สินค้า

Early Celadon bowl. 5 1/8" wide x 1 5/8" deep, good early piece likely Chinese<br>from a collection put together in the third quarter of the 20th century<br>traveling through and working in Asia. Glaze inconsistencies and crazing that<br>may not be intentional but are very attractive. A few tiny chips to footrim<br>mostly glazed over.

Read more less

Early Celadon Jar 3" tall x 4 3/8" wide. Earthenware from a collection of mostly Ming Chinese ceramics put together in the mid 20th century. One hairline shown in center of first pic if you look very closely and a few small chips on rim, no restorations. TW132

Read more less

Early Celadon Stoneware Tea Bowl with Lotus Decoration. From a collection of<br>mostly Ming chinese porcelain but some other asian ceramics mostly from the same<br>era. 5 old stable hairlines as shown. 4.25" wide x 1 13/16" deep.<br>TW132

Read more less

Early Celadon Stoneware Bowl with incised Decoration From a collection of mostly<br>Ming chinese porcelain but some other asian ceramics mostly from the same era.<br>Possibly Korean, I'll try to find time to research further later, but now I have<br>a lot to list. 6.5" wide x 2.75" deep with no cracks, chips, or restorations.<br>TW132

Read more less

Early Celadon Stoneware Water Dropper in Teapot Form 3" tall x 3.5" handle to spout. Even with UV light I'm not 100% sure, but I think there may be a very old, very good restorations to the handle. From a collection that was mostly Ming period Chinese but also had some Thai, Korean, and other Asian Ceramics from the same timespan. TW130

Read more less

Early Chinese Brownware Jarlet Likely Ming from a collection of mostly Ming Chinese ceramics put together in the mid 20th century. 3.25" tall with tiny flake on top rim and tiny flake on bottom rim. No other chips, cracks, or restorations. TW133

Read more less

Early Chinese Carved wood temple figure. Very old, likely hundreds of years old. 7" tall x 4" wide. Doesn't stand up on it's own, remnants of paint, woodworm or termites. tw255

Read more less

Early Chinese Celadon Vase with antique restoration. One handle restored a very<br>long time ago, no other cracks, chips, or restorations. 7.75" tall.

Read more less

Early Chinese Earthenware figure 10.5" tall, very old piece, small chips on<br>bottom rim and overall glaze degradation. Likely excavated. No restorations,<br>large chips, no cracks.

Read more less

Early Chinese Earthenware Jarlet. Likely Ming, from an old collection collected<br>mid 20th century. 5.25" tall, firing crack on rim, tiny chip on rim, some<br>expected glaze wear on top rim. No restorations.<br>chinadrawer

Read more less

Early Chinese Jade/Carnelian Button collection. All antique pieces ranging from<br>Ming-Qing Dynasty. Selling the lot very nicely framed in heavy frame on what<br>appears to be suede leather. Frame measures 21.5" x 14.5". These would make some<br>incredible jewelry pieces but I personally hate to bust apart such a nice<br>framing job. I will do it upon request though as shipping would be way easier.

Read more less

Chinese Ming Swatow Bowl. 11.25" wide, stable hairlines that don't really<br>penetrate both sides, tiny flake on rim, no restorations, cracks, or big chips.<br>isshlef

Read more less

Early Chinese Porcelain Carp plate. 10 1/16" wide with several old stable<br>hairlines, no restorations, or chips.<br>TW132

Read more less

Early Chinese Porcelain Carp plate. 10 1/16" wide with no cracks, chips, or<br>restorations.<br>tw181

Read more less

Early Chinese Qingbai Celadon Vase. Museum accession number indicating it was<br>acquired into the collection in 1986. 6.5" tall. Wear to glaze, possibly an<br>excavated item. No cracks, chips, or restorations.

