Big vintage Loyolita Tsatte zuni carved turquoise/coral sterling silver bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. 42" long. Circa last quarter of the 20th century.

Read more less

Big Vintage Mitchell Sockyma Hopi overlay bolo tie sterling silver. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. 46" long with no issues. Tray is tared out, so weight shown is just the bolo of course.

Read more less

Big vintage Navajo sterling silver stamped and chiseled pendant with turquoise. Selling the pendant shown, circa third quarter of the 20th century. Tested and guaranteed solid sterling silver with weight and measurements in the photos. Illegible hallmark. Listed with ExportYourStore.com

Read more less

Big vintage Navajo cast sterling silver turquoise ornament/pin/pendant. Selling the pendant shown in good condition with measurements in pictures. Tested and guaranteed solid sterling silver. Looks to have been an earlier ornament likely from the first half of the 20th century later turned into a pendant/pin. Weight and measurements in pictures. Circa mid 20th century.

Read more less

Big Vintage Navajo First Phase style sterling silver concho belt. Will fit up to a 36" waist, but obviously could be worn shorter. I would be happy to add holes upon request at requested intervals.. Tape measure shown in pics.. Weight and measurements in pictures. No damage or issues, tested and guaranteed solid sterling silver. 7 Conchos and 1 Buckle. All solid sterling silver, circa third quarter of the 20th century. Apparently unmarked.

Read more less

Big Vintage Navajo or Hopi Overlay belt buckle with turquoise sterling silver. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa third quarter of the 20th century. Fits a 1.5" belt.

Read more less

Big Vintage Navajo sandcast sterling silver belt buckle with center turquoise. Tested and guaranteed solid sterling silver. Fits up to a 1.5" wide belt. Some expected wear, unmarked. Good condition, functional, turquoise with very old crack, secure in bezel. Circa third quarter of the 20th century.

Read more less

Big Vintage Navajo sterling silver 3-D eagle belt buckle. Tested and guaranteed solid sterling silver weight and measurements in pictures, Circa third quarter of the 20th century. Fits a 2" belt. Functional with age appropriate wear, no significant issues. Unknown maker, likely Native American made.

Read more less

Big Vintage Navajo sterling silver bear paw belt buckle with turquoise. Tested and guaranteed solid sterling silver, weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa third quarter of the 20th century.. Fits up to a 1.5" belt

Read more less

Big vintage Navajo sterling silver belt buckle w/Geometric overlay design. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa third quarter of the 20th century. Fits a 1.75" belt.

Read more less

Big vintage Navajo sterling silver cross with turquoise on necklace. Selling the 26" long necklace shown circa third quarter of the 20th century. Tested and guaranteed solid sterling silver with weight and measurements in photos. Turquoise secure with tight old hairline fracture. Listed with ExportYourStore.com

Read more less

Big vintage Navajo sterling silver hand stamped butterfly pin/brooch. Selling the pin shown, circa third quarter of the 20th century. Tested and guaranteed solid sterling silver with weight and measurements in the photos. Listed with ExportYourStore.com

Read more less

Big Vintage Navajo sterling silver Phoenix Thunderbirds pendant/pin/brooch. Selling the pendant shown in good condition with weight and measurements in pictures. Tested and guaranteed solid sterling silver. Circa mid 20th century.From caring for the underprivileged to helping those striving to make the United States Olympic teams, The Thunderbirds – hosts of the WM Phoenix Open – are doing all they can to make a difference for those who call Phoenix their home. The Thunderbirds began in 1937, when the Phoenix Chamber of Commerce expanded its role as a convention and tourism bureau. There was a need for a special events committee to venture into new fields. Five young executives were selected to lead the committee. The Phoenix Chamber of Commerce suggested that the committee become an “official” group and expand its membership. Each of the five then selected ten additional members to make up a committee of 55 active members – the number of current active members each year.While The Thunderbirds’ association with professional athletes garners the most recognition and publicity, it is their work in the community that brings them the most satisfaction. Millions of dollars of Phoenix Open proceeds have been spent to benefit hundreds of organizations and individuals, most notably, the courageous athletes of the Special Olympics, youngsters of the Boys and Girls Clubs of Scottsdale, Phoenix and East Valley and the affiliated agencies of the Valley of the Sun United Way. As the premier sponsor of the Special Olympics Summer Games, The Thunderbirds are providing an outlet of athletic expression for these challenged competitors. Nowhere will you witness the absolute joy and enthusiasm of a runner as he or she crosses the finish line, not in first place, but in the arms of his or her greeter. This unbridled passion for competition speaks volumes of The Thunderbirds’ commitment to these determined individuals.One of the early inductees was Bob Goldwater, an avid golfer. Goldwater thought it would be a great idea to sponsor a golf tournament. That first year, Goldwater sold the tickets, recruited volunteers and set up the golf course at the Phoenix Country Club. The Phoenix Open caught on, and is one of the leading stops on the PGA TOUR. Goldwater was Tournament Chairman from 1934 through 1951 and is affectionately called the “Father of The Phoenix Open.” Active Thunderbird membership is limited to 55 members. Each has demonstrated a sincere interest in sports and a dedication to community affairs. All Thunderbird activities and events are the prime responsibility of these Active Thunderbirds and are under the watchful eye of the Big Chief and Thunderbird Council. When a Thunderbird reaches the age of 45, their status changes from Active to that of Life Member. Although they are relieved of continuous duties, it is not unusual to see a Life Thunderbird lending a helping hand at The WM Phoenix Open or one of the many other Thunderbird-sponsored events. To date, there are nearly 350 members comprising The Thunderbirds organization.Thunderbirds wear large silver pendants suspended on leather thongs, and each year a Bead Committee awards silver beads to those members who have performed their respective duties with quality and efficiency. Thunderbird-sponsored athletes participate in the entire spectrum of sports; but it is in golf that The Thunderbirds have had the most impact. Each year, The Thunderbirds sponsor The Thunderbird Collegiate Invitational. Now in its 37th year, this tournament is considered by many as the “WM Phoenix Open of Collegiate Golf.” It is a proven springboard into the PGA TOUR. Players like Bobby Clampett, Corey Pavin, Dan Forsman, Howard Twitty, Jim Carter, Notah Begay, Phil Mickelson, Steve Jones, Tiger Woods, Tom Purtzer and a host of others have participated in this illustrious event. Proceeds from the tournament benefit the men’s and women¹s golf programs at Arizona State University. Every summer, The Thunderbirds sponsor the Thunderbird Junior and Senior Golf Classics, which form the nucleus of one of the most extensive junior golf programs in the United States. These tournaments have showcased the talents of current PGA TOUR and LPGA stars like Billy Mayfair and Danielle Ammaccapane.In 1999, The Thunderbirds, in conjunction with the American Junior Golf Association, held the inaugural Thunderbird International Junior at Grayhawk Golf Club. The first event of its kind in junior golf brought together a world-class field of Polo Golf All-Americans and U.S. and International champions of junior golf from throughout the world. This event will annually feature future champions of the golfing world. The Thunderbirds and The WM Phoenix Open form a winning combination whose success is matched only by its longevity.

