c1900 Equestrian/ scene Adams Jasperware biscuit barrel. 6" tall without bail x 6" wide, no damage, restorations, or stains. tw274

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c1860 Two relief molded jugs pewter mounted. Selling both jugs shown, tallest 9.5" to thumb lift. No damage to ceramics, blue one marked T booth on lid and Cork and Edge on base has some loss to the mounting but the lid is intact and functional unrestored condition. Tw274

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1860's Minton Majolica Game Pie Dish with lid. English Victorian majolica game-pie dish, Minton, c.1862, lid with game animals resting on ferns and leaves molded in relief, base modeled as a woven basket with oak branch handles, impressed mark Minton with date cypher, small area of restoration at tip of mallard's wing, approx 7"h, 13.25"l, 8"w, 6.25lbs. No damage or restorations other than the tip of the wing shown and described. isshelf

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Early Celadon bowl. 5 1/8" wide x 1 5/8" deep, good early piece likely Chinese<br>from a collection put together in the third quarter of the 20th century<br>traveling through and working in Asia. Glaze inconsistencies and crazing that<br>may not be intentional but are very attractive. A few tiny chips to footrim<br>mostly glazed over.

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Franz Kriwanek (American, 1920-1994) Mid Century Modern Texas Studio Pottery<br>large vase. 9.75" tall x 7" with with no damage or restorations. Fresh from a<br>local Austin TX estate, most likely made when he was teaching in TX before<br>moving to Silverton.<br><br>Franz Kriwanek (American, 1920-1994). artist, potter, professor and author<br>renown for blending clays and glazes from soils and minerals of the San Juan<br>Mountains near Silverton Colorado. Pottery made from these mixtures is very<br>durable with a distinctive allure. When Germany conquered Czechoslovakia,<br>Kriwanek was forcibly drafted into the German Army. He was then sent to North<br>Africa desert, but one morning when he and the other forced draftees awoke, they<br>were alone. Kriwanek was sent to the Prisoner of War Camp in Clarinda, where he,<br>an artist by trade, began painting again, specifically illustrations of the<br>camp. Once the war was over, he was released and returned to Europe, where he<br>lived in the Netherlands for four years. In fact, Winegardner said a family in<br>Shenandoah sent Kriwanek to the University of Iowa where he could obtain his<br>teaching degree. He then taught in Shenandoah for one year, followed by Mount<br>Pleasant, Iowa.<br><br>In 1948, Franz Kriwanek settled in Sweden to study Sino-Swedish stoneware under<br>the masters Wilhelm Koge and Stig Lindberg. While in Sweden he had 7 one man<br>exhibits.In 1963, He arrived in Texas, taking a position on the art faculty at<br>Texas Tech University. For months after he arrived in West Texas, he sought a<br>clay suitable to stand 2,400 degrees. He found it in a quarry in Snyder, Texas.<br>He believed in using local materials and developed a series of glazes which have<br>cotton gin ashes as they main component. These glazes follow the same traditions<br>of Chinese ash glazes.<br><br>“Franz Kriwanek was born on May 1, 1920 in Worschach, Austria.<br>Winegardner said when Germany conquered Czechoslovakia, Kriwanek was forcibly<br>drafted into the German Army. He was then sent to North Africa desert, but one<br>morning when he and the other forced draftees awoke, they were alone.<br>“The Germans were gone. They had left them in the desert,” said Winegardner.<br>“The first thing they did was surrender.”<br>Kriwanek was sent to the Prisoner of War Camp in Clarinda, where he, an artist<br>by trade, began painting again, specifically illustrations of the camp. Once the<br>war was over, he was released and returned to Europe, where he lived in the<br>Netherlands for four years.<br>“Someone he knew in Clarinda sponsored him and his family to move back to<br>Clarinda,” Winegardner said. “He then moved to Shenandoah and started Kriwanek<br>Pottery and Art School. He was really promoted and supported by people in<br>Shenandoah.”<br>In fact, Winegardner said a family in Shenandoah sent Kriwanek to the University<br>of Iowa where he could obtain his teaching degree. He then taught in Shenandoah<br>for one year, followed by Mount Pleasant, Iowa.<br>“He ended his teaching career as chair of ceramics at the University of Texas at<br>Lubbock,” said Winegardner. “He ended up in Silverton, Colorado with Silverton<br>Mountain Pottery. He passed away in 1994, but his pieces have recently become<br>overly popular.”

