navajo vintage sterling silver turquoise belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa third quarter of the 20th century.Richard Henry Yazzie, Navajo (1927-2000) "He was in the Red Running into the Water Clan of the Navajo Nation. Richard was from from a family of silversmiths. He was the grandson of Bah Yazzie; son of Mary H. and Harrison Yazzie; brother of Wallace H., David, and Frankie Yazzie, and Helen Jack; husband of Betty Yazzie. He was the silversmith for John Kennedy and Gallup Trading during the late 1960s.."nd survival of the cultural arts within his native heritage of the southwestern pueblo people. Listed with ExportYourStore.com

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Victor Coochwytewa Hopi overlay flute procession belt buckle sterling silver. Tested and guaranteed solid sterling silver, weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa third quarter of the 20th century.. Fits up to a 1.5" belt.Master Hopi Silversmith, Waterhouse Clan – Shungopavi, Second MesaVictor Coochwytewa is widely regarded as one of the most influential Hopi silversmiths of the 20th century. A master of overlay jewelry and a pillar of his community, his work helped define the standards and aesthetics that Hopi jewelers continue to follow today. His career, which spanned more than 60 years, earned him national recognition, including being named an Arizona Indian Living Treasure in 1994.Born on June 7, 1922, in the village of Shungopavi on Second Mesa, Victor was a member of the Waterhouse Clan. He first learned the basics of silversmithing in 1940 under the guidance of Paul Saufkie. But his early career was interrupted by World War II, during which he served with distinction in the South Pacific. A member of the 167th Combat Military Police and later the 5309th Infantry Division under General Frank Merrill (Merrill’s Marauders), Victor saw heavy combat in Burma and was awarded the Purple Heart, Good Conduct Medal, and Asiatic-Pacific Campaign Ribbons.After being honorably discharged in 1946, Victor returned to Hopi and became one of the first students in the now-legendary Veterans’ Classes established under the G.I. Bill. Taught by Fred Kabotie and Paul Saufkie, these classes marked the beginning of a new era in Hopi silversmithing. Victor not only mastered the overlay technique but innovated within it—introducing a background texturing method inspired by leatherwork that became a defining feature of Hopi overlay jewelry.Victor's designs, executed in both sterling silver and gold, are known for their precision, spiritual depth, and elegant symbolism. Many of his pieces reflect Hopi traditions and cosmology, and his work has been collected by major institutions and private collectors around the world.In addition to his artistry, Victor was deeply rooted in the traditional Hopi way of life. A lifelong dry farmer, he raised corn, squash, beans, and watermelons without irrigation or chemical inputs, relying entirely on prayer, ceremony, and natural rainfall. “Jewelry is my hobby; corn is my work,” he once said with characteristic humility. He attributed the success of both his crops and his craft to blessings from the Creator. “When you pray, you should pray for all things, and in return, all things are benefited. Nothing can be accomplished without prayer.”Victor retired from silversmithing and farming in 2006 and continued to live with his family at Hopi until his passing on July 3, 2011, at the age of 89. Today, his legacy lives on in the work of his descendants and in the broader community of Hopi artists who follow the path he helped shape. His jewelry remains among the most iconic and sought-after expressions of Hopi artistry—no serious collection of Hopi overlay work is truly complete without a piece by Victor Coochwytewa. Listed with ExportYourStore.com

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1.5" vintage Carson Blackgoat Navajo sterling silver belt buckle with turquoise. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa fourth quarter of the 20th century. Listed with ExportYourStore.com

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1.5" vintage Hopi Overlay warrior kachina belt buckle sterling silver. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa fourth quarter of the 20th century. Illegible, unknown hallmark. Attributed to the Hopi tribe, from a large collection of Hopi buckles/bolos. Listed with ExportYourStore.com

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1.5" vintage Navajo chip inlay sterling silver ranch brand belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa fourth quarter of the 20th century. Listed with ExportYourStore.com

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1.5" Vintage Navajo intarsia inlay turquoise cluster sterling silver belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa third quarter of the 20th century. Measures 3.25" x 2.5" Listed with ExportYourStore.com

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1.5" Vintage Navajo shell heishi/turquoise sterling silver belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa third quarter of the 20th century. Turquoise stone secure with old repaired fracture. Listed with ExportYourStore.com

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1.5" Vintage Navajo sterling silver bear paw chip inlay belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa third quarter of the 20th century. Age appropriate wear. Listed with ExportYourStore.com

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1.5" vintage Navajo sterling silver chip inlay turquoise peyote bird belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa third quarter of the 20th century. Listed with ExportYourStore.com

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1.5" Vintage Navajo sterling silver Kokopelli/Corn overlay belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa last quarter of the 20th century. Listed with ExportYourStore.com

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1.5" Vintage Navajo sterling silver stamped belt buckle with turquoise. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa third quarter of the 20th century. Listed with ExportYourStore.com