Read more less

Big vintage Navajo sterling silver rippled cross with turquoise. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. Unmarked.

Read more less

Big vintage Navajo sterling silver Royston turquoise pendant. Selling the pendant shown in good condition with measurements in pictures. Marked as shown, weight and measurements in pictures. Circa last quarter of the 20th century. Scal pic is off, approx 55 grams.

Read more less

Big Vintage Navajo sterling silver Saguaro cactus pin/brooch w/turquoise. Selling the pin shown in good condition with weight and measurements in pictures. Tested and guaranteed solid sterling silver. Circa third quarter of the 20th century.

Read more less

Big Vintage Navajo sterling silver shadowbox belt buckle feather accents. Tested and guaranteed solid sterling silver weight and measurements in pictures, Circa third quarter of the 20th century. Fits a 1.75" belt. Functional with age appropriate wear.

Read more less

Big vintage Navajo sterling silver turquoise and jasper pendant. Selling the pendant shown, last quarter of the 20th century. Tested and guaranteed solid sterling silver with weight and measurements in the photos. Unknown/unresearched hallmark. Listed with ExportYourStore.com

Read more less

Big Vintage Navajo sterling turquoise and coral belt buckle w faux claw Solid sterling silver with weight and measurements in pictures. Fully functional with no unexpected wear or damage. Hallmarked what looks like a paw. 60‘s--70‘s and better than average quality for this era.

Read more less

Big vintage Navajo Tufa cast sterling silver cross with turquoise. Tested and guaranteed solid sterling silver with weight and measurements in pictures. No issues. Unmarked.

Read more less

Big Vintage Navajo tufa/sand cast sterling silver belt buckle with turquoise. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa last quarter of the 20th century. Fits a 2" belt.

Read more less

Old Pawn Native American Sterling belt buckle. Nice old large sterling(tested) native American belt buckle. Arrow hallmark shown in bottom of second pic J.L. scratched in center, likely not maker. 4" x 2.5" x 105.8 grams x will handle up to a 2 1/8" leather belt.

Read more less

big vintage Navajo waterweb turquoise sterling silver dangle earrings. Great earrings with no issues, tested and guaranteed solid sterling silver, any marks detected, weight, and measurements will be shown in the pictures. Circa third quarter of the 20th century. Listed with ExportYourStore.com

Read more less

Large Vintage RBA Navajo sterling silver bolo tie with fancy tips and turquoise.   Tested and guaranteed solid sterling silver. Weight and measurements in pictures. Great bolo, 41" long with no issues. Weight shown is the entire bolo.

Read more less

Big Vintage Royston turquoise sterling silver Native American cross pendant. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. Illegibly marked, likely Native American made.

Read more less

Big vintage Santa Fe southwestern sterling silver turquoise pendant. Selling the pendant shown in good condition with measurements in pictures. Marked as shown, weight and measurements in pictures.

Read more less

Big vintage southwestern sterling silver agate channel inlay bolo tie. Tested and guaranteed solid sterling silver slide with silverplated tips. Weight and measurements in pictures. 38" long with no issues. Tray is tared out, so weight shown is just the bolo of course.

Read more less

Big Vintage Southwestern sterling silver green Cerrillos turquoise belt buckle. Tested and guaranteed solid sterling silver. Fits up to a 1.75" wide belt. Some expected wear. Good condition, functional with no damage or unsightly wear.. Most likely Native American made, unrecognized hallmark.

Read more less

Big vintage southwestern sterling silver Ram/Bighorn sheep bolo tie. Weight and measurements in pictures. Great bolo, 39" long with no issues. Weight shown is the entire bolo. Tested and guaranteed solid sterling silver with brass horns. Illegibly marked. Listed with ExportYourStore.com

Read more less

big vintage southwestern sterling silver turquoise dangly brooch/pin. Selling the pin shown in good condition with weight and measurements in pictures. Tested and guaranteed solid sterling silver.

