Vintage French Red and White Enamel Kitchen Canisters Cafe, Sucre, Chicoree circa mid 20th century Graniteware. Cool vintage set, they were marked on the base but it appears someone scratched off the marks. I've seen this with a lot of things over the years. I've found unmarked Steuben glass signed Tiffany and vice versa, can't always explain it. Regardless, they are cute and have some age on them. Nice practical use every day sizes with the largest being 6" tall x 4.25" wide. B36

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Antique Chinese Yixing Zisha Teapot Pewter Mounted Hand Enameled Decoration.<br>Incredible piece untouched mid to late 19th century. It should clean up nicely<br>but it just looked so cool like this I didn't want to mess with it. 6.5" tall x<br>9" wide with spout. I has four very old and very tight short hairlines right on<br>the baserim. It's still structurally sound, still holds water. This is a really<br>tough piece that I guarantee has made a lot of tea over the years. No other<br>cracks, chips, or restorations.<br>tw95

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c1900 German Porcelain Figures Antique Dealers Peasant Couple 8.5" tall very interesting couple of figures that are hauling a lot of junk on foot. They are early 20th century. Both marked with a crown mark. No cracks, chips, or restorations on either piece. Very slight glaze loss on two of mans fingers and tiny spots near mark on woman. Near mint and about 100 years old.

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3 Early Boy Scout whistles. Selling all three from the first half of the 20th<br>century. All three work with no significant issues. longest is 3".<br>tw1

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1950's Mexican Coin Art Ashtray. Made from 1940's and 50's coins, made in the<br>fifties or sixties. 4 1/8" wide with no issues.<br>tw7

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1940's Shawnee Pottery Wall Sconce Lamps. These are very difficult to find, especially in a pair. Marked USA but they are 75 or so year old Shawnee. No cracks, chips, restorations, or crazing, they work. 7" tall and they will stick out 6" from the wall. tw137

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1920's Awaji Japanese Deco Art Pottery Vase Tubelined Squeezbag Decoration in the Style of Moorcroft. Very unusual and wonderful piece. Period art deco, signed Made in Japan and the Awahi Kiln Mark. The outlines of the hand painted decoration are Tubelined. 7.5" tall x 7.25" wide at rim. No cracks, chips, or restorations, some expected crazing, but no stains. While the decoration is also Gouda style, this is really next level quality with the tubelined squeezbag and the great matte glaze. In my opinon this would be a Book Cover type example for a few diferent collecting areas, it's fresh to the market for the first time since the internet. Awaji pottery has got its name after the Japanese island at which it was made during a period of about one hundred years, between 1830 and 1939. Most of the pieces we find are made from the mid 1870's when Awaji began to export its products, to the mid to late 1930's when the last of the kilns closed. Earlier wares from the active period of this kiln catered to the Asian taste and could be found imitating Chinese monochromes from the Kangxi period and later. Wares from the turn of the century, the shapes got more inspired by the western art movement such as Art Deco (Jugend) and Art Noveau. Awaji pottery is usually hand thrown. The body is made of high-fired, white or cream colored clay. Footrims can vary from pink or buff to white or grey. The glazes are lead based and often brilliant in tone. They are typically translucent and have a fine crackle. The lead in the glaze gives the colors brilliance and makes the translucent enamels glassy and often iridescent. Most common are the green and yellow Awaji monochromes. The yellow can range from pale lemon to deep amber but also cobalt blue, aubergine, light green, blue, light and dark turquoise, mirror-black, and burdy occurs. Other wares can feature two-tone glazes, three-color glazes that are very similar to Chinese sancai), pieces, with incised decoration (most commonly featuring iris flowers), and applied relief decoration. Also more gaudy examples from the last decade are Flambé and drip glazed wares similar to Japanese Sumida and Chinese Shiwan pottery, or later Jindezheng Jun or transmutation glazes, with generous layers of thick glaze B35

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1940's Period Art Deco Butterscotch Bakelite Necklace and Brass Mixed Metal<br>Pendant. This is a great piece with a fantastic no brainer patina to both the<br>bakelite and the brass chain/pendant. This is a great design that I'm sure can<br>be attributed to someone but I don't have time to research things, though I'd be<br>grateful for some input. The necklace is 26" and the pendant hangs another 2<br>5/8". This thing even looks great on me, it's a really classy period statement<br>piece.

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c1900 Roberts, Johnson & Rand Brown Leather High Top Lace-up Boots. Missing 5<br>buttons but still incredible. 9.25" heel to toe x 10" tall. They look great but<br>are over 100 year old leather so obviously not perfect. I think these are about<br>a size 5.5 as my wife wears 6 and they are too small for her, they are really<br>narrow as most shoes where back then.<br>isshelf

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1890's T&V Limoges Porcelain Plaque Hand Painted Depicting Jesus with a crown of Thorns in incredible frame Tressemann and Vogt . Incredible piece rare to one of a kind. 14.25" diagonal framed with a 5.25" plaque. No significant issues to frame, no issues with plaque. 30 years or so ago someone did a funny job of securing the plaque in the frame. I'm leaving it this way because the plaque is obviously not damaged and I uncovered just enough to reveal the mark, there is likely an artist signature somewhere but I don't think it matters because it is obviously an accomplished artist. B32

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Vintage Shiva Nataraja Bronze Statue 9.25" x 7.5". From the first half of the<br>20th century, nice solid bronze figure with excellent patina and no issues.<br>B32

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1940's James Kent 4002 Chintz Lot of Trinkets and Sugar and Creamer. Selling the whole lot. Creamer is 4.5" wide, Little dishes are 3.5" wide. No cracks, chips, or restorations, expected crazing on earthenware. B32

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Randy Strong 1998 Studio Art Glass Heart Dichroic Paperweight. No cracks, chips,<br>scratches, or dings. 3.25" x 2.75"<br>b31

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15th Century Thai Sawankhalok celadon Tall bottle or Vase with incised<br>decorations 15th century or older 4" tall one handle looks to have very old<br>restoration, tiny chip on top rim, no cracks or other issues.<br>b31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older 2 5/8" tall no significant damage, tiny chips on unglazed footrims, no cracks, no restorations. B31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older<br>2" tall no significant damage, no cracks, no restorations.<br>B31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older<br>2" tall widest is 2.5" . Decorated one has tiny chip on footrim, no other<br>cracks, chips, or restorations.<br>B31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older 2 3/8" tall no significant damage, tiny chips on unglazed footrims, the one with handles has a very old restoration on top rim and one handle. no cracks. b31

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15th Century Thai Sawankhalok Kiln Celadon Jar. 3.75" tall x 4.5" wide, red low fired clay, some firing glaze flaws on top likely from overstacking the kiln. B31

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1950's Vintage Matchbooks Marlboro Phillip Morris 66 Cafe Chex Gum and More. Selling the 17 matchbooks shown from the 1940's and 50's. Some have been used some haven't, they are in the condition shown they are regular sized matchbooks. B12

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1950's Coca-Cola Dr Pepper 7 up RC Chewing Gum Matchbooks. Selling the 10 matchbooks shown from the 1940's and 50's. Some have been used some haven't, they are in the condition shown they are regular sized matchbooks. B12

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c1960 Su Casa Chicago Restaurant Ashtray Tlaquepaque Mexican Folk pottery . 7 3/8" wide rare and unusual. No cracks or chips but some glaze surface wear as expected and shown. tw130

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Antique Austrian Bronze Miniature Gnome figure. Guaranteed late 19th to early 20th century, minor oxidation that I didn't try to clean. 2" tall and unmarked heavy solid bronze. tw135

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c1940s Tlaquepaque Mexican Folk Man by barrel. Very unusual and super whimsical piece. 8" tall, there is a chip on the back top of his hat and his head has been glued back on long ago. Still great and rare. b30

