Produk

1950's Beau Sterling Cello String instrument brooch. 1 7/8" long with no issues. More complex than similar brooches I've seen, could be a number of string instruments as I'm not an expert in string instruments.

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Vintage Beau Sterling Horses Brooch Bracelet Screw Back Earrings Set. Earrings<br>are 13/16", bracelet 7" brooch 2.25". All from same estate.

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1950's Blue Luray Pastels Epergne Flower Frog Vase. No cracks, chips,<br>restorations, or crazing, one spot with a factory glaze skip on rim, not<br>noticeable from top. 8.5" tall x 9.5" wide.<br>tw160

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1950's Bryce 664 Amethyst Clear Diamond Stem (8) 6.25" x 2 1/8" wide at rim. I think these are small champagne flutes. This is an extremely uncommon pattern in which not every shape is documented. I'm 100% sure and guarantee them to be Bryce 664. Bryce went out of business in the 1960's. They're all perfect with no cracks, chips, cloudiness, restorations, or scratches.

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1950's Bulova 23 Jewel Automatic Wristwatch with period native american Sterling Chip inlay bracelet. Very nice working watch. Keeps on ticking, seems to keep good time. The old stretchy band is old and could likely use either replacement or some TLC, the Native American sterling tips are great, each marked sterling with a small picto hallmark.

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1950's Carl Scheldig Porcelain Children Figurine Lot Germany No cracks, chips, or restorations. Selling all three tallest 5.75" only the boy with birds have the crown over s mark. All three quality mid century German porcelain guaranteed.

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1950's Catalin Childrens Knife and Fork Set with inlaid Cats. Some wear as shown in pics, some scratches and small chrome spot missing on fork. They are both tight in the handles with no play. Knife is 5.5" long. b36

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1950's Coca-Cola All Star Salesman's Award Gold bottle with wood base. Standard size bottle, slight wear to gold and small repair to one corner of wood base. No cracks or chips to bottle. 9" total height x 4.25" base b17

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1950's Coca-Cola Dr Pepper 7 up RC Chewing Gum Matchbooks. Selling the 10 matchbooks shown from the 1940's and 50's. Some have been used some haven't, they are in the condition shown they are regular sized matchbooks. B12

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1950's Coca-Cola Employees Jacket Patch. Tough to find item guaranteed original with some wear.

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1950's Danish Modern Cast Iron Enamel Jens Harald Quistgaard Anker Line Skillet.<br>Jens Harald Quistgaard designed a saucepan in cast iron for De Forenede<br>Jernstoeberier A/S (United Iron Foundries). The pan was marketed under the name<br>Anker-Line and was awarded the gold medal at the Triennale in Milan in 1954.<br>Measures 15.5" x 8.75" wide x 1.25" deep skillet. No significant wear, some<br>light scratches on base. Unmarked.

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1950's DeVilbiss Iridescent Perfume Atomizer. These are the same fancier gilt<br>bronze lids they put on the Steuben bottles, not sure if this is steuben. All<br>it's missing is the bulb, all the hardware is here for an easy bulb add. 6.25"<br>tall with no damage.<br>tw141

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1950's DeVilbiss Large French Crystal Atomizer Perfume bottle. 8" tall heavy<br>French crystal with no damage. Some cloth missing from bulb, but everything<br>works as it should.<br>tw138

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1950's Elman Clothes Vintage Sewing Pattern Display with Butterick/McCall's Dress patterns. Buying exactly what's shown here patterns from the fifties and sixties.

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1950's Esso, Coca-Cola, and Conoco Bank Collection. Selling the lot shown, all with no breaks but the conoco is amazing, these always have worn decals and usually worn paint, this one is basically mint. I just noticed the streaks on the esso are on the outside and look like they will clean off. Conoco is 4 7/8" tall for reference. TW1

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1950's Estela Popowski Modernistic Mexican Silver Mixed Metal/Onyx Brooch. 2<br>9/16" tall x 1.75" wide in great vintage condition.<br>Popowski was a jewish immigrant who moved to Mexico in the 1950s. She lived and<br>worked in Taxco in the 1950s to early 1960s and designed jewelry for Los<br>Castillo, Antonio Pineda, and later in her own studio. She was not a<br>silversmith, so she designed the jewelry and had it executed by a number of<br>master silversmiths in Taxco. In the mid-1960s she moved to California where she<br>lived in Newport Beach while concentrating on painting and design projects.

