Large Vintage spiderweb carved turquoise moth fetish inlaid coral/opal Zuni?. Unknown artist, fetish carving likely made by a different person than the silversmith. Neither known by my, likely Native American made. Listed with ExportYourStore.com

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Big Vintage 1980‘s Crumrine Jeweler‘s Bronze Eagle silver-plated belt buckle. Fully functional. Circa last quarter of the 20th century.

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Big Vintage Billy Eagle Navajo high grade turquoise sterling silver pendant/pin. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa last quarter of the 20th century. Has a hook on the back to hook on to any necklace. Very nice Natural American turquoise. It could be from a few different mines, I didn‘t mine it.

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Big Vintage Boyd Reno Nevada hand engraved sterling silver dollar belt buckle. Tested and guaranteed solid sterling silver with, weight and measurements in pictures with some expected wear, fully functional. Circa third quarter of the 20th century with authentic 19th century American 90% silver dollars.

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Big Vintage EG Southwestern sterling silver cross pendant with turquoise. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa last quarter of the 20th century. Unknows artist.

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Big Vintage J Navajo sterling silver mother of pearl cluster necklace. Tested and guaranteed solid sterling silver with weight and measurements in pictures. No issues. 19" long, circa fourth quarter of the 20th century with no significant issues. Unknown artist.

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Big vintage Loyolita Tsatte zuni carved turquoise/coral sterling silver bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. 42" long. Circa last quarter of the 20th century.

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Big Vintage Mitchell Sockyma Hopi overlay bolo tie sterling silver. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. 46" long with no issues. Tray is tared out, so weight shown is just the bolo of course.

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Big Vintage Navajo First Phase style sterling silver concho belt. Will fit up to a 36" waist, but obviously could be worn shorter. I would be happy to add holes upon request at requested intervals.. Tape measure shown in pics.. Weight and measurements in pictures. No damage or issues, tested and guaranteed solid sterling silver. 7 Conchos and 1 Buckle. All solid sterling silver, circa third quarter of the 20th century. Apparently unmarked. Listed with ExportYourStore.com

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Big Vintage Navajo or Hopi Overlay belt buckle with turquoise sterling silver. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa third quarter of the 20th century. Fits a 1.5" belt.

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Big Vintage Navajo sandcast sterling silver belt buckle with center turquoise. Tested and guaranteed solid sterling silver. Fits up to a 1.5" wide belt. Some expected wear, unmarked. Good condition, functional, turquoise with very old crack, secure in bezel. Circa third quarter of the 20th century.

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Big vintage Navajo sterling silver 2" belt buckle with turquoise blossom design. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa third quarter of the 20th century.. Fits a 2" belt. Listed with ExportYourStore.com

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Big Vintage Navajo sterling silver 3-D eagle belt buckle. Tested and guaranteed solid sterling silver weight and measurements in pictures, Circa third quarter of the 20th century. Fits a 2" belt. Functional with age appropriate wear, no significant issues. Unknown maker, likely Native American made. Listed with ExportYourStore.com

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Big Vintage Navajo sterling silver 3d Buffalo belt buckle turquoise/coral. Tested and guaranteed solid sterling silver weight and measurements in pictures, Circa third quarter of the 20th century. Fits a 1.75" belt. Functional with age appropriate wear. Listed with ExportYourStore.com

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Big vintage Navajo sterling silver belt buckle w/Geometric overlay design. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa third quarter of the 20th century. Fits a 1.75" belt.

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Big vintage Navajo sterling silver cross with turquoise. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. Unmarked.

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Big vintage Navajo sterling silver deep stamped concho style bolo tie Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. 38" long. Circa last quarter of the 20th century.

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Big Vintage Navajo sterling silver high grade turquoise cluster belt buckle. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa third quarter of the 20th century. Fits a 1.5" belt.

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Big vintage Navajo sterling silver rippled cross with turquoise. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. Unmarked.

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Big Vintage Navajo sterling silver shadowbox belt buckle feather accents. Tested and guaranteed solid sterling silver weight and measurements in pictures, Circa third quarter of the 20th century. Fits a 1.75" belt. Functional with age appropriate wear. Listed with ExportYourStore.com

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Big Vintage Navajo sterling turquoise and coral belt buckle w faux claw Solid sterling silver with weight and measurements in pictures. Fully functional with no unexpected wear or damage. Hallmarked what looks like a paw. 60‘s--70‘s and better than average quality for this era.

