Prodotti

14" Antonio Pineda Mid Century Modernist 970 silver choker necklace, from the 3rd quarter of the 20th century with no issues. 14" inside measurement when closed, would be longer but doesn't stretch all the way long due to it's construction. 82.3 grams, 14mm wide. Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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14" c1910 Schierholz Dresden Germany Hand Painted handled Serving DishNo damage whatsoever, clean gold with minor wear, very big. 14" x 10 5/8" x 2" deep. Colors are more vibrant than the pics suggest.

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14" Huge Wimberly Glassworks art glass fan vase. 8" wide at rim with no cracks, chips, restorations, or wear. Signed WGW 2007 on base. While not very old, this would retail for about $400-$500 new from Wimberly Glassworks and it's in new condition, handmade.TW221

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14" Large c1910 Pairpoint American Brilliant Cut Engraved Candlesticks 4.75" wide base. No cracks, chips, dings, or other issues. These are really large candlesticks in amazing condition. Unmarked. isshelf

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14" Vintage Mid Century Modernist Mexican sterling choker necklace 15mm-16mm wide with no issues.52.1 grams.

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14" Vista Alegre Mottahedeh Tobacco Leaf Vase Lowestoft Reproduction 6" wide. No cracks, chips, restorations, crazing, or gold wear. Hand painted. Retired shape but would retail for twice my asking price directly from Mottahedeh if still available.

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Collana girocollo Georg Jensen in argento Art Déco da 14,25 pollici e pietra di luna. 14,25 pollici di lunghezza chiusa x 5/8 pollici di larghezza x 48,4 grammi. Nessun problema di sorta, nella foto su un collo da 12 pollici.Georg Jensen, (nato il 31 agosto , 1866, Raadvad, Danimarca—morto il 2 ottobre 1935, Copenaghen), argentiere e designer danese che raggiunse la fama internazionale per la sua applicazione commerciale del moderno design in metallo. La semplice eleganza delle sue opere e l'enfasi sull'artigianato raffinato, tratti distintivi dei prodotti Jensen, sono riconosciuti in tutto il mondo.Jensen è stato apprendista presso un orafo all'età di 14 anni. I suoi talenti artistici si sono concentrati per un breve periodo sulla scultura, ma tornò alla lavorazione dei metalli, principalmente gioielli e pezzi d'argento, prodotti nel laboratorio che aprì a Copenaghen nel 1904. Jensen espose le sue opere in diverse importanti mostre straniere (vincendo una medaglia d'oro all'Esposizione di Bruxelles del 1910) e si costruì rapidamente una reputazione come artista. argentiere eccezionale e molto originale. Si trasferì in un laboratorio più grande nel 1912 e acquistò il suo primo stabilimento nel 1919.L'argenteria di Jensen raggiunse immediatamente popolarità e successo commerciale. Fu, infatti, il primo produttore di argento a realizzare un profitto dalla produzione dell'argento moderno. Fino ai tempi di Jensen, praticamente tutti i produttori di argenteria di successo si affidavano a un repertorio standard di design tradizionali popolari. Jensen, tuttavia, scoprì che il mercato per i suoi pezzi eleganti e semplici era più ampio di quanto chiunque avesse previsto. La sua azienda è cresciuta rapidamente, espandendosi in tutta Europa e aprendo filiali a Londra e New York City. In entrambi i continenti il ​​lavoro di Jensen ha stabilito le tendenze per le stoviglie contemporanee. È stato tra i primi designer a trasformare l'acciaio, precedentemente considerato adatto solo per posate economiche e di bassa qualità, in posate belle e utili.

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14.5" Meiji Period Japanese Imari vase. Nice large 19th century hand painted<br>with no cracks, chips, or restorations.<br>isshelf

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14.5" Retro ATI Mexico Braided Sterling silver collar choker. This is sturdy yet flexible/adjustable. It flexes to put it on and could be reshaped to be a little larger if necessary. It's great. 49.1 grams, no issues.

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14.75" Chinese Kangxi (1661-1722) Famille Verte charger. 14.75" wide x 3" deep, small chips and glaze frits all around rim and some on footrim. One tight and stable hairline really only visible on reverse side shown at bottom of last pic by the label. No large cracks or restorations. Stable and displays very well.

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14k 6.5" 7-8mm pearl bracelet. No issues, genuine pearls and solid 14k gold.