Read more less

Big vintage Willie Yazzie Navajo sterling silver geometric pendant/pin-brooch. Selling the pendant shown in good condition with measurements in pictures. Tested and guaranteed solid sterling silver. Weight and measurements in pictures. Circa third quarter of the 20th century.

Read more less

Big Vintage Willie Yazzie Navajo sterling, turquoise/shell inlay pin/brooch. Selling the pin shown in good condition with weight and measurements in pictures. Tested and guaranteed solid sterling silver. Circa third quarter of 20th century.

Read more less

Big vintage Zuni natural turquoise cluster sterling silver bolo tie fancy tips. Weight and measurements in pictures. Great bolo, 40" long with no issues. Weight shown is the entire bolo. Tested and guaranteed solid sterling silver. Listed with ExportYourStore.com

Read more less

Big vintage Zuni sterling silver stone/shell inlaid dancer clip on earrings. Great earrings with no issues, tested and guaranteed solid sterling silver, any marks detected, weight, and measurements will be shown in the pictures. Listed with ExportYourStore.com

Read more less

Big vintage Zuni sterling silver turquoise, coral, shell roadrunner pin/brooch. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa mid 20th century.

Read more less

Big vintage Zuni sterling silver, turquoise, jet, shell thunderbird pendant/pin. Selling the pendant shown in good condition with weight and measurements in pictures. Tested and guaranteed solid sterling silver. Last quarter of 20th century.

Read more less

Bill Fenton Diamond Jubilee Green Cased glass pitcher. No damage or wear, no<br>heat checks in handle. 7" tall.<br>tw2

Read more less

Billy Jaramillo southwestern sterling silver, turquoise, spiny oyster necklace. Solid sterling silver tested and guaranteed with artists hallmark on the pendant in the back, weight and measurements in the pictures. No issues, circa last quarter of the 20th century. 21" long necklace with other measurements in pictures. No issues. Selling the necklace shown in the pics in "new old stock" condition.Billy JaramilloJeweler, Billy Jaramillo, is known for bold designs which incorporate colorful high quality stones and substantial, chunky silver-work. He is the son of the well-known silversmith, Ray Jaramillo. Billy also studied silversmithing under renowned smith Scott Patrick, as well as inlay from Kathy Sanchez of San Felipe Pueblo and Audrey Toribio of Zia Pueblo, both considered best in the shop at that time. Billy cuts all his own stones from raw material and does all his own silversmithing. He resides and works in Rio Rancho, New Mexico and has been designing and creating jewelry for over 35 years.

Read more less

Huge Billy Jaramillo southwestern sterling silver-turquoise-sugilite dragonfly pendant. Selling the pendant shown, circa last quarter of the 20th century. Tested and guaranteed solid sterling silver with weight and measurements in the photos.Jeweler, Billy Jaramillo, is known for bold designs which incorporate colorful high quality stones and substantial, chunky silver-work. He is the son of the well-known silversmith, Ray Jaramillo. Billy also studied silversmithing under renowned smith Scott Patrick, as well as inlay from Kathy Sanchez of San Felipe Pueblo and Audrey Toribio of Zia Pueblo, both considered best in the shop at that time. Billy cuts all his own stones from raw material and does all his own silversmithing. He resides and works in Rio Rancho, New Mexico and has been designing and creating jewelry for over 35 years. Listed with ExportYourStore.com

Read more less

Billy Long Navajo sterling and turquoise channel inlay necklace 18" necklace with 2.5" drop in the center. No issues.