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Franz Kriwanek (American, 1920-1994) 1965 Mid Century Modern Texas Studio<br>Pottery Framed Plaque 9.25" x 16" total 13.25" x 7" plaque, absolutely no damage<br>or wear.<br><br>Franz Kriwanek (American, 1920-1994) artist, potter, professor and author renown<br>for blending clays and glazes from soils and minerals of the San Juan Mountains<br>near Silverton Colorado. Pottery made from these mixtures is very durable with a<br>distinctive allure. When Germany conquered Czechoslovakia, Kriwanek was forcibly<br>drafted into the German Army. He was then sent to North Africa desert, but one<br>morning when he and the other forced draftees awoke, they were alone. Kriwanek<br>was sent to the Prisoner of War Camp in Clarinda, where he, an artist by trade,<br>began painting again, specifically illustrations of the camp. Once the war was<br>over, he was released and returned to Europe, where he lived in the Netherlands<br>for four years. In fact, Winegardner said a family in Shenandoah sent Kriwanek<br>to the University of Iowa where he could obtain his teaching degree. He then<br>taught in Shenandoah for one year, followed by Mount Pleasant, Iowa.<br><br>In 1948, Franz Kriwanek settled in Sweden to study Sino-Swedish stoneware under<br>the masters Wilhelm Koge and Stig Lindberg. While in Sweden he had 7 one man<br>exhibits.In 1963, He arrived in Texas, taking a position on the art faculty at<br>Texas Tech University. For months after he arrived in West Texas, he sought a<br>clay suitable to stand 2,400 degrees. He found it in a quarry in Snyder, Texas.<br>He believed in using local materials and developed a series of glazes which have<br>cotton gin ashes as they main component. These glazes follow the same traditions<br>of Chinese ash glazes.<br><br>“Franz Kriwanek was born on May 1, 1920 in Worschach, Austria.<br>Winegardner said when Germany conquered Czechoslovakia, Kriwanek was forcibly<br>drafted into the German Army. He was then sent to North Africa desert, but one<br>morning when he and the other forced draftees awoke, they were alone.<br>“The Germans were gone. They had left them in the desert,” said Winegardner.<br>“The first thing they did was surrender.”<br>Kriwanek was sent to the Prisoner of War Camp in Clarinda, where he, an artist<br>by trade, began painting again, specifically illustrations of the camp. Once the<br>war was over, he was released and returned to Europe, where he lived in the<br>Netherlands for four years.<br>“Someone he knew in Clarinda sponsored him and his family to move back to<br>Clarinda,” Winegardner said. “He then moved to Shenandoah and started Kriwanek<br>Pottery and Art School. He was really promoted and supported by people in<br>Shenandoah.”<br>In fact, Winegardner said a family in Shenandoah sent Kriwanek to the University<br>of Iowa where he could obtain his teaching degree. He then taught in Shenandoah<br>for one year, followed by Mount Pleasant, Iowa.<br>“He ended his teaching career as chair of ceramics at the University of Texas at<br>Lubbock,” said Winegardner. “He ended up in Silverton, Colorado with Silverton<br>Mountain Pottery. He passed away in 1994, but his pieces have recently become<br>overly popular.”

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1920's Noritake Art Deco heavily gilt oval bowl. Very amazing piece in near mint condition with no damage or detectable wear. Marked as shown, likely decorated by Pickard or one of the other Chicago decoration studios of the first half of the 20th century.. 10.25" x 7" x 2.5" deep.tw270

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Antique Royal Doulton Stoneware miniatures. Selling the three pieces from the first quarter of the 20th century with no damage. Loving cup is unmarked but has been attributed to Doulton by reliable sources, it's 7/8" tall, mug and creamer are 1 9/16" tall. Selling all three pieces. kitshelf

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c1830-40 British Hand painted heavily gilt compote. Very amazing and wonderful from the first half of the 19th century, unmarked, British. I spent not one second trying to identify the maker as there just is no extra time. Knowing that it's Ridgway, Spode, etc won't make it any nicer. My theory is the ones that care know already. 10.25" wide x 6.5" tall. No cracks, chips, or restorations.

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c1840 Orientalist Transferware Arabic/Asian Scenes collection Siam, Asiatic Views, Palestine, and one more unmarked. All with no cracks, chips, restorations, or significant wear. 8" plates, 9" pickle/relish dish. Selling the lot shown.

