Antique coral choker necklace with Dutch 14k gold clasp. Unmarked clasp tested and guaranteed solid 14k yellow gold with gold filled safety chain. 14" long, late 19th to<br>early 20th century. 84.3 grams total weight.

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7" Vintage Native American sterling Channel inlay mother of pearl bracelet.<br>Unmarked (tested) sterling, from a large collection of Native American jewelry<br>of various ages. No issues. 33 grams

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Collection Antique Chinese Silver, agate, coral, turquoise, rose quartz, and cinnabar jewelry. All 19th to early 20th century. Buckle is great, solid silver with illegible hallmarks on both pieces shown towards center of last pic. It is approx 11cm x 55mm assembled. The agate dress clip is marked sterling with seed pears on rim, I believe the cinnabar and coral pieces are silvered bronze. Selling the lot. Buckle missing one turquoise as shown. Pin missing from back of cinnabar brooch.

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Antique Chinese Nephrite/Agate snuff bottles. Selling both the bottles shown, from an old estate collection, I believe they are antiques. Both approx 2 7/8" tall. Both with natural fissures, the agate bottle with tiny nicks and wear to sides and rims of top and bottom. The nephrite bottle with loose fitting lid. Selling both.

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c1900 Trent Tile Company Art pottery tile, Trenton New Jersey. 6" x 6" tile,<br>7.25" square framed. No apparent damage, not examined outside of frame, it's<br>been framed a long time obviously as there is wear to the frame which of course<br>isn't as old as the tile. Crazing on tile as shown.<br><br>Trent Tile Company, founded in 1882, produced a wide variety of decorative<br>embossed tiles in numerous glaze colors during the last two decades of the 19th<br>century. The company's first designer was Isaac Broome, well recognized at the<br>time for his modeling of the human figure, face and profile. He was followed by<br>William Gallimore, a designer and modeler from England who also had a<br>well-established reputation. Over the years the company's success paralleled the<br>country's economy overall; the factory eventually closed in 1939. Today Trent<br>tiles are among the most collectible, especially among the lovers of Victorian<br>art tiles.

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****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* Rare Retired James Avery Archer Girl in Horseshoe Oversized charm/pendant in<br>sterling, no damage or significant wear. Cut jump ring 1" tall x 7/8" wide.<br>Looks like Raggedy Ann holding a bow and arrows, don't believe there's another<br>out there to find or will be anytime soon. anderas

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3 Pairs of Retro Sterling cufflinks. 3 pairs of nice sterling cufflinks with no<br>issues. The onyx/shell intarsia inlay ones are signed by the artisan illegibly<br>on the back, they are really nice. Selling all three pairs for one price.<br><br>anderas

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****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* Retired James Avery Sterling Open Heart Pendant on Circle Charm holder on 24"<br>necklace. All pieces James Avery with no damage and little to no wear. Heart by<br>itself is 13/16" in both directions. anderas

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40's-50's Navajo Stamped Silver Waterweb turquoise hinged bracelet. Unusual<br>bracelet with a sophisticated locking adjustable clasp that's fully functional.<br>Adjustable to fit a 7.25" up to a 7 5/8" wrist. and will of course fit a much<br>smaller wrist loosely.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" Vintage Navajo Sterling/turquoise cuff. Nice solid cuff with no issues, 6.25"<br>including 1.25" gap. Unmarked (tested) sterling 34.5 grams.   Very nice bracelet with bad pictures.

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7.5" Effy 18k/Sterling bracelet. No damage or significant wear, guaranteed<br>authentic and estate fresh. From a 100k collection of jewelry, possibly unworn.<br>$697 retail.<br><br>Fatollah “Effy” Hematian (1943-2023)<br><br>Effy Jewelry shared news of its founder’s passing on social media Monday.<br><br>In a statement to National Jeweler, the company said: “With great sadness we<br>announce the passing of Mr. Effy Hematian. Although we will all mourn this<br>profound loss forever, we choose to celebrate all Effy has brought into our<br>lives.<br><br>“Effy was a loving husband, father, grandfather, visionary and community leader.<br>His honesty and humility only illuminate the industry-defining change he brought<br>to the jewelry world. Through his unwavering belief in God, he demonstrated that<br>we can live a life of passion and purpose, leaving the world better than he<br>found it.”<br><br>Born Dec. 10, 1943, Hematian emigrated from Iran in the midst of the Islamic<br>Revolution in the late 1970s.<br><br>Though he trained and worked as an electrical engineer, Hematian started a<br>jewelry company when he landed in New York City in 1979, building his business<br>from nothing, as recounted in a video posted to the Effy Jewelry YouTube<br>channel.<br><br>“I’m really proud that I could tell you that [I] came to this country with zero<br>and today we are one of the biggest [jewelry] manufacturers in the States,” he<br>said.<br><br>According to the video, Hematian spent most of his mornings sketching jewelry<br>designs, sometimes completing as many as 20 to 30 sketches in a single day. He<br>said his background as an electrical engineer helped him see things other people<br>might have missed.<br><br>In the afternoon, he liked to walk the factory floor and keep an eye on the<br>production of his designs.<br><br>While his creativity and design inspirations were “endless,” the Effy Jewelry<br>website describes one creature—the panther—as the designer’s “lifelong muse.”<br><br>The big cat became the cornerstone of the brand’s “Signature Collection,” and it<br>became a star at Jewelers for Children’s “Facets of Hope” event, held annually<br>in Las Vegas alongside the Couture and JCK shows.<br><br>Hematian and Effy Jewelry were longtime supporters of JFC and donated plush<br>panthers to give away at the gala for about five years.<br><br>JFC Executive Director David Rocha remembered Hematian as a “lovely man.”<br><br>“Effy was always so kind and would make time to share his latest designs, his<br>inspiration and his process. He was a real icon in our industry. My thoughts are<br>with (Hematian’s son) Benny and his family,” Rocha said.<br><br>Sarin Bachmann, group vice president of the RX Jewelry Portfolio, said: “We were<br>so saddened to learn about Effy Hematian’s passing. Effy has been a wonderful<br>partner to JCK over the years and a force in the industry.<br><br>“We appreciated his deep passion for creating beautiful jewelry stemming from<br>his roots as an engineer. Effy’s legacy will live on with his family, his<br>namesake business, and the wonderful jewelry creations he inspires.”<br><br>On social media, members of the trade—including many Effy Jewelry employees—and<br>the brand’s customers reacted to news of Hematian’s passing with similar<br>remembrances, recalling a man who was kind and had a passion and a talent for<br>design.<br><br>Jan Swartz, the group president for Holland America Group, wrote on LinkedIn,<br>“Mr. Effy Hematian was much more than one of the world’s most brilliant jewelry<br>designers and visionary entrepreneurs.<br><br>“Beyond his professional achievements, he had a kind and generous spirit. I<br>admired his craftsmanship, creativity, passion, and love of his colleagues,<br>community, and family. Mr. Effy will long be remembered by every life he<br>touched, and his legacy will live on.”<br><br>On Facebook, a longtime Effy Jewelry customer said, “RIP Effy … your creations<br>have been making me happy for years and will continue to, for years to come.”

