Baccarat Harcourt Decanter 5.5" wide x 12.5" tall. No cracks, chips, scratches, dings, or hard water. Estate fresh in new condition, retailed for $1490. tw254

Leggere Di più meno

Lalique Doves Lovebirds "Dampierre" Sparrows Vase 5" France 4.75" tall x 4 7/8" wide large, Heavy Vase.. Top quality authentic Lalique glass guaranteed with no cracks, chips, rubs, dings, or other issues. If you buy one vase you will get the exact one shown, if you change your quantity you will get how many ever you select all in the same condition with no damage or detectable wear as at the time of listing I have 3 of these. tw254

Leggere Di più meno

sz 6 Vintage Native American Sterling and turquoise cluster ring. Unmarked 6.1 grams, really great ring with no issues. All precious metals are tested and guaranteed,

Leggere Di più meno

1920's Abilene Building and Loan Association Texas Bank by Bankers Thrift corporation Chicago. 3" x 2.25" good condition with no key. Two coins rattling around inside I can't tell what they are. B14

Leggere Di più meno

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Navajo Sterling and nugget turquoise bracelet, fits up to a 6 5/8"<br>wrist, unmarked.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

Leggere Di più meno

c1860 Chinese Canton Blue and White Covered Vegetable Dish with Lid. Guaranteed antique piece over 150 years old, chinese. One small chip on bottom of lid and a few glaze flakes on the outside rim of the base. No other cracks, chips, or restorations. Hand decorated, part of a large estate collection. 10.75" x 8.5" x 3.75" tall with lid. B14

Leggere Di più meno

Qing c1880 Chinese Famille Rose Man and Woman serving tea Figures. Very nice<br>quality pair from the late 19th century with no cracks, chips, or restorations.<br>Tallest is 8.5".<br>B18

Leggere Di più meno

c1900 American La Pierre Hand engraved sterling sash/belt buckle/hair piece. No<br>issues, hinge in center, late 19th to very early 20th century. 3.75" wide x 3"<br>tall, assume it's for a cloth belt. It is naturally curved to conform with a<br>body. Inside measurement where belt goes is 2", 40 grams.<br><br>"The La Pierre company started as early as 1888 in New York where Frank H. La<br>Pierre had a small shop at 18 East 14th St. making a variety of novelties and<br>small wares. In 1895 it was incorporated in New Jersey... In 1900 the firm was<br>again incorporated by La Pierre and H. C. Brown. In 1929 the La Pierre business<br>was purchased by the International Silver Company and moved to Wallingford,<br>Connecticut... "

Leggere Di più meno

15.5" Vintage Chinese Cloisonné Birds and Butterfly Vase. Nice, high quality piece. Estate fresh from the third quarter of the 20th century with no damage, minor oxidation to exposed brass. No identifying marks. Large piece 15.5" tall x 7.25" wide. isshelf

Leggere Di più meno

3 c1900 Nippon Cobalt Blue Hand Painted Roses Plates. 8 5/8" wide plates all near mint with no detectable wear, the unmarked plate shown not in the plate holder on the first pic has the worlds smallest nick on the back shown at the top left of the sixth pic. No other chips, cracks, or restorations. Selling all three. TW57

Leggere Di più meno

Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Men's Size 13 Ring.

Leggere Di più meno

Kamiwaza Japanese Pure Silver Horse Head Plaque. Marked and tested to be Pure<br>silver 99% or greater. Incredible piece of art. 1187 Grams, 10.75" x 8.25", It's entirely silver, front back, not weighted in any way.   It's 999 silver, I'm using sterling as a keyword for obvious reasons. 

Leggere Di più meno

Tin Toy Bucket Collection Sultana Peanut Butter, Ohio Art, Three little pigs,<br>Marx Milk. Selling the collection from the first half of the 20th century some<br>with rust but overall a nice display. Largest 5.5" tall with bail, smallest 4"<br>tall with bail.<br>TW253

Leggere Di più meno

Vintage Neiman Marcus Token One Gift Dollar (8). Selling all eight of these in extremely clean barely circulated condition. They've likely been in this bag their whole lives. I'm not exactly sure when these were made but it's got to be sometime around the 1950's or so. Whenever it was, $1 would have counted towards something at Neiman Marcus and likely not been laughed at, lol. These are uncommon, I've seen them bring over $50 each. I'm including the bag which they came in, not sure if it has any relation to the coins which measure 1.25" wide. All with different serial numbers. TW188

Leggere Di più meno

Vintage Ricardo solid 10k gold on Sterling hand engraved horse belt buckle 3<br>1/8" x 1 3/8", fits up to a 1 1/6" belt 32.3 grams.

Leggere Di più meno

Antique Chinese Carved Wood stand with marble insert. High quality piece from the first quarter of the 20th century. 13.25" tall x 12.25" top surface x 15" total width with legs. A nice stand to put a prized plant on, a Buddha, floor vase, something of that sort. I've had this awhile personally and while I love it I just need space as we're having a baby. We are both fairly light and may have used it as a stool once but I wouldn't recommend it. I would limit the weight put on it to 50 pounds or less and preferably put something on it that is somewhat permanent in this world of impermanence. If you weight 200-300 pounds and need a stool, this might not be the best choice. Overall very attractive with a few worn areas, scratches, scuffs, etc. Please look at the pics as it's visible from all sides, this is a fairly heavy stand. It's that that cheap junk that was coming out of Indonesia in the 90's, it's Chinese and about 100 years old.There was a dab of dried mud or on top rim when I took these pics, it came right off.

Leggere Di più meno

Rare 1950's Mantequilla Del-KA Cermeria Nacional Venezuela Champ Austrian<br>lighter from South American Dairy. So significant wear, amazing condition, super<br>rare lighter if not the only one in existence.<br>TW253

Leggere Di più meno

Antique Chinese Famille Rose Rice Bowl/Tea Cup set. Selling the 4 bowls/cups<br>shown. I'm sure they've been used for both in the past 100 years. They are late<br>19th to early 20th century. One has a tight hairline about 1" long shown top<br>left of first pic. some where to gilding. Three match, one is different, all<br>have some wear to gilding. Just over 4" wide x 1.75" tall.<br>TW253

Leggere Di più meno

c1940's Planters Mr Peanut Charm bracelet. Super cool from 1940's with no damage. Peanuts are marked planters. 8" long.