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1919 American Tramp Art Sewing Box with Pincushion Top Dated WW1 Era 8.25" x<br>6.5" x 5.25" tall. Very minimal wear as shown, not a distraction, no significant<br>issues. Made from cigar boxes as shown from the exposed section on the base.<br>From a San Antonio, Texas estate.<br>The first picture is actually the back of the box with the initials on the front<br>and the date on the back.<br><br>Tramp art<br>Tramp art is a style of woodworking which emerged in America the latter half of<br>the nineteenth century. Some of tramp art's defining characteristics include<br>chip or notch carving, the reclaimation of cheap or available wood such as that<br>from cigar boxes and shipping crates, the use of simple tools such as penknives,<br>and the layering of materials into geometric shapes through glue or nails. One<br>technique used in tramp art is Crown of Thorns joinery.<br><br>History<br>Although widespread use of wooden cigar boxes in the 1850s sparked involvement<br>in tramp art, it was most prevalent during the Great Depression. Tramp art was<br>made around the world but it prospered in the United States. Examples can be<br>found in every state. The most common forms were the box and the frame and<br>although there were no rules or patterns to lend commonality in the artists’<br>work there were objects made in every conceivable shape and size including full<br>sized furniture and objects of whimsy.<br><br>Tramp art was a democratic art form made wherever the raw materials used in its<br>construction were found. It appealed to men who might have made an important<br>body of work such as ‘Sunflower’ artist John Martin Zubersky (active c. 1912 –<br>1920) or the wonderfully expressive wall pockets by John Zadzora (active circa<br>1910) but also to men who might have made one piece in their lifetime. It was<br>easy to make and appealed to anyone who had a desire to take a pocketknife to<br>wood.<br><br>There were countless men, some women, and even children who historically<br>constructed tramp art.<br><br>Origins of the Term<br>A 1959 article by Frances Lichten in Pennsylvania Folklife used the term "tramp<br>work" to describe crafts constructed from waste materials such as discarded<br>cigar boxes and assembled with a penknife. Contemporary scholars and art dealers<br>such as Clifford A. Wallach have noted that while this art form may have been<br>practiced among America's itinerant population, it was by no means unique to<br>them and was practiced by factory workers, farmers, and laborers in other<br>occupations.<br><br>In 1975 Helaine Fendelman published the first book on tramp art, Tramp Art an<br>Itinerant's Folk Art. The book acted as a catalog to the first museum show on<br>the art form sponsored by the American Museum of Folk Art.<br>b30

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c1920 Art Deco James Deakin and Sons Cut Crystal Biscuit Barrel. No cracks, chips, or restorations, no wear to plating. 7.5" tall without handle x 5.5" wide. B30

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Brother and Sister Carved Wood Bust Statue by Florentino Hensen Guagua Pampanga<br>Phillipino Artist Mid 20th century. 21.5" high x 9.5" high. Wood carving doesn't<br>get any better than this, this guy was great. Sounds like he did some great work<br>in the the Phillipines with 23 feet statues and such. Very heavy with no issues.

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Huge Antique French/Bohemian Cobalt Cut to clear Heavy gold Vase. This is a<br>really big monster of a vase circa late 19th to early 20th century with no<br>cracks or chips, minor gold wear in one spot shown in pics. I'm feeling this is<br>likely French, possibly Val St Lambert, Baccarat, or St Louis. I'm also listing<br>a vase from the same estate with a similar pattern in red.<br>TW102

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Early Chinese Brownware Jarlet Likely Ming from a collection of mostly Ming Chinese ceramics put together in the mid 20th century. 3.25" tall with tiny flake on top rim and tiny flake on bottom rim. No other chips, cracks, or restorations. TW133

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Antique Hand Painted Limoges Lamp Mothers and Daughters and Children in the Snow<br>Scenes. I didn't take it apart but I'm 100% sure it's either Limoges or Bavarian<br>porcelain from the late 19th to very early 20th century. It's a very special<br>piece, likely originally an oil lamp base. All the hardware is from the last<br>20-30 years, works perfectly and no damage to porcelain. 13.5" tall to brass<br>collar before stem goes up, 25" tall to the top where the shade goes, the lamp<br>is 5.25" wide.<br>TW133

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Early Asian brownware bowl 9" wide x 2 3/8" tall with minimal wear and no<br>restorations from a collection of mostly Ming Chinese ceramics put together in<br>the mid 20th century.<br>b25

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Early Chinese Water Dropper Sancai Glaze Man on Carp. Overall wear to glaze,<br>this is a really old piece fresh from a collection that was mostly Ming period<br>Chinese but also had some Thai, Korean, and other Asian Ceramics from the same<br>timespan. There were a few tang pieces, this has a very old restoration to the<br>fishes head that's the only damage I could find. 4.25" long x 2 5/8" tall.<br>TW130

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2 Ming Chinese Stoneware Small Jars. One a Black brown glaze 3.75" that's a<br>little dirty, maybe barnacle residue as I think part of the collection was<br>shipwreck items from a collection of mostly Ming Chinese ceramics put together<br>in the mid 20th century. No cracks, chips, or restorations.<br>tw132

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Early Chinese/Asian Porcelain Jarlets and miniature bowl tallest 2 5/16" from a<br>collection of mostly Ming Chinese ceramics put together in the mid 20th century.<br>3" wide bowl has two chips on rim and one on footrim. No other cracks, chips, or<br>restorations.<br>TW132

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2 Ming Chinese Blue and White Jarlets. They are 3.75" and 3.5" high Both have<br>some old stable cracks as shown, no chips or restorations.<br>TW132

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Ming Chinese Celadon Plate with Lotus Motif. Lots of heavily carved decoration, heavily potted. 10.5" wide. 3 Hairlines as show with old restoration at one. No chips. Nice early Ming barbed edge plate. TW132

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Early Celadon Stoneware Bowl with incised Decoration From a collection of mostly<br>Ming chinese porcelain but some other asian ceramics mostly from the same era.<br>Possibly Korean, I'll try to find time to research further later, but now I have<br>a lot to list. 6.5" wide x 2.75" deep with no cracks, chips, or restorations.<br>TW132

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Early Celadon Stoneware Water Dropper in Teapot Form 3" tall x 3.5" handle to spout. Even with UV light I'm not 100% sure, but I think there may be a very old, very good restorations to the handle. From a collection that was mostly Ming period Chinese but also had some Thai, Korean, and other Asian Ceramics from the same timespan. TW130

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Ming Dynasty Chinese Celadon plate with incised Floral Motif 7 5/8" wide. There<br>is crazing throughout and it difficult to tell, but some of it may be a<br>fracture. Regardless it's stable and no chips, or restorations. I was told it's<br>15th century. From a collection I'm helping disperse that was put together in<br>the 1950's and 60's by a woman who is now 96.<br>TW130

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Ming Dynasty Chinese Barbed Edge Celadon Bowl with incised Lotus Decoration 7.5"<br>wide x 3" deep. There is a section about 6.5" wide that was broken and later<br>restored long ago. It is still very attractive and genuine, I believe a<br>competent restorer could do a better job with modern technology. No other<br>cracks, no chips, no restorations. From a collection I'm helping disperse that<br>was put together in the 1950's and 60's by a woman who is now 96.<br>TW130

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c1979 Perthshire Millefiori Perfume bottle Paperweight. 6" Tall x 2.75" wide<br>with no cracks, chips, scratches, or internal stains. Perthshire was a small<br>company in Crieff, Scotland devoted to the creation of quality glass<br>paperweights. They were founded in 1968 and stopped production in January 2002<br>after more than 30 years of production. There are three books on Perthshire<br>Paperweights. If you collect Perthshire paperweights, you should have them in<br>your library. There was some dust inside for pics that I didn't notice until<br>later and easily cleaned.<br>tw130

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Baccarat Thomas Payne Sulfide Paperweight. Very few of these paperweights were made, I'm not exactly sure of the date on it, most in the collection were from the seventies. 3.25" wide x 2.5" tall and in mint condition with no cracks, chips, dings, or wear. tw130

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Large Ming Dynasty Chinese Celadon Bowl with Fish. 13 3/8" wide x 3" deep. No<br>cracks, chips, or restorations, some expected wear to front. From a collection<br>I'm helping disperse that was put together in the 1950's and 60's by a woman who<br>is now 96.<br>TW129