Read more less

Frame measures 25.75" x 18.5" dimensions inside inner matting is 12" x 19". It's<br>triple matted. Frame shows some wear, picture and matting are perfect.<br><br>Billy Molokeng<br><br>Born 1944 - Gauteng<br><br>About the Artist<br><br>Billy Molokeng was born in 1944 in the Alexandria Township in Johannesburg. He<br>was orphaned at a very young age and brought up by his sisters. In order to make<br>a day-to-day living he started selling his drawings, and later, paintings. This<br>brought him to the attention of a wealthy sponsor, who enabled him to attend a<br>private art school, which in turn helped to develop his style and technique.<br><br>Molokeng is an unusual and dynamic personality who enjoys and excels in all<br>forms of creativity. He composes and performs his own songs, enjoying enormous<br>popularity under the stage name of “Billy Africa”.<br> <br><br>Style and Format<br><br>Versatility, dynamism and inventiveness have kept Billy Molokeng’s work fresh<br>and ever changing, ensuring that both he and his art do not become stereotyped.<br>This is demonstrated by the fact that his work was initially typically<br>“township” in character, but developed into his own more unique style in later<br>years.<br><br>His early paintings portray scenes taken directly from life in the townships.<br>The compositions of these early works are dense and on a single plane, usually<br>with several figures depicted in a bold and heavy manner. His individuality and<br>originality, however, is still strongly evident. His figures are lively and<br>filled with movement, containing a subtle humour, underlying joy and<br>light-heartedness which so many art lovers relate to, and enjoy.<br><br>During the 1970s and 1980s, this South African artist’s work became more<br>sophisticated, both technically and conceptually, representing a more mature<br>artist at work. Molokeng’s work started to move away from direct township<br>depictions towards a fusion of the urban experience with African motifs and<br>culture.<br><br>Compositionally, his African art became lighter and began to incorporate more of<br>the figurative and abstract than the literal. Many of his paintings began to<br>display a more sketchy landscape background, containing forms such as huts,<br>missionary churches, ox wagons, oxen and human figures in tribal and rural dress<br>partaking in traditional customs.<br><br>Towards the end of the 1970’s, a calligraphic element within his work began to<br>emerge. This, together with the Bushman-like figures that started to populate<br>his township art, gave his work a potent African flavour that still exists to<br>this day, and makes Billy Molokeng’s work so appealing to South Africans and<br>foreigners alike.<br><br>In the 1980’s Molokeng’s work witnessed further developments, resulting in a<br>more refined technique and style. Township life, once again, became important<br>subject matter, although it was rendered in a more personal manner and blended<br>with the African landscape. The landscape element of this newer work is more<br>solid and is rendered as an integral part of the more abstract compositions and<br>forms. Influenced by life and politics within the townships during the most<br>volatile period of South African history, Molokeng’s work began to demonstrate<br>strength and a sensitivity that were to remain an intrinsic part of his work.<br> <br><br>Exhibitions<br><br>Molokeng had his first exhibition at Dorkey House, Eloff Street, Johannesburg.<br>In 1974 he participated in several group exhibitions – at the Canadian Embassy,<br>Gallery 101, Lidchi Art Gallery and at the Herbert Evans Art Gallery,<br>Johannesburg. In 1976, he participated in the Second International Art Fair in<br>Tel Aviv, Israel. This was followed by a one-man show in Germany in 1979. The<br>next year (1980), he took part in group shows in Athens and in Rome and<br>subsequently had a one-man show at the Lidchi Art Gallery in Johannesburg. In<br>1981, Billy Molokeng was awarded one of the three prizes for painting at the<br>Republic Art Festival.<br><br>Molokeng has also been featured in a group exhibition at the World Bank offices<br>in Washington, U.S.A. along with other artists chosen from Cameroon, Ghana, Mali<br>and Nigeria.<br><br>Currently, Billy Molokeng presents a strong sense of “Africa” within his<br>paintings. Their potency and appeal lie in his bold use of colour, his strong<br>compositions and his unique use of his medium. The acrylic and oils are used as<br>an overlay, which is often scratched away to create different textures and<br>layers, as well as expose various underlying colours. His use of black<br>strengthens and enhances the burnt sienna, ocher, gold, greens and blues as well<br>as emphasizing his trademark white and black eyes of his figures.<br><br>Billy Molokeng’s South African artworks are appreciated by thousands and are<br>part of many private and public collections both in South Africa and abroad.

Read more less

Bing and Grondahl "The little Player" Porcelain Figure c1960 2402. 5" tall with<br>No cracks, chips, restorations, or crazing<br>B8

Read more less

Bing and Grondahl Boy feeding chickens figure 6.5" No cracks, chips,<br>restorations, or crazing<br>b36

Read more less

Bing & Grondahl dog B&G 1676 Bulldog Design Dahl Jensen, Very nice Royal<br>Copenhagen Bing & Grondahl Bulldog figurine numbered "1676". Displays extremely<br>well and in very nice condition with no chips or cracks! 3 1/4 inches tall, 4<br>1/4 inches in length, and 1 3/4 inches wide. Very nicely designed Bulldog<br>featuring one "chewed ear" (part of the design). Signed underneath: "MADE IN<br>DENMARK" "B & G" "1676"<br>tw162

Read more less

Bing and Grondahl Girl Holding baby figure 8" tall with no damage or wear.

Read more less

Bing and Grondahl Girl with cat figure 5" wide x 4" tall with no damage or wear.

Read more less

Bisbee Turquoise Vintage Navajo sterling silver squash blossom necklace 27". Selling the squash blossom necklace shown in good condition with measurements in pictures. Weight and measurements in pictures. Tested and guaranteed solid sterling silver. Circa third quarter of the 20th century.

Read more less

Bjarne Meyer (1896-1949) and HK Denmark Brooch. Selling the two brooches shown, largest 2 1/8". The HK could be Henning Koppel whol worked for Jensen, both top quality and from the same collection. Bjarne Meyer, a silversmith that did work for Kalo, Art Metal Studios, Georg Jensen and Gorham silver.Not much is known about him personally, but his work is sought after by arts and crafts and Chicago silver collectors. anderas

Read more less

Blackinton 14k gold/Sterling silver hand hammered pendant necklace. Very high quality with no issues. Weight and measurements in pictures. 18" necklace, Pendant is hand hammered with a very thick gauge solid 14k gold sphere. 1862 R. Blackinton & Co Founded North Attleboro, MA As the Civil War raged, Roswell Blackinton (Susanne Ross Blackinton-Juaires great-great-grandfather) co-founded R. Blackinton & Co with Walter Ballou; a full silver house that specialized in silver and goldsmithing, engraving, enameling, metal spinning, and more. The company stands as a significant chapter in the history of American silverware and jewelry manufacturing. Into the early 20th century, R. Blackinton & Company increased its lines to include, at various times, sterling silver jewelry, dresser ware, fancy table pieces, novelties, and 14 karat gold merchandise. In 1937, the company added an exclusive line of fine Sterling flatware and hollowware for retail jewelers. It remained for over 100 years under the management of its founding families until its sale in 1967. One of the companys notable achievements occurred in the mid-1960s when their Marie Louise flatware pattern was selected by the U.S. State Department. This elegant design was chosen for use in all United States embassies around the world, serving as a testament to the companys reputation for producing items of exceptional quality and design. A heritage of quality craftsmanship that S. R. Blackinton continues today.

