1970‘s Malachite smaller sterling silver Navajo squash blossom necklace. Tested and guaranteed solid sterling silver, weight and measurements in pictures. No significant issues. 20" long, unmarked, some typical bends to blossom ends.

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1970's Marcus Coochwykvia Hopi Overlay sterling necklace. 16" total length<br>including the 2.75" center pendants length. 15.9 grams total.<br><br>Marcus Coochwykvia<br><br>(Born circa 1952) A member of the Bear clan, this jeweler marks his jewelry with<br>both his initials and with a bear paw. Marcus Coochiwikvia's Hopi heritage is<br>easily revealed by this dedication to creating extraordinarily well designed<br>overlay work in both gold and silver.<br><br>Trained to make jewelry first by Glen Lucas, then Roy Talahaftewa and through<br>his association with Hopicrafts, Marcus has routinely won Indian market<br>competitions. Rightly, this metal artist is included in all books covering<br>American Indian jewelry.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1970's Matilde Poulat Style Mexican Silver pendant and necklace 16" necklace 2.5" long pendant. 19.9 grams total marked and tested sterling.

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1970's Mayan Style Castlecliff Larry Vrba Blue Red Enamel Large Pendant. 3" tall with bail x 2.25" wide with no issues. Great piece of vintage costume jewelry.

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1970's MCM Copper enamel plaque. Very cool with no apparent signature, frame is plastic 7" total width. tw271

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1970's Merikay Mackenna Guilt Free Animal Trophy Lion Head Taxidermy 18" Listed<br>San Francisco Artist. The last picture shows what her 2005 version of the lion<br>head looked like. As you can see there was great care put into the older<br>version, her older pieces rarely come to the open market.<br><br>MacKenna has published several books, won numerous awards and her work is<br>represented in many public and private collections throughout America. She has<br>shown her work in several gallery exhibitions.

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1970's Mexican Sterling Chip inlay Aztec style necklace 26" total length with no issues.

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Mitchell Sockyma Hopi overlay screw back earrings sterling. Solid sterling. Weight and measurements in pics. Mitchell Sockyma was born in Hopiland in 1942 and spent his childhood in the third Mesa village of Hotevilla. In 1973, he landed a job at the Hopi Crafts Shop, a workshop and studio new his home where his two older brothers were also silversmiths. Over the years, Mitchell has expanded his range of skills, including soldering 14k gold onto silver, which embellishes the traditional Hopi symbols he uses. As a member of the Corn Clan, his use of corn stalks is important, as is the Kokopelli, turtles, bear paws, and claws and wave designs. Unlike many other Hopi artists, he combines several of these design elements into one piece. He also incorporates brightly colored gemstones, natural turquoise, lapis and coral into the design. Considered one of the finest contemporary Hopi jewelers today, Mitchell has won numerous awards for his stunning pieces from the Northern Arizona Museum and Gallup, New Mexicos Annual Intertribal Ceremonial. He still resides with his family in Hopiland where he maintains a lifestyle in which art and beauty are intertwined with his Hopi religion and values in his everyday life. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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1970's Modernist Sterling/Rosewood Mexican Cross. Really great Marked 925 Mex and some other stuff. 5" tall, no damage.<br>isshelf

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1970's Murano Art Glass Bear. Purchased in Murano Italy in the late 1970's, I'm not sure if it was new us vintage at the time. 8" long x 5" tall with no cracks, chips, dings, or restorations. tw187

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1970's Nakai Navajo sterling chip inlay belt buckle with belt. High quality buckle and belt, both Navajo made. Belt fits from 37" to 42" waist with existing holes. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1970‘s Navajo sterling chip inlay peyotebird belt buckle. No issues. Weight and Measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Older Native American jewelry is typically unmarked. If I call it Silver or Ingot I‘m guaranteeing it to be 90% or more silver. This isn‘t something I get confused about. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration.

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1970‘s Navajo sterling silver tube bead necklace with turquoise stones long. Tested and guaranteed solid sterling silver with weight and measurements in the pictures. No detectable issues. Any markings detected will be shown in the pictures. Unknown artist, likely Native American made from large collection of Native American jewelry purchased in the last quarter of the 20th century and never worn for the most part.