Read more less

Early Chinese Water Dropper Sancai Glaze Man on Carp. Overall wear to glaze,<br>this is a really old piece fresh from a collection that was mostly Ming period<br>Chinese but also had some Thai, Korean, and other Asian Ceramics from the same<br>timespan. There were a few tang pieces, this has a very old restoration to the<br>fishes head that's the only damage I could find. 4.25" long x 2 5/8" tall.<br>TW130

Read more less

Early Chinese Water Dropper teapot form this is a really old piece fresh from a collection that was mostly Ming period Chinese but also had some Thai, Korean, and other Asian Ceramics from the same timespan. 3" tall with no cracks, chips, or restorations. tw132

Read more less

Early Chinese/Asian Porcelain Jarlets and miniature bowl tallest 2 5/16" from a<br>collection of mostly Ming Chinese ceramics put together in the mid 20th century.<br>3" wide bowl has two chips on rim and one on footrim. No other cracks, chips, or<br>restorations.<br>TW132

Read more less

Early Crucible? rounded bottom pot from Archaeologists estate 5 7/8" tall x 4 1/8" wide at rim, possible old wear old loss, no cracks or restorations. I'm unsure what culture this is from or exactly how old it is but I think it's really old and possibly a crucible. tw105

Read more less

Early Hopi Overlay Silver bracelet 6.5" including the 1" gap. Nice thick solid<br>bracelet, slightly misformed from years of adjustment. I've included a pic of<br>the end of the bracelet that clearly shows it is two layers of silver, no<br>markings. 47.3 grams<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

Read more less

Early Korean Buncheong Celadon glazed inlaid dish 4.75" wide x 1 7/8" tall,<br>overall wear and degradation to glaze, no cracks, chips, or restorations.<br>tw147

Read more less

Early Korean Buncheong inlaid dish. 4.75" wide, small chips and glaze wear on rim, glaze wear to bottom of bowl, no cracks or restorations. tw147

Read more less

Early Ladies Navajo sterling watch band. Great piece I believe from the first half of the 20th century. 18.5 grams total with watch. Likely the original watch though the band may be older, watch seems broken and nonfunctional. Fits 5.5" to 8.5" wrist with current stretchy band.

Read more less

Early Ladies Zuni sterling multistone inlay watch with Automatic Hamilton watch. Working period watch, both mid 20th century or a little older. 27 grams total with watch.

Read more less

Early Latin bible page. Acquired amongst a collection of 15th-16th century antiphonal pages and similar items of about the same period. I believe it's hundreds of years old, small tear as shown, not examined outside of frame. 8" x 11.5" sight, 20" x 18" frame., slight wear to frame.

Read more less

Early Native American Beaded Amulet/points/large necklace beads. I'm assuming<br>these beads went on a necklace and this pendant hung on that and that it was<br>sometime in the 19th century. I found this pile together in a small box in a<br>drawer of a local estate I purchased the entire contents of years ago. The<br>pendant is 3 3/8" wide and oobviously missing some of the outer beads which<br>appear to be shell or seeds of some sort. The points are high quality, sharp and<br>thin. These are unrelated items as the points are much older than the pendant<br>but they were kept together for possibly generations and found together by me.<br>nativedrawer

Read more less

Early Native American Sterling and Deer Antler Necklace. This piece is signed<br>with a XX on the top of the center antler piece. It's a very old necklace from<br>the first half of the 20th century.. It's solid high content of silver tested<br>and deer antler. Hand stamped, all handmade by a Native American, I'm unsure of<br>tribe. It measures 26.25" long and the antler pieces average 3" long. 209.6<br>grams.

Read more less

Early Pre 1913 UND Pottery North Dakota School Of Mines Toothpick/Cabinet Vase 2.75" tall, though the style is Art Deco I believe this to be a pre 1913 mark, correct me if I'm wrong. No cracks, chips, or restorations.UND pottery was a turn of the 20th century effort to promote “a wealth of design material peculiar to the prairies” — as Margaret Cable wrote in a 1926 brochure. UND Pottery is now highly collectible, has been featured on the PBS series Antiques Roadshow and is the subject of several books. tw119

Read more less

Early S Tabaha Navajo sterling watch band. Great piece I believe from the first<br>half of the 20th century. 28 grams total with watch. Working quartz watch<br>obviously much later. Fits 5.5" to 7.5" wrist with current stretchy band.