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Antique Delft Tiles in wood frames. Selling the 4 16th/17th century Dutch delft tiles possibly cut to fit in these oval frames in the late 18th to early 19th century. Frames 5.75" x 7" some glaze loss and scratches to tiles, cracks in wood frames. Selling the 4 shown with /military scenes.

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1907 Charles Wallace Quicksell Limoges Raised gold porcelain Syrup pitcher for Dr Herbert G Pettebone for Jessie Flick Beers. Great piece with no damage or restorations, very minimal wear to gilding. Interesting with the built in provenance. 5.75" tall. No markings other than what's shown, top quality porcelain most likely French. Quicksell Decorated a fair amount of Porcelain in the Early 20th century, I believe he was decorating in the US, possibly for Pickard. tw271

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c1890 Cunha palissy ware Charger with Snake/turtle. 9.75" wide, very slight loss<br>to leaves on top, actually I only found one spot. No restorations or major<br>damage to top. There appears to be a restorations to the foot-rim which has<br>shrunk/ degraded. Strong stable piece that displays very well, some white wall<br>paint on front and reverse side from when it wasn't taken down while painting<br>interior wall. So the place to the left of the second pic is slight loss, the<br>place to the right is white interior wall paint.

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Large 1820's Staffordshire Lion Indian/African/Egyptian Scene Pyramids Serving bowl. Amazing condition 12 5/8" diagonal, extremely cool pattern that seems to be extremely rare as I can find no exact matches. Guaranteed 190+ years old with no cracks, chips, restorations, or significant wear. Has am impressed Asterix type mark on the reverse side that may be an early Adams mark. tw272

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18th Century Rudolstadt Volkstedt Napoleonic Horse figure. I guarantee this figure to be 200+ years old. If it is actually a depiction of Napoleon's horse then it would be early 19th century, but I believe it be from the last decade of the 18th century. 5 7/8" tall x 6.5" long, with a very old professional restoration that is now flaking off on the mid to upper body of the horse. Volkstedt Porcelain - History In September 1760, Georg Heinrich Macheleid (1723-1801) made a request to Prince Johann Friedrich, Fürst von Schwartzburg-Rudolstadt to establish a porcelain factory in Sitzendorf, Thuringia, Germany. Macheleid previously worked at a glass factory in Glücksthal. Independent of the ceramicists at Meissen, Macheleid conducted his own research into creating a hard paste porcelain.Prince Johann Friedrich granted Macheleid’s request in 1762 with the stipulation that the plant be located near his court in Schwarzburg-Rudolstadt. Macheleid established the Aelteste Volkstedter Porzellanfabrik (Oldest Volkstedt Porcelain Factory) in Volstedt which became part of Rudolstadt in 1923. Macheleid created a self-sustaining village for his workers.In 1767, Macheleid left. The factory came under the control of the prince, his wife, his son, and five other investors. They leased the factory to Christian Nome from Erfurt. During the latter half of the eighteenth century, Volksted gained a reputation for its well modeled and painted figurines, rivaling those of Meissen. In 1793, Prince Johann Friedrich purchased all outstanding shares. In 1797, Prince Ludwig Friedrich, Johann’s successor, sold the factory to his brother-in-law Ernest Constantine, Landgrave of Hesse-Philippstahl, who sold it to Wilhelm Greiner and Carl Holzapfel several years later. Nome left around 1800.isshelf

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18th Century Meissen Figure. 5.5" tall x 5.25" at widest point. Very old<br>professional restoration to left arm, loss to ribbon/flowers in hair and a few<br>tiny chips on ruffles and lace.<br>figcab

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C1890 10.25" RS Prussia Bowl. No damage of any type or restorations, wear to rim gilding. tw271

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18th Century KPM Berlin Porcelain Woman with pear in hand figure. Woman with a pear in her hand : KPM Berlin, 18th century. Designed by Friedrich Elias Meyer in 1765, standing on a three-passage base with tree support. Porcelain with polychrome painting and. Underglazed blue sceptre and impressed v. 8.5" tall with loss to each of the three bowl and wear to gilding at base. No other chips, cracks, or restorations. issshelf

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Hutschenreuther Porcelain Mallard Duck in flight. Amazingly no damage on this delicate figure. 5.5" wide x 4.5" tall, best quality hand painted figure.

