产品

1 3/8" Antonio Pineda (1919-2009) Taxco Sterling belt buckle. Really big and heavy buckle, fits up to a 1 3/8" belt, has the detachable hook. This is an extremely high quality and good looking buckle. Due to reflections it's difficult to present items of this type in the light the deserve in the time available to me.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

1 英寸 14k/英镑 Randall D Moore Metro Ranger 皮带扣套装。适合 1 英寸皮带，21 年复古版本，现零售价 1100 美元。轻微的预期磨损，没有重大问题。兰德尔·摩尔 (Randall Moore) 于 1977 年抵达新墨西哥州陶斯，开始在 Mabel Dodge Lujan House（当时被称为“大房子”）担任银匠的非正式学徒。 1979 年，他搬到圣达菲，至今仍在那里生活和工作。 他的主要产品是银和金皮带扣、带扣套装以及纯银、14K 和 18K 金的男士配饰。摩尔先生的设计借鉴了西南风格的影响以及当代元素，并利用传统工具和技术，制作出既经典又时尚的传家宝品质物品。他的作品被世界一流的运动员、艺人、政客以及世界各地的酷女孩和男士所穿着。 Randall 的工作室位于圣达菲历史悠久的东区中心，东宫大道 868 号，距离峡谷路仅一个街区。安德拉斯

读 更多的 较少的

1" Antonio Pineda (1919-2009) Taxco Sterling belt buckle 57.7 grams, very sturdy, other measurements in pics. This is an extremely high quality and good looking buckle. Due to reflections it's difficult to present items of this type in the light the deserve in the time available to me.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

1" Antonio Pineda (1919-2009) Taxco Sterling modernist belt buckle 34.7 grams, very sturdy, other measurements in pics. This is an extremely high quality and good looking buckle. Due to reflections it's difficult to present items of this type in the light the deserve in the time available to me.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

1" James Reid 14k/Sterling belt buckle and keeper. James Reid did some really<br>good work out of Santa Fe, New Mexico and was expensive, he is now retired as of<br>2017. Selling the very well made buckle and keeper shown made for a 1" belt,<br>very thick chunks of 14k gold on this buckle, minimal wear. 93.2 grams, likely<br>about 10 grams of it 14k gold.

读 更多的 较少的

1 英寸 Randall D Moore 纯银/14k Ranger 皮带扣套装。带扣和固定器制作精良，实心纯银，边框上有粗实心 14k 金绳。适合 1 英寸皮带。没有损坏或重大问题。这是一款已退役的设计，但如果仍然有售，零售价将远超 1300 美元。 88克兰德尔·摩尔 (Randall Moore) 于 1977 年抵达新墨西哥州陶斯，开始在 Mabel Dodge Lujan House（当时被称为“大房子”）担任银匠的非正式学徒。 1979 年，他搬到圣达菲，至今仍在那里生活和工作。 他的主要产品是银金皮带扣、带扣套装以及纯银、14K 和 18K 金的男士配饰。摩尔先生的设计借鉴了西南风格的影响以及当代元素，并利用传统工具和技术，制作出既经典又时尚的传家宝品质物品。他的作品被世界一流的运动员、艺人、政客以及世界各地的酷女孩和男士所佩戴。 Randall 的工作室位于圣达菲历史悠久的东区中心，东宫大道 868 号，距离峡谷路仅一个街区。

读 更多的 较少的

1.5" Jeff Deegan Sterling Jaguar belt buckle and keeper on 38" J.W. Cooper belt. Very little wear to belt and no detectable wear to belt buckle or keeper.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more<br>pictures, videos, or measurements until sold. If you look at<br>pictures/description your question should be answered. Thank you so much for<br>your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

读 更多的 较少的

1.5" John Rippel for James Reid Heavy stamped southwestern sterling silver belt buckle set. Hand signed inside tip J R Ltd Rippel, marked with James Reid's Hallmarks on buckle. This type of buckle is very easy to fit on a belt, just make a small hole in the tip for the stud to go through. Fits up to a 1.5" belt, the inside of tip tapers down to 1.25", 1.5" inside keeper and buckle. Buckle itself measures 3" both directions 160.3 grams total weight.James Reid was an extremely high end Santa Fe Silversmith, he is now retired.anderas