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Antique Chinese Ming Dynasty Kendi. One chip on inside rim and very slight roughness on spout. From a very old collection put together in the 1950's and 60's by a woman who is now 96. I'm helping liquidate some of her collection.7.75" tall x 6.5" wide with spout. tw129

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c1910 German Beaded Handbag with Roses. Nice antique over 100 year old beaded handbag in good stable condition. It's not falling apart and only has a few spots of missing beads shown in pics. 11" long with tassels and without chain and 6.5" wide at the frame. TW126

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Vintage Trifari Chunky Runway Gold Tone Choker necklace, Bracelet, and Clip on<br>Earring Set. Really good looking set from the last quarter of the 20th century.<br>The necklace and earrings look like new, there's a little wear to the gold on<br>the bracelet mainly just on the inside on the sharp points. It's not noticeable<br>when worn, just worth pointing out. These are 9/16" wide, the necklace is 16.25"<br>long when worn.<br>tw127

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c1890 Stevens & Williams Cranberry Amberina Threaded Finger bowl set (4).<br>Selling the set of 4 130 year old bowls in near mint condition. I found two of<br>the tiniest pencil lead sized chigger bites to the threading after extremely<br>close scrutiny. One is shown in the center of the last pic. 5.75" wide x 2 5/8"<br>tall. No cracks, chips, or restorations.<br>TW127

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c1890 Amberina Large Footed Rose Bowl in Ribbed swirl pattern. Guaranteed late 19th century with no cracks, chips, or restorations. I've seen this bowl attributed to Mt Washington but don't have time to confirm, it's nice and 19th century and undamaged is what it is. 7" wide x 4.25" tall with a 3.25" foot. TW127

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Vintage Peachblow Art Glass Cruet. Nice hand blown peachblow art glass cruet. It came from a collection of predominately Victorian American art glass, but there were some pieces from other countries and a few mid 20th century Pairpoint items. I can't honestly attribute this to anyone but I know it's not Chinese and I know it's not junk. It could be Murano, Bohemian, or American. Most of the collection was acquired in the 90's or before and much of it came from Earlys' Art glass auction. 7.5" tall x 3.5" wide with handle. No cracks, chips, or restorations. B26

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c1890 Amberina Footed Rose Bowl. Most likely American. No cracks, there is a little roughness on the feet and one actually chip but you have to look so close to see any of it, like 6" away and serious scrutiny. Looks beautiful from all sides, promise. 6" tall x 4.5" wide. b26

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VITTORIA MAZZOTTI (1907-1985) Mid Century Modern Abstract Vase Artist Signed.<br>Really nice piece in flawless conditon. No cracks, chips, restorations,<br>scraches, or crazing. 9" tall x 5" wide. If you recognize the name of the artist<br>please fill me in. The piece was designed by Mazzotti and decorated by the<br>artist that signed it circa 1960's.<br>B26

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derson Pairpoint Peachblow Tall Candlestick in uncommon form. 8.25" tall x 3<br>5/8" wide at base. From the second quarter of the 20th century. It has a diamond<br>scratched P in a diamond on the base which is tough to photograph but if you<br>look close at last picture you can see it highlighted by the uv flashlight. It<br>is a catalogued derson period shape. No cracks, chips, or restorations.<br>B26

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c1890 Amberina Art Glass Footed vase. 5" tall x 3" wide with no cracks, chips, or restorations. Fine quality piece. tw126

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1960's Bing and Grondahl Love Refused Figure Boy and Girl. No cracks, chips, or<br>restorations. 7" tall.<br>B22

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c1870's Saloon Back Bar Liquor Bottles with Etched Gilt Advertising San<br>Francisco Nestor Maryland Rye Gibson's Whiskey Pennsylvania<br>The Nestor Maryland Rye bottle was actually from a distillery named KOPPEL &<br>DWAN that operated in San Francisco, CA 1877-1878, it's extremely rare blown<br>bottle, it's not etched just gold gilding. They're both rare. Largest is 9 1/8",<br>other is 6.75". The Gibson's bottle is engraved with gilding in the engraving.<br>The facets are polished and it has a ground pontil. Originally, Gibson was a<br>producer of American, not Canadian, rye. John Gibson was a western Pennsylvania<br>distiller who started up in the 1830s, and by 1856, according to Canadian whisky<br>guru Davin de Kergommeaux, his operation spanned 40 acres alongside the<br>Monongahela. Once Prohibition rolled around, though, the distillery shut down<br>and was demolished. A New York company called Schenley Industries bought the<br>rights to the Gibson’s name and held onto them until 1972, when Schenley started<br>using it for Canadian whisky produced at a distillery it owned in Valleyfield,<br>Quebec.<br>No cracks or chips, or excessive wear to the bottles. They both have minor<br>mineral deposits in the bottom that I didn't attempt to clean.<br>I May split these up if you care to make a reasonable offer.<br>B22

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1985 Studio Art Glass Vase Abstract "Shadows" Signed. Interesting piece with illegible to me signature. 9.5" tall with no cracks, chips, restorations, or scratches. TW124

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Great looking painting in a shadowbox frame with no issues. I can't make out the<br>signature, but it's a good quality painting that's very well presented. 9" x 13"<br>sight in a 16.5" x 20.5" Shadowbox frame behind glass.

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c1880 Cranberry Enameled Oil Lamp Base. 11" tall x 5.5" wide with no cracks,<br>chips, or restorations. The hole in the base is an open pontil from<br>manufacturing it hasn't been drilled. The top part was blown separately and has<br>no hole, it will hold oil if you wish to put a burner on it and use it as an oil<br>lamp. I probably have a burner if that's an issue to help make the sale so feel<br>free to ask. When I got it the old burner was disentigrated and broken so I<br>discarded it.<br>TW124

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16" c1930 Pink Cut Depression Glass Lamp. Incredible lamp 6" wide at base with<br>no cracks, chips, or restorations. There are some very tiny chigger bites where<br>the hole was drilled for the cord which is to be expected as it's not a flat<br>surface, it likely had a grommet 85 years ago. The lamp and switch work<br>TW95

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Konstanty Mackiewicz (Polish, 1894–1985) Huge Mid Century Modern Forest<br>Landscape Oil on Canvas. Great oil painting with no damage or repair. Measures<br>47" x 35" framed x 39" x 27" canvas. There is minor damage to the frame. It's an<br>old mid 20th century painting.

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c1960 Ercole Barovier & Toso Striato Murano Art Glass Vase. A large 11", complex<br>and uncommon(Documented) form from the mid 20th century. Incredible piece of art<br>glass. Unsigned with no cracks, chips, dings, or restorations. Estate fresh<br>piece.<br>B20

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Retired Royal Doulton Amy Kate Greenway Collection 6". No cracks, chips,<br>restorations, or crazing.

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2 Royal Doulton Flambe Vases with country scenes. Both with no cracks, chips,<br>restorations or scratches. Tallest is 13.5", other is 5.5". The smaller one is<br>very early about 100 years old c1920 and hand painted. The larger is circa mid<br>20th century and a woodcut as stated on the bottom. These are very difficult to<br>photograph at least for me. They're both very beautiful. I'll sell either one<br>individually for $225.<br>B19

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c1940 Meissen Art Deco Cordial Set Liqueur Shot Glass Hand Painted. Very high<br>quality uncommon set with no cracks, chips, or restorations. Very nice simple<br>design. Ground porcelain stopper decanter is 5" tall, shot glasses are 2 1/8"<br>and tray is 8 11/16"<br>B23

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Antique Hand Painted Limoges Lamp w/Neoclassical Woman Playing Lyre. Really nice<br>lamp with no damage in working condition. It's been rewired but the brass base<br>is early 20th century. By the Shape of the porcelain vase I think it may have<br>always been a lamp but have no way of knowing for sure. I did once see a very<br>similar shape in an oil lamp bring close to $2000 at auction, so maybe it was<br>once an oil lamp. I can't find a mark but the quality is unmistakably Limoges<br>French porcelain from the late 19th to early 20th century. Measures 19.5" to top<br>of socket where bulb goes, 27" to the top of the loop (not shown) where the<br>shade will rest, and 14" to the bottom of the brass stem that goes up for the<br>socket.

