Gelang Manset

Marita Benally Navajo Sterling Fox Turquoise cuff bracelet, no damage or detectable wear.Marita Benally was born and raised in Steamboat, AZ, and she is from the Navajo tribe.Marita started silversmithing in the late 90’s, and she credits her husband, Daniel Benally for teaching her to design and work silver.She loves to create detailed, articulate designs. Today, Marita works out of Gallup, New MexicoAll precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Mark Yazzie Navajo Sterling and turquoise row bracelet, fits up to a 7" wrist<br>with no issues.<br><br>Veteran artist Mark Yazzie creates some of the most intricate & balanced jewelry<br>coming out of the Navajo Nation.His clean techniques & attention to detail<br>testaments to his over 30 years of mastering the many traditional & contemporary<br>silversmithing skills evident in his work.<br><br>Born in Fort Defiance, AZ. & raised in the reservation community of wild ruins.<br>Back in the mid-70's as Native jewelry began a resurgence in worldwide attention<br>& popularity, Mark be his silversmithing professionally at the "3 Hogans" near<br>the AZ./NM border. Through the years & eventually moving to Gallup,NM, he<br>crafted probably every type of jewelry in the Navajo tradition, like Squash<br>Blossom necklaces, concho belts, story teller bracelets, earrings & rings.<br><br>Thousands of beautiful silver pieces & 100's of pieces of turquoise later, his<br>creative talents now bring us masterfully hewn jewelry,resplendent designs with<br>high grade stones. His designs in sterling,gold,copper & stone are collected by<br>a worldwide fan base who are always eager to get their hands on just about<br>anything this incredible artist creates!<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Mark Yazzie Navajo Sterling/turquoise cuff bracelet. Fits up to a 6 7/8" wrist, 1 1/8" gap 7/8" wide in center, 43.8 grams, appears unworn. Veteran artist Mark Yazzie creates some of the most intricate & balanced jewelry coming out of the Navajo Nation.His clean techniques & attention to detail & testaments to his over 30 years of mastering the many traditional & contemporary silversmithing skills evident in his work. Born in Fort Defiance, AZ. & raised in the reservation community of wild ruins. Back in the mid-70's as Native jewelry began a resurgence in worldwide attention & popularity, Mark be his silversmithing professionally at the "3 Hogans" near the AZ./NM border. Through the years & eventually moving to Gallup,NM, he crafted probably every type of jewelry in the Navajo tradition, like Squash Blossom necklaces, concho belts, story teller bracelets, earrings & rings. Thousands of beautiful silver pieces & 100's of pieces of turquoise later, his creative talents now bring us masterfully hewn jewelry,resplendent designs with high grade stones. His designs in sterling,gold,copper & stone are collected by a worldwide fan base who are always eager to get their hands on just about anything this incredible artist creates! All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Matilde Poulat Style Mexican Sterling silver bracelet. Great looking bracelet in vintage new old stock condition but about 30-40 years old, faint 925 mark tested sterling. 7.25" long 19 grams.

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Modernism Mexican Sterling Cuff Bracelet. Last quarter of 20th century, cool<br>bracelet in good condition. Approximately 7.25" including 1 1/8" adjustable gap.<br>1" wide in center 26 grams.

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Mexican Sterling Mod Cuff bracelet. Circa 1980's with no issues. 43.5 grams approximately 7" total inside circumference with 1.25" gap.

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Mexican Sterling Mod Hinged Bracelet Approximately 7" inside circumference fully<br>closed, 52 grams 1.75" wide at front.

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Mexican Sterling Mod Hinged Bracelet Approximately 6.5" inside circumference fully closed, 62 grams 1.75" wide at front.

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Mexican Sterling silver Spring cuff bracelet. 7 1/8" including the .75" very adjustable springy gap. Vintage piece from the 90's in new unworn, new old stock condition. 35 grams.

