Gelang Manset

Heavy Vintage Zuni Channel inlay cuff bracelet. Very well made cuff with natural stones and shell, the stones are very secure, there are some open channels that I believe were intentionally left open by the artisan when he made the cuff to give it character, you be the judge. 1 1/8" wide, fits up to a 7 3/8" wrist, 1.5" gap. 124.7 grams.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Hemerson Brown Navajo Sterling Royston/Sleeping Beauty turquoise Cuff Bracelet. Large and heavy cuff with high quality stones, Hemerson Brown is a very skilled contemporary Navajo Silversmith as shown here. No issues, appears unworn. Navajo artist Hemerson Brown has a way of making pieces of jewelry you just want to own. His work is definitely not subtle, his bold designs bring the silver and stone to life. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Kyle Lee-Anderson Carico Lake Turquoise Heavy stamped repousse sterling<br>bracelet. Absolutely amazing piece of workmanship and stone, heavy 10 gauge<br>sterling silver heavily worked with precision with the finest natural high grade<br>Carico Lake turquoise stone. Fits up to a 6.75" wrist, 1" gap, 1 7/8" wide in<br>center 150.5 grams. The stone is 30mm (1 3/16" tall x 22mm 1 1/16" wide at<br>widest point.<br><br>Kyle Lee-Anderson (twin brother of Trent Lee-Anderson) was born in Gallup, New<br>Mexico on January 12, 1993. At a young age Kyle along with his brothers Trent<br>and Wyatt began working on jewelry with their father Allison (Snowhawk) Lee, a<br>talented well-known silversmith.<br><br>On Kyle’s mothers side, his great grandfather and great grandmother worked on<br>jewelry, passing along techniques through the generations – making him and his<br>brothers 4th generation silversmiths. Kyle has become skilled at making Navajo<br>pearls and fluted design beadwork from single strand necklaces to traditional<br>squash blossoms. He has been perfecting other types of jewelry like pendants,<br>earrings, and bolo ties. Kyle likes to use natural turquoise like Number Eight,<br>Morenci, Egyptian, Blue Gem, Kingman, and Carico Lake in his work.<br><br>Kyle’s inspirations come from his role models that include: Charles Loloma,<br>Raymond & Lee Yazzie, Vernon Haskie, Ira & Gary Custer, Aaron Anderson, Jennifer<br>Curtis, Ray Tracey, Herbert Taylor, Kenneth Johnson and Cody Sanderson. Kyle’s<br>hobbies include skateboarding, hiking, fishing, and playing the piano.<br><br>The Carico Lake Turquoise is located South of Battle Mountain in Lander County,<br>Nevada USA. This Turquoise Mine produces Turquoise in multiple shades of blues<br>to beautiful greens. Carico Lake Turquoise has become very popular and highly<br>collectible in recent years for its beautiful shades of a spring colored lime<br>green running through a sea of light sky blue with golden brown spiderweb<br>matrix.<br><br>The Carico Lake Turquoise Mine produces beautiful blue Turquoise but is most<br>known for its spectacular shades of lime green colored gemstones. This fabulous<br>lime green coloration is actually caused by a close relative of Turquoise<br>mineral called faustite, the combination of faustite and zinc associated with<br>the Turquoise creates one of the most beautiful coloration effects in American<br>Turquoise that has ever occurred in nature. The Carico Lake Turquoise Mine also<br>produces very rare psuedomorph clams that have been fossilized with Turquoise -<br>this Turquoise is very rare and very expensive.<br><br>The Carico Lake Turquoise Mine got its name from its unique location, in ancient<br>years there was a lake that has since dried, hence "Carico Lake." Mining is very<br>limited these days which makes the supply of this material limited. Due to the<br>great demand for Carico Lake Turquoise, it has become one of the most valuable<br>types of American Turquoise and the investment value of this Turquoise is great.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Hopi Sterling silver overlay style cuff bracelet with turquoise No damage or significant wear. Fits up to a 6.5" wrist, 1.25" gap 29.6 grams. [Overlay] The technique called overlay is a technique that cuts out the design drawn on the silver plate and pastes it on the underlying silver to create a three-dimensional pattern. Works combined with stampwork and cutting can also be seen, and beautiful Hopi jewelry using overlay techniques that have been improved to perfection has left many masterpieces up to the present day. In the 1930s, Hopi writer [Paul Saufkie] Paul Sufuki (1904-1998) created the technology, in the 40s to 50s [Harry Sakyesva] Harry Sakiyesva (1922-1969?) and writers of the same age [ Allen Pooyouma (1922-2014), Victor Coochwytewa (1922-2011), etc., established it as one of the representative styles of Hopi. This work was produced in the maturing period of overlay technology, and boasts a high degree of perfection along with the taste of handmade due to the intricate cutting that reflects the artist's feelings.