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Big vintage Navajo Tufa cast sterling silver cross with turquoise. Tested and guaranteed solid sterling silver with weight and measurements in pictures. No issues. Unmarked.

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Big Vintage Navajo tufa/sand cast sterling silver belt buckle with turquoise. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa last quarter of the 20th century. Fits a 2" belt.

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Big Vintage Ornate Southwestern sterling silver cross pendant with turquoise. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa last quarter of the 20th century. Unknows artist, possibly Native American made.

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Big Vintage Royston turquoise sterling silver Native American cross pendant. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. Illegibly marked, likely Native American made.

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Big vintage southwestern sterling silver agate channel inlay bolo tie. Tested and guaranteed solid sterling silver slide with silverplated tips. Weight and measurements in pictures. 38" long with no issues. Tray is tared out, so weight shown is just the bolo of course.

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Big Vintage Southwestern sterling silver green Cerrillos turquoise belt buckle. Tested and guaranteed solid sterling silver. Fits up to a 1.75" wide belt. Some expected wear. Good condition, functional with no damage or unsightly wear.. Most likely Native American made, unrecognized hallmark.

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Big Vintage Sterling silver Chrysocolla southwestern/Native American bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. 38" long with no issues. Tray is tared out, so weight shown is just the bolo of course.

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Big Vintage Sweet Bird Studio Sterling silver turquoise heart belt buckle. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa early 21st century. Fits a 1.75" belt. 2 chips to flower petals.

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Big vintage Zuni sterling silver sunface bolo tie shell/turquoise/coral inlay.   Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Great bolo, 42" long with no issues. Weight shown is the entire bolo. Listed with ExportYourStore.com

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Big Vintage Zuni sterling silver turquoise cluster belt buckle Ghan dancer inlay. Unmarked, attributed to Valentino & Matilda Banteah Zuni. Fits up to a 2.25" belt. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa second quarter of the 20th century. Apparently unmarked.

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Big Vintage Zuni sterling silver turquoise cluster belt buckle Ghan dancer inlay. Unmarked, attributed to Valentino & Matilda Banteah Zuni. Fits up to a 2.25" belt. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa second quarter of the 20th century. Apparently unmarked. Listed with ExportYourStore.com

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Big vintage Zuni sterling silver turquoise, coral, shell roadrunner pin/brooch. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa mid 20th century.

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Bill Fenton Diamond Jubilee Grüner Glaskrug. Keine Schäden oder Abnutzung, keine Hitzekontrollen im Griff. 7" groß. tw2

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Bill Setalla Hopi Vintage sterling silver overlay style bolo tie salamander Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. 44" long. Circa third quarter of the 20th century. One tip bent as shown

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Billy Jaramillo southwestern sterling silver, turquoise, spiny oyster necklace. Solid sterling silver tested and guaranteed with artists hallmark on the pendant in the back, weight and measurements in the pictures. No issues, circa last quarter of the 20th century. 21" long necklace with other measurements in pictures. No issues. Selling the necklace shown in the pics in "new old stock" condition.Billy JaramilloJeweler, Billy Jaramillo, is known for bold designs which incorporate colorful high quality stones and substantial, chunky silver-work. He is the son of the well-known silversmith, Ray Jaramillo. Billy also studied silversmithing under renowned smith Scott Patrick, as well as inlay from Kathy Sanchez of San Felipe Pueblo and Audrey Toribio of Zia Pueblo, both considered best in the shop at that time. Billy cuts all his own stones from raw material and does all his own silversmithing. He resides and works in Rio Rancho, New Mexico and has been designing and creating jewelry for over 35 years. Listed with ExportYourStore.com

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Billy Long Navajo sterling and turquoise channel inlay necklace 18" necklace with 2.5" drop in the center. No issues.