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1950's Fenton Cranberry Coin Dot Opalescent Basket. No damage or wear whatsoever. 7" tall x 7.25" x 5.75".<br>isshelf

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1950's Fenton Cranberry Coin Dot Opalescent Basket 7.5" tall x 6.75" wide at widest point. No cracks, chips, or restorations.<br>B8

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1950's Fenton Miniature Blue opalescent hand vase. 3.75" tall with no damage or detracting issues, better than average molding and opalescence. isshelf

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1950's Frank Patania Sr(1899-1964) Modernist southwestern Sterling RC Bolo tie.<br>2" wide bolo slide 37.7 grams with no issues. Rare possibly one of a kind, Frank<br>Patania and his studio did a lot of custom pieces. This is obviously the RC Cola<br>logo but at this point I have no way of knowing if it were made for say a<br>company exec or someone with the initials RC. Shouldn't really matter, it's very<br>cool.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.<br><br>Frank Patania Sr. immigrated to New York City in 1908. Child labor laws kept the<br>young man from working as a craftsman, but after World War I he was old enough<br>to be hired as a designer for an important jewelry firm. In 1924 he contracted<br>tuberculosis, and the firm sent him to a sanatorium in Santa Fe, New Mexico.<br>Patania was seduced by the active art colony and healthy climate, and chose to<br>remain in the Southwest even after his health improved. His work reflects both<br>his European training and his exposure to Pueblo and Navajo jewelry.<br><br>The legacy left by Frank Patania, Sr. came from the integration of two<br>distinctly different traditions-one European, and the other Native American. On<br>the one hand, Frank Sr. drew from a long history of Italian creative spirit,<br>combining technical expertise and artistic imagination. He instilled in his<br>family the Italian commitment to fine craftsmanship, as well as the Italian<br>custom of family corporate bonding.<br><br>This uniquely Italian tradition can be traced back as far as the Renaissance,<br>and provides a structure in which each member of an artisan family has a job to<br>perform that contributes to the family enterprise. This familial check and<br>balance system has been a powerful asset to the Patania family's continued<br>standard of excellence through the years. But Frank Sr.'s style was drastically<br>transformed when he was introduced to the work of southwest Native American<br>jewelers in the 1920s.<br><br>His inspiration was multi-faceted; he began to work in a new medium-silver and<br>turquoise-as well as in increased scale, and using new techniques. The<br>successful marriage of these two disparate traditions has become the foundation<br>upon which each generation has maintained the tradition of excellence in<br>craftsmanship and design that has come to be known as the "Patania Thunderbird"<br>style.

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40‘s-50‘s Vintage Navajo sterling turquoise concho pin. No issues, weight and measurements in pics. Solid sterling with no markings. Mid 20th century.

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1950's Ft Worth Texas Visitors guide Gay and Friendly experience. Selling the visitors guide shown, 4" x 9" folded. Super cool and rare in good condition would be great framed. tw260

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1950's German Schuco Clockwork Dancing Beer Drinking boy. This is as good as they get, super clean. Feet embossed Schuco Patent Made in Germany. No Box, Working condition with no key but I tested it using a clock key. He not only drinks beer from a stein but also he dances around in a circle. And yes he stands up, my pictures are taken with the camera pointing down at the toy on it's back and I like to get as close as possible. 5.5" tall. isshelf

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1950's German Schuco Clockwork Dancing Monkey Drummer. Feet embossed Schuco Patent Made in Germany. Box present with one end/flaps detached but present, Working condition with no key but I tested it using a clock key. He drums and dances. And yes he stands up, my pictures are taken with the camera pointing down at the toy on it's back and I like to get as close as possible. 5.5" tall. isshelf