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Ciondolo lucertola con intarsio a canale Navajo Muti-Stone 14k Calvin Begay, alto 35 mm con cauzione x 30 mm di larghezza x 6,8 grammi.Calvin Begay è un artista, gioielliere, designer e maestro artigiano pluripremiato. È nato a Gallup, nel New Mexico nel 1965 ed è cresciuto a Tohatchi, nel New Mexico nordoccidentale. Calvin ha disegnato il suo primo gioiello all'età di 10 anni, imparando da sua madre e da suo zio. In oltre 20 anni come designer e artigiano di gioielli, è diventato un maestro in ogni aspetto del processo di progettazione e produzione. Ha vinto numerosi premi al Gallup Inter Tribal Ceremonial, incluso il Best of Show nel 1989. I suoi gioielli sono apparsi su Arizona Highways e Southwest Art Magazines. Questo artista di talento innova e aggiorna continuamente i suoi progetti, lavorando sia in oro che in argento e aggiungendo nuovi motivi e pietre al suo repertorio. Nel tempo libero, Calvin partecipa a rodei e cavalca nell'entroterra con i suoi veicoli fuoristrada. Quando crea gioielli, quello spirito libero e selvaggio trova espressione nei metalli preziosi e nelle pietre. Ha una capacità unica di tradurre le tradizionali tecniche di intarsio Navajo in gioielli che riflettono la sua eredità dei nativi americani, ma hanno un tocco elegante e contemporaneo. Il lavoro di Calvin è apprezzato da clienti e collezionisti, non solo nel sud-ovest, ma in tutti gli Stati Uniti e nel mondo. Nell'arte di Calvin Begay, la straordinaria bellezza del selvaggio West si riflette nella combinazione di colore e design che creano indimenticabili pezzi d'arte da indossare.

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14k gold 3.9ct topaz/ .15cttw diamond pendant. Nice vintage estate pendant with<br>natural stones, unmarked (tested) 14k gold. 5/8" tall 3.4 grams, no damage or<br>issues.

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14k gold and diamond huggie hoop earrings. There's a fair amount of decent sizeddiamonds in these earrings, well over 1ct but it's really impossible to get an exact measurement mounted the way these are. Tested and guaranteed solid 14k gold and genuine diamonds 7/8 tall 5.9 grams total weight.

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14K gold and Jasper beaded necklace. Marked and tested 14k gold clasp and beads.<br>24" long with no issues.

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14k Gold Automatic 1968 Rose Bowl Lord Elgin Pocket watch. Working order, 33mm wide without crown, solid 14k gold, good condition with some overall wear. 25.81 grams. <br><br>On the silver stick dial, there are gold indices and hands as well as a beautiful rose and the words 'Rose Bowl 1968'. Played in Pasadena, California, the USC Trojans defeated the Indiana Hoosiers in the 1968 Rose Bowl 14 to 3. This 33mm 14K yellow gold case is engraved on the back with the original owner's name, George Wilson, and the two teams that played in the 1968 Rose Bowl.

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14k gold diamond pendant, nice sized natural diamonds, don't have my calipers<br>handly but approx .5-1cttw. 17" necklace, 5/8" tall pendant. Both 14k gold 3.2<br>grams total

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14k gold Retired James Avery Tennis Racket charm 1" wide 1.8 grams, no issues.James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul.Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.anderas

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14k Gold Sapphire and Diamond earrings. Approx 2.6cttw of Natural opaque white<br>sapphires and .25cttw of natural white diamonds. Earrings tested and guaranteed<br>to be solid 14k gold, backs marked. 7/8" tall x 3/8" wide. 3.4 grams total<br>weight

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14k gold Vintage Girard Perregaux Gyromatic Automatic Watch. Mid 20th centurywatch with solid 14k gold case. The case is very clean and unpolished, a few scratches on the dial. The second hand appears to have some oxidation. Estate fresh, keeps perfect time. Needs a new band.It's about 3.5cm wide and just a little longer. A typical men's watch of the period but smaller than many men's watches made today. Thank you

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14k gold, Diamond, Chinese Carved Hubei Spiderweb turquoise pendant. 1.25"without bail x .8", Marked and tested 14k gold, tested natural white diamonds, and high grade Hubei turquoise 5 grams.