Read more less

Blue and White Stoneware Cameron, Texas Advertising Rolling Pin c.1905 7 7/8" wide x 3 1/8" deep. No cracks, chips, or restorations. Two small glaze pops shown in pic, no big deal. No handles, but they can be taken off a wood pin.

Read more less

I'll be listing a nice collection of Amy Freeman Lee Drawings and paintings that<br>have not been offered anywhere else. These are all originals that were inherited<br>when she passed and have been stored.<br><br>Boating to Windward Watercolor Amy Freeman Lee Listed Artist San Antonio, Texas<br>(1914-2004) 25.5" x 30.5" framed, 19" x 25" sight. No issues. To art, clean<br>frame.<br><br>Amy Freeman Lee (1914-2004 ) A native of Seguin, Texas, Lee would become a<br>permanent resident of San Antonio. A self-taught watercolorist, Lee helped found<br>the Texas Watercolor Society in 1949. Her works were exhibited in Mexico City<br>and in traveling exhibits at arranged by the Smithsonian and California National<br>Watercolor Society. She worked as an art critic for the San Antonio<br>Express-News and radio station KONO. She was the focus of a 1984 CBS documentary<br>titled Reality is Becoming. Her works are included in the collections of<br>the University of Texas at Austin, the Norfolk Museum of Arts and Sciences and<br>the San Antonio Art League.

Read more less

Bob Banford Strawberries with blooms lampwork paperweight. No damage or wear 3.25" wide x 2 5/8" tall.American paperweight artist Robert “Bob” Banford (1951– ), together with his father, Raymond Banford (1918–2003), developed a mutual interest in paperweights while Bob was a teenager. Bob received a torch as a high school graduation present from his father in 1971 and apprenticed for a year as a scientific glassblower while teaching himself how to make paperweights. After the Banfords produced their first saleable weights in 1973, they formed R. Banford, Inc. in their native New Jersey, where they made and sold their own paperweights and art glass, in addition to antique paperweights. Banford retired from weight making in 2006 and resides in the Florida Keys.

Read more less

Bobby Begay Navajo Navajo turquoise-coral sterling silver buckle for 1.5" belt. Solid sterling silver (tested) with weight and measurements in pictures. Circa third quarter of the 20th century. Age appropriate wear. Listed with ExportYourStore.com

Read more less

Bobby Johnson Navajo Sterling Sleeping Beauty Turquoise Cluster Pendant<br>Weight:20.4 Grams, | Dimensions: Pendant: 1.75" x 2.5" No issues or damage.Bobby<br>Johnson is from Church Rock, New Mexico. He began silversmithing in the early<br>70’s, under the tutelage of his older brothers and sisters, who are also expert<br>silversmiths. Bobby’s love for turquoise & silver led him to choose his<br>life’s work, and he continues to delight lovers of Native American jewelry with<br>both his unique designs & traditional techniques.

Read more less

Bobby Lujan Taos Pueblo (1922-2012) silver Branch coral and turquoise pendant/pin. 1 7/8" x 1 5/8".<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

Read more less

Boehm Porcelain Lamb and Sow Piglet. No cracks, chips, or restorations. Longest 5.5" Biography of Edward Boehm: In 1950, Edward and Helen Boehm started a basement studio in Trenton, New Jersey, and Ed created sculptures in realistic style that were admired enough that in 1951, two of them entered the collection of the Metropolitan Museum of Art. By the end of the decade, Boehm was represented in 11 other museums including the Buckingham Palace, Elysee Palace and the Vatican. Today the porcelains are in 134 museums and institutions throughout the world isshelf

Read more less

Boehm Porcelain Pink American Express Rose Made in USA. No cracks, chips, or restorations. 7.25" long, not even the tiniest flake anywhere and it will be packed with the most care imaginable.Biography of Edward Boehm: In 1950, Edward and Helen Boehm started a basement studio in Trenton, New Jersey, and Ed created sculptures in realistic style that were admired enough that in 1951, two of them entered the collection of the Metropolitan Museum of Art. By the end of the decade, Boehm was represented in 11 other museums including the Buckingham Palace, Elysee Palace and the Vatican. Today the porcelains are in 134 museums and institutions throughout the world isshelf

Read more less

Measures 3.5" wide x 2.75" tall. I think there's mother of pearl behind the<br>reverse painted widows. Guaranteed right around 100-120 years old and wonderful.<br>No cracks or chips, or wear to enamel, tight hinge, snaps shut tightly.<br>Tw97

Read more less

Measures 7.5" wide at top x 16.75" tall. Guaranteed right around 110-130 years<br>old and wonderful. No cracks or chips, or excessive wear to enamel. One small<br>nick on inside of the base rim. Some wear to Gilding on rim and foot. This piece<br>is the deepest cranberry I have ever seen. Ruby with a hint of cranberry.