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1950's Harker Pottery Fruit Pattern Ceramic Rolling pin . No cracks, chips, restorations, or crazing. Great item, guaranteed authentic. isshelf

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1950's Harker Pottery Mallow Ceramic Rolling pin Pie Server and Salad Fork and Spoon. Rolling pin is 15", other pieces are 8.5" to 9" long. No cracks, chips, restorations, some crazing throughout on all pieces except for salad fork. B39

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1950's Hotel Statler Insulated Hot water Pitcher for coffee with room number. 7" tall x 5.5" wide with handle. no dents, bends, or other issues. As clean as they come. TW204 The first "permanent" Statler hotel was designed by August Esenwein and James A. Johnson, built in Buffalo, New York, and offered 300 rooms and bathrooms (later expanded to 450 rooms and baths). The hotel was successful and led to a chain of hotels in other cities. Statler's intent was not to compete with the luxury hotels, but to provide, clean, comfortable, and moderately-priced rooms for the average traveler. Statler was the first major hotel chain to have a bathroom in every room. His innovative Statler Plumbing Shaft is still used in modern construction. From providing paper and pens for correspondence (prominently bearing the Statler name) to a light in the closet, Statler brought the average traveler a level of luxury that was otherwise unaffordable. Rooms were originally available at what seemed a very cheap price, leading many other hoteliers to predict the failure of the Buffalo hotel. The opening night price was as low as $1.50 for a guest room, leading to the slogan "A Room and a Bath for a Dollar and a Half". The hotel had a $500,000 line of credit available, but maintained positive cash flow and Statler never used the line of credit. Each of the subsequent Statler Hotels built upon this formula for success. Reflecting the era's enthusiasm for scientific management, Statler took pride in how he standardized questions of room design.[1] His hotels had minimal wasted space, particularly on the guestroom floors, and he strove to have room layouts that would maximize efficiency and profitability. After Statler's death in 1928, the company built hotels in Washington, D.C., Los Angeles, California, Hartford, Connecticut, and Dallas, Texas. Many of these hotels were designed by the architectural firm of George Post & Sons, the successor firm of George B. Post. In the mid- and late-1940s, pianist Liberace "gained national exposure through his performance contracts with the Statler and Radisson hotel chains".[2] The Hotels Statler Company, Inc., was sold to Conrad Hilton's Hilton Hotels in 1954 for $111 million, then the world's largest real estate transaction.

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1950's Howard Pierce Cameo Art Deco Stylized Deer Wall Planter No cracks, chips, scratches, or crazing. 8" x 2" x 3.5"

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1950's Hummel Full Bee tk2 Surprise 4.25". Crazing in very few places, no cracks, chips, or restorations. humshelf

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1950's Hummel Tmk2 Full Bee Little Drummer boy 4.5" tall with No chips, cracks, restorations, scuffs, or crazing.

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1950's Jeronimo Fuentes Taxco Enamel Bull pin 2" x 1.5" x 6.7 grams. No damage.<br><br>This is a fantastic vintage Mexican pin by Jeronimo Fuentes, who worked as a head enamelist at Margot de Taxco taller. The artwork of this artist is fabulous! His pieces feature mastery in brilliant enamel and silver work techniques , designs are both whimsical and classic.

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1950's Jeronimo Fuentes Taxco Enamel Donkey pin 1.75" x 1.5" x 5 grams. No damage.<br><br>This is a fantastic vintage Mexican pin by Jeronimo Fuentes, who worked as a head enamelist at Margot de Taxco taller. The artwork of this artist is fabulous! His pieces feature mastery in brilliant enamel and silver work techniques , designs are both whimsical and classic.