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14k gold/garnet Pendant/earring set on 10k necklace. Great set natural garnets<br>set in 14k gold marked 585 all over and tested, 10k necklace with no issues.<br>Total weight 8.2 grams

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14k gold/Sterling and Lapis Navajo Seed pot by Dennis or Bobby Nofchissey.3.25" x 1 3/8" x 135.1 grams. The vertical strips top and bottom are tested and guaranteed solid 14k gold, also the second ring from the top. It is tough to photograph silver and gold together and show their true colors at least for me. This is a top end gallery piece which is hopefully evident from the pics. Both Dennis and Bobby are award winning artisan's. This piece is likely around 30 years old, when this was made metal prices were around 1/10 of what they are today. A piece of this quality would costs thousands directly from the artisan in today's market.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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14k Supersmith David Rosales Native American 14 kt Gold with Picture Jasper,<br>Tiger Eye and Black Jade. From the "Native Earth" line, retails for $3900.<br>Slightly worn with no damage, no wear to stones, slight expected wear to gold<br>mainly in interior.<br><br>Supersmith Inc, also known as David Rosales Designs “Contemporary Designs,<br>Traditionally Made,” located in Gallup, New Mexico, consists of several<br>extremely talented Native American craftspeople from the Navajo and Zuni tribe.<br>In 1997, David Rosales, founded Supersmith Inc along with his cousin, John<br>Delgado. What started as a small operation in his garage, has grown to offer one<br>of the highest selections of contemporary Native American jewelry in the<br>Southwest.<br><br>Born and raised in Gallup, NM, David was trained as a mechanic and was offered<br>an opportunity to accept a managing job at a jewelry company, which changed his<br>life completely. After discovering his own creativity and design ability, and<br>the partnership with his cousin, John Delgado, Supersmith Inc was born.<br><br>Most commonly known for beautiful, clean inlay work and stunning color<br>combinations, their new tagline is “Contemporary Designs, Traditionally Made.”<br>Working from an old Coors warehouse, artists work within three different<br>departments which include a lost-wax casting department, an inlay department,<br>and a finishing department. The end results are one of hand-crafted beauty from<br>talented artists of all ages.<br><br>Keeping with family traditions, David’s daughter, Sheree, joined the team in<br>2016. Today Supersmith employs approximately forty employees who continue to<br>produce hand-crafted contemporary jewelry with continually evolving designs and<br>color combinations to keep up with current trends and popularity. Supersmith<br>strives to keep jewelry making alive by training and encouraging young<br>generations of artists.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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14k White gold Blue Topaz and diamond earrings. Approx 5.6cttw topz .05cttw diamonds, Both marked and tested 14k gold. 4.1 grams with no issues.

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14k White gold pink Quartz and diamond earrings. Marked and tested 14k gold 5.3 grams. Genuine Diamonds, really not sure about the pink stones, possibly synthetic. No issues with earrings, beautiful. 1" long.

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14k/emerald mounted Atocha Shipwreck replica coin set. Earrings 1 5/8" tall,<br>pendant 1 5/8" tall x 1.25" wide. All three pieces with marked and tested 14k<br>gold bezels. This is an estate fresh set and I'm assuming they are replica coins<br>made from Atocha silver bar recovered in 1986 from the wreck of the Nuestra<br>Señora de Atocha off the coast of Key West which is the case with most of these.<br>12.5 grams total weight.

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Vintage Italian designer clamper bracelet from the late 20th century very clean with strong spring. Marked and tested 14k gold and sterling 36 grams approximately 7" inside diameter.

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14k/sterling modernist southwestern earrings 1 1/8" tall, amazing quality, unsure of artisan. 6.4 grams.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman's wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure.

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14k/sterling Vintage Southwestern hand engraved belt buckle. 2" x 1 3/8", fits a1" belt, 27.3 grams...my guess is 25% of the weight is 14k gold. That is a thick 3d solid 14k gold bird on the front center. Marked and tested sterling and 14k gold.

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14mm 24" Sterling beaded necklace, Mexico. No damage, retro c1980's. I can polish upon request or leave oxidized. anderas

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Caviale Lagos da 14 mm in oro 18 carati su bracciale in argento sterling lungo 6,5 pollici. Caviale Lagos autentico e di alta qualità garantito, logo in oro massiccio 18 carati montato su uno spesso braccialetto in argento sterling di alta qualità. Nessun problema.