Read more less

Borghese Terracotta Cherubs set of 3. Selling the three shown 8.25" tall with no cracks, chips, or restorations. Minor wear to gilding on bases. TW246

Read more less

Boyd Tsosie Navajo 14k gold, diamond, opal, and coral beaded necklace. All of the metal on this necklace is tested and guaranteed solid 14k gold, weight and measurements in pictures. No issues, circa last quarter of the 20th century. Natural Opal and Mediterranean coral beads and inlay outside the pendant. My monitor is off, but these pics look really bad to me. It‘s gold, it‘s beautiful. Boyd Tsosie is a jeweler who draws inspiration from the rich heritage of his Navajo traditions. Born in 1954, he has been making jewelry since he was sixteen years of age. In 1979, Boyd Tsosie was only 23. He was already among the top echelon of Southwestern jewelers / silversmiths (both past and present). Boyd was featured in Arizona Highways along with other greats like Jesse Monongye, his brother Richard Tsosie, Gibson Nez, James Little, and Larry Golsch. These Navajo silversmiths all would go on to build fine reputations and set the standards you see today for Southwest jewelry. Kenneth Begaye, a teacher at the Navajo Community College on the Navajo Reservation, inspired Boyd at a young age. Boyd gives credit to Kenneth for teaching him his trade. Kenneth Begay has been deemed the father of modern Navajo jewelry. Before Kenneth Begay, Navajo Indian Jewelry was much like it had been for the past 100 years. Navajo jewelry had a strong Spanish influence. Which is entirely understandable since it was a Mexican silversmith (who learned from the Spanish) that taught the first Navajo to work silver. Boyd considers Kenneth Begay a major influence and carries on today the work of Kenneth Begay. Boyd Tsosie continues to move Navajo jewelry forward and he, like Kenneth Begay, generously shares his knowledge with other silversmiths. Boyd, working with his brother Richard, first gained widespread recognition for his soldered flower and leaf designs. Later, he moved his jewelry designs to a more complex, contemporary look. Over the years Boyd has developed a contemporary style of work primarily in 14K gold combined with turquoise, coral, lapis, and sugilite. Boyd feels that he is creating “tomorrows tradition in Navajo jewelry by being given the rights and prayers by his elders to create his special pieces. He is featured in Navajo Indian Jewelry and Enduring Traditions by Jerry and Lois Jacka and North American Indian Jewelry and Adornment by Lois Dubin. In recent years, Boyd and his son have given back to the Navajo Nation with a nonprofit to give counsel and help to those with substance challenges.

Read more less

BPOE No 30 New Orleans Elk Lodge restaurant China Egg Cups early 20th century,<br>very uncommon. Small one shows a short hairline on exterior that doesn't go<br>through to interior. So it's really just stained crazing. No other issues.<br>Selling both.

Read more less

Great set of early candlesticks with a nice patina. Will clean up really well<br>without too much work. Guaranteed 19th century. These are a different style from<br>the many I've owned. They measure 8.25" tall. One is missing the button on the<br>pushup, and both are stuck with wax.

Read more less

Sterling Silver | Genuine Turquoise | Santo Domingo Pueblo Turquoise & Silver Necklace | Navajo Native American Southwest Indian Jewelry | Weight:46 Grams, | Dimensions: Necklace: 14" length, 1.25" x 2.25" pendant. Signed Brihilda Crispin which is Brihilda Coriz's Maiden name so this is some of her earlier work before she married Frank. The turquoise Heishi beads are graduated from 5mm to 8mm.

Read more less

British Porcelain Fruit Compote with Butterflies C.1850 9.5" x 3.5" no cracks, chips, or restorations. Near perfect gold, some wear and scratches on top. Very attractive. Hand painted, possibly over a transfer.

Read more less

Bronze Tribal Mask African. Estate fresh. The Kids that are now in their sixties<br>remember it always being there, so it's at least 50 years old, likely older. I<br>have no other provenance. It has an old restoration and a decent looking patina<br>so I think it's pretty old. No other damage, just the restored area on bottom<br>part. 13" tall x 8" wide.<br>TW10

Read more less

Bronze Buddha Sculpture 8.5" tall x 6" wide, estate fresh from an old<br>collection. I'm not sure how old, but I believe first half of 20th century.

Read more less

Bronze Dore Art Glass Footed Centerpiece. 9.75" tall x 9" wide with no damage,<br>significant wear to gold dore finish on bronze holder. Really nice looking piece<br>of glass, iridescent inside and out. There are no identifying marks on the<br>holder or the glass that I could find.tw187

Read more less

Bronze mounted wood cross pendant with Polish sterling/baltic amber modernist pendant. Selling both pendants 4.5" tall bronze and wood, 3" tall modernist sterling with amber. Small dent in base of sterling cross and some wear to amber cabochon. Selling both pieces for one price.

Read more less

Brother and Sister Carved Wood Bust Statue by Florentino Hensen Guagua Pampanga<br>Phillipino Artist Mid 20th century. 21.5" high x 9.5" high. Wood carving doesn't<br>get any better than this, this guy was great. Sounds like he did some great work<br>in the the Phillipines with 23 feet statues and such. Very heavy with no issues.