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1950's Kupittaan Kulta Elis Kauppi Modernist sterling silver pendant on 16.25"<br>modern designer necklace. No issues with either piece. The pendant measures 1<br>7/16" tall.<br><br>Elis Kauppi<br>One of the most important figures in<br>Finish jewelry design Elis Kauppi’s<br>vision of a new jewelry style<br>inspired a generation of designers and<br>launched Finland onto the international<br>jewelry design scene.<br><br>In 1945, in Turku, Finland at the age of 24 ,<br>Kauppi started his renowned jewelry workshop<br>named Kupittaan Kulta. He was part of a young<br>group of makers which would forever change the<br>face of jewelry design. Kauppi's drive to innovate<br>originated from the difficult circumstances of the war and a desire to break out<br>of the<br>usual standards of jewelry design of that time.<br><br>The War and the Innovation of the Kupittaan Kulta Workshop<br><br>Finnish jewelry ingenuity was greatly tested during the<br>second world war and it was reported that even when<br>glass beads and stones were hard to obtain during the war<br>that the Kupittan Kulta workshop melted down colored pin<br>heads to provide jewelry accents and Finish granite was upgraded<br>to a precious stone. Below : L to Right: Kupitaan Kulta jewellery including<br>silver and amethyst flower pendant, the "Mountain Stream" necklace and<br>a modernist Kupittan Kulta brooch<br><br>International Acclaim<br>Kauppi, representing Finland, started exhibiting<br>internationally in the 1950's winning prestigious awards. His "Mountain Stream"<br>necklace which featured cascading bubbles of spectrolite and rock crystals<br>was an example of his original craftsmanship. The anvil benchmark beside the<br>Turku town stamp are identifying marks for this designer and his company.<br><br>Modernist Forms<br>Attention to simplicity and form was at the heart of Kauppi's jewelry designs<br>.Kauppi’s designs emphasized abstraction, and being a true modernist he<br>he rejected the previously popular naturalistic forms of the forties which<br>focused on<br>flower and leaf type designs. With great emphasis on craftsmanship<br>his strong and bold jewelry designs remain strikingly relevant to this day.

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1950's Large Barovier and Toso Murano Woman with Bouquet figure. Very large figure in mint condition with no damage or wear, was covered in 60-70 years of k protecting her, she's clean now. 11.5" tall, very substatial. And yes I can pack her correctly to get you safely. No identifying marks. isshelf

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1950's Large Hummel Full Bee Mark Telling Her Secrets. 6.5" tall with no cracks, chips, crazing, or restorations. isshelf

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1950's Large Zuni Sterling silver Inlaid Thunderbird Bolo Tie. Thunderbird is 3 1/8" x 2 7/8" Thunderbird and tips are in good condition so is leather. Unmarked but tested sterling. 49.4 grams total weight

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1950's Latama Knife U.S. Royal Golf Balls Advertisement Promotional. Maybe a little older measures 2 7/8" closed with bail. It's been used, some surface wear, small nick on tip of blade.

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1950's Leekya Deyuse (1889-1966) Zuni carved bird fetish necklace 30" long, measurements in pics. Purchased from reputable "Brown's Trading Post" 11 years ago with reciept included.“Old Man” Leekya Deyuse – Master Zuni Fetish Carver Leekya Deyuse (Leek-yah Day-you-see), was probably the most well known and one of the finest fetish carvers in the history of Zuni. Born in 1889, Leekya created beautiful fetish necklaces, carved animals (table fetishes) of assorted stones, turquoise figurines and fetishes set in jewelry.Leekya worked for C.G. Wallace, a well know and influential trader at Zuni for 50 years. Leekya had 3 children, Frances, Alice and Sarah. His grandchildren and great grandchildren continue to carve today. Some of them are Delvin, Freddie, and Hayes Leekya and Juana Homer, Patrick Homer and Bernard Homer, Jr. Old Man Leekya died in 1966.

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1950's Los Ballesteros Mid Century Modern Mexican Sterling Silver Pendant. Mid century Period 1950's or 60's faint eagle mark. The Pendant is 4" high with bail x 2 5/8" wide , Choker is about 16". The choker is vintage but not los Ballesteros and it has a few small bends, no issues with pendant. 687.3 grams total weight. This is a very uncommon style of Pendant in a very large size.