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c1900 Sioux Quillwork Beaded Tobacco Bag 29.25" long x 6.25" wide. Guaranteed<br>over 100 years old, late 19th to early 20th century authentic Sioux Native<br>American tobacco bag. Minor soiling and wear, very attractive with no<br>significant issues. From a local ex IBM executives estate. My asking price is<br>half what he reportedly paid in the nineties.<br>B12

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African Dogon/ Taureg brass and iron horse ring bit, early 19th c., with<br>engraved geometric designs, approx 12"h, 5"w, 3.5"d, 1.25lbs. Great no brainer<br>patina as shown, guaranteed authentic some small old cracks to brass as shown.<br>B12

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McCabe Sterling Silver Belt Buckle Sunset Trails. Measures 1.75" x 1.5" and fits a 3/4" belt. Good looking old hand engraved cowboy buckle. Selling two pieces shown, keeper isn't marked but obviously matches.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" Vintage navajo Sterling Turquoise cuff bracelet. Nice piece circa mid 20th<br>century, unmarked but tested sterling. 6.5" inner diameter with 1.5" adjustable<br>gap, 2" wide in center 51.3 grams

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c1910 Antique Chinese Blue and Whit Fu Lu Shou Figues Lot. Actually I think<br>they're all Fu. They're a little over 100 years old. They're small with a little<br>damage but still pretty wonderful. Tallest is 5 5/8", smaller ones are 3.75"<br>tall. They all three have a little loss but no cracks or restorations.<br>B12

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1950's Vintage Matchbooks Sun Maid Raisins Nestle Marlin Ambulance Cowboy Bars<br>Budweiser and more. Selling the 18 matchbooks shown from the 1940's and 50's<br>mostly. Some have been used some haven't, they are in the condition shown they<br>are regular sized matchbooks.<br>B12

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1930's Yale Town Padlock From Mount Royal Hotel Baltimore MD with Room key and Tag. This is a cool set I'm certain it's been together since it's beginning. The lock works with the key inside it. This was likely Hotel property as. The Mount Royal Hotel and Apartments were designed in 1899 by the well-respected Baltimore architect, Edward H. Glidden. The Neo-Italian Renaissance style buildings were constructed in early 1900; the 103 East Mount Royal Avenue building served as an upscale hotel and the 101 East Mount Royal Avenue building contained all upscale apartments. Centered in the rich artistic and cultural life concentrated in the then city’s center, Mount Vernon, Baltimore, The Mount Royal Hotel and Apartments were a very desirable place to visit as a hotel guest, or to live in as a resident of the apartments. Once the Pennsylvania Train Station was completed in 1911, The Mount Royal’s appeal only increased, as the property’s location attracted daily commuters to and from Washington, DC. Even in 1911, the train ride from Penn Station to Union Station was just 40 minutes. b12

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Vintage Signed Kosta Boda "Cancan" Series Jug/Pitcher By Famous Swedish Designer<br>Kjell Engman 89147 Signed Kosta Boda No cracks, or chips, no scratches(other<br>than some expected wear to base as it's very heavy), no cloudiness, and no other<br>issues.<br>TW120

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Kosta Boda Sweden Hand Painted Mirrored Glass Sphere Artist Signed. 5" tall x 6"<br>wide. No cracks, chips, restorations, or wear to enamel. A few expected<br>scratches on the base that rests on the table.<br>Tw120

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c1880 Nautical Set Folding with Hand painted Porcelain Inserts Cigar Cutter,<br>Match Holder. Extremely rare item Traveling Ships Pocket sized set from the late<br>19th century. Ships wheel cigar cutter, very nice hand painted porcelain plaques<br>likely bohemian.4 7/8" tall open x 4.25" wide closed x 2.5" tall closed. It<br>would create quite a bulge in a pocket but fit in most. Cigars were really small<br>back when this was made.

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Antique Chinese Filigree Silver Enamel Turquoise and Coral Fingernail Brooch. 3 3/8" long x 5/8" wide with no damage.

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Vintage International Sterling Repousse Rose Pendant. 2 3/8" tall x 1.5" tall. Comes with an unmarked 22" necklace that I believe came with it but I'm not sure if it's solid sterling. I'm selling the pendant and giving you the necklace.

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18th Century Frankenthal Cup. Incredible intricate hand painted decoration, really crisp molding on top. No cracks, chips, or restorations, some small worn gilding spots on rim. 3 1/8" tall x 2 9/16" wide. b12

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1950's Blue Luray Pastels Epergne Flower Frog Vase. No cracks, chips,<br>restorations, or crazing, one spot with a factory glaze skip on rim, not<br>noticeable from top. 8.5" tall x 9.5" wide.<br>tw160

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c1920 Art Deco Czechoslovakia Iridescent Luster Pottery Vase. 10.25" tall, great amphora style piece with strong Art Deco influence. 2 very small shallow flakes on feet, no other chips, cracks, or restorations. tw104

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3 Stangl Pottery Birds figure groups in Mint condition. Selling all three with<br>no cracks, chips, restorations, or crazing. Largest is 9.25" tall. I've examined<br>these very closely, especially the beaks and tails, they're perfect The bottom<br>beak on the largest has a slight glazed over flaw, not a repair. Better than<br>average colors, crisp molding, no touch ups.<br>tw103

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Native American Pottery Micaceous Clay Jar with Lid. Very high quality hand<br>coiled jar with hand stamped decoration. 5" tall x 5.5" wide with no cracks,<br>chips, restorations, or scratches. Marked on base, I'd be grateful if you<br>recognized it and told me who made it.<br>b22