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Michael Rogers Paiute sterling high grade turquoise cuff bracelet . No issues, weight and measurements in pics. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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Mid Century Hector Aguilar Taxco 940 silver bracelet. Fits up to a 7" wrist, the<br>way it's made it naturally tapers with the wrist 1.25" wide, 58.1 grams with no<br>issues.<br><br>Who was silversmith Hector Aguilar?<br>Hector Aguilar was a master silversmith, jewelry maker, and the first graduate<br>from William Spratling’s famous apprenticeships in Taxco, Mexico. He met<br>Spratling almost by chance while bringing a load of tourists to Taxco from<br>Mexico City in the 1930s. Aguilar was one of Spratling’s best pupils, who often<br>worked with close-to-pure silver (rated at 980 instead of the 925 of sterling<br>silver on the silver scale). Aguilar was also a great businessman who only<br>stayed at Spratling’s workshop for three years before finding investors for his<br>own workshop, Taller Borda.<br><br>Aguilar’s Taller Borda became a huge success in 1943, when they secured a<br>contract with an American jewelry company, Coro. They produced several notable<br>designs for Coro throughout the 1940s. Hector kept Taller Borda running until<br>1966 when he closed up shop and enjoyed a nearly 20-year retirement, his place<br>in the firmament of great Mexican silversmiths already secured.<br><br>What kind of art did Hector Aguilar make?<br>Hector Aguilar was a silversmith, jewelry designer, and artist whose work helped<br>popularize Mexican silver in the 1940s and 1950s. His workshop’s pieces for the<br>retailer, Coro were instrumental in this endeavor. That relationship lasted<br>nearly a decade and produced some of Aguilar’s most vital work. As with most of<br>the Mexican silversmiths from this time, these designs were heavily inspired by<br>pre-Columbian artifacts and the folk art of Mesoamerica. Aguilar’s work<br>continued to innovate over the next several decades, bolstered the quality of<br>his pieces, which often used much more pure silver than his competitors. These<br>days Aguilar’s jewelry is highly sought after for his mastery of the craft of<br>silversmithing as well as its extremely high silver rating.<br><br>How did silversmith Hector Aguilar get started?<br>Hector Aguilar was born in 1905 in Mexico City. Not much is known of his early<br>years, but a chance encounter with William Spratling in the early 1930s set him<br>on a silversmithing career that would span three decades. Aguilar brought<br>tourists from Mexico City to the small town of Taxco, a place that as fate would<br>have it also was where Spratling was starting his silver workshop. Aguilar<br>worked for several years as the shop manager for Spratling while also becoming<br>an apprentice silversmith. After three years, Aguilar left to start his own<br>workshop, Taller Borda. That workshop would create countless beautiful pieces,<br>with unceasing quality up until its closure in 1966.

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Mid Century Mexican Silver Mayan style Modernistic Hinged Bracelet 7" bracelet 1 3/8" wide with no damage or issues 42.4 grams.

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Mid Century Modernist Los Ballesteros Sterling and Cat's Eye bracelet. Very cool<br>bracelet from the third quarter of the 20th century with no issues or detectable<br>wear.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible.

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Mid Century Modernist Los Ballesteros Sterling and Onyx bracelet. Very cool<br>bracelet from the third quarter of the 20th century with almost no issues or<br>detectable wear. One very small "chigger bite" on the outside rim of one of the<br>stones, not noticeable whatsoever.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible.

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Mid Century Modernist Mexican Silver Bracelet. Nice old bracelet from the 40's<br>or 50's with no issues, obviously polished as shown.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Mid Century Taxco Modernistic Hinged Bracelet. Very cool bracelet with no isssues or damage. Marked and tested sterling Fits up to a 6 3/8" wrist.13/16" wide at widest point. 55 grams

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Modern Handmade Sterling silver bracelet by Texas Artisan Lee Carrel. Fits up to a 6 5/8" wrist, 1.5" gap, 54.8 grams with no issues. Lee Carrell is a professionally trained jeweler and artist who received an MFA in Jewelry and Design from the University of Kansas under Carlyle H. Smith. Lee has 30 years experience as a professional jeweler, designer, and teacher. Lee's designs have been commissioned by such notables as Kim Basinger, Actress; The President of Northern Arizona University; The E.E. Smissman Foundation; Texas Parks and Wildlife; and the Northern Rockies Heritage Center. Lee is listed in Who's Who in America, Who's Who in the World, and was recently chosen one of 2000 outstanding jewelry and metal arts designers of the Twentieth Century by the International Biographical Centre in Cambridge, England.