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Frame measures 25.75" x 18.5" dimensions inside inner matting is 12" x 19". It's<br>triple matted. Frame shows some wear, picture and matting are perfect.<br><br>Billy Molokeng<br><br>Born 1944 - Gauteng<br><br>About the Artist<br><br>Billy Molokeng was born in 1944 in the Alexandria Township in Johannesburg. He<br>was orphaned at a very young age and brought up by his sisters. In order to make<br>a day-to-day living he started selling his drawings, and later, paintings. This<br>brought him to the attention of a wealthy sponsor, who enabled him to attend a<br>private art school, which in turn helped to develop his style and technique.<br><br>Molokeng is an unusual and dynamic personality who enjoys and excels in all<br>forms of creativity. He composes and performs his own songs, enjoying enormous<br>popularity under the stage name of “Billy Africa”.<br> <br><br>Style and Format<br><br>Versatility, dynamism and inventiveness have kept Billy Molokeng’s work fresh<br>and ever changing, ensuring that both he and his art do not become stereotyped.<br>This is demonstrated by the fact that his work was initially typically<br>“township” in character, but developed into his own more unique style in later<br>years.<br><br>His early paintings portray scenes taken directly from life in the townships.<br>The compositions of these early works are dense and on a single plane, usually<br>with several figures depicted in a bold and heavy manner. His individuality and<br>originality, however, is still strongly evident. His figures are lively and<br>filled with movement, containing a subtle humour, underlying joy and<br>light-heartedness which so many art lovers relate to, and enjoy.<br><br>During the 1970s and 1980s, this South African artist’s work became more<br>sophisticated, both technically and conceptually, representing a more mature<br>artist at work. Molokeng’s work started to move away from direct township<br>depictions towards a fusion of the urban experience with African motifs and<br>culture.<br><br>Compositionally, his African art became lighter and began to incorporate more of<br>the figurative and abstract than the literal. Many of his paintings began to<br>display a more sketchy landscape background, containing forms such as huts,<br>missionary churches, ox wagons, oxen and human figures in tribal and rural dress<br>partaking in traditional customs.<br><br>Towards the end of the 1970’s, a calligraphic element within his work began to<br>emerge. This, together with the Bushman-like figures that started to populate<br>his township art, gave his work a potent African flavour that still exists to<br>this day, and makes Billy Molokeng’s work so appealing to South Africans and<br>foreigners alike.<br><br>In the 1980’s Molokeng’s work witnessed further developments, resulting in a<br>more refined technique and style. Township life, once again, became important<br>subject matter, although it was rendered in a more personal manner and blended<br>with the African landscape. The landscape element of this newer work is more<br>solid and is rendered as an integral part of the more abstract compositions and<br>forms. Influenced by life and politics within the townships during the most<br>volatile period of South African history, Molokeng’s work began to demonstrate<br>strength and a sensitivity that were to remain an intrinsic part of his work.<br> <br><br>Exhibitions<br><br>Molokeng had his first exhibition at Dorkey House, Eloff Street, Johannesburg.<br>In 1974 he participated in several group exhibitions – at the Canadian Embassy,<br>Gallery 101, Lidchi Art Gallery and at the Herbert Evans Art Gallery,<br>Johannesburg. In 1976, he participated in the Second International Art Fair in<br>Tel Aviv, Israel. This was followed by a one-man show in Germany in 1979. The<br>next year (1980), he took part in group shows in Athens and in Rome and<br>subsequently had a one-man show at the Lidchi Art Gallery in Johannesburg. In<br>1981, Billy Molokeng was awarded one of the three prizes for painting at the<br>Republic Art Festival.<br><br>Molokeng has also been featured in a group exhibition at the World Bank offices<br>in Washington, U.S.A. along with other artists chosen from Cameroon, Ghana, Mali<br>and Nigeria.<br><br>Currently, Billy Molokeng presents a strong sense of “Africa” within his<br>paintings. Their potency and appeal lie in his bold use of colour, his strong<br>compositions and his unique use of his medium. The acrylic and oils are used as<br>an overlay, which is often scratched away to create different textures and<br>layers, as well as expose various underlying colours. His use of black<br>strengthens and enhances the burnt sienna, ocher, gold, greens and blues as well<br>as emphasizing his trademark white and black eyes of his figures.<br><br>Billy Molokeng’s South African artworks are appreciated by thousands and are<br>part of many private and public collections both in South Africa and abroad.