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Ilias Lalaounis (1920-2013) !8k gold on Tigers Eye Easter Egg. Great piece<br>tested 18k gold on cats eye. Unmarked Custom made one of a kind piece created by<br>a master and being offered at a fraction of it's original cost. I also have<br>another listed. No issues.<br><br><br>Ilias Lalaounis<br>From Wikipedia, the free encyclopedia<br>Jump to navigationJump to search<br>Ilias Lalaounis<br>LH OMRI<br>Ilias Lalaounis in 1920.jpg<br>Ilias Lalaounis in 1990<br>Born 4 October 1920<br>Athens, Greece<br>Died 30 December 2013<br>Athens, Greece<br>Nationality Greek<br>Alma mater University of Athens<br>Occupation Jeweler<br>Spouse(s) Lila Altitzoglou<br>Children 4 daughters<br>Ilias Lalaounis (4 October 1920 − 30 December 2013) was a pioneer of Greek<br>jewelry and an internationally renowned goldsmith.[1] He is especially known for<br>his collections inspired by Greek history.[2] In 1990 he became the only jeweler<br>ever to be inducted into the Académie des Beaux-Arts.[3][4]<br><br><br>Contents<br>1 Early life<br>2 Career<br>2.1 1969-1970s<br>2.2 1980s–1990s<br>3 Museum<br>4 Personal life<br>5 Honors and awards<br>6 References<br>Early life<br>Ilias Lalaounis was born on October 4, 1920 in Athens, Greece.[3][4] He was a<br>fourth generation jeweler whose family originated from Delphi.[4] He graduated<br>from the University of Athens, where he studied Political Science and the<br>Law.[3][4]<br><br>Career<br><br>Ilias Lalaounis Jewelry Museum.<br>Lalaounis started his career working for the jewelry business of his uncle,<br>Xenophon Zolotas.[4] In 1940 he took over the administration of the firm, which<br>he managed and designed all jewelry for until 1968.[3] He founded the Greek<br>Jewelers' Association and exhibited his first collection, the Archaeological<br>Collection, at the Thessaloniki International Fair in 1957. It was inspired by<br>Classical, Hellenistic and Minoan Mycenaean art. In 1969 he started his own<br>firm, Greek Gold - Ilias Lalaounis S.A..[4]<br><br>1969-1970s<br>Lalaounis provoked a sensation with his collection Blow Up (1970), draping the<br>human body in gold jewelry inspired by Minoan civilization.[5] The following<br>year he organized an international exhibition of jewelry in Athens, joined by<br>Van Cleef, Bulgari, Rene Kern and Harry Winston. In 1976, he had one of his most<br>important commissions which would prove to be one of the most inspiring for his<br>portfolio. Empress Farah of Iran commissioned Lalaounis to create a collection<br>of jewelry and objects inspired by Persian art, which went on display at the<br>Imperial Palace in Tehran.[6]<br><br>Between 1970 and 1978 Ilias Lalaounis opened stores in most European countries.<br>He opened his first international store in Paris at 364 rue Saint-Honoré, near<br>Place Vendôme and produced a short film explaining the sources of inspiration<br>for the jewels on display. Since then, he regularly produced short films to<br>illustrate his collections, such as: Aube of Art, Byzantine Arcs in Gold,<br>Choreography, The Shield of Achilles, Ilion - The Treasure of Troy, Art and<br>Gold, The Common Roots of the Creator Man, Treasures of the Holy Land.[3] In<br>1979, Lalaounis opened a store in New York on the corner of Fifth Avenue and<br>57th Street. A year later, the Smithsonian Institution invited him to give a<br>lecture on his art and to exhibit his collection The Achilles Shield at the<br>National Museum of American History.<br><br>1980s–1990s<br>Ilias Lalaounis continued to create innovative collections and expand the brand<br>to international markets during the 1980s. On the inauguration of the Lalaounis<br>store in Tokyo, he created a jewelry collection inspired by Japanese art. The<br>same year, he opened a store in Hong Kong where he presented a collection of<br>jewels inspired by the drawings of the Greek geometric period, very similar to<br>the geometric designs of Chinese art. A second store was opened in Hong Kong in<br>1982.[3] Lalaounis exhibited his Helen of Troy collection at the Penn Museum in<br>Philadelphia as well as in Houston, Texas, where he was made an honorary citizen<br>by the mayor.<br><br>In 1984, he published Metamorphoses, a book in which he presented nineteen of<br>his collections by analyzing his philosophy on the nature and function of<br>jewelry. The jewel, for Ilias Lalaounis, is not a simple decorative object,<br>rather it carries a message, is an expression of inner life, a link with the<br>distant past, a symbol and a memory.[3] He received the Thorlet Award (Prix<br>Thorlet) for the book from the Académie des Beaux-Arts. Subsequently, a<br>retrospective exhibition of his creations was presented in the Sorbonne Chapel.<br>For his contribution to the arts, Lalaounis was made Knight of the Order of Arts<br>and Letters (Chevalier de l'ordre des Arts et Lettres) by the French government<br>and Commander of the Order of Academic Palms (Commandeur des Palmes<br>Académiques). He was also elected as a member of the Académie des Beaux-Arts of<br>the Institut de France, the only jeweler ever to be inducted.[3][7] The<br>Academicians' swords (épées d'Académiciens), given to members on their<br>induction, were originally designed by Salvador Dali, and when Dali became too<br>frail to continue, he named his close friend Ilias Lalaounis to continue his<br>work.<br><br>In November 1987, Lalaounis was invited by Teddy Kollek, Mayor of Jerusalem, to<br>present his collection Treasures of the Holy Land, in an exhibition specially<br>organized by the Israel Museum and subsequently shown in New York, London and<br>Paris. The following year he presented Arabesques, a collection of gold and<br>silver creations set with precious and semi-precious stones. The Minister of<br>Foreign Affairs of Turkey invited him to exhibit Arabesques, as well as another<br>complementary collection, Soleiman the Magnificent, at the Islamic Art Museum of<br>Istanbul.[8] He launched Ameridians in New York, a collection inspired by the<br>art of North American Indians and in 1991, opened his store on Madison Avenue in<br>New York, where he presented his collection inspired by Celtic art.<br><br>Museum<br>In 1994, he founded the Ilias Lalaounis Jewelry Museum, located under the<br>Acropolis, in the center of Athens. The permanent exhibition displays jewelry<br>and micro-sculptures from forty-five collections, designed by Lalaounis in the<br>period 1940-1992.[9] Some special commissions are also kept on permanent<br>display, such as the Olympic torch, designed by Ilias Lalaounis, used to start<br>the Olympic torch rally before every Olympic Games.

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Ilias Lalaounis (1920-2013) !8k gold on Tigers Eye Easter Egg. Great piece tested 18k gold on cats eye. Unmarked Custom made one of a kind piece created by a master and being offered at a fraction of it's original cost. I also have another listed. No issues. Ilias Lalaounis From Wikipedia, the free encyclopedia Jump to navigationJump to search Ilias Lalaounis LH OMRI Ilias Lalaounis in 1920.jpg Ilias Lalaounis in 1990 Born 4 October 1920 Athens, Greece Died 30 December 2013 Athens, Greece Nationality Greek Alma mater University of Athens Occupation Jeweler Spouse(s) Lila Altitzoglou Children 4 daughters Ilias Lalaounis (4 October 1920 − 30 December 2013) was a pioneer of Greek jewelry and an internationally renowned goldsmith.[1] He is especially known for his collections inspired by Greek history.[2] In 1990 he became the only jeweler ever to be inducted into the Académie des Beaux-Arts.[3][4] Contents 1 Early life 2 Career 2.1 1969-1970s 2.2 1980s–1990s 3 Museum 4 Personal life 5 Honors and awards 6 References Early life Ilias Lalaounis was born on October 4, 1920 in Athens, Greece.[3][4] He was a fourth generation jeweler whose family originated from Delphi.[4] He graduated from the University of Athens, where he studied Political Science and the Law.[3][4]CareerIlias Lalaounis Jewelry Museum. Lalaounis started his career working for the jewelry business of his uncle, Xenophon Zolotas.[4] In 1940 he took over the administration of the firm, which he managed and designed all jewelry for until 1968.[3] He founded the Greek Jewelers' Association and exhibited his first collection, the Archaeological Collection, at the Thessaloniki International Fair in 1957. It was inspired by Classical, Hellenistic and Minoan Mycenaean art. In 1969 he started his own firm, Greek Gold - Ilias Lalaounis S.A..[4]1969-1970s Lalaounis provoked a sensation with his collection Blow Up (1970), draping the human body in gold jewelry inspired by Minoan civilization.[5] The following year he organized an international exhibition of jewelry in Athens, joined by Van Cleef, Bulgari, Rene Kern and Harry Winston. In 1976, he had one of his most important commissions which would prove to be one of the most inspiring for his portfolio. Empress Farah of Iran commissioned Lalaounis to create a collection of jewelry and objects inspired by Persian art, which went on display at the Imperial Palace in Tehran.[6]Between 1970 and 1978 Ilias Lalaounis opened stores in most European countries. He opened his first international store in Paris at 364 rue Saint-Honoré, near Place Vendôme and produced a short film explaining the sources of inspiration for the jewels on display. Since then, he regularly produced short films to illustrate his collections, such as: Aube of Art, Byzantine Arcs in Gold, Choreography, The Shield of Achilles, Ilion - The Treasure of Troy, Art and Gold, The Common Roots of the Creator Man, Treasures of the Holy Land.[3] In 1979, Lalaounis opened a store in New York on the corner of Fifth Avenue and 57th Street. A year later, the Smithsonian Institution invited him to give a lecture on his art and to exhibit his collection The Achilles Shield at the National Museum of American History.1980s–1990s Ilias Lalaounis continued to create innovative collections and expand the brand to international markets during the 1980s. On the inauguration of the Lalaounis store in Tokyo, he created a jewelry collection inspired by Japanese art. The same year, he opened a store in Hong Kong where he presented a collection of jewels inspired by the drawings of the Greek geometric period, very similar to the geometric designs of Chinese art. A second store was opened in Hong Kong in 1982.[3] Lalaounis exhibited his Helen of Troy collection at the Penn Museum in Philadelphia as well as in Houston, Texas, where he was made an honorary citizen by the mayor.In 1984, he published Metamorphoses, a book in which he presented nineteen of his collections by analyzing his philosophy on the nature and function of jewelry. The jewel, for Ilias Lalaounis, is not a simple decorative object, rather it carries a message, is an expression of inner life, a link with the distant past, a symbol and a memory.[3] He received the Thorlet Award (Prix Thorlet) for the book from the Académie des Beaux-Arts. Subsequently, a retrospective exhibition of his creations was presented in the Sorbonne Chapel. For his contribution to the arts, Lalaounis was made Knight of the Order of Arts and Letters (Chevalier de l'ordre des Arts et Lettres) by the French government and Commander of the Order of Academic Palms (Commandeur des Palmes Académiques). He was also elected as a member of the Académie des Beaux-Arts of the Institut de France, the only jeweler ever to be inducted.[3][7] The Academicians' swords (épées d'Académiciens), given to members on their induction, were originally designed by Salvador Dali, and when Dali became too frail to continue, he named his close friend Ilias Lalaounis to continue his work.In November 1987, Lalaounis was invited by Teddy Kollek, Mayor of Jerusalem, to present his collection Treasures of the Holy Land, in an exhibition specially organized by the Israel Museum and subsequently shown in New York, London and Paris. The following year he presented Arabesques, a collection of gold and silver creations set with precious and semi-precious stones. The Minister of Foreign Affairs of Turkey invited him to exhibit Arabesques, as well as another complementary collection, Soleiman the Magnificent, at the Islamic Art Museum of Istanbul.[8] He launched Ameridians in New York, a collection inspired by the art of North American Indians and in 1991, opened his store on Madison Avenue in New York, where he presented his collection inspired by Celtic art.Museum In 1994, he founded the Ilias Lalaounis Jewelry Museum, located under the Acropolis, in the center of Athens. The permanent exhibition displays jewelry and micro-sculptures from forty-five collections, designed by Lalaounis in the period 1940-1992.[9] Some special commissions are also kept on permanent display, such as the Olympic torch, designed by Ilias Lalaounis, used to start the Olympic torch rally before every Olympic Games.

