Barbara Bixby Sterling/18k bracelet, fits up to a 7" wrist.. No damage or detectable wear, springed hinge for easy removal.

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Barbara Bixby Sterling/18k Cuff bracelet. No damage or detectable wear, springed<br>hinge for easy removal.

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Barbara Bixby Sterling/18k Cuff bracelet with removable pearl charm. No damage or detectable wear, springed hinge for easy removal.

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3.5" tall x 4.5" tall. Really incredible piece of complex hand made art pottery<br>by the Texas Artist Barbara Woodruff. No damage whatsoever.

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Bauer Demitasse Cups and Creamer/Sugar Orange Cobalt Yellow (5 pieces) MINT<br>California pottery<br><br>No cracks, chips, scuffs, or scratches. The color is good and true, just<br>difficult to photograph. Cups are 2.25" tall, creamer is 3" tall, sugar is<br>missing the lid.

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Bea Tom Navajo Spiny Oyster and Sterling Necklace. Wonderful necklace in perfect<br>condition. 20" long 120 grams marked and tested sterling.<br><br>Specializing in traditional Navajo cluster work, Navajo silversmith Betty Tom<br>was born & raised in Thoreau, NM. Betty started silversmithing after high<br>school, learning by watching her father. Mother of three and Grandmother of<br>four, Betty still lives in Thoreau, and continues to provide the Southwest with<br>collectible turquoise and silver jewelry.

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Bell Trading Post Fred Harvey Era Native American Sterling/turquoise Heavy stamped cuff. No damage.

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Belleek Black Mark Lotus creamer and sugar. No cracks, chips, or restorations. Lotus flowers on creamer and petals on sugar. Selling both. Creamer 3 1/8" tall. Both ring like a bell. Pink trim on sugar, no trim on creamer. TW154

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4.5" long x 1 7/8" tall with no cracks, chips, or restorations. B7

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Ben Begaye Navajo sterling turquoise feather necklace sturdy. Approx 26" long, other weight and measurements in pics. Very clean pre-owned condition. Ben Begaye is a Navajo silversmith who has won many awards for his jewelry making skills. He is known for using gorgeous turquoise specimens with traditional style Navajo stamp work. Ben, who specializes in Traditional Revival designs, really makes some unusual pieces that capture those wonderful 1980‘s looks of heavy traditional Navajo silver using finishes from mirror polished to satin.

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Benny and Valerie Aldrich sterling intarsia inlay cross pendant. No issues, weight and measurements in pics. Nestled in the mountains of Durango, Colorado, Benny and Valerie Aldrich and their staff of four maintain a group purpose: operating in harmony and balance, to create expressions of perfection and love for themselves and others. Using the elements of the earth and sea, their works of art pass from hand to hand to create jewelry of unique heirlooms of uncompromised beauty. The Aldrichs style of intarsia inlay incorporates old world style combined with the new world of vivid colors and craftsmanship. From earth tones to extreme shimmer and sparkle, the jewelry reminds you of natures butterflies and humming birds. Valeries use of combining vivid colors and Bennys expertise of gold and silver-smithing is executed masterfully; framing them into wearable art that is unsurpassed. The Aldrichs were pioneers in incorporating faceted gemstones into southwestern style jewelry in the early 1970s. They were among the first to re-introduce spiney oyster and purple burro shell to the blooming industry. Their relationship with worldwide miners and importers is crucial to obtaining the magnificent colors they are famous for. This is a result of searching gem and mineral shows for over 45 years. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman‘s wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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Benny Ramone Sterling Silver and Turquoise Mountain Turquoise Naja Pendant Weight:25.4 Grams, | Dimensions: Pendant: 2.25" x 3" No issues or damage.

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Benny Ramone Sterling Silver and White Buffalo Turquoise Naja Pendant 25.2 Grams, | Dimensions: Pendant: 2" x 3" No issues or damage.

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Benny Ration Navajo sterling and turquoise pendant/pin. Solid sterling, weight and measurements in pics. Fully functional and attractive vintage piece in good condition with no significant issues, but some expected wear.

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Benny Ration Navajo sterling pendant with turquoise. No issues, measurements in pics.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Plaque measures 3" frame measures 6"" no damage of any kind to porcelain, frame<br>has small spot that could easily be touched up with a gold paint pen or<br>something similar. Circa mid 19th century. Hand Painted.

