All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 1980's Wolfgang Southwestern Sterling silver charoite bracelet Fits up to a 6<br>3/8" wrist.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Hutschenreuther Porcelain Mallard Duck in flight. Amazingly no damage on this delicate figure. 5.5" wide x 4.5" tall, best quality hand painted figure.

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c1890 Antique French Marquetry glove box with brass/mother of pearl inlay. 12 1/8" x 4.25" x 3.25" tall extremely clean with no issues. Nice antique box with no identifying marks, no key present. tw270

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1960's Matchbox Models of Yesteryear Y-14 1911 Maxwell Roadster in box. No touch ups, clean box, tiny dings on each of the pieces that stick out in the back, I guess they'd be steps, apparently missing license plate.

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Large Mottahedeh Vista Alegre Chinese Export Style porcelain jug with lid 11" tall x 9.5" handle to spout with no cracks, chips, restorations, or detectable wear.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. c1950's Navajo Silver and turquoise stamped bells bracelet Fits up to a 6.75"<br>wrist 72 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Jerry Cowboy Navajo Sterling silver Multi-stone channel inlay bracelet. Fits up<br>to a 6.5" wrist.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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c1940's William Spratling(1900-1967) Taxco Sterling silver Mask Bracelet. Fits up to a 6.5" wrist, 1" gap 126.8 grams with no issues. Spratling, an architect and artist who taught at Tulane University in New Orleans, came to Mexico in the late 1920s and settled in the city of Taxco. Having developed an interest in Mesoamerican archaeology and culture from his colleagues at Tulane, he traveled to Mexico for several summers lecturing and exploring. He sought out remote villages in the state of Guerrero, 110 miles from Mexico City, where in some places Nahuatl, the Aztec language, was spoken. Spratling collected artifacts and contemporary indigenous crafts. Spratling made a fortune manufacturing and designing silver, but his true life's work was to conserve, redeem, and interpret the ancient culture of his adopted country. He explained for North American audiences the paintings of Mexico's modern masters and earned distinction as a learned and early collector of pre-Columbian art. Spratling and his workshop gradually became a visible and culturally attractive link between a steady stream of notable American visitors and the country they wanted to see and experience. Spratling had the rare good fortune to witness his own reputation -- as one of the most admired Americans in Mexico -- assume legendary status before his death. William Spratling, His Life and Art vividly reconstructs this richly diverse life whose unique aesthetic legacy is but a part of its larger cultural achievement of profoundly influencing Americans' attitudes toward a civilization different from their own.

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1970's Lalique Nina Ricci Bath salts box. These bath salts were bought fifty years ago and never used. A half century old bath crystals ready for current use and a magnificent Lalique frosted crystal vanity box as a premium -what a premium! Rene Lalique frosted glass box with molded relief decoration of a pair of love doves on l the lid. 5.5" wide x 3.5" tall. Near microscopic chigger bite on the very inside rim on the lid shown top center of the 5th picture. No other damage or wear. isshelf

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c1910 Art Nouveau 800 Silver Mounted cordial set. Selling the set shown with 10.25" tall jug and 2.25" tall cordials/fancy shot glasses. No damage to the glass or silver, all silver pieces marked and tested 800-80% silver. isshelf

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Antique Art Nouveau Sterling and Coral pendant/brooch. 2 3/8" x 1 7/8" x 17.1 grams with no issues. Hallmarked as shown, very high quality piece.

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Retro Modernist Sterling Rhodochrosite/jade pin 5" x 1.25" x 27.7 grams with no issues.

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7" Garcia Santa Fe Southwestern sterling and turquoise bracelet, fits up to a 7"<br>wrist, no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.<br><br>anderas

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c1970's Vintage Native American buttons. The coral ones appear to be signed IUZ on the back, turquoise EUZ. All apparently purchased at the same time with old c1970's prices on them. Turquoise are 11/16" wide, coral 1 1/8" wide, all with no issues. 23.5 grams total weight.

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3 Dave Pino Navajo Sterling Malachite/Onyx pendants. Buying the three pendants shown, two largest 2 7/8" tall x 1.75" wide, 89.2 grams total weight.

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Large Vintage sterling chain. 18.5" long 10mm wide 84 grams of solid sterling silver with no damage.

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1960's Matchbox King Size K-7 Refuse Truck. 4.5" long truck is near mint with no detectable wear. Box is rough as shown.