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Huge 6 5/8" 306ct Vintage Navajo Silver and Turquoise bracelet. Amazing vintage large and heavy bracelet with no issues. Stone is amazing as shown. The only detectable marking is 306 cts on the reverse side. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Huge 7.25" Zuni Robert and Bernice Leekya Sterling/turquoise cuff bracelet. No<br>damage, very high quality natural turquoise.<br><br>Robert Leekya (Zuni Pueblo, 1934-2019) and Bernice Leekya (Zuni Pueblo,<br>b.1930s), central plaque with radiating clusters of turquoise, Measures 3 5/8"<br>wide in the center at the widest point, interior: (end to end) approx 5 7/8"l,<br>gap: approx 1 3/8"w, 183.3 grams<br><br>Husband and wife, Robert and Bernice Leekya were born during the 1930’s. Leekya<br>Deyuse was Robert’s father, while Bernice’s parents were Warren and Doris<br>Ondelacy. Bernice’s sister was the renowned Zuni artist, Alice Quam. They began<br>making jewelry together in 1953, the year they were married. Robert and Bernice<br>share their RLB stamp.

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Huge Vintage Native American Sterling turquoise cuff bracelet J Spencer. 2.75" x<br>3 1/8" face 157.8 grams. Fits a 6 5/8" wrist, 1 1/8" gap. No damage or breaks,<br>tested sterling/coin silver 90% or more guaranteed.

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Huge Vintage Native American Sterling/turquoise cuff bracelet 2 5/8" x 3" face, thick solid silver, signed J.W. Tested 90% or more silver.

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Huge Vintage Navajo Silver Turquoise/Lapis Cuff bracelet, big heavy, unmarked vintage cuff with no issues.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Huge Vintage Navajo Sterling/Turquoise and coral Watch Bracelet 166.3 Grams, | Dimensions: Watch: 7.75" length, 1.5" face width. Minor wear with no significant issues but I think watch needs a battery. Unmarked, tested sterling.

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J Begay Sterling Turquoise Native American cuff bracelet No issues, fits up to a 7" wrist. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman's wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure.

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J Leslie Handwrought Sterling cuff bracelet. Clean with little wear and no issues.

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J Wright Modernist Southwestern sterling cuff bracelet. Nice clean well made<br>cuff, some people call J Wright Navajo, I didn't try to verify that one way or<br>another. 40.6 grams, substantial cuff.

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James Avery Sterling Charm Bracelet with charms. Selling the bracelet with charms shown, all James Avery.

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James Avery sterling charm bracelet with Phone, RN, Boy, Heart, xx00 etc. Fits up to a 6" wrist as shown. Weight and measurements in pics, no issues. -anderas James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Averys mission was simple: to create jewelry with meaning both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and >gemstones. Guests came to him with their stories their special mementos he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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James Avery sterling Jack o Lantern Happy Birthday charm bracelet sterling. 6" bracelet, all clean with no issues.

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James Shay Navajo Sterling Chrysocolla cuff bracelet. Very sturdy cuff weighing<br>74.4 grams with no issues 2.25" wide in center 1.5" gap, fits a 7.25" wrist.<br><br>Navajo silversmith James Shay has been an active silversmith since ca 1989 He is<br>known for his traditional stampwork.. James resides in the Lukachukai area. He<br>uses the hallmark “JS

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Jane Mason Southwestern Sterling Navajo Rug pattern cuff bracelet, high quality substantial cuff with no damage or significant wear. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure. anderas