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Bernard Dawahoya (1935-2011) Small Hopi overlay sterling belt buckle. Solid sterling, unmarked other than artists hallmark, weight and measurements in pics. Bernard Dawahoya (1935-2011) Master silversmith Bernard Dawahoya was born in 1935 in the Second Mesa village of Shungopavi. A member of the Snow Clan, his Hopi name is Masaqueva, which means “Wings of the Sun or “Little Sun. Bernard Dawahoya, was a master of many traditional Hopi arts, but focused on silversmithing since his teens and making jewelry since the 1950s. He learned from his uncles, Washington Talayumptewa and Sidney Sekakuku, and also took classes at the Hopi Silver Craft Cooperative Guild. Eventually, Bernard Dawahoya returned to Shungopavi and opened his own shop, and continued to exhibit at arts and craft shows. His masterful works are known for their precise matting (texturing) in negative spaces, heavyweight silver, crisp designs, and bold traditional symbols, such as Mudheads, Hopi Snake Dancer, Crow Mother, eagles, roadrunners and more; all reflect Hopi history, culture, and beliefs. Beyond his skills with silver overlay, jewelry boxes and bowls, he created textiles, paintings, Katsina dolls, and leatherwork. He also recorded traditional Hopi dance songs in 2004, and was known as a prolific storyteller, regaling admirers with the stories behind his designs. His works are included in the collection at Harvard Universitys Peabody Museum of Archaeology and Ethnology as well as at other museums from California to New York and many private collections. In 1998 he was designated an Arizona Living Treasure and enjoyed that distinction until his passing in 2011.

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Betty Allison Texas Cowboy Oil on Canvas. Betty Allison was a San Antonio artist<br>who's originals rarely come up on the open market. At the time of this listing<br>there are three for sale online between $9,000 and $12,000 and none for less.<br>She mainly sold limited edition prints in the 1970's and 1980's in editions of<br>1000. I've seen plenty of her prints sell in the $250 range. This is an original<br>oil on canvas with no significant issues, it measures 26" x 22" framed x 14" x<br>18" canvas. Great painting, as realistic as they come for a realistic price.

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Betty Tom Navajo sterling and opal bar necklace. 18" long with no issues. Weight and measurements in pics. Specializing in traditional Navajo cluster work, Navajo silversmith Betty Tom was born & raised in Thoreau, NM. Betty started silversmithing after high school, learning by watching her father. Mother of three and Grandmother of four, Betty still lives in Thoreau, and continues to provide the Southwest with collectible turquoise and silver jewelry. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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Betty Tom Navajo Sterling turquoise cluster pendant 2.75" tall x 1.5" wide 28 grams with no damage or wear.Specializing in traditional Navajo cluster work, Navajo silversmith Betty Tom was born & raised in Thoreau, NM. Betty started silversmithing after high school, learning by watching her father. Mother of three and Grandmother of four, Betty still lives in Thoreau, and continues to provide the Southwest with collectible turquoise and silver jewelry.

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Betty Tom Navajo Sterling/turquoise buffalo nickel ring. High grade Kingman turquoise, no damage or detectable wear.Specializing in traditional Navajo cluster work, Navajo silversmith Betty Tom was born & raised in Thoreau, NM. Betty started silversmithing after high school, learning by watching her father. Mother of three and Grandmother of four, Betty still lives in Thoreau, and continues to provide the Southwest with collectible turquoise and silver jewelry.

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Beverly Etsate is an acclaimed Zuni Inlay Artist. Bev is the Daughter of Famed<br>Zuni Artists Rosalie and Augustine Pinto. Bev continues her parents tradition of<br>Inlaid Jewelry by producing jewelry in the same style as her Elders. She has<br>over 30 years of experience in her craft. In that time, she has quickly become<br>one of Zuni's foremost Jewelers.. Selling the set from the late 20th century<br>with no damage or issues. Looks to have seen little to no wear. Buckle is 3.25"<br>x 2 3/8" and takes up to a 1.5" belt Main section of bolo is 2.25" x 1 7/8".<br>total weight 106.5 grams. tested sterling.