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c1920 Art deco Beaded Handbag with silk interior. Great piece with glass beads, handmade. Minor wear as shown, really fantastic. TW101

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1928 Presentation Cocktail Shaker American Legion "Revue" Cast to Dan G Folan. I'm not sure what the history is on this piece but it seems so dramatic I had to list it. It does have some dents a few on the body and on the footrim. I didn't try to fix them, still a cool one of a kind piece. tw101

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FIFA Coca Cola World Cup Used Soccer Referee Flags. Nice vintage pair of Referee flags from the Fifa youth world cup. I'm not sure which year, but you aren't likely to find another pair. Some stains and wear. They aren't as bright as the pics suggest. Case is 19" long tw100

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1882 18.5" Crown Derby Imari Tea Tray Rare form of early tray with an uncommon<br>pattern. No cracks, chips, or restorations, some wear to gilding as shown. 138<br>years old.<br>b22

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Zanetto Maia Italian MCM Style Silverplate Pitcher. This pitcher isn't very old<br>but the quality is incredible and it retails for $480 new. It's in near mint to<br>mint condition with no dents or noticeable scratches or other wear. 7.25" tall x<br>9" handle to spout. If you see anything that looks bad in the pics it's either a<br>fingerprint or a reflection this thing is beautiful.<br><br>Zanetto<br>Veneto, Italy Silversmith<br>Zanetto, founded in 1963, is a workshop of highly skilled silversmiths devoted<br>to the crafting of decorative household objects in silver, silver-plate and fine<br>metal alloys. Their products are distinguished by a sophisticated blend of<br>innovative design and unparalleled workmanship. At the foundation of their<br>philosophy is the steadfast tradition of handcrafting every single item in their<br>production line, combined with the high sense of style the world has come to<br>expect from Italian design.<br>b22

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Rosenthal Versace Covered Vegetable Jardin de Versace Pink and blue with Heavy<br>Gold MINT. This piece is in mint unused condition with absolutely no damage or<br>wear. Buying the exact piece shown with nothing else included, new without box<br>it was displayed but not used. Measures 6.5" tall x 13.5" wide and holds 1.6<br>liters.<br>b21

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I can't make out the signature and am not really familiar with Mexican artists<br>anyways but it's incredible. No damage to painting or frame, estate fresh with<br>illegible to me signature. Measures 29" x 24" framed and 16" x 20" canvas.