Read more less

Early Schleiper Eye Brand Germany Sodbuster Knife. Obviously a very old knife, not sure how old, it's been used but is very solid with no wobble. 4" blade, 9" total length, small chip in wood at back of handle, no significant issues. isshelf

Read more less

Early Tufa Cast Native American Turquoise/sterling belt buckle. Very nice buckle from the first half of the 20th century 3.5" x 2.25", takes up to a 1 5/8" belt. 79.3 grams. Unmarked of course, tests silver (guaranteed 90% (coin silver) or better) One of the pins has long since been replaced, strong and functional, no other issues.

Read more less

Early Van Briggle Cabinet vase. Teens-20's 4" tall with no cracks, chips, restorations, or crazing. tw122Van Briggle Art Pottery was at the time of its demise the oldest continuously operating art pottery in the United States, having been established in Colorado Springs, Colorado in 1901 by Artus and Anne Van Briggle. Artus had a significant impact on the Art Nouveau movement in the United States, and his pottery is foundational to American Art Pottery. The Art Nouveau style favored by its founders continues to influence the pottery's designs. Artus Van Briggle settled in Colorado Springs in 1899 after establishing himself as a notable artist with the Rookwood Pottery of Ohio. With Anne Louise (née Gregory), his new wife, Artus began exploring the Art Nouveau style in their pottery creations, drawing awards and accolades from the American and European art communities. Although he was a talented painter who had displayed and won awards in Europe, from 1899 until his death Artus devoted himself almost exclusively to the craft and art of pottery. Van Briggle's Art Nouveau designs and distinctive matte glazes were awarded high honors from prestigious sources, including the Paris Salon, the Saint Louis Exposition, the Lewis and Clark Centennial Exposition, and the American Arts and Crafts Exhibition in Boston.The Van Briggle Pottery Studio closed in spring 2012Artus Van Briggle in 1900. Born to artistic parents on March 21, 1869, Artus Van Briggle had an early introduction to painting using materials found about the home. The Van Briggle family lived in Ohio, one of America's hotbeds of ceramic design. At the age of 17 he moved to Cincinnati, Ohio, where he decorated china dolls at the Arnold Fairyland Doll Store, while attending his early art studies at the Cincinnati Art School. After a stint at the Avon Pottery where he was introduced to the ceramic arts, Artus took a job at Rookwood Pottery; there he excelled at hand-painting designs. His skill and talent were recognized by Rookwood founder, Maria Storer, who became his benefactor, even sending him to France to study art at the Académie Julian in Paris.In Europe, he was exposed to styles of art and became infatuated with an early matte glaze from the Chinese Ming Dynasty; a type that was lost to history. Artus also met his future wife, fellow American student Anne Lawrence Gregory, an accomplished artist in her own right. Finishing their Paris studies in 1896, they returned to America. Artus resumed his work at Rookwood and also started sculpting and experimented with recreating the lost Ming Dynasty glazes.Perfecting the distinctive dull or matte glaze In 1899, struggling with health issues due to tuberculosis, Artus left Rookwood and moved to the drier air of Colorado Springs, Colorado. Upon befriending the Holmes family of Chico Basin, he stayed at the HOP Ranch during the summers of 1899, 1900, and 1901 to reduce work stress and regain strength while pursuing his own styles of pottery, centered around the Art Nouveau movement. He continued his research on the ancient matte glazes that fascinated him in Paris. After two years of trials and experiments a matte glaze was perfected. One of the matte glazes perfected by Artus was the matte blue glaze, based on an ancient Chinese process that had long been lost to history.Artus opened Van Briggle Pottery in 1901 and was joined by Anne Gregory, who took a position as a high school art teacher in Colorado Springs. In 1903, Artus Van Briggle was appointed First Director of the Department of Art and Design in Colorado College, succeeding Louis Soutter, a Swiss artist (born in Geneva, Switzerland) he met in Paris in 1895.In 1902, Anne and Artus were married, and she devoted herself to their pottery; she created designs and collaborated in all aspects of the enterprise with her husband. Late 1902 brought Van Briggle awards for his glazes and designs in Art Nouveau from the prestigious Paris Salon; he was now an accepted artist. During their early years, Artus and Ann established hundreds of Art Nouveau styles of pottery under the Van Briggle name. The Despondency vase won Van Briggle wide acclaim and first place at the Paris Salon in 1903. A display at the 1904 Centennial Exhibit in St. Louis won Van Briggle more awards and greater international fame. Van Briggle Memorial Pottery Pottery loses its founder Artus Van Briggle died in July 1904, at the age of 35. Anne continued the pottery using the forms created by Artus as a foundation and adding more designs of her own. In 1907, Anne and pottery stockholder and city-founder William Jackson Palmer began construction on a new pottery on Uintah Street. The Van Briggle Memorial Pottery — designed by Dutch architect Nicholas Van den Arend — was opened in 1908 and stands today as an historic landmark noted for its architecture and use of ceramics in the facade.Having remarried in 1908, Anne Louise Gregory Ritter leased the pottery in 1912 to Edmund deForest Curtis, who ran it until 1916. She sold the company in 1922 to J.F. and I.H. Lewis and moved to Denver the following year, where she would concentrate on painting and where she remained until her death in 1929. In her absence, the pottery fell under financial hardships and was sold at sheriff's auction; later it was re-sold, once more becoming the property of Mr. Curtis.Surviving disaster and war The pottery was sold twice more in the ensuing decade and survived a fire in 1919 that gutted the interior but left the brick shell and kilns. New owners I.F. and J.H. Lewis took the opportunity to modernize and expand the facility beginning in 1920 and stabilized the production and financial aspects of the pottery for the first time. Despite damage from the flood of 1935—the most destructive flood in Colorado Springs history — that destroyed much of the company's records and molds, the pottery continued to enjoy success up to World War II, when they closed for approximately three years as the United States focused its resources on the war effort.With the increase of interstate travel in the United States a freeway was planned in 1953 for Colorado Springs which J.H. Lewis estimated would run through the Memorial Plant site. Although the freeway eventually was planned to avoid destroying the historic pottery, Mr. Lewis nonetheless put into action plans to relocate the pottery to a higher-traffic area of Colorado Springs. In 1955, Mr. Lewis and Clem Hull brought a new facility on line at a renovated railroad roundhouse on Midland Road. The new facility, known as the Midland Plant, had a smaller capacity but enjoyed quick success due to its location on the main highway to the Garden of the Gods and other tourist locations.In 1968, Mr. Lewis sold the Memorial Plant to Colorado College, and it fell into disrepair for the ensuing 40 years, being used variously as offices and storage.