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Bing und Gröndahl Porzellanfigur „Der kleine Spieler“ um 1960, 2402. 5 Zoll hoch, ohne Risse, Chips, Restaurierungen oder Haarrisse B8

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Bing and Grondahl Boy feeding chickens figure 6.5" No cracks, chips,<br>restorations, or crazing<br>b36

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Bing & Grondahl dog B&G 1676 Bulldog Design Dahl Jensen, Very nice Royal<br>Copenhagen Bing & Grondahl Bulldog figurine numbered "1676". Displays extremely<br>well and in very nice condition with no chips or cracks! 3 1/4 inches tall, 4<br>1/4 inches in length, and 1 3/4 inches wide. Very nicely designed Bulldog<br>featuring one "chewed ear" (part of the design). Signed underneath: "MADE IN<br>DENMARK" "B & G" "1676"<br>tw162

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Bing and Grondahl Girl Holding baby figure 8" tall with no damage or wear.

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Bing and Grondahl Girl with cat figure 5" wide x 4" tall with no damage or wear.

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Bjarne Meyer (1896-1949) and HK Denmark Brooch. Selling the two brooches shown, largest 2 1/8". The HK could be Henning Koppel whol worked for Jensen, both top quality and from the same collection. Bjarne Meyer, a silversmith that did work for Kalo, Art Metal Studios, Georg Jensen and Gorham silver.Not much is known about him personally, but his work is sought after by arts and crafts and Chicago silver collectors. anderas

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Blackhorse Native American Sterling, turquoise, gold filled bolo tie. Solid sterling slide and tips with thick gold over the sterling on the bezel and back, weight and measurements in pics.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Blackinton 14k gold/Sterling silver hand hammered pendant necklace. Very high quality with no issues. Weight and measurements in pictures. 18" necklace, Pendant is hand hammered with a very thick gauge solid 14k gold sphere. 1862 R. Blackinton & Co Founded North Attleboro, MA As the Civil War raged, Roswell Blackinton (Susanne Ross Blackinton-Juaires great-great-grandfather) co-founded R. Blackinton & Co with Walter Ballou; a full silver house that specialized in silver and goldsmithing, engraving, enameling, metal spinning, and more. The company stands as a significant chapter in the history of American silverware and jewelry manufacturing. Into the early 20th century, R. Blackinton & Company increased its lines to include, at various times, sterling silver jewelry, dresser ware, fancy table pieces, novelties, and 14 karat gold merchandise. In 1937, the company added an exclusive line of fine Sterling flatware and hollowware for retail jewelers. It remained for over 100 years under the management of its founding families until its sale in 1967. One of the companys notable achievements occurred in the mid-1960s when their Marie Louise flatware pattern was selected by the U.S. State Department. This elegant design was chosen for use in all United States embassies around the world, serving as a testament to the companys reputation for producing items of exceptional quality and design. A heritage of quality craftsmanship that S. R. Blackinton continues today.

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Blau-weißes Steingut-Werbe-Nudelholz aus Cameron, Texas um 1905, 7 7/8" breit x 3 1/8" tief. Keine Risse, Chips oder Restaurierungen. Auf dem Bild sind zwei kleine Glasurflecken zu sehen, keine große Sache. Keine Griffe, aber sie können von einer Holznadel abgenommen werden.

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Ich werde eine schöne Sammlung von Zeichnungen und Gemälden von Amy Freeman Lee auflisten, die nirgendwo anders angeboten wurden. Dies sind alles Originale, die bei ihrem Tod geerbt wurden und aufbewahrt wurden. Boating to Windward Aquarell Amy Freeman Lee gelistete Künstlerin San Antonio, Texas (1914-2004) 25,5" x 30,5" gerahmt, 19" x 25" Visier. Keine Probleme. Zur Kunst, sauberer Rahmen. Amy Freeman Lee (1914-2004) Lee stammte aus Seguin, Texas und wurde eine ständige Bewohnerin von San Antonio. Als autodidaktische Aquarellistin half Lee 1949 bei der Gründung der Texas Watercolour Society. Ihre Werke wurden in Mexiko-Stadt und in Wanderausstellungen ausgestellt, die von der Smithsonian and California National Watercolour Society organisiert wurden. Sie arbeitete als Kunstkritikerin für die San Antonio Express-News und den Radiosender KONO. Sie stand im Mittelpunkt einer CBS-Dokumentation aus dem Jahr 1984 mit dem Titel Reality is Becoming. Ihre Werke sind in den Sammlungen der University of Texas at Austin, des Norfolk Museum of Arts and Sciences und der San Antonio Art League enthalten.