Leggere Di più meno

Vintage Navajo Sterling turquoise ring. Very attractive stones in this ring, not<br>totally sure of mine. Fancy stampwork bezels, great vintage ring. 12.8 grams<br>Size 6.5<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

Leggere Di più meno

Heinrich Gold Encrusted Service Plate set 10 7/8" (5) Selling the set of 5 shown<br>all like new with no utensil marks, wear to gold, chips, cracks, etc. They look<br>new but are from the first half of the 20th century, top quality large plates. I<br>have shown each plate at a different angle as they were difficult to photograph,<br>it was difficult to make the gold pop and still show the beauty of the Hand<br>painted center motif's. The centers are hand painted, three have a similar but<br>slightly different center as they are hand painted, the other two are different<br>completely.<br>isshelf

Leggere Di più meno

c1870 Old Paris Porcelain Apothecary Jars Pair. Great pair of mid to late 19th century French porcelain apothecary jars. lids and bases have some writing and numbers underneath but nothing legible to me. These have no chips, cracks, or restorations, and only minor wear to gilding, likes like the finials had some touch up to the gold gilding with paint long ago but they are not restored, meaning the porcelain was not damaged, guaranteed. 11" tall x 5 3/8" wide. Selling both. tw188

Leggere Di più meno

c1860 Old Paris Apothecary Jars with fly or Bee motif, well decorated. A really nice pair of jars from the 3rd quarter of the 19th century. One with very small chip inside rim shown in bottom of pic right jar when they are laying down. No other chips, no cracks, no restorations. 5.25" wide lid x 10.5" tall. Wear to gilding as show. Selling both jars with uncommon decoration. isshelf

Leggere Di più meno

Vintage Bohemian Cranberry Tumble Up Dresser Water Carafe. 8" total height with<br>no cracks, chips, or restorations. Minor wear to gilding.<br>tw89

Leggere Di più meno

c1880 Sevres Style Hand Painted Bronze Mounted Garniture. No damage or restorations, no top as shown.

Leggere Di più meno

c1870's Stevengraph Pure Silk Woven Picture of Royal Mail coach to/from the Black swan. Good condition for 140-150 years old with minor stains and obvious reframing in a quality 20th century frame. The Fascinating World of Stevengraphs. By Bill Poese. THE FASCINATING silk pictures that we know today as Stevengraphs actually had their origin in a depression in England's far flung textile industry, and Richard Cobden, a 19th century English economist and statesman, may claim some of the credit. In 1860, the so-called Cobden Treaty, a free-trade treaty negotiated by Cobden and removing England's protective tariff on silks, brocades and ribbons, among other things, took effect. Its impact upon Coventry, where English ribbon weaving had been concentrated for 150 years, was devastating. Forty five per cent of Coventry's population earned their livelihood from ribbon weaving. Looms were destroyed, and during a two-year period 9,000 persons emigrated to foreign countries in search of employment. But there was one man who was resourceful enough to overcome the blow sufficiently to provide for his own family, the weavers in his employ, and, in a small way, to bolster the economy of Coventry. This man was Thomas Stevens, born in 1828 in the outlying district of Foleshill. As a boy, Thomas Stevens had learned the ribbon weaver's trade at the firm of Pears and Franklin in Upper Well Street, Coventry, and in 1854 he set up his own business in Queen Street. He had learned all the aspects of his trade well and the jacquard loom was of particular interest to him. This loom was a French invention of about 1790 of Joseph Jacquard that had been introduced into England in 1820, and its excellence was recognized quickly, so that by 1838 as many as 2,200 jacquard looms were thumping in Coventry. The principle of the jacquard loom is based upon the fact that mechanically-operated devices controlled loops and pulleys to weave patterns in textiles. Thomas Stevens improved, adapted, and refined the loom by a series of inventions so that he could produce silk pieces that have exquisite detail with what seems to be a three-dimensional effect. He produced pictures, musical notes, lettering and portraits of amazing beauty. The first step in producing Stevengraph works was an artist's drawing on squared paper. These designs were originals, copies of portraits, copies of prints, and often of texts in the manner of illuminated manuscripts. The Victorian love of covering the entire surface of the piece is often in evidence in these pieces. The squared paper pictures look like designs for cross-stitch embroidery work. Large cards were made that carried out the artist's picture and a separate card was made and per- forated for each color in every single woven line of the picture. The cards were put into an endless chain arrangement and placed in the Jacquard loom to regulate the operation of the warp threads. Every time the shuttle carrying the weft was placed across the loom, a different card calling for a variation in the warp threads and consequently in the pattern was brought into use. Many pieces used ten to 12 colors. After the entire pattern was completed, a space was provided and the pattern began to repeat itself. In this way, the weaver produced spools of beautifully woven picture ribbons that were later cut apart at the separating areas. Because of the work involved in placing the cards in the loom, many picture ribbons were woven before a change was made and a different set of cards was used. One 13-inch-long bookmarker that Stevens produced required 5,500 perforated cards. Thomas Stevens was not the only Coventry weaver who was able to survive the depression by weaving pictorial ribbons nor was he the first to produce pictures on the Jacquard loom. As early as 1801 in Lyons, black-and-white portraits had amazed people. In 1855, James Hart wove silk pictures depicting Queen Victoria and Napoleon 111, and in 1858 John Caldicott wove a ribbon with a portrait of Edward Ellice, who was the Member of Parliament from Coventry. But the best known of the jacquard picture weavers was Thomas Stevens. It is he who stands out above the others and it is he who invented the term "Stevengraph." By 