Read more less

Ecclissi Sterling silver watch. No damage, minimal wear, needs a battery.

Read more less

Edison Yazzie Navajo Cobblestone sterling pendant. Large pendant with no issues as shown.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

Read more less

Edward Diers (1871 - 1947) 1904 Rookwood Vellum Vase. Ed Diers was an artist at Rookwood from 1896 to 1931. He was educated at the Ohio Mechanics Institute, Industrial Art School and the Cincinnati Art Academy, according to notes posted on AskArt.com. He is well known for his particular skill in executing landscapes on the Rookwood pieces he decorated. No cracks, chips, or restorations. 1904 Was the first Year this glaze was introduced, so this was likely an experimental piece. There are some flaws, crazing and peppering to the white part of the poppy 5.25" tall.

Read more less

Edward H Bohlin Hollywood 14k gold and Sterling Native American Head Tie Bar. An extremely rare item that cannot be currently bought for any price to the best of my knowledge, but if it could it would be more than I'm asking. Like new condition with no scratches or wear. 3.5" wide x 2.5" tall 25.1 grams marked and tested 14k gold and sterling, hand engraved on reverse side. Well over half of the buffalo and arrow section are gold, I would bet more than half of the total weight of this is 14k gold. tw208

Read more less

Edward H Bohlin Hollywood 14k gold and Sterling Native American Head Tie Bar. An<br>extremely rare item that cannot be currently bought for any price to the best of<br>my knowledge, but if it could it would be more than I'm asking. Like new<br>condition with no scratches or wear. 3.25" wide x 3 1/8" tall 15.7 grams marked<br>and tested 14k gold and sterling, hand engraved on reverse side.<br>tw208