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Bob Banford Strawberries with blooms lampwork paperweight. No damage or wear 3.25" wide x 2 5/8" tall.American paperweight artist Robert “Bob” Banford (1951– ), together with his father, Raymond Banford (1918–2003), developed a mutual interest in paperweights while Bob was a teenager. Bob received a torch as a high school graduation present from his father in 1971 and apprenticed for a year as a scientific glassblower while teaching himself how to make paperweights. After the Banfords produced their first saleable weights in 1973, they formed R. Banford, Inc. in their native New Jersey, where they made and sold their own paperweights and art glass, in addition to antique paperweights. Banford retired from weight making in 2006 and resides in the Florida Keys.

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Bobby Johnson Navajo Sterling Dornröschen-Türkis-Cluster-Anhänger, Gewicht: 20,4 Gramm, | Abmessungen: Anhänger: 1,75" x 2,5" Keine Probleme oder Schäden.Bobby Johnson kommt aus Church Rock, New Mexico. Er begann in den frühen 70er Jahren mit der Silberschmiedekunst unter der Anleitung seiner älteren Brüder und Schwestern, die ebenfalls erfahrene Silberschmiede sind. Bobbys Liebe zu Türkis und Silber veranlasste ihn, sein Lebenswerk zu wählen, und er begeistert weiterhin Liebhaber von Schmuck der amerikanischen Ureinwohner mit seinen einzigartigen Designs und traditionellen Techniken.

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Bobby Lujan Taos Pueblo (1922-2012) silver Branch coral and turquoise pendant/pin. 1 7/8" x 1 5/8".<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Boehm Egyptian Revival Egypt Salutes 1976 Bicentennial Large Porcelain Plaque.<br>Very large plaque total measurement with frame is 17.5" x 12". It's a high<br>relief plaque. No damage or wear, super high quality, lots of gold and platinum.<br>Retail price was $1950 45 years ago, it was limited to 250 and sold out being<br>retailed through museums.

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Boehm-Porzellan-Lamm und Sau-Ferkel. Keine Risse, Chips oder Restaurierungen. Längste 5,5" Biografie von Edward Boehm: 1950 eröffneten Edward und Helen Boehm ein Kellerstudio in Trenton, New Jersey, und Ed schuf Skulpturen im realistischen Stil, die so viel Bewunderung fanden, dass zwei von ihnen 1951 in die Sammlung des Metropolitan Museum of Art aufgenommen wurden. Bis zum Ende des Jahrzehnts war Boehm in elf weiteren Museen vertreten, darunter im Buckingham Palace, im Elysee-Palast und im Vatikan. Heute befinden sich die Porzellane in 134 Museen und Institutionen auf der ganzen Welt isshelf

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Boehm-Porzellan, Rosa, American Express Rose, hergestellt in den USA. Keine Risse, Chips oder Restaurierungen. 7,25 Zoll lang, nicht einmal die kleinste Flocke, und es wird mit der größtmöglichen Sorgfalt verpackt, die man sich nur vorstellen kann. Biografie von Edward Boehm: 1950 eröffneten Edward und Helen Boehm ein Kellerstudio in Trenton, New Jersey, und Ed schuf Skulpturen im realistischen Stil, die so viel Bewunderung fanden, dass zwei von ihnen 1951 in die Sammlung des Metropolitan Museum of Art aufgenommen wurden. Bis zum Ende des Jahrzehnts war Boehm in elf weiteren Museen vertreten, darunter im Buckingham Palace, im Elysee-Palast und im Vatikan. Heute befinden sich die Porzellane in 134 Museen und Institutionen auf der ganzen Welt isshelf

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Maße: 3,5" breit x 2,75" hoch. Ich glaube, hinter den auf der Rückseite gemalten Witwen ist Perlmutt. Garantiert etwa 100–120 Jahre alt und wunderschön. Keine Risse oder Chips oder Abnutzungserscheinungen an der Emaille, festes Scharnier, lässt sich fest schließen. Tw97

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Maße: 7,5" breit oben x 16,75" hoch. Garantiert etwa 110–130 Jahre alt und wunderschön. Keine Risse oder Chips oder übermäßige Abnutzung der Emaille. Eine kleine Kerbe an der Innenseite des Sockelrandes. Einige Gebrauchsspuren an der Vergoldung am Rand und am Fuß. Dieses Stück ist das tiefste Cranberry, das ich je gesehen habe. Rubinrot mit einem Hauch Cranberry.

