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26" Large Dan Simplicio Zuni turquoise/sterling silver squash blossom necklace

Beschreibung

Large Dan Simplicio Zuni turquoise/sterling silver squash blossom necklace. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa 1940‘s to mid 20th century. No detectable markings other than CG Wallace code on back of Naja, 26" long.
Dan Simplicio (1917-1969) is best known for innovative turquoise and coral settings as well as his impeccable silver work. Dan worked at C.G. Wallace’s trading post and ultimately Wallace became one of the biggest Simplicio collectors. He used branch coral it its natural form, which was unheard of during this time period. He innovated the natural coral and turquoise style of jewelry while simultaneously excelling with his silver work. He was also a master of inlay, which he did only in his formative years of which we have few examples of today. Simplicio worked with silver in a very interesting way, a way that his son credits to his time overseas in WWII. He was influenced by the French, German and Italian use of leaf patterns. It is this leaf work that sets Simplicio’s pieces apart from traditional Zuni work.
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$6,500.00 Exkl. MwSt

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    Beschreibung

    Large Dan Simplicio Zuni turquoise/sterling silver squash blossom necklace. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa 1940‘s to mid 20th century. No detectable markings other than CG Wallace code on back of Naja, 26" long.
    Dan Simplicio (1917-1969) is best known for innovative turquoise and coral settings as well as his impeccable silver work. Dan worked at C.G. Wallace’s trading post and ultimately Wallace became one of the biggest Simplicio collectors. He used branch coral it its natural form, which was unheard of during this time period. He innovated the natural coral and turquoise style of jewelry while simultaneously excelling with his silver work. He was also a master of inlay, which he did only in his formative years of which we have few examples of today. Simplicio worked with silver in a very interesting way, a way that his son credits to his time overseas in WWII. He was influenced by the French, German and Italian use of leaf patterns. It is this leaf work that sets Simplicio’s pieces apart from traditional Zuni work.
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