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Roger Rishab Tibon (b.1960)Philippines Acrylic on Canvas. Great looking tribal<br>ethnic painting. Original Art guaranteed. Measures 28" x 35" framed with an 18"<br>x 24" sight. No issues with art, slight wear on edge of frame.<br><br>Roger "Rishab" Tibon is a self-taught, interdisciplinary artist. He is primarily<br>a painter but also does installation art, performance art, writes poetry,<br>practices Filipino martial arts and occasionally dabbles in film-making. Before<br>embracing a fulltime career in visual arts in the early 90's, he worked as a<br>freelance graphic designer/artist, and later ended up in some advertising<br>agencies as art director.<br><br>Rishab, as commonly known in the art circle, is also the name he signs on his<br>paintings. He was born in Aklan, the Philippines on June, 1960, but grew up and<br>spent most of his time in Manila, and in the 90's he moved up to Baguio City<br>where he is currently based and maintain a working studio.<br><br>Roger "Rishab" Tibon already had ten solo exhibitions and numerous group shows<br>locally and internationally. In 2011, he had a one-man show in Korea and in the<br>early 2012, he was the only Filipino artist invited to participate in the 2012<br>Art Revolution Taipei of which his works were warmly welcomed by the Taiwan art<br>market and art enthusiasts.<br><br>Rishab is also a recipient of many awards from painting competitions, selected<br>and invited to several art biennales, residency programs and international art<br>fairs. Rishab is a member of the Art Association of the Philippines, Baguio<br>Writers Group and currently an international coordinator for the Yatoo - Korean<br>Nature Art Group.<br><br>International Exhibitions:<br>2013 –Taichung Art Fair, Taiwan<br>-Gangwon Art Fair, South Korea<br>- Taebaek ArtvExhibition, South Korea<br>- Gangneung Art Residency, South Korea<br>- 2013 Art Revolution Taipei, Taipei, Taiwan<br>- Affordable Art Fair Hongkong<br><br>2012 – Affordable Art Fair Singapore<br>– Together Arts Exhibition –Taipei Taiwan<br>- An Binh Gallery, Ho Chi Minh City, Vietnam<br>– 6th Guandu International Outdoor Sculpture Festival – Taipei<br>- Affordable Art fair New York<br>– Baguio-Taebaek Art Exchange Exhibition – Taebaek, Korea<br>– Gangwon Art Fair – Gangwon, S. Korea<br>- Melbourne Affordable Artfair – Melbourne, Australia<br>- Pith Paper Revival Exhibition – Hsinchu City, Taiwan<br>– Art Revolution Taipei, Taipei, Taiwan<br><br>2011– Yatoo Art Residency – Yeonmisan, Gongju, S. Korea<br>- 5th Guandu International Outdoor Sculpture Festival, Taipei<br>-Scribblings – a one-man exhibition – Yatoo Nature Artspace, Wongol, South Korea<br>-AXIS ART Project (Philippine International Arts Festival) Baguio City,<br>Philippines<br><br>2010 - Pingling Nature Art – Pingling Farm, Shuanfxi, Taipei, Taiwan<br>2010 - 4th Geumgang Nature Art Biennale, Kongju, South Korea<br>- Dorasan Peace Park Installation Art, DMZ, Panmunjeom, Korea<br>- Taebaek Art Exhibition, Taebaek, South Korea<br><br>2009 – 2nd Spraygraphics and Hoodlums Vinyl Art Exhibition – Tempe, Arizona, USA<br>- 3rd World Delphic Games, Jeju, South Korea<br>- Nature and Peace – an International travelling exhibition,<br>- Nature Art Center, Kongju, and Sohnamoo Galleries, Seoul, South Korea<br><br>2008 – Guandu International Outdoor Sculpture Festival - Taipei, Taiwan<br><br>2007 – Nature Scopes and Nature in Mind (a traveling exhibition)<br>- Kongju National Museum, Kongju, Chungnam, South Korea<br>- Incheon Gallery Space Beam, South Korea<br>- Gallery Space C, Cheju Island, South Korea<br>- Philippine Contemporary Art – Philippine Embassy, Singapore<br><br>2006 – Holiday Fiesta - Utterly Art Gallery, South Bridge Road, Singapore<br>- 2nd Geumgang Nature Art Biennale – Yeonmi-san, Kongju, S. Korea<br>- Asian Contemporary Art Exhibition – Suntec, Singapore<br><br>2005 – Convergence – Fine Arts Museum, Ho Chi Minh City, Vietnam<br>- Blue Space Contemporary Art Center, Ho Chi Minh City, Vietnam<br>- World Exposition 2005 – Aichi Prefecture, Japan<br>- Asian Art Exhibition – Inza Art Plaza, Seoul, South Korea<br><br>2004 – 22nd Korea International Art Festival – Seoul, South Korea<br><br>2003 – Geumgang International Nature Art Exhibition – Sanseong Park, Kongju,<br>Chungnam, South Korea<br><br>2002 – 17th Asian International Art Exhibition – Daejeon Municipal Museum of<br>Art, Daejeon, South Korea<br>- Kawing-Gawa – 24 HR Art Gallery, NT Darwin, Australia<br><br><br>Selected Group Exhibitions (Philippines):<br><br>2013 – Rennaisance, Art Center, Megamall, Mandaluyong City<br><br>2012 - Re-View, Bancab Museum, Baguio City<br><br>- Kapuwa 3 – Bencab Museum, Baguio City<br><br>- Kristo – Art Center, Megamall, Mandaluyong City<br><br>2011 – Re-View II– group exhibition, Bencab Museum, Baguio City<br><br>–Mother and Child – Art Center, Megamall, Mandaluyong City<br><br>– ChildPlay – Café By The Ruins, Baguio City<br>2010 – Re-View I - Bencab Museum, Baguio City<br>AAP Painting Competition, GSIS Building, CCP Complex, Pasay City<br>– GSIS Painting Competition, GSIS Museum, CCP Complex, Pasay City<br>-ECCA/AAP Painting Competition, ECCA Building, Pasig City<br>2009 - Art For Youth Sake - House of Representatives , Quezon City<br>- INA/ANI (Tribute to women and mothers) The Podium, Mandaluyong City<br>- New Figuration Bencab Museum, Tuba, Benguet<br>- Artasia Gallery – Artwalk SM Megamall, Mandaluyong City<br>- Centennial Spirit (Nature Installation Art), Centennial and Botanical Park,<br>Baguio City<br>-New Figuration, Bencab Museum, Baguio City<br>- Wow Philippines Centennial Exhibition- Baguio Convention Center, Baguio City<br>-UGMA – a fund-raising exhibit for breast cancer patients, Tha Manor, Camp John<br>Hay, Baguio City<br><br>2008 - Florante at Laura - Vargas Museum, UP Diliman, Quezon City<br>- Florante at Laura - 1/OF Gallery, Serendra, Fort Bonifacio, Taguig City<br>- Love Stories (Art for Basilan Children) Philamlife, Manila City<br>- ArtWorks - Cordillera Coffee , SM Mall, Baguio City<br><br>2007 - Cordillera Suite - Yuchengco Museum, Ayala, Makati City<br>- 3rd Junior Delphic International Festival, Baguio City<br>- 4th Sunrise Festival Baguio City<br>- Tribute to Green Thumbs – GSIS Museo ng Sining, Manila City<br>- Kalikha-san - Philippine Heart Center, Quezon City<br>- Punla - Quezon City Hall Lobby, Quezon City<br>- Play of Colors - Lumiere Gallery, Ayala, Makati City<br>- Cordillera - Manor Hotel, Camp John Hay, Baguio City<br>- Pallette Art - Cultural Center of the Philippines, Manila City<br>Vargas Museum, UP, Diliman, Quezon City<br>University of Santo Tomas Museum, Manila<br>De La Salle University Museum, Mandaluyong City<br>- Retro Exhibition - Café by the Ruins, Baguio City<br>- Samu’t-Sari - Maryknoll Sanctuary Gallery, Campo Sioco, Baguio City<br>- Panagsasabat - Baguio Convention Center, Baguio City<br><br>2006 - Group Exhibition - Artasia, Artwalk, SM Megamall, Mandaluyong City<br>- Two-Man Show - Saturday Group Gallery, Ali Mall, Cubao, Quezon City<br>- Delphic Art Festival - Baguio Convention Center, Baguio City<br>- ‘Di Lang Isa - (VOCAS) Victor Oteysa Community Art Space, Baguio City<br><br>2005 – 20th Asian International Art Exhibition - Ayala Museum, Makati City<br>- 58th Annual AAP Painting Competition GSIS Museo Ng Sining, Manila City<br>- Philip Morris Philippine Art Award - National Museum, Manila City<br>- Images of the Cordillera - Galerie Andrea, Intramuros, Manila City<br>- Antipolo Maytime Festival - Pinto Art Gallery, Antipolo City<br><br>2004- Dose - Teresita’s Gallery, Baguio City<br>-Tam-awan Village Artists - Le Souffle, The Fort, Taguig MM<br>-BigWorks - Village Gallery, Tam-awan, Baguio City<br>-TVA - Rennaisance Gallery, SM Megamall<br>- SariSari - Tam-awan Village, Baguio City<br>- Year of the Monkey - Tam-awan Village, Baguio City<br><br>2003- Earth Day (Installation Art) - Malcolm Square, Baguio City<br>-Philippine Paintings - Ayala Museum, Makati City<br>-6th Baguio Art Festival (Installation Art) Botanical Garden, Baguio City<br>-SmallWorks - Tam-awan Village, Baguio City<br>- Detalyado - Tam-awan Village, Baguio City<br>- Asian Bonsai and Sueseki Exhibition SM Megamall, Mandaluyong City<br><br>2002- Centennial Art Exhibition - BGH, Baguio City<br>-Installation Art Festival - Tam-awan Village, Baguio City<br>-Earth Day - SBMA, Olongapo City<br>-Dinagyang Festival - Museo Iloilo, Iloilo City<br>-Rabong Bamboo Art Festival - Tam-awan Village, Baguio City<br><br>2001 – Philip Morris Art Award - Metropolitan Museum, Manila<br>-Works on Handmade Paper - Km 6, Tuba, Benguet<br>-Watercolors - Tam-awan Village, Baguio City<br>-Ensembles I and II - Maryknoll Gallery, Baguio City<br>-Pagdidiwata Festival, Kamarikutan, Puerto Princesa, Palawan<br>-Hibla (Paper for Peace) - Tam-awan Village, Baguio City<br>-Year of the Snake - Tam-awan Village, Baguio City<br><br>2000 - Green Cordillera Art Exhibition - SLU Museum, Baguio City<br>-Printmaking Exhibition - Tam-awan Village, Baguio City<br>-Walong Artista - Boston Gallery, Quezon City<br>-TVA - Metropolitan Gallery, SM Megamall<br>-Book Art I, II, III - Luz Gallery, Makati City<br>- Year of the Dragon - Tam-awan Village, Baguio City<br>- IIC3 Art Exhibition - Green Valley Country Club,Baguio City<br>-ITAG - Metropolitan Gallery, Shang-rila Plaza<br><br>1999 – 5th Baguio International Art Festival Convention Center, Baguio City<br>-Cordillera Images - Boston Gallery, Quezon City<br>-Panagtitipon - Green House Effect Gallery, BaguioCity<br>-Contemporary Ethnic - Tam-awan Village, Baguio City<br>-M3O3 Art Exhibition - Session Road, Baguio City<br>-SmallWorks - Christine’s Gallery, Baguio City<br>- Group Show - Café San Luis, Baguio City<br><br>1998 – Sinait Art Exhibition - Sinait, Ilocos Norte<br>-2-man Exhibition - Caribana Café, Malate, Manila<br>-Contemporary Ethnic - Supreme Hotel, La Trinidad, Benguet<br><br>1997 – Watercolor on Handmade Paper - Christine’s Gallery, Baguio City<br>- Watercolor Show - MoonFlower Hotel, Baguio City<br>1995 – 4th Baguio International Art Festival UB Square, Baguio City<br>1994 – Art for Peace (Installation Art) Lucnab, Baguio City<br>1992 - Filipino Values - Cebu City Museum, Jones Ave. Cebu City<br>1990 – Cebu Artists Exhibition - Montebello Hotel, Cebu City<br><br>Awards and Merits:<br>2013 – Gangneung Art Residency, Gangwon, South Korea<br><br>2012 - Huayuan Pith Paper Revival Installation Art<br>– 6th Guandu International Outdoor Sculpture Festival, Taipei<br>– Gangwon Art Residency, Gangwon, Korea<br>– Art Revolution Taipei, Taipei, Taiwan<br><br>2011- Yatoo Artist-in Residence Program, S. Korea<br>- 5th Guandu International Outdoor Sculpture Festival, Taipei, Taiwan<br><br>2010 – PingLing Farm International Environmental Art Project – Shuanfxi Town,<br>Taipei County, Taiwan<br>- 4th Geumgang Nature Art Biennale – Kongju, South Korea<br>- AAP Painting Competition – Honorable Mention<br><br>2009 – Lyra Award for Shadowplay Competition - 3rd World Delphic<br>Games - Jeju, South Korea<br>- AAP Painting Contest – Honorable Mention<br>- First Prize – Baguio Painting Contest<br><br>2008 – 2nd Guandu International Sculpture Festival, Taipei<br>2006 – 2nd Geumgang Nature Art Biennale, Korea<br><br>2005 – Finalist – Philip Morris’ Philippine Art Award<br>- Honorable Mention – 58th AAP Annual Art Competition<br>- Best Production Design - Gawad Urian Award -“Ebolusyon Ng Isang Pamilyang<br>Pilipino”<br><br>2003 – Yatoo Nature Art Exhibition – S. Korea<br>2001 – Finalist –Philip Morris Philippine Art Award<br>2000 – Grand Prize – Green Cordillera Painting Competition