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1970‘s Navajo sterling silver tube bead necklace with turquoise pendant 15" long. Tested and guaranteed solid sterling silver with weight and measurements in the pictures. No detectable issues. Any markings detected will be shown in the pictures. Unknown artist, likely Native American made from large collection of Native American jewelry purchased in the last quarter of the 20th century and never worn for the most part.

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1970‘s Navajo sterling silver tube bead necklace with turquoise stones 28" long. Tested and guaranteed solid sterling silver with weight and measurements in the pictures. No detectable issues. Any markings detected will be shown in the pictures. Unknown artist, likely Native American made from large collection of Native American jewelry purchased in the last quarter of the 20th century and never worn for the most part.

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1970‘s Navajo Vintage Sterling silver chip inlay sunface belt buckle turquoise. Tested and guaranteed solid sterling silver, fits a 1.5" wide belt. No issues, some expected wear. Circa 1970‘s. Weight and measurements in pictures. unmarked.

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1970‘s OV Navajo sterling silver turquoise and coral beaded necklace/pendant. Tested and guaranteed solid sterling silver. Weight and measurements in pictures. No issues. Pendant marked as shown, most likely Navajo made, unidentified by me. 24" long

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1970's Peter Deneen Studio Pottery Ashtray. Really nice ashtray to use for whatever you want from the 70's or 80's. 5" wide x 2 1/8" tall. Peter Deneen began his lifelong journey with ceramics while studying pottery at Luther College in Decorah, Iowa. During this period he also began attending Marguerite Wildenhain’s Pond Farm School (located in northern California) in 1968. Peter went on to earn his M.A. from the University of Iowa in 1971. Inspired By Art & History During this time, Peter caught the inspirational fire of the Bauhaus movement of Walter Gropius in Post World War I Germany. The main thrust of the Bauhaus “was to create an environment which would nurture the bond between art, industry and trade through education; to insure the cooperation of industry and artists in the field of mass production.” ESTABLISHING DENEEN POTTERY In 1972, Peter and Mary Deneen established their first studio and showroom at Park Square Court in the Lowertown neighborhood of St. Paul. Here they began producing hand thrown functional and decorative pottery and dinnerware. “Form follows function,” was embedded within their work through the teachings from Marguerite Wildenhain, recalling the Bauhaus lessons she learned from Gerhard Marcks. It was during this time that Mary started to produce more commemorative items and ceramic figures, while launching a “Bear Essentials” line. White Picture corner top leftWhite Picture corner top rightWhite Picture corner bottom leftWhite Picture corner bottom rightEarly Days of Deneen Pottery 1974 PARK SQUARE COURT IN LOWERTOWN • “The Spin of a potter’s wheel brings prosperity, unfettered life-style.” This was the title of the article that ran in a local St. Paul publication around 1974. “Peter Deneen sits at his potter’s wheel, fingers fashioning burnt-cinnamon clay into pots and plates, goblets and candle-holders, tall, corked canisters and small spice bottles.” At this time, the Deneens wanted to open retail outlets similar to Pottery Barn, but make all of the products at their Lowertown studio. A favorite quote (of the current office) staff has Peter saying. “We’ll never be more than a handful of people. I’d never get larger than three stores,” says Peter.” “Don’t say ‘never,'” interjects Mary.” Wow, how the path has deviated from the plans made in 1974! tw129

