Vintage Beau Sterling Horses Brooch Bracelet Screw Back Earrings Set. Earrings<br>are 13/16", bracelet 7" brooch 2.25". All from same estate.

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Southwestern Sterling Cactus Earrings. Estate earring, not sure how old. I can find no markings other than St Sil on the backs but guaranteed and tested sterling. Really nice well made earrings. They can be switched so the cacti are charms.

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1930's Art Deco Mexican Silver Earrings Screw Back Clip on. One pair marked del rio, one marked silver, other unmarked. All three sterling silver with working clips or screw backs.

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Navajo Ray Tracey Knifewing Modernistic Inlaid Earrings 1.25" wide square. Light scratches, no deep scratches, bends, or damage to stones. The Creative Process Fueled by Inspiration “God blesses everyone with a variety of gifts and talents.” The Creator blessed Ray with the spirit of Creativity. Inspiration is the basis for his creative spirit. Inspiration arrives in many forms and disguises when least expected. Hiking the canyons of the Southwest, where his ancestors did the same, gives Ray a feeling of reverence. Walking in peace with gratitude and thanksgiving opens up the senses to receive ideas. Petroglyphs carved on canyon walls turns into wearable art. Stories from an ancient past are re-lived on the faces of Yei pendants. The evening sky’s transformation of color inspired the Earth and Sky jewelry line. Once while golfing, a white butterfly landed on Ray’s golf bag and accompanied him down the fairway. This incident brought the Butterfly and Dragonfly design concept to reality. Having awareness of this special gift, he aspires to know the origin. Artist Ray Tracey has had a life-long love of jewelry. As a child growing up in Sawmill, AZ, Asa Tracey, his Grandfather, influenced him with his stories of working the goat bellows for his uncle. Asa would pump the goat bellows all day long to fuel the fire in the forge that would melt silver in a small cast iron crucible. This process was very labor intensive and his grandfather hated it. The molten silver would then be poured into a tufa stone mold to form an ingot. The jeweler would then execute his craft and a new piece of jewelry would be created. “I wanted to see finished jewelry and wanted to learn everything I could. Whenever we would go to Gallup, NM, I would visit curio stores to see creations in silver.” Ray spent time viewing jewelry designs at the Gallup Intertribal Indian Ceremonial and at the Navajo Nation Fair. Anywhere, there was jewelry on display; Ray could be seen viewing the works of art. Ray’s family moved to Ganado, AZ when he was six years old. One summer day when he was nine years old, he complained to his mother of how bored he was. The next day his mother enrolled him into summer school and changed his life forever. He went straight to art class and found a silver smithing table in the corner. He remembered his grandfather’s stories and the rest is history.  “In class I fabricated my first ring out of silver for my Mother. I found an unknown stone and made a cabochon. I tried to copy an old style ring design that I had seen at Hubbells Trading Post. One teardrop flanked the sides of the stone. It was a very simple design but it took me a week to finish. I kept melting the silver. I made my next silver and stone creation at the age of 21 and gave it to my mother. It was another ring, but this time it was a split shank with three ribs and three tear drops on the side of the stone.” I told my father, I want to make jewelry for the rest of my life.” Ray continued making jewelry while attending Brigham Young University. Studying chemistry and physics by day and making jewelry at night. “The designs were simple, my first love was Old Style Navajo jewelry. Weekends were spent traveling to Gallup, NM, to sell his work. While at BYU another opportunity arose to express his creativity—acting. “I wasn’t a very good student so Hollywood had an instant appeal. My gift of creativity carried over into acting. Acting was just another outlet of creative expression.” His adventurous nature allowed Ray to spend several years as an actor in feature films and television. This acting detour never made him lose interest in jewelry design. Eventually, Ray’s love of jewelry brought him back to New Mexico to permanently pursue this art form. “One time while traveling to Albuquerque from Gallup, I noticed the horizon over Laa Pueblo. I saw steps on a mesa. I incorporated this imagery of tiered steps into a bracelet design.” “Another time, while golfing at Hobble Creek Golf Course, I saw pebbles aligned in a  row on the river bottom. Those pebbles became my inspiration to place them on the sides of an inlaid bracelet.” “Sometimes my creativity comes to a screeching halt. When this happens I go to my roots; Old Style jewelry. That is the place of fascination. The Old Ones utilized rudimentary tools to create their simple, yet perfected, pieces of craftsmanship. From this point I am able to create from an inspiring idea. On the flip side, sometimes my mind becomes flooded with more designs than I can remember. Ideas come so quickly I can’t draw them fast enough.” “When I see someone wearing one of my designs, it takes me back to the time when the piece was created. Sometimes I can recall what I was eating or even the music I was listening to. I will remember the inspiration that helped create that design.” Ray has found his path or gift of self-expression that has blessed, enlightened, and influenced his life and others. Awareness of this special gift, fuels his energy and creativity. Inspiration helps to translate his creativity into artistic-visual expression. His creations stand as transitional figures from traditional to contemporary.  He creates something good as he is drawn toward untouched fields of yet-to-be-discovered imagery. Unknowingly he is creating a legacy from which generations can learn and grow. Ray has learned to appreciate and embrace the journey of life and its gifts.

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Vintage Navajo Sterling QT Sterling Quoc Turquoise New Mexico Earrings inlaid feathers Bears. No issues

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Huge Vintage Navajo Garcia Sterling Multi-stone earrings. Missing backs, otherwise great condition with no issues. 3 7/8" long x 1.25" wide x 24.9 grams.