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Jared Chavez Santo Domingo modernist sterling Link bracelet. 7" long x 1 1/6" wide x 75.1 grams. Does have a scratched signature JJC-00 on reverse side. Jared J. ChavezI began my journey as an artist learning to craft jewelry from my father, Richard I Chavez, a renowned lapidary artist. I was not given exact direction as to what to make but was only given the tools and instruction on how to use them. Along the way my work would be critiqued by my father and I would continually strive to evolve my designs and fabrication processes. He stressed the quality of the design and construction making sure that every aspect of a piece looked “finished” and no corners were cut. Along with all that I learned in my father’s studio, I would receive a Bachelor of Arts from Georgetown University in Studio Arts with a focus in Digital Art and Printmaking. After I graduated, I would attend The Revere Academy of Jewelry Arts’, Intensive Bench Jeweler Program in San Francisco. Each of these educational experiences added a particular technical or visual aspect to my work and would encourage me to continue to explore all the ways I could enhance my designs. My current work focuses on the reflective nature of polished silver. Though fabrication, metal stamping, and some casting, I explore how light and reflection interacts with the materials I utilize. I’ve found that polished silver takes in the colors and the light of the world around, and through the use of surface texture a dynamic play of light is created across the surface of my designs. I further enhance my work thought the use of semi-precious stones (agates, quartzs, jades, etc.). However one of the most important qualities in my selection of stones is often translucency. I’ve found that by allowing light to shine though a stone an overall rich and warm effect is created in the overall design. Along with my yearly schedule of shows where I sell my designs, I’ve also made it a point to educate the public about my work. Growing up in my father’s studio, I always saw just how much of himself he put into his designs and how sometimes he was met with disbelief as to how much work was put into his pieces. I found this to be a similar case when I entered the business, as the general public only sees the finished piece. For that reason, though in person demonstrations and self-produced video mini-documentaries, we’ve made it a point to show the skill, time, and passion that goes into every design. I continually strive to evolve my work and hold every design to the exacting standards that my father established when he created Chavez Studio 50 years ago.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Jeanette Dale Navajo Sterling channel inlay cuff bracelet. Clean with little<br>wear and no issues. 105.6 grams. Fits a 7" wrist, 1.5" gap, 2.5" face.

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Jerry Cowboy Navajo Sterling silver Multi-stone channel inlay bracelet. Fits up<br>to a 6.5" wrist.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Joe Delgarito Navajo sterling/14k 6.75"-8" Adjustable link bracelet, weight and measurements in pics. Marked or unmarked as shown in pics, weight<br>and other measurements in pics. Sorry but my jewelry is stored in a secure<br>location and cannot be accessed for more pictures, videos, or measurements until<br>sold. If you look at pictures/description your question should be answered.<br>Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Joe Paul Navajo Sterling Royston Turquoise and Coral Cuff Bracelet. 7" including the 1.25" gap 2" wide in the center, 133.4 grams, very substantial and well made cuff with no issues.

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Judith Ripka Sterling/CZ Cuff bracelet with hearts. Hinged for easy on/off. Appears unworn, guaranteed authentic. 7" including gap. No damage, wear, missing stones, or detectable scratches. 44.4 grams

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Julius Olaf Randahl Sterling Silver Abstract cuff bracelet signed JOR. 18 grams<br>with no issues. 7" inside diameter with 1.25" adjustable gap.

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K Seng Vintage Cambodian Sterling silver cuff bracelet fits up to a 7.75" wrist, no issues. anderas

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Kee Nataani Navajo Hand stamped sterling cuff bracelet. Fits up to a 6.5" wrist<br>23.2 grams.<br><br>Karl "Kee" Nataani believes that becoming a silversmith must have been in his<br>blood: His maternal grandmother was from the Peshlaki family, "peshlaki" being<br>the Navajo word for silver. His impeccable craftsmanship, developed through<br>decades of practice, is testament to the thought. He lives and works within the<br>Navajo Nation in Arizona where he and his wife also tend an assembly of farm<br>animals that range from cattle to chickens to a llama.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Kelsey Jimmie Navajo Tufa Cast Sterling Cuff bracelet. Somewhat vintage estate<br>piece appears unworn. Marked and tested sterling 25.8 grams. 6.5" including<br>1/25" gap 7/16" wide.<br><br>Kelsey has a design background as a carver of fine pottery, but with the<br>guidance of Artist Darryl Begay, Kelsey is working magic with silver. Kelsey<br>does both tufa cast and sand cast designs, with beautifully carved features.

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Lag Zuni Sterling heavy stamped cuff bracelet. 24.4 grams with no issues.