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Modernist Taxco Sterling silver bangle bracelet. NO issues, strong spring on clamper.

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Napier Sterling Mid Century Modernist Link bracelet. Great looking bracelet with<br>no damage or significant wear 27.4 grams.<br><br>The Napier Company got its start in North Attleboro, Massachusetts 1878, under<br>the name of The E. A. Bliss Co., manufacturing gilt men's watch chains. In 1882,<br>the company became incorporated as The E. A. Bliss Company with the word "The"<br>as part of its legal name. The company relocated to Meriden, Connecticut in<br>1890, after the company sustained rapid growth in the previous decade. During<br>World War I (and again in World War II), they ceased production of jewelry, and<br>instead focused on producing war-related items, such as medallions and medals.<br>James H. Napier became president of the company in 1920, and the company was<br>renamed, The Napier-Bliss Co. In 1922, the company again changed its name to The<br>Napier Co.<br><br>Timeline<br>The company was known for its ability to be on the forefront of fashion and<br>design and had a history of sending its designers to Europe. In 1925, James<br>Napier attended the World's Fair Exposition Internationale des Artes Decoratifs<br>et Industriels Modernes in Paris, and brought back with him business ideas,<br>including designs influenced by Parisian and European fashion. Mr. Napier<br>himself, did not design jewelry. James Napier work for the company from 1914 to<br>his death in 1960. From 1920 to 1960 he served as president. In 1999, the<br>company was bought by Victoria & Company. The plant in Meriden, Connecticut was<br>closed by Victoria & Company on October 15, 1999. However, under the umbrella of<br>Jones Apparel Group, Napier jewelry is still being manufactured and distributed.<br><br>Jewelry designs<br>In the 1920s and 1930s, Napier designed necklaces, bracelets and earrings in a<br>range of styles including, designs featuring Egyptian motifs, such as cobras,<br>Victorian Revival designs and Deco-style motifs. The company produced very<br>little jewelry during the 1930s, focusing on its giftware lines. In the 1940s,<br>most of the jewelry produced was sterling silver tailored pieces. In the 1950s,<br>it produced jewelry in a wide range of styles. Napier jewelry is notable for its<br>simple, modern, geometric and floral designs. However, the company also produce<br>boutique and high-end jewelry. Some of the metalwork bears resemblance to<br>Mexican and Scandinavian designs. The fan jewelry collection was introduced as a<br>10-year fundraising commitment in 1955. In the 1950s, the Napier Company<br>presented First Lady Mamie Eisenhower with a bracelet bearing an elephant<br>design, which was reputedly one of her favorite pieces of jewelry, and which she<br>wore often, and the Napier Company gifted the contestants of the 1955 Miss<br>America Pageant with fashion jewelry.<br><br>Historical silver designs<br>Napier silver designs from the first half of the 20th century are in museum<br>collections including the Brooklyn Museum, Newark Museum and a substantial<br>collection at the Dallas Museum of Art. Over the years, Napier silver has been<br>featured in museum exhibitions, including Modernism in American Silver: 20th<br>Century Design at the Smithsonian in Washington, the Dallas Museum of Art, the<br>Wolfsonian in Miami Beach, the Nevada Museum of Art in Reno, and the Dixon<br>Gallery and Gardens in Memphis, TN (2005–07). Napier designs have also been<br>included in two shows at the Brooklyn Museum, entitled 19th century Modern<br>(2011–12; 2013–15). In November 2016-November 2017, the iconic Napier penguin<br>cocktail shaker is the lead design of a Dallas Museum of Art exhibition Shaken,<br>stirred, styled: The art of the cocktail.