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Native American Sterling Multi-stone channel inlay hoop earrings. Estate earrings likely 20-30 years old, possibly never worn, on card as shown. Unmarked and tested sterling. 7/8" tall x 9/16" wide x 4.5 grams with no issues.

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Vintage Southwestern sterling turquoise howlite clip-on earrings. Great looking pair of earrings, I believe the stones are Howlite. 12.6 grams, no issues strong functional clips.

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Retro Sterling silver hoop earrings. 2 pair of high quality hinged earrings, stones untested, both pairs fully functional with very secure clips. Selling both pairs for one price 1 1/8" tall. 37.2 grams total weight.

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Retro Southwestern Sterling/14k gold earrings. No damage, marked as shown. 2<br>1/8" long x 8.3 grams.

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c1890 Victorian 14k Micro-Mosaic Dog earrings. Great pair of hollow but solid<br>(tested) 14k gold earrings from the last half of the 19th century. 2" tall x<br>5/8" wide 6.5 grams. unmarked

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c1940's Zuni Snake eye sterling and turquoise screw back earrings .5" wide faces. From the second quarter of the 20th century. At the time of this listing I have two pairs of these from the same estate. Selling one pair with another available. If you buy one you will get the pair shown. 3.4 grams.

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Retired James Avery Sterling Southwestern Modernist earrings. 1" tall x .75" wide x 13.3 grams. No issues. anderascoll James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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Big Retro Sterling fun dangle earrings. 3.25" x 1 1/8" no backs, no other issues. 28 grams. anderas

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Vintage Navajo stamped sterling beaded earrings 1 1/8" tall x .75" wide x 9.4 grams with no issues. All precious metals are tested and guaranteed,

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2pr c1940's Native American sterling and turquoise screw back earrings. Selling both pairs of earrings shown. Smallest .5", largest 7/8" x 5/8", 8.7 grams total weight.

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Large Modernist Erika Hult de Corral Taxco Sterling RIC Earrings 3" tall x 1.25" wide x 26.8 grams with no damage. Early in her career she worked for Sigfrido Pineda, and Enrique Ledesma, later owned shops in Puerto Vallarta. She was trained at Parsons School of design in Paris ( Hougart Mexican Silver Trade and Hallmarks, Bille Hougart, 2006). This piece is reflective of that training.

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Navajo Sterling/Malachite necklace and earrings set. Selling the vintage set<br>shown with no issues. Tested sterling with no purity markings. 1" tall earrings<br>Necklace has an extender so it can be worn at 22" or 28". 113 grams total

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Retired James Avery Sterling and onyx Southwestern Style earrings 1 1/16" x .75", little to no wear. 9.3 grams. anderascoll James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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Retro Ben Shiley Navajo stamped silver and onyx earrings. No backs, no other issues. 2.75" x 1 5/8" x 19..6 grams. All precious metals are tested and guaranteed,

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Retired James Avery sterling earrings 11/16" tall x 3/8" wide both with mixmatch backs that work, no other issues. 7.7 grams anderascoll James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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Retired James Avery Hammered sterling Hoop earrings and jackets. Selling the<br>earrings with removable jackets, both James Avery, all 4 pieces signed. 1 1/8"<br>tall x 5/8" wide. 8 grams total.<br><br><br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br><br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.

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Large Navajo Sterling Eula Wylie Chrysocolla Earrings 1.75" x 1" x 31.3 grams,<br>no damage or detectable wear.<br><br>Navajo silversmith Eula Wylie was a silversmith for Atkins Trading Company. Eula<br>is from Ganado, Arizona on the Navajo Reservation. She has used the hallmark “E.<br>Wylie” in gothic letters since 1976.

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Mid Century Japanese Sterling Crystal Star screw back earrings. Very cool pair of earrings Highest quality what I assume to be crystal rather than stone. 7/8" wide possible minute wear to a few of the tips. No large chips, no other issues.

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c1940's Mikimoto Pearl/silver screw back earrings. Great vintage condition with no issues. 13/16" tall 4.7 grams.

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Movado 18k gold/Sterling Heart earrings in box. Very lightly used, strong<br>springs on clips, 14.3 grams, very clean box and outer box included as shown.<br>Earrings are .75" tall x 7/8" wide. The hearts on these are solid 18k gold, the<br>rest solid sterling.

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Retro AIS Southwestern Sterling silver Sea fossil cuff bracelet and earrings.<br>Clean condition with no issues, will shine like new with 5 minutes of polishing<br>which I could do upon request. I'll leave like this unless requested as everyone<br>has different taste. Earrings 1.5" x 1" x 19.5 grams, cuff fits up to a 6.5"<br>wrist, .75" adjustable gap 42.6 grams, 62.1 grams total.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Retro Modernist multi-stone sterling earrings. Very cool earrings with a petrified stone exterior and turquois mounted in sterling interior 1.5" wide, 23.8 grams, one missing back, no other issues, marked on back as shown.

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Art Deco Sterling Carnelian/Marcasite Brooch and earrings. Brooch Marked Germany and Sterling with a numerical hallmark on the opposite side I don't have time to puzzle over unfortunately, earrings marked 925. Brooch likely from the 1920's or so, earrlngs later but I'm not sure how much later. Both excellent quality from the same estate. Brooch 1 7/8" wide, earrings 1.75" tall x 7/8" wide, no missing stones or apparent damage. Earrings missing backs. 17.9 grams total.