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15 1950's-1960's Restaurant China Coasters for Astrup Company Walker China 4". Selling all 15 2 atlantic Cities, other than that all different. These are all mint with no cracks, chips, scratches, crazing, or stains.

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Cups are 3" tall, saucers are 5.75" wide. Great vintage set in a harder to find<br>pattern. No cracks, chips, or stains. Crazing on every piece, I believe it was<br>produced that way on purpose.

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15" c1850 Old Paris Porcelain Mantle Vases Pair. 15" tall x 7.25" wide at rim.<br>Very substantial pair of vases with minimal wear to gilding. The one with the<br>pink top has Two chips, one on left side of top rim and one to a leaf on the<br>same side. I missed these when purchasing them as they don't stand out on huge<br>vases like this especially when displayed up high like a mantle. The other has<br>no chips, cracks, or restorations.<br>isshelf

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15" Robert Eickholt Heavy Abstract studio art glass centerpiece bowl. 15" wide with no damage or detectable wear.Robert Eickholt is a well known glass artist who has been creating captivating blown glass for over 40 years. Robert founded Eickholt Glass in 1978 when he returned home to Columbus, Ohio after studying glassblowing in Berkeley, California.Once home he continued his studies at Ohio State and at the Columbus College of Art and Design.Since its founding the studio has produced numerous types of beautiful art glass creations such as paperweights, vases, eggs, sculptures and perfume bottles. Each piece is made one at a time and completely unique.Eickholt Glass is quite well known for their distinctive designs which incorporate precious metals including gold and silver and rare oxides like cobalt and copper. Their beautiful art glass has earned them accolades worldwide.tw243

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15.25" Baccarat Neptune Decanter c1990. 5.5" wide x 15.25" tall. No cracks, chips, scratches, dings, or hard water. This pattern was produced from 1988-1993 and is retired. TW 254

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15.25" Longchamp French Majolica Asparagus Serving Platter 9.25" deep x 3.5" tall. No cracks, chips, restorations, or glaze flakes, some crazing as expected. I have 6 plates and a larger serving bowl listed separately.

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15.4" c1860 Meissen Vase serpent Handles Hand Painted, Heavy Gold. 9.5" wide<br>from handle to handle. No cracks, chips, or restorations. Near perfect gold,<br>these are seldom found, but when they are the gold is often very worn on the<br>raised areas.

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18K yellow gold and sterling silver David Yurman Figaro chain necklace featuring<br>black onyx faceted beads with toggle closure. Very fine pre-owned condition with<br>no damage or detectable wear. 39.7 grams 7mm wide.

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15.5" Vintage Chinese Cloisonné Birds and Butterfly Vase. Nice, high qualitypiece. Estate fresh from the third quarter of the 20th century with no damage, minor oxidation to exposed brass. No identifying marks. Large piece 15.5" tall x 7.25" wide. isshelf

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Guaranteed early to mid 1800's. 10 saucers and 5 cups. One saucer has a crow's foot, but since there's extras that shouldn't be an issue. Very light yellowing to some pieces, no dark noticeable stains. No cracks, chips, or restorations other than the one crow's foot.These are 100% hand decorated, it takes close examination to see the subtle variations of the pattern. 5.75" saucer x 2.5" tall cup.

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15pc c1900 Haviland Limoges Game Set Art Nouveau Jeweled Rims Hand Painted Over transfer. I'm including a Sauce boat with lid that isn't shown in the pics it will be a pleasant surprise as it has the same jeweled border and nice basketweave handles with gold accents. There is a repaired chip on the lid of the sauce boat. There are no other cracks, chips, or restorations to the rest of the set. There is some very minor gold wear, mainly to the platter on the very outside rim, none of it is noticeable on a fine and unique set such as this one. 13 Plates total I'm listing the quanity of each style below starting with the first pic shown of individual plate and ending with the last. 3 Woodcocks, 3 Pheasants, 2 Roadrunners?, 2 doves?, 2 Quails, 1 mallard duck. The one 17.75" x 12.25" Platter with multiple gamebirds. I've had a lot of Game sets of the years and this is the best one I've had that would mix well with most modern decor, this set would fit in anywhere.B46