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Native American Marie Tsosie Multi-stone Channel inlay sterling cuff bracelet,<br>fits up to a 6.5" wrist. Good condition with minimal wear, no cracked stones.

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Native American Shadowbox Sterling silver turquoise cuff bracelet No damage or significant wear. Fits up to a 6" wrist, it's shown on a 6" wrist but tight as shown.

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Native American Sterling and turquoise bracelet. Nice large natural stone, fits<br>up to a 6.5" wrist.<br><br>Effie is from Zuni, New Mexico. She incorporates large stones and snake designs<br>in her work, using both turquoise and coral. The majority of the work she does<br>is cast. In 1956 Effie began silversmithing which she learned from her husband,<br>Juan Calavaza, who is now no longer with us (ca. 1970). Effie shared Juan's<br>mark, JUAN C. ZUNI until his death. After his death, Effie marks her work, EFFIE<br>C. ZUNI. This hallmark is still used by Effie and her three daughters. Over the<br>years, her daughters, Georgiana Yatsattie, Gloria Jean Garcia and Susie<br>Calavaza, have assisted Effie in jewelry making. Despite many rumors, Effie is<br>still making jewelry to this day. Effie's work is collected throughout the<br>world.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Native American Sterling Hopi Overlay Style Cuff bracelet 7" inside diameter including 1.5" adjustable gap. 1" wide 31.3 grams. Clean, vintage, likely never worn.

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Native American Sterling Secatero Cuff bracelet. Great cuff with no damage or significant wear.

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Native American sterling turquoise cluster Ketoh Bowguard bracelet. No issues, weight and measurements in pics. Tested sterling, I didn‘t remove from leather to check for markings. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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Native American Sterling/Malachite cuff bracelet.. Tests sterling, signed by the Artisan on the back. No issues.

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Native American Sterling/turquoise Bear claw shadowbox cuff bracelet. Nice little cuff from the third quarter of the 20th century. Unmarked, tested sterling, no damage.

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Native American Sterling/turquoise Chip channel inlay cuff bracelet. Nice little cuff from the third quarter of the 20th century. Unmarked, tested sterling, no damage.

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Native American Sterling/turquoise Chip channel inlay cuff bracelet. Nice little cuff from the third quarter of the 20th century. Unmarked, tested sterling, no damage.

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Native American Sterling/turquoise/Coral Chip inlay cuff bracelet nice cuff from the third quarter of the 20th century. Unmarked, tested sterling, no damage.

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Navajo #8 Turquoise Silver Bracelet by Ronnie Willie. Very heavy 184 grams, fits up to a 7" wrist 2.25" wide, no damage or detectable wear. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman's wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure. Ronnie Willie, Navajo silversmith learned the art of silversmithing from his older brother, Lonnie. He is an accomplished Kachina carver, sculptor and artist. He also likes to draw. Ronnie makes his own tools and is known for his overlay silver crosses and silver beads (raindrops) embedded in silver and inlaid with gemstones. He works as a silversmith five days a week in Albuquerque, New Mexico. He enjoys creating new designs and practices his art is his free time. Someday, he would like to teach young people how to silversmith and sculpture. It is important to him to keep his culture's traditions alive through his silverwork.

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Navajo Golden Hills turquoise sterling cuff bracelet. No damage, appears unworn,<br>fits up to a 6.5" wrist, 1" gap, .75" wide, 50 grams.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Navajo Phillip Guerro Heavy sterling cuff bracelet.<br><br>A master Navajo silversmith, all of Phillip Guerro’s jewelry is of the highest<br>quality craftsmanship, with natural Turquoise and other genuine gemstones, No<br>detail is missed, his work is authentic and beautiful, & because each piece is<br>unique, with one of a kind stones, there will never be another exactly the same.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Navajo Sterling and Blue Gem Turquoise cuff bracelet by Harold Joe. High quality stone marked and tested sterling. 7.25" inside diameter including 1 3/8" gap. 64 grams, bracelet is 1.25" wide and 1 7/8" wide where stone rests in center.