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Large Antique Chinese Repousse silver bracelet. A few small pinholes in the design, amazing wearable work of art, all hand chased. Measurements and weight shown, no significant issues. And yes I do realize my wife is wearing this upside down, I guess if it's your you wear it how you like. To her it made sense to flare out for your hand and for you to see the design right side up while wearing it. But I believe it was intended to be worn by someone with arms that perhaps got really plump quickly after the wrist.<br><br>Pictured on a 6" wrist. Marks or lack of, measurements, and weight shown in<br>pics. No other pictures, videos, or measurements can be provided. Thank you so<br>much for understanding!

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Large Artisan Hammered Sterling silver cuff bracelet. Right now it sits at 7 3/8" wide including the 1/8" gap. It's solid but still flexible if necessary to adjust or put on/remove. Apprently unmarked (tested) solid sterling silver, high quality handmade item.

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Large Daniel Clark Navajo Sterling Natural Turquoise Heavy stamped cuff Bracelet. 6 5/8" including the 1 1/8" gap, 1 11/16" wide 122 grams marked and tested sterling.

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Large Dorothy Secatero Navajo Sterling cuff bracelet. Thick bracelet for a larger up to 8 1/8" wrist, 1 3/8" gap.55.4 grams.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman's wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure.

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Large Gigli Italian sterling mixed metals bronze accent link bracelet. 1.5" wide, No issues, weight and measurements in pics.anderas

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Large Hopi Overlay style Sterling silver cuff bracelet. No damage or significant<br>wear. Unidentified hallmark looks like an engraved LY with a line under it is<br>shown in the last pic.

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Large Los Ballesteros Modernist Sterling Cuff Bracelet. Great cuff with no damage or significant wear.Los Ballesteros Jewelry - History This business was established in 1937 by Jalil Majul Ballesteros in Iguala, Mexico. He had been apprenticed in the art of silversmithing by his grandfather and father, and early on, he made jewelry with a filigree look. In 1941 he moved his workshop to Taxco and adopted styles that were more in line with the tourist pieces produced there.During the 1950s, piecework was farmed out to smaller family workshops in the Taxco area, and the pieces were marked Talleres de los Ballesteros. These pieces were sold in shops throughout the country, including Mexico City and Acapulco. The company also began exporting jewelry in 1952.A modernized corporate version of Los Ballesteros continues to sell its products, both jewelry, and decorative giftware, through stores in Mexico as well as through other vendors worldwide. The company’s commitment to quality in honor of their heritage is strong, and they are still using the traditional Talleres de los Ballesteros stylized B logo in their branding.

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Large Nakai Sterling Multi-stone Cuff bracelet. Very clean with no significant<br>wear, no wear to the all natural stones. 1 5/8" wide 1" gap, fits up to a 6.75"<br>wrist. 98.4 grams<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Navajo Sterling heavy stamped cuff bracelet. Fits up to a 7.25" wrist, 1.5" gap 2" wide, 122.1 grams. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Bell Trading post Fred Harvey Era Turquoise Cuff bracelet.<br><br>Established in the 1930s in Albuquerque, New Mexico, Bell Trading Post was<br>primarily known for its manufactured southwestern style jewelry that was<br>assembled and decorated by Native Americans. These souvenir jewelry pieces were<br>sold to tourists at their store on Rt. 66 and other tourist shops across the<br>Southwest. The company's name changed to Sunbell Corporation in 1969, and it<br>ceased operations in the late 1980s.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Native American Silver and Jasper cuff bracelet. Very nice old cuff 92.9 grams 2.25" wide in center, fits up to a 6 7/8" wrist, 1" gap, no issues. Interesting hallmark in two places, unsure of Artisan.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Native American sterling Turquoise cuff bracelet. 6.75" inside diameter including the 1.5" gap. Marked sterling and engraved by the artist in 1977. 3.5" x 2.75" face 124.9 grams.

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Large Vintage Navajo Stamped silver nugget cluster bracelet, Fits up to a 6.75"<br>wrist 3.25" wide in center 121.8 grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Large Vintage Sterling hand engraved Bangle bracelet. Thick solid sterling silver, hollow, hand engraved with no dents or other issues.

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Large Vintage Zuni Needlepoint sterling/turquoise cuff bracelet. No markings of<br>any kind, tested sterling. 3" wide in center, fits up to a 6.5" wrist.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Larry Castillo Navajo Multistone Channel Inlay Cuff Cuff Bracelet. Really nice solid bracelet with no issues. 72 grams 1 1/8" gap, fits up to a 6 1/8" wrist 1" wide in center.