读 更多的 较少的

10 1950 年代英国陶器人物蛋杯。出售的这套 20 世纪中叶的套装没有裂缝、缺口或修复。 2.5 英寸高，顶部有 1.5 英寸开口，可容纳鸡蛋。 TW68

读 更多的 较少的

10 个明治时期日本伊万里茶杯。 2 5/8 英寸高 x 3.25 英寸宽，略有不同，因为它们是 100 多年前手工制作、手绘的。大约在19世纪末。无裂纹、缺口、修复或丢失，边缘镀金有一些磨损。全部没有标记。 TW199

读 更多的 较少的

10 个复古西南印花纯银纽扣封面。背部一如既往地是钢制的。镍当然是镍和钢。正面宽 0.75 英寸和 7/8 英寸。总重46.4克。安德拉斯

读 更多的 较少的

10 英寸古董德累斯顿手绘德累斯顿网状板。无裂纹、缺口或修复，无可检测到的磨损。书架

读 更多的 较少的

10" c1910 Royal Bayreuth Portrait vase. 10" tall with no cracks, chips, or restorations. Wear to gilding on rim. isshelf

读 更多的 较少的

10 英寸纯银脚链。90 年代的复古品，状况完美，没有任何问题或明显磨损，经过纯银标记和测试。 28.2克。

读 更多的 较少的

10.25" Lalique French Art Glass 2 s dancing figure. 10.25" tall x 6" wide in mint condition with no cracks, chips, scratches, dings, or restorations. Guaranteed authentic Lalique french crystal.

读 更多的 较少的

10.4 英寸 c1965 年 Orrefors Graal Ingeborg Lundin 瑞典艺术玻璃碗。10 3/8 英寸宽 x 5 1/8 英寸高，真正的大件，尺寸异常大。 无裂纹、碎裂、无浑浊，也无其他问题。看起来很重的碗。预计底座会有极轻微的磨损。 b47

读 更多的 较少的

来自荷兰的 10.5 英寸大型 MCM 珐琅鹿碗。20 世纪第三季度的伟大作品，几乎没有磨损，也没有损坏珐琅。 TW271

读 更多的 较少的

100 克拉博尔德蛋白石钻孔吊坠/珠子。出售所示的确切石头。钻有一个干净的 2 毫米孔。我有几个这样的东西，我将单独提供它们。它们戴在一条 24k 金项链上，每颗宝石之间都有 24k 大珠子。黄金已经被回收利用，我希望重新利用它们，因为它们是昂贵的宝石，值得戴在一条项链上，项链上有价值数千美元的黄金。可能性是无穷无尽的，其中一个或几个在某个环境内或外都会很棒。购买所示尺寸为 48 毫米 x 28 毫米、重 100 克拉的精确宝石。

读 更多的 较少的

10k 金 WW1 时代美国陆军航空兵甜心领夹式吊坠 1.5 英寸高 0.9 克，没有任何问题。

读 更多的 较少的

10k Gold WW2 USN US Navy Sweetheart Pendant. Marked and tested 10k gold,guaranteed ww2 era. 1.4 Grams. 1.75" long x .5" wide.

读 更多的 较少的

10k 金镶嵌 1892 年哥伦比亚半美元。出售以“经过测试”的 10k 白金镶嵌的半美元。我以为我在镶座上看到了一些标记，但看不出来，我自己测试了一下，它是实心 10k 金，仅镶座，硬币当然是 90% 银。 14克。

读 更多的 较少的

10k 黄金钻石耳环，每颗都有小天然钻石，没有问题，每颗 5/8 英寸高，总重量 2.6 克。

读 更多的 较少的

11 3/8 英寸 c1870 日本伊万里碗明治时期 3.5 英寸深。无裂纹、缺口或修复。边缘和其他地方有一些磨损到镀金。装饰精美。

读 更多的 较少的

11 个 Hawkes Eardley 8.25 英寸沙拉盘，无裂纹、缺口、修复，磨损极小。非常高品质的美国水晶，听起来像钟声。托马斯·吉本斯·霍克斯 (Thomas Gibbons Hawkes) 1846 年出生于爱尔兰科克郡的一个有着玻璃加工传统的显赫家庭，于 1863 年移居美国。他的职业生涯始于纽约布鲁克林 Hoare and Daily 玻璃工厂的工头，随后随公司搬迁1868 年前往纽约康宁。 到达康宁后，他很快就开设了自己的切割店，并于 1890 年成立为 TG Hawkes & Company。前一年，Hawkes 在巴黎世界博览会上赢得了赞誉和大奖，取得了成功。托马斯·吉本斯·霍克斯当时欧洲人对闪闪发光的刻花玻璃的品味在美国得到了效仿，被称为“辉煌刻花玻璃时期”。为了满足需求，成立了 1,000 多家切割店，TG Hawkes & Company 蓬勃发展。该公司已运营82年。