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Navajo Sterling and onyx cuff bracelet by Chimney Butte. Huge cuff 144.3 grams, a hair over 2.5" wide in the center, 7.5" counting the 1.5" gap. No issues, natural stone.

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Navajo Sterling Cuff Bracelet Hand Stamped with ropes 6.5" or 16cm inner diameter .75" thick with 1" adjustable opening. Tested and marked sterling circa 3rd quarter of 20th century. 32 grams.

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Navajo Sterling Cuff Bracelet Squash blossom Design. 1" at thickest point x 6.5" inner diameter with 1.25" adjustable opening. Just marked sterling. Circa third quarter of 20th century. 40 grams.

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Navajo Sterling Emma Lincoln Cuff Bracelet 6.75" including the 1 1/8" gap 78.3<br>gram, nice solid cuff bracelet with no issues. 1.25" wide.

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Navajo Sterling Turquoise conchos leather bracelet. Selling the bracelet shown,<br>No holes in the leather so never worn, can easily make a hole or holes for the<br>perfect fit.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Navajo Sterling White buffalo turquoise and coral cuff bracelet. 6" including the 1" gap. 1.85" wide in center. Marked and tested sterling. 43 grams

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Navajo Tom Hawk Sterling Cuff bracelet. Tom Hawk is an award-winning Navajo silversmith whose signature style showcases highly dimensional polished ribs of sterling silver against deep blackened channels of oxidized silver. Known for his cuff bracelets, he also handcrafts unique earrings, rings, and pendants all in his signature style. Working exclusively with heavy gauge sterling silver anyone who owns a piece of Tom Hawk’s artwork knows that it will stand the test of time and become a go-to piece for any collection. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman's wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure.

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Nice Vintage Native American Silver/turquoise sandcast cuff bracelet. Thick heavy cuff circa mid 20th century, well made beautiful stones. unmarked. Tested 90% or more silver.

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Nice Vintage Native American Silver/turquoise sandcast cuff bracelet. Thick<br>heavy cuff circa mid 20th century, well made beautiful stones. unmarked. Tested<br>90% or more silver.

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Nice Vintage Sterling/turquoise cuff bracelet. Great cuff from the second quarter of the 20th century with no issues.

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Niels Erik From Sterling Denmark MCM Atomoic bracelet/pin set. 7" long bracelet, weight and measurements in pics. No issues. Danish jeweller and silversmith Niels Erik From ( N.E. From) was born in 1908 and opened his first workshop in 1931 when he was still only twenty-three . Over the next forty years Niels Erik went on to become one one of the greats of Danish design, and created many works including floral-inspired designs often set with semi-precious gemstones. These pieces took inspiration from the Skønvirke style. This was a Scandinavian development that formed part of Denmarks Art Nouveau and Arts and Crafts movement . This movement ususally took inspiration from nature with designs incorporating flowers and floral motifs as well as featuring natural creatures such as fish. N.E. FROM JEWELLRY STYLES - EARLY FLORAL DESIGNS AND LATER ABSTRACT MODERNIST PIECES N.E. Froms output generally displays one of two distinct styles. In the early years of production he produced wiry, thin, foliage and floral pieces .However, beginning in the 1950‘s the work produced by From (which were often the designs of other designers) had a very different look. No longer does the jewellery feature romantic, detailed designs from nature. The later pieces have modernist, clean lines with geometric and abstract shapes. Occasionally the modern designs show nature as inspiration with abstract blossom and leaf and blossom shapes. In generally though, they follow the trend of the 1950s of , spare, minimalist design.production .

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Old Pawn Vintage Turquoise and sterling cuff bracelet. 55 grams, 6.5" counting<br>the 1.25" gap. 1.75" face width, unmarked tested sterling.