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18th century Derby Porcelain boy figure. 6.25" tall, late 18th century with slight loss to tree limbs, something at each foot and minor wear here and there. No restorations, no cracks. isshelf

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Herend Albino Rabbits figure. 2.25" tall and wide with no damage or wear. figshelf

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c1890 Large R.S. Prussia Tankard Pitcher 11 1/8" tall x 7 7/8" handle to spout.<br>No cracks, chips, or restorations, slight wear to gilding on top rim. Original<br>Authentic 120 or so year old RS Prussia porcelain.<br>isshelf

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Antique Dresden porclain oval bowl Measures 9 13/16" x 7" x 1 5/8" deep. All hand painted with no cracks, chips, or restorations. isshelf

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Herend Hadik Hussar Porcelain Figure. No cracks, chips, or restorations. 9" tall.   Top quality, hand painted, authentic with no issues. 

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c1920's Dresden Ballerina figures with lace dresses. Very good condition with minor expected loss to dresses, no significant loss or chips elsewhere, no cracks. Tallest 5", selling both. isshelf

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c1890 RS Prussia Deep Bowl 10.5" x 3.5" deep no cracks chips, or restorations,<br>some wear to gold but extremely attractive. Colors much more vibrant than pics<br>suggest.

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c1850 Large Masons Ironstone Centerpiece Planter. Nice large piece ready to be<br>put to use. over 150 years old with no damage or detectable wear. The feet are<br>slightly uneven so it does rock, could put a felt on one foot or just leave it<br>alone. 10.75" x 9.75" x 4.5" tall. Uncommon shape.<br>isshelf

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Large French Sevres Style Porcelain Jewelry Casket. Large sized amazing quality<br>100% hand painted jewelry box from the first quarter of the 20th century. Nice<br>hinged enclosure that clasps it shut very tight then the lid pops up slightly<br>when the clasp is opened. The hinge is nice and tight so it stays open at<br>various intervals. Very nice raised gold all over, with a very well painted<br>romance scene on top. 8" wide x 3.75" tall shut x 5.5" deep. No cracks, chips,<br>restorations, or detectable wear. This has been very well cared for and likely<br>not used for the past 100 years or so.

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Rosenthal Bear Figure. 7.25" long x 4.5" tall with no cracks, chips,<br>restorations, or other issues.<br>TW153

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Retro Paul Uhl Raku Studio pottery teapot form sculputure. Vintage estate fresh<br>piece from the late 20th century.<br><br>9.5" tall x 10.5" wide with no cracks, chips, restorations or other issues<br><br>Paul Has been a full time Clay artist for over 35 years, since graduating from<br>U.T. Austin. Showing and selling his work at jury art shows and galleries all<br>over the country.

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c1760 Derby Allegorical Figure Musicians 10" tall 5.25" base. Uncommon and large figure from the third quarter of the 18th century. Under UV examination, I observe that there is professional restoration overall, particularly to the all figures and horn, the figural group is intact with hairline from cape through to pedestal, typical small chips and losses to applied foliates and flowers. B38

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4 1950's Charles Dickens Royal Doulton Character jugs 4.5". Selling the 4 jugs<br>shown from the 1950's 4" tall with no cracks, chips, restorations, or crazing.<br>isshelf

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Huge 19th century brown glazed teapot with eagle 12" tall x 15" handle to spout,<br>a few tiny glaze flakes at the slot on the lid to keep it secured, real chips,<br>no cracks, no restorations. Built in strainer, this is a very big teapot<br>guaranteed from the last half of the 19th century.

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Belleek Black Mark Lotus creamer and sugar. No cracks, chips, or restorations. Lotus flowers on creamer and petals on sugar. Selling both. Creamer 3 1/8" tall. Both ring like a bell. Pink trim on sugar, no trim on creamer. TW154

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Nymphenburg Blanc de Chine Allegorical Figure and two lions. Selling the three figures in perfect condition. Tallest 4.5". These are from the third quarter of the 20th century but the lions or a very similar version in the same size are still available from Nymphenburg directly for $195 each. Selling the lot of three with no cracks, chips, or restorations. figshelf

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Large 1968 Austin Texas Potter Don Herron covered jar 8" tall x 8.5" wide with<br>no cracks, chips, or restorations. Nice Early work by Local Potter Don Herron<br>who has also been an Art professor at the University of Texas since 1974. Signed<br>DH 1968.