1862, Stevens had produced nine bookmarkers of different designs. During 1862 he registered four new patterns: "Unchanging Love," "I wish you a Merry Christmas," "Thanksgiving," and "Thy Bridal Day." During this same year he pro- duced a few larger pieces that were desirable for framing, but he evidently changed his mind about the pictures because he produced no more of them during the next 16 years, confining himself, instead, to producing his popular bookmarkers. Just who made the first Stevengraph-type bookmarker is a matter of considerable dispute and the contenders for the honor are John Caldicott, John Ratliff, and perhaps Thomas Stevens. Among Stevens's contemporaries who did the same sort of jacquard picture weaving were, in addition to those just named, the brothers John and Joseph Cash, and Dalton and Barton. In 1863, the royal marriage of the Prince and Princess of Wales, and in 1864, the tercentenary of Shakespeare's birth gave the weavers ample subject matter to satisfy the demands of a souvenir-hungry nation. Strangely enough, at this time Stevens's competition dropped out of the race and left him a clear field for a period of time to produce his bookmarkers and allied items. By the late 1880s he had produced more than 900 items and among them are sachets, birthday verses, Christmas and New Year greetings, calendars, fans, valentines, ladies' neckties and sashes, emblematic sashes for fraternal orders, pictures suitable for framing, and of course, the always popular bookmarkers, many with tassel-tipped ends. They vary in size from 1 1/4 by 4 inches to 7 1/2 by 13 inches for the mounted pictures and his various items sold for as low as 5 cents, to as much as $14 for a sash. Stevengraphs were given as premiums to people who subscribed to The Ladies Floral Cabinet in 1877. Competition developed in the 1870s by Bolland and Welch and Lenton, who copied his bookmarkers, and in the 1880s by W. H. Grant, who imitated his mounted pictures. Stevens became the father or seven children. In 1878 he moved to London to supervise his expanding business. By this time he had sales agencies in New York City, Cincinnati, Leipzig, Glasgow, Dublin, and Londonderry, in addition to London. To stimulate sales at the expositions that were popular during the period of his greatest activity he sent weavers with his version of the jacquard loom to many of them. There, people could watch a piece being woven, buy it and take it home as a souvenir of the fair. Among the places he or his sons did this were the Philadelphia Centennial Exposition, 1876; York Exposition, 1879; Edinburgh, 1886; Manchester, 1887; Cincinnati 1888; London, 1890; Chicago, 1893; St. Louis, 1904; and Paris, Antwerp, Liverpool, Bristol, Boston, Brussels, and Paris. After winning more than 30 medals and diplomas, Thomas Stevens died on October 24, 1888, in London and was buried in the family plot in Coventry. Two of his sons, Thomas and Inger, who, before his death managed the Coventry plant, con- tinued the business. Thomas Stevens had established pleasant working conditions in an industry that was noted for poor conditions. His plant had adequate lighting, ventilation, a pleasant dining area, and it was sanitary. The heavy German ings of Coventry in 1940 leveled his buildings and his business, but he lives on in the appreciation of hundreds of antique collectors who specialize in Stevengraphs, including 175 active members of the Stevengraph Collectors' Association with its headquarters at Irvington-on-Hudson, N.Y., and members in England, Canada, Scotland, Austrialia, South Africa, and New Zealand as well as the United States. The highest price paid at auction for a Stevengraph was $1,560 in April, 1972, in London. The article was a mint example of L' Immaculee Conception and is extremely rare. Many examples of Stevens's work, however, are offered for modest prices that are within the price range of many collectors. Individuals are concerned with authenticating items in their collections as being made by Stevens and also with dating them. Both of these matters present difficulties. A pattern could be set up on the cards in 1865, and many times years later the same cards could be used again to produce identical items. There was no limited edition with the mold or etching plate being destroyed. Certain items can be dated by the events they portray and the dates they bear as the one for the Philadelphia Centennial Exposition of 1876. Some can be dated by the number of awards that are noted on the paper backing on some pieces. Many, of course, are signed in the weaving. A diamond-shaped registry mark like that on pottery dates many since this device was used from 1842 to 1883. Thomas Stevens was a businessman who produced a salable luxury or souvenir product. If the subject matter was attractive and the sentiment appealed, people would buy them for themselves or as a little gift for a friend. As a result, he and his successors' designs reflect Victorian tastes that were, in many cases, universal tastes at the time. Among the portraits are those of Queen Victoria, Shakespeare, King Edward VII, John L. Sullivan, Robert Burns, "Buffalo Bill" Cody, Prince Otto von Bismark, and President and Mrs. Cleveland. Under the general heading of views we find many English castles such as Balmoral, Kenilworth, Warwick, and Windsor. Other views include the Crystal Palace, Houses of Parliament, Tower of London and the Tower Bridge, and the Centennial Exposition of Ohio Valley and Central States, Cincinnati, 1888. Historical pictures include Columbus Leaving Spain, Landing of Columbus, Declaration of Independence, and the Death of Nelson. Classical and legendary subject matter can be found in those weavings that depict Peeping Tom, Leda, The Lady Godiva Procession, and Bath of Psyche. Certain items display the sentimentality of Victorians as God Speed the Plough, Good Old Days, Called to the Rescue, Grace Darling, and For Life or Death. Many battleships and trains are pictured and so are many sporting events. Among the latter are depictions of Spanish bull, horse racing, fox , cricket, bicycle racing, tennis, and baseball. Thomas Stevens was a highly skilled master of a delicate craft that resulted in articles that will be held in high esteem as long as their silken fibers hold together. Tw61