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1.5" Vintage Navajo sterling silver stamped sterling silver concho belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa second quarter of the 20th century concho later adapted as a belt buckle. Listed with ExportYourStore.com

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1.5" vintage Robert Vandover Navajo sterling silver heartline bear belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa fourth quarter of the 20th century. Listed with ExportYourStore.com

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1.5" vintage T Navajo sterling silver turquoise nugget belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa third quarter of the 20th century. High quality unresearched due to time limitations. Listed with ExportYourStore.com

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1.75" vintage Navajo Alpaca pink shell/mother of pearl belt buckle. This is Alpaca or German silver, not sterling silver with weight and measurements in pictures.. Buckle fits a 1.5" belt. Circa third quarter of the 20th century. Likely made in 1979-80 when silver went crazy. Listed with ExportYourStore.com

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10 figurale Eierbecher aus englischer Keramik aus den 1950er Jahren. Verkaufe das Set aus der Mitte des 20. Jahrhunderts ohne Risse, Chips oder Restaurierungen. 2,5" hoch mit 1,5" Öffnung, um das Ei oben zu halten. TW68

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10 japanische Imari-Teetassen aus der Meiji-Zeit. 2 5/8" hoch x 3,25" breit, variieren leicht, da sie handgefertigt und vor über 100 Jahren handbemalt sind. Etwa Ende des 19. Jahrhunderts. Keine Risse, Absplitterungen, Restaurierungen oder Verluste, einige Vergoldungsspuren an den Rändern. Alles unmarkiert.TW199

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10" antiker Dresdener handbemalter Dresdner Netzteller. Keine Risse, Chips oder Restaurierungen, keine erkennbaren Gebrauchsspuren. isshelf

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10" c1910 Royal Bayreuth Portrait vase. 10" tall with no cracks, chips, or restorations. Wear to gilding on rim. isshelf

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10,4" c1965 Orrefors Graal Ingeborg Lundin Schwedische Kunstglasschale. 10 3/8" breit x 5 1/8" hoch, wirklich großes Stück, ungewöhnlich groß. Keine Risse oder Chips, keine Trübung und keine anderen Probleme. Gut aussehende schwere Schüssel. Erwartet werden extrem geringe Gebrauchsspuren an der Basis. b47

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10,5" große MCM Emaille-Hirschschale aus Holland. Tolles Stück aus dem dritten Viertel des 20. Jahrhunderts mit geringen Gebrauchsspuren und ohne Schäden an der Emaille. tw271

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100ct Boulder Opal gebohrter Anhänger/Perle. Verkaufe exakt den abgebildeten Stein. Es ist ein sauberes 2-mm-Loch durchgebohrt. Ich habe mehrere davon und werde sie separat anbieten. Sie trugen eine Halskette aus 24-karätigem Gold mit großen 24-karätigen Perlen zwischen jedem Stein. Das Gold wurde bereits recycelt und ich hoffe, dass ich es wiederverwenden kann, da es sich um teure Steine ​​handelt, die es wert wären, an einer Halskette befestigt zu werden, an der sich Gold im Wert von mehreren Tausend Dollar befand. Die Möglichkeiten sind endlos, eine oder mehrere davon würden in oder außerhalb einer Umgebung großartig sein. Kaufen Sie genau den abgebildeten Stein mit den Maßen 48 mm x 28 mm und einem Gewicht von 100 ct.

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10k Gold WW2 USN US Navy Sweetheart Pendant. Marked and tested 10k gold,guaranteed ww2 era. 1.4 Grams. 1.75" long x .5" wide.

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Auf 10 Karat Gold montierter halber Columbia-Dollar von 1892. Verkaufe den abgebildeten halben Dollar in einer „getesteten“ Fassung aus 10 Karat Weißgold. Ich dachte, ich hätte ein paar Markierungen auf der Fassung gesehen, kann es aber nicht sagen, habe es selbst getestet und es ist solides 10-Karat-Gold, nur die Fassung, die Münze besteht natürlich zu 90 % aus Silber. 14 Gramm.

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10k/14k gold large vintage deep carved pink shell cameo pendant/pin. Bail likely a later addition, marked and tested 14k gold, body unmarked (tested and guaranteed) solid 10k gold. No damage, very high relief beautiful cameo.

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10k/Sterling Sunset Trails Santa Monica Police Potrolman retirement belt buckle. Solid 10k gold plaques top and bottom, quite a bit of gold, probably $300-$400 in gold at current market. The rest is solid sterling silver with weight and measurements in pics. Fully functional with some expected wear as it‘s a vintage item. Engraved as shown since it‘s solid 10k gold it could easily be removed. Any honest jeweler would do it for very little as they can recover the gold that they buff off.