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Calvin Begay Navajo Sponge Coral Sterling Channel inlay necklace and earrings.<br>Very unusual set with no damage or issues 18.5" long necklace 1 1/8" long<br>earrings. 88 grams total.<br><br>Calvin Begay is an award winning artist, jeweler, designer and master craftsman.<br>He was born in Gallup, New Mexico in 1965 and raised in Tohatchi, northwestern<br>New Mexico. Calvin designed his first piece of jewelry at age 10, learning from<br>his mother an uncle. In more than 20 years as a jewelry designer and craftsman,<br>he has become a master in every aspect of the design and manufacturing process.<br>He has won numerous awards at the Gallup Inter Tribal Ceremonial, including Best<br>of Show in 1989. His jewelry has been featured in Arizona Highways and Southwest<br>Art Magazines. This gifted artist continually innovates and updates his designs,<br>working in both gold and silver, and adding new motifs and stones to his<br>repertoire. In his leisure time, Calvin participates in rodeos and rides in the<br>back country in his all terrain vehicles. When he creates jewelry, that wild<br>free spirit finds expression in precious metals and stone.He has a unique<br>ability to translate traditional Navajo inlay techniques into jewelry that<br>reflects his Native American heritage, yet have elegant and contemporary flair.<br>Calvin’s work is prized by clients and collectors, not only in the Southwest,<br>but throughout the United Stated and the world. In the artistry of Calvin Begay,<br>the stunning beauty of the untamed West is reflected in the combination of color<br>and design that create unforgettable pieces of wearable art.

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Retired James Avery De Flores sterling and turquoise earrings. 5/8" 5.2 grams<br>with no issues.<br><br><br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br><br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.

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Ella Peter Navajo Sterling Egyptian Turquoise earrings. No damage or detectable<br>wear 2 5/8" long x .75" wide 11.9 grams total.<br><br>Ella Peter, Navajo silversmith was born April 2, 1943 in the Tsa-ya-toh area in<br>New Mexico on the Navajo reservation. At a very young age, she learned the art<br>of making jewelry and weaving baskets from her father. She has been making<br>jewelry for over 45 years and is a master silversmith. Ella currently resides in<br>Mentmore, New Mexico.

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Retro Sterling/turquoise clip-on earrings 33mm tall x 8mm wide x 19.9 grams. No<br>damage, strong spring on clips, possibly unsused.

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Large John Hardy 18k/Sterling Jalsimer Dot Clip-on earrings. 1.25" tall x .75"<br>wide with no issues.<br><br>About John Hardy<br><br>Inspired by Bali and its time-honored jewelry-making traditions, John Hardy’s<br>artisan collective was founded in 1975 with a dedication to handcrafted jewelry.<br>We are committed to sustainable luxury business practices, our craftspeople and<br>the preservation of Bali. We pride ourselves on the value of authenticity; it is<br>the soul of community that makes each piece truly one of a kind.<br><br>WE ARE ARTISANS<br>One of the largest employers on the island of Bali, the John Hardy Workshop &<br>Kapal Bamboo Boutique employs over 500 multi-generational craftspeople, from<br>watercolor artists to metalsmiths. Dedication to heritage artistry not only<br>defines the John Hardy legacy, it retains artisan families that craft jewelry<br>through meditative, communal chain-weaving, hand-hammering and carving.<br><br>WE ARE COMMUNITY<br>We are fueled by the spirit of togetherness and dedicate ourselves to the<br>artisans whose deep connection to Bali inspires the foundation of our Workshop &<br>Kapal Bamboo Boutique. We offer an apprenticeship program, Jobs For Life, that<br>provides vocational training and financial support to the citizens of Bali. Each<br>participant is given the opportunity to join the workshop, where we provide<br>locally sourced family-style meals to several-hundred workers––a gathering<br>ritual that both fosters a sense of community and attracts visitors.<br><br>WE ARE SUSTAINABLE<br>As a certified member of the Responsible Jewellery Council, and Kimberley<br>Process compliant, John Hardy is committed to codes of practice that ensure our<br>stones, diamonds and metals are conflict-free and ethically produced every step<br>of the way.<br><br>The same sense of responsibility is applied to our packaging. From our jewelry<br>boxes to our shopping bags, all paper materials are now certified by the Forest<br>Stewardship Council, a non-profit that manages the environmental and economic<br>benefits of trees.<br><br>We also craft jewelry that gives back. Our “Wear Bamboo, Plant Bamboo”<br>initiative, in partnership with non-profit 1,000 Bamboo Villages, is committed<br>to cultivating the natural beauty of Bali. This means every time you shop from<br>our Bamboo Collection, we plant bamboo seedlings in Bali on your behalf.

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Howlite, Red Jasper, and Sterling Earrings.. Unmarked, tested sterling. 2.5" long 21 grams with no damage.

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Vintage Modernist articulated sterling/turquoise earrings 35mm x 22mm unmarked<br>tested sterling. No issues. 20.7 grams

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Signed Southwest Blue Gem Turquoise/Sterling earrings. Very high quality<br>earrings with high quality turquoise. Made by an Artisan I'm not familiar with<br>that took the time to write the carat weight of the turquoise on the back of the<br>earrings. 2.75" long x 1.25" wide 16.7 grams total.