Read more less

Edward Hald (1883-1980) for Orrefors, Graal Fish Vase 1963 Mid century Modern.<br>This impressive vase designed by Edward Hald is extremely heavy and thick<br>walled. The flash pattern depicts a series of fish and sea weeds. The aquarium<br>effect is significantly enhanced by the reflection of the flashed pattern on the<br>inner walls of the glass vase.Dimensions: 4.75 tal, 6 pounds. Condition: Very<br>good. No chips, cracks or repairs. Wear consistent with age; some light<br>scratches mainly on base as it's very heavy. Signature: "Orrefors Graal vr 310t<br>Edward Hald" script on the base.<br><br>A Note About the Artist: Edward Hald (1883-1980) trained as an architect and<br>painter. He studied in Dresden, Stockholm, Copenhagen and Paris. His time in<br>Copenhagen included work under Johan Rohde; in Paris he worked under Matisse. In<br>1917, Hald worked briefly at Rorstrand, and then began his long association with<br>Orrefors. At the time Edward Hald joined Orrefors in 1917, the early experiments<br>of Simon Gate and the master glassblower, Knudt Bergkvist, for the Graal<br>technique were still evolving. The Graal technique used acid etching or wheel<br>carving to create thin designs in relief on the surface of multilayer, glass<br>blanks. The carved blanks were then heated to a molten state by glassblowers,<br>encased with an additional layer of clear glass to entrap the design, and<br>finally worked with blowing to a finished state. The result was literally,<br>"painting within the glass".Edward Hald created some of the earliest designs to<br>use the Graal method. He continued to work in Graal throughout his long career,<br>including the heavy "Fish Graal" pieces first shown in 1937. Also "Slip Graal"<br>and "Aqua Graal" were favored techniques. Hald also designed many important<br>engraved pieces such as the "Fireworks" bowl. He retired from Orrefors in 1978.

Read more less

Effie Qualo Zuni Bighorn ram sterling belt buckle. Measurements in pics.High quality belt buckle solid sterling with no issues.

Read more less

Egyptian Silver and turquoise pendant with necklace. This piece is great and has significant age on it but I don't have time to figure out the hallmarks, I know the bottom one means it's egyptian, I believe 80% silver purity, there's another one on the top piece that's different. Great piece, 50-100 years old. The necklace was on it when I got it, the necklace tests sterling with a replacement clasp that isn't sterling.34.5 grams Pendant is 3" long x 2.25" wide, necklace is 24" long. This is a very high quality piece, not the typical tourist piece you find.

Read more less

Eldon Kalemsa Siwingyumptewa Sr Hopi Overlay Bracelet. Fits up to a 6.75" wrist. Hopi Silversmith Eldon Siwingyumptewa Kalemsa, Sr. of the Snow clan, who passed away in 1996. Stamped with his cloud monogram and a sunface. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman's wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure.

Read more less

Elgin Tom Navajo silver Purple spiny oyster heart pendantAll precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

Read more less

Frame measures 30.5" x 26.5" board measures 24" x 20" Frame and painting are in incredible condition. A couple tiny 1mm dings at the bottom left of her chair as shown in the third pic. There is a line across the top of the painting maybe 3/4" down, maybe where they made the board taller to fit this expensive frame, I'm not sure. It can only be seen with very cloud examination. I can find little info on the artist other than she was born in 1901.