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1950's Los Castillo Sterling and onyx screw back earringsLos Castillo Jewelry - HistoryAntonio Ca stillo and his brothers Jorge, Miguel, and Justo began Los Castillo in 1939. They had all apprenticed in William Spratling’s taller before starting<br>their own business in Taxco, Mexico. Antonio Castillo rose to the level of<br>master silversmith during his time working with Spratling.<br><br>The Los Castillo workshop trained and employed many skilled silversmiths over<br>its decades in the business, including the Castillo brothers’ cousin Salvador Teran, Sigi Pineda, Antonio Pineda, and Antonio Castillo’s wife, Margot van<br>Voorhies Carr. All these artists went on to open their own successful workshops,<br>including van Voorhies Carr who founded Margot de Taxco after she and Antonio<br>Castillo divorced.<br><br>Los Castillo is known for its quality silver wares as well as mixed metals that<br>incorporated copper and/or brass with sterling silver. Other decorative home<br>accessories can be found with silver plating and inlaid stone embellishments. Chato (Jorge) Castillo was one of the Castillo brothers who worked in the 1930s for William Spratling. He is known for his technical expertise and his design<br>talent. He developed the techniques for married metals, feathers with silver,<br>Aztec mosaic or stone inlay, concha or abalone inlay,...(Mexican Silver: Modern<br>Hand-wrought Jewelry & Metalwork by Morrill and Berk (Schiffer: 2007, 4th<br>Edition), p. 86.

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1950's Los Castillo Sterling chrysocolla inlay 14" choker and 7" bracelet, selling the set shown with no issues.Los Castillo Jewelry - HistoryAntonio Ca stillo and his brothers Jorge, Miguel, and Justo began Los Castillo in 1939. They had all apprenticed in William Spratling’s taller before starting<br>their own business in Taxco, Mexico. Antonio Castillo rose to the level of<br>master silversmith during his time working with Spratling.<br><br>The Los Castillo workshop trained and employed many skilled silversmiths over<br>its decades in the business, including the Castillo brothers’ cousin Salvador Teran, Sigi Pineda, Antonio Pineda, and Antonio Castillo’s wife, Margot van<br>Voorhies Carr. All these artists went on to open their own successful workshops,<br>including van Voorhies Carr who founded Margot de Taxco after she and Antonio<br>Castillo divorced.<br><br>Los Castillo is known for its quality silver wares as well as mixed metals that<br>incorporated copper and/or brass with sterling silver. Other decorative home<br>accessories can be found with silver plating and inlaid stone embellishments. Chato (Jorge) Castillo was one of the Castillo brothers who worked in the 1930s for William Spratling. He is known for his technical expertise and his design<br>talent. He developed the techniques for married metals, feathers with silver,<br>Aztec mosaic or stone inlay, concha or abalone inlay,...(Mexican Silver: Modern<br>Hand-wrought Jewelry & Metalwork by Morrill and Berk (Schiffer: 2007, 4th<br>Edition), p. 86.

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1950's Los Castillo Taxco Brass Adam and Eve Glass Slips with glasses. Selling<br>the two glasses shown with no damage. 4.5" tall x 2.5" wide. Nice sized glasses<br>probably about 8-9 oz.<br>tw229