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Vintage Navajo Sterling on Brass Coral cross necklace. Very well made, attractive and unique design with no significant issues. Cross is 4.25" x 3", necklace is 23" long. No identifying marks. 179.1 grams All precious metals are tested and guaranteed,

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large retro 14k gold on Sterling abstract modernist earrings. Each with strips of solid 14k gold (marked and tested) mounted on a sterling base. Very well made pair of earrings with no issues. Marked 14k Sterling, and M J Artisan's mark. 1.5" tall x .75" wide x 13.3 grams.

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Handmade Retro Artisan Sterling copper - Mother of pearl and obsidian pin 3" x 1<br>3/8" x 8.8 grams<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.<br><br>anderas

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Large Vintage AIS Sterling/Turquoise Asian style pendant/brooch. Turquoise frog and bottom section, really cool marked and tested sterling. 4.75" long 84 grams.

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c1960 Matchbox Lesney 29 Austin A55 Cambridge. Clean box as shown, slightest wear to strip between drivers window and windshield, likely a factory flaw, no other dings or loss, front and back not shown are perfect.

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1960's Matchbox 69 Nestles van in box. Some wear to box as shown, a few tiny specs of worn paint as shown. Front and back that aren't shown in pics are perfect.

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1960's Matchbox 2 Muir-Hill Dumper with box. Very clean box, mint car with no paint loss, front and back are perfect the photographer forgot to picture them on a ton of cars and I don't have time to take more pics.

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Mid Century Margot De Taxco Sterling silver pin. No damage or significant wear,<br>1.5" x 1.75" x 8.9 grams. -Anderas-<br><br>Margot Van Voorhies was born in 1896 in San Francisco, California. By the time<br>she left her native country for good, she had survived the death of her father<br>in 1903, the San Francisco Earthquake in 1906, the loss of her mother at the<br>hands of a er in 1931 and the end of her first marriage in 1936.<br><br>Fortunately, a Mexican vacation changed the life of Margot Van Voorhies in ways<br>she could never have imagined. In 1937, forty-one-year-old divorcée Margot Van<br>Voorhies left San Francisco on a trip to Mexico City. Fate threw her into the<br>path of Don Antonio Castillo, who took her to Taxco, a Mexican hotbed for the<br>design, crafting, and production of silver objects, in particular jewelry and<br>housewares.<br><br>Soon, Castillo would become Margot’s second husband. At the time, Castillo was<br>working for William Spratling, a pioneer in Mexican silversmithing. He brought<br>Margot into the business as a designer, helping her to transform her paper<br>creations into three-dimensional forms in silver. In 1939, the pair, along with<br>other members of Castillo’s family, opened shop as Los Castillo Taller [Taller<br>is Spanish for “Workshop”], with Margot as the top designer.<br><br>After ten years, the marriage between Castillo and Van Voorhies dissolved, as<br>did their professional association. Margot went on to open her own shop in 1948,<br>taking the name Margot de Taxco, by which she is best known today. Seven years<br>later, enamel was added to many of her pieces, and this is where Margot found<br>her legacy.<br><br>At the peak of her career, Margot, who designed each piece herself, had two<br>dozen silversmiths and a dozen enamellists in her employ to execute her vision.<br>The men performed the duties as silversmiths; the women did the enamel work,<br>using tiny brushes to bring the watercolor drawings to life. To ensure the<br>accurate rendering of her jewelry designs, she compiled a book of instructions<br>and drawings, detailing the construction and finishing of each. Margot attracted<br>talented craftsmen who later went on to cement their own reputations, such as<br>Sigi Pineda, Miguel Melendez, and Melecio Rodriguez.<br><br>Many contemporary Hollywood celebrities were clients of Margot, including John<br>Wayne and Lana Turner, who visited her shop every year.<br><br>Tragedy struck in the form of a fire in 1960. Forced to move her studio, she<br>never again regained her prior success, and the business folded in 1974. Margot<br>granted several of the silversmiths in her employ permission to use her molds to<br>create pieces on their own, in return for debt forgiveness. As a result, many of<br>Margot’s pieces were re-created by silversmiths such as Jaimie Quiroz and<br>Geronimo Fuentes, bearing their hallmark rather than hers.<br><br>Margot passed away in 1985. But her talent as a designer and her influence as an<br>artist have continued to gain recognition since the time of her death.<br><br>Margot’s shop produced some repousse silver (a technique where a raised or<br>relief design is hammered in from the reverse side of the piece). But she is<br>best known for her champlevé enamel work. Champlevé is created by carving,<br>etching, striking, or casting troughs or cells into the surface of a piece and<br>filling it with vitreous enamel. In Margot’s jewelry, the designs were<br>die-struck, a process that was detailed and critical to the final product.<br><br>Margot produced many suites that included necklaces, brooches, bracelets, and<br>earrings, as well as convertible jewelry. Margot de Taxco jewelry is recognized<br>for its elegance, femininity, and variety.<br><br>There were many areas of influence that can be found in Margot’s work. Her fish<br>and wave motifs celebrated her love of Japanese art. The ornate swirls and<br>floral motifs were reminiscent of the Art Nouveau style. Mischievous<br>pre-Columbian figures were a recurring theme. Art Deco style ballerinas struck<br>graceful poses. Margot was also taken with Egyptian motifs and Mexican crafts.<br><br>Margot de Taxco pieces are distinguished by the stamp that includes her name,<br>Eagle 16 (or Eagle 1, for her earlier works), along with a production number.<br>Issued by the government, the eagle stamp was a way to identify th