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1970's Peter Deneen Studio Pottery Vase. 7.75" x 5.25" with no damage or wear of<br>any kind.<br><br>Peter Deneen began his lifelong journey with ceramics while studying pottery at<br>Luther College in Decorah, Iowa. During this period he also began attending<br>Marguerite Wildenhain’s Pond Farm School (located in northern California) in<br>1968. Peter went on to earn his M.A. from the University of Iowa in 1971.<br><br>Inspired By Art & History<br>During this time, Peter caught the inspirational fire of the Bauhaus movement of<br>Walter Gropius in Post World War I Germany. The main thrust of the Bauhaus “was<br>to create an environment which would nurture the bond between art, industry and<br>trade through education; to insure the cooperation of industry and artists in<br>the field of mass production.”<br><br>ESTABLISHING DENEEN POTTERY<br><br>In 1972, Peter and Mary Deneen established their first studio and showroom at<br>Park Square Court in the Lowertown neighborhood of St. Paul. Here they began<br>producing hand thrown functional and decorative pottery and dinnerware.<br><br>“Form follows function,” was embedded within their work through the teachings<br>from Marguerite Wildenhain, recalling the Bauhaus lessons she learned from<br>Gerhard Marcks. It was during this time that Mary started to produce more<br>commemorative items and ceramic figures, while launching a “Bear Essentials”<br>line.<br><br>White Picture corner top leftWhite Picture corner top rightWhite Picture corner<br>bottom leftWhite Picture corner bottom rightEarly Days of Deneen Pottery<br>1974<br>PARK SQUARE COURT IN LOWERTOWN<br>•<br>“The Spin of a potter’s wheel brings prosperity, unfettered life-style.”<br>This was the title of the article that ran in a local St. Paul publication<br>around 1974. “Peter Deneen sits at his potter’s wheel, fingers fashioning<br>burnt-cinnamon clay into pots and plates, goblets and candle-holders, tall,<br>corked canisters and small spice bottles.”<br><br>At this time, the Deneens wanted to open retail outlets similar to Pottery Barn,<br>but make all of the products at their Lowertown studio. A favorite quote (of the<br>current office) staff has Peter saying. “We’ll never be more than a handful of<br>people. I’d never get larger than three stores,” says Peter.” “Don’t say<br>‘never,'” interjects Mary.” Wow, how the path has deviated from the plans made<br>in 1974!<br>isshelf

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1970‘s Roy Vandever Navajo sterling chip inlay Teepee Peyote Bird belt buckle. Very clean and possibly unworn, fully functional. Solid sterling silver with eight and measurements in pictures. Marked only with Roy‘s RV hallmark which is typical of him and other Artists of this era. Roy Vandever, Diné, Navajo Nation, active ca 1950s-2009: silver stampwork, shadowbox, chip inlay jewelry. Roy Vandever was the son of Walter Vandever and Emma Vandever; uncle of Esther Vandever Wood; husband of Donna Vandever; father of Cassandra Xalladitto, Cindy Howe, Verna Kee, Sheila Vandever, Sherwood Vandever, and Jerome Vandever.

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1970‘s Santo Domingo Sterling/shell necklace w/ brass inlaid pendant. 20" long, other measurements and weight in pics. All solid sterling All precious metals are tested and guaranteed,

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1970‘s Santo Domingo Sterling/shell necklace w/chip inlay walnut pendant. 20" long, other measurements and weight in pics. All solid sterling All precious metals are tested and guaranteed,

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1970‘s Sterling enamel Aztec Warrior hand hammered belt buckle. Given as a gift in 1979 with gift message on back. No other markings. Solid sterling silver with weight and measurements in pics. I believe this was made by an American studio silversmith. Fully functional with some expected wear, good condition with no significant issues.

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1970‘s T Sterling silver jasper bolo tie with cool cord. Solid sterling silver slide and tips. Weight and measurements in pics. 35" long. Expected wear with no apparent damage. Weight shown is just the entire bolo, if there is a tray pictured it will be tared out of course. Marked as shown, unidentified.

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1970's Teagues North Carolina Pottery Jar. 2.5" tall without damage or wear. isshelf

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1970 Texas Gauche Painting of Raccoons. Very nice painting with illegible signature. Very high quality painting, behind anti reflective glass and double matting, it's easy to see the pigments and stokes behind the glass. 12.5" x 11.5" framed. 8.5" x 7.25" sight.

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1970's Texas Safe Hunter and National Rifle Association patches/pin/license. Selling the lot shown, framed behind glass where it's likely been for the past 44 years. tw125

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Vintage Conoco Oil Workers McDonald CAP-Standard Mine Safety Appliance Co Hand Tool Aluminum Hard Hat For Gene. Regular sized hard hat with functional adjustable interior from a Conoco Lifer's estate that worked all over the world for Conoco, spent a lot of time in the Middle east and Southeast Asia, I believe this was decorated in Indonesia. Very cool, one of a kind item. isshelf

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1970‘s Vintage Navajo sterling silver and turquoise pendant beaded necklace. Tested and guaranteed solid sterling silver 22" long with weight and measurements in the pictures. No detectable issues. Any markings detected will be shown in the pictures.