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A wonderful geometric bracelet and necklace by Margot van Voorheis Carr, better<br>known as Margot de Taxco. This is an original edition, not a later copy, and<br>both pieces bear the design number 5112, making it one of her earliest designs<br>(Morrill and Berk, in Mexican Silver , state that Margot's design numbers began<br>with 5100 and continued through 5790). The full stamp on both pieces reads<br>"Margot de Taxco, Hecho en Mexico 925, 5112" and an Eagle 16 mark. I find no<br>damage on either piece, and I have not polished them - just washed them in a<br>mild detergent. The bracelet is 6.75" long (inside circumference) and 1" wide,<br>and weighs 54.8grams. The necklace is 15" long, 1/2" wide, and weighs 56.8<br>grams. The latches on both pieces close tightly, and the bracelet has an<br>appropriate safety chain. 111.6 grams total.<br><br>Margot Van Voorhies was born in 1896 in San Francisco, California. By the time<br>she left her native country for good, she had survived the death of her father<br>in 1903, the San Francisco Earthquake in 1906, the loss of her mother at the<br>hands of a er in 1931 and the end of her first marriage in 1936.<br><br>Fortunately, a Mexican vacation changed the life of Margot Van Voorhies in ways<br>she could never have imagined. In 1937, forty-one-year-old divorcée Margot Van<br>Voorhies left San Francisco on a trip to Mexico City. Fate threw her into the<br>path of Don Antonio Castillo, who took her to Taxco, a Mexican hotbed for the<br>design, crafting, and production of silver objects, in particular jewelry and<br>housewares.<br><br>Soon, Castillo would become Margot’s second husband. At the time, Castillo was<br>working for William Spratling, a pioneer in Mexican silversmithing. He brought<br>Margot into the business as a designer, helping her to transform her paper<br>creations into three-dimensional forms in silver. In 1939, the pair, along with<br>other members of Castillo’s family, opened shop as Los Castillo Taller [Taller<br>is Spanish for “Workshop”], with Margot as the top designer.<br><br>After ten years, the marriage between Castillo and Van Voorhies dissolved, as<br>did their professional association. Margot went on to open her own shop in 1948,<br>taking the name Margot de Taxco, by which she is best known today. Seven years<br>later, enamel was added to many of her pieces, and this is where Margot found<br>her legacy.<br><br>At the peak of her career, Margot, who designed each piece herself, had two<br>dozen silversmiths and a dozen enamellists in her employ to execute her vision.<br>The men performed the duties as silversmiths; the women did the enamel work,<br>using tiny brushes to bring the watercolor drawings to life. To ensure the<br>accurate rendering of her jewelry designs, she compiled a book of instructions<br>and drawings, detailing the construction and finishing of each. Margot attracted<br>talented craftsmen who later went on to cement their own reputations, such as<br>Sigi Pineda, Miguel Melendez, and Melecio Rodriguez.<br><br>Many contemporary Hollywood celebrities were clients of Margot, including John<br>Wayne and Lana Turner, who visited her shop every year.<br><br>Tragedy struck in the form of a fire in 1960. Forced to move her studio, she<br>never again regained her prior success, and the business folded in 1974. Margot<br>granted several of the silversmiths in her employ permission to use her molds to<br>create pieces on their own, in return for debt forgiveness. As a result, many of<br>Margot’s pieces were re-created by silversmiths such as Jaimie Quiroz and<br>Geronimo Fuentes, bearing their hallmark rather than hers.<br><br>Margot passed away in 1985. But her talent as a designer and her influence as an<br>artist have continued to gain recognition since the time of her death.<br><br>Margot’s shop produced some repousse silver (a technique where a raised or<br>relief design is hammered in from the reverse side of the piece). But she is<br>best known for her champlevé enamel work. Champlevé is created by carving,<br>etching, striking, or casting troughs or cells into the surface of a piece and<br>filling it with vitreous enamel. In Margot’s jewelry, the designs were<br>die-struck, a process that was detailed and critical to the final product.<br><br>Margot produced many suites that included necklaces, brooches, bracelets, and<br>earrings, as well as convertible jewelry. Margot de Taxco jewelry is recognized<br>for its elegance, femininity, and variety.<br><br>There were many areas of influence that can be found in Margot’s work. Her fish<br>and wave motifs celebrated her love of Japanese art. The ornate swirls and<br>floral motifs were reminiscent of the Art Nouveau style. Mischievous<br>pre-Columbian figures were a recurring theme. Art Deco style ballerinas struck<br>graceful poses. Margot was also taken with Egyptian motifs and Mexican crafts.<br><br>Margot de Taxco pieces are distinguished by the stamp that includes her name,<br>Eagle 16 (or Eagle 1, for her earlier works), along with a production number.<br>Issued by the government, the eagle stamp was a way to identify th