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1950's Matchbox Moko Lesney 36 Austin A50 with box. No wear whatsoever to car, front and back are perfect even though my photographer forgot to picture them, box is missing a flap and has some wear as shown.

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c1960 Matchbox 33 Ford Zephyr 6. No paint loss, front and back bumpers perfect even though not pictured, One side appears to have faded paint, box is clean as shown.

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c1960 Matchbox Models of Yesteryear Y-7 Mercer 1913 Raceabout type 35j. Never played with near mint to mint with some light wear to box, no touch ups.

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Vintage Native American Sterling Channel inlay Petrified wood, shell, and jet necklace 19" long 16.2 grams with no issues.

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1950's Matchbox Models of Yesteryear Y-6 AEC Y Type Lorry. Never played with near mint to mint with some wear to box, no touch ups.

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1960's Matchbox Models of Yesteryear Y-2 London Bus. Never played with near mint to mint with some wear to box, no touch ups.

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Vintage Sterling Pink Tourmaline earrings 3" long x 1" wide at base 4.7 grams with no issues. Natural stones tested as Tourmalines.

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Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Men's Size 12 Ring.

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Large Retro Modernist Sterling/Obsidian earrings. 1 1/8" wide x 1.5" tall with no significant wear or damage 17.4 grams total, both marked sterling with no other markings.

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sz 8.25 Vintage Navajo Sterling and turquoise ring, large ring with no issues from the 50's or 60's, 22 grams. All precious metals are tested and guaranteed,

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Vintage Zuni Channel inlay bird Sterling lariat necklace 22" long without the<br>tassles, 2" wide bird pendant. 37 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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c1940's Navajo Stamped Silver and turquoise ashtray 4 5/8" x 3.75" with no<br>issues.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1936 Texas Centennial Universal Pottery Pitchers and Charger. Amazing to find three of these pieces together so well preserved. No chips, cracks restorations, or other detectable issues. Charger is 12 5/8" diagonal. Selling the pieces shown, both size pitchers with lids and charger. isshelf

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sz9.5 Vintage engraved sterling ring. Very nice old ring, unmarked tested sterling with I assume synthetic stones. 8.7 grams. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Size 9 Ring.

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Leander Tahe Navajo Sterling and sleeping beauty turquoise bracelet, fits up to a 7.25" wrist, 1 1/8" gap, 105.6 grams with no issues. All precious metals are tested and guaranteed,

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Navajo #8 Turquoise Silver Bracelet by Ronnie Willie. Very heavy 184 grams, fits up to a 7" wrist 2.25" wide, no damage or detectable wear. All precious metals are tested and guaranteed,

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Vintage Sterling silver St Christopher Keychain. Wonderful keychain solid sterling with 14k gold overlay medal, well made with no issues. 15.5 grams.

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Zuni Sterling and turquoise snake eye necklace. Approximately 24" long with no<br>issues. 4" x 1.75" center pendant. Amazing bold statement piece. Hand signed<br>Zuni and some illegible initials.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Antique University of Texas Austin Capitol souvenir lot. All 4 items from the first quarter of the 20th century, likely all pre 1910. No damage to any piece, selling all 4, largest 8 3/8" wide. The UT one being called Texas State University is very cool. blkcrateredbag

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Mid Century San Antonio texas Advertising ashtray. No damage 3.5" wide. blkcrateredbag

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Vintage Southeast Asian Foo Lion box. 6.75" long x 5.25" tall, unsure of metal content. Lid slightly mishapen not fitting on base perfectly, great looking box.