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11 3/8" um 1870 japanische Imari-Schale aus der Meiji-Zeit, 3,5" tief. Keine Risse, Chips oder Restaurierungen. Tragen Sie die Vergoldung am Rand und an anderen Stellen. Schön dekoriert.

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11 Hawkes Eardley 8,25" Salatteller ohne Risse, Chips, Restaurierungen und minimale Gebrauchsspuren. Sehr hochwertiges amerikanisches Kristall, das wie eine Glocke klingelt. Thomas Gibbons Hawkes, 1846 in der Grafschaft Cork, Irland, als Sohn einer prominenten Familie mit Glasmacher-Erbe geboren, wanderte 1863 in die Vereinigten Staaten aus. Seine Karriere begann als Vorarbeiter der Glasfabrik Hoare and Daily in Brooklyn, New York, wo er mit dem Unternehmen wechselte 1868 nach Corning, New York. In Corning angekommen, eröffnete er bald seine eigene Schneidewerkstatt, die 1890 als TG Hawkes & Company gegründet wurde. Dies folgte auf den Erfolg im Jahr zuvor, als Hawkes auf der Weltausstellung in Paris Anerkennung und den Hauptpreis gewann. Thomas Gibbons Hawkes Der europäische Geschmack für funkelndes geschliffenes Glas dieser Zeit wurde in den Vereinigten Staaten in der sogenannten Brilliant Cut Glass-Periode nachgeahmt. Über 1.000 Schneidebetriebe wurden gegründet, um die Nachfrage zu befriedigen, und TG Hawkes & Company florierte. Das Unternehmen war 82 Jahre lang in Betrieb.

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Antikes persisches Kupfertablett mit Silbereinlage aus dem Nahen Osten, 27,9 cm breit und sehr schwer für seine Größe, da es aus Kupfer und Silber besteht. Garantiert aus dem 18.–19. Jahrhundert. 90+ % Silber (getestet) auf Kupfer. Aufhängelasche später auf der Rückseite hinzugefügt. TW153

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12 Pound Petrified Wood Covered in Crystals. It weighs 12 pounds and Measures 13" x 7" x 4.75". Picures don't do it justice. I bought it from a guy that found it in a storage locker.

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Vintage signierter Krug/Krug aus der „Cancan“-Serie von Kosta Boda vom berühmten schwedischen Designer Kjell Engman 89147. Signiert von Kosta Boda. Keine Risse oder Chips, keine Kratzer (abgesehen von einigen erwarteten Abnutzungserscheinungen am Boden, da er sehr schwer ist), keine Trübung und keine anderen Probleme . TW120

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12" große Meissener Servierschale aus dem Jahr 1870 mit schwerem Gold und handbemalten Früchten. Keine Risse, Chips oder Restaurierungen. Das Gold ist nahezu neuwertig. Die Farben sind lebendiger, als die Bilder vermuten lassen. Tw47

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12" japanisches Nippon-Tablett aus dem Jahr 1910 mit schöner Bemalung. Fantastisches Stück ohne Markierung, also möglicherweise vor 1890, garantiert über 100 Jahre alt, handbemalt ohne Chips, Risse oder Restaurierungen. 11 7/8" breit, einige Gebrauchsspuren an der Vergoldung am Rand. TW252

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12" große Harding Black (1912-2004) Texas Studio Art Keramikvase mit der besten tropfenden chinesischen Flambe-Glasur. 7" breit. Sehr imposantes Stück, 12-Unzen-V8-Dose zum Maßstab abgebildet. 3 wirklich kleine, unbedeutende Abplatzer am Fußrand und ein paar Glasurfehler an der Schulter, möglicherweise absichtlich. Keine nennenswerten Chips, keine Risse, keine Restaurierungen. Sehr coole Space-Age-Form auf diesem Stück. Harding Black San Antonio (1912–2004) Als Keramiker, Bildhauer, Maler, Maurer und Lehrer absolvierte Black die Brackenridge High School und besuchte das San Antonio Junior College (1929–30). Im Jahr 1933 wurde Black von Rudolph Staffel in der Herstellung von Töpferwaren auf der Drehscheibe unterrichtet und begann außerdem, an der Witte-Universität Keramikkurse für Kinder zu unterrichten. Black leitete eine Keramikinstallation in einem Wiederaufbauprojekt in San Antonio, das von der National Youth Administration und dem Kunstprogramm der Works Progress Administration gesponsert wurde. 1955 zog er sich aus der Lehrtätigkeit zurück und widmete sich ganz der Keramik. Black wurde durch seine Forschungen, Innovationen und Schriften auf diesem Gebiet zu einem bekannten Keramiker. Blacks Sammlung und Archiv sind an der Baylor University untergebracht. Harding Blacks Arbeit mit Ton dient als wichtige Brücke zwischen dem frühen Texas und der Töpferkunst der Mitte des Jahrhunderts. anderas