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Mel Benally Navajo Sterling Opal, and Charoite channel inlay earrings 2.25" long with hooks x .5" wide with no issues 8.9 grams. Mel Benally is a 28 year old Navajo jeweler from Gallup, New Mexico. He was introduced to silversmithing by his older brother when he was 17. He enjoyed creating art through metal and soon learned to do other techniques such as inlay and working with gold. He uses the style called “fuzzing” where he solders silver saw dust to give it a rough texture. Mel loves making jewelry that others will enjoy and be able to share with their friends.!

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S.A. Pinto Navajo Sterling and turquoise earrings. 3" tall x 1 5/8" wide 14.3<br>grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Vietnam War Era Pilot's sweetheart pin and screw back earrings. Pin 1.5", earrings 7/8" wide. Selling the lot

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c1940's Matilde Poulat screw back earrings 1.25" x 1" with no issues. 14.8 grams.MAT-MATILDE POULAT & RICARDO SALAS JEWELRY Matl is the mark that appears on some of the most beautiful and unique jewelry in Mexico. Matilde Eugenia Poulat introduced MATL in 1934 and, since her death in 1960, her designs and techniques have been carried on by her nephew, Ricardo Salas. For sr. Salas, who can recite poetry in the language of the Aztecs, the mark matl, has greater meaning in its reference to the Nahuatl or Aztec word for water, atl.As a young woman, Matilde Poulat studied painting at the prestigious San Carlos academy of fine arts in Mexico city, she went on to teach painting classes at an art school until her interest turned exclusively to silver. Matilde Poulat´s designs for jewelry and figures were part of the new cultural vision among Mexico’s intellectuals after the revolution in 1920s, artists were searching for Mexican aesthetic, rejection European subjects in favor of the art of the pre-conquest Indians and of the Mexican pueblos. Sra. Poulat found inspiration in the mextec gold jewelry discovered in 1932 at Monte Alban. Her choice of motifs the dove, flowers, and tiny bells are reminiscent of the whimsical subjects of contemporary Mexican folk art.Matilde Poulat received international recognition for her jewelry when she was asked in 1941 to participate in an exhibit of Latin American silver at the pan American union in Washington, D.C. as a result of increasing demand for matl silver during world war ii , the number of silversmiths in the taller increased to thirty-three. In 1950, Srta. Poulat and her nephew opened a showroom on the first floor of her home, where she also had the workshop. Ricardo Salas recalls that they made three thousand types of silver jewelry and one hundred different pieces.Ricardo Salas worked closely with his aunt from the time he was eleven years of age. He says she recognized his artistic talent when she saw him do a play with puppets he had made himself. Sr. Salas was sent to the San Carlos academy, where he received the premio Diego Rivera. As a youth, he learned the techniques of the silversmith and perfected the carving of "Off White", coral, turquoise, and other stones used in the jewelry and figurines. From sr. Salas perspective, he and his aunt collaborated so closely as designers, that there really cannot be a comparison of their work.In 1955, William Spratling wrote of Matilde Poulat: “she has continued to produce some of the most charming native jewelry in Mexico, intensely her own. Her jewelry has the same charm and delightful surface and colorful quality of the old lacquer work of Uruapan. Spratling`s admiration for matl silver reflects his recognition of their shared appreciation for Mexican native art. This mutual inspiration led each of the two artists in different directions within the same medium. The exuberance of matl silver resembles the interiors of the churches in Puebla, like the chapel of Santa Maria Tonantzintla, where Indians covered the interior of the dome with polychromed and gilded angels. In matl silver, the introduction of color is accomplished with bits of coral, turquoise, and amethyst quartz. The surfaces are decorated with applied wire and elaborated with embossing and repousse of astounding complexity (pl.XXIII-1, XXIII-10). Matilde Poulat and Ricardo Salas have been successful in incorporating the artistic language of the Mixtecs into jewelry and silver figures with imagination, drama, and with a style that is completely personal.

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Navajo Delbert Delgarito Sterling turquoise/spiny oyster dangle earrings. Nice estate fresh pair with no damage and little to no wear. One missing back in pic, if you purchase and a back is really important to you please let me know and I will find one as I have tons just din't have it available right now. 2 5/8" long x 5/8" wide x 17.6 grams.

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Navajo Herman Smith 14k gold on Sterling Earrings 1" tall x .75" wide with no issues 13.3 grams. Born in 1964 Gallup, NM. Herman learned silversmithing from he`s mother. He is known for his detailed and unique stampwork, created by using very few stamps. He is known as a local artist and his jewelry is very popular in his home town.

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Large Native American sterling multi gemset earrings 1.5" x 15/16" x 15.6 grams with no issues. All precious metals are tested and guaranteed,

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Large Vintage Oscar DeLaRenta Clip on earrings. 2.25" tall x 7/8" wide. Pave set<br>rhinestones with large encased crytals top and bottom. No damage, or detectable<br>wear, strong clips.

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Daslin Southwestern Sterling beaded hearts earrings. Marked and tested sterling with no damage or issues. 1.25" wide x 1.75" tall with hangers 15.5 grams.

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Oystein Balle Norwegian Sterling enamel pansy earrings and pin. Top quality with<br>no damage to the enamel or wear. Earrings 7/8" x 7/8", pin 1.25" x 1.5". The<br>earrings were a little dirty in the pic but it cleaned off, no issues.