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Julius Manuelito Southwestern Sterling purple stone channel inlay necklace and<br>earrings. 16" necklace, .75" earrings without clips. Strong clips with no<br>issues. I'm unsure what the stones are but it's a great looking set with no<br>issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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c1900 French Crystalline Art pottery vase. Great looking art pottery vase from the first quarter of the 20th century, I believe it's French. No damage or restorations, 5 1/8" tall x 3.5" wide. tw270

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Mata Ortiz Pottery jar by Luis Ortiz. No damage or wear 8.5" tall x 7" wide. Very well done pot signed by listed potter Luis Ortiz. b17

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Arthur Ruffin (A.R.) Cole 1892-1974 Frogskin Green North Carolina Folk Art Pottery Vase. No cracks, chips or restorations. Very tiny glaze flake on top rim. 4" tall x 5.5" wide. isshelf

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Signed Vintage Hopi pottery bowl. Nice old piece circa mid 20th century with illegible to me signature. 7" x 5.75" x 2" deep, two tiny flakes to top rim, some overall wear. No large chips, no cracks, no restorations.

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sz7 Vintage Navajo Sterling/turquoise slab ring. Nice old ring with no identifying marks (tested) sterling. 2 3/8" long face 19 grams. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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Large Retro sterling modernist ring. Very ususual ring with spherical stone set<br>in bold sterling silver. 2" long top, minimal wear. Hallmarked as shown. 22<br>grams  Size 7.5 Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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Vintage Eustace Zuni Sunface multi-stone inlay ring and bracelet set. Size 5.5<br>ring, bracelet fits a 7.25" wrist 45.3 grams total with no issues.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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c1840 Orientalist Transferware Arabic Scenes Adams Palestine soup plate and win Medina dinner plate. Selling both 10.75" wide, the soup is impressed Adams. Neither with any cracks, chips, or restorations, the brown dinner plate has some crazing and light stains on the reverse side. isshelf

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 5/8" Robert Chee Tufa Cast Sterling Carrico Lake turquoise bracelet.<br><br>Robert Chee is a Navajo from the famous Manuelito Trading Post, New Mexico area<br>where much of the finest Navajo rug weaving is done. And now most of the weavers<br>have passed on, and it is rare to see the next generation weaving. Robert<br>specializes in traditional jewelry, and he excels in silver casting and stamp<br>work.<br><br>Robert’s father worked for the trading post as a silversmith, the old Mike Kirk<br>Trading Post. He has fond memories of growing up there, lots of hiking in the<br>mountains, arroyos, and they would also ride horses.<br><br>He is related to famous Navajo jeweler Harry Morgan, his first cousin, with whom<br>he apprenticed under. They grew up together living under the same roof, and in<br>the early days they lived in a hogan. Their mothers were sisters. The Navajo are<br>a matriarchal society, and he had a strong upbringing in the traditional ways<br>especially due to having 2 mothers.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1950's Tmk2 Hummel Full Bee 6" Accordian Boy. No cracks, chips, restorations, or crazing. Nice early version. humshlf

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Tomasita Montoya(1899-1978) San Juan Pueblo pottery vessel 5" wide x 3.75" tall, no damage or restorations, very minor exterior wear. Comes with tag from when it was last purchased. Tomasita Montoya was one of the original 7 San Juan potters who revived the art form in the 1930’s. Her daughters Rosita de Herrera and Dominguita Herrera learned to make pottery from her. The Pueblo had a wonderful history of pottery making, but by about 1890 there were no potters left. In 1930 Regina Cata organized a pottery study group at San Juan Pueblo with the intent of revitalizing pottery production. The group studied ancient potsherds of wares made at San Juan in earlier times and selected Potsuwi‘i Incised Ware (1450-1500) as a basis for a contemporary pottery type. By the late 1930s, further development resulted in deeply-carved polychrome wares, and incised wares, both of which are still being produced today. Tomasita was especially known for her incised red ware jars, bowls, and vases. The decoration on these vessels was primarily fine line geometric hatching. On occasion she utilized micaceous clay, adding some texture and sparkle to the geometric elements. Tomasita also made deeply carved polychrome pieces which included designs of clouds, kiva steps, and plants.