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Leander Tahe Navajo Sterling and sleeping beauty turquoise bracelet, fits up to a 7.25" wrist, 1 1/8" gap, 105.6 grams with no issues. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman's wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure. Gallup based Navajo artisan Leander Tahe, is an artist who shows no limit as to what he can do.. This qualified & highly creative artist can go from giving us these undeniable traditional Navajo pieces, (like you'll find in this bracelet) but then can turn around & go completely modern on us.. But when it's all said & done, whatever he makes, he'll be sure to pour his whole heart & soul into each piece! His precision & attention to detail,impeccable stampwork are something you'll immediately notice where you never have to question how long he's been at it,because you will be able to see the years he has behind him & what separates him from beginners..

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Leekya Deyuse (1889-1966) Zuni Carved turquoise Cast silver bracelet. Carving<br>attributed to Leekya Deyuse, another cast bracelet with similar carving also on<br>a high quality stone, also with the same seam in the back center as this one,<br>also with three scratched letters which were likely a pricing code at the time<br>was sold by Cowan's auction in 2020 with the carving attributed to Leekya<br>Deyuse.<br><br>LEEKYA DEYUSE (1889-1966)<br>Leekya Deyuse is unquestionably the most famous of the Zuni Carvers. One of the<br>most expert and innovative carvers of his time, to this day his works command<br>the highest prices by collectors and museums alike. Sotheby’s sold a necklace<br>with turquoise leaves set in silver, well in excess of $35,000.00.<br><br>His carving legacy lives on through his children whom he taught to carve and who<br>are now or were master jewellers or carvers in their own right. His<br>grandchildren in this instance Juanna Homer, also a carver is carrying his<br>legacy into the future.<br><br>Zuni Leekya Deyuse<br>An early picture of Leekya using hand tools (Courtesy of the Heard Museum)<br>Zuni Leekya Deyuse<br>Circa 1960’s late in life he is pictured here using power tools-(Courtesy of the<br>Wheelwright Museum)<br>During the 1920’s Leekya worked on the excavations of Hawikuh Ruins, or Hawikuh,<br>located within the Zuni reservation. This exposure to these ruins is believed to<br>have greatly influenced his carvings. Below are quotations from “Zuni Carvers<br>The Mid-Century Masters” by Kent McManis. (page 16)<br><br>Leekya began carving es by the 1930’s. Although C.G.Wallace who sold most of<br>Leekya’s early work, helped make him famous, Leekya also worked with Kelseys,<br>the Vander Wagens, the Kirks, John Kennedy, and Joe Tanner.<br><br>“Rubenesque” seems the term best applied to many of Leekya’s es. Sharp edges<br>rarely appear and fine detail gives way to stylized suggestion.<br><br>Also diagnostic are open mouths often with exposed tongues. Whilst he favored<br>bears as subjects Leekya also produced wolves or coyotes, wonderful livestock es<br>and birds that often appear quizzical.<br><br>Leekya used a variety of carving materials, and he worked stones in many ways.<br>For C.G.Wallace, the Kirks and the Vander Wagens, he made es that were set into<br>jewelry. He made nugget and stone tab necklaces as well as many stringing es.<br>…….Leekya carved turquoise leaves for jewelry or for use as necklace elements<br>and sometimes collaborated with other artists…<br><br>He worked most of his life at home with simple hand tools, but late in life<br>Leekya adopted electrical equipment.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Leonard Platero Navajo for MM Rogers 14K Gold/Sterling Silver Bear Link<br>Bracelet. 7" long x .75" wide. Nice heavy very good quality bracelet by a very<br>good artist with no issues. This is a Leonard Platero design for MM Rogers<br>Designs, this was one of their earlier productions c.1990.

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Leroy Begay Navajo Sterling/14k Turquoise and coral tufa cast cuff bracelet,<br>signature in interior, tested sterling and 14k gold, natural stones 1 3/8" wide<br>Fits a 6.5" wrist 1" gap 66.7 grams.<br><br>Award-winning silversmith, Leroy Begay was raised in Pinon, Arizona, located on<br>the Navajo Reservation. He has been making traditional Navajo jewelry for over<br>30 years.<br>Traveling extensively throughout the southwest, Begay finds inspiration for his<br>jewelry designs in the sights he sees. Bridges, various architectural elements,<br>rock formations, even automobiles fuel his imagination and are reflected in his<br>work.<br><br>Using sterling silver and 14k gold, Begay designs each piece, then hammers,<br>cuts, and solders his creations into shape. All the stones that Begay uses for<br>inlay, as well as cabochons are natural and of the highest quality cuts. His<br>pieces have gleaned numerous design awards including first place from the Santa<br>Fe Indian Market and the Heard Museum Guild Indian Fair and Market, two of the<br>most prestigious shows in the southwest.<br><br>Adornment was an important element of Native American communication. Begay’s<br>beautiful jewelry pieces speak strongly to his artistic visions and cultural<br>traditions.