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David Yurman 14K Yellow Gold Sterling Silver Double "X" Twisted Cable earrings.<br>Marked inside Yurman 14k 925. 14.5 grams Guaranteed 100% Authentic David Yurman.

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Large 1990 Carol Felley StoryTeller Sterling dangle earrings. 2.5" long x 1.25"<br>wide x 18.8 grams total weight, no issues.Following her passion for painting and jewelry design Carol moved to New Mexico<br>after graduating from Carnegie Mellon University with a Fine Arts degree. She<br>was inspired by the jewelry making community in the Southwest and opened a<br>design and jewelry manufacturing business in Albuquerque, New Mexico which she<br>owned and operated for thirty years. She has also been deeply moved by her volunteer work with hospice and decided to<br>develop a new jewelry company called “Style Conscience” dedicated to raising awareness and support for specific causes that she is passionate about. Carol<br>has rededicated her efforts and has combined her love and talent for jewelry<br>design with her passion for making a difference in the world.<br><br>Carol has developed her own unique signature jewelry collections that raise<br>awareness jewelry to a new level of design and beauty. She believes that women<br>want to wear something precious and meaningful that is beautifully designed to<br>express their support for important causes. Carol’s jewelry is crafted from<br>precious metals and gemstones and each individual piece is beautifully finished<br>by hand.”

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Collection Native American/Southwestern sterling earrings. Selling the 7 pairs shown with no issues, one missing back. Spiny oyster pair are 2" tall for reference. Total weight 48.4 grams.

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Collection Native American/Southwestern sterling clip-on earrings. All with no issues Turquoise ones on the left are 1 3/16" x 15/16, total weight 60.7 grams. All from one collection, all with the boxes shown with photos on top for easy storage/organization.All precious metals are tested and guaranteed,

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1940's-50's Zuni Shell Channel inlay clip-on earrings 3.5" tall x 1.5" wide x 24.1 grams with no issues, strong springs on clips.All precious metals are tested and guaranteed,

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Vintage Sterling dangle earrings 3 pairs. Selling the three pairs shown, longest 3 1/8", all test sterling, two pairs marked. No damage or issues with any.

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1950's William Spratling Sterling Screw back earrings. No damage, great vintage earrings. 16 grams total.

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Vintage Modernist Bennett Sterling red Coral Clip-On Earrings 1.75" tall x 1 1/8" wide 17.6 grams.. No damage, strong clips on earrings.

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14k White gold Blue Topaz and diamond earrings. Approx 5.6cttw topz .05cttw diamonds, Both marked and tested 14k gold. 4.1 grams with no issues.

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Mid century Mikimoto Pearl/silver screw back earrings. Great vintage condition with no issues. 1 1/16" tall 7.5 grams.

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large retro 14k gold on Sterling abstract modernist earrings. Each with strips of solid 14k gold (marked and tested) mounted on a sterling base. Very well made pair of earrings with no issues. Marked 14k Sterling, and M J Artisan's mark. 1.5" tall x .75" wide x 13.3 grams.

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Large Retro BS Southwestern sterling Turquoise earrings. 1.75" tall, likely native American. 13.3 grams with no issues.

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Vintage Sterling Pink Tourmaline earrings 3" long x 1" wide at base 4.7 grams with no issues. Natural stones tested as Tourmalines.

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Large Retro Modernist Sterling/Obsidian earrings. 1 1/8" wide x 1.5" tall with no significant wear or damage 17.4 grams total, both marked sterling with no other markings.

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Native American Stamped sterling and turquoise earrings 3" long x 1 3/8" wide both with no issues. 15.4 grams.

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MCM Victoria Sterling/Copper/Brass Mexican Mixed Metals Pin/Screw back earrings<br>set. Doesn't appear ever worn, 2" wide brooch for scale. 19 grams total weight.

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AR Joyeros 14k/950 silver earrings pendant and necklace set. Everything in the pics is solid 14k gold or high content silver. Earrings and pendant 1 1/8" x 5/16", necklace 19" long, 25.5 grams total weight. Alon Diller Israel 1970 The bench jeweler, the owner of AR joyeros and the artist behind the designs. He travelled in Africa, South and Central America for 3 years, and arrived in 1996 to Taxco, Mexico to study jewelry making and art in the national university of Mexico. After working from home for few years he opened his store in the center of the town of Taxco in 2005.

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Vintage Sterling Lapis Lazuli earrings 1 3/8" wide 10.9 grams with no issues. Backs marked sterling. Earrings apparently unmarked but tested sterling.