Leggere Di più meno

c1920's WWI Imperial German Navy Lion's Head Sword candle holders. Pair of<br>Imperial German Navy Lion's Head Sword candle holders from WWI. Two standard<br>Imperial German naval sword hilts converted to candle holders by attaching them<br>to cast brass bases and candle holders. The sword hilts were converted from left<br>over stocks of unissued swords. Jewels in all 4 eyes 10 7/8" tall with 5 1/8"<br>base.<br>TW253

Leggere Di più meno

c1870's Stevengraph Pure Silk Woven Picture of Steam Fire Engine and Firemen "For Life or Death". 9.75" x 7" total including frame. Overall good condition for 140-150 years old with minor stains and some wear to frame as shown. The Fascinating World of Stevengraphs. By Bill Poese. THE FASCINATING silk pictures that we know today as Stevengraphs actually had their origin in a depression in England's far flung textile industry, and Richard Cobden, a 19th century English economist and statesman, may claim some of the credit. In 1860, the so-called Cobden Treaty, a free-trade treaty negotiated by Cobden and removing England's protective tariff on silks, brocades and ribbons, among other things, took effect. Its impact upon Coventry, where English ribbon weaving had been concentrated for 150 years, was devastating. Forty five per cent of Coventry's population earned their livelihood from ribbon weaving. Looms were destroyed, and during a two-year period 9,000 persons emigrated to foreign countries in search of employment. But there was one man who was resourceful enough to overcome the blow sufficiently to provide for his own family, the weavers in his employ, and, in a small way, to bolster the economy of Coventry. This man was Thomas Stevens, born in 1828 in the outlying district of Foleshill. As a boy, Thomas Stevens had learned the ribbon weaver's trade at the firm of Pears and Franklin in Upper Well Street, Coventry, and in 1854 he set up his own business in Queen Street. He had learned all the aspects of his trade well and the jacquard loom was of particular interest to him. This loom was a French invention of about 1790 of Joseph Jacquard that had been introduced into England in 1820, and its excellence was recognized quickly, so that by 1838 as many as 2,200 jacquard looms were thumping in Coventry. The principle of the jacquard loom is based upon the fact that mechanically-operated devices controlled loops and pulleys to weave patterns in textiles. Thomas Stevens improved, adapted, and refined the loom by a series of inventions so that he could produce silk pieces that have exquisite detail with what seems to be a three-dimensional effect. He produced pictures, musical notes, lettering and portraits of amazing beauty. The first step in producing Stevengraph works was an artist's drawing on squared paper. These designs were originals, copies of portraits, copies of prints, and often of texts in the manner of illuminated manuscripts. The Victorian love of covering the entire surface of the piece is often in evidence in these pieces. The squared paper pictures look like designs for cross-stitch embroidery work. Large cards were made that carried out the artist's picture and a separate card was made and per- forated for each color in every single woven line of the picture. The cards were put into an endless chain arrangement and placed in the Jacquard loom to regulate the operation of the warp threads. Every time the shuttle carrying the weft was placed across the loom, a different card calling for a variation in the warp threads and consequently in the pattern was brought into use. Many pieces used ten to 12 colors. After the entire pattern was completed, a space was provided and the pattern began to repeat itself. In this way, the weaver produced spools of beautifully woven picture ribbons that were later cut apart at the separating areas. Because of the work involved in placing the cards in the loom, many picture ribbons were woven before a change was made and a different set of cards was used. One 13-inch-long bookmarker that Stevens produced required 5,500 perforated cards. Thomas Stevens was not the only Coventry weaver who was able to survive the depression by weaving pictorial ribbons nor was he the first to produce pictures on the Jacquard loom. As early as 1801 in Lyons, black-and-white portraits had amazed people. In 1855, James Hart wove silk pictures depicting Queen Victoria and Napoleon 111, and in 1858 John Caldicott wove a ribbon with a portrait of Edward Ellice, who was the Member of Parliament from Coventry. But the best known of the jacquard picture weavers was Thomas Stevens. It is he who stands out above the others and it is he who invented the term "Stevengraph." By 1862, Stevens had produced nine bookmarkers of different designs. During 1862 he registered four new patterns: "Unchanging Love," "I wish you a Merry Christmas," "Thanksgiving," and "Thy Bridal Day." During this same year he pro- duced a few larger pieces that were desirable for framing, but he evidently changed his mind about the pictures because he produced no more of them during the next 16 years, confining himself, instead, to producing his popular bookmarkers. Just who made the first Stevengraph-type bookmarker is a matter of considerable dispute and the contenders for the honor are John Caldicott, John Ratliff, and perhaps Thomas Stevens. Among Stevens's contemporaries who did the same sort of jacquard picture weaving were, in addition to those just named, the brothers John and Joseph Cash, and Dalton and Barton. In 1863, the royal marriage of the Prince and Princess of Wales, and in 1864, the tercentenary of Shakespeare's birth gave the weavers ample subject matter to satisfy the demands of a souvenir-hungry nation. Strangely enough, at this time Stevens's competition dropped out of the race and left him a clear field for a period of time to produce his bookmarkers and allied items. By the late 1880s he had produced more than 900 items and among them are sachets, birthday verses, Christmas and New Year greetings, calendars, fans, valentines, ladies' neckties and sashes, emblematic sashes for fraternal orders, pictures suitable for framing, and of course, the always popular bookmarkers, many with tassel-tipped ends. They vary in size from 1 1/4 by 4 inches to 7 1/2 by 13 inches for the mounted pictures and his various items sold for as low as 5 cents, to as much as $14 for a sash. Stevengraphs were given as premiums to people who subscribed to The Ladies Floral Cabinet in 1877. Competition developed in the 1870s by Bolland and Welch and Lenton, who copied his bookmarkers, and in the 1880s by W. H. Grant, who imitated his mounted pictures. Stevens became the father or seven children. In 1878 he moved to London to supervise his expanding business. By this time he had sales agencies in New York City, Cincinnati, Leipzig, Glasgow, Dublin, and Londonderry, in addition to London. To stimulate sales at the expositions that were popular during the period of his greatest activity he sent weavers with his version of the jacquard loom to many of them. There, people could watch a piece being woven, buy it and take it home as a souvenir of the fair. Among the places he or his sons did this were the Philadelphia Centennial Exposition, 1876; York Exposition, 1879; Edinburgh, 1886; Manchester, 1887; Cincinnati 1888; London, 1890; Chicago, 1893; St. Louis, 1904; and Paris, Antwerp, Liverpool, Bristol, Boston, Brussels, and Paris. After winning more than 30 medals and diplomas, Thomas Stevens died on October 24, 1888, in London and was buried in the family plot in Coventry. Two of his sons, Thomas and Inger, who, before his death managed the Coventry plant, con- tinued the business. Thomas Stevens had established pleasant working conditions in an industry that was noted for poor conditions. His plant had adequate lighting, ventilation, a pleasant dining area, and it was sanitary. The heavy German ings of Coventry in 1940 leveled his buildings and his business, but he lives on in the appreciation of hundreds of antique collectors who specialize in Stevengraphs, including 175 active members of the Stevengraph Collectors' Association with its headquarters at Irvington-on-Hudson, N.Y., and members in England, Canada, Scotland, Austrialia, South Africa, and New Zealand as well as the United States. The highest price paid at auction for a Stevengraph was $1,560 in April, 1972, in London. The article was a mint example of L' Immaculee Conception and is extremely rare. Many examples of Stevens's work, however, are offered for modest prices that are within the price range of many collectors. Individuals are concerned with authenticating items in their collections as being made by Stevens and also with dating them. Both of these matters present difficulties. A pattern could be set up on the cards in 1865, and many times years later the same cards could be used again to produce identical items. There was no limited edition with the mold or etching plate being destroyed. Certain items can be dated by the events they portray and the dates they bear as the one for the Philadelphia Centennial Exposition of 1876. Some can be dated by the number of awards that are noted on the paper backing on some pieces. Many, of course, are signed in the weaving. A diamond-shaped registry mark like that on pottery dates many since this device was used from 1842 to 1883. Thomas Stevens was a businessman who produced a salable luxury or souvenir product. If the subject matter was attractive and the sentiment appealed, people would buy them for themselves or as a little gift for a friend. As a result, he and his successors' designs reflect Victorian tastes that were, in many cases, universal tastes at the time. Among the portraits are those of Queen Victoria, Shakespeare, King Edward VII, John L. Sullivan, Robert Burns, "Buffalo Bill" Cody, Prince Otto von Bismark, and President and Mrs. Cleveland. Under the general heading of views we find many English castles such as Balmoral, Kenilworth, Warwick, and Windsor. Other views include the Crystal Palace, Houses of Parliament, Tower of London and the Tower Bridge, and the Centennial Exposition of Ohio Valley and Central States, Cincinnati, 1888. Historical pictures include Columbus Leaving Spain, Landing of Columbus, Declaration of Independence, and the Death of Nelson. Classical and legendary subject matter can be found in those weavings that depict Peeping Tom, Leda, The Lady Godiva Procession, and Bath of Psyche. Certain items display the sentimentality of Victorians as God Speed the Plough, Good Old Days, Called to the Rescue, Grace Darling, and For Life or Death. Many battleships and trains are pictured and so are many sporting events. Among the latter are depictions of Spanish bull, horse racing, fox , cricket, bicycle racing, tennis, and baseball. Thomas Stevens was a highly skilled master of a delicate craft that resulted in articles that will be held in high esteem as long as their silken fibers hold together. Tw61