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Vintage Pepsi Cola Soda fountain glass. Selling the vintage soda fountain glass<br>from the mid 20th century with no damage or significant wear. 4.75" tall x 3.5"<br>wide at the rim. Selling one with multiple available by changing qty. I have<br>seen one of these bring $111.50 for one glass on ebay in the past.<br>isshelf

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Mini Travis County Austin Texas arrowhead found in 1943 with letter 21.25mm x<br>11mm converted to a tie tac long ago without damaging it. Very nice point, this<br>was found by me with the note tucked away as part of one of most interesting<br>persons estates I've had the pleasure of dealing with in ages.

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Southwestern Modernist Sterling malachite bracelet. Fits up to a 6.75" wrist, no<br>issues.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Sterling/Copper Malachite Cuff bracelet. Very cool handmade cuff in like<br>new condition. It has JLF Artisans makers mark and sterling. I believe it was<br>made in 1978 and never worn as I bought a few of these all different and one had<br>a 78 scratched on it under the mark. I came across a collection of these (about<br>4-5 cuffs all different) from the same artisan, all unworn, all great.

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3pc N Owens North Carolina Pottery bowls/creamer. Selling the three pieces shown in the most fantastic red glaze. No damage to either piece. Bowls 5.5" x 2.5" creamer 3 1/8" tall, two bowls and one small pitcher for one price. isshelf

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" Vintage Navajo Thick Stamped bracelet. No damage or significant wear, fits<br>up to a 6.25" wrist.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Large 1960's Fenton Puffy Rose Cranberry Satin Cased milk glass vase. 8.5" tall<br>x 7" wide, made by Fenton for LG wright typically this shape was a lamp shade<br>but this one is a much less common vase. No cracks, chips, or other issues.<br>isshelf

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Eldon Kalemsa Siwingyumptewa Sr Hopi Overlay Bracelet. Fits up to a 6.75" wrist. Hopi Silversmith Eldon Siwingyumptewa Kalemsa, Sr. of the Snow clan, who passed away in 1996. Stamped with his cloud monogram and a sunface. All precious metals are tested and guaranteed,