Read more less

จี้งานประทับตรา Ella Linkin Navajo Turquoise Sterling Stampwork กระเป๋าขนาด 2.25" สูง x 1.25" กว้าง x 12.5 กรัมโดยไม่มีปัญหาใดๆ Ella Linkin เกิดในปี 1954 ในตระกูล Salt People Clan และ Water Edge Clan Ella เกิดที่เมือง Gallup รัฐนิวเม็กซิโก ปัจจุบันอาศัยและทำงานใน Spencer Valley รัฐนิวเม็กซิโก Ella เริ่มทำเงินเมื่ออายุ 15 ปี และเธอได้รับการฝึกฝนด้านงานฝีมือจากพ่อของเธอ Lee Wylie งานของ Ella มีรายละเอียดอย่างพิถีพิถันด้วยเส้นสายที่แข็งแกร่งซึ่งทำให้งานของเธอมีสไตล์ที่โดดเด่นโลหะมีค่าทั้งหมดได้รับการทดสอบและรับประกัน เครื่องประดับของชนพื้นเมืองอเมริกันใด ๆ ที่เรียกว่าเงินหรือสเตอร์ลิงรับประกันว่าจะมีเงินอย่างน้อย 90% (เหรียญ) และอาจมีเนื้อหาที่สูงกว่า สิ่งใดก็ตามที่ทำเครื่องหมายไว้จะรับประกันว่าเป็นสิ่งที่ทำเครื่องหมายไว้ กำไลส่วนใหญ่จะถ่ายรูปบนข้อมือขนาด 6 นิ้ว (ไม่มีขน) แหวนจะถ่ายรูปด้วยนิ้วที่มีขนาดเหมาะสมเมื่อเป็นไปได้ สำหรับกำไลหากไม่ได้ระบุการวัดไว้ในคำอธิบาย เส้นรอบวงด้านในจะแสดงขึ้น โดยที่โลหะตรงกับหมายเลขบนสายวัดผ้า

Read more less

Ella M Linkin Navajo Sterling and waterweb turquoise pendant 2 3/8" x 1.75" x<br>21.3 grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

Read more less

Ella Peter Navajo Sterling Egyptian Turquoise earrings. No damage or detectable<br>wear 2 5/8" long x .75" wide 11.9 grams total.<br><br>Ella Peter, Navajo silversmith was born April 2, 1943 in the Tsa-ya-toh area in<br>New Mexico on the Navajo reservation. At a very young age, she learned the art<br>of making jewelry and weaving baskets from her father. She has been making<br>jewelry for over 45 years and is a master silversmith. Ella currently resides in<br>Mentmore, New Mexico.

Read more less

4.5" wide x 4.25" tall. Speaks for itself. Mint condition with no cracks, chips, scratches, or wear. Guaranteed late 19th century, unknown maker. Tw98

Read more less

Emerald in Matrix Intarsia Box by Konstantin Libman Russia This special box of polished emerald in matrix intarsia designed by Konstantin Libman is a sight to behold. The interior of this elegant hinged box is trimmed with black onyx and lined with wood with ample space for cigars. The piece comes inside a custom-made black-velvet lined wooden box. Measuring 7 1/2 x 5 1/2 x 1 3/4in. This box smells incredible when opened, was likely intended for tobacco but will obviously hold many things. This identical box was purchased at the auction below. Sold for US$ 4,825 inc. premium Lapidary Works of Art, Gemstones and Minerals 11 Dec 2019 Los Angeles https://www.bonhams.com/auctions/25524/lot/4047/?category=list&length=397&page=1 isshelf

Read more less

Emil Zettler (1878-1946) 1933 Chicago worlds fair bronze medallion. Fantastic Medal art deco period and style 2,25" wide. Emil Zettler - March 30, 1878 -- January 10, 1946) American sculptor, born in Karlsruhe, Germany (or, Chicago, Illinois ) and active in Chicago. The Art Institute of Chicago, where Zettler studied, awarded him the Potter Palmer Gold Medal in 1917 for his colored plaster sculpture Job . It was among the first works of art by a Chicagoan showcased at the Arts Club of Chicago.He often worked with Prairie School architect George Grant Elmslie. He taught sculpture at the Art Institute of Chicago, rising to become head of its School of Industrial Arts. In 1931, Zettler married Edythe L. Flack, one of the Institute's assistant deans. The Institute commissioned Zettler to redesign its Frank G. Logan Medal. Among his students there was John Weaver. Zettler was tasked with designing the official medals for the Century of Progress World's Fair in 1933.

Read more less

Emma Bonney Zuni ต่างหูหอยมุกฝังช่องสเตอร์ลิง สูง 1.75 x กว้าง 1 1/16 นิ้ว ไม่มีปัญหา.