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Les Baker (1935-2014) Southwestern stamped sterling watch bracelet. Fully<br>functional but needs a battery<br>Les Baker (1935-2014), southwest artist from New Mexico, was born in 1935. Les<br>learned to silversmith in 1962 when his wife at the time wanted a squash blossom<br>necklace. Les could not afford to buy one for her so he went out and bought the<br>tools to do so. At a Christmas party, Mrs. Maisel asked where she got the<br>necklace and his told her that her husband made it. From there upon request from<br>Mrs. Maisel, Les went to work for the Maisels. Les has also worked for Carl<br>Louthy, Navajo.  Over the years, he has had many silversmiths that have worked<br>for him such as Fritson Toledo, Johnny Watson and Harry Sandoval. <br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Leslie Nez Kingman Tuquoise Navajo Cuff Bracelet with large stone. Measures<br>6.75" including the 1.25" gap. No issues, rarely if ever worn. 72 grams. Front<br>mount measures 2.25" x 1.75"

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Lester Craig Heavy Stamped Navajo Sterling/Malachite Cuff bracelet. Great cuff with no issues.

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Lloyd Oliver (1923-2011) Navajo Code Talker/silversmith large cuff bracelet with turquoise. No issues, weights and measurements in pics.Oliver was born April 23, 1923, into Bit'ahnii (Folded Arms Clan), born for Kinlichíi'nii (Red House Clan). His chei was Naakaii Dine'é (Mexican People Clan) and his nálí was Tódích'íi'nii (Bitter Water Clan).He grew up in Shiprock, where he graduated from Shiprock Agricultural High School in 1941. A year later, at age 19, he enlisted in the Marines and became one of the first of the elite group later named the Navajo Code Talkers.He didn't set out to be a hero, said Oliver's nephew Lawrence Oliver, whose father Willard also was a code talker."I was sitting with my dad once and asked him if he knew why Uncle Lloyd enlisted," Lawrence said. "(Willard) said that (Lloyd's) girlfriend was mad at him."Willard Oliver died in 2009.Lloyd Oliver served in the Marines until 1945, when he was discharged with the rank of corporal. More than five decades would pass before his family knew how pivotal he had been in winning the war in the Pacific.Like thousands of other GIs, Oliver returned to his hometown, married and had a child. Things didn't work out, however, and he moved to Phoenix to find work.There he learned silver- and metalsmithing, and developed a distinctive style as a jewelry maker. He supported himself selling his work through Atkinson's Trading Post in Scottsdale, Ariz., continuing well into his 70s.Oliver was known for being industrious and self-sufficient. His grandson, Steven Lloyd Oliver, recalls a visit the two made to New York City in 2009, where the code talkers had been invited to take part in the Veteran's Day parade.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Loaded Vintage Danecraft Sterling Charm bracelet. Danecraft bracelet, piano<br>Danecraft, some 800 silver, mostly sterling. All Guaranteed solid high content<br>silver 80% or more, almost all marked. Approx 7" long.

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Loaded Vintage Southwestern Themed Sterling charm bracelet. Cool charm bracelet from the third quarter of the 20th century, all the charms and bracelet are sterling.anderas

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Loaded Vintage Super Traveler Sterling charm bracelet. Cool charm bracelet from<br>the second quarter of the 20th century, all the charms and bracelet are<br>sterling.

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Loaded Vintage Super Traveler Sterling Silver world coins charm bracelet. Cool<br>charm bracelet from the second quarter of the 20th century, all the charms and<br>bracelet are sterling. The coins are all silver mostly 90%.

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Fred Harvey Era Native American Sterling/Turquoise Cuff Bracelet. Very nice old<br>cuff with no damage. Maisel's Indian Trading Post in Albuquerque, New Mexico.<br>Maisel's, located on Route 66, employed hundreds of Native American artisans in<br>the late 1940s and 1950s. . Tested and guaranteed to be at least coin silver<br>(90%) Marked sterling.