Leggere Di più meno

Antique Chinese Blue underglaze Qing dish. 18th-19th century with no chips, cracks, or restorations. 6.75" Great early piece of Chinese porcelain from an old collection of predominantly Ming porcelain. isshelf

Leggere Di più meno

Meiji Period Japanese Arita Hand Painted Porcelain vase. Very high quality<br>painting 10" tall vase from the late 19th century. No cracks, chips, or<br>restorations, wear to most of the gold band on the rim.<br>TW256

Leggere Di più meno

Antique Chinese Blue underglaze Qing dish. 18th-19th century with one very small chip on rim and crowsfoot on base that doesn't extend to footrim, no other chips, cracks, or restorations. 6" Great early piece of chinese porcelain from an old collection of predominantly Ming porcelain. isshelf

Leggere Di più meno

Chinese Wanli Ming Crane dish described in detail on 1984 appraisal which will be included and a pic of is included in the attached pictures. Jo Ann Adams was a very well respected, thorough, and knowledgeable appraiser that specialized in Asian antiques. And as you most likely know if you're reading this Chinese porcelain is one of the few areas of Antiques/Collectibles that have proven to be an excellent investment in the last 38 years since these appraisals were done.Very small chip on reverse rim, no other cracks, chips, or restorations.

Leggere Di più meno

c1890 Northwood Cranberry Opalescent Poinsettia Brides Basket/Bowl. Selling the<br>bowl and holder, the bowl has really exceptional color/opalescence. It fits the<br>Holder perfectly, estate fresh the came together. Bowl is 11" at widest point,<br>holder is 11" tall. Holder marked Great Northern Anchor Brand Quadruple plate.<br>tw256

Leggere Di più meno

Early Chinese Celadon Vase with antique restoration. One handle restored a very<br>long time ago, no other cracks, chips, or restorations. 7.75" tall.

Leggere Di più meno

Antique KPM Sauce Boat Hand painted Pink trim and flowers. 10.5" long x 3.5"<br>tall. Chip of footrim which doesn't not affect it's functionality or beauty. No<br>other issues whatsoever.<br>TW188

Leggere Di più meno

c1940's Navajo Hand Stamped silver turquoise thunderbird ring Size 6, nice<br>stampwork, not one of those Fred Harvey style rings, this is a nice old Navajo<br>hand stamped ring. 5 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

Leggere Di più meno

c1850 Staffordshire c1940's Royal Doulton British Ceramic Dalmation figures. On<br>the left staffordshire 5.25" tall guaranteed from the last half of 19th century<br>with two old/stable fractures on front ankles, no other damage. On right Royal<br>Doulton dalmation, early version from late 30's or 40's. 7" long x 4.25" tall<br>with no cracks, chips, restorations, or crazing. Selling both together.<br>TW210

Leggere Di più meno

c1730's 18th Century Brass Candlesticks. Exceptional pair of extremely heavy<br>brass candlesticks from the first half of the 18th century. 9 1/8" tall x 5 1/8"<br>wide at base, Very solid with very old stable repairs to base on both<br>candlesticks not easily detectable from above.<br>isshelf

Leggere Di più meno

Vintage Chinese Cloisonné Reverse Painted Bottle Collection. Selling the estate lot from the third quarter of the 20th century. All Chinese, none with any damage. The cloisonné plate is 10", largest trinket box is 4" wide, and bottle is 4" tall and hand painted. No chips or damage anywhere on any pieces. All vintage pieces from about the 1960's. The bottle is larger than a typical snuff bottle and doesn't have a dauber or scoop so I would consider it a perfume bottle. tw 146

Leggere Di più meno

Vintage Native American Sterling High grade turquoise/lapis bracelet/necklace. 45 grams total weight, cuff fits up to a 6.5" wrist, 1" gap, necklace is 20" long.

Leggere Di più meno

Large Chinese Kangxi Wucai Jar with lid. Nice large size 15" tall x 9.5" wide.<br>I've seen a few of these in a slightly smaller size over the years, never with a<br>lid. No cracks, chips, or restorations. Overall expected glaze wear. Fantastic<br>estate fresh piece collected over 40 years ago, just now seeing the light of day<br>again.

Leggere Di più meno

c1920 German Jointed Bisque Googly eye doll. Minor loss to one thumb, and two<br>chips on right top of leg next to each other. No other issues.<br>TW252

Leggere Di più meno

c1880 Wax Head doll in Christening Dress. Really great doll, the eyes do open<br>and close but they tend to stick and take a few minutes to adjust when sat up or<br>down. 24.5" long with dress, 16" long from head to feet, head is 2 5/8" from top<br>of head to chin. Stable crack to the right of the shoulder covered by dress that<br>doesn't go to the bottom of the wax part, shouldn't be an issue but worth<br>mentioning. The dress is incredible, silk I believe. It is a little frail and<br>has a few inconspicuous holes overall very presentable.<br>TW252

Leggere Di più meno

Antique Japanese Meiji period cloisonne vase, no damage or significant wear.

Leggere Di più meno

1920's AC Williams Graf Zeppelin Cast Iron Bank. No damage, good paint, 6.75" long. TW252

Leggere Di più meno

c1870 Carved Wood bust. High quality hand carved bust plaque from the 19th century. 7.5" tall x 6.75" wide total x 4.25" deep.