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1970‘s Vintage Navajo sterling silver carved bear overlay bolo tie. Solid sterling silver slide and tips. Weight and measurements in pics. 37" long. Expected wear with no apparent damage. Weight shown is just the entire bolo, if there is a tray pictured it will be tared out of course. Unmarked other than STERLING.

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1970‘s Vintage Sterling silver Spinach Green Nephrite Jade belt buckle. Solid sterling silver with weight and measurements in pictures, some expected wear with no damage. Stone is very secure in their bezels and are not going anywhere. Fits up to a 1.5 belt.

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1970's Vintage Zuni sterling silver sunface shell/turquoise/coral bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Circa third quarter of the 20th century. Unmarked34" long. Listed with ExportYourStore.com

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1970‘s Vintage Zuni sunface shell/turquoise/coral sterling silver bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Great bolo, 39" long with no issues. Tray is tared out, so weight shown is just the bolo of course. High quality, unmarked, unknown maker. Appears to be an illegible picto-hallmark or two.

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1970‘s Zuni sterling silver, turquoise, carved shell fetish birds necklace. No damage or issues. 25" long necklace, well made necklace with weight and measurements in pictures. No damage. Everything solid sterling silver with no markings.1`

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1971 Rumph Laurel and Hardy mug. Nice large mug with no damage or wear. 5" tall x 5.75" wide with handle.

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1971 Matchbox Superfast 5 Lotus Europa mint on card. One fold in card, mint toy sealed.

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1972 E Rice Bauknight Watercolor Quail Texas Landscape Wildlife Artist. Very nicely done watercolor by a listed artist that was very good at painting quail. 20.5" x 25" framed x 15" x 20" sight. Minor wear to frame, bottom left corner of matting has lightened, no issues with artwork.

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1972 Edna Mathes Enamel on copper Bowl. Very cool example with textured design 9" wide with no damage or restorations. isshelf

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1972 Press Club of Dallas "Katie Award" Best Spot Newspaper Coverage Sam Kinch<br>Jr Dallas Morning News Modernist Sculpture 15" tall and very heavy, solid bronze<br>on a wood base.<br><br>Sam Kinch Jr., was the founding editor of Texas Weekly and a former political<br>and government correspondent for The Dallas Morning News.<br><br>Kinch started Texas Weekly in 1984 with two friends, George Phenix and John<br>Rogers. He sold his share in 1998 (the political newsletter is now part of The<br>Texas Tribune) and retired to write, travel and enjoy his family.<br><br>He was a terrific reporter and mentor to other journalists, irreverent, smart as<br>hell, a great lover of dirty jokes, full of history, an incurable reader, a<br>Presbyterian elder and a surprisingly soft touch for people who needed some<br>help.<br><br>He wrote books, including Texas Under a Cloud, with Ben Proctor, about the<br>Sharpstown stock scandal that rocked the Capitol and resulted in the biggest<br>turnover in legislators in modern history, and Too Much is Not Enough, with Anne<br>Marie Kilday, a book on campaign finance in Texas.<br><br>Kinch was a University of Texas grad, with bachelor's and master's degrees in<br>journalism, a former editor of The Daily Texan.<br><br>The Press Club of Dallas originated in the late 1940s, when<br>employees of the Dallas Morning News and the Dallas TimesHerald gathered to<br>socialize after work. The organization was<br>formally founded in 1948 and chartered by the State of Texas in<br>1951. Its members were some of the first responders on the scene<br>when President Kennedy was assassinated, and the new reporting<br>standards established nationwide afterward bolstered the club’s<br>appeal to professionals. The Press Club of Dallas moved locations<br>frequently over the years, residing most recently at the Women’s<br>Museum in Fair Park. The organization currently maintains a board<br>of directors but has no physical location.1<br>The organization’s most notable activities are its annual<br>Gridiron show, Katie Awards, and roasts. The Gridiron show<br>began in 1951 and was modelled on the national one staged in<br>Washington, D.C. Originally consisting of “biting satire,” the<br>performance shifted towards a Broadway-esque style during the<br>late 1970s, but continued to lampoon events in Dallas. The<br>Griddle, a satirical newspaper, was produced and sold at the shows<br>to generate additional revenue. The Katie Awards ceremony began<br>in 1958. It honored “excellence in journalism” and attracted large<br>numbers of members of the press due to the prestige associated<br>with winning one. The Press Club of Dallas also annually roasted<br>prominent local citizens. These events serve as fundraisers for<br>journalism scholarships offered by the organization.2