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1970 Salt Glazed Studio Pottery Vase. Unsure of artist but obviously a skilled potter. 5.25" tall with no damage or wear. tw206

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Albert & Josephine Vigil (1927-2009) San Ildefonso pottery vessel 4.25" wide x 3.5" tall, no damage or restorations, very minor exterior wear. Comes with tag from when it was last purchased. Albert & Josephine Vigil worked together on their pottery. They began making pottery in 1945. Josephine made the pottery and Albert painted the designs. Albert Vigil (1927-2009) was a nephew of Maria Martinez. He was also the son of noted San Ildefonso painter Romando Vigil, one of the members of the San Ildefonso School of watercolor artists and also know for his work with Walt Disney Studios. Josephine Cordova Vigil (1927-2001) was from Taos Pueblo and she moved to San Ildefonso when she married Albert. Josephine learned pottery making by watching her aunts-in-law Maria Martinez, and Maria’s sister Clara Montoya, who are considered San Ildefonso Pottery Matriarchs. Maria Martinez taught Josephine how to coil-shape the clay and Clara Montoya taught her how to polish the pottery before it was designed or painted. They began making pottery in 1945. Josephine and Albert used the traditional methods of hand-coil, polishing, and traditionally open fired pottery.

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Ella M Linkin Navajo Sterling and waterweb turquoise pendant 2 3/8" x 1.75" x<br>21.3 grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Sz 6 Paul Livingston Navajo Sterling and turquoise ring, clean with no issues.<br>26.1 grams.<br><br>PAUL LIVINGSTON<br>Paul Livingston was born in 1954 and has spent his entire life on the Navajo<br>Church Rock Reservation, where he grew up watching with fascination as his<br>silversmith Uncle crafted raw metal and<br>stone into beautiful jewelry. Through trial and error and a great deal of help<br>from his Uncle, Paul became an accomplished young jewelry maker.<br><br>By the time he was twenty-two he was ready to launch himself full time into<br>silversmithing. Paul Livingstonis an acclaimed Navajo silversmith who favors<br>substance in his metal work and high-quality, natural stones in all his<br>settings.<br><br>Today, nearly forty years later, Paul is a nationally known and collected<br>jewelry artist. He is particularly known for a style of jewelry most<br>silversmiths shy away from a technique known as ‘cluster and row work’ where<br>multiple tiny stones are used together to form a delicate, colorful designs in<br>jewelry. Paul is happy to work with the little stones, even the tiny round<br>“snake eye” ones and is renowned for how exquisitely aligned the stone clusters<br>and rows of stones are on his pieces.<br><br>Even at his age Paul continues to experiment with new jewelry techniques and<br>design styles. He especially enjoys working unusual textures created on metals<br>and will often incorporate a new surface<br>finish or other design application to see if these changes might enhance the<br>jewelry’s appearance and appeal. Though his forte has always been more<br>traditional even vintage looking Navajo style jewelry, his<br>contemporary designs are also in high demand. Paul Livingston creates beautiful<br>jewelry using stones that aren’t often found in Native American jewelry. The<br>intricate ‘saw work designs’ of his pieces are especially difficult to achieve<br>but so very visually appealing in Paul’s finished work.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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Sz 9.5 Huge Navajo Sterling and turquoise stampwork ring. 79.8 grams with no<br>damage and little wear. Size 9.5.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Size 9 Ring.

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c1910 Amber Loganberry Carnival Glass Vases By Imperial Pair. Selling the pair shown with wonderful color and iridescence. True amber base color on these 10" tall x 6" wide, a true estate fresh pair that's been together for over 100 years with the same family that never sold anything. These both have very nice iridescence, better than average. 9-10 years ago a few of these brought over 2k each for one vase at Seeck Carnival glass auction. I'm going to assume that those bidders got carried away and possibly they even had better iridescence even though that's difficult to imagine. isshelf

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Vintage Van Briggle Centerpiece and candle holders. Circa mid 20th century.<br>Selling the set shown 4.75" tall x 7" candle holders with no damage, 5" tall x<br>6.25" bowl with no chips, restorations, or crazing but the tightest crowsfoot in<br>the base that doesn't effect it's functionality or beauty.<br>Tw1