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Konstantino 18k/Sterling Clio Collection Citron hoop earrings. 1 1/8" x .25"<br>wide with no issues, guaranteed authentic Konstantino and solid 18k gold and<br>sterling. 12.7 grams, uncommon retired design.<br><br>4,000 BC<br>In the heart of the Mediterranean, generations of alchemists, artisans and<br>goldsmiths explored the depths of earth's most valued materials. Gold, silver,<br>bronze and precious stones inspired the creation of fine jewelry, a creative<br>expression of human intelligence.<br>Through the ages, Greek goldsmiths have estab- lished an exceptionally unique<br>presence in the history of fine jewelry, evident across the Mediterra- nean,<br>spanning through the Archaic, Classical, Hellenistic and Byzantine eras of<br>Greece. The indestructible nature of fine jewelry exudes -like qualities, a<br>timelessness that surpasses the ages of style and trend. The Konstantino style<br>emerged from the roots of these traditions, paving the way for its own unique<br>style, one re-defining the blueprint of the classical Greek identity.<br><br>1958: Birth of a legend<br>Konstantino was born in Filiadona, a small village outside Athens where the<br>Ancient city of Melitea once stood. There he watched his father closely as he<br>worked on the farm, building machines and tools of his own. Here Konstantino<br>developed a great appre- ciation for the art of hand craftsmanship.<br><br>1978: A musical influence<br>Following his love for music, the young Konstantino became a disc jockey in the<br>city of Athens, playing everything from Carlos Santana to Lou Reed. These icons<br>and many more, inspired a stylistic fluidity that introduced an essence of glam<br>rock to the scene. By way of music, Konstantino began curating his own aesthetic<br>identity, as a creative mind and style icon. Where, these legends continue to<br>influence the rule breaking spirit that drives the design team at Konstantino to<br>this day.<br>about-image-4<br>1983: Jewelry saved my life<br>Konstantino fled the music scene of Athens in search of an oasis, he took a trip<br>to the island of Hydra where he lived for the next 15 years. It was on this<br>magical island, where Konstantino fell in love with jewelry. He began collecting<br>and curating jewelry, whereby in 1988 the first Konstantino store opened.<br><br>1991: Annette<br>Hydra is not only the birthplace of Konstantinos love for Jewelry but was also<br>where he met his soon to be wife and creative partner, Annette. Together, from<br>the ground up, Konstantino Jewelry soon estab- lished its presence in the US and<br>global market.<br><br>1998: Global Impact<br>As the admiration and craze for Konstantino spread, the dream continued to grow,<br>where now our designs can be found in 10 countries globally. With the addition<br>of a longstanding presence in Neimans, Sax, etc. etc. Konstantino is proud to<br>represent an evolution of the Greek style to the world of fine jewel- ry lovers.<br><br>2016: A Family Future<br>Konstantino and Annette’s children, Julian and Phaedra joined the team, further<br>continuing the legacy of love, risk, and passion for gold smithery and design.<br>This new generation leads with humility, knowledge and a natural instinct for<br>the dynamic of the Konstantino brand. Preserving the core philoso- phies of the<br>brand and expanding on its already established style, is a challenge that’s been<br>taken on with confidence.

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Vintage Chinese Sterling and Carnelian clip on earrings. 1.5" tall large and heavy earrings with no issues, strong springs on clips 28.1 grams.

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Vintage Art Deco Mexican sterling screw back earrings. Each with small dent in ball 8.5 grams, no other issues.

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Large vintage Mexican sterling screw back earrings 2" long with no damage and little wear. 10.6 grams

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Retro Sterling/Amethyst Necklace and Earrings set. 24" necklace, 7/8" earrings. All pieces marked 925 and test sterling. 47.6 grams total weight.

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Vintage Chinese silver and Turquoise cluster earrings 1" wide with no backs, no<br>other issues. Great pair of unusual earrings from the first half of the 20th<br>century. 11.4 grams

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Mid Century Cuernavaca Mexican Sterling screw back earrings. 1.5" x 1 7/8" 14.5 grams total weight. tiny dents in top ball, no other issues.

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Vintage Native American Sterling and gold filled beaded earrings. No identifying marks, tested sterling 2.75" long x 1.75" wide x 29 grams total weight with no issues. anderas

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Vintage Zuni Petit point sterling and turquoise earrings. Nice older unmarked tested sterling Zuni earrings 2 3/8" long by just over .5" wide with no damage or issues. 4.8 grams

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3 Pairs Vintage Native American clip on earrings. 2 Sterling one brass signed with high grade turquoise. Good strong clips, no issues. The ones with white stone appear to be signed Nez. 28 grams total weight

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Asch Grossbardt 18k/Sterling Multi-stone inlay earrings. Extremely high quality,<br>clean with no issues. 7/8" x 1", 19.5 grams.<br><br>The heritage of two of the most storied families in American jewelry design<br>brings you the finest inlaid gold and silver jewelry. Eric Grossbardt founded<br>Asch/Grossbardt in 1986 around basic principles: Exquisite Craftsmanship, Well<br>Thought-Out Function and Design, Attention to Detail and Precise Execution. Asch<br>Grossbardt sources natural, exotic, rare gems from around the world for the<br>Asch/Grossbardt collections. Skilled artisans hand cut these gems into seamless<br>shapes, adventurous patterns and striking color combinations � a joyous<br>celebration of the craft of inlay and sophistication with just a bit of<br>rebellion.

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John Bryan (1897-1982) MCM Sterling Enamel Pin/Earrings set. Great set from the<br>50's or 60's with no significant issues. One earrling with slight crazing in the<br>enamel on the edge, I believe it happened in initial firing rather than damage<br>later. Earrings 1" long, pin 1 5/8" wide. 12.6 grams total.<br><br>John William Bryan was born in 1897 in North Carolina. He was a journalist and<br>teacher in New York for a time, but returned to Asheville, North Carolina in the<br>1950's to start jewelry crafting. It is not understood how he moved from one<br>profession to the next. His jewelry was mostly abstract in design, as was most<br>of the other hand crafted jewelry of the time. He worked in sterling silver and<br>enamel, as far as is known. His work was sold mostly in the Southern Highlands<br>Handicraft Guild located in Asheville, North Carolina, which had been<br>established in the 1930's to educate the region and arts community on the<br>importance of craft and its ability to impact the local creative economy. John<br>Bryan died in 1982 in North Carolina.