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Sz7 7 Effy 18k/Sterling Pave Sapphire ring. Guaranteed authentic, fine estate<br>fresh condition with no significant wear or damage. 7.4 grams.<br><br>Fatollah “Effy” Hematian (1943-2023)<br><br>Effy Jewelry shared news of its founder’s passing on social media Monday.<br><br>In a statement to National Jeweler, the company said: “With great sadness we<br>announce the passing of Mr. Effy Hematian. Although we will all mourn this<br>profound loss forever, we choose to celebrate all Effy has brought into our<br>lives.<br><br>“Effy was a loving husband, father, grandfather, visionary and community leader.<br>His honesty and humility only illuminate the industry-defining change he brought<br>to the jewelry world. Through his unwavering belief in God, he demonstrated that<br>we can live a life of passion and purpose, leaving the world better than he<br>found it.”<br><br>Born Dec. 10, 1943, Hematian emigrated to the US in the midst of the Islamic<br>Revolution in the late 1970s.<br><br>Though he trained and worked as an electrical engineer, Hematian started a<br>jewelry company when he landed in New York City in 1979, building his business<br>from nothing, as recounted in a video posted to the Effy Jewelry YouTube<br>channel.<br><br>“I’m really proud that I could tell you that [I] came to this country with zero<br>and today we are one of the biggest [jewelry] manufacturers in the States,” he<br>said.<br><br>According to the video, Hematian spent most of his mornings sketching jewelry<br>designs, sometimes completing as many as 20 to 30 sketches in a single day. He<br>said his background as an electrical engineer helped him see things other people<br>might have missed.<br><br>In the afternoon, he liked to walk the factory floor and keep an eye on the<br>production of his designs.<br><br>While his creativity and design inspirations were “endless,” the Effy Jewelry<br>website describes one creature—the panther—as the designer’s “lifelong muse.”<br><br>The big cat became the cornerstone of the brand’s “Signature Collection,” and it<br>became a star at Jewelers for Children’s “Facets of Hope” event, held annually<br>in Las Vegas alongside the Couture and JCK shows.<br><br>Hematian and Effy Jewelry were longtime supporters of JFC and donated plush<br>panthers to give away at the gala for about five years.<br><br>JFC Executive Director David Rocha remembered Hematian as a “lovely man.”<br><br>“Effy was always so kind and would make time to share his latest designs, his<br>inspiration and his process. He was a real icon in our industry. My thoughts are<br>with (Hematian’s son) Benny and his family,” Rocha said.<br><br>Sarin Bachmann, group vice president of the RX Jewelry Portfolio, said: “We were<br>so saddened to learn about Effy Hematian’s passing. Effy has been a wonderful<br>partner to JCK over the years and a force in the industry.<br><br>“We appreciated his deep passion for creating beautiful jewelry stemming from<br>his roots as an engineer. Effy’s legacy will live on with his family, his<br>namesake business, and the wonderful jewelry creations he inspires.”<br><br>On social media, members of the trade—including many Effy Jewelry employees—and<br>the brand’s customers reacted to news of Hematian’s passing with similar<br>remembrances, recalling a man who was kind and had a passion and a talent for<br>design.<br><br>Jan Swartz, the group president for Holland America Group, wrote on LinkedIn,<br>“Mr. Effy Hematian was much more than one of the world’s most brilliant jewelry<br>designers and visionary entrepreneurs.<br><br>“Beyond his professional achievements, he had a kind and generous spirit. I<br>admired his craftsmanship, creativity, passion, and love of his colleagues,<br>community, and family. Mr. Effy will long be remembered by every life he<br>touched, and his legacy will live on.”<br><br>On Facebook, a longtime Effy Jewelry customer said, “RIP Effy … your creations<br>have been making me happy for years and will continue to, for years to come.” Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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c1950 Walter Moorcroft Hibiscus Ginger Jar. Great piece with no cracks, chips,<br>or restorations. Some crazing, 4.25" tall x 3 5/8" wide<br><br>History of Moorcroft Pottery<br>Compared to many other Stoke Pottery brands, Moorcroft started quite late,<br>created by William Moorcroft in 1897. Now, however, it’s a worldwide brand and<br>has been growing in quality and prestige ever since its inception.<br><br>In 1928, Moorcroft was appointed ‘Potters to H.M. The Queen’, cementing the<br>quality and demand of the brand.<br><br>After William died in 1945, his son Walter Moorcroft took over the<br>responsibilities his father had held and became the sole Moorcroft designer.<br>Walter introduced many of the exotic flowers that are seen and loved in the<br>designs today. Walter retired from this role in 1986, and Moorcroft have since<br>seen a steady increase in designers and have even developed the Design Studio, a<br>place which now hosts five world-class ceramic designers.<br><br>From its early conception, Moorcroft pottery was in high demand from prestigious<br>department stores such as Harrods, Liberty of London, and even Tiffany & Co.<br>This demand cemented the pottery brand as one of artistic quality and a solid<br>investment, which we can still see to be true to this day.<br><br>isshelf

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sz 9.25 Patrick Yazzie Navajo Sterling silver high grade coral ring 5.3 grams<br>with no issues. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Size 9 Ring.

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Vintage Moorcroft Hibiscus Art Pottery bowl. No cracks, chips, or restorations.<br>4.5" wide x 1.5" tall with no cracks, chips, or restorations. One tiny glaze<br>flake on footrim, some crazing.<br><br>History of Moorcroft Pottery<br>Compared to many other Stoke Pottery brands, Moorcroft started quite late,<br>created by William Moorcroft in 1897. Now, however, it’s a worldwide brand and<br>has been growing in quality and prestige ever since its inception.<br><br>In 1928, Moorcroft was appointed ‘Potters to H.M. The Queen’, cementing the<br>quality and demand of the brand.<br><br>After William died in 1945, his son Walter Moorcroft took over the<br>responsibilities his father had held and became the sole Moorcroft designer.<br>Walter introduced many of the exotic flowers that are seen and loved in the<br>designs today. Walter retired from this role in 1986, and Moorcroft have since<br>seen a steady increase in designers and have even developed the Design Studio, a<br>place which now hosts five world-class ceramic designers.<br><br>From its early conception, Moorcroft pottery was in high demand from prestigious<br>department stores such as Harrods, Liberty of London, and even Tiffany & Co.<br>This demand cemented the pottery brand as one of artistic quality and a solid<br>investment, which we can still see to be true to this day.<br>isshelf

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c1950 Moorcroft Ashtray. No cracks, chips, or restorations. Some expected<br>crazing, 6" wide diagonally.<br><br>History of Moorcroft Pottery<br>Compared to many other Stoke Pottery brands, Moorcroft started quite late,<br>created by William Moorcroft in 1897. Now, however, it’s a worldwide brand and<br>has been growing in quality and prestige ever since its inception.<br><br>In 1928, Moorcroft was appointed ‘Potters to H.M. The Queen’, cementing the<br>quality and demand of the brand.<br><br>After William died in 1945, his son Walter Moorcroft took over the<br>responsibilities his father had held and became the sole Moorcroft designer.<br>Walter introduced many of the exotic flowers that are seen and loved in the<br>designs today. Walter retired from this role in 1986, and Moorcroft have since<br>seen a steady increase in designers and have even developed the Design Studio, a<br>place which now hosts five world-class ceramic designers.<br><br>From its early conception, Moorcroft pottery was in high demand from prestigious<br>department stores such as Harrods, Liberty of London, and even Tiffany & Co.<br>This demand cemented the pottery brand as one of artistic quality and a solid<br>investment, which we can still see to be true to this day.<br>isshelf

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c1930 Chinese Cloisonne set. Very intricate design on this one. All in one<br>holder, ashtray, match holder. Could obviously be repurposed. NO damage to<br>exterior crazing in interior of ashtray. 6.25" x 3.25" x 2" deep.

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Native American Sterling and raw turquoise necklace 24" long, 77.7 grams with no<br>issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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c.1910 Northwood Ice Blue Carnival Glass bowl in Nippon Pattern. No cracks,<br>chips, flea bites, or scratches. Nice iridescence, 8 5/8" wide.