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OP Lag Zuni Sterling Modernistic Cuff Bracelet with Onyx. No scratches on Onyx. Great looking cuff with no issues, fits up to a 7" wrist.. The stone is 1.25" x 7/8".

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Pandora Charm Bracelet with Christmas Tree, Angel, and other charms shown. All Pandora charms marked 925 ALE, all authentic, two with gold accents 39.4 grams.

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Pandora Charm Bracelet with Mickey mouse, Great Britain, and Class of 2015. Bracelet and every charm shown guaranteed authentic Pandora, every charm marked ALE 925 except for class of 2015 which is just marked Pandora. Appears unworn. 22.2 grams.

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Pandora Sterling Charm Bracelet with 5 charms 7.25" authentic estate fresh with no detectable wear. All charms marked 925 ALE. I believe they're all retired.

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Preston Monongye (Hopi) (1927-1987) Tufa Cast Rose Gold Channel inlay bracelet. Fits up to a 6 3/8" wrist, tapers from 20mm to 30mm wide. One of a kind bracelet, extremely rare example in gold. Preston Monongye did not work in a lot of gold, very few pieces have come to market ever, when they do they are crazy expensive. I personally had this machine tested on a $30,000+ XRF machine and it ranges from 40-43% gold (Averaging about 10k) which actually makes perfect sense. Since P Monongye didn't work with a lot of gold, the times he did were likely somewhat experimental. In this case it is somewhat obvious that he melted up some scrap gold, likely some that was brought to him by a customer or friend to make this which was likely a custom piece. The lowest gold content shot we took showed it at 48.13% copper, 40.08% gold, 8.18% silver, 3.49% zinc, and .12% Nickel.Preston Monongye (1927-1987) was an influential proponent of what he called “the new Indian art.” He wrote, “We may use old techniques, along with old designs taken from potsherds or pictographs, but then we redesign them or add innovations of our own.”Preston had an unconventional and late blossoming path to jewelry making. He served in two wars, worked in law enforcement, and was an employee for the Bureau of Indian Affairs. It was later in life that he decided to dedicate himself full time to jewelry making, which was received numerous awards. He had always experimented with jewelry and craftsmanship, but did not receive acclaim until fully committing to his art. Preston primarily did the metalwork and design for his pieces, letting his friend and acclaimed lapidary artist Lee Yazzie do the inlay, and later allowing his son Jesse Monongye to do his lapidary work. His pieces are exhibited nationwide.Born in East Los Angeles, California, to Mexican and Mission Indian parents, Monongye was adopted by a Hopi family at age seven. He was raised Hopi, speaking the Hopi language and participating in the Katsina Society. At age nine, Monongye began apprenticeship with his uncle, the master silversmith and painter Gene Pooyama. “He taught me how to live the ‘Hopi way,'” Monongye recalled. Throughout his career, Hopi colors and images were prominent in Monongye’s work.But Monongye was adamant that Native jewelry not be bound by the past, explaining, “An old piece of philosophy given to me by my father and other men of the Hopi Mesas is, ‘If you can progress without hurting your tradition or your , you should do so.”Born in 1927, in Los Angeles he was abandoned at Hopi at age seven and adopted by a prominent Hopi family. Monongye attended reservation schools and became a full participant in Hopi and social life. Following his service as a paratrooper in World War II, Monongye became a Kachina painter, working occasionally for trader Roman Hubbell and the Fred Harvey Company. Monongye re-enlisted during the Korean War and later worked in law enforcement for the Bureau of Indian Affairs while continuing to paint and make silver jewelry. After leaving his job in favor of jewelry making in the early 1960s, Monongye quickly became recognized as an innovative designer and technician, immersing himself in “the new Indian art,” using traditional techniques and motifs to create a contemporary new look. He was best known for cast silver set with stones that often were cut by his friend Lee Yazzie, and later by his son Jesse. Monongye taught his art at various schools and workshops and lectured widely on contemporary Native design. He won many awards at shows and competitions and his jewelry appears in museum collections such as the Museum of Northern Arizona in Flagstaff and the Wheelwright Museum in Santa Fe.