Read more less

English c1812 George III Sterling Goblet with Boyd Clan Armorial Crest Henry<br>Chawner and John Eames. 5" tall x 3.75" wide at rim 360 grams.<br>No significant issues. I believe this is a variation of the Boyd family crest,<br>if you know otherwise please let me know, Thanks.<br>TW216

Read more less

Engraved Chrysanthemum Box Japanese 950 Silver Toyo Koki. Japanese 950 sterling<br>silver arc form box with detachable lid, decorated with engraved chrysanthemum<br>flowers on the top. Made by Toyo Koki. Marked "CPO" - it stands for Central<br>Purchasing Office which was the US office in charge of buying items for the US<br>Army & Navy in Post War Japan and can be found on all sorts of Japanese items<br>made between 1946 - 1948.This fabulous box is 6 5/8" long, 2 3/8" wide and<br>weighs 306.4 grams, lightweight cloth liner in base.

Read more less

Engraved German Lutz & Weiss 835 silver case. Fantastic case hand engraved with<br>inscription in interior. Likely an important event, important people, who knows<br>as I can't read it? 3 3/8" x 3" with no bends, dents, smooth hinge and clasp,<br>very clean. 72.2 grams.

Read more less

Engraved Italian 800 Silver Lipstick Case Vintage Holder w/ Mirror Compact.<br>Great piece, barely used still in the original box from the second quarter of<br>the 20th century. 2 1/16" long, mirror is spring loaded and pops out when the<br>top is pushed up. One flap missing from top of box, general wear to box.<br>trinketdrawer

Read more less

Engraved Italian 800 Silver Lipstick Case Vintage Holder w/ Mirror Compact.<br>Great piece, never used still in the original box from the second quarter of the<br>20th century. 2 1/16" long, mirror is spring loaded and pops out when the top is<br>pushed up.<br>trinketdrawer

Read more less

Enrique Ledesma Taxco Modernist sterling and onyx pin

Read more less

Enrique Ledesma Taxco Modernist sterling screw back earrings, no issues.

Read more less

Erickson Green Controlled Bubble Glass Shrimp cocktail Or Chip and Dip. I'm assuming that's what it's inteneded use was, obviously once it's yours the opportunities are endless. No cracks, chips, or other issues. tw78 Erickson Glassworks Bremen, Ohio 1943-1961 Established by Carl Erickson in Bremen, Ohio (1943-1961) produced world famous handmade art glass. Carl Erickson and his brother Stephen, Swedish immigrants from Reijmre, Sweden, a famous glass center, descended from master glass blowers. Carl learned his trade at Pairpoint Manufacturing Company in New Bedford, Massachusetts where he worked for 20 years. From there in 1932, he went to Libby Glass in Toledo for four years, then a brief stay in Hollywood where he designed the chandelier for Greta Garbo's "Camille". The Blenko Glass Company in Milton, West Virginia hired him as a designer and teacher of apprentices. In 1943 Carl and Stephen Erickson bought a defunct glass factory in Bremen, Ohio. Erickson's glass patents involved what he called a "flame design" . His trademark was the extensive use of controlled bubble design which was incorporated in a heavy glass ball which served as a base for many different pieces. Carl Erickson personally designed most of the pieces manufactured at his glass works. His honors include: U.S. Parks Commission chose him to blow the first piece of glass at "Glass House Point" near Jamestown, Virginia commemorating the first U.S. glass factory The Museum of Modern Art, New York - award for good design Smithsonian Institute of Washington, D.C. commissioned him to duplicate complex old glass fixtures. Old Sturbridge Museum, Sturbridge, Massachusetts - old glass fixtures as above Metropolitan Museum of Art - produced glass pieces Corning Museum of Glass, Corning, New York - produced glass pieces Senate of Ohio - resolution stated "A craftsman who has brought to his community and his state well deserved fame for his singular and rare skill."

Read more less

Ernest Benally Sterling/Turquoise Navajo Bear Micro inlay necklace/earrings. Ernest Benally has been a silversmith since 1977. He's won numerous awards at major shows throughout the southwest. Sometimes he and his wife Veronica collaborate but usually they both sign their own jewelry. At one point in the late 1990's, Ernest had a shop with other silversmiths producing Benally signed jewelry. Now, all Benally jewelry is produced by either Ernest or Veronica. Selling the set shown in vintage unworn condition. 18.5" necklace, 2.5" tall pendant, 1.25" tall earrings. Makers mark and sterling mark on clasp, pendant, and earrings. 94.5 grams total weight inclusive of all materials.

Read more less