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Maisels Fred Harvey Era Native American Sterling/Turquoise Cuff Bracelet. 6.5"<br>including 1" gap 1 1/16" wide 28.8 grams. Maisel's Indian Trading Post in<br>Albuquerque, New Mexico. Maisel's, located on Route 66, employed hundreds of<br>Native American artisans in the late 1940s and 1950s.

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Margot De Taxco Sterling silver enamel bracelet. No issues, no damage to enamel.<br><br>Margot Van Voorhies was born in 1896 in San Francisco, California. By the time<br>she left her native country for good, she had survived the death of her father<br>in 1903, the San Francisco Earthquake in 1906, the loss of her mother at the<br>hands of a er in 1931 and the end of her first marriage in 1936.<br><br>Fortunately, a Mexican vacation changed the life of Margot Van Voorhies in ways<br>she could never have imagined. In 1937, forty-one-year-old divorcée Margot Van<br>Voorhies left San Francisco on a trip to Mexico City. Fate threw her into the<br>path of Don Antonio Castillo, who took her to Taxco, a Mexican hotbed for the<br>design, crafting, and production of silver objects, in particular jewelry and<br>housewares.<br><br>Soon, Castillo would become Margot’s second husband. At the time, Castillo was<br>working for William Spratling, a pioneer in Mexican silversmithing. He brought<br>Margot into the business as a designer, helping her to transform her paper<br>creations into three-dimensional forms in silver. In 1939, the pair, along with<br>other members of Castillo’s family, opened shop as Los Castillo Taller [Taller<br>is Spanish for “Workshop”], with Margot as the top designer.<br><br>After ten years, the marriage between Castillo and Van Voorhies dissolved, as<br>did their professional association. Margot went on to open her own shop in 1948,<br>taking the name Margot de Taxco, by which she is best known today. Seven years<br>later, enamel was added to many of her pieces, and this is where Margot found<br>her legacy.<br><br>At the peak of her career, Margot, who designed each piece herself, had two<br>dozen silversmiths and a dozen enamellists in her employ to execute her vision.<br>The men performed the duties as silversmiths; the women did the enamel work,<br>using tiny brushes to bring the watercolor drawings to life. To ensure the<br>accurate rendering of her jewelry designs, she compiled a book of instructions<br>and drawings, detailing the construction and finishing of each. Margot attracted<br>talented craftsmen who later went on to cement their own reputations, such as<br>Sigi Pineda, Miguel Melendez, and Melecio Rodriguez.<br><br>Many contemporary Hollywood celebrities were clients of Margot, including John<br>Wayne and Lana Turner, who visited her shop every year.<br><br>Tragedy struck in the form of a fire in 1960. Forced to move her studio, she<br>never again regained her prior success, and the business folded in 1974. Margot<br>granted several of the silversmiths in her employ permission to use her molds to<br>create pieces on their own, in return for debt forgiveness. As a result, many of<br>Margot’s pieces were re-created by silversmiths such as Jaimie Quiroz and<br>Geronimo Fuentes, bearing their hallmark rather than hers.<br><br>Margot passed away in 1985. But her talent as a designer and her influence as an<br>artist have continued to gain recognition since the time of her death.<br><br>Margot’s shop produced some repousse silver (a technique where a raised or<br>relief design is hammered in from the reverse side of the piece). But she is<br>best known for her champlevé enamel work. Champlevé is created by carving,<br>etching, striking, or casting troughs or cells into the surface of a piece and<br>filling it with vitreous enamel. In Margot’s jewelry, the designs were<br>die-struck, a process that was detailed and critical to the final product.<br><br>Margot produced many suites that included necklaces, brooches, bracelets, and<br>earrings, as well as convertible jewelry. Margot de Taxco jewelry is recognized<br>for its elegance, femininity, and variety.<br><br>There were many areas of influence that can be found in Margot’s work. Her fish<br>and wave motifs celebrated her love of Japanese art. The ornate swirls and<br>floral motifs were reminiscent of the Art Nouveau style. Mischievous<br>pre-Columbian figures were a recurring theme. Art Deco style ballerinas struck<br>graceful poses. Margot was also taken with Egyptian motifs and Mexican crafts.<br><br>Margot de Taxco pieces are distinguished by the stamp that includes her name,<br>Eagle 16 (or Eagle 1, for her earlier works), along with a production number.<br>Issued by the government, the eagle stamp was a way to identify the<br>manufacturer.

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