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Borghese Terracotta Cherubs set of 3. Selling the three shown 8.25" tall with no cracks, chips, or restorations. Minor wear to gilding on bases. TW246

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Boyd Ashley Nevada New Lander Chalcosiderit schwerer gestempelter Sterling-Anhänger. Gewicht: 36,6 Gramm | Abmessungen: Anhänger: 1,25" x 4" Keine Schäden oder Probleme.

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Boyd Tsosie Navajo 14k gold, diamond, opal, and coral beaded necklace. All of the metal on this necklace is tested and guaranteed solid 14k gold, weight and measurements in pictures. No issues, circa last quarter of the 20th century. Natural Opal and Mediterranean coral beads and inlay outside the pendant. My monitor is off, but these pics look really bad to me. It‘s gold, it‘s beautiful. Boyd Tsosie is a jeweler who draws inspiration from the rich heritage of his Navajo traditions. Born in 1954, he has been making jewelry since he was sixteen years of age. In 1979, Boyd Tsosie was only 23. He was already among the top echelon of Southwestern jewelers / silversmiths (both past and present). Boyd was featured in Arizona Highways along with other greats like Jesse Monongye, his brother Richard Tsosie, Gibson Nez, James Little, and Larry Golsch. These Navajo silversmiths all would go on to build fine reputations and set the standards you see today for Southwest jewelry. Kenneth Begaye, a teacher at the Navajo Community College on the Navajo Reservation, inspired Boyd at a young age. Boyd gives credit to Kenneth for teaching him his trade. Kenneth Begay has been deemed the father of modern Navajo jewelry. Before Kenneth Begay, Navajo Indian Jewelry was much like it had been for the past 100 years. Navajo jewelry had a strong Spanish influence. Which is entirely understandable since it was a Mexican silversmith (who learned from the Spanish) that taught the first Navajo to work silver. Boyd considers Kenneth Begay a major influence and carries on today the work of Kenneth Begay. Boyd Tsosie continues to move Navajo jewelry forward and he, like Kenneth Begay, generously shares his knowledge with other silversmiths. Boyd, working with his brother Richard, first gained widespread recognition for his soldered flower and leaf designs. Later, he moved his jewelry designs to a more complex, contemporary look. Over the years Boyd has developed a contemporary style of work primarily in 14K gold combined with turquoise, coral, lapis, and sugilite. Boyd feels that he is creating “tomorrows tradition in Navajo jewelry by being given the rights and prayers by his elders to create his special pieces. He is featured in Navajo Indian Jewelry and Enduring Traditions by Jerry and Lois Jacka and North American Indian Jewelry and Adornment by Lois Dubin. In recent years, Boyd and his son have given back to the Navajo Nation with a nonprofit to give counsel and help to those with substance challenges.

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Boyd Tsosie Navajo silver smoky Bisbee turquoise modernist pendant. Weight and measurements in pictures. Very attractive stone in this pendant that I believe to be Bisbee. Boyd Tsosie is a jeweler who draws inspiration from the rich heritage of his Navajo traditions. Born in 1954, he has been making jewelry since he was sixteen years of age. In 1979, Boyd Tsosie was only 23. He was already among the top echelon of Southwestern jewelers / silversmiths (both past and present). Boyd was featured in Arizona Highways along with other greats like Jesse Monongye, his brother Richard Tsosie, Gibson Nez, James Little, and Larry Golsch. These Navajo silversmiths all would go on to build fine reputations and set the standards you see today for Southwest jewelry. Kenneth Begaye, a teacher at the Navajo Community College on the Navajo Reservation, inspired Boyd at a young age. Boyd gives credit to Kenneth for teaching him his trade. Kenneth Begay has been deemed the father of modern Navajo jewelry. Before Kenneth Begay, Navajo Indian Jewelry was much like it had been for the past 100 years. Navajo jewelry had a strong Spanish influence. Which is entirely understandable since it was a Mexican silversmith (who learned from the Spanish) that taught the first Navajo to work silver. Boyd considers Kenneth Begay a major influence and carries on today the work of Kenneth Begay. Boyd Tsosie continues to move Navajo jewelry forward and he, like Kenneth Begay, generously shares his knowledge with other silversmiths. Boyd, working with his brother Richard, first gained widespread recognition for his soldered flower and leaf designs. Later, he moved his jewelry designs to a more complex, contemporary look. Over the years Boyd has developed a contemporary style of work primarily in 14K gold combined with turquoise, coral, lapis, and sugilite. Boyd feels that he is creating “tomorrows tradition in Navajo jewelry by being given the rights and prayers by his elders to create his special pieces. He is featured in Navajo Indian Jewelry and Enduring Traditions by Jerry and Lois Jacka and North American Indian Jewelry and Adornment by Lois Dubin. In recent years, Boyd and his son have given back to the Navajo Nation with a nonprofit to give counsel and help to those with substance challenges.