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15th century Ming Chinese porcelain bowl with blue underglaze decoration 5"wide, described in detail on 1984 appraisal which will be included and a pic of is included in the attached pictures. Jo Ann Adams was a very well respected, thorough, and knowledgeable appraiser that specialized in Asian antiques. And as you most likely know if you're reading this Chinese porcelain is one of the few areas of Antiques/Collectibles that have proven to be an excellent investment in the last 38 years since these appraisals were done.Two tiny chips on top rim, one on footrim. Some crazing and light stains, a few tight lines on top rim that don't extend far on either side, no restorations, cracks, or large chips.isshelf

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older<br>2" tall no significant damage, no cracks, no restorations.<br>B31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older<br>2 3/8" tall no significant damage, tiny chips on unglazed footrims, the one with<br>handles has a very old restoration on top rim and one handle. no cracks.<br>b31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older 2 3/8" tall no significant damage, tiny chips on unglazed footrims, the one with handles has a very old restoration on top rim and one handle. no cracks.b31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older 2 5/8" tall no significant damage, tiny chips on unglazed footrims, no cracks, no restorations. B31

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15th Century Thai Sawankhalok celadon Tall bottle or Vase with incised<br>decorations 15th century or older 4" tall one handle looks to have very old<br>restoration, tiny chip on top rim, no cracks or other issues.<br>b31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older<br>2" tall widest is 2.5" . Decorated one has tiny chip on footrim, no other<br>cracks, chips, or restorations.<br>B31

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15th Century Thai Sawankhalok Kiln Celadon Jar. 3.75" tall x 4.5" wide, red low fired clay, some firing glaze flaws on top likely from overstacking the kiln.B31

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15th Century Thai Sawankhalok Kiln Condiment Jar with Lid. Very early piece of Thai pottery 15th century collected in the mid 20th century by a woman that is now 96. I'll be selling more of her items shortly. 3.25" tall x 4 3/8" wide One chip on top of lid and some roughness inside the rim on the lid and base that is likely a combination of firing flaws and minor wear from centuries of use.b31

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15th Century Thai Sawankhalok Kiln Condiment Jar with Lid. Very early piece of Thai pottery 15th century collected in the mid 20th century by a woman that is now 96. I'll be selling more of her items shortly. 3" tall x 3 5/8" wide No cracks, chips, or restorations.asianshelf

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15th Century Thai Sawankhalok Kiln Condiment Jar with Lid. Very early piece of Thai pottery 15th century collected in the mid 20th century by a woman that is now 96. I'll be selling more of her items shortly. 3.25" tall x 4 3/8" wide One chip on top of lid and some roughness inside the rim on the lid and base that is likely a combination of firing flaws and minor wear from centuries of use.b31

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15th Century Thai Sawankhalok Kiln Condiment Jar with Lid. Very early piece of Thai pottery 15th century collected in the mid 20th century by a woman that is now 96. I'll be selling more of her items shortly. 4 3/8" tall x 4.5" wide One restored chip and associated stable hairline shown left center of the last pic. No other significant issues.asianshelf

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15th Century Thai Sawankhalok Kiln Condiment Jar with Lid. Very early piece of Thai pottery 15th century collected in the mid 20th century by a woman that is now 96. I'll be selling more of her items shortly. 3" tall x 3.75" wide with no cracks, chips, or restorations.TW129

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15th/16th Century Early Printed bible page with hand rubricated initials. From a large collection of manuscripts, framed in the third quarter of the 20th century. 10.75" x 8.75" framed, 8.5" x 6.25" sight.paintingshelf

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15th/16th century Vellum Antiphonal leaf. This is on Vellum/hide. There are some tears but it's stable in the frame. For some weird reason there is clear tape on the back of the glass and a little on the front, possibly they taped the two panes together and over time the tape degraded a little, still it displays well. Slightly illuminated in the picture shown. 22.5" x 16" framed.The origins of liturgical music traditionally date back to St. Gregory the Great (d. 604), who was inspired by the Holy Dove to record the principles of 'Gregorian' chant. The Gradual contained the musical parts of the Missal and was sung from the steps (gradus) of the altar. The Antiphoner contained the musical sections of the Breviary. These terms have become interchangeable in modern times. Because of their size and complexity, these manuscripts were still being handmade in the traditional way for centuries after the introduction of printing. They were boldly hand-written and illuminated on large sheets of sturdy vellum so that the entire choir could read from one book.

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