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1973 Elton John's Rocket Records Promotion Gebr. Hildner Miniature Aluminum train. Given out at the launch party for Elton John's Rocket Records 9.25" long with no damage or wear. This launch Party took place on a train and everyone who attended on April 26th, 1973, received one of these trains. Tw187

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1975 Irving J Slotchiver Tennessee Studio Art Glass Vase. No cracks, chips, or scratches. 6.5" tall x 4" wide Tw47

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Large Russian Fedoskino Lacquer Box. Good condition with two small dings on the back corner of the box top rim above the hinge and slight wear in interior and on base. 9.5" x 7" x 2 3/8" tall. isshelf

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1975 Modernist Sterling bloodstone pendant choker necklace 17". Signed as shown. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1975 Texas Dealer License plate. Clean as they come, 12" x 6", good original paint. Original dealer plate from 1975. tw270

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1976 CIA File Room brass Key Chain with 1921 Silver Dollar and Sturdy Pen knife with gold strip. Real silver dollar with sterling silver mount, that alone in worth about $50 without the sterling mount, selling it with the CIA file room key chain which says on the top 1976 Lowell Sigmund. I did not personally steal this from the CIA file room so I'm not sure what the story is on it. Selling the cool keychain items shown how I found it estate fresh. tw208

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1976 Diablo Hand Engraved Sterling silver US Dollar belt buckle. Fits up to a 1.5" belt. Solid sterling silver with 90% silver coin. Weight and measurements in pictures. Tested and guaranteed solid sterling silver. Monogrammed as shown could easily be removed.

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1976 John Coers Cherokee Kachina silver, turquoise, coral Bolo tie/pendant. 40" long cord, made to be used a a pendant or bolo, no issues. Weight and measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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1976 Named Vietnam War Zippo in box USS Biddle DLG-34. Clean lighter that's seen little use. Has the now no longer with us Navy Veteran's name Mike Zubay crudely but nicely engraved on it. Tight hinge, clean working condition, needs flint and fluid of course.

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1977 Libra Paperweight. Very cool with no issues or damage 3.25" pwdrawer

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1978 MMA Egyptian Revival pendant. Metropolitan Museum of Art. Appears to be<br>gilt bronze. 3" tall x 3" wide.

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1978 Winter Landscape oil on board paintings pair by Besty Jones. Great looking pair of paintings with no significant issues. Measure 8.75" x 6.75" framed each. tw82

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1979 Montana Silversmiths Huge sterling trophy belt buckle Jr Working Cow Horse. Well worn and loved, fully functional. Weight and measurements in pictures.