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Preston Monongye (Hopi) (1927-1987) Tufa Cast Turquoise, Coral, shell and Jet<br>freeform bracelet. 45mm or 1.75" wide, fits up to a 6 3/8" (163mm) wrist<br>including the 1 1/8" gap 112.3 grams with no issues. Incredible design, quality,<br>and . A work of art by anyone's standards, one of a kind piece.  <br>Recognized as an innovative designer and technician, immersing himself in “the<br>new Indian art,” using traditional techniques and motifs to create a<br>contemporary new look. He was best known for cast silver set with stones that<br>often were cut by his friend Lee Yazzie, and later by his son Jesse. Monongye<br>taught his art at various schools and workshops and lectured widely on<br>contemporary Native design. He won many awards at shows and competitions and his<br>jewelry appears in museum collections such as the Museum of Northern Arizona in<br>Flagstaff and the Wheelwright Museum in Santa Fe.

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Preston Monongye (Hopi) (1927-1987) Tufa Cast Silver turquoise, coral, and Jet<br>scary monster bracelet. 1 11/16" (44mm) wide, 1 1/8" (29mm) gap, fits up to a 6<br>3/16" (157mm) wrist. 92.5 grams. Incredible design, quality, and . A work of art<br>by anyone's standards, one of a kind piece. <br>Recognized as an innovative designer and technician, immersing himself in “the<br>new Indian art,” using traditional techniques and motifs to create a<br>contemporary new look. He was best known for cast silver set with stones that<br>often were cut by his friend Lee Yazzie, and later by his son Jesse. Monongye<br>taught his art at various schools and workshops and lectured widely on<br>contemporary Native design. He won many awards at shows and competitions and his<br>jewelry appears in museum collections such as the Museum of Northern Arizona in<br>Flagstaff and the Wheelwright Museum in Santa Fe.

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QT Southwestern sterling hearts bracelet 8" long, 20 grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Qt Southwestern sterling onyx bracelet. No issues. Signed qt sterling on back of concho. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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QT Sterling Navajo Southwesters shop inlaid sterling link bracelet 7" long x .75" wide. No issues.

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Ray Bennett Navajo Sterling Mediterranean Coral cuff bracelet. No issues, appears unworn. Raymond Bennet, Navajo, has been a silversmith since 1994. He lives where he was born and raised, in Gallup, New Mexico. He learned his craft from his family members, including both his parents and his uncles. Raymond Bennett (Navajo) is a listed silversmith in Barton Wright's "Hallmarks of the Southwest". He began using “R. Bennett or Ray Bennett” in 1978. At one time Ray was the resident silversmith for Atkinson’s Trading Company. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Ray Bennett Navajo Sterling/14k amethyst cabochon cuff bracelet. Fits up to a<br>6.5" wrist, no issues.<br><br>Raymond Bennet, Navajo, has been a silversmith since 1994. He lives where he was<br>born and raised, in Gallup, New Mexico.<br>He learned his craft from his family members, including both his parents and his<br>uncles.<br><br>Raymond Bennett (Navajo) is a listed silversmith in Barton Wright's "Hallmarks<br>of the Southwest". He began using “R. Bennett or Ray Bennett” in 1978. At one<br>time Ray was the resident silversmith for Atkinson’s Trading Company.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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RCI Thailand Gilt Sterling cuff bracelet. 26.3 grams, clean with no issues.

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Retired 14k James Avery Matrimony Joining hands pendant on bracelet. Central<br>pendant and two jump rings are James Avery 14k gold, measurs 1 1/8" with two<br>jump rings 6.5" total length. The chain and clasp are gold filled. 6 grams<br>total. This could obviously be worn as it it or the chain could be removed and<br>it could be added to a necklace..<br><br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br><br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.

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