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Herend Queen Victoria Woven Reticulated bowl. 7.25" square, hand painted with<br>handmade border. No cracks, chips, or restorations.<br>TW5

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1970's Peter Deneen Studio Pottery Ashtray. Really nice ashtray to use for whatever you want from the 70's or 80's. 5" wide x 2 1/8" tall. Peter Deneen began his lifelong journey with ceramics while studying pottery at Luther College in Decorah, Iowa. During this period he also began attending Marguerite Wildenhain’s Pond Farm School (located in northern California) in 1968. Peter went on to earn his M.A. from the University of Iowa in 1971. Inspired By Art & History During this time, Peter caught the inspirational fire of the Bauhaus movement of Walter Gropius in Post World War I Germany. The main thrust of the Bauhaus “was to create an environment which would nurture the bond between art, industry and trade through education; to insure the cooperation of industry and artists in the field of mass production.” ESTABLISHING DENEEN POTTERY In 1972, Peter and Mary Deneen established their first studio and showroom at Park Square Court in the Lowertown neighborhood of St. Paul. Here they began producing hand thrown functional and decorative pottery and dinnerware. “Form follows function,” was embedded within their work through the teachings from Marguerite Wildenhain, recalling the Bauhaus lessons she learned from Gerhard Marcks. It was during this time that Mary started to produce more commemorative items and ceramic figures, while launching a “Bear Essentials” line. White Picture corner top leftWhite Picture corner top rightWhite Picture corner bottom leftWhite Picture corner bottom rightEarly Days of Deneen Pottery 1974 PARK SQUARE COURT IN LOWERTOWN • “The Spin of a potter’s wheel brings prosperity, unfettered life-style.” This was the title of the article that ran in a local St. Paul publication around 1974. “Peter Deneen sits at his potter’s wheel, fingers fashioning burnt-cinnamon clay into pots and plates, goblets and candle-holders, tall, corked canisters and small spice bottles.” At this time, the Deneens wanted to open retail outlets similar to Pottery Barn, but make all of the products at their Lowertown studio. A favorite quote (of the current office) staff has Peter saying. “We’ll never be more than a handful of people. I’d never get larger than three stores,” says Peter.” “Don’t say ‘never,'” interjects Mary.” Wow, how the path has deviated from the plans made in 1974! tw129

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C1900 Hutschenreuther Porcelain Plaque "Gute Nacht" (Good Night) after Georg<br>Hom. Fantastic Hand painted porcelain plaque from the turn of the last century.<br>French Retailers label on reverse. The 107 impression in the porcelain found on<br>the reverse side was used by Hutschenreuther for this sized plaque. Old<br>calligraphy on reverse side indicating it was given as a gift in 1908. The frame<br>and I believe the plaque are late 19th century and I believe it was an<br>extravagant 2nd hand gift at the time in 1908 as a plaque like this with this<br>quality of painting was never not a luxury item. 9" x 11" framed, 4" x 5.75"<br>plaque.<br>isshelf

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Boehm Porcelain Pink American Express Rose Made in USA. No cracks, chips, or restorations. 7.25" long, not even the tiniest flake anywhere and it will be packed with the most care imaginable.Biography of Edward Boehm: In 1950, Edward and Helen Boehm started a basement studio in Trenton, New Jersey, and Ed created sculptures in realistic style that were admired enough that in 1951, two of them entered the collection of the Metropolitan Museum of Art. By the end of the decade, Boehm was represented in 11 other museums including the Buckingham Palace, Elysee Palace and the Vatican. Today the porcelains are in 134 museums and institutions throughout the world isshelf

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Shelley miniature Cup and Saucer. 3" saucer 1 5/8" tall cup. Mint condition with no damage or wear. B32

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c1900 Antique French Hand Painted Sevres Style Goblet Form Wine Cooler. 8.5" tall x 7.75" wide, very large piece of antique 100% hand painted French porcelain. Would make a great Cachepot, ice bucket, centerpiece, etc but it's the perfect size for a wine cooler and likely began it's life as that. Artist signed Aly.