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Bev Etsate Zuni sterling belt buckle. No issues, weight and measurements in pics. Solid sterling with artists hallmark. Beverly Etsate is an acclaimed Zuni Inlay artist. Bev is the daughter of revered Zuni artists Rosalie and Augustine Pinto. Bev continues her parents tradition of inlaid jewelry by producing jewelry in the same style as her elders. As she had learned from her parents she has been a teacher to her two sons Carl Etsate a fetish carver and Todd Etsate as well as her daughter Tracy Bowekaty, a jewelry maker who is also following in her mothers and grandparents paths. She has over 40 years of experience in her craft. Over that time, she has become one of Zuni‘s foremost jewelers. Her work ranges through all the traditional techniques of Zuni: mosaic inlay, raised inlay, animated, pictorial inlay, and also needlepoint. She creates overlay and inlay figures, blossoms, holiday themes, corn style inlay, and needlepoint. Some of her favorite designs are kachinas, mudheads and bears. A great sense of humor is evident in many of her holiday pieces.

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Bev Etsate Zuni Sterling snowman pendant/pin, nice quality with no issues. Weight and measurements in pics. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman‘s wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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Bevis Tsadiasi Zuni Multi-Stone inlay tufa cast sterling pendant 1.75" tall with bail x 1" wide 5.3 grams with no damage. Zuni artist Bevis Tsadiasi is a very talented individual. He makes a number of styled pieces, including popular inlaid pocket knives. This time he has combined two Southwest classics, turquoise and coral, to make a stunning cuff. Dark red Mediterranean coral and sky blue Sleeping Beauty Turquoise fills this beautiful piece. Bevis surrounds the inlay with a textured silver that really brings character to the piece. The amount of silver work on this Zuni piece is going to amaze you. Plus, Bevis even stamps the underneath of the bracelet with flower blossoms. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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Biblical Staffordshire Childs plate I lay my body down to sleep let angels guard<br>my head. light stains, no cracks, chips, or restorations. 6.75"<br>isshelf

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Biblical Staffordshire Childs plate Joseph's Two dreams. Very clean with no<br>cracks, chips, or restorations, small stain on back. 6"<br>isshelf

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Big Antique Mexican Bronze Silver Overlay Horseshoe Form saddle buckle.  It's solid bronze with a high content silver overlay, the one smaller loop to the side is steel. I'm assuming this is Southwestern, likely Texas/Mexico. 19th century, maybe older. 4 7/8" x 4.75" and very heavy. isshelf

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big c1840 God Speed the Plough Staffordshire transferware Sunderland lustre mug. Big oversized mug with no cracks, chips, or restorations. 4" wide without handle x 3.75" tall. isshelf

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Big Jimmy Lee Navajo sterling feather pendant. Very well made with no issues. Most similar you will find online are a fraction of the size/weight of this statement piece. Weight and measurements in pics. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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Big Retro Sterling fun dangle earrings. 3.25" x 1 1/8" no backs, no other issues. 28 grams. anderas

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Big Vintage Navajo sterling turquoise and coral belt buckle w faux claw Solid sterling silver with weight and measurements in pictures. Fully functional with no unexpected wear or damage. Hallmarked what looks like a paw. 60‘s--70‘s and better than average quality for this era.

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Bill Fenton Diamond Jubilee Green Cased glass pitcher. No damage or wear, no<br>heat checks in handle. 7" tall.<br>tw2

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Billy Long Navajo sterling and turquoise channel inlay neckace 18" necklace with 2.5" drop in the center. No issues.