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BPOE Nr. 30 New Orleans Elk Lodge Restaurant Chinesische Eierbecher aus dem frühen 20. Jahrhundert, sehr ungewöhnlich. Das kleine Exemplar weist an der Außenseite einen kurzen Haaransatz auf, der nicht bis ins Innere reicht. Es sind also eigentlich nur fleckige Flecken. Keine anderen Probleme. Verkaufe beides.

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Tolles Set früher Kerzenleuchter mit schöner Patina. Lässt sich wirklich gut reinigen, ohne zu viel Arbeit. Garantiert aus dem 19. Jahrhundert. Dies ist ein anderer Stil als die vielen, die ich besessen habe. Sie sind 8,25 Zoll groß. Bei einem fehlt der Knopf am Liegestütz und beide sind mit Wachs verklebt.

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Brenda Schoenfeld Modernist mexikanischer Sterling-Anhänger/Halskette. Halskette und Anhänger testeten Sterling, ich konnte keine identifizierenden Markierungen auf der Halskette finden. Sie sind nachlassfrisch und wurden zusammen gefunden, als sie gefunden wurden. 42,9 Gramm Gesamtgewicht, Anhänger ist 2 Zoll hoch. Nach ihrem Abschluss an der TCU machte sich Brenda daran, sich einen Namen zu machen. Sie arbeitete im Einzelhandel in Dallas, Texas, und versuchte gleichzeitig, einen Großhandelsbetrieb für ihren eigenen Silberschmuck und ihre Gürtelschnallendesigns aufzubauen. „Ich ging buchstäblich von Tür zu Tür zu den Geschäften und sagte: ‚Hallo, möchtest du dir meine Kollektion ansehen?‘ “, erinnert sich Brenda. „Ich trug den Gürtel und alles, und sie sagten: „Ich mag deine Ohrringe.“ Wo ist Ihr Ausstellungsraum?' Ich sagte: „Genau hier!“ „Innerhalb weniger Jahre wurde ihre von Taxco gefertigte Accessoires-​Linie in 2.000 Geschäften im ganzen Land verkauft, darunter Neiman Marcus und ihr eigener Lovers Lane-Shop.

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Sterling Silber | Echtes Türkis | Santo Domingo Pueblo Türkis & Silber Halskette | Schmuck der Navajo-Indianer aus dem Südwesten der USA | Gewicht:46 Gramm, | Abmessungen: Halskette: 14" Länge, 1,25" x 2,25" Anhänger. Signiert mit Brihilda Crispin, dem Mädchennamen von Brihilda Coriz, es handelt sich also um einige ihrer früheren Arbeiten, bevor sie Frank heiratete. Die türkisfarbenen Heishi-Perlen sind von 5 mm bis 8 mm abgestuft.

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Britisches Porzellan-Fruchtkompott mit Schmetterlingen, um 1850, 24,1 x 8,9 cm, keine Risse, Chips oder Restaurierungen. Nahezu perfektes Gold, einige Gebrauchsspuren und Kratzer auf der Oberseite. Sehr attraktiv. Handbemalt, möglicherweise über eine Übertragung.