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c1900 Michigan State University Morill Hall Wall Plaque Lead/Pewter Relief Bust<br>in Mission Oak Frame. I bought this piece a few years ago from a woman that told<br>me she purchased it from some sort of liquidation sale Michigan State<br>University. I'm still looking for the piece of paper where I had her write it<br>down but It might not turn up for years. I did find that Morill hall was<br>demolished in 2013 which was about 4 years before I bought this piece. I know<br>for a fact it was MSU and I know it was Morill Hall I just don't remember the<br>date she acquired it, not sure if I asked. It seems Morill hall was a women's<br>building in 1900. This piece is for sure that old. I would bet my life it's from<br>1900-1910. It's unsigned, I don't know who the artist or the woman is. I think<br>there's a good chance they're both someone famous. To me this looks to be a one<br>of a kind handmade piece and I don't think there could've been may artists at<br>that time or now capable of such a feat. It has minor wear as shown. It is very<br>heavy. It measures 16" wide x 20" tall. This piece represents quite a bit not<br>just for people interested in Michigan stuff but It's an important part of<br>Women's Educational History and the evolution of this country.<br><br>In December 2012, History said goodbye to Morrill Hall and moved to the Old<br>Horticulture Building.<br><br>Opened in 1900, Morrill Hall was first named the Women’s Building. Though women<br>were admitted to MSU in small numbers beginning in 1870, a women’s course was<br>not introduced until 1896. As the number of women rose, the university need a<br>dormitory—the Women’s Building. The Dean of women had a residence on the first<br>floor and home economics instructors lived on the upper floors. There was space<br>for 120 women students and a dining room, cooking and sewing laboratories, a<br>woodshop, music rooms, and a gym. According to a catalog from the day, women<br>residents were subject “to only such restraints as would be expected in a well<br>regulated Christian family.” By 1926, modifications allowed for the housing of<br>200 women in the building.<br><br>In the mid-1930s, increased enrollment in the Women’s course made necessary the<br>construction of new dormitories. As women students moved into new buildings,<br>Morrill Hall was converted in 1937 into classrooms and offices for the Liberal<br>Arts Division. That year the building was officially named Morrill Hall in honor<br>of Vermont Senator Justin Smith Morrill. He had been instrumental in forging the<br>federal Morrill Act, which established land-grant colleges. The act was critical<br>in the development of higher education in the United States.<br><br>As part of the Liberal Arts Division, History, along with six other departments,<br>established itself in Morrill in 1937. As the department grew, it came to occupy<br>all of the third and fourth floors and parts of the first floor and garden<br>level. English occupied the second floor and Religious Studies part of the<br>first.<br><br>About 100 years after its construction, Morrill’s age began to show. Inspections<br>revealed deterioration in the building’s wooden infrastructure and shallow<br>foundation. In 2010, the MSU Board of Regents decided that repairs were not<br>feasible and approved a plan for demolition.<br><br>Events then unfolded quickly. In summer 2012, English and Religious Studies were<br>moved from Morrill to Wells Hall. Romance<br><br>Old photo of Old Horticulture Building<br>Old Horticulture Building<br><br>Languages, which had been in Old Horticulture, was also moved to Wells. Crews<br>then did minor renovations on Old Hort. History was the last department to<br>vacate Morrill during a move which took several weeks.<br><br>Morrill Hall was demolished in summer 2013. In spring 2014, the Morrill plot was<br>transformed into a green space with benches and gardens arranged in manner so as<br>to emulate the long, wide halls that characterized the old structure.<br><br>Needless to say, the move to Old Hort was time consuming. Faculty packed their<br>own belongings, most of which consisted of books. Crate after crate was then<br>taken by university movers 100 yards across campus. Faculty then unpacked their<br>things and began the process of settling in.<br><br>Old Hort lacks some of the charm of Morrill. Gone are the high ceilings,<br>hardwood floors, large windows looking out at the green, and spacious offices.<br>But Old Hort has proven to have some advantages. The heating system works well,<br>there are no rats, bats or birds inside the building, and the offices, though<br>smaller, are comfortable and roomy enough for multiple bookcases.<br><br>MSU sponsored some updates of Old Hort. But there is still work to be done.<br>Alumni and friends of the department interested in sponsoring room updates and<br>in conference room, office and workspace naming rights are encouraged to contact<br>the department chair for conversations.<br><br>History has started a Morrill Fund to honor the old building and to advance<br>faculty research. For more information, please contact the department chair,<br>Walter Hawthorne.<br><br>*Some information for this piece was derived from History Professor Madison<br>Kuhn’s Michigan State The First One Hundred Years (East Lansing, Michigan State<br>University Press, 1955).

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Betty Allison Texas Cowboy Oil on Canvas. Betty Allison was a San Antonio artist<br>who's originals rarely come up on the open market. At the time of this listing<br>there are three for sale online between $9,000 and $12,000 and none for less.<br>She mainly sold limited edition prints in the 1970's and 1980's in editions of<br>1000. I've seen plenty of her prints sell in the $250 range. This is an original<br>oil on canvas with no significant issues, it measures 26" x 22" framed x 14" x<br>18" canvas. Great painting, as realistic as they come for a realistic price.

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Ancient Artifact Prehistoric Mayan Pre-Columbian Pottery Carved Cylindrical<br>Vessel. This and a few more I'm listing are part of an estate collection, I<br>believe they had a small museum in the nineties or before. There was everything<br>from Native American to Pre columbian pottery, everything so far was real. I<br>purchased awhile back but am just now getting around to listing. Guaranteed<br>authentic, hassle free returns. Very old cracks and restorations throughout. 7"<br>tall x 5.5" wide. This is a very special, rare, and labor intensive museum<br>quality piece.<br>tw94

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18th century Pewter Reproduction Lot Antique. This is a lot of what after close examination believe to be reproduction 18th century pewter. It's a very old lot probably early to mid 19th century. I believe much time and effort was dedicated to making these pieces look authentic and old. They would look great in any colonial setting and I believe would fool or puzzle pretty much anyone even after close examination. Selling the whole lot. Largest tankard is 10.5" tall. tw94

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