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Vintage Dresden Unter Weiss Bach Children courting figure group. No damage or<br>restorations. 5.25" wide x 4.5" tall. Fine quality hand painted figure from the<br>mid 20th century.<br>figcab

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Sterling silver Save the Children brooch 1 9/16" wide and tall 8.7 grams.

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1940's Hobe Sterling Modernist brooch with flowers 1 13/16" wide with no damage<br>13.9 grams.<br><br>Hobé Cie was founded in 1887 by goldsmith Jacques Hobé, but when costume-jewelry<br>collectors think of Hobé, they picture the tasselled and beaded necklaces made<br>by Jacques’ son, William, who established an American offshoot of the company in<br>1927. That put Hobé at the beginning of the American costume-jewelry boom<br>between the two world wars.<br><br>In fact, some scholars believe that Hobé actually had a hand in the phrase<br>“costume jewelry” itself. After the younger Hobé landed in New York, but before<br>he started his company, one of the his first assignments was to make costumes<br>and jewelry for the "Ziegfeld Follies." According to some historians, Florenz<br>Ziegfeld described the jewelry that accompanied Hobé’s costumes as costume<br>jewelry.<br><br>Hobé’s showbiz origins served the company well. By the 1940s and ’50s, Hollywood<br>stars such as Bette Davis and Ava Gardner were wearing Hobé. Especially prized<br>today are the floral pins of that era, which featured tight clusters of vermeil<br>petals. Earlier Hobé pieces that remain popular with collectors include<br>filigreed bracelets and pins, some of which featured Victorian-style portraits<br>or Japanese netsuke-like figures as focal points.

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1940's Art Deco Chinese Silver Mounted Rose Quartz Choker Necklace. A really<br>great necklace with no issues. Amazing central Gilt silver mounted Carved Rose<br>quartz pendant with a carved rose quartz and crystal choker necklace. This is a<br>period piece from the second quarter of the 20th century that was likely never<br>worn as this lady had a ton of jewelry and they all appeared to be souvenirs<br>from her travels in the mid 20th century. 16" long 1.5" wide pendant, 94.6<br>grams. The silver is signed on the reverse side.

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c1850's Hand Engraved Sterling calling card case in wood box. Amazing to find this in the original wood box, the paper hinge is missing from the box, dents on sides of card case. Unmarked, tested sterling. 44 grams without wood box 3.5" x 2 3/8" perfumedrawer

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c1890 Dresden Flowers Hand Painted 10" Reticulated Raised gold plates. Selling<br>the 4 plates shown, as good as they get is what they are. No cracks, chips, or<br>restorations, no significant wear to gilding. One has a factory firing flaw<br>glazed over, not quite separated part of the reticulated section shown in top of<br>last pic. These are white porcelain, not the cream shown in the pic.<br><br>The term "Dresden porcelain" refers more to an artistic movement than a<br>particular line of figurines or dinnerware. Several decorating studios emerged<br>in this Saxony capital in response to the rise of "Romanticism" during the 19th<br>century. Dresden was an important center of this artistic, cultural and<br>intellectual movement, which attracted painters, sculptors, poets, philosophers<br>and porcelain decorators alike. In 1883, in response to the exciting<br>developments happening all around them, four prominent ceramic decorators<br>registered the famous blue crown Dresden mark, and the widely popular "Dresden<br>style" was born.

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Vintage Siam Sterling Silver brooch. 2" tall with no damage. 10.5 grams.

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Vintage Sterling cross on 24" necklace. Necklace is Canadian sterling silver,<br>cross just marked 925, they were found together in the estate. No issues with<br>either 27.3 grams.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Navajo silver Azurite cuff bracelet. Very rich blue stone with malachite mixed, I believe it's Azurite. Fits up to a 6.5" wrist with no issues.All precious metals are tested and guaranteed,

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Vintage Siam Sterling Silver Pendant/necklace. 2.75" long pendant, 24" necklace.<br>Both marked sterling with no issues. 18 grams total.

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sz3 Antique Sterling Molded Glass Cameo ring. Very nice old late 19th century<br>(tested) sterling ring with no identifying marks. 6.3 grams.

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Hand Engraved L monogram Sterling Cufflinks. High quality completely handmade<br>from the first half of the 20th century, unmarked (tested) sterling. 9.1 grams.

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Sz 9.5 BJ Vintage Southwestern Sterling/turquoise ring. Nice sized ring with<br>large chunk of natural turquoise. Signed BJ, tests sterling. 13.2 grams. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Size 9 Ring.

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7 1/8" Heavy Jonathan Nez Navajo Sterling silver heavy stamped bracelet<br><br>Navajo silversmith Jonathan Nez makes beautiful pieces of silver jewelry.Coming<br>from a family of silversmiths, Jonathan is the younger brother of the renowned<br>jewelry artist, Leonard Nez, who was a mentor to Jonathan for many years.An<br>accomplished designer now in his own right, Jonathan specializes in making<br>bracelets and works with heavy-gauge sterling silver, adding deep-set stamping<br>to create his distinctive pieces. Combining both the traditional Navajo stamp<br>work in his pieces along with horizontal or vertical lines, Jonathan jewelry<br>line is a is both classic and modern.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Sterling WW2 USMC United States Marine Core Hat pin 9.7 grams 1 3/8" tall.

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Large Antique Chinese Famille Rose Vase. 14.25" tall with no damage, UV<br>examination shows no restorations.

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Antique EAPG Blue Bryce wall basket Toothpick holder. No damage or detectable<br>wear 3.5" tall.<br>toothpickdrawer

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AR Joyeros 14k/950 silver earrings pendant and necklace set. Everything in the pics is solid 14k gold or high content silver. Earrings and pendant 1 1/8" x 5/16", necklace 19" long, 25.5 grams total weight. Alon Diller Israel 1970 The bench jeweler, the owner of AR joyeros and the artist behind the designs. He travelled in Africa, South and Central America for 3 years, and arrived in 1996 to Taxco, Mexico to study jewelry making and art in the national university of Mexico. After working from home for few years he opened his store in the center of the town of Taxco in 2005.