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Frame measures 25.75" x 18.5" dimensions inside inner matting is 12" x 19". It's<br>triple matted. Frame shows some wear, picture and matting are perfect.<br><br>Billy Molokeng<br><br>Born 1944 - Gauteng<br><br>About the Artist<br><br>Billy Molokeng was born in 1944 in the Alexandria Township in Johannesburg. He<br>was orphaned at a very young age and brought up by his sisters. In order to make<br>a day-to-day living he started selling his drawings, and later, paintings. This<br>brought him to the attention of a wealthy sponsor, who enabled him to attend a<br>private art school, which in turn helped to develop his style and technique.<br><br>Molokeng is an unusual and dynamic personality who enjoys and excels in all<br>forms of creativity. He composes and performs his own songs, enjoying enormous<br>popularity under the stage name of “Billy Africa”.<br> <br><br>Style and Format<br><br>Versatility, dynamism and inventiveness have kept Billy Molokeng’s work fresh<br>and ever changing, ensuring that both he and his art do not become stereotyped.<br>This is demonstrated by the fact that his work was initially typically<br>“township” in character, but developed into his own more unique style in later<br>years.<br><br>His early paintings portray scenes taken directly from life in the townships.<br>The compositions of these early works are dense and on a single plane, usually<br>with several figures depicted in a bold and heavy manner. His individuality and<br>originality, however, is still strongly evident. His figures are lively and<br>filled with movement, containing a subtle humour, underlying joy and<br>light-heartedness which so many art lovers relate to, and enjoy.<br><br>During the 1970s and 1980s, this South African artist’s work became more<br>sophisticated, both technically and conceptually, representing a more mature<br>artist at work. Molokeng’s work started to move away from direct township<br>depictions towards a fusion of the urban experience with African motifs and<br>culture.<br><br>Compositionally, his African art became lighter and began to incorporate more of<br>the figurative and abstract than the literal. Many of his paintings began to<br>display a more sketchy landscape background, containing forms such as huts,<br>missionary churches, ox wagons, oxen and human figures in tribal and rural dress<br>partaking in traditional customs.<br><br>Towards the end of the 1970’s, a calligraphic element within his work began to<br>emerge. This, together with the Bushman-like figures that started to populate<br>his township art, gave his work a potent African flavour that still exists to<br>this day, and makes Billy Molokeng’s work so appealing to South Africans and<br>foreigners alike.<br><br>In the 1980’s Molokeng’s work witnessed further developments, resulting in a<br>more refined technique and style. Township life, once again, became important<br>subject matter, although it was rendered in a more personal manner and blended<br>with the African landscape. The landscape element of this newer work is more<br>solid and is rendered as an integral part of the more abstract compositions and<br>forms. Influenced by life and politics within the townships during the most<br>volatile period of South African history, Molokeng’s work began to demonstrate<br>strength and a sensitivity that were to remain an intrinsic part of his work.<br> <br><br>Exhibitions<br><br>Molokeng had his first exhibition at Dorkey House, Eloff Street, Johannesburg.<br>In 1974 he participated in several group exhibitions – at the Canadian Embassy,<br>Gallery 101, Lidchi Art Gallery and at the Herbert Evans Art Gallery,<br>Johannesburg. In 1976, he participated in the Second International Art Fair in<br>Tel Aviv, Israel. This was followed by a one-man show in Germany in 1979. The<br>next year (1980), he took part in group shows in Athens and in Rome and<br>subsequently had a one-man show at the Lidchi Art Gallery in Johannesburg. In<br>1981, Billy Molokeng was awarded one of the three prizes for painting at the<br>Republic Art Festival.<br><br>Molokeng has also been featured in a group exhibition at the World Bank offices<br>in Washington, U.S.A. along with other artists chosen from Cameroon, Ghana, Mali<br>and Nigeria.<br><br>Currently, Billy Molokeng presents a strong sense of “Africa” within his<br>paintings. Their potency and appeal lie in his bold use of colour, his strong<br>compositions and his unique use of his medium. The acrylic and oils are used as<br>an overlay, which is often scratched away to create different textures and<br>layers, as well as expose various underlying colours. His use of black<br>strengthens and enhances the burnt sienna, ocher, gold, greens and blues as well<br>as emphasizing his trademark white and black eyes of his figures.<br><br>Billy Molokeng’s South African artworks are appreciated by thousands and are<br>part of many private and public collections both in South Africa and abroad.

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Bing and Grondahl "The little Player" Porcelain Figure c1960 2402. 5" tall with<br>No cracks, chips, restorations, or crazing<br>B8

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Bing and Grondahl Boy feeding chickens figure 6.5" No cracks, chips,<br>restorations, or crazing<br>b36

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Bing & Grondahl dog B&G 1676 Bulldog Design Dahl Jensen, Very nice Royal<br>Copenhagen Bing & Grondahl Bulldog figurine numbered "1676". Displays extremely<br>well and in very nice condition with no chips or cracks! 3 1/4 inches tall, 4<br>1/4 inches in length, and 1 3/4 inches wide. Very nicely designed Bulldog<br>featuring one "chewed ear" (part of the design). Signed underneath: "MADE IN<br>DENMARK" "B & G" "1676"<br>tw162

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Bing and Grondahl Girl Holding baby figure 8" tall with no damage or wear.

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Bing and Grondahl Girl with cat figure 5" wide x 4" tall with no damage or wear.