Leggere Di più meno

Chinese Hand Painted Republic Period Wig Stand. Exceptional painting on this piece, some loss to enamel, no cracks, chips, or restorations. 11.5" tall. TW252

Leggere Di più meno

Meiji Period Japanese Imari Stacking Bento Box Jubako Stacking Dishes 9" tall x 7" wide One small chip on bottom bowl shown to the left of the first pic. No other cracks, chips, or restorations. From the last half of the 19th century with above average colors and decoration. imshlf

Leggere Di più meno

Giuseppe Rispoli (1882-1960) Pair of Neapolitan Street Scenes Oil on panel. Selling the two paintings shown in good condition with no detectable issues. 16.5" x 12.75" each framed. Selling both for one price.

Leggere Di più meno

Alabama "Feels So Right" Presentation Record framed Given to Tom Middleton. I have not examined this outside of the frame but I acquired it from Tom Middleton's(1953-2020) estate personally along with about 400 pairs of cowboy boots and everything cowboy imaginable. Selling this, what I assume to be a record that was framed and given by Alabama for the work tom did for the album. 19.5" x 21.5" framed, 12" x 12" sight. 5.5" wide plaque. In 1973, Tom found a catalog of instruments from Warehouse Music Sales in Fort Worth that contained multiple dobros. He sold his two guitars and used the funds to buy his first dobro. After it arrived, his life was never quite the same. If you ever had the pleasure to hear him play, you saw Tom doing what he loved. Before making his way to Arizona to continue his education, Tom worked as a towboat deckhand for the United Maritime Union on the Ohio, Monongahela, and Allegheny Rivers. Tom received a BS in English Literature from Northern Arizona University. During his time in Flagstaff, he was a member of the Mormon Lake Hotshots on the Coconino National Forest. Bill Mack's "All Night Open Road" show from WBAP in Dallas kept him company at the Mormon Lake Guard Station. He became lifelong friends with several of his fellow firefighters and kept in contact with them the rest of his life. But music kept calling, and Tom began working for R.Q. Jones Resophonic Guitar Company in Wanette, Oklahoma. Now he wasn't just playing dobros, he was making them. In fact, he made one for a young dobro player named Jerry Douglas who is now widely regarded as "the" dobro player of our time. The dobro in question now belongs to the Music Instrument Museum in Phoenix. Jerry and Tom became good friends and whenever Jerry toured through Austin in recent years, they would take in some live music together at Ginny's Little Longhorn Saloon among other music venues. In 1978, Tom went to work for Peaches Records and Tapes in Oklahoma City, then The Handleman Company, and finally Pickwick Distribution Company in Dallas. These three jobs showed Tom the buying, selling, and distribution side of the music business. By 1985, Tom was working as a Print Production Manager at The Richards Group, an advertising agency in Dallas. He excelled at print production and would stay with it in Austin at both GSD&M and McGarrah Jessee from which he retired after 24 years shortly before his death. Tom's work in print production should not go unrecognized. There is no doubt that countless times you've seen ads, packaging, and products that he produced – you just didn't know it. He had a wealth of experience and knowledge and was always keen to share what he knew with young producers and creative types. When Tom retired, his coworkers, vendors, suppliers,

Leggere Di più meno

1920's 2 Small flower basket doorstops. Selling both, one 7 1/8" tall and one 5<br>5 /8" tall. Both guaranteed early 20th century American doorstops from the<br>1930's or earlier.

Leggere Di più meno

c1900 McKinley Roosevelt Jugate 1.25" . Vice President Hobart died in 1899, so<br>the Republican convention chose New York Governor Teddy Roosevelt as McKinley's<br>running mate in the 1900 presidential election. Selling the exact button shown<br>front and back, guaranteed authentic turn of the century c1900 jugate.

Leggere Di più meno

c1920 Coronet Limoges Artist Signed Pheasant wall Plaque. 10.25" wide with no cracks, chips, or wear to paint/gilding. Exceptionally fancy border and nice painting. tw255

Leggere Di più meno

Signed Greater Tuna Posters Jaston Williams/Joe Sears. Two very cool original posters from Greater Tuna, likely before it went nationwide as it started in Austin. 14.25" x 22.25" each. Both originals with original signatures, estate fresh from a local estate that obviously had something to do with the production and/or were close friends. I actually purchased these a few years ago along with other Greater Tuna memorabilia the wife is pregnant so it's time to clear out stuff that I wanted to keep to make room for a baby. Selling both, framed behind anti glare glass.

Leggere Di più meno

17th-18th Century Bronze Sukhothai Buddha Statute Thai Ayutthaya Shakyamuni. Great early Thailand bronze buddha 18th century or older. 10.25" tall x 3.5" wide. Very heavy solid bronze with clay in base. TW7

Leggere Di più meno

c1960 French Sabino/ Danish Royal Copenhagen Porcelain Bird Figures. Selling the three figures shown all from one estate collection. Royal copenhagen are 1.75" tall, sabino is 2" all in perfect condition with no damage or wear. Sabino Bird marked Sabino France. Figshelf

Leggere Di più meno

Lilien Czechoslovakian Rhinestone Costume Jewelry Set. Selling the set shown<br>with no missing or damaged stones. I don't believe it was worn. All pieces<br>except earrings marked Lilien so they are from before they became Lilien Czech.<br>Necklace is Adjustable up to 20", the center piece is 5.25" long. Earrings are<br>2.75" long and clip ons with good springs.<br>tw252

Leggere Di più meno

c1900 McKinley Roosevelt Jugate 7/8" . Vice President Hobart died in 1899, so the Republican convention chose New York Governor Teddy Roosevelt as McKinley's running mate in the 1900 presidential election. Selling the exact button shown front and back, guaranteed authentic turn of the century c1900 jugate.

Leggere Di più meno

c1880 A. Jacobi Baltimore Sterling Repousse Chatelaine purse. Very nice functional bag about 135 years old. Very high quality functional hinge and closure. Thick heavy sterling with no issues. 6" wide at top of frame x 8.25" tall without the chain. 194.3 grams total weight with 98% of that being the silver top.A.JACOBI & CO JACOBI & JENKINS JENKINS & JENKINS - Baltimore, MD founded in 1879 as A.Jacobi. Succeeded by A.Jacobi & Co (1890), Jacobi & Jenkins (1894) and Jenkins & Jenkins (1908). Sold to the Heer-Schofield Company (Schofield Company Inc) in 1915 tw187

Leggere Di più meno

c1900 McKinley Roosevelt Jugate 7/8" . Vice President Hobart died in 1899, so the Republican convention chose New York Governor Teddy Roosevelt as McKinley's running mate in the 1900 presidential election. Selling the exact button shown front and back, guaranteed authentic turn of the century c1900 jugate.