Read more less

The egg tempera painting is 8" x 10", the frame is 13.75" x 15 3/8". Auckland<br>artist Bruce Harvey is one of New Zealand's best known painters of birds and<br>animals. His paintings are displayed in public and private collections around<br>the world. He exhibits at the Kennedy Galleries in New York and at Country<br>Stores Galleries in Texas. Collectors of his works include: Mrs. Lyndon Johnson,<br>former Secretary of the Treasury, John Connelly, and the Governor of Hawaii, Mr.<br>George Ariyoshi.<br>TW89

Read more less

Buchschmid & Gretaux Marquetry Wood Inlay work Germany Chimneysweep and his daughter. 12.5" x 10.25" with no damage or detectable wear. THE B&G INLAY COMPANY WAS LOCATED IN THE PROVINCE OF STUTTGART-VAIHINGEN, GERMANY AND CEASED OPERATIONS IN 1910.  MR. GRETAUX WAS THE ARTIST AND MR. BUCHSCHMID WAS THE ARTISAN WHO MADE THE DECISIONS FOR HIS PARTNERS DESIGNS. BOTH ARE no longer with us AND THE COMPANY'S ASSETS WERE ALL SOLD IN 2005.  THEIR WORKS ARE HIGHLY COLLECTIBLE DUE TO THE END OF PRODUCING ANYMORE OF THESE INCREDIBLE WORKS OF SKILLED CRAFTSMEN. THE METHOD THEY USED WAS AND STILL IS KNOWN AS THE 'DEKORPIER' METHOD. B&G MADE AND SOLD MANY OF THEIR PIECES TO RAILWAY COMPANIES AND SHIPPING LINES TO DECORATE CARRIAGES AND STATE ROOMS DATING FROM THE EARLY YEARS OF THE 20TH CENTURY.  THEY WERE SOLD WORLDWIDE.  THEY MARKETED THEIR PANELS TO AMERICAN SERVICEMEN SERVING IN MILITARY BASES IN WESTERN EUROPE IN THE 50'S, 60'S AND 70'S. tw254

Read more less

Buddha's Necklace pattern Famille rose saucers (4). Very nice painting on these, I believe they are Chinese, last half of 19th century but I'm not 100% sure, 4.5" wide. TW221

Read more less

Buddy Lee Mossman Choctaw 14k gold, sterling silver lapis, fossilized coral pin. Solid 14k gold feather and center accent bead, solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, Circa last quarter of the 20th century. 37 grams Buddy Lee Mossman, a Santa Fean and one of the most unique artists of the Southwest, was born in Missouri, and, he claimed, of Choctaw descent. His creative forces began to emerge in the 1980s at which time he began teaching himself the art of silversmithing. Buddy drew from the works of three late great artists: renowned Chiricahua Apache sculptor, Allan Houser (Haozous), Master Hopi Silversmith. Charles Loloma and Spanish Great, Pablo Picasso. While his pieces mirror the Sacredness of Houser, the Decorativeness of Loloma and the Surrealism of Picasso, Mossman was an artist in his own right. Buddy considered his Jewelry sculptures. The smallest simplest ring to the biggest ornamental Kachina Bolo was sacred.

Read more less

Butterscotch Amber Sterling Art Nouveau Style Bangle Bracelet. Hallmarks on bottom of bracelet shown in last pic. Marked and tested sterling. Very high quality Natural amber bracelet with no issues. 7" inside diameter 1 1/8" wide in center. 28.3 grams.

Read more less

C 1815 Samuel behere, Edward Wigan British Sterling Buckle. Hallmarked SG EW a<br>pin added later to wear as a brooch. 3 3/8" x 2 5/8" 68.4 grams, Amazing piece<br>with incredible workmanship, no damage. Hallmarked all over the place with an<br>early engraved I.S. on reverse side, articulating hinges to work however it's<br>supposed to work. This is from a collection of antique Highlander/Scottish<br>silver. I went around in circles with the hallmarks longer than I could afford<br>to, it's from 1800-1820's.

Read more less

c.1780 Antique Chinese Plate Blue/White 9.25". Many small glaze frits and Flakes on rim. No cracks, large chips, or restorations.

Read more less

Antique Derby Figures Boy and Girl Holding Lamb and Dog c.1810. Wonderful,<br>whimsical pair. Boy is 9" tall x 4.25" wide. No cracks or chips. The lamb may<br>have a very good professional restoration to both ears. No other possible<br>restorations.

Read more less

C.1810 Derby Porcelain Hand Painted Gold and Florals Lot 9pc. All pieces have the expected crazing of 200 year old earthenware. No heavy staining, just a few small spots. Sugar lid is missing finial. Sugar base and creamer are immaculate and damage free. The three small 5.75" bowls or saucers have some wear to Gilding and painting. The two 8 5/8" soup bowls and 7.5" underplate show no noticeable wear. No chips or restorations on any piece, one small bowl has a crowsfoot, no other cracks. All pieces have the same mark.

Read more less

c.1820 British Porcelain Pattern 346 Shallow Bowl 8.5" or deep plate. No cracks, chips, restorations, or crazing. Very minimal signs of use. Unsure of manufacturer, but guaranteed British and approximately 180-210 years old. b43

Read more less

c.1830 Antique British Porcelain Hand Painted oval vegetable bowl. 11" x 9.5" x 2" deep with no cracks, chips, restorations, or stains. Factory underglazed chip on footrim, expected crazing, and minor wear to decoration in center. tw146

Read more less

c.1830 Minton Amherst Japan Stone China Chinoisiere Imari style Tea cups and saucers pair Saucers 6" wide, cups 3 7/8" wide without handles x 2.25" tall. Selling both of the cups and saucers shown 190 years old and in near mint condition with no cracks, chips, restorations, crazing, or stains. TW148

Read more less

C.1840 British Porcelain Fruit Compote hand Painted Clean gold, some wear and scratches on top. Very attractive. Hand painted. 10.25"wide x 2.25" real

Read more less

12.25" wide x 7.5"wide Guaranteed staffordshire earthenware from mid 19th<br>century. Very i tight old stable hairline on base shown in pics. No other<br>cracks, chips, or restorations.