读 更多的 较少的

古董波斯中东银镶嵌铜托盘 11 英寸宽，由于其尺寸为铜和银，因此非常重。保证为 18-19 世纪。铜上含 90+% 银（经过测试）。后来在背面添加了吊环。 TW153

读 更多的 较少的

12 Pound Petrified Wood Covered in Crystals. It weighs 12 pounds and Measures 13" x 7" x 4.75". Picures don't do it justice. I bought it from a guy that found it in a storage locker.

读 更多的 较少的

复古签名 Kosta Boda“Cancan”系列水罐/水罐，由著名瑞典设计师 Kjell Engman 设计 89147 签名 Kosta Boda 无裂纹、碎裂、无划痕（除了底座的一些预期磨损，因为它非常重）、无混浊，无其他问题。 TW120

读 更多的 较少的

12 英寸工艺品 Weller Rosemont 低碗中心装饰品。这种较大尺寸的罕见。没有裂缝、缺口或修复。底座中心印象深刻。内部有一些划痕，有些地方有细裂纹。 TW157

读 更多的 较少的

12 英寸 c1870 Meissen 大号上菜碗，带有重金和手绘水果。没有裂纹、缺口或修复。金色接近完好。颜色比图片显示的更加鲜艳。 TW47

读 更多的 较少的

12 英寸 c1910 年日本 Nippon 托盘，涂漆精美。精美的作品，没有标记，因此可能是 1890 年之前的，保证有 100 多年的历史，手绘，没有缺口、裂缝或修复。11 7/8 英寸宽，边缘镀金有一些磨损。 TW252

读 更多的 较少的

12 英寸高 Harding Black（1912-2004）德克萨斯工作室艺术陶器花瓶，采用最好的中国火焰釉。7 英寸宽。非常气势磅礴的作品，12 盎司 v8 可以按比例展示。脚缘上有 3 个非常小的无关紧要的薄片，肩部有一些釉料可能是故意的。没有明显的缺口，没有裂缝，没有修复。这件作品的太空时代形式非常酷。哈丁·布莱克圣安东尼奥 (1912 - 2004) 布莱克是一位陶艺家、雕塑家、画家、泥瓦匠、教师，毕业于布拉肯里奇高中，并就读于圣安东尼奥初级学院（1929-30 年）。 1933年，布莱克在鲁道夫·斯塔费尔的指导下学习制作轮抛陶器，并开始在维特教授儿童陶艺课程。布莱克在圣安东尼奥重建项目中指导陶瓷装置，该项目由国家青年管理局和工程进步管理局艺术项目赞助。 1955年，他从教职退休，全身心投入到陶瓷创作中。布莱克因其在该领域的研究、创新和著作而成为一位著名的陶艺家。布莱克的收藏和档案存放在贝勒大学。哈丁·布莱克的粘土作品在德克萨斯早期和中世纪陶器之间架起了一座重要的桥梁。安德拉斯

读 更多的 较少的

12 英寸明治时期日本伊万里花瓶一对。不仅是我拥有的外观最好看的伊万里花瓶之一，而且是一对，高 12 英寸，顶部有旧马厩 2.5 英寸长的发际线，如最后一个的最左侧所示图片。没有其他裂缝、缺口或修复。一对漂亮的花瓶，已有 150 年的历史。书架

读 更多的 较少的

12" pr Republic Period Antique Chinese Famille Rose vases. Great pair of Nice sized Chinese hand painted famille rose vases from the first quarter of the 20th century with no damage or restorations. isshelf

读 更多的 较少的

12.5 英寸明治时期日本萨摩花瓶，带有凸起的 Moriage 装饰。大件 19 世纪末手工装饰。未制作，底部烧制缺陷，整体开裂，可能对边缘进行高质量修复。我不确定（在紫外线下不显示） ）但某些区域的裂纹似乎不太明显。没有裂纹或缺口。 TW199

读 更多的 较少的

12.5 英寸中世纪现代敬酒杯绿色空气扭曲茎巨大 Blenko？两个巨大的玻璃杯保证大约 1950 年代至 1970 年代。其中一个在底图所示的脚边缘有一个小破裂的气泡，微不足道。没有其他裂缝、碎片或修复。 TW72