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Large c1890 Wavecrest Hand Painted Art glass dresser box. 7.25" wide x 4" tall<br>with no cracks or chips to glass, nice strong frame and hinge. Missing bottom<br>liner, slight wear to decoration.<br>tw270

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Jerry Seagle Texas Mixed Media Pastel/Watercolor. 7.25" x 10" sight 12" x 16"<br>framed with no issues.<br><br>Jerry Seagle is a contemporary Texas artist, trained in more traditional art. He<br>graduated with honors from the University of Texas at Austin with a BFA in<br>painting, and received a graduate fellowship to further his studies at the<br>University of the Americas in Mexico City. He draws on his past in Southwestern<br>art to create his abstract acrylic paintings.<br><br>Seagle has shown art in over one hundred individual exhibits. He has received<br>more than 250 awards in national and regional exhibitions, and his paintings<br>have been reproduced in several articles on experimental water media painting.

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c1890 Beatty Overall Hobnail Opalescent Toothpick collection 2.5" tall. One in vaseline glass. All with no damage or detectable wear. These were part of a much larger collection, the best ones in the best condition without issues were saved for here. Selling all 5 shown with no wear to hobs, no mold seam roughness. These are actually the perfect size for votive candle holders. 1.75" inside width from side to side. toothpickdrawer

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2 Mid Century Italian Murano Applied Glass toothpick holders. Selling both the toothpicks shown, the cranberry with loss to one petal. No other damage. Tallest 2.75" toothpickdrawer

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Sterling Zealandia handmade pin. Older piece from the 80's or 90's, in my<br>opinion better quality than recent work. 2.5" X 1.5" x 23.5 grams with no<br>issues.

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****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* Sz 6 Retired James Avery Sterling Hummingbird ring, no issues.<br><br>anderas Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* Retired James Avery Sterling praying hands charm. Oversized charm 1 7/8" x 1<br>1/16", cut jump ring.<br><br>anderas

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Meissen Rich Court Dragon Green Demitasse Espresso cup and saucer (multiple available). Selling one Coffee/Demitasse cup and saucer with multiple available. All first quality with no scratches through marks, no chips, no cracks, and very clean to perfect gold. If you want more than one just change the qty please. Saucers 4.25" wide, cups 2 5/8" wide at the rim without handle x 2" tall. osshelf

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Mid Century Modernist Sterling horse head cufflinks. These are about as cool as<br>cool gets and very well made. No identifying marks other than sterling. They<br>appear to be horses or dragons, or something of that sort. 27.6 grams.<br>anderas

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c1910 Catalina Island California Souvenir Toothpick holder. 2" tall with no chips, tight old crowsfoot in base, no other issues. toothpickdrawer

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David Salazar Sports and music Themed Limited Production 2016 Toothpick Holder KC. Signed DPS KC 2016, My guess is this was made for a club of some sort as he also made toothpicks for the Toothpick collectors clubs for certain years. No damage, very special limited production item with no damage. 2.75" tall David Salazar has been a glassblower and designer for over 50 years. He began in 1972 at Lundberg Studios in Davenport, California. Using new techniques to decorate glass, he eventually became their chief designer. Some of his pieces during this period were exhibited at the Corning Museum of Glass. It was during this time that he became associated with Larry Selman, one of the foremost paperweight dealers in the world. David’s work has been featured in many of Selman’s catalogues, as well as books for the paperweight collector. David also exhibited pieces at the Tiffany Exhibit for the Museum of Art in Chicago. In 1981, David left Lundberg’s to form his own studio. David’s work in miniatures led to doing marbles in flower and sea life patterns, as well as traditional swirls. His Angelfish marble was featured in the April 1988 issue of the Smithsonian Magazine. Today, his marbles are some of his most popular items, and he carries over 30 different kinds. His work is featured in many periodicals and reference books, including Marilyn Barrett’s book, Immies, Aggies, Shooters and Swirls, The Art of the Paperweight by L.H. Selman, and Mark Block’s, Contemporary Marbles and Related Art Glass. toothpickdrawer