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Bjarne Meyer (1896-1949) and HK Denmark Brooch. Selling the two brooches shown, largest 2 1/8". The HK could be Henning Koppel whol worked for Jensen, both top quality and from the same collection. Bjarne Meyer, a silversmith that did work for Kalo, Art Metal Studios, Georg Jensen and Gorham silver.Not much is known about him personally, but his work is sought after by arts and crafts and Chicago silver collectors. anderas

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BL Navajo Sterling feather pin. Hand chiseled design on the feathers.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is<br>stored in a secure location and cannot be accessed for more pictures, videos, or<br>measurements until sold. If you look at pictures/description your question<br>should be answered. Thank you so much for your time and consideration

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Blackhorse Native American Sterling, turquoise, gold filled bolo tie. Solid sterling slide and tips with thick gold over the sterling on the bezel and back, weight and measurements in pics.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Blue and White Stoneware Cameron, Texas Advertising Rolling Pin c.1905 7 7/8" wide x 3 1/8" deep. No cracks, chips, or restorations. Two small glaze pops shown in pic, no big deal. No handles, but they can be taken off a wood pin.

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I'll be listing a nice collection of Amy Freeman Lee Drawings and paintings that<br>have not been offered anywhere else. These are all originals that were inherited<br>when she passed and have been stored.<br><br>Boating to Windward Watercolor Amy Freeman Lee Listed Artist San Antonio, Texas<br>(1914-2004) 25.5" x 30.5" framed, 19" x 25" sight. No issues. To art, clean<br>frame.<br><br>Amy Freeman Lee (1914-2004 ) A native of Seguin, Texas, Lee would become a<br>permanent resident of San Antonio. A self-taught watercolorist, Lee helped found<br>the Texas Watercolor Society in 1949. Her works were exhibited in Mexico City<br>and in traveling exhibits at arranged by the Smithsonian and California National<br>Watercolor Society. She worked as an art critic for the San Antonio<br>Express-News and radio station KONO. She was the focus of a 1984 CBS documentary<br>titled Reality is Becoming. Her works are included in the collections of<br>the University of Texas at Austin, the Norfolk Museum of Arts and Sciences and<br>the San Antonio Art League.

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Bob Banford Strawberries with blooms lampwork paperweight. No damage or wear 3.25" wide x 2 5/8" tall.American paperweight artist Robert “Bob” Banford (1951– ), together with his father, Raymond Banford (1918–2003), developed a mutual interest in paperweights while Bob was a teenager. Bob received a torch as a high school graduation present from his father in 1971 and apprenticed for a year as a scientific glassblower while teaching himself how to make paperweights. After the Banfords produced their first saleable weights in 1973, they formed R. Banford, Inc. in their native New Jersey, where they made and sold their own paperweights and art glass, in addition to antique paperweights. Banford retired from weight making in 2006 and resides in the Florida Keys.

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Native American Sterling and Carico lake turquoise cuff by B Johnson. 7"<br>including the 1.25" gap, 3/8" wide in center, 38 grams no issues.<br><br>Bobby Johnson is from Church Rock, New Mexico. He began silversmithing in the<br>early 70’s, under the tutelage of his older brothers and sisters, who are also<br>expert silversmiths. Bobby’s love for turquoise & silver led him to choose his<br>life’s work, and he continues to delight lovers of Native American jewelry with<br>both his unique designs & traditional techniques.

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Bobby Johnson Navajo Sterling Sleeping Beauty Turquoise Cluster Pendant<br>Weight:20.4 Grams, | Dimensions: Pendant: 1.75" x 2.5" No issues or damage.Bobby<br>Johnson is from Church Rock, New Mexico. He began silversmithing in the early<br>70’s, under the tutelage of his older brothers and sisters, who are also expert<br>silversmiths. Bobby’s love for turquoise & silver led him to choose his<br>life’s work, and he continues to delight lovers of Native American jewelry with<br>both his unique designs & traditional techniques.

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Bobby Johnson Navajo SterlingTurquoise cluster pendant on necklace. Pendant<br>2.75" with bail x 1 5/8", necklace 24" long. 45.3 grams total weight.<br><br>Bobby Johnson is from Church Rock, New Mexico. He began silversmithing in the<br>early 70’s, under the tutelage of his older brothers and sisters, who are also<br>expert silversmiths. Bobby’s love for turquoise & silver led him to choose his<br>life’s work, and he continues to delight lovers of Native American jewelry with<br>both his unique designs & traditional techniques.