读 更多的 较少的

12.5 英寸，约 1870 年明治时期日本伊万里花瓶。非常大的一对 19 世纪下半叶手绘日本伊万里花瓶，12.5 英寸高 x 7.5 英寸宽，尺寸和绘画略有不同，因为它们是手工抛出和手工制作的大约 150 年前绘制。没有裂纹、缺口或修复，镀金预计会磨损。书架

读 更多的 较少的

12.75" Michael Wainwright/Sandra Baccus Amalfi Venice Service plate/charger. Selling one of these with another available by changing qty at the time of listing, also different sized plates listed separately. I'm not totally sure if this is the Turquoise Amalfi or a different color designed exclusively for Sandra Baccus whom was a very important collector of African American art among many other things, she donated her multi-million dollar collection after her death in 2012. These plates are like new with no wear or damage, selling the plate shown with one more available. All Michael Wainwright pieces are finished with real 24K gold and real platinum. These plates are heavy and beautiful. They measure 12.5" in diameter. Many of Wainwrights designs evolved out of studies in Italy, his love of nature, his appreciation of fine art. Because he comes from the Studio ceramic art world, he creates wabi-sabi (the art of imperfection)handmade details in every piece. Inspirations of late, include the Japanese technique of Kintsugi, (Mezza Collection) and artists such as Gustav Klimt, (Vienna Collection) among others. Wainwright created his first collection of tableware in 1991, the same year he founded his company. He initially sold his wares at street fairs and craft markets, but it wasn't long before he was discovered by high-end retailers. By 1995 Wainwright's collections were being sold in national and independent luxury goods stores across the country. Today, Michael Wainwright Inc. has evolved from a one-man operation to a well-established presence in the luxury goods marketplace. His designs can be found in such luxe stores as Neiman Marcus, Bloomingdales , as well as smaller fine home stores and boutiques. Wainwright is the sole designer of every piece in his collections. Regardless of material, almost all his work is finished with 24k gold or platinum, and all designed in his Great Barrington, MA studio.

读 更多的 较少的

12.75 英寸德克萨斯工作室艺术玻璃花瓶迈克尔·麦克杜格尔 7 英寸宽无裂纹、缺口、划痕或修复。 玻璃艺术家 Michael McDougal 受到大自然的启发，以其色彩感和优雅的奇思妙想而闻名，他在德克萨斯州丘陵地区生活和工作。他在罗伯特·威尔森 (Robert Willson) 的得意门生简·杜耶 (Jane Duryea) 的带领下接触了玻璃，并继续在纽约康宁玻璃博物馆、华盛顿州著名的皮尔查克玻璃学校 (Pilchuck Glass School) 学习，师从简·布鲁斯 (Jane Bruce)、克莱尔·凯利 (Claire Kelly) 和安东尼·谢弗梅耶 (Antony Schafermeyer) 以及博伊德·苏吉基 (Boyd Sugiki)。麦克杜格尔也曾在意大利穆拉诺的“火炉”呆过一段时间。如今，他与朋友兼导师杰森·劳森 (Jason Lawson) 在得克萨斯州费舍尔（圣安东尼奥北部小镇）的工作室里工作。 “玻璃是一种用途极其广泛的媒介，”麦克杜格尔说道，“它有一种内在的音乐感。以熔化的形式使用它是有节奏的……更像是一种舞蹈，而不是一个过程。” 史密森尼学会伦威克画廊前馆长兼馆长迈克尔·门罗 (Michael Monroe) 将麦克杜格尔收藏的一个水罐描述为“……在冰冻优雅的时刻捕捉到熔融玻璃的精髓。手柄具有动感而精致的图案，完美地融合在一起，赋予两者作品的运动感和平衡感。” “无论是欣赏还是创作，我都喜欢那些能引发惊奇感、敬畏感、让我开怀大笑的艺术，”麦克杜格尔说。 “无论是对美丽、奇思妙想还是对未知领域的探索，它都必须提醒我，人类所有的压力和压力都是微不足道的。”麦克杜格尔的作品在德克萨斯州和加利福尼亚州的画廊中展出。他曾在达拉斯、沃斯堡、圣安东尼奥、休斯顿和加尔维斯顿等城市的演出中亮相。

读 更多的 较少的

124ct Boulder Opal drilled pendant/bead. Selling the exact stone shown. Has a<br>clean 2mm hole drilled through it. I have several of these I will be offering<br>them separately. They were on a 24k gold necklace with large 24k beads between<br>each stone. The gold has already been recycled and I'm hoping to repurpose these<br>as they are expensive stones that were worthy of putting on a necklace that had<br>thousands of dollars worth of gold on it. The possibilities are endless, one of<br>them or a few would be great in or out of a setting. Buying the exact stone<br>shown 55mm x28mm, weighs 124ct.