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Nymphenburg Blanc de Chine Allegorical Figure Set. Selling the set, tallest 7.5"<br>from the third quarter of the 20th century with 5 of Bustelli's Ovidian s<br>standing on plinths. From 1754 to 1763 Franz Anton Bustelli modeled a set of<br>small putti at Nymphenburg, representing the Roman s as described by the Latin<br>poet Ovid. He took a different approach from previous representations of s,<br>seeing them as smiling, playful children in a Baroque style, with sculptural,<br>three-dimensional poses that twist and turn. Each figure has to be seen in the<br>round to be fully appreciated. Each figure is also accompanied by a specific<br>object or objects that identify which is represented, for example, a wine barrel<br>and an upraised cup for the of wine, Bacchus. Bustelli's figures of Ovidian s<br>have been reissued since the early 20th century by the Nymphenburg factory in<br>Munich as a fitting tribute to the genius of its greatest sculptor.<br>No cracks, chips, or restorations. I've seen these sell on the secondary marked<br>for over $300 ea. I don't believe they are in production anymore but heard they<br>last retailed for close to 1k each.<br>tw166

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Antique French Gilt Bronze Champleve with onyx lamp. I believe this was likely<br>an urn or candelabra from the third quarter of the 20th century before they had<br>electric lamps that tastefully turned into a lamp in the first half of the 20th<br>century. Working condition, Highest quality 25.25" total height to the top of<br>the finial, 23.25" to the place where the shade will rest below the finial.

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c1910 Haviland Limoges Scalloped bowl with Pink Blue and Yellow Flowers. First quarter of 20th century with no damage or significant wear, clean gold. 8.25" wide x 2" deep at handle. tw7

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10 1950's English Pottery Figural Egg Cups. Selling the set from the mid 20th century with no cracks, chips, or restorations. 2.5" tall with 1.5" opening to hold egg at top. TW68

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Vintage French Limoges Cow Creamer with butterflies. Cows and butterflies, doesn't get much better. 7" long with no cracks, chips, or restorations. isshelf

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Boehm Porcelain Lamb and Sow Piglet. No cracks, chips, or restorations. Longest 5.5" Biography of Edward Boehm: In 1950, Edward and Helen Boehm started a basement studio in Trenton, New Jersey, and Ed created sculptures in realistic style that were admired enough that in 1951, two of them entered the collection of the Metropolitan Museum of Art. By the end of the decade, Boehm was represented in 11 other museums including the Buckingham Palace, Elysee Palace and the Vatican. Today the porcelains are in 134 museums and institutions throughout the world isshelf

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c1850 Staffordshire c1940's Royal Doulton British Ceramic Dalmation figures. On<br>the left staffordshire 5.25" tall guaranteed from the last half of 19th century<br>with two old/stable fractures on front ankles, no other damage. On right Royal<br>Doulton dalmation, early version from late 30's or 40's. 7" long x 4.25" tall<br>with no cracks, chips, restorations, or crazing. Selling both together.<br>TW210

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c1920 Coronet Limoges Artist Signed Pheasant wall Plaque. 10.25" wide with no cracks, chips, or wear to paint/gilding. Exceptionally fancy border and nice painting. tw255

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c1960 French Sabino/ Danish Royal Copenhagen Porcelain Bird Figures. Selling the three figures shown all from one estate collection. Royal copenhagen are 1.75" tall, sabino is 2" all in perfect condition with no damage or wear. Sabino Bird marked Sabino France. Figshelf

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c1950 Renoleau Angouleme Faience Shaving Barbers bowl replica. No cracks, chips, restorations, or crazing. 11" x 8.25" wide. tw260

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Hand Painted Limoges Trinket Boxes Fruit and roses. Selling both from last<br>quarter of 20th century with no damage or wear, tight hinges, snap shut audibly.<br>The Apple is 2" tall x 2" wide.<br>TW247

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Hand Painted Limoges Trinket Boxes egg shaped. Selling both from last quarter of 20th century with no damage or wear, tight hinges, snap shut audibly. 2.75" x 1.75" x 1.75" tall. TW247

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c1850 Staffordshire Pink lustre rimmed transferware bowl Very clean with no<br>cracks, chips, or restorations. 5.5"<br>isshelf

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Le Tallec Limoges Porcelains Trinket Box for Tiffany Private Stock. 2" tall x 2 3/8" wide with no cracks, chips, scratches, or other issues. Strong hinge and tight closure that snaps shut. Le Tallec was a Paris studio that decorated Limoges porcelains. Founded in the 1930s by Camille LeTallec, everything was entirely hand painted of very high quality. Le Tallec did a lot of work for Tiffany and was probably the most prestigious decorating studio in France. tw249