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1980 Chihuly student William Morris Art Glass vase height: 10 1/2 inches, width:<br>10 1/2 inches, depth: 3 1/2 inches. Absolutely no damage or wear whatsoever.<br>This vase represents his early work he was producing at Pilchuck while gaffing<br>for Dale Chihuly.<br><br>William Morris was born in Carmel, California in 1957. He is an American glass<br>artist who has been able to change the history of art within his lifetime.<br>Morris was educated at California State University in Chico, California as well<br>as Central Washington University in Ellensburg, Washington. 
In 1978, Morris<br>arrived at the Pilchuck Glass School and found work initially as a driver.<br>Later, he worked with Dale Chihuly, the founder of the school, and eventually<br>became his chief gaffer in the 1980s. Morris remained with Chihuly for about 10<br>years as his chief assistant before deciding to form his own studio and develop<br>his own artistic style of glass blowing.<br><br>For more than twenty-five years, William Morris has captivated and intrigued the<br>art community with hauntingly evocative and beautiful glass sculptures. He has<br>captured the imagination time and again by creating objects that appear to be<br>ancient stone or woodcarvings, not the modern glass sculptures they actually<br>are. His art speaks of human origins, myth, ancestry, and ancient civilizations.<br>It symbolizes a harmony between humanity and nature and provides a ghost-like<br>bond to the world around us – a world that is often forgotten, ignored, and<br>abused.<br><br>Morris gathers much of his inspiration from ancient cultures from around the<br>world – Egyptian, Asian, Native American – all peoples who respected and admired<br>the land they inhabited. Because of this, Morris’s artwork has become something<br>all its own: culturally distinct and yet familiar to all cultures. His pieces<br>embody a spiritual quality that sharply contrasts old beliefs with those of the<br>modern world. These objects speak to our senses and continuously beg us to<br>explore them further.<br><br>Morris achieved much success during his career and retired in 2007. He spent<br>over twenty-five years honing his skills and pushing the medium of glass further<br>than anyone, including himself, could ever have imagined.<br><br>Morris’ work can be found in numerous public collections including:<br><br>The Metropolitan Museum of Art, New York, NY; Corning Museum of Glass, Corning,<br>NY; American Glass Museum, Millville, NJ; Hokkaido Museum of Modern Art,<br>Hokkaido, Japan; Musee Des Arts Decoratifs, Paris, France; Auckland Museum,<br>Auckland, New Zealand and the Victoria and Albert Museum, London, England.

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1980's 14" Steiff Teddy Bear 1909 Replicas One growler. The tallest to the right is 14" and has a working growler, no damage or soiling to either. TW236

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1980‘s Benjamin Piaso Jr Navajo sterling and jade pendant. Weight and measurements in pics, no issues. All precious metals are tested and guaranteed,

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1980‘s Benjamin Piaso Jr Navajo Sterling wild horse jasper pendant. Weight and measurements in pics, no issues. All precious metals are tested and guaranteed,

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1980‘s Carlos Eagle Ottawa sterling turquoise corn row pendant. Weight and measurements in pics. No issues, very substantial piece that I believe was possibly once a belt buckle."Carlos career as a jeweler began in the 1970s, inspired by his mother, who was an artist of Ottawa/Chippewa descent. He is completely self-taught. Unlike many jewelers, he is both a lapidary and a silversmith, and fabricates all of his jewelry by himself. Nothing is cast or manufactured. He is an Elder in the Little River Band of Ottawa Indians, but also considers himself part of Gods Universal Family. His greatest pride comes from his work with animals and caring for the land. ‘I am doubly blessed. I have been able to pursue my passion for art as a career which has enabled me to live the life I have dreamed of. No one could ask for more‘." He‘s been featured in magazines and has adorned celebrities with his amazing pieces.All precious metals are tested and guaranteed,

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1980‘s Francis Jones Navajo Rainbow Guardian squash blossom necklace. 26" total length, other Weight and measurements in pics. No damage or issues. Francis Jones was born in 1944 and has been a silversmith since she was a young girl. Her father, a fourth-generation silversmith, taught her the intricate art of metalwork, particularly sand casting, which was a specialty in her family. This technique, along with other methods she has mastered, allows her to create jewelry that is rich in texture and detail. Over the years, her reputation as an artist has grown, and she has won numerous awards for her contributions to Native American jewelry. As a member of the Navajo Nation, Francis Joness designs are deeply rooted in her culture. Her pieces often carry symbolic meanings, with elements that represent both the natural world and the spiritual beliefs of her people. Each piece is marked with her signature hallmark, "FJ," a symbol of her dedication to quality and authenticity. The Artistry Behind Francis Jones‘s Jewelry Collection Francis Jones, a renowned Navajo artist, has captivated the world with her exquisite jewelry designs that seamlessly blend traditional techniques with modern aesthetics. Her mastery of the art of sand casting, a process that involves pouring molten silver into hand-carved molds made from compacted sand, is the foundation of her unique and distinctive style. The sand-casting method employed by Francis Jones is a labor-intensive process that makes sure each piece is one-of-a-kind, bearing the artist‘s personal touch and signature. This ancient technique passed down through generations of Navajo silversmiths, allows for the creation of intricate patterns and textures that cannot be replicated by modern manufacturing methods. In addition to her expertise in sand casting, Francis Jones features stunning stone settings and hand-stamped details in her jewelry designs. The result is a timeless and distinctive collection that attracts both collectors and everyday wearers.