读 更多的 较少的

124 毫米稀有 Mitra Helenae 发现于 1/8/82 洪都拉斯加勒比海。附带了来自庄园的纸张。如图所示，尖端有小缺口，否则完美。

读 更多的 较少的

13" Benson Yazzie Navajo hand stamped sterling collar necklace. Nice piece with a built in loop to hand a hook style pendant. I measured myself after the photos were taken and it‘s 13" inside including the 2.5" flexible gap. It is very sturdy but still flexible. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

读 更多的 较少的

13" Bing and Grondahl Snarling Tiger Figure by Lauritz Jensen. Great, realistic, scarce figure with no cracks, chips, crazing, or restorations. TW88

读 更多的 较少的

13" c1940 Shirley Temple Doll with book "The little Princess" These came together, estate fresh and well preserved. A little writing and wear on outside of the book, clean interior. Doll is about 13" tall without her poofy hair. I believe the clothes and shoes are original. Clean unrestored condition composition body. Selling the doll and the book, last date in the book is 1939. isshelf

读 更多的 较少的

13.5" Lalique Claude French Art Cut glass Vase. Very tall piece 13.5" x 5.5" wide, hand cut designs on base. No cracks, chips, or restorations.TW189

读 更多的 较少的

13.5 英寸长帕特 1897 年克拉克山登山者压制钢制摩擦火车机车。状况良好，原漆，有一些弯曲。功能齐全，但需要一些调整。飞轮可以工作，但可能需要使用一些油或调整以产生更好的摩擦力。我对这些不太了解，不幸的是没有时间玩它。 TW187

读 更多的 较少的

13.5 英寸 Skyros 石榴罐大尺寸停产手绘。6.5 英寸宽，4.5 英寸宽口。非常高的罐子，内部深度 10.5 英寸。不常见的物品，图案精美。无裂纹、缺口、修复或开裂。侧面有 2 个针大小的釉料，顶部有一个。

读 更多的 较少的

13.75 英寸 c1928 Fostoria 葡萄蓝色织锦蚀刻浮雕玻璃虹彩椭圆形中心装饰品。生产于 1927-1929 年。非常有趣且稀有的图案。酸蚀，带有轻微虹彩地面。13.75 英寸 x 11.25 英寸 x 3 英寸高，近乎完好，无缺口、裂纹、划痕、浑浊或其他问题。比图片显示的要好得多。

读 更多的 较少的

1329 克拉长石样本。 7 3/8" x 3.5" x 2"，大型抛光样品。很少有宝石比拉长石更能展现“游彩”现象，红色、蓝色、紫色、黄色等颜色在您手中转动时在您眼前翩翩起舞，但关于这种罕见的美丽还有更多值得探索的地方。 席勒效应、拉布拉多光、光干涉、晶格扭曲是拉长石宝石颜色闪烁的一些科学解释，我们可以稍后再讨论，但也许加拿大拉布拉多的因纽特人最好的解释是北极光或极光北欧生物被困在拉长石岩石中。故事讲述的是，一位强大的爱斯基摩战士用长矛挥击，释放了使极地天空眩目的色彩，但无法击碎所有岩石，留下了许多拉长石宝石供我们收集、雕刻、抛光和欣赏，直到今天。书架

读 更多的 较少的

13pc 1930's Little Orphan Annie nodder Walt Disney Bisque collection cartoon characters Made in Japan. Selling the lot shown mostly Disney, most if not all with Character name on back. Some paint loss, Sleepy elf with chip on foot. All made in Japan, most if not all marked so. Tallest 4.25". tw198

读 更多的 较少的

13pr Retro southwestern sterling silver earrings 30mm (1.3") vintage American<br>half dollar shown in second pic for scale. Second from the left Alpaca, the rest<br>are sterling, all vintage/retro estate fresh earrings. Some Native American,<br>some signed by artisan. 95.8 grams total.<br><br>Sorry I cannot try any of these on and take pictures of me wearing them standing<br>on my head, jumping through hoops, or separate the lot, there just isn't any<br>time.