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Bronzene Stammesmaske Afrikaner. Nachlassfrisch. Die Kinder, die jetzt in den Sechzigern sind, erinnern sich daran, dass es immer da war, also ist es mindestens 50 Jahre alt, wahrscheinlich älter. Ich habe keine andere Herkunft. Es hat eine alte Restaurierung und eine anständige Patina, daher denke ich, dass es ziemlich alt ist. Keine weiteren Schäden, nur der restaurierte Bereich im unteren Teil. 13" hoch x 8" breit.TW10

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Bronzene Buddha-Skulptur, 21,6 cm hoch x 15,2 cm breit, frischer Nachlass aus einer alten Sammlung. Ich bin mir nicht sicher, wie alt, aber ich glaube, es ist die erste Hälfte des 20. Jahrhunderts.

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Bronzefarbener Tafelaufsatz aus Dore-Kunstglas mit Fuß. 9,75" hoch x 9" breit, ohne Beschädigung, deutliche Gebrauchsspuren am Gold-Dore-Finish am Bronzehalter. Wirklich schön aussehendes Stück Glas, innen und außen schillernd. Ich konnte keine Erkennungszeichen auf dem Halter oder dem Glas finden.tw187

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Bronzemontierter Kreuzanhänger aus Holz mit modernistischem Anhänger aus polnischem Sterling/baltischem Bernstein. Verkaufe beide Anhänger: 4,5 Zoll hoch aus Bronze und Holz, 3 Zoll hoch, modernistisches Sterlingsilber mit Bernstein. Kleine Delle in der Basis des Sterlingkreuzes und einige Gebrauchsspuren am Bernstein-Cabochon. Verkaufe beide Teile zum gleichen Preis.

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Bruder und Schwester, geschnitzte Holzbüstenstatue von Florentino Hensen Guagua Pampanga, philippinischer Künstler, Mitte des 20. Jahrhunderts. 21,5" hoch x 9,5" hoch. Besser kann Holzschnitzerei nicht sein, dieser Typ war großartig. Klingt, als hätte er auf den Philippinen mit 23-Fuß-Statuen und dergleichen großartige Arbeit geleistet. Sehr schwer und ohne Probleme.

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Das Eitempera-Gemälde ist 8" x 10" groß, der Rahmen ist 13,75" x 15 3/8". Der Aucklander Künstler Bruce Harvey ist einer der bekanntesten Vogel- und Tiermaler Neuseelands. Seine Gemälde werden in öffentlichen und privaten Sammlungen auf der ganzen Welt ausgestellt. Er stellt in den Kennedy Galleries in New York und in den Country Stores Galleries in Texas aus. Zu den Sammlern seiner Werke gehören: Frau Lyndon Johnson, der ehemalige Finanzminister John Connelly und der Gouverneur von Hawaii, Herr George Ariyoshi. TW89

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Buchschmid & Gretaux Intarsienarbeit aus Intarsien aus Holz, Deutschland, Schornsteinfeger und seine Tochter. 12,5" x 10,25" ohne Beschädigung oder erkennbare Abnutzung. Das Inlay-Unternehmen B&G hatte seinen Sitz in der Provinz Stuttgart-Vaihingen, Deutschland, und stellte seinen Betrieb im Jahr 1910 ein. GRETAUX WAR DER KÜNSTLER UND HERR. BUCHSCHMID WAR DER HANDWERKER, DER DIE ENTSCHEIDUNGEN FÜR DIE ENTWÜRFE SEINES PARTNERS TRAF. BEIDE SIND VERSTORBEN UND ALLE VERMÖGENSWERTE DES UNTERNEHMENS WURDEN IM JAHR 2005 SÄMTLICH VERKAUFT. IHRE WERKE SIND HOCHWERTIGE SAMMLERSTÜCKE, DA DIE HERSTELLUNG NOCH WEITERE DIESER UNGLAUBLICHEN ARBEITEN FACHHANDWERKER ABGESCHLOSSEN SIND. DIE VON IHNEN ANWENDETE METHODE WAR UND IST NOCH ALS „DEKORPIER“-METHODE BEKANNT. B&G fertigte und verkaufte viele seiner Stücke an Eisenbahngesellschaften und Reedereien, um Waggons und Prunkräume aus den frühen Jahren des 20. Jahrhunderts zu schmücken. SIE WURDEN WELTWEIT VERKAUFT. Sie vermarkteten ihre Panels an amerikanische Soldaten, die in den 50er, 60er und 70er Jahren in Militärstützpunkten in Westeuropa dienten. tw254

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