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6.25" Greek Konstantino 18k/Sterling Heavy bracelet. 6.25" (16cm) long with no<br>issues 96.7 grams. Guaranteed authentic estate fresh bracelet. Very fine quality<br>bracelet. This same bracelet is being retailed under the Gerochristo Greek<br>Jewelry Collection as the<br>Synergy Sun Cuff Bracelet for $8640. I believe Konstantino retired the design,<br>but they both seem to share similar designs if not artisans.<br><br>https://athenagaia.com/products/synergy-sun-cuff-bracelet?_pos=2&_sid=cf7a0006f&_ss=r<br><br>4,000 BC<br>In the heart of the Mediterranean, generations of alchemists, artisans and<br>goldsmiths explored the depths of earth's most valued materials. Gold, silver,<br>bronze and precious stones inspired the creation of fine jewelry, a creative<br>expression of human intelligence.<br>Through the ages, Greek goldsmiths have estab- lished an exceptionally unique<br>presence in the history of fine jewelry, evident across the Mediterra- nean,<br>spanning through the Archaic, Classical, Hellenistic and Byzantine eras of<br>Greece. The indestructible nature of fine jewelry exudes -like qualities, a<br>timelessness that surpasses the ages of style and trend. The Konstantino style<br>emerged from the roots of these traditions, paving the way for its own unique<br>style, one re-defining the blueprint of the classical Greek identity.<br>about-image-2<br>1958: Birth of a legend<br>Konstantino was born in Filiadona, a small village outside Athens where the<br>Ancient city of Melitea once stood. There he watched his father closely as he<br>worked on the farm, building machines and tools of his own. Here Konstantino<br>developed a great appre- ciation for the art of hand craftsmanship.<br>about-image-3<br>1978: A musical influence<br>Following his love for music, the young Konstantino became a disc jockey in the<br>city of Athens, playing everything from Carlos Santana to Lou Reed. These icons<br>and many more, inspired a stylistic fluidity that introduced an essence of glam<br>rock to the scene. By way of music, Konstantino began curating his own aesthetic<br>identity, as a creative mind and style icon. Where, these legends continue to<br>influence the rule breaking spirit that drives the design team at Konstantino to<br>this day.<br>about-image-4<br>1983: Jewelry saved my life<br>Konstantino fled the music scene of Athens in search of an oasis, he took a trip<br>to the island of Hydra where he lived for the next 15 years. It was on this<br>magical island, where Konstantino fell in love with jewelry. He began collecting<br>and curating jewelry, whereby in 1988 the first Konstantino store opened.<br>about-image-2<br>1991: Annette<br>Hydra is not only the birthplace of Konstantinos love for Jewelry but was also<br>where he met his soon to be wife and creative partner, Annette. Together, from<br>the ground up, Konstantino Jewelry soon estab- lished its presence in the US and<br>global market.<br>about-image-6<br>1998: Global Impact<br>As the admiration and craze for Konstantino spread, the dream continued to grow,<br>where now our designs can be found in 10 countries globally. With the addition<br>of a longstanding presence in Neimans, Sax, etc. etc. Konstantino is proud to<br>represent an evolution of the Greek style to the world of fine jewel- ry lovers.<br>about-image-7<br>2016: A Family Future<br>Konstantino and Annette’s children, Julian and Phaedra joined the team, further<br>continuing the legacy of love, risk, and passion for gold smithery and design.<br>This new generation leads with humility, knowledge and a natural instinct for<br>the dynamic of the Konstantino brand. Preserving the core philoso- phies of the<br>brand and expanding on its already established style, is a challenge that’s been<br>taken on with confidence.

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Sz7 Vintage Chinese Turquoise Filigree Sterling Silver Enamel Ring. Great<br>Persian turquoise Chinese silver ring from the second quarter of the 20th<br>century with no damage. Size 7 10.5 grams. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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Konstantino 18k/Sterling Clio Collection Citron hoop earrings. 1 1/8" x .25"<br>wide with no issues, guaranteed authentic Konstantino and solid 18k gold and<br>sterling. 12.7 grams, uncommon retired design.<br><br>4,000 BC<br>In the heart of the Mediterranean, generations of alchemists, artisans and<br>goldsmiths explored the depths of earth's most valued materials. Gold, silver,<br>bronze and precious stones inspired the creation of fine jewelry, a creative<br>expression of human intelligence.<br>Through the ages, Greek goldsmiths have estab- lished an exceptionally unique<br>presence in the history of fine jewelry, evident across the Mediterra- nean,<br>spanning through the Archaic, Classical, Hellenistic and Byzantine eras of<br>Greece. The indestructible nature of fine jewelry exudes -like qualities, a<br>timelessness that surpasses the ages of style and trend. The Konstantino style<br>emerged from the roots of these traditions, paving the way for its own unique<br>style, one re-defining the blueprint of the classical Greek identity.<br><br>1958: Birth of a legend<br>Konstantino was born in Filiadona, a small village outside Athens where the<br>Ancient city of Melitea once stood. There he watched his father closely as he<br>worked on the farm, building machines and tools of his own. Here Konstantino<br>developed a great appre- ciation for the art of hand craftsmanship.<br><br>1978: A musical influence<br>Following his love for music, the young Konstantino became a disc jockey in the<br>city of Athens, playing everything from Carlos Santana to Lou Reed. These icons<br>and many more, inspired a stylistic fluidity that introduced an essence of glam<br>rock to the scene. By way of music, Konstantino began curating his own aesthetic<br>identity, as a creative mind and style icon. Where, these legends continue to<br>influence the rule breaking spirit that drives the design team at Konstantino to<br>this day.<br>about-image-4<br>1983: Jewelry saved my life<br>Konstantino fled the music scene of Athens in search of an oasis, he took a trip<br>to the island of Hydra where he lived for the next 15 years. It was on this<br>magical island, where Konstantino fell in love with jewelry. He began collecting<br>and curating jewelry, whereby in 1988 the first Konstantino store opened.<br><br>1991: Annette<br>Hydra is not only the birthplace of Konstantinos love for Jewelry but was also<br>where he met his soon to be wife and creative partner, Annette. Together, from<br>the ground up, Konstantino Jewelry soon estab- lished its presence in the US and<br>global market.<br><br>1998: Global Impact<br>As the admiration and craze for Konstantino spread, the dream continued to grow,<br>where now our designs can be found in 10 countries globally. With the addition<br>of a longstanding presence in Neimans, Sax, etc. etc. Konstantino is proud to<br>represent an evolution of the Greek style to the world of fine jewel- ry lovers.<br><br>2016: A Family Future<br>Konstantino and Annette’s children, Julian and Phaedra joined the team, further<br>continuing the legacy of love, risk, and passion for gold smithery and design.<br>This new generation leads with humility, knowledge and a natural instinct for<br>the dynamic of the Konstantino brand. Preserving the core philoso- phies of the<br>brand and expanding on its already established style, is a challenge that’s been<br>taken on with confidence.

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Large 1964 Native American sterling/turquoise Silver half dollar belt buckle. 4" x 3 1/8", takes up to a 1.75" belt. 110.3 grams. Tested sterling by the Navajo artist R Chee.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Large Vintage Native American sterling Turquoise cuff bracelet. 6.75" inside diameter including the 1.5" gap. Marked sterling and engraved by the artist in 1977. 3.5" x 2.75" face 124.9 grams.

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Vintage Chinese Sterling and Carnelian clip on earrings. 1.5" tall large and heavy earrings with no issues, strong springs on clips 28.1 grams.