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1950's Martha Chase Boy and Girl Doll. Great pair of 16" tall dolls in near mint<br>condition with no blemishes. In the pics the girl has a spot on her forehead, it<br>was an extra spot of paint not wear, I removed it after the pics. They are near<br>mint from the 50's or 60's with original clothes.<br><br>Chase, Martha<br>AMERICAN, 1851 - 1925<br>Martha Chase, who was married to a doctor, created dolls with a white cotton<br>cloth body and a head without a wig to make them easily cleanable. Some of her<br>special child dolls were used in hospitals to train nurses. Her company carried<br>on until 1970.<br>TW253

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1950's Matchbox 4 Models of Yesteryear Sentinel Sand and Gravel truck. Clean original box. No detectable wear to truck, no touchups.

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1950's Matchbox Models of Yesteryear No 10 1908 Grand Prix Mercedes. Clean box, no touchups, near mint car with one tiny flake on base top center where the chain connects.

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1950's Matchbox Models of Yesteryear Y-6 AEC Y Type Lorry. Never played with near mint to mint with some wear to box, no touch ups.

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1950's Matchbox Moko Lesney 36 Austin A50 with box. No wear whatsoever to car, front and back are perfect even though my photographer forgot to picture them, box is missing a flap and has some wear as shown.

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1950's Mexican Coin Art Ashtray. Made from 1940's and 50's coins, made in the<br>fifties or sixties. 4 1/8" wide with no issues.<br>tw7

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1950's Mexican sterling silver bracelet 8" long 1" wide, 87.9 grams with no issues.

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1950's Mexican Sterling silver Overlay glass salt and pepper set. 2 13/16" tall with no damage, both marked 925 and tested sterling. silverdrawer

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1950's Mobo Steel Pedal Ride On Horse Toy made in England. Nice durable working<br>toy from the mid 20th century in good condition. When the pedals are pushed the<br>legs go out and it moves forward. It works and the paint is in good condition as<br>shown.<br>26.5" long x 29" tall x 21" tall at tail. Shipping is included in the price and<br>it's going to cost me hundreds of dollars in time, material, and actual cost.

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1950's Modernist Cufflinks Southwestern Legal Center Texas Oil Derricks Lawyer Gift. Cool and unusual cufflinks with no issues. The front parts are 15/16"

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1950's Moko Lesney Matchbox 59 Ford Singer sewing machines van with box. Clean box, I see some tiny specs on bumpers but I believe they are silver paint from headlights/grill. Not 100% sure, could be a tiny nick or two on bumpers, no wear or touchups anywhere else.

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1950's Murano Hurricane Lamp Candlestick Gold flecks and Controlled Bubbles. Rare and unusual item from the mid 20th century. The pontil is open at the bottom for ease of making it into a lamp but there are no holes in the metal. It's a candlestick fashioned to look like an early oil lamp. No damage, extremely heavy. tw100

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1950's Murano Star Shaped Cranberry Bowl with Controlled Bubbles. Nice vintage mid 20th century piece with no cracks, chips, restorations, dings, or upper surface wear. Expected shelf wear on base that rested on table for 60+ years. 8.75" x 2.25" tw110

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1950's Navajo belt buckle with inlaid turquoise. Weight and measurements in pics.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1950's Navajo silver bolo tie with turquoise 38" long with no issues.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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1950's Ormex Sterling Silver perfume pendant necklace. Perfume pendant necklace, solid sterling with untested red stone top. Very creative and well made piece. I left this in the ultrasonic cleaner for a week (forgot about it) and no water leaked into the resivoir, so it holds a tight seal for whatever you want to put in it. Perfume approx 1.5" tall, necklace 32" long. 28.5 grams. anderas

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1950's Paragon Chrysanthemum Cup and Saucer Set with light green band. Uncommon variation with no crazing, damage of any kind, or wear. This is a full sized teacup with 5 5/8" saucer. isshelf

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