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12" Japanische Imari-Vasen aus der Meiji-Zeit, ein Paar. Nicht nur eine der schönsten Imari-Vasen, die ich je hatte, sondern auch ein Paar davon, 12" hoch. Eine mit einem alten, stabilen 2,5" langen Haaransatz oben, ganz links vom letzten abgebildet Bild. Keine weiteren Risse, Chips oder Restaurierungen. Schönes Paar etwa 150 Jahre alte Vasen. isshelf

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12" pr Republic Period Antique Chinese Famille Rose vases. Great pair of Nice sized Chinese hand painted famille rose vases from the first quarter of the 20th century with no damage or restorations. isshelf

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12,5" japanische Satsuma-Vase aus der Meiji-Zeit mit erhabenem Moriage-Dekor. Großes Stück, Ende des 19. Jahrhunderts handdekoriert. Unbearbeitet, Brennfehler an der Basis, insgesamt Haarrisse, möglicherweise qualitativ hochwertige Restaurierung am Rand. Ich bin mir nicht sicher (zeigt sich nicht unter UV-Licht). ), aber die Haarrisse scheinen in einigen Bereichen weniger ausgeprägt zu sein. Keine Risse oder Chips. TW199

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12,5" Mid-Century Modern Toasting Glasses Green Air Twist Stem Riesiger Blenko? Zwei riesige Gläser, garantiert aus den 1950er bis 1970er Jahren. Eines hat eine kleine geplatzte Blase am Rand des Fußes, die im Basisbild zu sehen ist, unbedeutend. Keine anderen Risse, Absplitterungen usw Restaurierungen. TW72

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12,75" Texas Studio Art Glasvase Michael McDougal 7" breit Keine Risse, Chips, Kratzer oder Restaurierungen. Der Glaskünstler Michael McDougal ist von der Natur inspiriert und bekannt für seinen Sinn für Farben und seine elegante Laune. Er lebt und arbeitet im Texas Hill Country. Er wurde durch Jane Duryea, Schützling von Robert Willson, mit Glas bekannt gemacht und studierte anschließend am Corning Museum of Glass in New York, der renommierten Pilchuck Glass School im US-Bundesstaat Washington, bei Jane Bruce, Claire Kelly & Antony Schafermeyer und Boyd Sugiki. McDougal hat auch Zeit in den „Fornaces“ von Murano, Italien, verbracht. Heute arbeitet er mit seinem Freund und Mentor Jason Lawson in Studios in Fischer, Texas, einer kleinen Stadt nördlich von San Antonio. „Glas ist ein erstaunlich vielseitiges Medium“, sagt McDougal. „Es hat eine inhärente Musik. Die Arbeit damit in geschmolzener Form ist rhythmisch … eher ein Tanz als ein Prozess.“ Michael Monroe, ehemaliger Kurator und Direktor der Renwick Gallery der Smithsonian Institution, beschreibt einen Krug aus McDougals Sammlung als „…die Essenz von geschmolzenem Glas in einem Moment gefrorener Eleganz einfangend.“ Der Griff mit seinem dynamischen, aber zarten Muster ist wunderschön integriert, um beides zu bieten ein Gefühl von Bewegung und Gleichgewicht für das Stück.“ „Ob ich sie schätze oder erschaffe, ich liebe Kunst, die ein Gefühl des Staunens und der Ehrfurcht hervorruft und mich zum Grinsen oder Lachen bringt“, sagt McDougal. „Ob eine Erkundung der Schönheit, der Launen oder des riesigen Reichs des Unbekannten, es muss mich daran erinnern, dass all unsere menschlichen Belastungen und Belastungen unbedeutend sind.“ McDougals Arbeiten werden in Galerien in ganz Texas und Kalifornien ausgestellt. Er war unter anderem in Shows in Dallas, Fort Worth, San Antonio, Houston und Galveston zu sehen.

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124ct Boulder Opal drilled pendant/bead. Selling the exact stone shown. Has a<br>clean 2mm hole drilled through it. I have several of these I will be offering<br>them separately. They were on a 24k gold necklace with large 24k beads between<br>each stone. The gold has already been recycled and I'm hoping to repurpose these<br>as they are expensive stones that were worthy of putting on a necklace that had<br>thousands of dollars worth of gold on it. The possibilities are endless, one of<br>them or a few would be great in or out of a setting. Buying the exact stone<br>shown 55mm x28mm, weighs 124ct.

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124 mm seltene Mitra Helenae, gefunden am 08.01.82, Honduras, Karibik. Kam mit abgebildetem Papier aus dem Nachlass. Auf den Bildern ist ein kleiner Chip an der Spitze zu sehen, ansonsten perfekt.

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13" Bing and Grondahl Snarling Tiger Figure by Lauritz Jensen. Great, realistic, scarce figure with no cracks, chips, crazing, or restorations. TW88

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