Leggere Di più meno

c1910 Beaded Handbag Art Nouveau Castle scene. Very unusual one of a kind handbag from the early 20th century with a strong Nouvea/Arts and crafts influence. 10.5" tall x 6.25" wide in good condition with very little detectable loss or repairs. No chain at top but that's an easy fix from another more common handbag. TW252

Leggere Di più meno

Vintage Persian Enamel case 4" x 3.25" with no damage to enamel. Has a<br>functional spring that pulls it closed, mid 20th century. The metal is likely a<br>lower grade silver below 80%. Was likely originally a case but the possibilities<br>are endless, hand painted.<br>TW252

Leggere Di più meno

c1910 Japanese Brass/Bronze Ikebana Planter/Vase. Nice piece from the first quarter of the 20th century. Top is 12 5/8" wide 10" total height. Appears to have a little silver inlay in the lightweight bronze pot. A few small dents. It is patinated but lighter than other bronze examples I've had so I feel maybe it's brass.

Leggere Di più meno

Meiji Period Bronze Japanese Censer. Very fancy high quality Japanese censer from the last half of the 19th century. 12.25" tall 8.5 handle to handle. Very heavy solid bronze. The only identifying mark I found is some dots on the lip of the lid. Nice casting, estate fresh, definitely an antique.

Leggere Di più meno

Antique Chinese Silver Adjustable bangle. The two bottom curly pieces can be<br>pushed together to make the bracelet larger to take on or off. Tests sterling<br>76.3 grams, unmarked. hand engraved, entirely handmade piece. 7.5" inside<br>diameter. Very unusual early piece of Chinese silver, unmarked.

Leggere Di più meno

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Large Vintage Native American Silver and Jasper cuff bracelet. Very nice old cuff 92.9 grams 2.25" wide in center, fits up to a 6 7/8" wrist, 1" gap, no issues. Interesting hallmark in two places, unsure of Artisan.All precious metals are tested and guaranteed,

Leggere Di più meno

c1840 Chinese Famille Rose Plate with Butterflies. Uncommon pattern with nice<br>hand painting. No cracks, chips, or restorations. 8" wide.<br>TW106

Leggere Di più meno

Vintage Navajo sterling chrysocolla pendant/bolo. Very cool versatile piece, Made to either be worn as a bolo or a pendant. 2 1/16" tall x 1.75" wide x 43.3 grams. All precious metals are tested and guaranteed,

Leggere Di più meno

c1870 Masons Chinoisiere British Ironstone Chinese Style Dinner Plate and Rimmed soup bowl. Selling both pieces shown both 10.5" wide, a shallow soup and dinner plate from the third quarter of the 19th century with lots of hand painted decoration. No cracks, chips, or restorations, some crazing. TW106

Leggere Di più meno

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Bell Trading post Navajo sterling cuff bracelet with turquoise. Marked<br>and tested sterling 29.1 grams 6 3/8" including the 1 1/8" adjustable gap. 1<br>5/8" wide in center.<br><br>Established in the 1930s in Albuquerque, New Mexico, Bell Trading Post was<br>primarily known for its manufactured southwestern style jewelry that was<br>assembled and decorated by Native Americans. These souvenir jewelry pieces were<br>sold to tourists at their store on Rt. 66 and other tourist shops across the<br>Southwest. The company's name changed to Sunbell Corporation in 1969, and it<br>ceased operations in the late 1980s.

Leggere Di più meno

Large Zoe Artisan Sterling Crystal pendant 2 7/8" wide bail x 1.5" x 37 grams with no issues. All precious metals are tested and guaranteed,

Leggere Di più meno

c1890 Punch and Judy Vesta match holder/striker. Late 19th to early 20th<br>century, plated brass. 2 3/8" tall, with strong lid that makes and audible click<br>when sprung open and stays shut tightly.<br>trinketdrawer

Leggere Di più meno

c1880 Austro-Hungarian 800 Niello Silver Cheroot Case Snuff box. 4" x 2 3/8" x 1" x 131 grams. Heavy solid box with no dents or bends, functional hinge and claps, snaps shut and stays sealed until button is pressed. Functions as intended 140 years ago. Hallmarks on interior of Lid and base. TW255

Leggere Di più meno

Antique Sterling handle sock darner. Late 19th to early 20th century, tested<br>sterling handle with a few small dents, N monogram 6" long.

Leggere Di più meno

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Navajo sterling onyx cuff bracelet. 7" including the 1 1/8" adjustable<br>gap. 1 3/8" wide in center, marked sterling, tested sterling. 36.1 grams.

Leggere Di più meno

Large 1987 Native American Champion Rodeo Belt Buckle. Rare one of a kind item. 3 1/8" x 4 1/8" fits up to a 1 7/8" belt. No damage or issues. Marked and tested sterling with brass accents and genuine turquoise/red coral. 88.9 grams.

Leggere Di più meno

Jared Chavez Santo Domingo modernist sterling Link bracelet. 7" long x 1 1/6" wide x 75.1 grams. Does have a scratched signature JJC-00 on reverse side. Jared J. ChavezI began my journey as an artist learning to craft jewelry from my father, Richard I Chavez, a renowned lapidary artist. I was not given exact direction as to what to make but was only given the tools and instruction on how to use them. Along the way my work would be critiqued by my father and I would continually strive to evolve my designs and fabrication processes. He stressed the quality of the design and construction making sure that every aspect of a piece looked “finished” and no corners were cut. Along with all that I learned in my father’s studio, I would receive a Bachelor of Arts from Georgetown University in Studio Arts with a focus in Digital Art and Printmaking. After I graduated, I would attend The Revere Academy of Jewelry Arts’, Intensive Bench Jeweler Program in San Francisco. Each of these educational experiences added a particular technical or visual aspect to my work and would encourage me to continue to explore all the ways I could enhance my designs. My current work focuses on the reflective nature of polished silver. Though fabrication, metal stamping, and some casting, I explore how light and reflection interacts with the materials I utilize. I’ve found that polished silver takes in the colors and the light of the world around, and through the use of surface texture a dynamic play of light is created across the surface of my designs. I further enhance my work thought the use of semi-precious stones (agates, quartzs, jades, etc.). However one of the most important qualities in my selection of stones is often translucency. I’ve found that by allowing light to shine though a stone an overall rich and warm effect is created in the overall design. Along with my yearly schedule of shows where I sell my designs, I’ve also made it a point to educate the public about my work. Growing up in my father’s studio, I always saw just how much of himself he put into his designs and how sometimes he was met with disbelief as to how much work was put into his pieces. I found this to be a similar case when I entered the business, as the general public only sees the finished piece. For that reason, though in person demonstrations and self-produced video mini-documentaries, we’ve made it a point to show the skill, time, and passion that goes into every design. I continually strive to evolve my work and hold every design to the exacting standards that my father established when he created Chavez Studio 50 years ago.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. All precious metals are tested and guaranteed,