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c1850 KPM Heavy gold Berlin Porcelain Butter/Cheese dish with lid. No<br>cracks,chips, or restorations. 8" wide x 5.5" tall with lid on. clean gold, hand<br>decorated.<br>isshelf

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c1900 LS&S Hand Painted Limoges Eggshell Porcelain Tiny Coffeepot and sugar bowl. All hand painted with no cracks, chips, restorations, or wear to gilding. The small pot is 5.5" tall x 5 3/8" handle to spout, the sugar is 3 7/8" handle to handle x 1 5/8" tall. No damage to either. Both very small and very great. TW247

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Hand Painted Limoges Trinket Boxes Flower basket and painted roses. Selling both<br>from last quarter of 20th century with no damage or wear, tight hinges, snap<br>shut audibly. Largest is 2 5/8" tall x 3" wide.<br>TW247

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c1900 Hand Painted Limoges Punch bowl w/ Stand. Great piece guaranteed over 100<br>years old, estate fresh. The bowl and the base appear to have been painted by<br>the same person, the Base was made by Delinieres & Co. It measures 10 1/8" toe<br>to toe x 3" tall x 6.5" inside the ring that keeps the bowl from slipping off.<br>The bowl was made by Tressemann and Vogt, it's 12.5" wide x 5.25" tall. No<br>cracks, chips, or restorations on either piece, very minimal wear to gilding,<br>some expected wear on the part of the base that the bowl rests on. It was not<br>uncommon for porcelain decorating studios to order from multiple companies and I<br>feel these two pieces have been together for 99.9% of their lives since they<br>were decorated sometime between 1891-1910.

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c1900 LS&S Hand Painted Limoges Raised Gold tray. 13" x 9.75" with no cracks, chips, scratches, or wear to gold. All hand painted and wonderful, great tea or dresser tray. TW247

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1950's Rosenthal HEIDENREICH Seagull Figures Pair<br><br>Looks splendid. Acknowledged artist, ceramist and sculptor Fritz Heidenreich<br>(1895 – 1966) designed this figure in 1934. He was a Rosenthal employee from<br>1919 to 1960, and from 1946 onwards the head of the art department in Selb. He<br>always tried to find contemporary ways of expressing his sense of forms. The<br>most famous of his works is vase called ‘Pregnant Luise’ (‘Orchideenvase’). All<br>Rosenthal famous Op-Art was started after he introduced this vase. He is also<br>well known for fish group ‘Scalare’, which was awarded with Grand Prize in Paris<br>in 1937. Seagull is marked on the backside with standard Rosenthal, Germany mark<br>in green identifying production of late 1950s.<br>They are 7.25" and 9" tall with 9" and 12" wingspans. Condition is immaculate<br>with no cracks or chips found. Colors are bright and vibrant.<br>isshelf

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c1880 St Jerome Hand Painted Porcelain Plaque 4 1/8" x 3.75" framed with no cracks, chips, restorations, and very clean frame. It's never been out of the frame. TW237

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Antique French Faience Large Centerpiece signed Rotheneuf. Nice large piece late 19th to early 20th century. I have seen some older Quimper pieces with a Quimper mark and Rotheneuf as an artist signature. There's also a small Island in france name Rotheneuf. I'm not really sure who to attribute it to but it's a good old piece close to 100 years old is not older. No cracks, chips, or restorations, some minor glaze wear on sharp rims as expected. 10" tall x 15" wide x 7.5" wide at the top of the trumpet.

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(2) Royal Copenhagen Blue Fluted Half lace 7oz Teacups and Saucers. Selling the exact two teacups and two saucers shown (4 pcs total). No detectable flaws but all four pieces do have a faint scratch through the mark. Cups are 3 15/16" wide without handles, saucers are 5.75" wide. TW260

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c1930's Karl Ens Voklstedt Girl with goose. 7.75" long. Loss to one pink petal, no other cracks, chips, or restorations. Just marked Germany but I've seen this figure with the rest of the mark and the quality makes the maker obvious in my opinion. Figshelf

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c1870 Bronze Mounted Hand Painted Porcelain Plaque. Not totally sure if it's<br>French or Bohemian, but I'm totally sure it's great and mid to late 19th century<br>with no damage or restorations. 10 7/8" wide, estate fresh 100% hand painted<br>with heavy bronze mount.<br>TW228