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c1960 MCM Matisse Renoir Enamel Clip on earrings set. Unused condition, they<br>were tucked away in a box when I found them. 1 3/16" wide.<br><br>HISTORY OF MATISSE RENOIR VINTAGE JEWELRY<br>Matisse jewelry and Renoir jewelry are two separate lines housed under the same<br>umbrella. They first came into the market during the mid-20th century. Both<br>vintage jewelry lines used solid copper, which was once again available during<br>the post-World War II years.<br><br>Arts and Crafts Movement Influences<br>From the 1890s, and extending through several decades, the Arts and Crafts<br>Movement influenced several United States decorative art styles, including<br>jewelry making. The movement’s enthusiasts believed in a strong connection<br>between the artist and their handcrafted work.<br><br>First and foremost, Arts and Crafts artisans emphasized the use of top-tier<br>materials and functional designs.<br><br>For example, jewelry makers, like Matisse Renoir, insisted on using solid copper<br>rather than a copper-coated base metal. The artisans didn’t compromise on this<br>basic tenet. This was true whether they made a copper bracelet and matching<br>earrings or a striking copper brooch and clip-on earrings.<br><br>Due to metal purification advances, jewelry makers were able to access<br>higher-quality raw copper materials.<br><br>And, improved knowledge of copper’s properties enabled artisans to manipulate<br>the copper better, producing intricate designs.<br><br>In particular, Arts and Crafts-inspired jewelry often features nature images,<br>such as leaves and berries. A Matisse green enamel leaf brooch is a good example<br>of this nature-themed motif.<br><br>American Mid Century Designers’ Creative Inspirations<br>The Arts and Crafts Movement certainly influenced 1940s and 1950s jewelry<br>designers. Many mid-century modern designers incorporated abstraction and<br>surrealism into their pieces. And, numerous items display biomorphism, or shapes<br>that bear a resemblance to organic forms.<br><br>The bold copper motifs appealed to forward-thinking women who no longer wanted<br>to wear their mother’s or grandmother’s understated jewelry. For these ladies, a<br>copper choker, cuff bracelet, or Nefertiti necklace made the perfect accessory<br>for a night on the town.<br><br>Renowned Mid-Century Costume Jewelry Houses<br>During the post-World War II years, copper was a striking base material for<br>different jewelry genres. Deco, Native American, and modernist designs<br>prominently showcased this versatile metal.<br><br>Numerous costume jewelry manufacturers jumped on the copper jewelry bandwagon,<br>each introducing its own line of jewelry accessories. Copper is an extremely<br>adaptable metal. Not surprisingly, specialized copper jewelry makers understood<br>its properties best.<br><br>As a result, several renowned manufacturers produced most of the highest-quality<br>vintage jewelry available today. Matisse Renoir copper pieces carry a notable<br>pedigree. In addition, copper jewelry by Bell Trading Co., Francisco Rebajes,<br>and Gret Barkin remains very collectible.<br><br>Matisse Renoir Copper Jewelry Origins<br>In 1945, Jerry Fels, a Brooklyn, New York native, moved to California.<br>Previously a fighter pilot in World War II, Fels had cultivated his design,<br>painting, and sculpture talents at New York’s National Academy of Design. In<br>1946, a new jewelry style began to take the United States by storm, and Fels was<br>at the forefront of it.<br><br>Upon his arrival in the Los Angeles area, Fels and his brother-in-law Kurt<br>Freiler teamed up to create “Renoir of Hollywood.” The two later changed the<br>name to “Renoir of California,” then to “Hand Made Renoir of California,” before<br>finally settling on “Renoir.” Renoir specialized in creating copper jewelry that<br>incorporated bold geometric forms.<br><br>Not content to rest on his laurels, Fels launched “Matisse Ltd.” in 1952.<br>Matisse (which later became part of the Renoir jewelry business) also produced<br>finely crafted copper jewelry. Matisse’s decorative enameled embellishments set<br>it apart from Renoir.<br><br>From the mid-1950s until 1960, Renoir also marketed a third jewelry line called<br>“Sauteur Sterling Silver Jewelry.” The Sauteur pieces are much less common than<br>the companies’ copper jewelry items.<br><br>Renoir: A Jewelry Industry Innovator<br>Renoir was an innovator in the jewelry industry. Besides being at the forefront<br>of a jewelry style revolution, Renoir jewelry displayed three distinctive<br>product finishes that set it apart from its competitors. The first finish is the<br>“Copron” coating, which minimizes tarnishes from fingerprint oils.<br><br>Some Renoir jewelry also contains a corrosion-inhibiting shiny lacquer finish<br>that Fels obtained from an Air Force chemist friend. Unfortunately, Fels didn’t<br>note the formula, and the company’s chemists couldn’t successfully re-create it.<br><br>Finally, the third finish is the shadow. Some modernist jewelry makers<br>exaggerated their soldered copper marks by adding a black shadowing effect<br>around the soldered area. Collectors who buy these pieces are advised not to<br>polish the area to avoid eliminating the shadow.<br><br>The Renoir jewelry fabrication facility also pioneered three other innovations.<br>First, skilled machinists handled all the pre-production prep work. This left<br>the artisans free to finish, brush, and polish each piece by hand. As a result,<br>the jewelry attained a handcrafted appearance.<br><br>The Renoir shop area benefited from a complicated ventilation system that<br>prevented workers from breathing dangerous fumes. And, Fels and Freiler often<br>hired disabled and minority workers, a very uncommon practice during the 1940s<br>and 1950s. Matisse’s Curtis Tann was a highly respected African American enamel<br>artist of the era.<br><br>Matisse Renoir Ceases Production<br>Three unfortunate events collectively led to the end of Matisse and Renoir<br>jewelry production. During the early 1960s, jewelry sales were strong, and the<br>companies expanded their production facilities.<br><br>Then, American jewelry tastes began to change, and the demand for bold geometric<br>jewelry waned. At the same time, Matisse and Renoir were frequently mounting<br>expensive legal defenses against cheap copycat manufacturers.<br><br>Finally, the companies faced constant problems with a popular (and troublesome)<br>enamel design. High rejection levels led to massive losses, and finally, the two<br>companies went bankrupt and closed in 1964.