Leggere Di più meno

c1860 Old Paris Porcelain Plaque. 8.75" tall x 6 7/8" wide. No cracks, chips, or restorations. 2 7/8" central plaque. My take on this piece is it's possibly like a mid 19th century version of a Photobooth picture. Perhaps this guy was traveling in Paris and there was a guy set up in a booth selling these frames and painting these plaques on the spot as portraits as the bottom appears to read "Love Fullman" Some wear to gilding and a few scratches on plaque.

Leggere Di più meno

Nice vintage adjustable drop necklace with no significant issues. Up to 20" long, center drop pendant is 1.5" long. 42.5 grams. Carlos’ career as a jeweler began in the 1970’s, inspired by his mother, who was an artist of Ottawa/ Chippewa descent. He is completely self-taught. Unlike many jewelers, he is both a lapidary and a silversmith, and fabricates all of his jewelry by himself. Nothing is cast or manufactured. He is an Elder in the Little River Band of Ottawa Indians, but also considers himself part of God’s Universal Family. His greatest pride comes from his work with animals and caring for the land. “I am doubly blessed. I have been able to pursue my passion for art as a career which has enabled me to live the life I have dreamed of. No one could ask for more.” Carlos Passed away in August 2021.

Leggere Di più meno

Unworn 1970's University of Texas Longhorns Football interscholastic league medal. Still in what I assume to be the original box that it's obviously been in "forever" with the permanent indentation in the foam.

Leggere Di più meno

Nymphenburg 865 Hand Painted Porcelain tray. Great piece from the first half of<br>the 20th century. 7.25" x 5 1/8"<br>tw260

Leggere Di più meno

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Larry Castillo Navajo Multistone Channel Inlay Cuff Cuff Bracelet. Really nice solid bracelet with no issues. 72 grams 1 1/8" gap, fits up to a 6 1/8" wrist 1" wide in center.

Leggere Di più meno

Danish Bari Special Handcut Smooth Freehand (7200) Tobacco Pipe Bari pipes often take a rather classic bowl and combine it with a more conservative (shaping) shank and stem that is beefed up on growth hormones. More often than not, when we get a Bari estate it combines a bowl and stem that are battling for design and element dominance rather than agreeing to unify. In the case of this bowl, though, the grain wins. 7" total lenth, 2.5" tall bowl, 1 1/8" wide inside the bowl,  2" wide outside bowl. 

Leggere Di più meno

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. c1940's Navajo Silver Stamped cuff bracelet with whirling logs and turquoise center. Fits up to a 6.75" wrist including the 1" gap, no issues. Nice old well made hand stamped cuff with natural turquoise. 32.3 grams.All precious metals are tested and guaranteed,

Leggere Di più meno

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Samuel Benham BJC Sterling silver cuff bracelet. Vintage estate cuff in like new<br>apparently unworn condition. High quality, heavy but flexible braided sterling<br>silver. 71.4 grams. 1" wide x 7.75" inside diameter including the 1 1/8"<br>adjustable gap. Very springy cool cuff.

Leggere Di più meno

Pr Vintage Native American shell inlay earrings. Well made with artisans mark. 11.2 grams marked and tested sterling, no damage or issues.

Leggere Di più meno

c1920 Hubley Kitty and Fido Dog Still Bank doorstops. Larger and heavier than most still banks of the period these tended to double as doorstops whether that was the original intention or not. Selling both show, both guaranteed from the first quarter of 20th century. Both about 5" tall. TW1

Leggere Di più meno

Retro Handmade Petrified Sharks tooth brass bracelet. No issues, no apparent<br>markings.

Leggere Di più meno

1930's Texas Promotional Coin Banks. Selling the lot shown in good condition from the 20's-40's. I have the key for the austin bank. TW60

Leggere Di più meno

2 Antique bronze Biblical figures. Selling the pr 7" tall, heavy solid bronze<br>very well cast. One apparently missing halo, both likely once mounted to<br>something.<br>isshelf

Leggere Di più meno

c1920 Antique Bank/Doorstop Dog on pillow with bee. Nice large heavy bank from first quarter of 20th century guaranteed. Original paint with expected wear. 6" tall x 6" wide base. TW60

Leggere Di più meno

Ancient Chinese pottery bull. Museum collection numbers on base, part of a large<br>collection many having similar numbers. Likely excavated with glaze degradation,<br>likely Tang Dynasty. 5.75" long x 3.75" tall with no cracks, chips, or<br>restorations.

Leggere Di più meno

1930's JB Cole North Carolina Pottery Apothecary Jar with Split Handles.<br>Fantastic piece of primitive Art Deco hand thrown pottery. Large piece no<br>cracks, chips, or restorations, expected crazing as this was low fired clay.<br>9.5" tall x 10" wide, unmarked.<br>isshlf

Leggere Di più meno

Antique Chinese Peking glass bowl. Amazing piece, amazing color. This would<br>likely be a 10-20k piece but a large section has been broken and restored<br>including several smaller pieces. You have to look close to see it, it's still<br>amazing to imagine how they came up with a color like this and how they carved<br>it with no modern tools. It's a very large 12.75" wide. Selling as it but it<br>will be packed very well to assure intact arrival.

Leggere Di più meno

Large Vintage Murano Mother of Pearl Satin Art glass pitcher9.5" tall with no cracks, chips, restorations, or dings. I purchased it as part of a large collection of victorian art glass that was collected in the eighties but feel it's Murano from the last half of the 20th century, 1970's Murano. TW 183

Leggere Di più meno

Early Chinese Qingbai Celadon Vase. Museum accession number indicating it was<br>acquired into the collection in 1986. 6.5" tall. Wear to glaze, possibly an<br>excavated item. No cracks, chips, or restorations.

Leggere Di più meno