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c1830 British Star shaped dish. Nice hand painted gold decoration. There is a<br>chance this is German or French but the paste seems British to me. I guarantee<br>it first half of 19th century. 8" wide two of the tiniest flakes on footrim, no<br>other cracks, chips, or restorations.<br>tw260

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1920's Demitasse Turkish Coffee Cup and Saucer Set of 5 Rudolph Wachter Bavaria.<br>Selling the 5 Demitass cups and saucers shown with no cracks, chips, or<br>significant wear. Cups are 3" tall x 2 3/8" wide at the rim, saucers are 5".<br>Highly decorative set as shown, hand painted accents over transfer design. Very<br>close to 100 years old if not so.<br>TW227

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c1880 English Majolica Covered Birds on Nest Game Dish. 8.5" x 6.5" x 6" tall. Very good condition with no restorations, one tight hairline on base that doesn't go through to exterior shown in top center of last pic about 1" long. Some very small chips on open eggs. This is an extremely rare piece of Majolica 130-150 years old with very little wear for it's age. The only other one of these I've ever seen for sale was heavily restored(Missing one egg and other eggs restored) and $1200. In different periods of time and in different countries the word majolica has been used for two distinct types of pottery. Firstly, from mid-15th century onwards there was maiolica, a type of pottery reaching Italy from Spain, Majorca[1] and beyond. This was made by a tin-glaze process (dip, dry, paint, fire), resulting in an opaque white glazed surface decorated with brush-painting in metal oxide enamel colour(s). During the 17th century, the English added the letter j to their alphabet.[2] Maiolica was commonly anglicized to majolica thereafter. Secondly, there is the Victorian mid to late 19th century type of pottery also known as majolica made by a more simple process (paint, fire) whereby coloured lead glazes were applied direct to an unfired clay mould, typically relief-moulded, resulting in brightly coloured, hard-wearing, inexpensive wares both useful and decorative, typically in naturalistic style. This type of majolica was introduced to the public at the 1851 Great Exhibition in London, later widely copied and mass-produced. Minton & Co., who developed the coloured lead glazes product, also developed and exhibited at the 1851 Exhibition a tin-glazed product in imitation of Italian maiolica which they called also majolica. tw237

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c1900 Elite Limoges Raised Gold Shell Form Creamer and Sugar. No cracks, chips, or restorations. Minor wear to gilding. Sugar is 3.75" wide x 2" tall, so sort of a smaller set. What it lacks in size it makes up for in greatness. TW232

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c1900 Dresden Flowers Hand Painted Bread Basket and Heart shaped bowl. Selling both pieces shown. The heart dish is 8.25" x 6 5/8" x 1 7/8". It has one tiny flake on the top left of the heart sharp corner shown in bottom left of second pic. It's really difficult to see, not a distraction. Some gold wear to both, no other cracks, chips, or restorations. Bread basket is 9 3/8" long. The term "Dresden porcelain" refers more to an artistic movement than a particular line of figurines or dinnerware. Several decorating studios emerged in this Saxony capital in response to the rise of "Romanticism" during the 19th century. Dresden was an important center of this artistic, cultural and intellectual movement, which attracted painters, sculptors, poets, philosophers and porcelain decorators alike. In 1883, in response to the exciting developments happening all around them, four prominent ceramic decorators registered the famous blue crown Dresden mark, and the widely popular "Dresden style" was born. tw230

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c1900 Dresden Porcelain Covered Box Hand Painted with Heavy gold. Great box with near mint gold and no cracks, chips, or restorations. 5" wide x 3" tall. The term "Dresden porcelain" refers more to an artistic movement than a particular line of figurines or dinnerware. Several decorating studios emerged in this Saxony capital in response to the rise of "Romanticism" during the 19th century. Dresden was an important center of this artistic, cultural and intellectual movement, which attracted painters, sculptors, poets, philosophers and porcelain decorators alike. In 1883, in response to the exciting developments happening all around them, four prominent ceramic decorators registered the famous blue crown Dresden mark, and the widely popular "Dresden style" was born. TW230

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Herend Hand Painted Porcelain Bird Figure. 3.75" tall with No cracks, chips,<br>restorations, or paint loss.<br><br>figcab1

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