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Danny J Stewart Sterling Cobblestone turquoise inlay necklace and earrings.Necklace 22" long counting 4" wide center, earrings 1.75" tall, one<br>small chip to one corner of an earring, no other damage. Total weight 92.2<br>grams. Since 1968, experience in all forms of jewelry design and the creative<br>construction of the work itself has given a degree of integrity to Danny’s work<br>not found in many jewelry artists’ pieces. With a background in diamond design, construction, casting and the lapidary arts he is able to bring an unusual scope<br>and dimension to a very well explored media.<br><br>Using his knowledge in casting as well as an unrivaled skill with the jewelers<br>torch, his settings display great strength as well as graceful artistry. Each piece of jewelry created by Danny Stewart is expected, with proper care, to<br>withstand many years of everyday wear.<br>Having such a wide range of skills and many years experience allows Danny the<br>luxury to remain true to the vision before him rather than being limited by a narrow range of abilities.<br><br>Ambitious work like the necklace, bracelet, earrings and ring pictured above,<br>utilizing blood red Mediterranean coral and over a Troy pound of 18 karat gold,<br>is embraced by only the most confident craftsman. Rarely entering competitions, Danny has won blue ribbons in every competition he has entered such as his first place award in the 2000 New Mexico Jewelers<br>Association ‘All That Glitters’ - Silver Jewelry Design competition which was<br>displayed at the New Mexico Museum of Natural History.

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2 Pairs Vintage Sterling clip on earrings 43 grams total with no damage, good strong clips. One unmarked but tested sterling/brass.

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Large Vintage Navajo Sterling/Turquoise clip on earrings 1.25" tall x 1" wide 21.5 grams total. No damage or issues, unmarked but tested sterling.

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Estate collection Vintage Sterling clip on earrings. All guaranteed sterling,<br>two unmarked but tested sterling. 96.6 grams total weight.

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1950's Reddy Kilowatt Advertising Screw back earrings. Great mid century super cool earrings. Enamel is in great condition, stamped on back M.R. with copyright symbol.

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Retired James Avery Modernist sterling earrings 1 5/8" tall x 1.25" wide x 6<br>grams with no damage or significant wear.<br><br><br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br><br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.

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Retired James Avery 14k/sterling clip on earrings. No issues 7/8" x 5/8" x 9.4<br>grams.

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Vintage Zuni Intarsia Inlay Chandelier earrings. 2.5" tall x 1.55" wide x 10.5<br>grams with no issues. No backs.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Pr Vintage Native American Sterling/natural stone channel inlay earrings. High quality pair of earrings unmarked, tested sterling 21.2 grams total weight.

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Cool MCM Sterling Screw back earrings Roman Chariot and rider. Very high quality with interesting hallmark that isn't ringing a bell. Most likely from the third quarter of the 20th century, no damage or issues. 12.5 grams

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Vintage sterling enamel butterfly screw back earrings. Mid 20th century with no detectable damage. 8.4 grams. Most likely Scandinavian.

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Pr Vintage Native American shell inlay earrings. Well made with artisans mark. 11.2 grams marked and tested sterling, no damage or issues.

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5 pr Native American/Southwestern Sterling earrings. Selling all the earrings shown, penny for scale in second pic. All tested sterling. 33.5 grams total weight. All precious metals are tested and guaranteed,

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c1940's Hopi silver/turquoise clip-on earrings. Very fabulous with strong springs on clips 1 1/8" wide, 16.3 grams with no issues. All precious metals are tested and guaranteed,

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Retired James Avery Sterling/ 14k gold Sunburst Pendant and earrings set. Selling the very difficult to find set in very clean condition with little detectable wear. French clip pierced earrings 1 1/8" wide, pendant is 1 13/16" tall x 1 3/8" wide. Earrings weigh 17.9 grams total, pendant weighs 14.1 grams for a total weight of 32 grams for the lot.

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Vintage Zuni sterling Intarsia Inlay dangle sunface cross earrings. Unmarked, 1<br>5/8" tall x 15/16" wide x 6.7 grams, one missing back, no significant issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Vintage Navajo sterling Multi-stone cluster earrings. 2.5" long x 1.25" wide x<br>20.7 grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Zuni Sterling and Turquoise petit point Earrings and pendant. Selling the set with no damage or issues. I know one back is missing on an earring, I'll replace it before shipping. Earrings 1 3/8"l, 1"w, (1) pendant, unmarked, approx 1.5"l, 1"w; 13 grams.

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