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Bobby Lujan Taos Pueblo (1922-2012) silver Branch coral and turquoise pendant/pin. 1 7/8" x 1 5/8".<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Boehm Egyptian Revival Egypt Salutes 1976 Bicentennial Large Porcelain Plaque.<br>Very large plaque total measurement with frame is 17.5" x 12". It's a high<br>relief plaque. No damage or wear, super high quality, lots of gold and platinum.<br>Retail price was $1950 45 years ago, it was limited to 250 and sold out being<br>retailed through museums.

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Boehm Porcelain Lamb and Sow Piglet. No cracks, chips, or restorations. Longest 5.5" Biography of Edward Boehm: In 1950, Edward and Helen Boehm started a basement studio in Trenton, New Jersey, and Ed created sculptures in realistic style that were admired enough that in 1951, two of them entered the collection of the Metropolitan Museum of Art. By the end of the decade, Boehm was represented in 11 other museums including the Buckingham Palace, Elysee Palace and the Vatican. Today the porcelains are in 134 museums and institutions throughout the world isshelf

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Boehm Porcelain Pink American Express Rose Made in USA. No cracks, chips, or restorations. 7.25" long, not even the tiniest flake anywhere and it will be packed with the most care imaginable.Biography of Edward Boehm: In 1950, Edward and Helen Boehm started a basement studio in Trenton, New Jersey, and Ed created sculptures in realistic style that were admired enough that in 1951, two of them entered the collection of the Metropolitan Museum of Art. By the end of the decade, Boehm was represented in 11 other museums including the Buckingham Palace, Elysee Palace and the Vatican. Today the porcelains are in 134 museums and institutions throughout the world isshelf

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Bohemian Cut Overlay Glass Decanter and wine glasses. Great set from about the<br>mid 20th century with no damage or significant wear. Decanter 13"h, 5"diam; (4)<br>goblets, approx 4.5"h, 2.5"diam. Czechoslovakia sticker on decanter.<br>isshelf

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Measures 3.5" wide x 2.75" tall. I think there's mother of pearl behind the<br>reverse painted widows. Guaranteed right around 100-120 years old and wonderful.<br>No cracks or chips, or wear to enamel, tight hinge, snaps shut tightly.<br>Tw97

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Measures 7.5" wide at top x 16.75" tall. Guaranteed right around 110-130 years<br>old and wonderful. No cracks or chips, or excessive wear to enamel. One small<br>nick on inside of the base rim. Some wear to Gilding on rim and foot. This piece<br>is the deepest cranberry I have ever seen. Ruby with a hint of cranberry.

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Bohemian Ruby Cut to clear Cordial glasses set of 4. Very fine quality guaranteed czechoslovakian glass from last half of the 20th century with no wear or damage. 4.75" tall. tw146

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Bora Yasar Sterling/22k gold Ruby Emerald ring. Very well made ring with Natural Ruby and Emeralds. No issues. For Brooklyn-based designer Barbaros Yasar, craftsmanship reigns supreme for his artisanal jewelry brand, Bora. While he jets between his native home of Turkey and back to his studio in the U.S., Yasars lengthy trek doesnt seem to be slowing down his creative process. The brand, which boasts designs that are handcrafted by Yasar and his three brothers, makes up a plethora of styles ranging from charming antique baubles to a mixture of modern-meets-vintage adornments. Though each presents individual aesthetics that wonderfully harmonize in each collection. Following suit of their native Ottoman roots, the jewelrys intricate and ornate designs can be seen throughout the Bora collection thats seen in gilded oxidized diamond neckwear and a number of opulent tension-set rings. As Bora rounds its 10th year showing at Accessories, The Show, the Mediterranean designers clients, current and new, will be delighted as they step into the booth and are transported into a cultural realm of wearable art.

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Borghese Terracotta Cherubs set of 3. Selling the three shown 8.25" tall with no cracks, chips, or restorations. Minor wear to gilding on bases. TW246

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Boyd Ashley Nevada New Lander Chalcosiderite Heavy Stamped Sterling Pendant .<br>Weight:36.6 Grams | Dimensions: Pendant: 1.25" x 4" No damage or issues.

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