Read more less

c.1850 Old Paris Porcelain Covered Pokal with Stand Hand Painted Children Flowers 15.25" tall with base x 8" wide. One very small chip on handle, large chip on top corner of base and hairline in open work on base. No other damage, no restorations.

Read more less

C.1880 Carlsbad Austria 8.5" Hand Painted plate on cream ground no cracks, chips, restorations, minor Gilding wear on rim

Read more less

c.1880 Japanese Cloisonne Pumpkin Shaped Teapot. No dings, restorations, or<br>significant loss. 6" handle to spout x 3.5" tall.

Read more less

c.1880 Meiji Period Japanese Kutani Geisha Figure 10 3/8" No cracks, chips, or<br>restorations.<br>Tw60

Read more less

c.1890 Coralene Glass Dresser Jar Bohemian. 4" wide x 3" tall. More attractive<br>than the pics suggest. The cabin is very prevalent in person, got washed out in<br>the pics. Minor loss to coralene, hinge is a little wobbly but will outlast all<br>of us.<br>Tw97

Read more less

c.1890 RS Prussia Porcelain Dresser Tray. No cracks, scratches, crazing, chips, or restorations, minor wear to gold. 11.75" x 7.75" TW134

Read more less

C.1900 Chinoiserie American Cast Iron Tilting Dresser Mirror. Some oxidation and Paint loss, some wear to mirror, but overall clean. 16.25" tall x 8" wide.

Read more less

c.1910 15" Bergman Austrian Cold Painted Bronze Sparrow Hawk Sculpture on Stone Base Signed with Bergman mark as shown. 12" wingspan, 12" beak to tail. slight bend on the tip of each wing with some paint wear. Incredible, rare, imposing figure that will liven up anywhere it is. Very heavy, will be a challenging packing and shipping job that i'm confident I'm capable of. It will take me hours but it will be done right and get there how it leaves here. Franz Bergman was an Austrian entrepreneur best known for his Viennese foundry which produced many patina- and cold-painted bronze sculptures of figures, animals, Orientalist scenes, and mythological creatures. Bergman is often misidentified as a sculptor, but he himself was not the original artist for the works—rather, he hired many anonymous sculptors to execute his ideas. He signed many of the works produced by his foundry with the pseudonym Nam Greb, so as to conceal his name from the authorities and avoid penalties for immorality. Born in 1861 in Vienna, Austria, he initially inherited a bronze factory from his father and later opened his own foundry. Bergman died in 1936 in Vienna, Austria

Read more less

Nice piece with clean paint with minimal wear shown in pics. Heavy for it's size as it's solid bronze, almost two pounds. 5' base x 3 1/8" tall. I couldn't find any markings but am certain it's turn of the century austrian bronze most likely bergman. Franz Bergman was an Austrian entrepreneur best known for his Viennese foundry which produced many patina- and cold-painted bronze sculptures of figures, animals, Orientalist scenes, and mythological creatures. Bergman is often misidentified as a sculptor, but he himself was not the original artist for the works—rather, he hired many anonymous sculptors to execute his ideas. He signed many of the works produced by his foundry with the pseudonym Nam Greb, so as to conceal his name from the authorities and avoid penalties for immorality. Born in 1861 in Vienna, Austria, he initially inherited a bronze factory from his father and later opened his own foundry. Bergman died in 1936 in Vienna, Austria

Read more less

c.1910 Northwood Ice Blue Carnival Glass bowl in Nippon Pattern. No cracks,<br>chips, flea bites, or scratches. Nice iridescence, 8 5/8" wide.

Read more less

c.1910 Northwood White Carnival Glass Three Fruits Stippled Bowl 9" No cracks,<br>chips, or scratches. Above average electric iridescence.

Read more less

c.1910 Tiffany Sterling Perpetual calendar and Memo paper Holder. Rare if not<br>one of a kind. All hand chased quality workmanship. Guaranteed late 19th to<br>early 20th century. Small monogram in front. Holds paper 3" x 5" or smaller.<br>Calendar pages measure 2 5/8", calendar window measures 2 1/8" tall x 2.5" wide.<br>Entire piece measures 5 1/8" x 3" x 1.25". Clean antique with no notable issues.<br><br>One one end is a hallmark which I didn't attempt to identify, Tiffany only put<br>their name on the best. Pieces from this era made for Tiffany are actually much<br>less common than pieces made by Tiffany themselves.<br>TW131

Read more less

C.1920 Vintage Mexico Pottery Figures Basket Seller Fish Vendor. Larger is 6.5" tall with damaged hand stamped made in Mexico, smaller is 5.25" with no damage, and better detail. Maybe not quite as old, it's been packed 30 years.

Read more less

60+ years young, l ike new, Noritake ' Azalea ' pattern #19322 Dolly Varden<br>Basket. Noritake red mark on bottom. All gold and paint is intact and perfect.<br>Measures 3 7/8" high and 4 3/8" wide. Looks like it was never used. PERFECT!

Read more less

c.1950 Heisey Lariat Glass Basket 10". No cracks, chips, scratches, or<br>cloudiness. 10"tall x 6.25" wide.<br>Tw60

Read more less