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1930's Noritake Luserware Bird of Paradise vase. No damage or significant wear.<br>5.25" tall<br>kitshelf

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" Native American Sterling and turquoise bracelet. Unmarked, tested sterling, fits up to a 6.25" wrist, stable fracture in stone. All precious metals are tested and guaranteed,

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Silver bracelet with Ironwood and turquoise inlay. Fits<br>up to a 6 7/8" wrist with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Vintage Navajo silver and turquoise squash blossom necklace. 26" long with 3" x<br>2.5" naja 167.5 grams with no damage or significant issues. Marked CMY Sterling.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Kimm Lanus Pop art large hand painted porcelain vase. 12.5" tall with no damage<br>or wear.<br><br>Kimm Lanus was born in Rome, New York, was raised in New England, and currently<br>resides in Granbury, Texas. Her studies in art began in 1972 at University of<br>Texas at Arlington, and from her first exposure to art history and the painting<br>of Toulouse Lautrec, Rossetti, Rapheal, Albrecht Durer, and later Carriere, and<br>Edward Hopper. She was so deeply moved by these artists that art become a way of<br>life and she made sure it was in the forefront of her life moving forward.<br><br>“I have been lead to paint images of Mary after a vision I experienced ten years<br>ago. I was seated alone at church, in the silence of prayer, her presence was so<br>clear I could hear the movement of her garments as she knelt before me. I paint<br>her in the perspective of many different s and nationalities to promote a sense<br>of unity. Her image speaks of unconditional love, family, peace, and healing.<br>Women often connect to her with a Goddess sense of empowerment.”<br><br>Lanus taught school for over six years to the middle school level, as well as<br>teaching privately to adults and teenagers. After teaching for over ten years as<br>well as doing workshops for the art guilds of Granbury, McKinney, Wylie, and<br>Richardson, Texas, she participated in several juried shows such as the Collin<br>County Annual Show, Holiday National Show, Dallas Visual Arts Annual Show,<br>Granbury Arts Annual Show, Plano Annual Art Show, Wylie Annual Art Show, Wylie<br>Annual Show, Richardson and Irving. She received first and second place awards<br>on numerous occasions, and ‘Best of Show’ from the Art Institute of Chicago.

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40's-50's Navajo Silver bracelet with turquoise. Fits up to a 7.25" wrist very<br>sturdy 89.5 grams, center stone stable with fractures.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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c1930's Thrall Texas Alamo Iron works bottle openers Cotton Gin. The Thrall opener is very complex and has has a 1923 patent date on it, it's advertising the original Thrall Cotton Gin company that burned down in 1959. Th Alamo Iron works is likely closer to mid 20th century and is self explanatory. Both are amazing pieces of Texana, selling both for one price. isshelf

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MCM Miniature enamel on copper flowers picture 6" wide frame, no damage, slight wear to frame. Illegible signature. tw271

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Harold Smith Native American Sterling, turquoise, coral, Jet, and shell inlay<br>Bracelet and ring set. wonderful with no issues. I've seen this Artisan<br>Identified as both Zuni and Navajo, I'm not sure but he does really nice work<br>and this is one of his more complex pieces that I have seen. Size 10.5 ring,<br>bracelet fits up to a 6.5" wrist. 40 grams total weight.

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Retro Tough Guy Sterling Pendants Knife and Pistol. Nice large statement<br>pendants that will show people you mean business. Knife 3.75", pistol 2.75" 24.3<br>grams total, both marked and tested 925 sterling. These were new old stock from<br>a Jewelry store that closed in the 90's, selling both.

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c1890 Price Booker San Antonio Texas Sun Colored Amethyst Pickle Bottle Embossed Just under 11" tall with No cracks or chips. isshelf

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1936 Texas Centennial Depression glass juice glasses set. These are much more<br>difficult to find than the cobalt or clear glasses from the Texas centennial<br>fair. They are 3.75" tall x 2 3/16" wide at the rim. No damage to any, no issues<br>with lettering. Selling all 4 shown.<br>isshelf

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 3/8" C/J Nez Sterling silver Navajo modernist cuff bracelet 43 grams.<br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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18th century Derby Porcelain boy figure. 6.25" tall, late 18th century with slight loss to tree limbs, something at each foot and minor wear here and there. No restorations, no cracks. isshelf

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Vintage Bien Mur Shop Native American Hand Chiseled silver bracelet 23.7 grams<br>with no issues<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1950's Large Barovier and Toso Murano Woman with Bouquet figure. Very large figure in mint condition with no damage or wear, was covered in 60-70 years of k protecting her, she's clean now. 11.5" tall, very substatial. And yes I can pack her correctly to get you safely. No identifying marks. isshelf

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 5/8" Vintage Heavy stamped Navajo bracelet. Nice deep hand stamped silver,<br>unmarked. I'm offering one but there were two of these nearly identical<br>obviously made by the same hand from this estate, you can change the qty to buy<br>both. 12 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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c1910 Carnival glass horse head bowl. 8 7/8" wide with no damage or detectable wear whatsoever, nice color.