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Vintage Art Deco Mexican sterling screw back earrings. Each with small dent in ball 8.5 grams, no other issues.

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Huge Vintage Sterling Zuni Multi-Stone Intarsia inlay concho belt. Very<br>substantial belt 2 1/8" x 2 7/8" conchos/buckle, fits up to a 37" waist, 590.4<br>grams with no damage or significant wear. Each concho signed as shown.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Cobalt Fenton 75 Year Vase . Mint condition cabinet kept with no damage or wear. 9.75" tall vase. tw270

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Large vintage Mexican sterling screw back earrings 2" long with no damage and little wear. 10.6 grams

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Sterling/22k Gold and Ruby Cabochon Necklace. Nice multitrand 17" necklace<br>sterling silver and 22k gold, marked and tested. 40.3 grams total weight.<br>Unidentified by me hallmarks, in the Style of Konstantino or John Hardy.

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Morris Laahte Zuni Silver Multi-Stone Channel inlay pendant/pin 2" wide 21.4 grams with no issues. All precious metals are tested and guaranteed,

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c1950's Navajo silver and Number 8 spiderweb turquoise bolo tie. Very nice<br>stone, very nice old bolo. 38" long with 2" bolo, 46.8 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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John Bryan (1897-1982) MCM Sterling Enamel Pin. Great design, no damage or detectable wear. 1 5/8" wide 10.9 grams John William Bryan was born in 1897 in North Carolina. He was a journalist and teacher in New York for a time, but returned to Asheville, North Carolina in the 1950's to start jewelry crafting. It is not understood how he moved from one profession to the next. His jewelry was mostly abstract in design, as was most of the other hand crafted jewelry of the time. He worked in sterling silver and enamel, as far as is known. His work was sold mostly in the Southern Highlands Handicraft Guild located in Asheville, North Carolina, which had been established in the 1930's to educate the region and arts community on the importance of craft and its ability to impact the local creative economy. John Bryan died in 1982 in North Carolina.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.75" Large Vintage Navajo Sterling and turquoise bracelet, great stones, no<br>issues.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" Vintage Zuni Silver Multi-Stone Channel inlay bracelet, unmarked with no<br>issues.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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18.25" Meiji Period Kutani Charger with Japanese Bathhouse Scene. Nice large charger with unusual decor from the last half of the 19th century with no damage, expected wear to gilding on rim. Selling this charger, estate fresh. There was another with the same decor almost identical with only the slightest variations due to being hand painted. If you change the qty to 2 you'll get both. isshelf

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Ronnie Willie (Navajo) Heavy stamped sterling bracelet with jet and shell inlay.<br>Fits up to a 6 3/8" wrist with no issues.<br><br>Ronnie Willie is a well-rounded artist. He works as a full-time silversmith,<br>creating contemporary and traditional designs from his bench in Albuquerque, New<br>Mexico. He is well known for his unique silver crosses. Ronnie also works with<br>wood carving, stone sculpture, kachina making and sand-painting. Ronnie learned<br>to silversmith from his brother, and continues to pass the tradition down with<br>his own family.<br><br>anderas

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Vintage Zuni Charles and Mary Ann Poncho Channel inlay Eagle dancer pendant.<br>Non-native American sterling necklace included. Pendant 2.25" x 1.75", necklace<br>20" 13.8 grams.

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Vintage O James Navajo Channel inlay Arrowhead pendant from The Touch of Santa<br>Fe Workshop. The quality speaks for itself. Guaranteed authentic estate fresh<br>vintage piece with no issues. 10.5 grams, 1 7/8" long x 7/8" wide.

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Vintage Webster sterling luggage tag. Engraved monogram and address as shown. 2.25" x 1 7/8" without leather 27 grams.

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Keith Jack 10k/Sterling Compass pendant. Clean with no issues. 1.75" x 1 5/16"<br>8.3 grams.

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Vintage Wolcott Sterling silver Keepsake photo pendant. Marked and tested sterling, snap works perfectly. Tray in center pulls out to add photos. 2" x 1.25" closed 21.3 grams

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Vintage Engraved Sterling Collar tips with horseshoe accents. Very nice quality marked and tested sterling. Measure 1.75" long x 1.75" wide at rear. 31 grams total. tw208

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Luis Melesio Villarreal Retro Taxco 950 Silver necklace 17.5", 98 grams with no<br>issues.

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18" Retro Sterling/Amethyst multicolor quartz necklace. Natural stone and sterling beads, sterling clasp Largest beads are .5" thick 58.4 grams total weight.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Preston Monongye (Hopi) (1927-1987) Tufa Cast Turquoise, Coral, shell and Jet<br>freeform bracelet. 45mm or 1.75" wide, fits up to a 6 3/8" (163mm) wrist<br>including the 1 1/8" gap 112.3 grams with no issues. Incredible design, quality,<br>and . A work of art by anyone's standards, one of a kind piece.  <br>Recognized as an innovative designer and technician, immersing himself in “the<br>new Indian art,” using traditional techniques and motifs to create a<br>contemporary new look. He was best known for cast silver set with stones that<br>often were cut by his friend Lee Yazzie, and later by his son Jesse. Monongye<br>taught his art at various schools and workshops and lectured widely on<br>contemporary Native design. He won many awards at shows and competitions and his<br>jewelry appears in museum collections such as the Museum of Northern Arizona in<br>Flagstaff and the Wheelwright Museum in Santa Fe.