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1980's Givenchy Bijoux Necklace and Bracelet set unworn. New with original tags but about 40 years old. Bracelet 7" x 1.3", necklace 18.5" x 1", no damage or wear.

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1980's Bronze Delta Kappa Gamma Golden Rule Award from JC Penney. 8" tall x 8.5"<br>wide at base, solid bronze with a marble base, heavy. Press photo shown is just<br>a copy of something someone else sold previously therefore not included.<br><br>A bronze flame is the symbol of the JC Penney Golden Rule Award, presented in<br>recognition of outstanding volunteer service to the community. The Award,<br>accompanied by a $1,000 grant to support the volunteer's work, is given to an<br>individual or organization selected by a distinguished panel of civic leaders in<br>a community-wide competition. The Award reflects a tradition of community<br>service at JC Penney that has persisted since James Cash Penney in 1902 opened<br>his first store, called "The Golden Rule." Sculptor Greg Wyatt represents his<br>bronze flame-of-freedom as the spirit of the volunteer's free choice to help a<br>neighbor.<br><br><br>Greg Wyatt is an American representational sculptor who works primarily in cast<br>bronze,[1] and is the sculptor-in-residence at the Cathedral Church of St. John<br>the Divine in New York City.<br><br>Wyatt was born in Nyack, New York and raised in Grand View-on-Hudson, New York.<br>His father was William Stanley Wyatt, a painter and professor of fine arts at<br>Columbia University, Rockland Community College and the City College of New<br>York.[1] Greg Wyatt graduated from Columbia College of Columbia University in<br>1971 with a Bachelor of Arts degree in Art History.[1] He also attended the<br>National Academy of Design for three years, where he studied figurative<br>sculpture, and received his certificate in sculpture, and earned a master's<br>degree in Ceramic Arts from Columbia Teachers College in 1974. Wyatt has taught<br>at New York University and at Jersey City State College.[3][4] He is currently a<br>member of the Board of Directors at The American College of the Mediterranean in<br>Aix-en-Provence, France. He is also a member of the Board at Brookgreen Gardens.<br><br>Wyatt bases his work on the philosophy of "spiritual realism," merging realistic<br>images and abstract masses of form, space and energy.<br>Professor Sir Stanley Wells, a renowned Shakespearian scholar and emeritus<br>chairman of the Shakespeare Birthplace Trust, says, "I compare Wyatt to Rodin.<br>He's that good."[6] "Wyatt emulates the sculpture of the western world with<br>contemporary vision."[3] His works have been exhibited at the Metropolitan<br>Museum of Art, Harvard University, and Vanderbilt Mansion National Historic<br>Site, among other institutions and collections,[5] and can be seen in more than<br>20 public spaces in cities from New York to Beijing.<br><br>Wyatt has made many corporate commissions, including a bronze statue of J.C.<br>Penney founder James Penney which weighs 3 tons and cost $250,000

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1980‘s Large John Larson Navajo sterling turquoise Kachina bolo tie 38" long, weight and measurements in pics, no issues. This one is bigger, heavier with nicer turquoise than others you will find from this artist/era. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<b>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and considerat ion!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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1980's New York City Skyscape with twin Towers by Listed Artist Ron Balaban. 40" x 30" with no issues. Incredible painting that I did a horrible job photographing. Very vibrant, realistic, and 3 dimensional.

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1980's Norma Jean Gold tone Clip on earrings. Great looking pair of vintage clip<br>on's with no issues.

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1980's Porsche/Texas Sesquicentennial Bronze medallions. 1.5" and 1 5/8", both bronze, both from the 80's. Estate fresh with little wear. Selling both for one price, Texas and Porsche 911. anderasbag

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1980‘s Post Modernist Sterling J Gabiel/Autumn Walker clip-on earrings. Selling both pairs with no issues, one Mabe pearl, both solid sterling silver. Weight and measurements in pics.

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