Lisa D'Agostino 18k/Sterling modernist earrings

Description

Lisa D'Agostino 18k/Sterling modernist earrings 10-11mm square, high quality<br>workmanship and design. No backs included, no other issues. 5.2 grams.For Lisa,<br>working with her hands has been the only thing that has ever really interested<br>her. Her curiosity about the potential for designing and creating with metal has<br>lasted since 1980. That year she participated in her first art fair. The shows<br>were local at first, but gradually developed into national venues that included<br>galleries as well. Except for an additional 12-year foray into baskets (see "The<br>Basketmaker's Art", Lark Publications) her focus has been on jewelry.The designs<br>have evolved over the years but the inspirations have remained the same. Lisa's<br>pieces are informed by geometry and architecture but tempered by the poetic and<br>philosophical aspects presented by astronomy. She ponders a phrase from an old<br>sixties song... "we are stardust - billion year old carbon."The work begins with<br>a loose drawing until a new solution or idea presents itself. It is a balance<br>between intention/chance and spontaneity/deliberation. The contours and forms<br>are simple at first. She likes the rigor and order of basic geometric shapes but<br>then organizing them into something more complex. Shapes are cut out of sterling<br>silver and formed or scored and soldered together. Other parts are distorted<br>through the rolling mill. Surfaces are textured with files or hammers or fused<br>with silver dust or 18K yellow gold. Many techniques may be incorporated into<br>one piece using a variety of hand tools, some of which are her oldest<br>buddies.The final steps involve patination of the piece, and then selectively<br>removing some of the patina to leave combinations of matte or polished surface<br>areas. Earthy rough stones and lustrous pearls are used to further enhance the<br>piece.Lisa was formally introduced to art at college. She earned a Bachelor of<br>Fine Arts degree at Bowling Green State University in 1977, but never really<br>learned to solder well until she was able to work in her own studio. She went<br>back to school, and after 3 years she earned a Master of Fine Arts degree from<br>the University of Kansas in 1991. During this time she continued to show and<br>sell her work at many selected art fairs and galleries across the country.All<br>precious metals are tested and guaranteed, any Native American jewelry referred<br>to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and<br>possibly higher content. Most cuff bracelets are shown photographed on a 6"<br>woman's wrist and will include a photo showing the inside circumference where<br>the metal tip meets the number on the tape measure.
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Lisa D'Agostino 18k/Sterling modernist earrings 10-11mm square, high quality<br>workmanship and design. No backs included, no other issues. 5.2 grams.For Lisa,<br>working... Read more

1 in stock

$135.00 Excl. VAT

    • Shipped today? Order within: Sep 11, 2026 17:00:00 -0500

    Description

    Lisa D'Agostino 18k/Sterling modernist earrings 10-11mm square, high quality<br>workmanship and design. No backs included, no other issues. 5.2 grams.For Lisa,<br>working with her hands has been the only thing that has ever really interested<br>her. Her curiosity about the potential for designing and creating with metal has<br>lasted since 1980. That year she participated in her first art fair. The shows<br>were local at first, but gradually developed into national venues that included<br>galleries as well. Except for an additional 12-year foray into baskets (see "The<br>Basketmaker's Art", Lark Publications) her focus has been on jewelry.The designs<br>have evolved over the years but the inspirations have remained the same. Lisa's<br>pieces are informed by geometry and architecture but tempered by the poetic and<br>philosophical aspects presented by astronomy. She ponders a phrase from an old<br>sixties song... "we are stardust - billion year old carbon."The work begins with<br>a loose drawing until a new solution or idea presents itself. It is a balance<br>between intention/chance and spontaneity/deliberation. The contours and forms<br>are simple at first. She likes the rigor and order of basic geometric shapes but<br>then organizing them into something more complex. Shapes are cut out of sterling<br>silver and formed or scored and soldered together. Other parts are distorted<br>through the rolling mill. Surfaces are textured with files or hammers or fused<br>with silver dust or 18K yellow gold. Many techniques may be incorporated into<br>one piece using a variety of hand tools, some of which are her oldest<br>buddies.The final steps involve patination of the piece, and then selectively<br>removing some of the patina to leave combinations of matte or polished surface<br>areas. Earthy rough stones and lustrous pearls are used to further enhance the<br>piece.Lisa was formally introduced to art at college. She earned a Bachelor of<br>Fine Arts degree at Bowling Green State University in 1977, but never really<br>learned to solder well until she was able to work in her own studio. She went<br>back to school, and after 3 years she earned a Master of Fine Arts degree from<br>the University of Kansas in 1991. During this time she continued to show and<br>sell her work at many selected art fairs and galleries across the country.All<br>precious metals are tested and guaranteed, any Native American jewelry referred<br>to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and<br>possibly higher content. Most cuff bracelets are shown photographed on a 6"<br>woman's wrist and will include a photo showing the inside circumference where<br>the metal tip meets the number on the tape measure.

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