读 更多的 较少的

13世纪韩国青瓷高丽王朝碗。 7.5 英寸宽 x 3.5 英寸高，边缘有两个修复的缺口，一些紧密稳定的发际线，开裂。这个碗是 20 世纪 80 年代从苏富比拍卖行购买的，但我们找不到与之相关的文件。

读 更多的 较少的

Antique Persian Middle Eastern Silver Inlay Copper Tray 14" wide and very heavy<br>for it's size as it's copper and silver. Guaranteed 18th-19th century. 90+%<br>silver (tested) on copper.<br>TW121

读 更多的 较少的

14" Antonio Pineda Mid Century Modernist 970 silver choker necklace, from the 3rd quarter of the 20th century with no issues. 14" inside measurement when closed, would be longer but doesn't stretch all the way long due to it's construction. 82.3 grams, 14mm wide.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

15" Antonio Pineda Mid Century Modernist silver choker necklace, from the 3rd quarter of the 20th century with no issues. 15" inside measurement when closed, would be longer but doesn't stretch all the way long due to it's construction. 79 grams, 14mm wide. Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

读 更多的 较少的

14" c1910 Schierholz Dresden Germany Hand Painted handled Serving Dish No damage whatsoever, clean gold with minor wear, very big. 14" x 10 5/8" x 2" deep. Colors are more vibrant than the pics suggest.

读 更多的 较少的

14" Huge Wimberly Glassworks art glass fan vase. 8" wide at rim with no cracks, chips, restorations, or wear. Signed WGW 2007 on base. While not very old, this would retail for about $400-$500 new from Wimberly Glassworks and it's in new condition, handmade. TW221

读 更多的 较少的

14 英寸大型 c1910 Pairpoint 美国明亮式切割雕刻烛台 4.75 英寸宽底座。无裂纹、缺口、凹痕或其他问题。这些是非常大的烛台，状况令人惊叹。未标记。书架

读 更多的 较少的

14" Vintage Mid Century Modernist Mexican sterling choker necklace 15mm-16mm wide with no issues.52.1 grams.

读 更多的 较少的

14 英寸 Vista Alegre Mottahedeh 烟叶花瓶洛斯托夫特复制品 6 英寸宽。无裂纹、缺口、修复、裂纹或金磨损。手绘。已退役的形状，但如果仍然有货的话，会直接从 Mottahedeh 以两倍于我要价的价格零售。

读 更多的 较少的

14.25" Georg Jensen Art Deco Sterling and moonstone Choker necklace. 14.25" long<br>closed x 5/8" wide x 48.4 grams. No issues whatsoever, pictured on a 12" neck.<br><br>Georg Jensen, (born August 31, 1866, Raadvad, Denmark—died October 2, 1935,<br>Copenhagen), Danish silversmith and designer who achieved international<br>prominence for his commercial application of modern metal design. The simple<br>elegance of his works and their emphasis on fine craftsmanship, hallmarks of<br>Jensen’s products, are recognized around the world.<br><br>Jensen was apprenticed to a goldsmith at age 14. His artistic talents were<br>briefly focused on sculpture, but he returned to metalwork, primarily jewelry<br>and silver pieces, produced in the workshop he opened in Copenhagen in 1904.<br>Jensen exhibited his works at several major foreign exhibitions (winning a gold<br>medal at the Brussels Exhibition of 1910) and quickly built a reputation as an<br>outstanding and highly original silversmith. He moved to a larger workshop in<br>1912 and acquired his first factory building in 1919.<br><br>Jensen’s silverware achieved immediate popularity and commercial success. He<br>was, in fact, the first silver maker to realize a profit from the manufacture of<br>modern silver. Until Jensen’s time virtually all successful silverware producers<br>had relied on a standard repertory of popular traditional designs. Jensen,<br>however, found that the market for his sleek, simple pieces was larger than<br>anyone had predicted. His firm grew rapidly, expanding throughout Europe and<br>opening branches in London and New York City. On both continents Jensen’s work<br>set trends for contemporary tableware. He was among the first designers to<br>fashion steel—formerly considered fit only for low-quality, inexpensive<br>flatware—into handsome, serviceable cutlery.

读 更多的 较少的