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Vintage Chinese silver and Turquoise cluster earrings 1" wide with no backs, no<br>other issues. Great pair of unusual earrings from the first half of the 20th<br>century. 11.4 grams

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Rare Antique Round Rock/Georgetown Texas Souvenir lot. Interesting lot of souvenirs from places that one wouldn't typically expect to be tourist attractions. These are from about 1910, and at that time it was likely the closest thing to tourist attraction in Round Rock/Georgetown which have both really blown up in the past 20 years. The "ladies Annex for Southwestern University" burnt down in 1925, Trinity Lutheran College moved sometime around 1929. Selling the 4 pieces shown with no damage. blkcrateredbag

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1890's American Art pottery Kensington Tile 6" square, small chip on reverse side, no other significant issues. Kensington Art Tile Newport, Kentucky 1885 - 1895 Tile Heritage Collection Gift of Bob Smyth In 1881 the Hatt brothers, Arthur and Otto, established a tile works at Elm and Lowell Streets in Newport, Kentucky. Their company, Hatt & Hatt, was taken over by a group of investors in 1885 and renamed the Kensington Art Tile Company. During its short tenure as a manufacturer of dust-pressed art tiles, the combination of portraits and floral interpretations was most impressive due to the artistic talents of Herman Mueller and Mary Louise McLaughlin, among others. From an 1891 published report in “Illustrated Cincinnati” (courtesy of the Tile Heritage Library): “The main building is a substantial brick structure, three stories and basement in height and 40 by 200 feet in dimensions. The equipment for art tile-making purposes is of the most elaborate, complete and modern description, and includes four large kilns, which bake to the extent of 14,000 feet of tile at one filling. “The processes of preparation of the crude clay are as elaborate as they are complicated. The clay is first puddled and forced through great sieves by steam power. It is then dried and ground to a fine powder, and then moulded and pressed into the tile shapes, which are carefully baked, then removed and coated with the enamel and glazing liquids. They are then finally placed in the kilns and thoroughly glazed, when they are finally removed to the sorting and packing room, and forthwith shipped to destination. “The most extreme care is taken to have all the materials pure and accurately prepared, and the result is a perfection of quality, an elaborateness of finish, and a beauty and delicacy of colors and tints, nowhere else attempted, much less duplicated. An average force of 100 hands is employed, and ten teams are kept constantly busy.”

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c1880 Robbins Clark & Biddle 14k gold retractable pendant physician's pencil,<br>just over 3.5" closed with jump ring, 4 7/8" fully extended with jump ring.<br>Fully functional with no issues. Unmarked but acid tested by me in multiple<br>places by me to be 14k gold with no signs or evidence of it being plated.<br>Retailer's Name on one side and engraved Doctor's name on the other. 18.6 grams.<br>Without damaging this I cannot be 100% sure that it is not gold filled but as I<br>stated there is no evidence that it's plated, no wear, and it tests strong for<br>14k in multiple places but fades at 18k, typically gold filled items were more<br>often 12k so wouldn't test at 14k so I believe it's solid gold. Some of the<br>inner mechanisms will be another metal as they are durable than gold. I have<br>disassembled different models of these from the same era before and they are<br>typically 50-75% gold with a small amount of steel or brass items for the<br>mechanism. As shown in the last pic, the inner shaft that holds the pencil is<br>brass.<br><br>Robbins, Clark & Biddle of 1124 Chestnut Street in Philadelphia. It was a<br>jewelry store that also sold sterling and plated wares, imported items, clocks,<br>watches, bronzes, "fancy goods in gilt, leather wood and crystal", which<br>included jardiniers, ink stands, vases, jewel cases, work boxes and baskets,<br>thermometers and barometers, vinaigrettes and card cases.<br><br>Samuel Biddle is the Biddle of Bailey, Banks & Biddle. He apprenticed with<br>Thomas C. Garrett 1857, took over his business at some point after 1860 as Clark<br>& Biddle. That became Robbins, Clark & Biddle (at least by 1876; they're in the<br>catalog for the Centennial exhibition) and then in 1878 the Bailey, Banks &<br>Biddle we know today. I've seen items by other makers (including Krider)<br>retailed by Clark & Biddle, but it seems likely they also made some items, at<br>least early on.

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c1900 Johnson Brothers Holland Flow Blue Pitcher. 7.5" tall x 7" handle to spout<br>with no cracks, chips, restorations, or stains. This is the largest of three<br>different sized pitchers made in this pattern and is extremely difficult to<br>find.<br>tw270

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1950's Paragon Yellow Roses with peach interior teacup and saucer no crazing, no damage of any kind, or wear. This is a full sized teacup with 5 5/8" saucer. isshelf

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1950's Paragon Chrysanthemum Cup and Saucer Set with light green band. Uncommon variation with no crazing, damage of any kind, or wear. This is a full sized teacup with 5 5/8" saucer. isshelf

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Victorian 18k Rose gold High Relief Lava Cameo brooch. 19th century, unmarked<br>but tested and guaranteed solid 18k gold. 2" tall x 1.75" wide with no issues.

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Victorian 14k rose gold/pearl mounted Hardstone cameo brooch. 19th century<br>carved hardstone cameo with no issues, frame tested and guaranteed solid 14k<br>gold, unmarked. 1.75" tall x 1.45" wide. 19.4 grams.

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6pcs Vintage Hotel silverplate flatware. From Various Hotels around the US, all from first half of the 20th century. Penny for scale in second pic. silverdrawer

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Everett MacDonald (1924-1991) Laa Beach, CA Modernist Sterling silver Abstract<br>cufflinks. No issues.<br><br><br>Everett Macdonald, whose Beach shop opened in 1947. Macdonald created open<br>sculptural silver and gold jewelry, often utilizing nylon monofilament within<br>the negative spaces of his pendants and earrings, reminiscent of sculpture by<br>Henry Moors and Naum Gabo.<br><br><br>anderas

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Republic Period Chinese Carved boxwood buddha. 3.75" tall x 3.25" wide base with old stable crack on reverse, nice carving. isshelf

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Antique Hampden Pocket watch works/dial. Selling what's shown unsure if it's working. Guaranteed not to work parts beautiful dial/hands and works from a fnacy 14k watch that had damage to case so it was scrapped. Selling what's shown 1 5/16" dial.

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