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c1940's Zuni Turquoise channel inlay bracelet Fits up to a 5.75" wrist, for a<br>small wrist. 22.8 grams<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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c1890 Antique French Marquetry Brass/mother of pearl inlaid Jewel casket. Fantastic original liner, really nice burlwood/brass/mother of pearl inlay. 12.5" x 4.25" x 3.5" tall. Fully functional with no significant issues. Original lock/key which appears functional but doesn't seem to catch and I really don't have time to puzzle over it. Estate fresh and appears the previous owner paid 1k for it. tw271

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1970's Teagues North Carolina Pottery Jar. 2.5" tall without damage or wear. isshelf

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1947 Early Dryden Pottery jar/mini vase from Pratt Jun-Sen Banquet. 3" tall with no damage or significant wear. Dryden Pottery was founded in 1946 in Ellsworth, Kansas by Alan James Dryden aka "Jimmy", who relocated his business to Hot Springs, Arkansas in 1956. isshelf

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Two Ming Chinese Earthenware figures. Tallest 12", guaranteed 16th century or<br>older and Chinese. Both with some loss to glaze, both with old restored clean<br>breaks just below their cloaks as shown in the last pic. Sticker indicating they<br>were sold at.<br>Christies 1991 Oriental Ceramics and Works of Art<br>Christie's - South Kensington<br>Date - 13th November 1991<br>I could not find a record of the sale but I do know that one of the best<br>investments a person could have made in this period pre-internet would have been<br>buying up Christie's and other high caliber auction houses Chinese antiques at<br>the time as the Chinese ceramics market has come a long way in 32 years.

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1930's Rare Broadmoor Pottery Colorado Cowboy Wall plaque. 3.25" round with no<br>cracks, chips, restorations, or crazing, some surface scratches. Rare, possibly<br>undocumented.<br>isshelf

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c1870 16" Antique Hand Engraved Brass Hindu Tray. Very Nice antique tray from the last half of the 19th century with no damage or significant wear. Very nice patina, really nice engraving. issshelf

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Antique Chinese Swatow Bowl 10.75" wide with no cracks, chips, or restorations.

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1970's Jugtown Pitcher Blue Decorated Salt Glazed stoneware pitcher. 7.5" tall<br>without damage or wear, dated 1978.<br>isshelf

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14.75" Chinese Kangxi (1661-1722) Famille Verte charger. 14.75" wide x 3" deep, small chips and glaze frits all around rim and some on footrim. One tight and stable hairline really only visible on reverse side shown at bottom of last pic by the label. No large cracks or restorations. Stable and displays very well.

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c1870 Bohemian for Persian market Ruby cut to clear Hookah base. Great hookah base from the 19th century, Bohemain glass for Islamic market. No cracks, chips, or restorations. Some wear to gilding and hard water deposits in interior. 10.75" tall x 5" wide x 1 5/8" width of the inside of rim wall to wall. isshelf

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Antique Carved Root Hotei Buddha figure 19th to early 20th century antique<br>figure, previously sold at Christies East with label intact. 12" tall x 7" wide<br>in good condition. Good old figure, wonderful carving, I cannot honestly<br>guarantee the country of origin.

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Edward Diers (1871 - 1947) 1904 Rookwood Vellum Vase. Ed Diers was an artist at Rookwood from 1896 to 1931. He was educated at the Ohio Mechanics Institute, Industrial Art School and the Cincinnati Art Academy, according to notes posted on AskArt.com. He is well known for his particular skill in executing landscapes on the Rookwood pieces he decorated. No cracks, chips, or restorations. 1904 Was the first Year this glaze was introduced, so this was likely an experimental piece. There are some flaws, crazing and peppering to the white part of the poppy 5.25" tall.

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